A SCHOLARLY BOOK REPOSITORY206 have author last names that start with B have author last names that start with B
A landmark finding in this study is that different combinations of cultural factors contribute to the physical and sexual abuse of black and white children in rural, small-town, and urban communities. The rates of abuse discovered and reported in small towns are revealed to be materially higher than those in rural or urbanized locations, especially for young white males, and the authors query whether this indicates higher rates of abuse or higher rates of reporting
Child Abuse in the Deep South provides a quantitative benchmark that investigators and policy-makers will find invaluable on the path to defining at-risk populations, effective interventions, and treatments.
Brings together the nation's leading scholars on the prehistory and early history of Alabama and the southeastern US
This fascinating collection was born of a concern with Alabama's past and the need to explore and explain that legacy, so often hidden by the veils of time, ignorance, or misunderstanding. In 1981 The University of Alabama celebrated its 150th anniversary, and each College contributed to the celebration by sponsoring a special symposium. The College of Arts and Sciences brought together the nation's leading scholars on the prehistory and early history of Alabama and the Southeastern United States, and for two memorable days in September 1981 several hundred interested listeners heard those scholars present their interpretations of Alabama's remarkable past.
The organizers of the symposium deliberately chose to focus on Alabama's history before statehood. Alabama as a constituent state of the Old South is well known. Alabama as a home of Indian cultures and civilizations of a high order, as an object of desire, exploration, and conquest in the sixteenth century, and as a borderland disputed by rival European nationalities for almost 300 years is less well known. The resulting essays in this collection prove as interesting, enlightening, and provocative to the casual reader as to the professional scholar, for they are intended to bring to the general reader artifacts and documents that reveal the realities and romance of that older Alabama.
Topics in the collection range from the Mississippian Period in archaeology and the de Soto expedition (and other early European explorations and settlements of Alabama) to the 1780 Siege of Mobile.
Hinton Rowan Helper—a statistical fanatic, abolitionist, militant racist, Republican propagandist, ardent patriot, international railway projector, and promoter of inter-American co-operation was a man of great paradox and tragedy. Born and reared a Southerner, he became a caustic and potent critic of slavery, who sought to “liberate” his people from its burdens. Unlike many of his Northern abolitionist friends, however, he loathed not only the Negro but most “non-Anglo-Saxon peoples.” It is shocking to read Helper's violent pleas for abolition and to know of his contempt for the Negro.
A biography of Alabama’s first Senator, this book is also the fascinating story of Southern frontier life as portrayed in contemporary letters and documents. When Madison County, Alabama, was still wilderness, Walker trekked across the mountains from Georgia with his bride, Matilda Pope, his slaves, and all his household possessions, to build a plantation near Huntsville. Here he began his extraordinary political career: member of the first territorial legislature; speaker of the house in the second; U.S. territorial judge; president of Alabama’s Constitutional Convention; and when statehood was won, first U.S. Senator.
Cahokia, the largest city of the Mississippian mound cultures, lies outside present-day East St. Louis. Land of Water, City of the Dead reconceptualizes Cahokia’s emergence and expansion (ca. 1050–1200), focusing on understanding a newly imagined religion and complexity through a non-Western lens. Sarah E. Baires argues that this system of beliefs was a dynamic, lived component, based on a broader ontology, with roots in other mound societies. This religion was realized through novel mortuary practices and burial mounds as well as through the careful planning and development of this early city’s urban landscape.
Baires analyzes the organization and alignment of the precinct of downtown Cahokia with a specific focus on the newly discovered and excavated Rattlesnake Causeway and the ridge-top mortuary mounds located along the site axes. Land of Water, City of the Dead also presents new data from the 1954 excavations of the ridge-top mortuary Wilson Mound and a complete analysis of the associated human remains. Through this skeletal analysis, Baires discusses the ways that Cahokians processed and buried their ancestors, identifying unique mortuary practices that include the intentional dismemberment of human bodies and burial with marine shell beads and other materials.
This collection consists of essays written by prominent African American literature, jazz, and Albert Murray scholars, reminiscences from Murray protégés and associates, and interviews with Murray himself. It illustrates Murray’s place as a central figure in African American arts and letters and as an American cultural pioneer.
Born in Nokomis, Alabama, and raised in Mobile, Albert Murray graduated from Tuskegee University, where he later taught, but he has long resided in New York City. He is the author of many critically acclaimed novels, memoirs, and essay collections, among them The Omni-Americans, South to a Very Old Place, Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. He is also a critic and visual artist, as well as a lifelong friend of and collaborator with artistic luminaries such as Ralph Ellison, Duke Ellington, and Romare Bearden. As such, his life and work are testaments to the centrality of southern and African American aesthetics in American art. Murray is widely viewed as a figure who, through his art and criticism, transforms the “fakelore” of white culture into a new folklore that illustrates the centrality of the blues and jazz idioms and reveals the black vernacular as what is most distinct about American art.
Written by scholars and fiction writers who represent a fascinating range of experience—from a Shakespearean scholar to English professors to a former student of Nordan’s—this is a rich array of essays, poems, and visual arts in tribute to this increasingly important writer. The collection deepens the base of scholarship on Nordan, and contextualizes his work in relation to other important southern writers such as William Faulkner and Eudora Welty.
Nordan was born and raised in Mississippi before moving to Alabama to pursue his Ph.D. at Auburn University. He taught for several years at the University of Arkansas in Fayetteville and retired from the University of Pittsburgh, where he was a professor of English. Nordan has written four novels, three collections of short stories, and a memoir entitled Boy with Loaded Gun. His second novel, Wolf Whistle, won the Southern Book Award, and his subsequent novel, The Sharpshooter Blues, won the Notable Book Award from the American Library Association and the Fiction Award from the Mississippi Institute of Arts and Letters. Nordan is renowned for his distinctive comic writing style, even while addressing more serious personal and cultural issues such as heartbreak, loss, violence, and racism. He transforms tragic characters and events into moments of artistic transcendence, illuminating what he calls the “history of all human beings.”
Focusing on texts written between 1880 and 1930, Mary McAleer Balkun explores the concept of the “counterfeit,” both in terms of material goods and invented identities, and the ways that the acquisition of objects came to define individuals in American culture and literature. Counterfeiting is, in one sense, about the creation of something that appears authentic—an invented self, a museum display, a forged work of art. But the counterfeit can also be a means by which the authentic is measured, thereby creating our conception of the true or real.
When counterfeiting is applied to individual identities, it fosters fluidity in social boundaries and the games of social climbing and passing that have come to be representative of American culture: the Horatio Alger story, the con man or huckster, the social climber, the ethnically ambiguous.
Balkun provides new readings of traditional texts such as The Great Gatsby, Adventures of Huckleberry Finn, and The House of Mirth, as well as readings of less-studied texts, such as Walt Whitman’s Specimen Days and Nella Larsen’s Passing. In each of these texts, Balkun locates the presence of manufactured identities and counterfeit figures, demonstrating that where authenticity and consumerism intersect, the self becomes but another commodity to be promoted, sold, and eventually consumed.
William Balée is a world-renowned expert on the cultural and historical ecology of the Amazon basin. His new collection, Sowing the Forest, is a companion volume to the award-winning Cultural Forests of the Amazon, published in 2013. Sowing the Forest engages in depth with how, over centuries, Amazonian people and their cultures have interacted with rainforests, making the landscapes of palm forests and other kinds of forests, and how these and related forests have fed back into the vocabulary and behavior of current indigenous occupants of the remotest parts of the vast hinterlands.
The book is divided into two parts. Part 1, “Substrate of Intentionality,” comprises chapters on historical ecology, indigenous palm forests, plant names in Amazonia, the origins of the Amazonian plantain, and the unknown “Dark Earth people” of thousands of years ago and their landscaping. Together these chapters illustrate the phenomenon of feedback between culture and environment.
In Part 2, “Scope of Transformation,” Balée lays out his theory of landscape transformation, which he divides into two rubrics—primary landscape transformation and secondary landscape transformation—and for which he provides examples and various specific effects. One chapter compares environmental and social interrelationships in an Orang Asli group in Malaysia and the Ka’apor people of eastern Amazonian Brazil, and another chapter covers loss of language and culture in the Bolivian Amazon. A final chapter addresses the controversial topic of monumentality in the rainforest. Balée concludes by emphasizing the common thread in Amazonian historical ecology: the long-term phenomenon of encouraging diversity for its own sake, not just for economic reasons.
Cultural Forests of the Amazon is a comprehensive and diverse account of how indigenous people transformed landscapes and managed resources in the most extensive region of tropical forests in the world.
Norman Corwin is regarded as the most acclaimed creative artist of radio’s Golden Age (mid 1930s to late 1940s). Corwin worked as a producer for CBS at a time when radio was the centerpiece of American family life. His programs brought high moments to the medium during a period when exceptional creativity and world crisis shaped its character and conviction. Bannerman’s book is more than biography: it is also social history—the story of network radio, its great achievements and ultimate decline. Many of Corwin’s programs are considered radio classics. During World War II his programs energized the people and marshaled morale. We Hold These Truths, commemorating the 150th anniversary of the American Bill of Rights, was broadcast eight days after the attack on Pearl Harbor, and On a Note of Triumph, a VE-Day special for CBS, marked the historic culmination of a momentous conflict. Bannerman’s work is a portrayal of a remarkable man, who led an influential fight for the art and integrity of broadcasting, who endured unfounded accusations during the blacklisting period of the McCarthy era, and who by his dedication accomplished significant programs of historic dimensions.
Discusses the concepts of “home,” “house,” and “household” in past societies
Because archaeology seeks to understand past societies, the concepts of "home," "house," and "household" are important. Yet they can be the most elusive of ideas. Are they the space occupied by a nuclear family or by an extended one? Is it a built structure or the sum of its contents? Is it a shelter against the elements, a gendered space, or an ephemeral place tied to emotion? We somehow believe that the household is a basic unit of culture but have failed to develop a theory for understanding the diversity of households in the historic (and prehistoric) periods.
In an effort to clarify these questions, this volume examines a broad range of households—a Spanish colonial rancho along the Rio Grande, Andrew Jackson's Hermitage in Tennessee, plantations in South Carolina and the Bahamas, a Colorado coal camp, a frontier Arkansas farm, a Freedman's Town eventually swallowed by Dallas, and plantations across the South—to define and theorize domestic space. The essays devolve from many disciplines, but all approach households from an archaeological perspective, looking at landscape analysis, excavations, reanalyzed collections, or archival records. Together, the essays present a body of knowledge that takes the identification, analysis, and interpretation of households far beyond current conceptions.
Research reveals a clear connection between the legal and social status of the Jews in Palestine in the 18th century and their ties with the Diaspora. The Jews who had immigrated to Palestine in that period were mostly poor and elderly. The country was economically backward and politically unstable, which made it impossible for the immigrants to support themselves through productive work. Therefore they lived off the contributions of their brethren overseas. Taxes and fees imposed by the Ottoman rulers increased the financial desperation of the Jews in Palestine. Prohibitions against young unmarried immigrant men and women made for an unstable population largely of old men, many of whom died shortly after immigrating. Families succumbed to disease, earthquakes, and famine, but in the face of these problems, the Jewish communities in Palestine persevered.
Virginia Foster Durr is the daughter of a Presbyterian minister, and she was raised in Birmingham during the early years of this century. She attended Wellesley for two years, until her family’s circumstances made it impossible for her to continue. Virginia’s sister Josephine married Hugo Black; and in 1926 Virginia married a young lawyer named Clifford Durr. The Durrs moved to Washington shortly after Roosevelt’s inauguration, and Clifford was one of the “bright young lawyers” whom the new president relied upon to draft the legislation establishing the New Deal. After World War II the Durrs moved to Denver, then to Montgomery, where Clifford became one of the few white lawyers to represent blacks in civil rights cases. During the Durrs’ Washington years Virginia had been active in the movement to abolish the poll tax and in to her liberal causes; and back in Montgomery, she shared Clifford’s commitment to the civil rights movement and served as an inspiration to liberals of both races.
Virginia Durr has succeeded in articulating the pleasures and the difficulties of growing up female in the vigorous young city of Birmingham; the broadening (and in some ways also restricting) of young women’s intellectual horizons and social life at Wellesley; and the excitement of the courtship and marriage of a proper young Southern girl of good family and poor circumstance. She brings to life the social and political climate of Washington during the New Deal and war years, where her close connection to Justice Black gave the Durrs access to people whom they might not have come to know otherwise. A victim of McCarthyism, Clifford returned with Virginia to Montgomery with no job and few prospects. Their decision to become engaged in the civil rights struggle was consistent with their lifelong commitment to follow their consciences, regardless of the social and economic consequences.
“Virginia Durr said it: there were three ways for a well brought-up young Southern white woman to go.
She could be the actress, playing out the stereotype of the Southern belle. Gracious to ‘the colored help,’ flirtatious to her powerful father-in-law, and offering a sweet, winning smile to the world. In short, going with the wind.
If she had a spark of independence or worse, creativity, she could go crazy—on the dark, shadowy street traveled by more than one Southern belle.
Or she could be the rebel. She could step outside the magic circle, abandon privilege, and challenge this way of life. Ostracism, bruised of all sorts, and defamation would be her lot. Her reward would be a truly examined life. And a world she would otherwise never have known.” — from the Foreword by Studs Terkel
Analyzes the rhetoric of contemporary sex panics to expose how homophobia, heterosexism, and transphobia define public, political, and scholarly preoccupations with sexuality and gender
In Sex Panic Rhetorics, Queer Interventions, Ian Barnard makes the counter-intuitive argument that contemporary “sex panics” are undergirded by queerphobia, even when the panics in question don’t appear to have much to do with queerness. Barnard presents six case studies that treat a wide range of sex panic rhetorics around child molesters, sex trafficking, transgenderism, incest, queer kids, and pedagogy to demonstrate this argument. By using examples from academic scholarship, political discourse, and popular culture, including the Kevin Spacey scandal and the award-winning film Moonlight, Barnard shows how homophobia and transphobia continue to pervade contemporary Western culture.
Barnard is concerned not so much with looking at the overt homophobia and transphobia that are the more obvious objects of antihomophobic and antitransphobic critique. The author’s focus, rather, is on excavating the significant traces of these panics in a neoliberal culture that has supposedly demonstrated its civility by its embrace of diversity, renunciation of its homophobic past, and attentiveness to the transgender revolution that has swept popular media and political culture in the United States and elsewhere. During a time of increasing conservative backlashes against advancing LGBTQ rights and human rights discourses in general, this book shows why it is important to attend to the liberal covers for sex panics that are not too far removed from their rhetorically conservative cousins.
A pivotal in the study of history and politics, not only in Alabama but in the other states of the South
Barnard’s account is elegantly concise, the labor of conspicuous scholarship. In an effort to analyze Alabama’s political bedrock, the author has tapped virtually every source. What results is a cogent and harmonious theme.
The fifteen essays in Rhetoric, Through Everyday Things persuasively overturn the stubborn assumption that objects are passive tools in the hands of objective human agents. Rhetoric has proved that forms of communication such as digital images, advertising, and political satires do much more than simply lie dormant, and Rhetoric, Through Everyday Things shows that objects themselves also move, circulate, and produce opportunities for new rhetorical publics and new rhetorical actions. Objects are not simply inert tools but are themselves vibrant agents of measurable power.
Organizing the work of leading and emerging rhetoric scholars into four broad categories, the collection explores the role of objects in rhetorical theory, histories of rhetoric, visual rhetoric, literacy studies, rhetoric of science and technology, computers and writing, and composition theory and pedagogy. A rich variety of case studies about objects such as women’s bicycles in the nineteenth century, the QWERTY keyboard, and little free libraries ground this study in fascinating, real-life examples and build on human-centered approaches to rhetoric to consider how material elements—human and nonhuman alike—interact persuasively in rhetorical situations.
Taken together, Rhetoric, Through Everyday Things argues that the field of rhetoric’s recent attention to material objects should go further than simply open a new line of inquiry. To maximize the interdisciplinary turn to things, rhetoricians must seize the opportunity to reimagine and perhaps resolve rhetoric’s historically problematic relationship to physical reality and ontology. By tapping the rich resource of inanimate agents such as "fish, political posters, plants, and dragonflies,” rhetoricians can more fully grasp the rhetorical implications at stake in such issues.
Many of the most controversial political issues of our time focus on the actions and well-being of children such as Greta Thunberg’s climate movement; youth activists standing up for racial justice, safe schools, and an equitable economy; and the furor over separating migrant children from their families. When do we treat children as competent citizens, when do we treat them as dependents in need of protection, and why?
The Child before the Court: Judgment, Citizenship, and the Constitution provides answers to these foundational questions. It analyzes landmark US Supreme Court cases involving children’s free speech and due process rights and argues that our ideas about civic and legal judgment are deeply contested concepts instead of simple character traits. These cases serve as analytic touchstones for these problems, and the Court’s opinions seemingly articulate clear rules through a pragmatic balancing of interests.
Timothy Barouch shows how these cases continually reshape constitutional thought, breaking from a vocabulary of wardship and recasting the child as a liberal individual. He analyzes these legal opinions as judicial novelizations and focuses on their rhetorical markers: the range of tropes, idioms, figures, and arguments that emerge across nearly two centuries of jurisprudence in this important but oft-neglected area. The careful and subtle readings of these cases demonstrate how judicial representations of the child provide key resources for thinking about the child as citizen and, more broadly, citizenship itself. It serves as a bold call to think through the relationship between the liberal individual and the problem of civic judgment as it manifests in public culture in a wide array of contexts at a time when liberal democracy is under siege.
The rollicking tales of Old Southwestern humor were a distinctive contribution to American folk culture provided by the frontiersmen of the South and Southwest, a tradition brought to its highest form in the work of Mark Twain. Among the precursors of Twain was John Gorman Barr of Tuscaloosa, Alabama. Like Twain, Barr grew up in a river town, worked in a printing office, and traveled widely; and again like Twain, Barr drew upon the people and places of his home region as the primary sources for his tales.
In addition to the pure entertainment Barr’s stories provide, they also furnish a comprehensive picture of Tuscaloosa and western Alabama in the 1850s—the roaring river town coexisting uneasily with the intellectual sophistication of the recently established University of Alabama.
The second edition is extensively expanded in its graded lists of studies and solos
This book, in its encyclopedic catalog of viola literature in print, and (perhaps most important) in its treatment of the musical and pedagogical aspects of teaching the viola. A work already unique has been augmented in all its major aspects. The excerpts that follow are from reviews of the out-of-print first edition.
The poet Larry Eigner (1927–1996) was a key figure in New American poetry, which grew out of the Black Mountain School and San Francisco Renaissance, and a major influence on the Language poets. Eigner also had cerebral palsy as the result of an accident at birth. It is fortuitous that the poet lived his life in two locations vibrant in both poetics and disability activism. Except for brief periods attending camp and school, he lived with his parents in Swampscott, Massachusetts, until the age of 51. Later, he moved to Berkeley, California, at the height of the disability rights movement. In the 1950s, Eigner attended Camp Jened, which later became famous in the film Crip Camp.
Bartlett’s biography covers every significant phase of Eigner’s life: his childhood and young adulthood when he began typing poems with one finger on the manual typewriter that was a bar mitzvah gift; his first publications and the maturation of his poetic interests through correspondence with poets of the era; and after his move to Berkeley, the ever-expanding circle of friends, poets, caretakers, and collaborators he established there. The result is a deeply insightful account of an utterly distinctive voice whose influence widens and deepens with each new generation that encounters him.
A vivid account of the implementation of the Brown decision in the South by southern federal judges committed to the rule of law.
Bass's unlikely heroes are the federal judges-primarily those on the U.S. Fifth Circuit Court of Appeals-who vigorously and skillfully implemented Brown v. Board of Education in six southern states. The rich profiles show the character of the men who gave up prosperous lives, popularity, and friends to see that the constitutional rights of all citizens were protected.
The 1970s and 1980s were a tumultuous period in US history. In tandem with a dramatic political shift to the right, evangelicalism also entered the public discourse as a distinct religious movement and was immediately besieged by cultural appropriations and internal fragmentations. Americans in general and evangelicals in particular grappled with issues and ideas such as feminism, abortion, birth control, and restructuring traditional roles for women and the family. During this time, there was a surge in readership for evangelical periodicals such as Christianity Today, Moody Monthly, Eternity, and Post-Americans/Sojourners as well as the feminist newsletter Daughters of Sarah.
While each of these magazines—and other publications and media—contributed to and participated in the overall dissemination of evangelical ideology, they also had their own outlooks and political leanings concerning hot-button issues. In Evangelical News: Politics, Gender, and Bioethics in Conservative Christian Magazines of the 1970s and 1980s, Anja-Maria Bassimir presents a nuanced view of evangelicalism in the late twentieth century through the lens of the movement’s own media.
Bassimir argues that community can be produced in discourse, especially when shared rhetoric, concepts, and perspectives signal belonging. To accomplish this, Evangelical News traces the emergence of evangelical social and political awareness in the 1970s to the height of its power as a political program. The chapters investigate such topics as how evangelicals reenvisioned gender norms and relations in light of the feminist movement, the use of childhood as a symbol of unspoiled innocence, and the place of evangelicals as political actors.
In recalling political activism in the post-World War II South, rarely does one consider the political activities of American Indians as they responded to desegregation, the passing of the Civil Rights Acts, and the restructuring of the American political party system. Native leaders and activists across the South created a social and political movement all their own, which drew public attention to the problems of discrimination, poverty, unemployment, low educational attainment, and poor living conditions in tribal communities.
While tribal-state relationships have historically been characterized as tense, most southern tribes—particularly non-federally recognized ones—found that Indian affairs commissions offered them a unique position in which to negotiate power. Although individual tribal leaders experienced isolated victories and generated some support through the 1950s and 1960s, the creation of the inter-tribal state commissions in the 1970s and 1980s elevated the movement to a more prominent political level. Through the formalization of tribal-state relationships, Indian communities forged strong networks with local, state, and national agencies while advocating for cultural preservation and revitalization, economic development, and the implementation of community services.
This book looks specifically at Alabama and Louisiana, places of intensive political activity during the civil rights era and increasing Indian visibility and tribal reorganization in the decades that followed. Between 1960 and 1990, U.S. census records show that Alabama’s Indian population swelled by a factor of twelve and Louisiana’s by a factor of five. Thus, in addition to serving as excellent examples of the national trend of a rising Indian population, the two states make interesting case studies because their Indian commissions brought formerly disconnected groups, each with different goals and needs, together for the first time, creating an assortment of alliances and divisions.
From Seven Pines to Sharpsburg and Chancellorsville to Spotsylvania, the Third Alabama Regiment played a key role in the Civil War. One of the first infantry units from the Deep South to make the journey to Virginia in 1861, the Third Alabama was the first to cross the Potomac into Maryland and to enter the streets of Gettysburg in 1863.
As the regiment’s leader and one of General Robert E. Lee’s brigade commanders, General Cullen Andrews Battle witnessed the extent of the many triumphs and sufferings of the Army of Northern Virginia. Trained as a journalist and lawyer, he records these events honestly and with compassion. Battle captures the courage of citizen soldiers fighting without prior military training, always paying tribute to the heroism of those under his command, while providing vivid accounts of some of the war’s bloodiest fights. He assesses Confederate mistakes, particularly at Seven Pines—and sheds light on the third Battle of Winchester, the only decisive defeat in which the regiment was involved.
Brandon Beck’s introductory notes provide a thorough review of Battle’s life and valuable biographical information on soldiers under his command as well as on other officers in the Army of Northern Virginia. A worthwhile addition to all Civil War libraries, public or private, Third Alabama! offers an informative, dramatic reading of the wartime activities of one of the Confederacy’s bravest fighting units.
Winner of the Anne B. & James B. McMillan Prize in Southern History
Winner of the 2023 Erminie Wheeler-Voegelin Book Award Winner
Winner of the 2022 Berkshire Conference of Women Historians Book Award
Winner of the 2022 George C. Rogers, Jr. Award from the South Carolina Historical Society
Brooke M. Bauer’s Becoming Catawba: Catawba Indian Women and Nation-Building, 1540–1840 is the first book-length study of the role Catawba women played in creating and preserving a cohesive tribal identity over three centuries of colonization and cultural turmoil. Bauer, a citizen of the Catawba Indian Nation of South Carolina, weaves ethnohistorical methodologies, family history, cultural context, and the Catawba language together to generate an internal perspective on the Catawbas’ history and heritage in the area now known as the Carolina Piedmont.
This unique and important study examines the lives and legacies of women who executed complex decision-making and diplomacy to navigate shifting frameworks of kinship, land ownership, and cultural production in dealings with colonial encroachments, white settlers, and Euro-American legal systems and governments from the mid-sixteenth century to the early nineteenth century. Personified in the figure of Sally New River, a Catawba cultural leader to whom 500 remaining acres of occupied tribal lands were deeded on behalf of the community in 1796 and which she managed until her death in 1821, Bauer reveals how women worked to ensure the survival of the Catawba people and their Catawba identity, an effort that resulted in a unified nation.
Bauer’s approach is primarily ethnohistorical, although it draws on a number of interdisciplinary strategies. In particular, Bauer uses “upstreaming,” a critical strategy that moves toward the period under study by using present-day community members’ connections to historical knowledge—for example, family histories and oral traditions—to interpret primary-source data. Additionally, Bauer employs archaeological data and material culture as a means of performing feminist recuperation, filling the gaps and silences left by the records, newspapers, and historical accounts as primarily written by and for white men. Ultimately, Becoming Catawba effects a welcome intervention at the intersections of Native, women’s, and Southern history, expanding the diversity and modes of experience in the fraught, multifaceted cultural environment of the early American South.
Essays from a prolific career that challenge and overturn traditional narratives of southern Jewish history
Mark K. Bauman, one of the foremost scholars of southern Jewish history working today, has spent much of his career, as he puts it, “rewriting southern Jewish history” in ways that its earliest historians could not have envisioned or anticipated, and doing so by specifically targeting themes and trends that might not have been readily apparent to those scholars. A New Vision of Southern Jewish History: Studies in Institution Building, Leadership, Interaction, and Mobility features essays collected from over a forty-year career, including a never-before-published article.
The prevailing narrative in southern Jewish history tends to emphasize the role of immigrant Jews as merchants in small southern towns and their subsequent struggles and successes in making a place for themselves in the fabric of those communities. Bauman offers assessments that go far beyond these simplified frameworks and draws upon varieties of subject matter, time periods, locations, tools, and perspectives over three decades of writing and scholarship.
A New Vision of Southern Jewish History contains Bauman’s studies of Jewish urbanization, acculturation and migration, intra- and inter-group relations, economics and business, government, civic affairs, transnational diplomacy, social services, and gender—all complicating traditional notions of southern Jewish identity. Drawing on role theory as informed by sociology, psychology, demographics, and the nature and dynamics of leadership, Bauman traverses a broad swath—often urban—of the southern landscape, from Savannah, Charleston, and Baltimore through Atlanta, New Orleans, Galveston, and beyond the country to Europe and Israel.
Bauman’s retrospective volume gives readers the opportunity to review a lifetime of work in a single publication as well as peruse newly penned introductions to his essays. The book also features an “Additional Readings” section designed to update the historiography in the essays.
These wide-ranging essays reveal the various roles played by southern rabbis in the struggle for black civil rights since Reconstruction
The study of black-Jewish relations has become a hotbed of controversy, especially with regard to the role played by Jewish leaders during the Civil Rights movement. Did these leaders play a pivotal role, or did many of them, especially in the South, succumb to societal pressure and strive to be accepted rather than risk being persecuted? If some of these leaders did choose a quieter path, were their reasons valid? And were their methods successful?
Individually, each essay offers a glimpse into both the private and public difficulties these rabbis faced in their struggle to achieve good. Collectively, the essays provide an unparalleled picture of Jewish leadership during the civil rights era.
Chilean soldiers in the twentieth century appear in most historical accounts, if they appear at all, as decontextualized figures or simply as a single man: Augusto Pinochet. In his incisive study The Pinochet Generation: The Chilean Military in the Twentieth Century, John R. Bawden provides compelling new insights into the era and posits that Pinochet and his men were responsible for two major transformations in Chile’s constitution as well as the political and economic effects that followed.
Determined to refocus what he sees as a “decontextualized paucity” of historical information on Chile’s armed forces, Bawden offers a new perspective to explain why the military overthrew the government in 1973 as well as why and how Chile slowly transitioned back to a democracy at the end of the 1980s. Standing apart from other views, Bawden insists that the Chilean military’s indigenous traditions and customs did more than foreign influences to mold their beliefs and behavior leading up to the 1973 coup of Salvador Allende.
Drawing from defense publications, testimonial literature, and archival materials in both the United States and Chile, The Pinochet Generation characterizes the lens through which Chilean officers saw the world, their own actions, and their place in national history. This thorough analysis of the Chilean services’ history, education, values, and worldview shows how this military culture shaped Chilean thinking and behavior, shedding light on the distinctive qualities of Chile’s armed forces, the military’s decision to depose Allende, and the Pinochet dictatorship’s resilience, repressiveness, and durability.
Bawden’s account of Chile’s vast and complex military history of the twentieth century will appeal to political scientists, historians, faculty and graduate students interested in Latin America and its armed forces, students of US–Latin American diplomacy, and those interested in issues of human rights.
The Modern Age examines the discourses that have come to characterize adolescence and argues that commonplace views of adolescents as impulsive, conflicted, and rebellious are constructions inspired by broader cultural anxieties that characterized American society in early-twentieth-century America.
The idea of adolescence, argues Kent Baxter, came into being because it fulfilled specific historical and cultural needs: to define a quickly expanding segment of the population, and to express concerns associated with the movement into a new era. Adolescence—a term that had little currency before 1900 and made a sudden and pronounced appearance in a wide variety of discourses thereafter—is a “modern age” not only because it sprung from changes in American society that are synonymous with modernity, but also because it came to represent all that was threatening about “modern life.”
Baxter provides a preliminary history of adolescence, focusing specifically on changes in the American educational system and the creation of the juvenile justice system that carved out a developmental space between the child and the adult. He looks at the psychological works of G. Stanley Hall and the anthropological works of Margaret Mead and explores what might have inspired their markedly negative descriptions of this new demographic. He examines the rise of the Woodcraft Indian youth movement and its promotion of “red skin” values while also studying the proliferation of off-reservation boarding schools for Native American youth, where educators attempted to eradicate the very “red skin” values promoted by the Woodcraft movement.
Finally Baxter studies reading at the turn of the century, focusing specifically on Horatio Alger (the Ragged Dick series) and Edward Stratemeyer (the Tom Swift, Nancy Drew, and Hardy Boys series) and what those works reveal about the “problem” of adolescence and its solutions in terms of value, both economic and moral.
This volume is the first to examine at length and in detail the impact of the missionary experience on American cultural, political, and religious history.
This collection of 15 essays provides a fully developed account of the domestic significance of foreign missions from the 19th century through the Vietnam War. U.S. and Canadian missions to China, South America, Africa, and the Middle East have, it shows, transformed the identity and purposes of their mother countries in important ways. Missions provided many Americans with their first significant exposure to non-Western cultures and religions. They helped to establish a variety of new academic disciplines in home universities—linguistics, anthropology, and comparative religion among them. Missionary women helped redefine gender roles in North America, and missions have vitalized tiny local churches as well as entire denominations, causing them to rethink their roles and priorities, both here and abroad. In fact, missionaries have helped define our own national identity by influencing our foreign, trade, military, and immigration policies over the last two centuries.
Topics in the collection range from John Saillant's essay on the missions of free African Americans to Liberia in the 19th century to Grant Wacker's essay on the eventual disillusionment of noted writer Pearl S. Buck. Kathryn T. Long’s essay on the “Auca martyrs” offers a sobering case study of the missionary establishment's power to, in tandem with the evangelical and secular press, create and record the stories of our time. William L. Svelmoe documents the improbable friendship between fundamentalist Bible translator William Cameron Townsend and Mexico’s secular socialist president Lázaro Cárdenas. And Anne Blue Wills details the ways many American groups—black, Protestant, Catholic, and Mormon—sought to convert one another, stead-
fastly envisioning “others” as every bit as “heathen” as those in far-off lands.
The Foreign Missionary Enterprise at Home is an insightful, provocative collection that will stimulate much discussion and debate. It is valuable for academic libraries and seminaries, scholars of religious history and American studies, missionary groups, cultural historians and ethnographers, and political scientists.
Artifice and Indeterminacy gathers the strongest and most representative writings of the past two decades and shows more clearly than ever before the depth and breadth of contemporary American poetics. Collectively, these essays break with conventional interpretive frameworks and traditional generic boundaries of poetry to give fresh voice to the poetics of our time.
Neither dismissive of the aesthetic value(s) of poetry, nor reluctant to articulate the ways in which aesthetic evaluation is complicated by the mediating influences of history, culture, class, gender, race, and academic status, the writers presented in this anthology celebrate the artifice of the poetic text while also accepting as a given the indeterminacy of its inception and reception.
Individual pieces range in style and approach from theoretical writings to discussions of individual poets such as Emily Dickinson, Louis Zukofsky, and Bob Kaufman. The authors consider such critical issues as gender and the possibilities of a feminist poetics, the textual politics of race and class, and the broader implications of an avant-garde practice.
It’s 2006, and a cloud of darkness seems to have descended over the Earth—or at least over the minds of a ragtag assortment of Bay Area writers, drug dealers, social workers, porn directors, and Melvin, a street kid and refugee from his Mormon family. A shooter runs amok in an Amish schoolhouse, the president runs amok in the Middle East, a child is kidnapped from Disneyland, and on the local literary scene, a former child prostitute and wunderkind author that nobody has ever met has become a media sensation.
But something is fishy about this author, Huey Beauregard, and so Melvin and his friends Felicia and Philip launch an investigation into the webs of self-serving stories, lies, rumors, and propaganda that have come to constitute our sad, fractured reality.
Glory Hole is a novel about the ravages of time and the varied consequences of a romantic attitude toward literature and life. It is about AIDS, meth, porn, fake biographies, street outreach, the study of Arabic verb forms, Polish transgender modernists, obsession, and future life forms. It’s about getting lost in the fog, about prison as both metaphor and reality, madness, evil clowns, and mystical texts.
Vast and ambitious, comic and tragic, the novel also serves as a version of the I Ching, meaning it can be used as an oracle.
A major economic industry among American Indian tribes is the public promotion and display of aspects of their cultural heritage in a wide range of tourist venues. Few do it better than the Eastern Band of the Cherokee, whose homeland is the Qualla Boundary of North Carolina. Through extensive research into the work of other scholars dating back to the late 1800s, and interviews with a wide range of contemporary Cherokees, Beard-Moose presents the two faces of the Cherokee people. One is the public face that populates the powwows, dramatic presentations, museums, and myriad roadside craft locations. The other is the private face whose homecoming, Indian fairs, traditions, belief system, community strength, and cultural heritage are threatened by the very activities that put food on their tables. Constructing an ethnohistory of tourism and comparing the experiences of the Cherokee with the Florida Seminoles and Southwestern tribes, this work brings into sharp focus the fine line between promoting and selling Indian culture.
Before the publication of Aesthetics from Classical Greece to the Present there were three histories of aesthetics in English—Bosanquet's pioneering work, the second part of Croce's Aesthetic in the Ainsle translation, and the comprehensive volume by Gilbert and Kuhn. While each of these is interesting in its own ways, and together they cover a good deal of ground, none of them is very new. Thus none could take advantage of recent work on many important philosophers and periods and bring into a consideration of the past the best concepts and principles that have been developed by present-day philosophy.
Tiger beetles are brightly colored and metallic beetles, often with ivory or cream-colored markings. They are most abundant and diverse in habitats near bodies of water with sandy or clay soils and can be found along rivers, on sea and lake shores, on sand dunes, around dry lakebeds, on clay banks, or on woodland paths. Conservatively estimated, the group comprises more than 2,600 species worldwide.
Tiger Beetles of the Southeastern United States identifies and describes 52 taxa (42 species and 10 additional subspecies) of tiger beetles that occur in Alabama, Florida, Georgia, Mississippi, North Carolina, South Carolina, and Tennessee. Stunning close-up photographs accompany current taxonomic and biological information in a volume designed for a growing audience of enthusiastic amateurs and professionals alike.
The authors provide an in-depth description of the anatomy, life cycle, and behavior of tiger beetles; an overview of the various southeastern habitats in which they occur; instructions for finding, identifying, and photographing them in the wild; and the conservation status of various species. The individual species accounts include stunning, detailed images, flight season charts, county-level regional distribution maps, and discussion of identifying features, habitat, similar species, and subspecies when applicable. The appendix includes two species previously found in Florida but no longer known to exist there.
The result is the most complete field guide to date on tiger beetles in the region. With more than 230 images of beetles and their habitats, as well as life history and distribution data, this book is essential for tiger beetle enthusiasts, naturalists of all kinds, photographers, biologists, and teachers throughout the region.
Globalization may strike many as a phenomenon of our own historical moment, but it is truly as old as civilization: we need only look to the ancient Silk Road linking the Far East to the Mediterranean in order to find some of the earliest recorded impacts of people and goods crossing borders. Yet, in the current cultural moment, tensions are high due to increased migration, economic unpredictability, complicated acts of local and global terror, and heightened political divisions all over the world.
Thus globalization seems new and a threat to our ways of life, to our nations, and to our cultures. In what ways have theatre practitioners, educators, and scholars worked to support cross-cultural dialogue historically? And in what ways might theatre embrace the complexities and contradictions inherent in any meaningful exchange? The essays in Theatre Symposium, Volume 25 reflect on these questions.
Featured in Theatre Symposium, Volume 25
- “Theatre as Cultural Exchange: Stages and Studios of Learning” by Anita Gonzalez
- “Certain Kinds of Dances Used among Them: An Initial Inquiry into Colonial Spanish Encounters with the Areytos of the Taíno in Puerto Rico” by E. Bert Wallace
- “Gertrude Hoffmann’s Lawful Piracy: ‘A Vision of Salome’ and the Russian Season as Transatlantic Production Impersonations” by Sunny Stalter-Pace
- “Greasing the Global: Princess Lotus Blossom and the Fabrication of the ‘Orient’ to Pitch Products in the American Medicine Show” by Chase Bringardner
- “Dismembering Tennessee Williams: The Global Context of Lee Breuer’s A Streetcar Named Desire” by Daniel Ciba
- “Transformative Cross-Cultural Dialogue in Prague: Americans Creating Czech History Plays” by Karen Berman
- “Finding Common Ground: Lessac Training across Cultures” by Erica Tobolski and Deborah A. Kinghorn
This volume provides diverse viewpoints on theatre and space, as well as its relationship to the audience. Sebastian Trainor and Samuel T. Shanks offer contemporary perspectives on two ancient theatre spaces, while Lisa Marie Bowler describes the Globe Theatre, a replica of the original, as embodying a kind of absence despite its rich link to the past. Focusing on distinctly different periods and settings, both Andrew Gibb and Christine Woodworth describe a politics of space in which specific players gain prestige and power. Chase Bringardner identifies the audience as playing an important role in creating a space for parody in a historic Nashville venue, while Arnab Banerji describes an exhausting process for members of the Bengali group theatre who must continually move from space to space. Finally, Alicia Corts discusses virtual performance spaces and the degree to which participants are able to control their online identities within virtual performances. Bookending these eight essays are Marvin Carlson’s keynote presentation “Whose Space Is It Anyway?” and his closing remarks for the symposium, both of which allude to, and richly explicate, the ultimate arbiters of theatrical space: the audience.
A New Day in the Delta is a fresh and appealing memoir of the experience of a young white college graduate in need of a job as the Vietnam War reached its zenith. David Beckwith applied and was accepted for a teaching position in the Mississippi Delta in the summer of 1969. Although it seemed to him a bit strange that he was accepted so quickly for this job while his other applications went nowhere, he was grateful for the opportunity. Beckwith reported for work to learn that he was to be assigned to an all-black school as the first step in Mississippi’s long-deferred school desegregation.
The nation and Mississippi alike were being transformed by war and evolving racial relations, and Beckwith found himself on the cutting edge of the transformation of American education and society in one of the most resistant (and poor) corners of the country. Beckwith’s revealing and often amusing story of the year of mutual incomprehension between an inexperienced white teacher and a classroom full of black children who had had minimal contact with any whites. This is history as it was experienced by those who were thrust into another sort of “front line.”
Reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s
In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time, the volume was later absorbed into Hemingway’s story collection In Our Time. Those vignettes, as Milton Cohen demonstrates in Hemingway’s Laboratory, reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s. Further, they provide a vivid view of his earliest tendencies and influences, first manifestations of the style that would become his hallmark, and daring departures into narrative forms that he would forever leave behind.
This interdisciplinary collection of essays explores in-depth a topic previously neglected by scholars: John Steinbeck's early continuing preoccupation with ecology and marine biology and the effect of that interest on his writings. Written by scholars from various disciplines, the essays offer a dynamic contribution to the study of John Steinbeck by considering his writings from an environmental perspective. They reveal Steinbeck as a prophet that was ahead of his time and supremely relevant to our own.
Fun and innovative exercises and prompts for creative writing students
Once Upon a Time in the Twenty-First Century: Unexpected Exercises in Creative Writing is a unique creative writing text that will appeal to a wide range of readers and writers—from grade nine through college and beyond. Successful creative writers from numerous genres constructed these exercises, including poetry, fiction, and creative nonfiction to one-act plays, song lyrics, genre fiction, travel guides, comics and beyond. The exercises use a broad range of creative approaches, aesthetics, and voices, all with an emphasis on demystifying the writing process and having fun.
Editor Robin Behn has divided the book into three writing sections: Genres and Forms, Sources and Methods, and Style and Subject. In each section, Behn offers a brief introduction which explains how to get started and specific ways to develop one’s writing. Each introduction is followed by extensive exercises that draw on literature from classic to contemporary, as well as other art forms and popular culture. Examples range from Flannery O’Connor and Langston Hughes to Allen Ginsberg and Gertrude Stein, from Jamaica Kincaid and James Joyce to Arlo Guthrie and Harryette Mullen. Integrated within the exercises are apt examples of student writings that have emerged from actual use of the exercises in both the classroom and in writing groups. The book concludes with general advice and direction on how to get published.
Based on years of hands-on experiences in the teaching of creative writing in high schools, colleges, and after-school writing clubs, this volume of exercises offers inestimable value to students and teachers in the traditional classroom, as well as a growing number of homeschoolers, those who are part of a writing club or group, and independent writers and learners of all ages.
Beautiful War: Studies in a Dreadful Fascination is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself.
Beidler’s critical scope spans from Shakespeare’s plays, through the Victorian battle paintings of Lady Butler, into the post-World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept.
Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.
Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media’s influence on contemporary values and memories of the past.
Early 19th-century Alabama was a society still in the making. Now Philip Beidler tells how the first books written and published in the state influenced the formation of Alabama's literary and political culture. As Beidler shows, virtually overnight early Alabama found itself in possession of the social, political, and economic conditions required to jump start a traditional literary culture in the old Anglo-European model: property-based class relationships, large concentrations of personal wealth, and professional and merchant classes of similar social, political, educational, and literary views.
While much about modernism remains up for debate, there can be no dispute about the connection between modernist art and death. The long modern moment was and is an age of war, genocide, and annihilation. Two world wars killed perhaps as many as 100 million people, through combat, famine, holocaust, and ghastly attacks on civilians. The ongoing COVID-19 pandemic is the fifth global pandemic since 1918, with more than a half-million American deaths and counting.
It can hardly come as a surprise, then, that many of the touchstones of modernism reflect on death and devastation. In Philip D. Beidler’s exploration of the modernist canon, he illuminates how these singular voices looked extinction in the eye and tried to reckon with our finitude—and their own. The Great Beyond:Art in the Age of Annihilation catalogs through lively prose an eclectic selection of artists, writers, and thinkers. In 16 essays, Beidler takes nuanced and surprising approaches to well-studied figures—the haunting sculpture by Saint-Gaudens commissioned by Henry Adams for his late wife; Luchino Visconti’s adaptation of Mann’s Death in Venice; and the author’s own long fascination with Beckett’s Waiting for Godot.
The threads and recurring motifs that emerge through Beidler’s analysis bridge the different media, genres, and timeframes of the works under consideration. Protomodernists Crane and Twain connect with near-contemporary voices like Sebald and Morrison. Robert MacFarlane’s 21st-century nonfiction about what lies underneath the earth echoes the Furerbunker and the poetry of Gertrud Kolmar. Learned but lively, somber but not grim, The Great Beyond is not a comfortable read, but it is in a way comforting. In tracing how his subjects confronted nothingness, be it personal or global, Beidler draws a brilliant map of how we see the end of the road.
In The Island Called Paradise, Philip D. Beidler shares his personal discovery of the vast, rich, and astonishing history of the island of Cuba and the interrelatedness of Cuba and the US.
Cuba first entered Beidler’s consciousness in the early 1960s when he watched with mesmerized anxiety the televised reports of the Cuban missile crisis, a conflict that reduced a multifaceted, centuries-old history between North America and Cuba to the stark duotones of Cold War politics. Fifty years later, when Beidler traveled to the US’s island neighbor, he found a Cuba unlike the nation portrayed in truculent political rhetoric or in the easy preconceptions of US popular culture. Instead he found an entrancing people and landscape with deep historical connections to the US and a dazzling culture that overwhelmed his creative spirit.
In twelve original essays, Beidler reintroduces to English-speaking readers many of the central figures, both real and literary, of Cuban and Cuban-American history. Meet Cecilia Valdés, the young mixed-race heroine of a 1839 novel that takes readers to the poor streets and sumptuous salons of Spanish colonial Cuba, and Narciso López, a real-life Venezuelan adventurer and filibustero who attempted to foment a Cuban uprising against Spain. Both would have been familiar figures to nineteenth-century Americans. Beidler also visits the twentieth-century lives of “the two Ernestos” (Ernest Hemingway and Che Guevara), and the pop-culture Cuban icon Ricky Ricardo.
A country not with one history but multiple layers of history, Cuba becomes a fertile island for Beidler’s exploration. Art, he argues, perpetually crosses walls erected by politics, history, and nationality. At its core, The Island Called Paradise renews and refreshes our knowledge of an older Atlantic world even as we begin to envision a future in which the old bonds between our nations may be restored.
Institutions pervade social life. They express community goals and values by defining the limits of socially acceptable behavior. Institutions are often vested with the resources, authority, and power to enforce the orthodoxy of their time. But institutions are also arenas in which both orthodoxies and authority can be contested. Between power and opposition lies the individual experience of the institutionalized. Whether in a boarding school, hospital, prison, almshouse, commune, or asylum, their experiences can reflect the positive impact of an institution or its greatest failings. This interplay of orthodoxy, authority, opposition, and individual experience are all expressed in the materiality of institutions and are eminently subject to archaeological investigation.
A few archaeological and historical publications, in widely scattered venues, have examined individual institutional sites. Each work focused on the development of a specific establishment within its narrowly defined historical context; e.g., a fort and its role in a particular war, a schoolhouse viewed in terms of the educational history of its region, an asylum or prison seen as an expression of the prevailing attitudes toward the mentally ill and sociopaths. In contrast, this volume brings together twelve contributors whose research on a broad range of social institutions taken in tandem now illuminates the experience of these institutions. Rather than a culmination of research on institutions, it is a landmark work that will instigate vigorous and wide-ranging discussions on institutions in Western life, and the power of material culture to both enforce and negate cultural norms.
Barbour, a Virginia lawyer, participated in America’s transition from a mostly republican government to a truer majority democracy, notably while serving as the twelfth Speaker of the United States House of Representatives and later as an associate justice of the United States Supreme Court. After being elected to the US Congress during the War of 1812, Barbour also emerged as one of the foremost champions of states’ rights, consistently and energetically fighting against expansions of federal powers. He, along with other Jeffersonian Old Republicans, opposed federal plans for a national tariff and internal improvements. Later, Barbour became one of the first Jeffersonian politicians to join the Jacksonian Democrats in Jackson’s war against a national bank.
Barbour continued to make crucial strides in support of states’ rights after taking his seat on the United States Supreme Court in 1836 under Chief Justice Roger Taney. He contributed to the Charles River Bridge v. Warren Bridge and Briscoe v. Bank of Kentucky decisions, which bolstered states’ rights. He also delivered the opinion of the court in New York v. Miln, which provided the basis for the State Police Powers Doctrine.
Expertly interweaving biography, history, political science, and jurisprudence, Philip Pendleton Barbour in Jacksonian America remembers the man whose personal life and career were emblematic of the decades in which the United States moved from the Age of Jefferson to the Age of Jackson, contributing to developments that continue to animate American politics today.
The mysterious houseboat Veronica motors across a postapocalyptic freshwater lake, inhabited by a black-haired witch and her young male ward. They explore an unfolding world of shape-shifting moons, vampire moths, and submerged witch cemeteries—a world where voluntary imprisonment holds its own appeal and the heart yearns for the delicate dance between blood and power, beauty and terror.
Neither a pirate nor a mere witch, she is an artist, a master of water and time who shapes reality with her baffling powers. This lyrical and compelling novel beckons readers to explore the enigmatic depths of its prose, inviting them to traverse the waters of wonder and bewilderment. Embrace the bewitching allure of The Houseboat Veronica and lose yourself in its enchanting embrace.
“There are four buses that leave Mobile daily for Moss Bayou. No matter what time the trains get in from New Orleans or Birmingham, you still have to wait around half the day for one of theses buses if you want to get to Moss Bayou. And a good many people do, for Moss Bayou is a lovely, easygoing resort town, located as it where Magnolia River runs into the bay with worlds of giant live oaks and sandy roads that wind forever under the trailing Spanish moss.”
So begins Robert Bell’s novel that is most of all about a love affair with a place—the legendary eastern shore of Mobile Bay. Published in 1959, the story centers on young Peter Abbott who is about to reach his 21st birthday while visiting the bay area. Peter is drawn into a search for the mythical Butterfly Tree, and finds fulfillment and an end to innocence. In his introduction, Thomas Rountree helps set the stage for a step back in time, and a slowing of pace, as we seek the timeless magic of a special locale that happens to be in Alabama, and in each of us.
This classic historical resource remains the most complete work on the establishment of Fort Caroline, which heralded the start of permanent settlement by Europeans in North America. America's history was shaped in part by the clash of cultures that took place in the southeastern United States in the 1560s. Indians, French, and Spaniards vied to profit from European attempts to colonize the land Juan Ponce de Leon had named La Florida.
Rene de Goulaine de Laudonniere founded a French Huguenot settlement on the St. Johns River near present-day Jacksonville and christened it Fort Caroline in 1564, but only a year later the hapless colonists were expelled by a Spanish fleet led by Pedro Menendez de Aviles. The Spanish in turn established a permanent settlement at St. Augustine, now the oldest city in the United States, and blocked any future French claims in Florida.
Using documents from both French and Spanish archives, Charles E. Bennett provides the first comprehensive account of the events surrounding the international conflicts of this 16th-century colonization effort, which was the actual "threshold" of a new nation. The translated Laudonniere documents also provide a wealth of information about the natural wonders of the land and the native Timucua Indians encountered by the French. As a tribe, the Timucua would be completely gone by the mid-1700s, so these accounts are invaluable to ethnologists and anthropologists.
With this republication of Laudonniere & Fort Caroline, a new generation of archaeologists, anthropologists, and American colonial historians can experience the New World through the adventures of the French explorers. Visitors to Fort Caroline National Memorial will also find the volume fascinating reading as they explore the tentative early beginnings of a new nation.
This guidebook of historic iron-production sites is designed to give the reader a factual and illuminating look at the people and events that shaped Birmingham into one of America’s leading steel centers. Iron & Steel is heavily illustrated with both color and historical black-and-white photographs. It can be used while visiting parks or read as a coherent volume before or after a visit.
The book contains chapters devoted to the larger preserved sites open to the public, such as Sloss Furnaces National Historic Landmark and Tannehill Ironworks Historical State Park. It also highlights lesser-known, yet still accessible, sites such as Blocton Coke Ovens Park. The work provides easy-to-follow maps for every site as well as driving directions to the more remote locations, giving visitors easy access to all the notable iron and steel sites in Jefferson, Shelby, Tuscaloosa, and Bibb counties. Each chapter also includes a variety of historical information, with accompanying photographs, in order to present the reader with a detailed and comprehensive account of the Birmingham Iron and Steel District.
Featured sites include: Tannehill Ironworks Historical State Park; Shelby Ironworks Park; Billy Gould Coke Ovens Park; Brierfield Ironworks Historical State Park; Oxmoor Furnace Site; Irondale Furnace Park; Helena Rolling Mill Site; Red Mountain Park, Iron Ore Mines; Lewisburg Coke Ovens Park; Sloss Furnaces National Historic Landmark; Ruffner Mountain Nature Center; Blocton Coke Ovens Park; and Vulcan Park and Museum.
In Banning Queer Blood, Jeffrey Bennett frames blood donation as a performance of civic identity closely linked to the meaning of citizenship. However, with the advent of HIV came the notion of blood donation as a potentially dangerous process. Bennett argues that the Food and Drug Administration, by employing images that specifically depict gay men as contagious, has categorized gay men as a menace to the nation. The FDA's ban on blood donation by gay men served to propagate the social misconceptions about gay men that continue to circulate within both the straight and LGBT/Queer communities.
Bennett explores the role of scientific research cited by these banned-blood policies and its disquieting relationship to government agencies, including the FDA. Bennett draws parallels between the FDA's position on homosexuality and the historical precedents of discrimination by government agencies against racial minorities. The author concludes by describing the resistance posed by queer donors, who either lie in order to donate blood or protest discrimination at donation sites, and by calling for these prejudiced policies to be abolished.
Good Maya Women: Migration and Revitalization of Clothing and Language in Highland Guatemala analyzes how Indigenous women’s migration contributes to women’s empowerment in their home communities in Guatemala. This decolonial ethnographic analysis of Kaqchikel Maya women’s linguistic and cultural activism demonstrates that marginalized people can and do experience empowerment and hope for the future of their communities, even while living under oppressive neoliberal regimes. Joyce N. Bennett contests dominant frameworks of affect theory holding that marginalized peoples never truly experience unrestricted hope or empowerment, and she contributes new understandings of the intimate connections between Indigenous women, migration, and language and clothing revitalization.
Based on more than twenty months of fieldwork, the study begins with an ethnographic investigation of how economic policies force Indigenous women into migration for wage work. To survive, many, like the three young women profiled in this ethnography, are forced to leave their schooling, families, and highland homes to work in cities or other countries. They might work, for example, as vendors, selling crafts to tourists, or as housekeepers or waitresses. Their work exposes them to structural violence, including anti-Indigenous slurs, sexual harassment and violence, and robbery.
Furthermore, the women are pressured to wear Western clothing and to speak Spanish, which endangers Indigenous culture and language in Guatemala. Yet the Indigenous migrant women profiled do not abandon their Indigenous clothing and language, in this case Kaqchikel Maya. Instead, they find inspiration and pride in revitalizing Kaqchikel traditions in their hometowns post-migration. As women attempt to revitalize Kaqchikel Maya language and clothing, they seek to earn the title of “good” women in their home communities.
Unpacking women’s daily activisms reveals that women attempt to retain their language and clothing and also collectively seek to make space for Indigenous people in the modern world. Bennett reveals that women find their attempts at revitalization to be personally empowering, even when their communities do not support them.
The Federal Farmer’s letters were written in opposition to the Constitution in the form in which it had come from the Federal Convention of 1787. Their immediate objective was to secure amendments to the Constitution before it was ratified by state convention. But the letters are valuable also for the basic political philosophy that they represent, specifically, the political philosophy of the revolution and the Bill of Rights. This philosophy stresses principles of federalism and republicanism and exemplifies the liberal idealism that took root in America during the Revolutionary War era.
The history of Spanish presence in the Americas is usually viewed as a one-sided conquest. In This Incurable Evil: Mapuche Resistance to Spanish Enslavement, 1598–1687, Eugene C. Berger provides a major corrective in the case of Chile. For example, in the south, indigenous populations were persistent in their resistance against Spanish settlement. By the end of the sixteenth century, Spanish aspirations to conquer the entire Pacific Coast were dashed at least twice by armed resistance from the Mapuche peoples. By 1600, the Mapuche had killed two Spanish governors and occupied more than a dozen Spanish towns. Chile’s colonial future was quite uncertain.
As Berger documents, for much of the seventeenth century it seemed that there could be peace along the Spanish-Mapuche frontier. Through trade, intermarriage, and even mutual distrust of Dutch and English pirates, the Mapuche and the Spanish began to construct a colonial entente. However, this growing alliance was obliterated by the “incurable evil,” an ever-expanding enslavement of Mapuches, and one which prompted a new generation of Mapuche resistance. This trade saw Mapuche rivals, neutrals, and even friends placed in irons and forced to board ships in Valdivia and Concepción or to march northward along the Andes. The Mapuche labored in the gold mines of La Serena, in urban workshops in Lima, in the silver mines of Potosí, or on the thousands of haciendas in between and would never return to their homes. With this tragic betrayal, Chile was left a more corrupt, violent, and polarized place, which would cause deep wounds for centuries.
American culture has long had a conflicted relationship with assistance to the poor. Cotton Mather and John Winthrop were staunch proponents of Christian charity as fundamental to colonial American society, while transcendentalists harbored deep skepticism towards benevolence in favor of Emersonian self-reliance and Thoreau’s insistence on an ascetic life. Women in the 19th century, as these essays show, approached issues of benevolence far differently than their male counterparts, consistently promoting assistance to the impoverished, in both their acts and their writings.
Charlotte Perkins Gilman and a Woman’s Place in America is a pioneering collection that probes how depictions of space, confinement, and liberation establish both the difficulty and necessity of female empowerment. Turning Victorian notions of propriety and a woman’s place on its ear, this finely crafted essay collection studies Gilman’s writings and the manner in which they push back against societal norms and reject male-dominated confines of space.
The contributors present fascinating and innovative readings of some of Gilman’s most significant works. By examining the settings in “The Yellow Wallpaper” and Herland, for example, the volume analyzes Gilman’s construction of place, her representations of male dominance and female subjugation, and her analysis of the rules and obligations that women feel in conforming to their assigned place: the home.
Additionally, this volume delineates female resistance to this conformity. Contributors highlight how Gilman’s narrators often choose resistance over obedient captivity, breaking free of the spaces imposed upon them in order to seek or create their own habitats. Through biographical interpretations of Gilman’s work that focus on the author’s own renouncement of her “natural” role of wife and mother, contributors trace her relocation to the American West in an attempt to appropriate the masculinized spaces of work and social organization.
Engaging, well-researched, and deftly written, the essays in this collection will appeal to scholars of Gilman, literature, and gender issues alike.
—Choice
"For anyone interested in the history of American geology, knowledge of G. W. Featherstonhaugh (1780-1866) is both essential and hard to obtain. He was the force behind the first railroad in America; a pioneer in scientific agriculture; an essayist, poet, and novelist; a lobbyist; a linguist; and a daring diplomat who saved the king and queen of France from certain death. [Yet] his strongest tie was with the geology. [This] biography is interesting, well researched and well written. It is a balanced study of a complex man who did so much work and generated such controversy."
—Earth Sciences History
A study of the philosophical, intellectual, and political influences on the artistic creations of Fitzgerald and key early American modernist writers
F. Scott Fitzgerald and the American Scene continues Ronald Berman’s lifelong study of the philosophical, intellectual, and political influences on the artistic creations of key early American modernist writers. Each chapter in this volume elaborates on a crucial aspect of F. Scott Fitzgerald’s depiction of American society, specifically through the lens of the social sciences that most influenced his writing and thinking.
Berman addresses, among other subjects, Fitzgerald’s use of philosophy, cultural analyses, and sociology—all enriched by the insights of his own experience living an American life. He was especially interested in how life had changed from 1910 to 1920. Many Americans were unable to navigate between the 1920s and their own memories of a very different world before the Great War; especially Daisy Buchanan who evolves from girlhood (as typified in sentimental novels of the time) to wifehood (as actually experienced in the new decade). There is a profound similarity between what happens to Fitzgerald’s characters and what happened to the nation.
Berman revisits classics like The Great Gatsby but also looks carefully at Fitzgerald’s shorter fictions, analyzing a stimulating spectrum of scholars from more contemporary critics like Thomas Piketty to George Santayana, John Maynard Keynes, John Dewey, and Walter Lippmann. This fascinating addition to F. Scott Fitzgerald scholarship, although broad in its content, is accessible to a wide audience. Scholars and students of Fitzgerald and twentieth-century American literature, as well as dedicated Fitzgerald readers, will enjoy Berman’s take on a long-debated and celebrated author.
A noted scholar offers fresh ways of looking at two legendary American authors.
Both F. Scott Fitzgerald and Ernest Hemingway came into their own in the 1920s and did some of their best writing during that decade. In a series of interrelated essays, Ronald Berman considers an array of novels and short stories by both authors within the context of the decade's popular culture, philosophy, and intellectual history. As Berman shows, the thought of Fitzgerald and Hemingway went considerably past the limits of such labels as the Jazz Age or the Lost Generation.
Both Fitzgerald and Hemingway were avid readers, alive to the intellectual currents of their day, especially the contradictions and clashes of ideas and ideologies. Both writers, for example, were very much concerned with the problem of untenable belief—and also with the need to believe. In this light, Berman offers fresh readings of such works as Fitzgerald's The Great Gatsby, "Bernice Bobs Her Hair," and "The Diamond as Big as the Ritz" and Hemingway's "The Killers," A Farewell to Arms, and The Sun Also Rises. Berman invokes the thinking of a wide range of writers in his considerations of these texts, including William James, Alfred North Whitehead, Walter Lippman, and Edmund Wilson.
Berman's essays are driven and connected by a focused line of inquiry into Fitzgerald's and Hemingway's concerns with dogma both religious and secular, with new and old ideas of selfhood,and, particularly in the case of Hemingway, with the way we understand, explain, and transmit experience.
Great Gatsby was created--and challenges accepted interpretations of
Fitzgerald's greatest novel.
"The Great Gatsby" and Fitzgerald's World of Ideas
focuses on F. Scott Fitzgerald and the prevailing ideas and values
that permeated American society in the late teens and early twenties, providing
a vivid portrait of the intellectual and cultural milieu in which The
Great Gatsby was produced.
This new and original reading of Gatsby discloses
Fitzgerald's remarkable awareness of the issues of his time and his debt
to such philosophers and critics as William James, Josiah Royce, George
Santayana, John Dewey, Walter Lippman, H. L. Mencken, and Edmund Wilson.
Ronald Berman's fresh approach considers the meaning of various ideas important
to the novel: for example, those moral qualities governing both social
and individual life. Berman's reading of the text reveals extraordinary
emphases on matters that could productively be described as philosophical
-- the nature of friendship, love, and the good life. But the text of the
novel has many echoes, and the same concern with moral issues -- especially
those issues affecting democratic life - can be found in a number of other
texts of the first quarter of the century. Vigorously debated throughout
Fitzgerald's own lifetime, these texts shed a completely new light on the
idealism of The Great Gatsby and on the penetrating view it has
of life in a new form of American democracy.
A noted Fitzgerald scholar, Berman makes it clear that
accepted interpretations of The Great Gatsby and of Fitzgerald's
work in general must be changed. Berman demonstrates that Fitzgerald wrote
within a vast dialectic, relating the ideas of the twenties to those of
the "old America" described in so many of his works. Gatsby, Nick Carraway,
and the other characters of Fitzgerald's greatest novel all have to consider
not only their relationship to the present but also their distance from
what was once a highly meaningful past.
In the 1920s and ‘30s, understandings of time, place, and civilization were subjected to a barrage of new conceptions. Ronald Berman probes the work of three writers who wrestled with one or more of these issues in ways of lasting significance.
Hemingway, Fitzgerald, and Orwell all grappled with fluid notions of time: Hemingway’s absolute present, Fitzgerald’s obsession with what might be and what might have been, and Orwell’s concerns with progress. For these authors, progress is also tied to competing senses of place--for Fitzgerald, the North versus the South; for Hemingway, America versus Europe. At stake for each is an understanding of what constitutes true civilization in a post-war world. Berman discusses Hemingway’s deployment of language in tackling the problems of thinking and knowing. Berman follows this notion further in examining the indisputable impact upon Hemingway’s prose of Paul Cézanne’s painting and the nature of perception.
Finally, Berman considers the influence on Orwell of Aristotle and Freud’s ideas of civilization, translated by Orwell into the fabric of 1984 and other writings.
Ronald Berman is Professor of English at the University of California at San Diego and past chairman of the National Endowment for the Humanities. He is author of six books, including “The Great Gatsby” and Fitzgerald’s World of Ideas and Fitzgerald-Wilson-Hemingway: Language and Experience.
In this study, Ronald Berman examines the work of the critic/novelist Edmund Wilson and the art of F. Scott Fitzgerald and Ernest Hemingway as they wrestled with the problems of language, experience, perception and reality in the "age of jazz." By focusing specifically on aesthetics—the ways these writers translated everyday reality into language—Berman challenges and redefines many routinely accepted ideas concerning the legacy of these authors.
Fitzgerald is generally thought of as a romantic, but Berman shows that we need to expand the idea of Romanticism to include its philosophy. Hemingway, widely viewed as a stylist who captured experience by simplifying language, is revealed as consciously demonstrating reality's resistance to language. Between these two renowned writers stands Wilson, who is critically influenced by Alfred North Whitehead, as well as Dewey, James, Santayana, and Freud.
By patiently mapping the correctness of these philosophers, historians, literary critics and writers, Berman aims to open a gateway into the era. This work should be of interest to scholars of American literature, philosophy and aesthetics; to academic libraries; to students of intellectual history; and to general readers interested in Fitzgerald, Hemingway and Wilson.
A universal story of exile, of the refugee and emigrant, and of all those displaced who can reconstruct a sense of home only by weaving a new fabric of the imagination
For nearly two decades, Şiva has met after work on Tuesdays with four friends at a teahouse called the Kafiye. In interrupted conversations, the women explore what it is to live engaged lives inside and outside the home. Amidst joking and complaints, while drinking too much tea and eating too many sweets, they tell of their days: a son’s ninth birthday, the bruise on the arm of an aging parent, soldiers stationed outside the school, the funeral of an opposition political leader killed in a mysterious car accident.
Set in an unnamed provincial capital of an unnamed country, Benefit Street tells of a wide circle of friends—teachers, lawyers, missionaries, doctors, artisans—in a time of gathering and dispersal. It tells the story of mothers, daughters, sisters, wives, colleagues, and neighbors, as war to the East threatens and constitutional rights are daily eroded by an increasingly authoritarian regime.
The ideals of youth, freedom, and coexistence are severely tested with the shocking revelation that the charismatic leader of their group has sexually abused the women under his care. The limits of reconciliation are tested as Şiva makes an arduous journey into the mountains to meet an estranged mother with a genius for weaving complex rugs.
The Text & Beyond: Essays in Literary Linguistics is a collection of suggestive models for those interested in using the tools of linguistics to meet the aims of literary criticism and theory. Only very recently have linguists and literary scholars come to recognize that their goals are compatible.
Top linguists from diverse fields address language varieties in the South.
The 1830s is an overlooked period in American naval history and is usually overshadowed by the more dramatic War of 1812 and the Civil War. Nevertheless, the personnel, operations, technologies, policies, and vision of the Navy of that era, which was emerging from the “Age of Sail,” are important components of its evolution, setting it on the long path to its status as a global maritime power. On Wide Seas: The US Navy in the Jacksonian Era details the ways in which the US Navy transformed from an antiquated arm of the nation’s military infrastructure into a more dynamic and effective force that was soon to play a pivotal role in a number of national and international conflicts.
By Andrew Jackson’s inauguration in 1829, the Navy had engaged with two major powers, defended American shipping, conducted antipiracy operations, and provided a substantive, long-term overseas presence. The Navy began to transform during Jackson’s administration due in part to the policies of the administration and to the emerging officer corps, which sought to professionalize its own ranks, modernize the platforms on which it sailed, and define its own role within national affairs and in the broader global maritime commons. Jackson had built his reputation as a soldier, but he quickly recognized as president the necessity for a navy that could foster his policies. To expand American commerce, he needed a navy that could defend shipping as well as conduct punitive raids or deterrence missions.
Jackson developed a clear, concise naval strategy that policymakers and officers alike could seize and execute. He also provided a vision for the Navy, interceded to resolve naval disciplinary challenges, and directed naval operations. Also, given Jackson’s own politics, junior officers were emboldened by the populist era to challenge traditional, conservative thinking. They carried out a collective vision that coincided with the national literary movement that recognized America’s future would rely upon the Navy.
European and American naturalists visited the territory that would become Alabama as early as the late eighteenth century and marveled at the breadth and variety of its flora and fauna. Yet until today scientists, scholars, and nature enthusiasts had no systematic guide to the state’s mammals. Mammals of Alabama fills the gap.
Naturally occurring in the state are nine orders, twenty-two families, fifty-one genera, and seventy-two species of living mammals. Best and Dusi offer an engaging entry for each as well as additional species that have become extinct through natural processes or human extirpation.
Illustrated with maps and photos, each entry includes:
• Identification notes • Dental formula
• Size and weight • Distribution
• Ecology • Life History
• Behavior • Parasites and Diseases
• Conservation Status • Notes and References
Ideal for backyards, hikes, libraries, and classrooms, Mammals of Alabama includes hundreds of professional, close-up color specimen photographs of both living animals in their natural habitats and skull plates, making identification of animals easy.
Best also offers fascinating and fun facts about Alabama mammals that will delight nature lovers of all ages, such as the surprising and excellent tree-climbing skills of the gray fox, the use in the past of mole skins to apply cosmetics, and the litters of identical quadruplets common to the nine-banded armadillo.
Published in cooperation with the Alabama Wildlife Federation
The southeastern United States is home to a remarkable and diverse mammalian fauna that is a significant part of the region’s rich natural heritage. Mammals of the Southeastern United States presents accounts of 137 species that currently or previously occurred in the Southeast. Although accessible and useful for the generalist, this book provides an up-to-date compilation of basic knowledge about native and nonnative mammals of the region that is suitable for students of all ages and for professional mammalogists and biologists alike.
This volume profiles common species like the eastern gray squirrel, the white-tailed deer, and the Virginia opossum, but also includes among its accounts many extant species, such as the jaguar and porcupine, that once occurred in the region; native species, like the Caribbean monk seal, that are now extinct; native species that have been extirpated, or wiped out, from all or part of the region, such as the red wolf, cougar, American bison, and elk; and many introduced species, including the Mexican mouse opossum, common squirrel monkey, and capybara.
Each species account includes full-color images of the animal, plates featuring at least three views of its skull, color distribution maps of its approximate geographic range in the Southeast and in North America, and an up-to-date synthesis of several aspects of its biology, including habitat, diet, predators, parasites, diseases, and behaviors. An introductory chapter on conservation summarizes the current status of mammalian populations in the region and provides insight into some of the threats mammals now encounter in the Southeast.
The historians and their main topics include:
Richard J. M. Blackett on antebellum and African American history
Dan T. Carter on Reconstruction, Civil Rights, and George Wallace
Pete Daniel on the New Deal and the Cold War South
Laura F. Edwards on the Early Republic, the Civil War, Reconstruction, and women’s history
William W. Freehling on the antebellum South
Gary W. Gallagher on the Civil War
Glenda Elizabeth Gilmore on Jim Crow
James M. McPherson on the Civil War
Theodore Rosengarten on the Depression
J. Mills Thornton III on the antebellum South
In his introduction, award-winning author and historian George C. Rable draws together the multifaceted themes of these interviews, offering a compelling overview of the nature of the field. Edited by Megan L. Bever and Scott A. Suarez, The Historian behind the History offers critical insights about the craft and professional life of the historian.
In Addressing Postmodernity, Barbara Biesecker examines the relationship between rhetoric and social change and the ways human beings transform social relations through the purposeful use of symbols. In discerning the conditions of possibility for social transformation and the role of human beings and rhetoric in it, Biesecker turns to the seminal work of Kenneth Burke.
Through a close reading of Burke's major works, A Grammar of Motives, A Rhetoric of Motives, and The Rhetoric of Religion: Studies in Logology, the author addresses the critical topic of the
fragmentation of the contemporary lifeworld revealing postmodernity will have a major impact on Burkeian scholarship and on the rhetorical critique of social relations in general.
Directly confronting the challenges posed by postmodernity to social theorists and critics alike and juxtaposing the work of Burke and Jurgen Habermas, Biesecker argues that a radicalized rereading of Burke's theory of the negative opens the way toward a resolutely rhetorical theory of social change and human agency.
Loving God’s Wildness rediscovers the environmental roots of America’s Puritan heritage. In tracing this history, Jeffrey Bilbro demonstrates how the dualistic Christianity that the Puritans brought to America led them to see the land as an empty wilderness that God would turn into a productive source of marketable commodities. Bilbro carefully explores the effect of this dichotomy in the nature writings of Henry David Thoreau, John Muir, Willa Cather, and Wendell Berry.
Thoreau, Muir, Cather, and Berry imaginatively developed the Puritan theological tradition to propose practical, physical means by which humans should live and worship within the natural temple of God’s creation. They reshaped Puritan dualism, each according to the particular needs of his or her own ecological and cultural contexts, into a theology that demands care for the entire created community. While differing in their approaches and respective ecological ethics, the four authors Bilbro examines all share the conviction that God remains active in creation and that humans ought to relinquish their selfish ends to participate in his wild ecology.
Loving God’s Wildness fills a critical gap in literary criticism and environmental studies by offering a sustained, detailed argument regarding how Christian theology has had a profound and enduring legacy in shaping the contours of the American ecological imagination. Literary critics, scholars of religion and environmental studies, and thoughtful Christians who are concerned about environmental issues will profit from this engaging new book.
The development of steam propulsion machinery in warships during the nineteenth century, in conjunction with iron armor and shell guns, resulted in a technological revolution in the world’s navies. Warships utilizing all of these technologies were built in France and Great Britain in the 1850s, but it was during the American Civil War that large numbers of ironclads powered solely by steam proved themselves to be quite capable warships.
Historians have given little attention to the engineering of Confederate ironclads, although the Confederacy was often quite creative in building and obtaining marine power plants. Engines of Rebellion: Confederate Ironclads and Steam Engineering in the American Civil War focuses exclusively on ships with American built machinery, offering a detailed look at marine steam-engineering practices in both northern and southern industry prior to and during the Civil War.
Beginning with a contextual naval history of the Civil War, the creation of the ironclad program, and the advent of various technologies, Saxon T. Bisbee analyzes the armored warships built by the Confederate States of America that represented a style adapted to scarce industrial resources and facilities. This unique historical and archaeological investigation consolidates and expands on the scattered existing information about Confederate ironclad steam engines, boilers, and propulsion systems.
Through analysis of steam machinery development during the Civil War, Bisbee assesses steam plants of twenty-seven ironclads by source, type, and performance, among other factors. The wartime role of each vessel is discussed, as well as the stories of the people and establishments that contributed to its completion and operation. Rare engineering diagrams never before published or gathered in one place are included here as a complement to the text.
The fundamental mission of medicine is caring, and curing may be only one component of that broad mission
In this fascinating work, Cheryl Black reveals that, in addition to its role in developing an American tradition of non-commercial theatre, Provincetown has another, largely unacknowledged claim to fame as one of the first theatre companies in America in which women achieved prominence in every area of operation. At a time when women playwrights were rare, women directors rarer, and women scenic designers unheard of, Provincetown’s female members excelled in all of these roles.
In addition to the well-known playwright Susan Gaspell, the company’s female membership included luminaries such poets Edna St. Vincent Millay, Mina Loy, and Djuna Barnes; journalists Louise Bryant and Mary Heaton Vorce; novelists Neith Boyce and Evelyn Scott; and painter Marguerite Zorach. Illuminating a fascinating chapter in the history of one of the world's most picturesque and beloved artist colonies, The Women of Provincetown is an engaging work of social history, offering new insights into the relationship between gender and theatre. This work includes 40 images of the key artists in the book.
Alice is a motherless child, born to a motherless child, and raised with neither care nor grace. Her response to this multiple abandonment is a lifelong obsession with her best friend Ingrid, or Thingy, as Alice calls her, and a sort of fantastic narcissism wherein she figures herself as the nexus of a supernatural world she understands through a blend of mountain lore, indigenous Cherokee legend, and the dangerous idiom of the fairy-tale girl who enters the forest despite being warned.
The novel is written in blended parts and is crafted as an address to Thingy’s daughter, Ingrid the Second, who is now in Alice’s care. Alice attempts to tell Ingrid the story of her life: her friendship with Thingy; her troubled relationships with her father, a small-town sexual troubadour; her stepmother, a hard-minded business woman who treats all interactions as commerce; her marriage to her husband Jacob, a silent figure of tremendous will; and her growing suspicion that Ingrid is another girl-child around whom disaster accumulates. Simultaneously, Alice tells the child the kind of bedtime stories she herself has used to make sense of her world. For Alice, and thus in Hex, the line between fantasy and reality is nonexistent, the mountain is older than its geology, and the world a limbo in which everything that has ever happened is coming around again.
Hex is a novel about violence—the violence of the fist, of the womb, of the story. It is also a novel about language and how we use it to build a world when the one we find around us is irretrievably broken.
In language that is both barb and bauble, bitter and unbearably sweet, Sarah Blackman spins the threads of stories where everything is probable and nothing is constant. The stories in Mother Box, and Other Tales occur in an in-between world of outlandish possibility that has become irrefutable reality: a woman gives birth to seven babies and realizes at one of their weddings that they were foxes all along; a girl with irritating social quirks has been raised literally by cardboard boxes; a young woman throws a dinner party only to have her elaborate dessert upstaged by one of the guests who, as it turns out, is the moon. Love between mothers and children is a puzzling thrum that sounds at the very edge of hearing; a muted pulse that, nevertheless, beats and beats and beats.
In these tales, the prosaic details of everyday life—a half-eaten sandwich, an unopened pack of letters on a table—take on fevered significance as the characters blunder into revelations that occlude even as they unfold.
Plants from the Past is a fascinating, comprehensive record of the work of two dedicated plant scientists who were instrumental in the establishment of archaeobotany and paleoethnobotany as vigorous subdisciplines within American archaeology. Hugh Carson Cutler and Leonard Watson Blake worked together for many decades at the Missouri Botanical Garden in St. Louis, identifying and interpreting plant remains from archaeological sites all over North America.
Covering a period of 30 years and tracing the development of the study of plant remains from archaeological sites, the volume will give archaeologists access to previously unavailable data and interpretations. It features the much-sought-after extensive inventory "Plants from Archaeological Sites East of the Rockies," which serves as a reference to archaeobotanical collections curated at the Illinois State Museum. The chapters dealing with protohistory and early historic foodways and trade in the upper Midwest are especially relevant at this time of increasing attention to early Indian-white interactions.
The editors' introduction provides coherence and historical context for the papers and points to the book's potential as a resource for future research. Graced by Dr. Blake's brief introductions to each chapter, Plants from the Past neatly compiles the earliest research in archaeobotany by two originators of the science.
Ana Margarita Gasteazoro (1950–1993) was a Salvadoran opposition activist and renowned Amnesty International prisoner of conscience. Tell Mother I’m in Paradise:Memoirs of a Political Prisoner in El Salvador recounts her extraordinary life story. From a privileged Catholic upbringing, with time spent studying and working abroad, Ana Margarita first became a member of the legal political opposition in the late 1970s and later a clandestine operative at work against the brutal military junta.
Gasteazoro recounts her early rebellion against the strictures of conservative upper-class Salvadoran society. She spoke perfect English and discovered a talent for organizing in administrative jobs abroad and at home. As the civil war progressed, she quickly became a valued figure in the National Revolutionary Movement (MNR), a social democratic party, often representing it at international meetings. Against the backdrop of massive social oppression and the “disappearances” of thousands of opposition members, Gasteazoro began a double life as an operative in a faction of the Farabundo Martí National Liberation Front (FMLN). Multitalented and energetic, she organized safe houses for fellow activists, transported weapons and equipment, wrote scripts for an underground radio station, and produced an award-winning documentary film. But the toll on her family life and personal relationships was heavy.
Ana Margarita was disappeared in May 1981 by the infamous National Guard and endured a nightmare 11 days of interrogations, beatings, and abuse. Through international pressure and the connections of her family, her arrest was finally made public, and she was transferred to the women’s prison at Ilopango. There, she and other activists continued the political struggle through the Committee of Political Prisoners of El Salvador (COPPES). During her two years in prison, tested by hunger strikes, violence, and factional divisions, she became one of Amnesty International’s best-known prisoners of conscience. Tell Mother I’m in Paradise is a gripping story of a self-aware activist and a vital young woman’s struggle to find her own way within a deeply conservative society.
Robin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.
In the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.
In The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.
Sometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.
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