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The Rhetoric of Fascism
Nathan Crick
University of Alabama Press, 2022
Highlights the persuasive devices most common to fascist appeals
 
Fascism has resurfaced as one of the most pressing problems of our time. The rise of extremist parties and candidates in Europe, the United States, and around the globe has led even mainstream political commentators to begin using the term “fascism” to describe dangerous movements that have revived and repackaged many of the strategies long thought to have been relegated to the margins of political rhetoric. No longer just confined to the state regimes of the past, fascism thrives today as a globally self-augmenting, self-propagating rhetorical phenomenon with a variety of faces and expressions.

The Rhetoric of Fascism defines and interprets the common persuasive devices that characterize fascist discourse to understand the nature of its enduring appeal. By approaching fascism from a rhetorical perspective, this volume complements established political and sociological understandings of fascism as a movement or regime. A rhetorical approach studies fascism less as a party one joins than as a set of persuasive strategies one adopts. Fascism spreads precisely because it is not a coherent entity. Instead, it exists as a loosely bound and often contradictory collection of persuasive trajectories that have attained enough coherence to mobilize and channel the passions of a self-constituted mass of individuals.

Introductory chapters focus on general theories of fascism drawn from twentieth-century history and theory. Contributors investigate specific historical figures and their relationship to contemporary rhetorics, focusing on a specific rhetorical device that is characteristic of fascist rhetoric. A common thread throughout every chapter is that fascist devices are appealing because they speak to us in the familiar language of our culture. As we are seduced by one device at a time, we soon find ourselves part of a movement, a group, or a campaign that makes us act in ways we might never have imagined. This volume reveals that fascism may be closer to home than we think.

CONTRIBUTORS
Patrick D. Anderson / Rya Butterfield / Nathan Crick / Elizabeth R. Earle / Zac Gershberg / Stephen J. Hartnett / Marie-Odile N. Hobeika / Sean Illing / Jacob A. Miller / Fernando Ismael Quiñones Valdivia / Patricia Roberts-Miller / Raquel M. Robvais / Bradley A. Serber / Ryan Skinnell
 
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Frank Norris Remembered
Jesse S. Crisler
University of Alabama Press, 2013
Frank Norris Remembered is a collection of reminiscences by Norris’s contemporaries, friends, and family that illuminate the life of one of America’s most popular novelists.
 
Considering his undergraduate education spent studying art at Académie Julian in Paris and creative writing at Harvard and his journalism career reporting from the far reaches of South Africa and Cuba, it is difficult to fathom how Frank Norris also found time to compose seven novels during the course of his brief life. But despite his adventures abroad, Norris turned out novels at a dizzying pace. He published Moran of the Lady Letty in 1898, McTeague early in 1899, Blix later that year, A Man’s Woman in February 1900, and The Octopus, the first in his ultimately unfinished “Epic of the Wheat” trilogy, in 1901. By informing his novels with his own experiences abroad, Norris composed works that were politically charged and culturally relevant and that made considerable contributions to the character of American literature in the twentieth century.
 
Frank Norris died at the age of thirty-two in 1902 from peritonitis resulting from a burst appendix, leaving behind a wife, a daughter, and an unfinished series of novels (two of which, The Pit and Vandover and the Brute, were published posthumously). The aim of Frank Norris Remembered, edited by Jesse S. Crisler and Joseph R. McElrath Jr., is to re-create the short, spectacular life of this American author through the eyes of those who knew him best. The fifty reminiscences included in this book feature the voices of Frank N. Doubleday; William Dean Howells; Hamlin Garland; Norris’s wife, Jeannette; and many others who were lucky enough to form a relationship with this vital twentieth-century American author, artist, and adventurer.
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Winnebago Mysteries and Other Stories
Moira Crone
University of Alabama Press, 1982
Fresh writings about women, love, and strength

In this collection of seven short stories, Moira Crone presents fresh writings about women, love, and strength. "Kudzu" is a tale of a girl's childhood in the stranglehold of American life. "The Brooklyn Lie" deals with a young woman's sexuality and body. The title story explores relationships and women's issues through a series of letters and narratives.
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Forth to the Mighty Conflict
Alabama and World War II
Allen Cronenberg
University of Alabama Press, 1995

Details conditions in Alabama and the role of its citizens in a time of military crisis unknown since the Civil War.

Alabama and its people played a conspicuous role in World War II. Not only were thousands of servicemen trained at military facilities in the state—at Fort McClellan, Camp Rucker, Camp Sibert, Maxwell Air Field, and Tuskegee Army Air Field—but Axis prisoners of war were interned in camps on Alabama soil, most notably at Aliceville and Opelika. More than 45,000 Alabama citizens were killed in combat or died as POWs, some came home injured, and many labored in war factories at home.

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Winds of Will
Emily Dickinson and the Sovereignty of Democratic Thought
Paul Crumbley
University of Alabama Press, 2010
In this study, Paul Crumbley asserts that, contrary to popular opinion, Emily Dickinson consistently communicated political views through her poetry. Dickinson’s life of self-isolation—today her most notable personal characteristic—by no means extended into the political sphere, he argues. While she rarely addressed political issues directly and was curiously disengaged from the liberal causes and female reform movements of her time, Dickinson’s poems are deeply rooted both in matters of personal sovereignty and reader choice. The significant choices Dickinson extends to the reader underscore the democratic dimensions of reading her work, and of reading itself as a political act.
 
Crumbley employs close readings of Dickinson’s poems and letters, highlighting the many changing—and often contradictory—voices in her work, both throughout her oeuvre and in individual poems themselves. In Dickinson’s letters Crumbley finds just as many unique and conflicting voices; thus, both her personal correspondence and the poems make political demands by placing the burden of interpretation on the reader.
 
Rather than reflecting explicit political values, Dickinson’s work chronicles an ongoing decision-making process that magnifies the role of individual choice, not the advocacy of specific outcomes. In the end, Dickinson’s readers must either accept an isolated lyric subjectivity or invest that subjectivity with the substance necessary for engagement with the larger world.

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Five Days of Bleeding
Ricardo Cortez Cruz
University of Alabama Press, 1995
Five Days of Bleeding is the black experience in sound, a fight to dance and celebrate cultural roots, and the struggle of a dark homeless woman, Zu-Zu Girl, to have voice in White America.

Taunted by the violent character "Chops," Zu-Zu sings to keep her spirit alive in New York City's Central Park. Zu-Zu and the novel's narrator have a relationship which is transformed into a stormy, dreamlike urban affair. Their oppressive situation is depicted through multiple collages of sound and image, a funky mix of original and sampled cuts, both literary and musical.

The social chaos around them is remixed in a text consisting of street beats, classic breaks, and fresh-cool cadences. Bleeding proves that the loudest noises of moral panic can be gunshots, to be sure, but they can also be the very human sound of the music of hope and despair.

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Straight Outta Compton
Ricardo Cortez Cruz
University of Alabama Press, 1992
Samples from all aspects of black life in its search to have its characters find what rapper Heavy D. would call a “Peaceful Journey”

Straight Outta Compton is about living large, living in the fast lane. It raps to its readers about being black, being born and raised in the L.A. ghetto, being so-called "Niggaz 4-Life," being sweet on black life (for those in it, the beat goes on). It focuses on the lives of two black men, Rooster and Clive-nem, who grow up together in Compton. He and Rooster split up, fall into rival gangs-the Bloods and the Crips-and being to hate each other. Clive has other problems besides Rooster-namely, Compton. He thinks that he's made a girl pregnant. He's involved with gangs.

Straight Outta Compton samples from all aspects of black life in its search to have its characters find what rapper Heavy D. would call a, "Peaceful Journey." It wasn't just written; it was mixed by a DJ, and the result is hyped!
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Canons by Consensus
Critical Trends and American Literature Anthologies
Joseph Csicsila
University of Alabama Press, 2004

The first systematic analysis of American literature textbooks used by college instructors in the last century

Scholars have long noted the role that college literary anthologies play in the rising and falling reputations of American authors. Canons by Consensus examines this classroom fixture in detail to challenge and correct a number of assumptions about the development of the literary canon throughout the 20th century.

Joseph Csicsila analyzes more than 80 anthologies published since 1919 and traces not only the critical fortunes of individual authors, but also the treatment of entire genres and groupings of authors by race, region, gender, and formal approach. In doing so, he calls into question accusations of deliberate or inadvertent sexism and racism. Selections by anthology editors, Csicsila demonstrates, have always been governed far more by prevailing trends in academic criticism than by personal bias.

Academic anthologies are found to constitute a rich and often overlooked resource for studying American literature, as well as an irrefutable record of the academy’s changing literary tastes throughout the last century.

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The English Physician
Nicholas Culpeper
University of Alabama Press, 2007

The first medical book published in the American colonies

The English Physician is a humble vest-pocket-sized 94-page medical guide for the common person, by the prolific herbalist and author Nicholas Culpeper. It was a staple in 17th-century England, as it was short, written in accessible prose, and inexpensive; and perhaps as attractive, it took a decidedly skeptical view of "official" medicine, relying instead on popular remedies. Culpeper’s philosophy was to teach the common folk to minister to themselves by providing them with the tools and knowledge for self-help.

Published in Boston in 1708 by Nicholas Boone, the American version of The English Physician was widely cited and used at the time. Today only five copies are known to exist. The rarity of this vade mecum of colonial America is wrapped in mystery: Who really wrote this book and when, where, and how did it originate?

The editor illuminates these mysteries while adding an informative historical introduction on the state of medical knowledge and practice at the time, exploring Culpeper’s position among competing medical writers, and glossing the medical and botanical terms, providing contemporary equivalents. Modern readers will discover the meaning behind the strangely named brews and concoctions of the 17th century and will learn how this Boston printing literally transformed the American landscape with herbs brought from the British colonists’ homeland.

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Caribbean Paleodemography
Population, Culture History, and Sociopolitical Processes in Ancient Puerto Rico
L. Antonio Curet
University of Alabama Press, 2005

A high significant discussion of Caribbean archaeology and a fascinating introduction to paleodemography

According to the European chronicles, at the time of contact, the Greater Antilles were inhabited by the Taino or Arawak Indians, who were organized in hierarchical societies. Since its inception Caribbean archaeology has used population as an important variable in explaining many social, political, and economic processes such as migration, changes in subsistence systems, and the development of institutionalized social stratification.

In Caribbean Paleodemography, L. Antonio Curet argues that population has been used casually by Caribbean archaeologists and proposes more rigorous and promising ways in which demographic factors can be incorporated in our modeling of past human behavior. He analyzes a number of demographic issues in island archaeology at various levels of analysis, including inter- and intra-island migration, carrying capacity, population structures, variables in prehistory, cultural changes, and the relationship with material culture and social development. With this work, Curet brings together the diverse theories on Greater Antilles island populations and the social and political forces governing their growth and migration.

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Dialogues in Cuban Archaeology
L. Antonio Curet
University of Alabama Press, 2005

Provides a politically and historically informed review of Cuban archaeology, from both American and Cuban perspectives.

 

Many Americans are aware of the political, economic, and personal impacts of the U.S. embargo on Cuba. But the communication blockade between scholars has also affected the historical course of academic disciplines and research in general. With the easing of restrictions in the 1990s, academics are now freer to conduct research in Cuba, and the Cuban government has been more receptive to collaborative projects.

This volume provides a forum for the principal Cuban and American archaeologists to update the current state of Cuban archaeological research--from rock art and potsherds to mortuary practices and historical renovation--thereby filling in the information gap created by the political separation. Each group of researchers brings significant new resources to the effort, including strong conservation regulations, innovative studies of lithic and shell assemblages, and transculturation theories. Cuban research on the hacienda system, slavery, and urban processes has in many ways anticipated developments in North American archaeology by a decade or more. Of special interest are the recent renovation projects in Old Havana that fully integrate the work of historians, architects, and archaeologists--a model project conducted by agreement between the Cuban government and UNESCO.

The selection of papers for this collection is based on a desire to answer pressing research questions of interest for North American Caribbeanists and to present a cross-section of Cuban archaeological work. With this volume, then, the principal players present results of recent collaborations and begin a renewed conversation, a dialogue, that can provide a foundation for future coordinated efforts.


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Islands at the Crossroads
Migration, Seafaring, and Interaction in the Caribbean
L. Antonio Curet
University of Alabama Press, 2011
A long sequence of social, cultural, and political processes characterizes an ever-dynamic Caribbean history. The Caribbean Basin is home to numerous linguistic and cultural traditions and fluid interactions that often map imperfectly onto former colonial and national traditions. Although much of this contact occurred within the confines of local cultural communities, regions, or islands, they nevertheless also include exchanges between islands, and in some cases, with the surrounding continents. recent research in the pragmatics of seafaring and trade suggests that in many cases long-distance intercultural interactions are crucial elements in shaping the social and cultural dynamics of the local populations.
 
The contributors to Islands at the Crossroads include scholars from the Caribbean, the United States, and Europe who look beyond cultural boundaries and colonial frontiers to explore the complex and layered ways in which both distant and more intimate sociocultural, political, and economic interactions have shaped Caribbean societies from seven thousand years ago to recent times.
 
Contributors
Douglas V. Armstrong / Mary Jane Berman / Arie Boomert / Alistair J. Bright / Richard T. Callaghan / L. Antonio Curet / Mark W. Hauser / Corinne L. Hofman / Menno L. P. Hoogland / Kenneth G. Kelly / Sebastiaan Knippenberg / Ingrid Newquist / Isabel C. Rivera-Collazo / Reniel Rodríquez Ramos / Alice V. M. Samson / Peter E. Siegel / Christian Williamson
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The Archaeology of Tibes
Life, Death, and Memory at an Early Ceremonial Center in the Caribbean
L. Antonio Curet
University of Alabama Press, 2025
A collection of new essays that brings archaeological insights and discoveries at the Tibes Ceremonial Center up to date
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Tibes
People, Power, and Ritual at the Center of the Cosmos
L. Antonio Curet
University of Alabama Press, 2009
The first comprehensive analysis of a strategically located ceremonial center on the island of Puerto Rico

The prehistoric civic-ceremonial center of Tibes is located on the southern coast of Puerto Rico, just north of the modern coastal city of Ponce. Protected on two sides by a river, and on the other two sides by hills, this approximately 10.5-acre site remains as fertile and productive today as when first occupied over 2,000 years ago. Such a rich region would have been a choice location for native peoples because of the diversity in all resources, from land, air, and sea--and also symbolically crucial as a liminal space within the landscape. It may have been regarded as a space charged with numen or cosmic energy where different parts of the cosmos (natural vs. supernatural, or world of the living vs. world of the dead) overlap. Archaeological evidence reveals a long occupation, about 1,000 years, possibly followed by an extensive period of sporadic ceremonial use after the site itself was practically abandoned.

In this volume, nineteen Caribbeanists, across a wide academic spectrum, examine the geophysical, paleoethnobotanical, faunal, lithics, base rock, osteology, bone chemistry and nutrition, social landscape, and ceremonial constructs employed at Tibes. These scholars provide a concise, well-presented, comprehensive analysis of the evidence for local level changes in household economy, internal organization, accessibility to economic, religious, and symbolic resources related to the development and internal operation of socially stratified societies in the Caribbean.


 
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Theatre Symposium, Vol. 19
Theatre and Film
J K Curry
University of Alabama Press, 2011
Normal0falsefalsefalseMicrosoftInternetExplorer4Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the same ways? The essays in “Theatre Symposium: Volume 19” present this dynamic coexistence of theatre and film, and examine the nature of their mutual influence on each other.Bruce McConachie, in his contribution to the collection, “Theatre and Film in Evolutionary Perspective,” argues that the cognitive functions used to interpret either media arise from the same evolutionary foundation, and that therefore the viewing experiences of theatre and film are closely linked to each other. In “Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams,” Anthony Hostetter and Elisabeth Hostetter consider Jones’ influential vision of a “theater of the future,” in which traditional stage performances incorporate mediated video material into stage productions. Becky Becker’s “Nollywood: Film and Home Video, of the Death of Nigerian Theatre,” by focusing on the current conversation in Nigeria, discusses the anxiety generated by a film and video industry burgeoning into and displacing theatre culture These and the six other essays in “Theatre Symposium: Volume 19” shed light on the current state of affairs—the collaborations and the tensions—between  two distinctly individual yet inextricably related artistic media.
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The Story of Food in the Human Past
How What We Ate Made Us Who We Are
Robyn E. Cutright
University of Alabama Press, 2021
A sweeping overview of how and what humans have eaten in their long history as a species
 
The Story of Food in the Human Past: How What We Ate Made Us Who We Are uses case studies from recent archaeological research to tell the story of food in human prehistory. Beginning with the earliest members of our genus, Robyn E. Cutright investigates the role of food in shaping who we are as humans during the emergence of modern Homo sapiens and through major transitions in human prehistory such as the development of agriculture and the emergence of complex societies.

This fascinating study begins with a discussion of how food shaped humans in evolutionary terms by examining what makes human eating unique, the use of fire to cook, and the origins of cuisine as culture and adaptation through the example of Neandertals. The second part of the book describes how cuisine was reshaped when humans domesticated plants and animals and examines how food expressed ancient social structures and identities such as gender, class, and ethnicity. Cutright shows how food took on special meaning in feasts and religious rituals and also pays attention to the daily preparation and consumption of food as central to human society.

Cutright synthesizes recent paleoanthropological and archaeological research on ancient diet and cuisine and complements her research on daily diet, culinary practice, and special-purpose mortuary and celebratory meals in the Andes with comparative case studies from around the world to offer readers a holistic view of what humans ate in the past and what that reveals about who we are.

 
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Tried Men and True, or Union Life in Dixie
Thomas Jefferson Cypert
University of Alabama Press, 2011
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Tried Men and True, or Union Life in Dixie highlights in emotional detail the local tensions between Unionists and Confederates in the Civil War South and offers a rare first-person account of the guerrilla war that devastated Western Tennessee.
 
Thomas Jefferson Cypert (1827-1918) was a staunch Union man of Wayne County, Tennessee. In 1863, he helped organize the Second Tennessee Mounted Infantry, a regiment of loyalist Southerners enlisted to combat Confederate cavalry in West Tennessee and Northern Alabama. Tried Men and True is Cypert’s memoir of his time as Captain of Company A, including his capture by Confederate cavalry and subsequent daring escape, in which he was aided by local Union sympathizers and slaves.
 
After the Civil War, Cypert served two terms in the Tennessee State Senate, one of them during the heated first years of Reconstruction, when Tennessee disenfranchised former rebels and attempted to establish Unionist Republican rule in the state. Cypert clearly wrote his memoir to defend Unionism, condemn secession and rebellion, and support loyalists’ claims for post-war power through an account of their wartime sacrifices. Never before published, the manuscript has been preserved in nearly perfect condition by Cypert’s descendants over the generations. This book is a remarkable and engagingly written account of resistance to the Confederacy by a group of southwestern Tennessee loyalists.
 
 


 
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