As companies increasingly look to the global market for capital, cheaper commodities and labor, and lower production costs, the impact on Mexican and American workers and labor unions is significant. National boundaries and the laws of governments that regulate social relations between laborers and management are less relevant in the era of globalization, rendering ineffective the traditional union strategies of pressuring the state for reform.

Focusing especially on the effects of the North American Free Trade Agreement and the North American Agreement on Labor Cooperation (the first international labor agreement linked to an international trade agreement), Norman Caulfield notes the waning political influence of trade unions and their disunity and divergence on crucial issues such as labor migration and workers' rights. Comparing the labor movement's fortunes in the 1970s with its current weakened condition, Caulfield notes the parallel decline in the United States' hegemonic influence in an increasingly globalized economy. As a result, organized labor has been transformed from organizations that once pressured management and the state for worker concessions to organizations that now request that workers concede wages, pensions, and health benefits to remain competitive in the global marketplace.

In this folkloric examination of mass-produced material culture in the United States, Jeannie Banks Thomas examines the gendered sculptural forms that are among the most visible, including Barbie, Ken, and G.I. Joe dolls; yard figures (gnomes, geese, and flamingos); and cemetery statuary (angels, sports-related images, figures of the Virgin Mary, soldiers, and politicians).
 
Images of females are often emphasized or sexualized, frequently through nudity or partial nudity, whereas those of the male body are not only clothed but also armored in the trappings of action and aggression. Thomas locates these various objects of folk art within a discussion of the post–women's movement discourse on gender.
 
In addition to the items themselves, Thomas explores the stories and behaviors they generate, including legends of the supernatural about cemetery statues, oral narratives of yard artists and accounts of pranks involving yard art, narratives about children's play with Barbie, Ken, and G.I. Joe, and the electronic folklore (or "e-lore") about Barbie that circulates on the Internet.
 

Michael Uzendoski's theoretically informed work analyzes value from the perspective of the Napo Runa people of the Amazonian Ecuador. 

Based upon historical and archival research, as well as the author's years of fieldwork in indigenous communities, The Napo Runa of Amazonian Ecuadorpresents theoretical issues of value, poetics, and kinship as linked to the author's intersubjective experiences in Napo Runa culture. Drawing on insights from the theory of gift and value, Uzendoski argues that Napo Runa culture personifies value by transforming things into people through a process of subordinating them to human relationships. While many traditional exchange models treat the production of things as inconsequential, the Napo Runa understand production to involve a relationship with natural beings (plants, animals, and spirits of the forest) that they believe share spiritual substance, or samai. Value is the outcome of a complicated poetics of transformation by which things and persons are woven into kinship forms that define daily social and ritual life.

Each of us has a narrative compass, a story that has guided our lifework. In this extraordinary collection, women scholars from a variety of disciplines identify and examine the stories that have inspired them, haunted them, and shaped their research, from Little House on the Prairie to Little Women, from the fairy tales of Hans Christian Andersen and Alice's Adventures in Wonderland to Nancy Drew, Mary Jane, and even the Chinese memoir Jottings from the Transcendant's Abode at Mt. Youtai. Telling the "story of her story" leads each of the essayists to insights about her own approach to studying narratives and to a deeper, often surprising, understanding of the power of imagination.

Contributors are Deyonne Bryant, Minjie Chen, Cindy L. Christiansen, Beverly Lyon Clark, Karen Coats, Wendy Doniger, Bonnie Glass-Coffin, Betsy Hearne, Joanna Hearne, Ann Hendricks, Rania Huntington, Christine Jenkins, Kimberly Lau, Pamela Riney-Kehrberg, Maria Tatar, Ebony Elizabeth Thomas, Roberta Seelinger Trites, Claudia Quintero Ulloa, and Ofelia Zepeda.
 

     
      A history of what became a romantic
      legend about a martyred prophet, a lost city, and religious persecution,
      this volume tells the story of Nauvoo, the early Mormon Church, and the
      temporal life of Joseph Smith. Nauvoo (1839-46) was a critical period in
      Mormon history. The climax of Smith's career and the start of Brigham Young's,
      it was here that Utah really had it's beginnings and that the pattern of
      Mormon society in the West was laid.
       "...the quality and quantity of research is commendable... an excellent
        contribution to American mid-western history and to Mormoniana in general."
       
        -- Journal of American History
 

The Nazi Olympics is the unsurpassed exposé of one of the most bizarre festivals in sport history. Not only does it provide incisive portraits of such key figures as Adolf Hitler, Jesse Owens, Leni Riefenstahl, Helen Stephens, Kee Chung Sohn, and Avery Brundage, it also vividly conveys the entire dazzling charade that reinforced and mobilized the hysterical patriotism of the German masses.
    
 

The 1936 Olympic Games played a key role in the development of both Hitler’s Third Reich and international sporting competition. The Nazi Olympics gathers essays by modern scholars from prominent participating countries and lays out the issues--sporting as well as political--surrounding the involvement of individual nations. 

The volume opens with an analysis of Germany’s preparations for the Games and the attempts by the Nazi regime to allay the international concerns about Hitler’s racist ideals and expansionist ambitions. Essays follow on the United States, Great Britain, and France--top-tier Olympian nations with misgivings about participation--as well as Germany's future Axis partners Italy and Japan. Other contributions examine the issues involved for Finland, Sweden, Norway, Denmark, and the Netherlands. Throughout, the authors reveal the high political stakes surrounding the Games and how the Nazi Olympics distilled critical geopolitical issues of the time into a spectacle of sport.

Hailed as "the most important overall reassessment of Dewey in several decades" (Sidney Ratner, Journal of Speculative Philosophy), The Necessity of Pragmatism investigates the most difficult and neglected aspects of Dewey's thought, his metaphysics and logic. R. W. Sleeper argues for a fundamental unity in Dewey's work, a unity that rests on his philosophy of language, and clarifies Dewey's conception of pragmatism as an action-based philosophy with the power to effect social change through criticism and inquiry.
 
Identifying Dewey's differences with his pragmatist forerunners, Charles Sanders Peirce and William James, Sleeper elucidates Dewey's reshaping of pragmatism and the radical significance of his philosophy of culture. In this first paperback edition, a new introduction by Tom Burke establishes the ongoing importance of Sleeper's analysis of the integrity of Dewey's work and its implications for mathematics, aesthetics, and the cognitive sciences.
 

Longstanding Mexican and Puerto Rican populations have helped make people of mixed nationalities—MexiGuatamalans, CubanRicans, and others—an important part of Chicago's Latina/o scene. Intermarriage between Guatemalans, Colombians, and Cubans have further diversified this community-within-a-community. Yet we seldom consider the lives and works of these Intralatino/as when we discuss Latino/as in the United States.In Negotiating Latinidad, a cross-section of Chicago's second-generation Intralatino/as offer their experiences of negotiating between and among the national communities embedded in their families. Frances R. Aparicio's rich interviews reveal Intralatino/as proud of their multiplicity and particularly skilled at understanding difference and boundaries. Their narratives explore both the ongoing complexities of family life and the challenges of fitting into our larger society, in particular the struggle to claim a space—and a sense of belonging—in a Latina/o America that remains highly segmented in scholarship. The result is an emotionally powerful, theoretically rigorous exploration of culture, hybridity, and transnationalism that points the way forward for future scholarship on Intralatino/a identity.

A major document of African American participation in the struggles of the Depression, The Negro in Illinois was produced by a special division of the Illinois Writers' Project, one of President Roosevelt's Works Progress Administration programs. The Federal Writers' Project helped to sustain "New Negro" artists during the 1930s and gave them a newfound social consciousness that is reflected in their writing.

 

Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, The Negro in Illinois employed major black writers living in Chicago during the 1930s, including Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, and Richard Durham. The authors chronicled the African American experience in Illinois from the beginnings of slavery to Lincoln's emancipation and the Great Migration, with individual chapters discussing various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project was canceled in 1942, most of the writings went unpublished for more than half a century--until now.

 

Working closely with archivist Michael Flug to select and organize the book, editor Brian Dolinar compiled The Negro in Illinois from papers at the Vivian G. Harsh Collection of Afro-American History and Literature at the Carter G. Woodson Library in Chicago. Dolinar provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance. Making available an invaluable perspective on African American life, this volume represents a publication of immense historical and literary importance.

From the slot machine trust of the early 1900s to the prolific Prohibition era bootleggers allied with Al Capone, and for decades beyond, organized crime in Chicago Heights, Illinois, represented a vital component of the Chicago Outfit. Louis Corsino taps interviews, archives, government documents, and his own family's history to tell the story of the Chicago Heights "boys" and their place in the city's Italian American community in the twentieth century.
 
Debunking the popular idea of organized crime as a uniquely Italian enterprise, Corsino delves into the social and cultural forces that contributed to illicit activities. As he shows, discrimination blocked opportunities for Italians' social mobility and the close-knit Italian communities that arose in response to such limits produced a rich supply of social capital Italians used to pursue alternative routes to success that ranged from Italian grocery stores to union organizing to, on occasion, crime.

Best known for his enormously successful independent film The Crying Game, Irish director Neil Jordan has made sixteen feature films since 1982. Even after achieving commercial success and critical acclaim with such films as Interview with the Vampire and The Butcher Boy, Jordan remains a curiously elusive figure in the era of the celebrity filmmaker. Maria Pramaggiore addresses this conundrum by examining Jordan's distinctive style across a surprisingly broad range of genres and production contexts, including horror and gangster films, Irish-themed movies, and Hollywood remakes.
 
Despite the striking diversity of Jordan's films, the director consistently returns to gothic themes of loss, violence, and madness. In her sophisticated examination of Mona Lisa,Michael Collins, and The Good Thief, Pramaggiore shows how Jordan presents these dark narratives with a uniquely Irish and postmodern sense of irony. This illuminating analysis of one of the cinema's most important artists will be of keen interest to movie enthusiasts as well as students and scholars of contemporary film.

The neoliberal philosophy of fiscal austerity aligned with reduced regulation has transformed Chicago. As pursued by mayor Rahm Emanuel and his predecessor Richard M. Daley, neoliberalism led officials to privatize everything from parking meters to schools, gut regulations and social services, and promote gentrification wherever possible. The essayists in Neoliberal Chicago explore an essential question: how does neoliberalism work on the ground in today's Chicago? Contextual chapters explore race relations, physical development, and why Chicago embraced neoliberalism. Other contributors delve into aspects of the neoliberal vision, neoliberalism's impact on three iconic city spaces, and how events like the 2008 foreclosure crisis and the bid to attract the Olympic Games reveal the workings of neoliberalism. Contributors: Stephen Alexander, Larry Bennett, Michael Bennett, Carrie Breitbach, Sean Dinces, Kenneth Fidel, Roberta Garner, Euan Hague, Black Hawk Hancock, Christopher Lamberti, Michael J. Lorr, Martha Martinez, Brendan McQuade, Alex G. Papadopoulos, Rajiv Shah, Costas Spirou, Carolina Sternberg, and Yue Zhang.

African Americans once passed as whites to escape the pains of racism. Today's neo-passing has pushed the old idea of passing in extraordinary new directions. A white author uses an Asian pen name; heterosexuals live "out" as gay; and, irony of ironies, whites try to pass as black. Mollie Godfrey and Vershawn Ashanti Young present essays that explore practices, performances, and texts of neo-passing in our supposedly postracial moment. The authors move from the postracial imagery of Angry Black White Boy and the issues of sexual orientation and race in ZZ Packer's short fiction to the politics of Dave Chappelle's skits as a black President George W. Bush. Together, the works reveal that the questions raised by neo-passing—questions about performing and contesting identity in relation to social norms—remain as relevant today as in the past. Contributors: Derek Adams, Christopher M. Brown, Martha J. Cutter, Marcia Alesan Dawkins, Michele Elam, Alisha Gaines, Jennifer Glaser, Allyson Hobbs, Brandon J. Manning, Loran Marsan, Lara Narcisi, Eden Osucha, Gayle Wald, and Deborah Elizabeth Whaley

In recent years, China 's leaders have taken decisive action to transform information, communications, and technology (ICT) into the nation's next pillar industry. In Networking China , Yu Hong offers an overdue examination of that burgeoning sector's political economy. Hong focuses on how the state, in conjunction with market forces and class interests, is constructing and realigning its digitalized sector. State planners intend to build a more competitive ICT sector by modernizing the network infrastructure, corporatizing media-and-entertainment institutions, and by using ICT as a crosscutting catalyst for innovation, industrial modernization, and export upgrades. The goal: to end China's industrial and technological dependence upon foreign corporations while transforming itself into a global ICT leader. The project, though bright with possibilities, unleashes implications rife with contradiction and surprise. Hong analyzes the central role of information, communications, and culture in Chinese-style capitalism. She also argues that the state and elites have failed to challenge entrenched interests or redistribute power and resources, as promised. Instead, they prioritize information, communications, and culture as technological fixes to make pragmatic tradeoffs between economic growth and social justice.

Never Seen the Moon carefully yet lucidly recreates a young woman's wild ride through the American legal system. In 1935, free-spirited young teacher Edith Maxwell and her mother were indicted for murdering Edith's conservative and domineering father, Trigg, late one July night in their Wise County, Virginia, home. Edith claimed her father had tried to whip her for staying out late. She said that she had defended herself by striking back with a high-heeled shoe, thus earning herself the sobriquet "slipper slayer."

Immediately granted celebrity status by the powerful Hearst press, Maxwell was also championed as a martyr by advocates of women's causes. National news magazines and even detective magazines picked up her story, Warner Brothers created a screen version, and Eleanor Roosevelt helped secure her early release from prison. Sharon Hatfield's brilliant telling of this true-crime story transforms a dusty piece of history into a vibrant thriller. Throughout the narrative, she discusses yellow journalism, the inequities of the jury system, class and gender tensions in a developing region, and a woman's right to defend herself from family violence.

In recent years, there has been an upsurge in interest in "roots music" and "world music," popular forms that fuse contemporary sounds with traditional vernacular styles. In the 1950s and 1960s, the music industry characterized similar sounds simply as "folk music." Focusing on such music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. Both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. By tracing the histories of these organizations, Michael F. Scully examines the ongoing controversy surrounding the profitability of folk music. He explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without "selling out."

In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival continues, and it includes a variety of music derived from Cajun, African American, and Mexican traditions, among many others. Even though the mainstream music industry and media largely ignore the term "folk music," a strong allure based on nostalgia, the desire for community, and a sense of exclusiveness augments an enthusiastic following connected by word-of-mouth, numerous festivals, and the Internet. There are more folk festivals now than there were during the original boom of the 1960s, suggesting that music artists, agents, and record label representatives are striking a successful balance between tradition and profitability. Scully combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music.

A passionate and celebrated pioneer in her own words

New Black Feminist Criticism, 1985-2000 collects a selection of essays and reviews from Barbara Christian, one of the founding voices in black feminist literary criticism. Published between the release of her second landmark book Black Feminist Criticism and her death, these writings include eloquent reviews, evaluations of black feminist criticism as a discipline, reflections on black feminism in the academy, and essays on Toni Morrison, Alice Walker, Paule Marshall, and others.

Published in 1912 on the heels of Twenty Years at Hull-House and at the height of Jane Addams's popularity, A New Conscience and an Ancient Evil assesses the vulnerability of the rural and immigrant working-class girls who moved to Chicago and fell prey to the sexual bartering of what was known as the white slave trade.
 
Addams offers lurid accounts–-drawn from the records of Chicago's Juvenile Protection Association–-of young women coerced into lives of prostitution by men who lurked outside hotels and sweatshops. Because they lacked funds for proper recreation, Addams argues, poor and socially marginalized women were susceptible to sexual slavery, and without radical social change they would perhaps be "almost as free" as young men. In addition to promoting higher wages and better living conditions, Addams suggests that a longer period of public education for young women would deter them from the dangers of city life.
 
Despite its appeal to middle–class readers eager for tales of sexual excess and the rape of innocence, the press and prominent intellectuals criticized A New Conscience and an Ancient Evil for being disproportionately hysterical to its philosophical weight. Katherine Joslin's introduction considers the controversial reactions to the book and the circumstances of its publication. Behind the sensationalism of the narratives, Joslin locates themes including the commodification of sex and the importance of marriage for young women.
 

Challenging received American history and forging a new path for Native American studies

Addressing Native American Studies' past, present, and future, the essays in New Indians, Old Wars tackle the discipline head-on, presenting a radical revision of the popular view of the American West in the process. Instead of luxuriating in its past glories or accepting the widespread historians' view of the West as a shared place, Elizabeth Cook-Lynn argues that it should be fundamentally understood as stolen.

Firmly grounded in the reality of a painful past, Cook-Lynn understands the story of the American West as teaching the political language of land theft and tyranny. She argues that to remedy this situation, Native American studies must be considered and pursued as its own discipline, rather than as a subset of history or anthropology. She makes an impassioned claim that such a shift, not merely an institutional or theoretical change, could allow Native American studies to play an important role in defending the sovereignty of indigenous nations today.

This second volume of <i>New Italian Migrations to the United States</i> explores the evolution of art and cultural expressions created by and about Italian immigrants and their descendants since 1945. The essays range from an Italian-language radio program that broadcast intimate messages from family members in Italy to the role of immigrant cookbook writers in crafting a fashionable Italian food culture. Other works look at how exoticized actresses like Sophia Loren and Pier Angeli helped shape a glamorous Italian style out of images of desperate postwar poverty; overlooked forms of brain drain; the connections between countries old and new in the works of Michigan self-taught artist Silvio Barile; and folk revival performer Alessandra Belloni's reinterpretation of tarantella dance and music for Italian American women. In the afterword, Anthony Julian Tamburri discusses the nomenclature ascribed to Italian American creative writers living in Italy and the United States.

<p>Contributors: John Allan Cicala, Simone Cinotto, Teresa Fiore, Incoronata (Nadia) Inserra, Laura E. Ruberto, Joseph Sciorra, and Anthony Julian Tamburri.

The 2012 smash "Gangnam Style" by the Seoul-based rapper Psy capped the triumph of Hallyu , the Korean Wave of music, film, and other cultural forms that have become a worldwide sensation. Dal Yong Jin analyzes the social and technological trends that transformed South Korean entertainment from a mostly regional interest aimed at families into a global powerhouse geared toward tech-crazy youth. Blending analysis with insights from fans and industry insiders, Jin shows how Hallyu exploited a media landscape and dramatically changed with the 2008 emergence of smartphones and social media, designating this new Korean Wave as Hallyu 2.0. Hands-on government support, meanwhile, focused on creative industries as a significant part of the economy and turned intellectual property rights into a significant revenue source. Jin also delves into less-studied forms like animation and online games, the significance of social meaning in the development of local Korean popular culture, and the political economy of Korean popular culture and digital technologies in a global context.

An examination of Italian immigrants and their children in the early twentieth century, A New Language, A New World is the first full-length historical case study of one immigrant group's experience with language in America. Incorporating the interdisciplinary literature on language within a historical framework, Nancy C. Carnevale illustrates the complexity of the topic of language in American immigrant life. By looking at language from the perspectives of both immigrants and the dominant culture as well as their interaction, this book reveals the role of language in the formation of ethnic identity and the often coercive context within which immigrants must negotiate this process.

Trailblazing women working in digital arts media and education established the Midwest as an international center for the artistic and digital revolution in the 1980s and beyond. Foundational events at the University of Illinois and the School of the Art Institute of Chicago created an authentic, community-driven atmosphere of creative expression, innovation, and interdisciplinary collaboration that crossed gender lines and introduced artistically informed approaches to advanced research. Interweaving historical research with interviews and full-color illustrations, New Media Futures captures the spirit and contributions of twenty-two women working within emergent media as diverse as digital games, virtual reality, medicine, supercomputing visualization, and browser-based art. The editors and contributors give voice as creators integral to the development of these new media and place their works at the forefront of social change and artistic inquiry. What emerges is the dramatic story of how these Midwestern explorations in the digital arts produced a web of fascinating relationships. These fruitful collaborations helped usher in the digital age that propelled social media. Contributors: Carolina Cruz-Niera, Colleen Bushell, Nan Goggin, Mary Rasmussen, Dana Plepys, Maxine Brown, Martyl Langsdorf, Joan Truckenbrod, Barbara Sykes, Abina Manning, Annette Barbier, Margaret Dolinsky, Tiffany Holmes, Claudia Hart, Brenda Laurel, Copper Giloth, Jane Veeder, Sally Rosenthal, Lucy Petrovic, Donna J. Cox, Ellen Sandor, and Janine Fron.
 

When C. Wright Mills published The New Men of Power in 1948, he
thought labor leaders a new strategic elite and the unions a set of vanguard organizations that were crucial to "stopping the main drift towards war and slump." Today, as the unions once again seek to play a decisive role in American life, Mills' remarkable probe into the structure and ideology of mid-twentieth-century trade unionism remains essential reading. A new introduction by historian Nelson Lichtenstein offers insight into the Millsian political world at the time he wrote The New Men of Power.
 

This volume is a critical edition of the 1587 treatise by Oliva Sabuco, New Philosophy of Human Nature, written during the Spanish Inquisition. Puzzled by medicine’s abject failure to find a cure for the plague, Sabuco developed a new theory of human nature as the foundation for her remarkably modern holistic philosophy of medicine.
 
Fifty years before Descartes, Sabuco posited a dualism that accounted for mind/body interaction. She was first among the moderns to argue that the brain--not the heart--controls the body. Her account also anticipates the role of cerebrospinal fluid, the relationship between mental and physical health, and the absorption of nutrients through digestion. This extensively annotated translation features an ample introduction demonstrating the work’s importance to the history of science, philosophy of medicine, and women’s studies.
 

This fascinating study is the first to examine the history of gender and science fiction and the first to discuss science fiction pulp magazines' images of women, as well as postmodernism and feminist science fiction. Robin Roberts begins with Shelley's Frankenstein, in which a female alien appears, and continues through H. G. Wells, the 1950s pulp science fiction magazines, Doris Lessing and feminist utopias, and the new generation of science fiction writers, including Joan Vinge, Sheila Finch, Vonda McIntyre, Ursula Le Guin, and Octavia Butler.
 

In this her second book, Jane Addams moves beyond humanitarian appeals to sensibility and prudence, advancing a more aggressive, positive idea of peace as a dynamic social process emerging out of the poorer quarters of cosmopolitan cities. Her deep analysis of relations among diverse groups in U.S. society, exemplified by inter-ethnic and labor relations in Chicago, draws widely useful lessons for both domestic and global peace, in an early formulation of today’s "globalization from below."

In an unprecedented, revolutionary critique of the pervasive militarization of society, Addams applies her scathing pen to traditional advocates and philosophers of “negative” peace, founders of the U.S. constitution, militarists, bigots, imperialists, and theories of “democratic peace” and liberal capitalism. Instead she sees a slow, powerful emergence of forces from below--the poor, the despised, workers, women, ethnic and racial communities, oppressed groups at home and abroad--that would invent moral substitutes for war and gradually shape a just, peaceful, and varied social order. An extensive, in-depth introduction by Berenice Carroll and Clinton Fink provides historical context, analysis, and a reassessment of the theoretical and practical significance of Newer Ideals of Peace today.

Against all odds, the seeds of social change found purchase in mid-twentieth century South Carolina. Newspaperman John McCray and his allies at the Lighthouse and Informer challenged readers to "rebel and fight"--to reject the "slavery of thought and action" and become "progressive fighters" for equality. Newspaper Wars traces the role journalism played in the fight for civil rights in South Carolina from the 1930s through the 1960s. Moving the press to the center of the political action, Sid Bedingfield tells the stories of the long-overlooked men and women on the front lines of a revolution. African American progress sparked a battle to shape South Carolina's civic life, with civil rights activists arrayed against white journalists determined to preserve segregation through massive resistance. As that strategy failed, white newspapers turned to overt political action and crafted the still-prevalent narratives that aligned southern whites with the national conservative movement. A fascinating portrait of a defining time, Newspaper Wars analyzes the role journalism played--and still can play--during times of social, cultural, and political change.

This wide-ranging history synthesizes scholarship and media sources to give the reader an inside view of the television contracts, labor issues, and other off-the-field forces that shaped the National Football League. Historian Richard Crepeau shows how Commissioner Pete Rozelle's steady leadership guided the league's explosive growth during the era of Monday Night Football and the Super Bowl's transformation into a mid-winter spectacle. Crepeau also delves into the league's masterful exploitation of media from radio to the internet, its ability to get taxpayers to subsidize team stadiums, and its success in delivering an outlet for experiencing vicarious violence to a public uneasy over the changing rules of masculinity.
 
Probing and learned, NFL Football tells an epic American success story peopled by larger-than-life figures and driven by ambition, money, sweat, and dizzying social and technological changes.

This English translation of Friedrich Nietzsche in seinen Werken offers a rare, intimate view of the philosopher by Lou Salomé, a free-thinking, Russian-born intellectual to whom Nietzsche proposed marriage at only their second meeting.
 
Published in 1894 as its subject languished in madness, Salomé's book rode the crest of a surge of interest in Nietzsche's iconoclastic philosophy. She discusses his writings and such biographical events as his break with Wagner, attempting to ferret out the man in the midst of his works.
 
Salomé's provocative conclusion -- that Nietzsche's madness was the inevitable result of his philosophical views -- generated considerable controversy. Nietzsche's sister, Elisabeth Förster-Nietzsche, dismissed the book as a work of fantasy. Yet the philosopher's longtime acquaintance Erwin Rohde wrote, "Nothing better or more deeply experienced or perceived has ever been written about Nietzsche."
 
Siegfried Mandel's extensive introduction examines the circumstances that brought Lou Salomé and Nietzsche together and the ideological conflicts that drove them apart.
 

      From The Birth of Tragedy on, Nietzsche worked to comprehend the
        nature of the individual. Richard White shows how Nietzsche was inspired
        and guided by the question of personal "sovereignty" and how
        through his writings he sought to provoke the very sovereignty he described.
        White argues that Nietzsche is a philosopher our contemporary age must
        therefore come to understand if we are ever to secure a genuinely meaningful
        direction for the future. Profoundly relevant to our era, Nietzsche's
        philosophy addresses a version of individuality that allows us to move
        beyond the self-dispossession of mass society and the alternative of selfish
        individualism--to fully understand how one becomes what one is.
      A volume in the International Nietzsche Studies series, edited by
        Richard Schacht
 

This is the first translation into English of a milestone in Nietzsche interpretation. Wolfgang Müller-Lauter examines Nietzsche's doctrines of the will to power and the overman in light of Nietzsche's philosophy of real contradictions. He shows that Nietzsche's vision of inherently contradictory "wills to power" is the source of irresolvable contradictions in his philosophy.
 
Müller-Lauter has remained at the forefront of German Nietzsche studies throughout the quarter century since this book first appeared.  This long-awaited translation, containing two substantial subsequent essays, is a major addition to the English-language Nietzsche literature
 

Nietzsche and the philosopy of language have been a well trafficked crossroads for a generation, but almost always as a checkpoint for post-modernism and its critics. This work takes a historical approach to Nietzsche’s work on language, connecting it to his predecessors and contemporaries rather than his successors. Though Nietzsche invited identification with Zarathustra, the solitary wanderer ahead of his time, for most of his career he directly engaged the intellectual currents and scientific debates of his time. 
Emden situates Nietzsche’s writings on language and rhetoric within their wider historical context.  He demonstrates that Nietzsche is not as radical in his thinking as has been often supposed, and that a number of problems with Nietzsche disappear when Nietzsche’s works are compared to works on the same subjects by writers of the 18th and 19th centuries.  Further, the relevance of rhetoric and the history of rhetoric to philosophy and the history of philosophy is reasserted, in consonance with Nietzsche’s own statements and practices.   Important in this regard are the role of fictions, descriptions, and metaphor.
 

In Nietzsche's Perspectivism, Steven Hales and Rex Welshon offer an analytic approach to Nietzsche's important idea that truth is perspectival. Drawing on Nietzsche's entire published corpus, along with manuscripts he never saw to press, they assess the different perspectivisms at work in Nietzsche's views with regard to truth, logic, causality, knowledge, consciousness, and the self. They also examine Nietzsche's perspectivist ontology of power and the attendant claims that substances and subjects are illusory while forces and alliances of power constitute the only reality.
 
Hales and Welshon present Nietzsche's treatment of perspectivism as both more complex and more fruitful than the common view of it as a doctrine that truth is not objective. Neither a metaphor nor a methodology, perspectivism emerges as a protean concept akin to a unifying theme; an alternative to the absolutism that recurs in science, philosophy, and religion; and a technique for revealing the unimagined possibilities open to every individual.
 

Friedrich Nietzsche was immensely influential and, counter to most expectations, also very well read. An essential new reference tool for those interested in his thinking, Nietzsche’s Philosophical Context identifies the chronology and huge range of philosophical books that engaged him. Rigorously examining the scope of this reading, Thomas H. Brobjer consulted over two thousand volumes in Nietzsche’s personal library, as well as his book bills, library records, journals, letters, and publications. This meticulous investigation also considers many of the annotations in his books. In arguing that Nietzsche’s reading often constituted the starting point for, or counterpoint to, much of his own thinking and writing, Brobjer’s study provides scholars with fresh insight into how Nietzsche worked and thought; to which questions and thinkers he responded; and by which of them he was influenced. The result is a new and much more contextual understanding of Nietzsche's life and thinking.

Nietzsche's Revaluation of Values is an assessment of Nietzsche's challenging plan to revalue all values, including knowledge, morality, religion, art, and the state. E. E. Sleinis analyzes the success of Nietzsche's enterprise as well as its inadequacies; among the positive contributions he singles out Nietzsche's theory of value, his conception of higher-order values, and his conception of the maximally affirmative attitude as creations of enduring importance.

A penetrating study of the sister who betrayed and endangered her famous brother's legacy

In 1901, a year after her brother Friedrich's death, Elisabeth Förster-Nietzsche published The Will to Power, a hasty compilation of writings he had never intended for print. In Nietzsche's Sister and the Will to Power, Carol Diethe contends that Förster-Nietzsche's own will to power and her desire to place herself--not her brother--at the center of cultural life in Germany are centrally responsible for Nietzsche's reputation as a belligerent and proto-Fascist thinker.

Offering a new look at Nietzsche's sister from a feminist perspective, this spirited and erudite biography examines why Elisabeth Förster-Nietzsche recklessly consorted with anti-Semites, from her own husband to Hitler himself, out of convenience and a desire for revenge against a brother whose love for her waned after she caused the collapse of his friendship with Lou Salomé. The book also examines their family dynamics, Nietzsche's dismissal of his sister's early writing career, and the effects of limited education on intelligent women. Diethe concludes by detailing Förster-Nietzsche's brief marriage and her subsequent colonial venture in Paraguay, maintaining that her sporadic anti-Semitism was, like most things in her life, an expedient tool for cultivating personal success and status.

A volume in the series International Nietzsche Studies, edited by Richard Schacht

No other contemporary novel received the volume and intensity of criticism and curiosity that greeted Nigger Heaven upon its publication in 1926. Carl Van Vechten's novel generated a storm of controversy because of its scandalous title and fed an insatiable hunger on the part of the reading public for material relating to the black culture of Harlem's jazz clubs, cabarets, and social events.
 
"The book and not the title is the thing," James Weldon Johnson insisted with regard to Nigger Heaven, and the book is indeed a nuanced and vibrant portrait of "the great black walled city" of Harlem. Opening on a scene of tawdry sensationalism, Nigger Heaven shifts decisively to a world of black middle-class respectability, defined by intellectual values, professional ambition, and an acute consciousness of class and racial identity.
 
Here is a Harlem where upper-class elites discuss art in well-appointed drawing rooms; rowdy and lascivious drunks spend long nights in jazz clubs and speakeasies; and politically conscious young intellectuals drink coffee and debate "the race problem" in walk-up apartments. At the center of the story, two young people--a quiet, serious librarian and a volatile aspiring writer--struggle to love each other as their dreams are slowly suffocated by racism.
 
This reissue is based on the seventh printing, which included poetry composed by Langston Hughes especially for the book. Kathleen Pfeiffer's astute introduction investigates the controversy surrounding the shocking title and shows how the novel functioned in its time as a site to contest racial violence. She also signals questions of racial authenticity and racial identity raised by a novel about black culture written by a white admirer of that culture.
 

The Nightinghouls of Paris is a thinly fictionalized memoir of the darker side of expatriate life in Paris. Beginning in 1928, the story follows the changes undergone by Canadian youths John Glassco and his friend Graeme Taylor during their (mis)adventures in Paris while trying to become writers. There they meet Robert McAlmon, who guides them through the city’s cafes, bistros, and nightclubs, where they find writers and artists including Kay Boyle (with whom Glassco has a fling), Bill Bird, Djuna Barnes, Claude McKay, Hilaire Hiler, Peggy Guggenheim, and Ernest Hemingway.

Fleeing France in late 1940, Robert McAlmon lost his notebook manuscripts and drafted 
The Nightinghouls of Paris from memory. Till now, it has existed solely as a typescript held by Yale University. Unlike most memoirs of American expatriates in the ‘20s, The Nightinghouls of Paris centers not only on writers, but also encompasses the racial, national, and social mélange they encountered in everyday life.    

 

Nikkei Baseball examines baseball's evolving importance to the Japanese American community and the construction of Japanese American identity. Originally introduced in Japan in the late 1800s, baseball was played in the United States by Japanese immigrants first in Hawaii, then San Francisco and northern California, then in amateur leagues up and down the Pacific Coast. For Japanese American players, baseball was seen as a sport that encouraged healthy competition by imposing rules and standards of ethical behavior for both players and fans. The value of baseball as exercise and amusement quickly expanded into something even more important, a means for strengthening social ties within Japanese American communities and for linking their aspirations to America's pastimes and America's promise.

 

With World War II came internment and baseball and softball played behind barbed wire. After their release from the camps, Japanese Americans found their reentry to American society beset by anti-Japanese laws, policies, and vigilante violence, but they rebuilt their leagues and played in schools and colleges. Drawing from archival research, prior scholarship, and personal interviews, Samuel O. Regalado explores key historical factors such as Meji-era modernization policies in Japan, American anti-Asian sentiments, internment during World War II, the postwar transition, economic and educational opportunities in the 1960s, the developing concept of a distinct "Asian American" identity, and Japanese Americans' rise to the major leagues with star players including Lenn Sakata and Kurt Suzuki and even managers such as the Seattle Mariners' Don Wakamatsu.

      Selected by Sandra McPherson
        for the 1996 National Poetry Series
      The late poet James V. Dickey
        was judge of the Yale Prize poetry competition when he wrote to A. V.
        Christie, one of the finalists, "I have become very fond of your
        poems, especially the elegiac ones. . . . Your work is heartfelt; one
        believes every word of it. . . . You have given me much in-depth pleasure;
        have moved me strongly."
      The work in Nine Skies
        is as Dickey described it--heartfelt, moving. Here is what others
        say about it:
      "Beautifully crafted
        and sustained, with six or seven poems as fine as anything being written
        today. This remarkable book is a rite of passage for the poet and speaks
        of even better things to come." -- Elizabeth Spires
      "Only the best poetry
        is written this well, with this much craft and conviction. Of course the
        poems are meditative and elegiac, brilliant and finely detailed, but they
        are also thought through and wholly felt, so that even in their small
        moments they celebrate."
        --&nbsp;Stanley Plumly
      "A. V. Christie writes
        with a Romantic's eye and a Realist's heart, so there is no sentimentality,
        that sickness afflicting our age. The voice on these pages is hard-bitten,
        luxuriant, and true." -- Henri Cole
      "Nine Skies is
        a graceful realization in each detail of elegy or celebration." --
        Sandra McPherson
 

In this classic of natural history, National Medal of Science winner May Berenbaum weaves a web of spellbinding portraits that acquaints readers with the multitudes sharing our world and, alas, our kitchen. Go small or go home as Berenbaum reveals:
Why the "Jesus bug" can walk on water
How the katydid’s nighttime noise inspired romantic poetry
The trapping prowess of the hungry antlion
That disgusting thing chiggers do to eat your skin
 
A witty and educational guide that’s as accessible as the container of flour you should have closed more tightly, Ninety-nine Gnats, Nits, and Nibblers is the fascinating story of our million closest neighbors.
 

What lives in a reindeer’s nose? Glad you asked. In this sequel to Ninety-nine Gnats, Nits, and Nibblers, National Medal of Science winner May Berenbaum offers another classic compendium of creepy-crawly cameos. Read up on our myriad arthropodan indignities and allies as Berenbaum reveals:
Why the rove beetle gives mind-altering drugs to ants
How the snail-killing fly enjoys its escargot
Why Piophila casei doesn’t care when you eat its larvae
What strange fate awaits a honey ant worker engorged with nectar
 
As lively as a fly in the buttermilk, Ninety-nine More Maggots, Mites, and Munchers is a who’s who and what’s THAT? guide to Lilliputian life-forms both familiar and obscure.
 

A mere handful of battlefields have come to epitomize the anguish and pain of America's Civil War: Gettysburg, Shiloh, Chancellorsville, Chickamauga. Yet another name belongs on that infamous list: Stones River, the setting for Peter Cozzens's No Better Place to Die.
 
It was here that both the Union and Confederate armies lost over one-quarter of their forces in battle casualties. The Confederacy's defeat at Stones River unleashed a wave of dissension that crippled the army's high command and ultimately closed Tennessee to the South for two years. The loss deterred the British and French from coming to the aid of the South in the Civil War, with tragic effects for the Southern cause.
 
In the 126 years since the guns fell silent at Stones River, few books have examined the bloody clash and its impact on the war's subsequent outcome. No Better Place to Die recounts the events and strategies that brought the two armies to the banks of this central Tennessee river on December 31, 1862. Cozzens re-creates the battle itself, following the movements and performance of individual regiments. A series of maps clarifies the combat activity.
 
Cozzens frequently lets the men who fought the battle speak for themselves, through letters, diaries, memoirs, and battlefield communications. Here we learn about such critical moments as General Philip Sheridan's gallant defense along the Wilkinson Pike, one of the war's most tenacious stands against overwhelming odds, and the bravery in battle exemplified by Brekenridge's attack on the Union left, a doomed assault with the poignancy of Pickett's charge.
 
Over twenty thousand Union and Confederate soldiers were killed, wounded, or captured in the bloody New Year's battle of Stone's River. The impact of their struggle extended far beyond the thousands of shattered human lives, ultimately imperiling the fortunes of the Confederacy. No Better Place to Die pays tribute to the heroes, the scoundrels, the mistakes, the bravery, and the grief at Stone's River.

This is the first book to celebrate the life and writing of one of the most charismatic Southern leaders of the middle twentieth century, Don West (1906-1992). West was a poet, a pioneer advocate for civil rights, a preacher, a historian, a labor organizer, a folk-music revivalist, an essayist, and an organic farmer. He is perhaps best known as an educator, primarily as cofounder of the Highlander Folk School in Tennessee and founder of the Appalachian South Folklife Center in West Virginia. In his old age, West served as an elder statesman for his causes.
 
No Lonesome Road allows Don West to speak for himself. It provides the most comprehensive collection of his poetry ever published, spanning five decades of his literary career. It also includes the first comprehensive and annotated collection of West's nonfiction essays, articles, letters, speeches, and stories, covering his role at the forefront of Southern and Appalachian history, and as a pioneer researcher and writer on the South's little-known legacy of radical activism.
 
Drawing from both primary and secondary sources, including previously unknown documents, correspondence, interviews, FBI files, and newspaper clippings, the introduction by Jeff Biggers stands as the most thorough, insightful biographical sketch of Don West yet published in any form.
 
The afterword by George Brosi is a stirring personal tribute to the contributions of West and also serves as a thoughtful reflection on the interactions between the radicals of the 1930s and the 1960s.
 
The best possible introduction to his extraordinary life and work, this annotated selection of Don West's writings will be inspirational reading for anyone interested in Southern history, poetry, religion, or activism.
 

No Votes for Women explores the complicated history of the suffrage movement in New York State by delving into the stories of women who opposed the expansion of voting rights to women. Susan Goodier finds that conservative women who fought against suffrage encouraged women to retain their distinctive feminine identities as protectors of their homes and families, a role they felt was threatened by the imposition of masculine political responsibilities. She details the victories and defeats on both sides of the movement from its start in the 1890s to its end in the 1930s, acknowledging the powerful activism of this often overlooked and misunderstood political force in the history of women's equality.

 "A highly intelligent and
  successful study exploring the uncanny features of Conrad's art that respond,
  and lend depth, to the concerns of theorists such as Bakhtin and Lyotard."
  -- Suresh Raval, University of Arizona
 

In this book, five leading scholars of media and communication take on the difficult but important task of explicating the role of journalism in democratic societies. Using Fred S. Siebert, Theodore Peterson, and Wilbur Schramm's classic Four Theories of the Press as their point of departure, the authors explore the philosophical underpinnings and the political realities that inform a normative approach to questions about the relationship between journalism and democracy, investigating not just what journalism is but what it ought to be.

The authors identify four distinct yet overlapping roles for the media: the monitorial role of a vigilant informer collecting and publishing information of potential interest to the public; the facilitative role that not only reports on but also seeks to support and strengthen civil society; the radical role that challenges authority and voices support for reform; and the collaborative role that creates partnerships between journalists and centers of power in society, notably the state, to advance mutually acceptable interests. Demonstrating the value of a reconsideration of media roles, Normative Theories of the Media provides a sturdy foundation for subsequent discussions of the changing media landscape and what it portends for democratic ideals.

In a 1953 effort to end the authority of local Native American governments, Congress passed Public Law 83-280. Allowing states to apply their criminal and civil laws to Native American country, the law provided an unparalleled opportunity for the state of South Dakota to crush burgeoning Lakota nationalism.
 
Edward Valandra's Not Without Our Consent documents the tenacious and formidable Lakota resistance to attempts at applying this law. In unprecedented depth, it follows their struggle through the 1950s when, against all odds, their resistance succeeded in the amendment of PL 83-280 to include Native consent as a prerequisite to state jurisdiction. The various House and Senate bills discussed in the manuscript are reproduced in five appendices.
 

This compelling never-before-published
  account takes the reader into Red Guard and Red Army units, Moscow factories,
  workers' homes, and to the unfamiliar world of feudal Dagestan. Worker-revolutionary
  Eduard Dune was seventeen when the Russian revolution began. He joined the Bolshevik
  party and fought with the Moscow Red Guard during the October revolution. Notes
  of a Red Guard is his candid account of what happened through 1921. This
  uncensored account offers a rare glimpse of revolutionary Russia from the perspective
  of an educated, skilled worker who became a rank-and-file participant.
 

Unique in ethnography, Nurturing Doubt documents the transforming effects of field experiences on a young Mennonite who went to Argentina to work with the Toba, first as a missionary and later as an anthropologist. Elmer Miller insightfully probes the documents--diaries, field journals, and letters--of both his lives, revealing as he does the ways in which his perceptions of the Toba--and theirs of him--changed when his role changed. Deeply affected by an upbringing in which he had been taught that doubting was "sinful," Miller gradually found that he doubted not only the validity of the missionary mandate but also his ethnographic mandate and the whole practice of anthropology. His exploration of how his doubt was transformed from a negative activity into a positive philosophical attitude underscores the richness of his relationships with the Toba. In depicting the move from theological to anthropological discourse, Miller contributes to current debates over the form and purpose of ethnographic investigation and reporting.