Today there is much debate over an increasingly "global economy." But commercial cinema has been, from the very beginnings of its existence, "globalized." From the mediums inception, films have defined and reinforced the core values and social structures of countries. They have also helped definesocially and culturallywhat is to be considered "outside" the nation and what it is to be shunned.

Film and Nationalism examines the ways in which cinema has been considered an arena of conflict and interaction between nations and nationhood. Each section of this volume explores a crucial aspect of the discussion. Is film an effective form of national propaganda? Are films losing the very notion of nationhood, in favor of a generalized, "global" cinematographic culture? What is films influence over "national character"? In addition, the volume explores the cultural and economic interactions between developed and underdeveloped countries. How have third world nations defined themselves in relation to hegemonic first world cultures, and how have their relations been changed through the dissemination of Western films? Throughout, Alan Williams chooses essays that enhance our understanding of how films help shape our sense of nationhood and self.

The essays in this volume represent some of the best new thinking about the crucial relations between visual representation in film and human subjectivity. No amount of empirical research into the sociology of actual audiences will displace the desire to speculate about the effects of visual culture, and especially moving images, on viewing subjects. These notions of spectatorship, however hypothetical, become extremely compelling metaphors for the workings of vision within the institution of cinema. Viewing Positions examines the tradition of a centered, unitary, distanced, and objectifying spectator's gaze; investigates the period when film spectatorship as an idea began; and analyses gender- and sexuality-based challenges to the homogeneous classical theory of spectatorship. It makes available critical understandings of spectatorship that have, until now, largely eluded cinema studies.

The essays in this volume represent some of the best new thinking about the crucial relations between visual representation in film and human subjectivity. No amount of empirical research into the sociology of actual audiences will displace the desire to speculate about the effects of visual culture, and especially moving images, on viewing subjects. These notions of spectatorship, however hypothetical, become extremely compelling metaphors for the workings of vision within the institution of cinema. Viewing Positions examines the tradition of a centered, unitary, distanced, and objectifying spectator's gaze; investigates the period when film spectatorship as an idea began; and analyses gender- and sexuality-based challenges to the homogeneous classical theory of spectatorship. It makes available critical understandings of spectatorship that have, until now, largely eluded cinema studies.

A Place to Be is the first book to explore migration dynamics and community settlement among Brazilian, Guatemalan, and Mexican immigrants in America's new South. The book adopts a fresh perspective to explore patterns of settlement in Florida, including the outlying areas of Miami and beyond. The stellar contributors from Latin America and the United States address the challenges faced by Latino immigrants, their cultural and religious practices, as well as the strategies used, as they move into areas experiencing recent large-scale immigration.

Contributors to this volume include Patricia Fortuny Loret de Mola, Carol Girón Solórzano, Silvia Irene Palma, Lúcia Ribeiro, Mirian Solfs Lizama, José Claúdio Souza Alves, Timothy J. Steigenga, Manuel A. Vásquez, and Philip J. Williams.

This comprehensive reference guide provides an  in-depth study of New Jersey's constitution.
 
The year 1997 marks the fiftieth anniversary of New Jerseys wellregarded state constitution.  State constitutions, although the highest source of law within a state, are not well understood by citizens, government officials, historians, political scientists, lawyers, or even judges.

This book is the first single volume to combine a detailed review of New Jersey's constitutional history and analysis of each section of the current constitution.  It is the standard work on New Jersey constitutional development and law.  Divided into two parts, the book first covers the historical development of the constitutions of 1776, 1844, the Constitutional Commission of 1873, and the current constitution written in 1947.  It then traces the origins and major judicial interpretations of each section of the present-day constitution.  It concludes with an exhaustive bibliographical essay which organizes the most complete listing of primary and secondary sources to date.

Java is the most populous island of Indonesia, the fifth largest nation in the world. Yet despite its importance, outsiders know little about the country or its people. With the help of Indonesian students and scholars, Walter L. Williams has collected and translated the life histories of twenty-seven Javanese women and men. The people interviewed tell how they have coped with rapid social and economic change, and the transformation of their traditions. Williams has carefully selected the individuals he includes to represent a wide diversity of Java's people. We hear from fascinating men and women of various religions, from the rich and the poor, and from different ethnic backgrounds. Diversity is a constant theme, as evidenced by a poor pedicab driver who can barely scrape along, by a rich businesswoman who explains how she balances her professional and domestic roles, by an educated and respected homosexual school principal, and by an illiterate mother of fourteen children. All of them present in their lives a unique Javanese approach to living.

These oral histories were derived from elderly people, who have a larger perspective on the changes they have seen in their lifetimes. The focus of the first section of the book is the way people have adapted in their daily lives to massive social and economic changes. In the middle section, we hear from the Javanese who represent traditional values in the midst of change. Finally, we hear from educators and parents who tell us of their concerns for Indonesian youth and the future of Indonesia.

What does it mean to describe cinematic effects as “movie magic,” to compare filmmakers to magicians, or to say that the cinema is all a “trick”? The heyday of stage illusionism was over a century ago, so why do such performances still serve as a key reference point for understanding filmmaking, especially now that so much of the cinema rests on the use of computers?
 
To answer these questions, Colin Williamson situates film within a long tradition of magical practices that combine art and science, involve deception and discovery, and evoke two forms of wonder—both awe at the illusion displayed and curiosity about how it was performed. He thus considers how, even as they mystify audiences, cinematic illusions also inspire them to learn more about the technologies and techniques behind moving images. Tracing the overlaps between the worlds of magic and filmmaking, Hidden in Plain Sight examines how professional illusionists and their tricks have been represented onscreen, while also considering stage magicians who have stepped behind the camera, from Georges Méliès to Ricky Jay.
 
Williamson offers an insightful, wide-ranging investigation of how the cinema has functioned as a “device of wonder” for more than a century, while also exploring how several key filmmakers, from Orson Welles to Christopher Nolan and Martin Scorsese, employ the rhetoric of magic. Examining pre-cinematic visual culture, animation, nonfiction film, and the digital trickery of today’s CGI spectacles, Hidden in Plain Sight provides an eye-opening look at the powerful ways that magic has shaped our modes of perception and our experiences of the cinema. 

Today’s critical establishment assumes that sentimentalism is an eighteenth- and nineteenth-century literary mode that all but disappeared by the twentieth century. In this book, Jennifer Williamson argues that sentimentalism is alive and well in the modern era. By examining working-class literature that adopts the rhetoric of “feeling right” in order to promote a proletarian or humanist ideology as well as neo-slave narratives that wrestle with the legacy of slavery and cultural definitions of African American families, she explores the ways contemporary authors engage with familiar sentimental clichés and ideals.

Williamson covers new ground by examining authors who are not generally read for their sentimental narrative practices, considering the proletarian novels of Grace Lumpkin, Josephine Johnson, and John Steinbeck alongside neo-slave narratives written by Margaret Walker, Octavia Butler, and Toni Morrison. Through careful close readings, Williamson argues that the appropriation of sentimental modes enables both sympathetic thought and systemic action in the proletarian and neo-slave novels under discussion. She contrasts appropriations that facilitate such cultural work with those that do not, including Kathryn Stockett’s novel and film The Help. The book outlines how sentimentalism remains a viable and important means of promoting social justice while simultaneously recognizing and exploring how sentimentality can further white privilege.

Sentimentalism is not only alive in the twentieth century. It is a flourishing rhetorical practice among a range of twentieth-century authors who use sentimental tactics in order to appeal to their readers about a range of social justice issues. This book demonstrates that at stake in their appeals is who is inside and outside of the American family and nation.

In recent decades, American universities have begun to tout the “diversity” of their faculty and student bodies. But what kinds of diversity are being championed in their admissions and hiring practices, and what kinds are being neglected? Is diversity enough to solve the structural inequalities that plague our universities? And how might we articulate the value of diversity in the first place? 

 

Transforming the Academy begins to answer these questions by bringing together a mix of faculty—male and female, cisgender and queer, immigrant and native-born, tenured and contingent, white, black, multiracial, and other—from public and private universities across the United States. Whether describing contentious power dynamics within their classrooms or recounting protests that occurred on their campuses, the book’s contributors offer bracingly honest inside accounts of both the conflicts and the learning experiences that can emerge from being a representative of diversity. 

 

The collection’s authors are united by their commitment to an ideal of the American university as an inclusive and transformative space, one where students from all backgrounds can simultaneously feel intellectually challenged and personally supported. Yet Transforming the Academy also offers a wide range of perspectives on how to best achieve these goals, a diversity of opinion that is sure to inspire lively debate. 

 

Winner of the 2018 North American Society for the Sociology of Sport Book Award

For nearly one hundred years, basketball has been an important part of Japanese American life.  Women’s basketball holds a special place in the contemporary scene of highly organized and expansive Japanese American leagues in California, in part because these leagues have produced numerous talented female players. Using data from interviews and observations, Nicole Willms explores the interplay of social forces and community dynamics that have shaped this unique context of female athletic empowerment. As Japanese American women have excelled in mainstream basketball, they have emerged as local stars who have passed on the torch by becoming role models and building networks for others. 

Over the past century, Disney has grown from a small American animation studio into a multipronged global media giant. Today, the company’s annual revenue exceeds the GDP of over 100 countries, and its portfolio has grown to include Pixar, Marvel, Lucasfilm, ABC, and ESPN. With a company so diversified, is it still possible to identify a coherent Disney vision or message?

Disney Culture proposes that there is still a unifying Disney ethos, one that can be traced back to the corporate philosophy that Walt Disney himself developed back in the 1920s. Yet, as cultural historian John Wills demonstrates, Disney’s values have also adapted to changing social climates. At the same time, the world of Disney has profoundly shaped how Americans view the world.

Wills offers a nuanced take on the corporate ideologies running through animated and live-action Disney movies from Frozen to Fantasia, from Mary Poppins to Star Wars: The Force Awakens. But Disney Culture encompasses much more than just movies as it explores the intersections between Disney’s business practices and its cultural mythmaking.  Welcome to “the Disney Way.”
 

In 1843, the Louisiana Supreme Court heard the case of a slave named Sally Miller, who claimed to have been born a free white person in Germany. Sally, a very light-skinned slave girl working in a New Orleans caf, might not have known she had a case were it not for a woman who recognized her as Salom Muller, with whom she had emigrated from Germany over twenty years earlier. Sally decided to sue for her freedom, and was ultimately freed, despite strong evidence contrary to her claim.

In The Two Lives of Sally Miller, Carol Wilson explores this fascinating legal case and its reflection on broader questions about race, society, and law in the antebellum South. Why did a court system known for its extreme bias against African Americans help to free a woman who was believed by many to be a black slave? Wilson explains that while the notion of white enslavement was shocking, it was easier for society to acknowledge that possibility than the alternative-an African slave who deceived whites and triumphed over the system.

When Adorned in Dreams was first published in 1985, Angela Carter described the book as "the best I have read on the subject, bar none." From haute couture to haberdashery, "deviant" dress to Dior, Elizabeth Wilson traces the social and cultural history of fashion and its complex relationship to modernity. She also discusses fashion's vociferous opponents, from the "dress reform" movement to certain strands of feminism. Wilson delights in the power of fashion to mark out identity or subvert it. This brand new edition of her book follows recent developments to bring the story of fashionable dress up to date, exploring the grunge look inspired by bands like Nirvana, the "boho chic" of the mid 90's, retro-dressing, and the meanings of dress from the veil to soccer player David Beckham's pink-varnished toenails.

Since the early nineteenth century, the bohemian has been the protagonist of the story the West has wanted to hear about its artists-a story of genius, glamour, and doom. The bohemian takes on many guises: the artist dying in poverty like Modigliani or an outrageous entertainer like Josephine Baker. Elizabeth Wilson's enjoyable book is a quest for the many shifting meanings that constitute the bohemian and bohemia.

She tells unforgettable stories of the artists, intellectuals, radicals, and hangers-on who populated the salons, bars, and cafs of Paris, London, New York, Los Angeles, and San Francisco, including Djuna Barnes, Juliette Greco, Allen Ginsberg, William Burroughs, Jack Kerouac, Amiri Baraka, Andy Warhol, and Jackson Pollock. Bohemians also follows the women who contributed to the myth, including the wives and mistresses, the muses, lesbians, and independent artists. Wilson explores the bohemians' eccentric use of dress, the role of sex and erotic love, the bohemian search for excess, and the intransigent politics of many.

As a new millennium begins, Wilson shows how notions of bohemianism remain at the core of heated cultural debates about the role of art and artists in an increasingly commodified and technological world.

Breastfeeding rarely conforms to the idealized Madonna-and-baby image seen in old artwork, now re-cast in celebrity breastfeeding photo spreads and pro-breastfeeding ad campaigns. The personal accounts in Others’ Milk illustrate just how messy and challenging and unpredictable it can be—an uncomfortable reality in the contemporary context of high-stakes motherhood in which “successful” breastfeeding proves one’s maternal mettle. 

Exceptional breastfeeders find creative ways to feed and care for their children—such as by inducing lactation, sharing milk, or exclusively pumping. They want to adhere to the societal ideal of giving them “the best” but sometimes have to face off with dogmatic authorities in order to do so. Kristin J. Wilson argues that while breastfeeding is never going to be the feasible choice for everyone, it should be accessible to anyone.  

Historically, religious scriptures are defined as holy texts that are considered to be beyond the abilities of the layperson to interpret. Their content is most frequently analyzed by clerics who do not question the underlying political or social implications of the text, but use the writing to convey messages to their congregations about how to live a holy existence. In Western society, moreover, what counts as scripture is generally confined to the Judeo-Christian Bible, leaving the voices of minorities, as well as the holy texts of faiths from Africa and Asia, for example, unheard. 

In this innovative collection of essays that aims to turn the traditional bible-study definition of scriptures on its head, Vincent L. Wimbush leads an in-depth look at the social, cultural, and racial meanings invested in these texts. Contributors hail from a wide array of academic fields and geographic locations and include such noted academics as Susan Harding, Elisabeth Shüssler Fiorenza, and William L. Andrews.

Purposefully transgressing disciplinary boundaries, this ambitious book opens the door to different interpretations and critical orientations, and in doing so, allows an ultimately humanist definition of scriptures to emerge.

In an American society both increasingly diverse and increasingly segregated, the signals children receive about race are more confusing than ever. In this context, how do children negotiate and make meaning of multiple and conflicting messages to develop their own ideas about race? Learning Race, Learning Place engages this question using in-depth interviews with an economically diverse group of African American children and their mothers.

Through these rich narratives, Erin N. Winkler seeks to reorient the way we look at how children develop their ideas about race through the introduction of a new framework—comprehensive racial learning—that shows the importance of considering this process from children’s points of view and listening to their interpretations of their experiences, which are often quite different from what the adults around them expect or intend. At the children’s prompting, Winkler examines the roles of multiple actors and influences, including gender, skin tone, colorblind rhetoric, peers, family, media, school, and, especially, place. She brings to the fore the complex and understudied power of place, positing that while children’s racial identities and experiences are shaped by a national construction of race, they are also specific to a particular place that exerts both direct and indirect influence on their racial identities and ideas.

About every eight decades, coincident with the most stressful and perilous events in U.S. history—the Revolutionary and Civil Wars and the Great Depression and World War II—a new, positive, accomplished, and group-oriented “civic generation” emerges to change the course of history and remake America. The Millennial Generation (born 1982–2003) is America’s newest civic generation.

In their 2008 book, Millennial Makeover, Morley Winograd and Michael D. Hais made a prescient argument that the Millennial Generation would change American politics for good. Later that year, a huge surge of participation from young voters helped to launch Barack Obama into the White House.

Now, in Millennial Momentum, Winograd and Hais investigate how the beliefs and practices of the Millennials are transforming other areas of American culture, from education to entertainment, from the workplace to the home, and from business to politics and government. The Millennials’ cooperative ethic and can-do spirit have only just begun to make their mark, and are likely to continue to reshape American values for decades to come.

Drawing from an impressive array of demographic data, popular texts, and personal interviews, the authors show how the ethnically diverse, socially tolerant, and technologically fluent Millennials can help guide the United States to retain its leadership of the world community and the global marketplace. They also illustrate why this generation’s unique blend of civic idealism and savvy pragmatism will enable us to overcome the internal culture wars and institutional malaise currently plaguing the country. Millennial Momentum offers a message of hope for a deeply divided nation.

Scholars have long assumed that industrialization and the growth of modern cities signaled a decline of religious practice among urban dwellers - that urban commercial culture weakened traditional religious ties by luring the faithful away from their devotional practice. Spanning many disciplines, the essays in this volume challenge this notion of the "secular city" and examine how members of metropolitan houses of worship invented fresh expressions of religiosity by incorporating consumer goods, popular entertainment, advertising techniques, and marketing into their spiritual lives. Faith in the Market explores phenomena from Salvation Army "slum angels" to the "race movies" of the mid-twentieth century, from Catholic teens' modest dress crusades to Black Muslim artists. The contributors-integrating gender, performance, and material culture studies into their analyses-reveal the many ways in which religious groups actually embraced commercial culture to establish an urban presence. Although the city streets may have proved inhospitable to some forms of religion, many others, including evangelicalism, Catholicism, and Judaism, assumed rich and complex forms as they developed in vital urban centers.

At the beginning of the twentieth century, “hysteria” was a medical or psychiatric diagnosis applied primarily to women. In fact, the term itself comes from the Greek, meaning “wandering womb.” We have since learned, however, that this diagnosis evolved from certain assumptions about women’s social roles and mental characteristics, and is no longer in use.

The modern equivalent of hysteria, however, may be borderline personality disorder, defined as “a pervasive pattern of instability of self-image, interpersonal relationships, and mood, beginning in early adulthood and present in a variety of contexts.” This diagnosis is applied to women so much more often than to men that feminists have begun to raise important questions about the social, cultural, and even the medical assumptions underlying this “illness.” Women are said to be “unstable” when they may be trying to reconcile often contradictory and conflicting social expectations.

In Women and Borderline Personality Disorder, Janet Wirth-Cauchon presents a feminist cultural analysis of the notions of “unstable” selfhood found in case narratives of women diagnosed with borderline personality disorder. This exploration of contemporary post-Freudian psychoanalytic notions of the self as they apply to women’s identity conflicts is an important contribution to the literature on social constructions of mental illness in women and feminist critiques of psychiatry in general.

2019 Choice Outstanding Academic Title

In Lost, medical historian Shannon Withycombe weaves together women’s personal writings and doctors’ publications from the 1820s through the 1910s to investigate the transformative changes in how Americans conceptualized pregnancy, understood miscarriage, and interpreted fetal tissue over the course of the nineteenth century. Withycombe’s pathbreaking research reveals how Americans construed, and continue to understand, miscarriage within a context of reproductive desires, expectations, and abilities. This is the first book to utilize women’s own writings about miscarriage to explore the individual understandings of pregnancy loss and the multiple social and medical forces that helped to shape those perceptions. What emerges from Withycombe’s work is unlike most medicalization narratives. 

Hasidism, a Jewish religious movement that originated in Poland in the eighteenth century, today counts over 700,000 adherents, primarily in the U.S., Israel, and the UK. Popular and scholarly interest in Hasidic Judaism and Hasidic Jews is growing, but there is no textbook dedicated to research methods in the field, nor sources for the history of Hasidism have been properly recognized. Studying Hasidism, edited by Marcin Wodziński, an internationally recognized historian of Hasidism, aims to remedy this gap. The work’s thirteen chapters each draws upon a set of different sources, many of them previously untapped, including folklore, music, big data, and material culture to demonstrate what is still to be achieved in the study of Hasidism. Ultimately, this textbook presents research methods that can decentralize the role community leaders play in the current literature and reclaim the everyday lives of Hasidic Jews.

In our current era of helicopter parenting and stranger danger, an unaccompanied child wandering through the city might commonly be viewed as a victim of abuse and neglect. However, from the early twentieth century to the present day, countless books and films have portrayed the solitary exploration of urban spaces as a source of empowerment and delight for children. 

 

Fantasies of Neglect explains how this trope of the self-sufficient, mobile urban child originated and considers why it persists, even as it goes against the grain of social reality. Drawing from a wide range of films, children’s books, adult novels, and sociological texts, Pamela Robertson Wojcik investigates how cities have simultaneously been demonized as dangerous spaces unfit for children and romanticized as wondrous playgrounds that foster a kid’s independence and imagination. Charting the development of free-range urban child characters from Little Orphan Annie to Harriet the Spy to Hugo Cabret, and from Shirley Temple to the Dead End Kids, she considers the ongoing dialogue between these fictional representations and shifting discourses on the freedom and neglect of children. 

 

While tracking the general concerns Americans have expressed regarding the abstract figure of the child, the book also examines the varied attitudes toward specific types of urban children—girls and boys, blacks and whites, rich kids and poor ones, loners and neighborhood gangs. Through this diverse selection of sources, Fantasies of Neglect presents a nuanced chronicle of how notions of American urbanism and American childhood have grown up together. 

 

American culture changed radically over the course of the 1960s, and the culture of Hollywood was no exception. The film industry began the decade confidently churning out epic spectacles and lavish musicals, but became flummoxed as new aesthetics and modes of production emerged, and low-budget youth pictures like Easy Rider became commercial hits.

New Constellations: Movie Stars of the 1960s tells the story of the final glory days of the studio system and changing conceptions of stardom, considering such Hollywood icons as Elizabeth Taylor and Paul Newman alongside such hallmarks of youth culture as Mia Farrow and Dustin Hoffman. Others, like Sidney Poitier and Peter Sellers, took advantage of the developing independent and international film markets to craft truly groundbreaking screen personae. And some were simply “famous for being famous,” with celebrities like Zsa Zsa Gabor and Edie Sedgwick paving the way for today’s reality stars.

Fog, tide, ice, and human error--before the American Revolution those who ventured to cross the vast Hudson Valley waterway did so on ferryboats powered by humans, animals, and even fierce winds. Before that war, not a single Hudson River bridge or tunnel had been built. It wasn't until Americans looked to the land in the fight for independence that the importance of crossing the river efficiently became a subject of serious interest, especially militarily. Later, the needs of a new transportation system became critical--when steam railroads first rolled along there was no practical way to get them across the water without bridges.

Crossing the Hudson continues this story soon after the end of the war, in 1805, when the first bridge was completed. Donald E. Wolf simultaneously tracks the founding of the towns and villages along the water's edge and the development of technologies such as steam and internal combustion that demanded new ways to cross the river. As a result, innovative engineering was created to provide for these resources.

From hybrid, timber arch, and truss bridges on stone piers to long-span suspension and cantilevered bridges, railroad tunnels, and improvements in iron and steel technology, the construction feats that cross the Hudson represent technical elegance and physical beauty. Crossing the Hudson reveals their often multileveled stories--a history of where, why, when, and how these structures were built; the social, political, and commercial forces that influenced decisions to erect them; the personalities of the planners and builders; the unique connection between a builder and his bridge; and the design and construction techniques that turned mythical goals into structures of utility and beauty.

Hot Towns is about the vast, current national relocation of one million Americans a year. Successful, accomplished, and well-financed people of all ages are moving to communities they view as choice—places distinguished by fine climate, physical beauty, abundant natural recreation resources, and minimal social problems and low crime. Towns in this elite roster include Santa Fe, Aspen, Boulder, Bozeman, Chapel Hill, East Hampton, and many others.

These American boom towns, Peter Wolf writes, have grown in jobs and population at two to three times the national average. But warning signs of deterioration are already evident: overbuilding, failing natural resources, rising taxes, and traffic congestion are all taking a toll on these communities. Rapid migration can enhance or swamp America’s fastest growing and most desirable communities

Wolf examines the choices that people in these areas can make to both effectively accommodate growth and yet ensure their economic futures. A wise town undergoing growth will realize that what must be preserved is not the growth in-and-for itself, but the qualities which attract people in the first place. Wolf demonstrates how it is possible—even during a town’s rapid expansion—to enhance the quality of residents’ lives, to incorporate aesthetics and design into town evolution, to protect what is precious in nature, and to preserve the best that has already been built.

Wolf concludes with a practical checklist for the residents of hot towns, allowing them to evaluate how their communities are coping with growth.

Homosexuality has become increasingly accepted in mainstream America over the past two decades. Yet despite indications of progress that can be found everywhere from academia to popular culture, gay men and women remain the target of much discrimination and stigma, particularly within conservative Christianity.

In Be Not Deceived, Michelle Wolkomir explores the difficult dilemma that gay Christians face in their attempts to reconcile their religious and sexual identities. She introduces the ideologies and practices of two alternative and competing ministries that offer solutions for Christians who experience homosexual desire.

One organization—the Universal Fellowship of Metropolitan Community Churches—believes that God made people gay to suit divine purposes.  Changing one’s sexuality is therefore impossible and a defiance of God.  In contrast, Exodus International preaches that homosexuality is a sin and a symptom of disordered psychological development—one that can be cured through redemptive prayer.  By comparing participant experiences in these ministries, Wolkomir explores the paths and processes by which members learn to become gay or ex-gay Christians.

Through careful analysis of the groups’ ideologies, interactions, and symbolic resources, Be Not Deceived goes far beyond the obvious differences between the ministries to uncover their similarities, namely that both continue to define heterosexuality as the normative and dominant lifestyle.

Life on the Malecón is a narrative ethnography of the lives of street children and youth living in Santo Domingo, Dominican Republic, and the non-governmental organizations that provide social services for them. Writing from the perspective of an anthropologist working as a street educator with a child welfare organization, Jon M. Wolseth follows the intersecting lives of children, the institutions they come into contact with, and the relationships they have with each other, their families, and organization workers.

Often socioeconomic conditions push these children to move from their homes to the streets, but sometimes they themselves may choose the allure of the perceived freedoms and opportunities that street life has to offer. What they find, instead, is violence, disease, and exploitation—the daily reality through which they learn to maneuver and survive. Wolseth describes the stresses, rewards, and failures of the organizations and educators who devote their resources to working with this population.

The portrait of Santo Domingo’s street children and youth population that emerges is of a diverse community with variations that may be partly related to skin color, gender, and class. The conditions for these youth are changing as the economy of the Dominican Republic changes. Although the children at the core of this book live and sleep on avenues and plazas and in abandoned city buildings, they are not necessarily glue- and solvent-sniffing beggars or petty thieves on the margins of society. Instead, they hold a key position in the service sector of an economy centered on tourism.

Life on the Malecón offers a window into the complex relationships children and youth construct in the course of mapping out their social environment. Using a child-centered approach, Wolseth focuses on the social lives of the children by relating the stories that they themselves tell as well as the activities he observes.

Movies, stars, auteurs, critics, and the sheer excitement of cinema come together in film festivals as quintessential constellations of art, business, and glamour. Yet, how well do we actually understand the forces and meanings that these events embody?

Film Festivals offers the first comprehensive overview of the history, people, films, and multiple functions of the festival world. From Sundance to Hong Kong, from the glitter of Cannes to edgier festivals that challenge boundaries or foster LGBTQ cultural production, film festivals celebrate art, promote business, bring cinema to diverse audiences, and raise key issues about how we see our world. Cindy Hing-Yuk Wong situates festivals within changing global practices of film, including their important ties to both Hollywood and independent cinema. She explores how these events have become central in the construction of cinema knowledge as well as the behind-the-scene mechanics of finance, distribution, and evaluation. By linking general structures and connections to specific films and auteurs, Wong addresses the components and creation of film festivals that continue to reshape filmmaking as art and business.

Beginning with a summary of 200 years of entrepreneurship among African Americans, then moving to in-depth interviews with contemporary entrepreneurs, Michael Woodard provides a powerful record of entrepreneurial vitality in a market that is often hostile and exclusive. The book covers businesses nationwide, representing diverse industries. Woodard ends on a practical note with resources and advice for anyone contemplating an entrepreneurial future.

John Keats is one of the best-loved, admired, and most frequently studied Romantic poets, though he wrote only three volumes of poetry in his short life. This extraordinary biography looks at how Keats developed as a poet against the backdrop of the major events of his life. John Keats follows the poet through intense family ties and friendships, a medical apprenticeship and subsequent decision to pursue poetry, participation in the literary circles of London, travels within Britain, illness, and finally, death from tuberculosis at age 25. A vivid and authoritative introduction to Keats's remarkable life, John Keats is filled with photographs of landscapes and cityscapes from his life, portraits of the poet and his family, evocative paintings, and manuscripts of his works and letters.

Runner-up for the 2015 Science Fiction and Technoculture Studies Book Prize 

The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. 

 

My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. 

 

Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation. 

 

 

Christmas Trees for Pleasure and Profit is for anyone who enjoys being and working outdoors and is seeking a profitable hobby or small business venture. Robert Wray has updated this fourth edition to include the latest techniques and tools for harvesting trees, new methods of transport, the most recent data on herbicides, and advice on how to run a Christmas-tree business today.

A perennial bestseller, this illustrated guide covers selecting land, choosing species, planting, harvesting, and managing a plantation. Wray provides guidance for choosing species suitable for the grower's situation, where and how to get planting stock, and how to care for it. The planting process is described in detail, including both hand and machine methods. The book presents useful techniques for protecting the growing trees from weeds, animals, fire, insects, and disease, and offers a full description of shearing or shaping trees to improve their form and densityùkeys to a successful crop.

As the grower's job is not done until the trees are sold, issues of grading, harvesting, advertising, and marketing are examined. A chapter on finances deals with costs, profits, and taxes. From novice to experienced grower, there is something in this book for everyone.

In the Information Age, information is power. Who produces all that information, how does it move around, who uses it, to what ends, and under what constraints?  Who gets that power? And what happens to the people who have no access to it?

Disconnected begins with a striking vignette of two men: One is the thriving manager of a company selling personal computers and computer services. The other is just one among thousands of starving laborers. He has no way to find the information that might help him find a job, he cannot afford newspapers, rarely sees television, cannot understand the dialect of local radio broadcasts, will probably never touch a computer. These two men happen to live in Windhoek, Namibia, but this is not a story about Africa––it is a story that could be repeated almost anywhere in the world, even next door. 

 With vivid anecdotes and data, William Wresch contrasts the opportunities of the information-rich with the limited prospects of the information-poor. Surveying the range of information––personal, public, organizational, commercial­––that has become the currency of exchange in today’s world, he shows how each represents a form of power. He analyzes the barriers that keep people information-poor: geography, tyranny, illiteracy, psychological blinders, “noise,” crime. Technology alone, he demonstrates, is not the answer. Even the technology-rich do not always get access to important information––or recognize its value.

Wresch spells out the grim consequences of information inequity for individuals and society. Yet he ends with reasons for optimism and stories of people who are working to pull down the impediments to the flow of information.

Tarsiiformes, or tarsiers for short, are a group of living species of special interest to primatologists because their combination of derived and ancient characters make them pivotal to understanding the roots of primate evolution. These small-bodied, nocturnal, solitary creatures resemble lower primates in their behavior but genetically, DNA evidence aligns them more closely with higher primates, such as monkeys, apes, and humans. These astounding creatures exhibit an ability found in no other living mammal¾they can turn their heads 180 degrees in either direction to see both prey and predators. The world’s only exclusive carnivorous primate, they eat live food (primarily insects, but the occasional vertebrate, such as lizards, snakes, or frogs will also do). This unique combination of behavior and anatomy makes the tarsier an especially interesting and controversial animal for study among primate behaviorists, evolutionists, and taxonomists, who view the tarsiers as “living fossils” that link past and present, lower and higher, primates in the long chain of evolutionary history.

This new volume presents alternative and contrasting perspectives on the most debated questions that have arisen in tarsier studies. Top researchers bring together perspectives from anatomical, behavioral, genetic, and conservation studies in this new and exciting addition to the understanding of primate evolution.

This book is a volume in the Rutgers Series on Human Evolution, edited by Robert Trivers, Lee Cronk, Helen Fischer, and Lionel Tiger.

English Society brings together the results of recent historiography, together with much original research by the author, to provide a fascinating picture of society and social change in the period. The first section of the book discusses some of the enduring characteristics of society: social stratification and social mobility, kinship, neighborliness, patronage and deference, courtship and family formation, relationships between husbands and wives, parents and children. The second half of the book charts the course of social change: problems of public order, crime and social control, educational and religious developments, and profound changes in popular culture brought about by the growth of popular literacy and the consolidation of the Protestant Reformation. At every point, Keith Wrightson brings his material to life with his arresting use of contemporary diaries and texts.

Asian American Studies Now truly represents the enormous changes occurring in Asian American communities and the world, changes that require a reconsideration of how the interdisciplinary field of Asian American studies is defined and taught. This comprehensive anthology, arranged in four parts and featuring a stellar group of contributors, summarizes and defines the current shape of this rapidly changing field, addressing topics such as transnationalism, U.S. imperialism, multiracial identity, racism, immigration, citizenship, social justice, and pedagogy.

Jean Yu-wen Shen Wu and Thomas C. Chen have selected essays for the significance of their contribution to the field and their clarity, brevity, and accessibility to readers with little to no prior knowledge of Asian American studies. Featuring both reprints of seminal articles and groundbreaking texts, as well as bold new scholarship, Asian American Studies Now addresses the new circumstances, new communities, and new concerns that are reconstituting Asian America.