front cover of Coming Close
Coming Close
Forty Essays on Philip Levine
Mari L'Esperance
University of Iowa Press, 2013
This collection of essays pays tribute to Philip Levine as teacher and mentor. Throughout his fifty-year teaching career, the Pulitzer Prize–winning Levine taught scores of younger poets, many of whom went on to become famous in their own right. These forty essays honor and celebrate one of our most vivid and gifted poets.
           
Whether in Fresno, New York, Boston, Detroit, or any of the other cities where Levine taught, his students benefited from his sharp, humorous honesty in the classroom. In these personal essays, poets spanning a number of generations reveal how their lives and work were forever altered by studying with Levine. The heartfelt tributes illuminate how one dedicated teacher’s intangible gifts can make a vast difference in the life of a developing poet, as well as providing insight into the changing tenor of the poetry workshop in the American university setting.
Here, poets as diverse as Nick Flynn and David St. John, Sharon Olds and Larry Levis, Ada Limon and Mark Levine, Malena Morling and Lawson Fusao Inada are united in their deep regard for Philip Levine. The voices echo and reverberate as each strikes its own honoring tone. 

Contributors: Aaron Belz, Ciaran Berry, Paula Bohince, Shane Book, B. H. Boston, Xochiquetzal Candelaria, Colin Cheney, Michael Clifton, Michael Collier, Nicole Cooley, Kate Daniels, Blas Manuel De Luna, Kathy Fagan, Andrew Feld, Nick Flynn, Edward Hirsch, Sandra Hoben, Ishion Hutchinson, Lawson Fusao Inada, Dorianne Laux, Joseph O. Legaspi, Mark Levine, Larry Levis, Ada Limón, Elline Lipkin, Jane Mead, Dante Micheaux, Malena Mörling, John Murillo, Daniel Nester, Sharon Olds, January Gill O’Neil, Greg Pape, Kathleen Peirce, Sam Pereira, Jeffrey Skinner, Tom Sleigh, David St. John, Brian Turner, Robert Wrigley 
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On the Viking Trail
Travels in Scandinavian America
Don Lago
University of Iowa Press, 2004

When his father developed Alzheimer’s disease, Don Lago realized that the stories and traditions of his Swedish ancestors would be lost along with the rest of his father’s memories. Haunted by this inevitable tragedy, Lago set out to fight back against forgetting by researching and reclaiming his long-lost Scandinavian roots.

Beginning his quest with a visit to his ancestral home of Gränna, Sweden, Lago explores all facets of Scandinavian America—Swedish, Danish, Finnish, Norwegian, and Icelandic—along the way. He encounters Icelanders living in the Utah desert, a Titanic victim buried beneath a gigantic Swedish coffee pot in Iowa, an Arkansas town named after the famous Swedish opera singer Jenny Lind, a real-life Legoland in southern California, and other unique remnants of America’s Scandinavian past. Visits to Sigurd Olson’s legendary cabin on the banks of Burntside Lake in the Boundary Waters of Minnesota and Carl Sandburg’s birthplace in Galesburg, Illinois, further provide Lago with an acute sense of the Scandinavian values that so greatly influenced, and continue to influence, American society.

More than just a travel memoir, On the Viking Trail places Scandinavian immigrants and their history within the wider sweep of American culture. Lago’s perceptive eye and amusing tales remind readers of all ethnic backgrounds that to truly appreciate America one must never forget its immigrant past.

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Aussie Fans
Uniquely Placed in Global Popular Culture
Celia Lam
University of Iowa Press, 2019

Australia holds a unique place in the global scheme of fandom. Much of the media consumed by Australian audiences originates from either the United States or the United Kingdom, yet several Australian productions have also attracted international fans in their own right. This first-ever academic study of Australian fandom explores the national popular culture scene through themes of localization and globalization.

The essays within reveal how Australian audiences often seek authentic imports and eagerly embrace different cultures, examining both Hollywood’s influence on Australian fandom and Australian fan reactions to non-Western content. By shining a spotlight on Australian fandom, this book not only provides an important case study for fan studies scholars, it also helps add nuance to a field whose current literature is predominantly U.S. and U.K. focused.

Contributors: Kate Ames, Ahmet Atay, Jessica Carniel, Toija Cinque, Ian Dixon, Leigh Edmonds, Sharon Elkind, Jacqui Ewart, Lincoln Geraghty, Sarah Keith, Emerald L. King, Renee Middlemost

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Fame and Fandom
Functioning On and Offline
Celia Lam
University of Iowa Press, 2022
Celebrities depend upon fans to sustain their popularity and livelihood, and fans are happy to oblige. With social media they can follow their favorite (or least favorite) celebrities’ every move, and get glimpses into their lives, homes, and behind-the-scenes work. Fans interact with celebrities now more than ever, and often feel that they have a claim on their time, attention, and accountability. In Fame and Fandom, the contributors examine this tumultuous dynamic and bring together celebrity studies and fan studies like never before.

In case studies including Supernatural, Harry Styles, YouTube influencers, film location sites, Keanu Reeves, and celebrities as fans, readers find new approaches to fan/celebrity encounters and parasocial relationships. This is the go-to volume on the symbiotic relationship between fame and fandom.
 
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Essays of Elia
Charles Lamb
University of Iowa Press, 2003

Charles Lamb, one of the most engaging personal essayists of all time, began publishing his unforgettable, entertaining Elia essays in the London Magazine in 1820; they were so immediately popular that a book-length collection was published in 1823. Inventing the persona of “Elia” allowed Lamb to be shockingly honest and to gain a playful distance for self-examination. The resulting essays touch upon a wide range of compelling subjects from the deliciously humorous “Dissertation upon Roast Pig” to the poignantly reflective “New Year's Eve.” Yet collectively they also comprise a fascinating personal memoir, veiled under the pseudonymous disguise of Elia. Now back in print with a new foreword by the distinguished personal essayist Phillip Lopate and with useful annotations, Essays of Elia will provide a delicious stylistic treat for all readers.

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The Raptors of Iowa
James F. Landenberger
University of Iowa Press, 2013
This long-awaited collection of James Landenberger’s paintings of Iowa birds of prey presents thirty-two full-page, full-color species, from the common turkey vulture to the red-shouldered hawk of Mississippi River woodlands to the little northern saw-whet owl. Four naturalists who have devoted their lives to conserving wilderness habitats and species have written essays to complement the paintings.

Thanks to state and federal laws and a shift in public attitude, birds of prey are no longer seen as incarnations of ferocity but as creatures superbly attuned to their lives and surroundings. Although Iowa unfortunately leads the way in the amount of wildlife habitat that has been destroyed, conservation organizations and state agencies have also led the way toward successful raptor restoration projects, among them a roadside nest box program for the American kestrel, a project to restore peregrine falcons to their historic eyries, and a relocation program that should ensure a sustainable population of ospreys. The recent spectacular recovery of the bald eagle, whose nests had vanished from the state for seventy years, is particularly encouraging.

There can be no substitute for seeing thousands of broad-winged hawks soaring high overhead during migration, a great horned owl perching in silhouette at dusk, or a Cooper’s hawk plunging toward its prey along the roadside. But Jim Landenberger’s meticulously detailed paintings go a long way toward conveying the remarkable beauty of the American kestrel and other falcons, the grace of the swallow-tailed kite, the immaculate mystery of the snowy owl and its fellow owls, the glistening head feathers of an adult bald eagle, and the piercing defiance so characteristic of our larger hawks. 
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The Iowa Lakeside Laboratory
A Century of Discovering the Nature of Nature
Michael J. Lannoo
University of Iowa Press, 2012
Imagine a place dedicated to the long-term study of nature in nature, a permanent biological field station, a teaching and research laboratory that promotes complete immersion in the natural world. Lakeside Laboratory, founded on the shore of Lake Okoboji in northwestern Iowa in 1909, is just such a place. In this remarkable and insightful book, Michael Lannoo sets the story of Lakeside Lab within the larger story of the primacy of fieldwork, the emergence of conservation biology, and the ability of field stations to address such growing problems as pollution, disease, habitat loss, invasive species, and climate change.
 
At the intersection of major ecosystems with distinct plant and animal communities and surrounded by what, ironically, may be the most intensely cultivated landscape on earth, Lakeside has a long history of rubber-boot biologists saturated in the spirit that grounds the new discipline of conservation biology, and Lannoo brings this history to life with his descriptions of the people and ideas that shaped it. Lakeside’s continuing commitment to bringing the laboratory to the field rather than bringing the field to the lab has supported a focus on mammalogy, ornithology, herpetology, ichthyology, invertebrate biology, parasitology, limnology, and algology, subjects rarely taught now on university campuses but crucial to the planet’s health.
 

Today’s huge array of environmental problems can best be solved by people who have learned about nature within nature at a place with a long history of research and observation, people who thoroughly understand and appreciate nature’s cogs and wheels. Lakeside Lab and biological research stations like it have never been more relevant to science and to society at large than they are today. Michael Lannoo convinces us that while Lakeside’s past is commendable, its future, grounded in ecological principles, will help shape a more sustainable society. 

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Okoboji Wetlands
A Lesson in Natural History
Michael J. Lannoo
University of Iowa Press, 1996

Lake Okoboji in northwest Iowa is the jewel of the Iowa Great Lakes. A region of wetlands formed by prairie potholes, the area is rich with lakes, sloughs, fens, creeks, prairies, and kettleholes. In this readable and beautifully illustrated volume, Michael Lannoo presents an extensive natural history of Okoboji and its cherished wetlands that examines that world of our grandparents, compares it to today's world, and extrapolates to the world of our grandchildren.

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Status and Conservation of Midwestern Amphibians
Michael J. Lannoo
University of Iowa Press, 1998

In 1990 an international group of biologists, meeting to discuss rumors of declines in the number of amphibians, discovered that amphibian disappearances once thought to be a local problem were not—the problem was global. And, even more disturbing, amphibians were disappearing not just from areas settled by humans but from regions of the world once believed to be pristine. Under the mantle of the Declining Amphibian Populations Task Force, this timely book addresses three fundamental questions for the midwestern United States: are amphibians declining; if so, why; and, if so, what can be done to halt these losses?

In the Midwest—defined here as Missouri, Iowa, Illinois, Indiana, Ohio, Minnesota, Wisconsin, and Michigan—there can be no doubt that the number of salamanders and frogs has declined with Euro-American settlement and the conversion to an agriculturally dominated landscape. Habitat loss and landscape fragmentation have been major factors in this decline, as have aquacultural uses of natural wetlands. Bullfrog introductions have eliminated populations of native amphibians, and collecting for the biological supply trade has reduced the number of individuals within many populations. The goal of the forty-two essays in this well-documented, well-illustrated book is to put between two covers all we know now about the status of midwestern amphibians. By doing this, the editor has created a readily accessible historical record for future studies.

Organized into sections covering landscape patterns and biogeography, species status, regional and state status, diseases and toxins, conservation, and monitoring and applications, this landmark volume will serve as the foundation for amphibian conservation in the Midwest.

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Outside Is the Ocean
Matthew Lansburgh
University of Iowa Press, 2017
Three days after her twentieth birthday, a young woman who grew up in Germany during World War II crosses the Atlantic to start a new life. Outside Is the Ocean traces Heike’s struggle to find love and happiness in America. After two marriages and a troubled relationship with her son, Heike adopts a disabled child from Russia, a strong-willed girl named Galina, who Heike hopes will give her the affection and companionship she craves. As Galina grows up, Heike’s grasp on reality frays, and she writes a series of letters to the son she thinks has abandoned her forever. It isn’t until Heike’s death that her son finds these letters and realizes how skewed his mother’s perceptions actually were.
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Heart Stays Country
Meditations from the Southern Flint Hills
Gary Lantz
University of Iowa Press, 2017
Writer and photographer Gary Lantz has always felt most at home in what the Osage used to call the “heart stays” country—the southern edge of the Flint Hills tallgrass prairie in Oklahoma’s Osage County. It’s a place of grassy mounds with lots of rocks underfoot and clusters of crooked little oaks providing shade. It started young, his long-lasting love affair with a landscape that unnerves the uninitiated a little, mostly because it just seems so empty, and it has persisted through his entire life.

As proud grasslanders know, the prairie is biologically fulfilling, unique, and increasingly rare: biologists from the National Park Service and the Nature Conservancy agree that a healthy prairie remains one of the most ecologically diverse and dynamic ecosystems on this planet—as well as one of the rarest left on earth. This landscape that once inspired rapturous exclamations from travelers headed west on horseback now mostly exists in fragments exiled from each other by cropland, cities, and interstate highways.

Historically, tallgrass prairie stretched from Canada to Texas, from central Kansas to Indiana. Now the last major expanse of tallgrass occurs in the Flint Hills, a verdant landscape extending in a north-south strip across eastern Kansas and into northern Oklahoma’s Osage County. In these essays, Gary Lantz brings the beautiful diversity of the prairie home to all of us. 
 
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Mass Authorship and the Rise of Self-Publishing
Timothy Laquintano
University of Iowa Press, 2016
In the last two decades, digital technologies have made it possible for anyone with a computer and an Internet connection to rapidly and inexpensively self-publish a book. Once a stigmatized niche activity, self-publishing has grown explosively. Hobbyists and professionals alike have produced millions of books, circulating them through e-readers and the web. What does this new flood of books mean for publishing, authors, and readers? Some lament the rise of self-publishing because it tramples the gates and gatekeepers who once reserved publication for those who met professional standards. Others tout authors’ new freedom from the narrow-minded exclusivity of traditional publishing. Critics mourn the death of the author; fans celebrate the democratization of authorship.

Drawing on eight years of research and interviews with more than eighty self-published writers, Mass Authorship avoids the polemics, instead showing how writers are actually thinking about and dealing with this brave new world. Timothy Laquintano compares the experiences of self-publishing authors in three distinct genres—poker strategy guides, memoirs, and romance novels—as well as those of writers whose self-published works hit major bestseller lists. He finds that the significance of self-publishing and the challenge it presents to traditional publishing depend on the aims of authors, the desires of their readers, the affordances of their platforms, and the business plans of the companies that provide those platforms.

In drawing a nuanced portrait of self-publishing authors today, Laquintano answers some of the most pressing questions about what it means to publish in the twenty-first century: How do writers establish credibility in an environment with no editors to judge quality? How do authors police their copyrights online without recourse to the law? How do they experience Amazon as a publishing platform? And how do they find an audience when, it sometimes seems, there are more writers than readers? 
 
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Fangasm
Supernatural Fangirls
Katherine Larsen
University of Iowa Press, 2013
Once upon a time not long ago, two responsible college professors, Lynn the psychologist and Kathy the literary scholar, fell in love with the television show Supernatural and turned their oh-so-practical lives upside down. Plunging headlong into the hidden realms of fandom, they scoured the Internet for pictures of stars Jensen Ackles and Jared Padalecki and secretly penned racy fan fiction. And then they hit the road—crisscrossing the country, racking up frequent flyer miles with alarming ease, standing in convention lines at 4 A.M.
They had white-knuckled encounters with overly zealous security guards one year and smiling invitations to the Supernatural set the next. Actors stripping in their trailers, fangirls sneaking onto film sets; drunken confessions, squeals of joy, tears of despair; wallets emptied and responsibilities left behind; intrigue and ecstasy and crushing disappointment—it’s all here.
And yet even as they reveled in their fandom, the authors were asking themselves whether it’s okay to be a fan, especially for grown women with careers and kids. “Crazystalkerchicks”—that’s what they heard from Supernatural crew members, security guards, airport immigration officials, even sometimes their fellow fans. But what Kathy and Lynn found was that most fans were very much like themselves: smart, capable women looking for something of their own that engages their brains and their libidos.
Fangasm pulls back the curtain on the secret worlds of fans and famous alike, revealing Supernatural behind the scenes and discovering just how much the cast and crew know about what the fans are up to. Anyone who’s been tempted to throw off the constraints of respectability and indulge a secret passion—or hit the road with a best friend—will want to come along.
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Invisible Darkness
Jean Toomer and Nella Larsen
Charles R. Larson
University of Iowa Press, 1993

Invisible Darkness offers a striking interpretation of the tortured lives of the two major novelists of the Harlem Renaissance: Jean Toomer, author of Cane (1923), and Nella Larsen, author of Quicksand (1928) and Passing (1929). Charles R. Larson examines the common belief that both writers "disappeared" after the Harlem Renaissance and died in obscurity; he dispels the misconception that they vanished into the white world and lived unproductive and unrewarding lives.

In clear, jargon-free language, Larson demonstrates the opposing views that both writers had about their work vis-à-vis the incipient black arts movement; he traces each writer's troubled childhood and describes the unresolved questions of race that haunted Toomer and Larsen all of their lives. Larson follows Toomer through the wreckage of his personal life as well as the troubled years of his increasingly quirky spiritual quest until his death in a nursing home in 1967. Using previously unpublished letters and documents, Larson establishes for the first time the details of Larsen's life, illustrating that virtually every published fact about her life is incorrect.

With an innovative chronology that breaks the conventions of the traditional biographical form, Larson narrates what happened to both of these writers during their supposed years of withdrawal. He demonstrates that Nella Larsen never really gave up her fight for creative and personal fulfillment and that Jean Toomer's connection to the Harlem Renaissance—and the black world—is at best a dubious one. This strong revisionist interpretation of two major writers will have a major i mpact on African American literary studies.

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Bonds of Enterprise
John Murray Forbes and Western Development in America's Railway Age
John Lauritz Larson
University of Iowa Press, 2001
Bonds of Enterprise uses the life of railroad entrepreneur John Murray Forbes to explore the shift from antebellum merchant capitalism to late ninetieth-century corporate capitalism, the rise of big business, technological innovations, farmer agitation for railroad rate control, and the process of government regulations. Forbes started off his business life as a China trader in the 1830s, returned to the States in time to surmount the Panic of 1837, and then—deciding that railroad construction should be based on existing settlement and traffic systems rather than speculative ambitions—became a master builder, beginning with the Michigan Central Railroad and ending with the Chicago, Burlington & Quincy system and the growth of Chicago as a railroad hub. Focusing on Forbes’s life allows Larson to elaborate on the contest of wills between eastern capitalists and Midwestern boosters and the complex patterns of regional growth, particularly in Iowa, Illinois, Michigan, and Nebraska.
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The Goner School
Jessica Laser
University of Iowa Press, 2024
Jessica Laser has given her generation a voice and a name in this masterful, funny, and heartbreaking collection, The Goner School. Members of this school, despairing and hopeful, count themselves among the self-aware, trauma-informed inheritors of a warming, warring planet. Childhood, the gym, plant medicine ceremonies, PhD programs, Jews, evangelicals, everyone you’ve slept with, Lake Michigan, the Bay Area, William James, and Taylor Swift may seem incongruous, but they all take place in one world from which, try as we might, there is no escape.
 
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Andean Expressions
Art and Archaeology of the Recuay Culture
George F. Lau
University of Iowa Press, 2011
Flourishing from A.D. 1 to 700, the Recuay inhabited lands in northern Peru just below the imposing glaciers of the highest mountain chain in the tropics. Thriving on an economy of high-altitude crops and camelid herding, they left behind finely made artworks and grand palatial buildings with an unprecedented aesthetic and a high degree of technical sophistication. In this first in-depth study of these peoples, George Lau situates the Recuay within the great diversification of cultural styles associated with the Early Intermediate Period, provides new and significant evidence to evaluate models of social complexity, and offers fresh theories about life, settlement, art, and cosmology in the high Andes.
 
Lau crafts a nuanced social and historical model in order to evaluate the record of Recuay developments as part of a wider Andean prehistory. He analyzes the rise and decline of Recuay groups as well as their special interactions with the Andean landscape. Their  coherence was expressed as shared culture, community, and corporate identity, but Lau also reveals its diversity through time and space in order to challenge the monolithic characterizations of Recuay society pervasive in the literature today.
 
Many of the innovations in Recuay culture, revealed for the first time in this landmark volume, left a lasting impact on Andean history and continue to have relevance today. The author highlights the ways that material things intervened in ancient social and political life, rather than being merely passive reflections of historical change, to show that Recuay public art, exchange, technological innovations, warfare, and religion offer key insights into the emergence of social hierarchy and chiefly leadership and the formation, interaction, and later dissolution of large discrete polities. By presenting Recuay artifacts as fundamentally social in the sense of creating and negotiating relations among persons, places, and things, he recognizes in the complexities of the past an enduring order and intelligence that shape the contours of history.
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front cover of From Warm Center to Ragged Edge
From Warm Center to Ragged Edge
The Erosion of Midwestern Literary and Historical Regionalism, 1920-1965
Jon K. Lauck
University of Iowa Press, 2017
During the half-century after the Civil War, intellectuals and politicians assumed the Midwest to be the font and heart of American culture. Despite the persistence of strong currents of midwestern regionalism during the 1920s and 1930s, the region went into eclipse during the post–World War II era. In the apt language of Minnesota’s F. Scott Fitzgerald, the Midwest slid from being the “warm center” of the republic to its “ragged edge.”

This book explains the factors that triggered the demise of the Midwest’s regionalist energies, from anti-midwestern machinations in the literary world and the inability of midwestern writers to break through the cultural politics of the era to the growing dominance of a coastal, urban culture. These developments paved the way for the proliferation of images of the Midwest as flyover country, the Rust Belt, a staid and decaying region. Yet Lauck urges readers to recognize persisting and evolving forms of midwestern identity and to resist the forces that squelch the nation’s interior voices.
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The Lost Region
Toward a Revival of Midwestern History
Jon K. Lauck
University of Iowa Press, 2013
 The American Midwest is an orphan among regions. In comparison to the South, the far West, and New England, its history has been sadly neglected. To spark more attention to their region, midwestern historians will need to explain the Midwest’s crucial roles in the development of the entire country: it helped spark the American Revolution and stabilized the young American republic by strengthening its economy and endowing it with an agricultural heartland; it played a critical role in the Union victory in the Civil War; it extended the republican institutions created by the American founders, and then its settler populism made those institutions more democratic; it weakened and decentered the cultural dominance of the urban East; and its bustling land markets deepened Americans’ embrace of capitalist institutions and attitudes.

In addition to outlining the centrality of the Midwest to crucial moments in American history, Jon K. Lauck resurrects the long-forgotten stories of the institutions founded by an earlier generation of midwestern historians, from state historical societies to the Mississippi Valley Historical Association. Their strong commitment to local and regional communities rooted their work in place and gave it an audience outside the academy. He also explores the works of these scholars, showing that they researched a broad range of themes and topics, often pioneering fields that remain vital today.

The Lost Region
demonstrates the importance of the Midwest, the depth of historical work once written about the region, the continuing insights that can be gleaned from this body of knowledge, and the lessons that can be learned from some of its prominent historians, all with the intent of once again finding the forgotten center of the nation and developing a robust historiography of the Midwest.

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Writing the Trail
Five Women's Frontier Narratives
Deborah Lawrence
University of Iowa Press, 2006
For a long time, the American West was mainly identified with white masculinity, but as more women’s narratives of westward expansion came to light, scholars revised purely patriarchal interpretations. Writing the Trail continues in this vein by providing a comparative literary analysis of five frontier narratives---Susan Magoffin’s Down the Santa Fe Trail and into Mexico, Sarah Royce’s A Frontier Lady, Louise Clappe’s The Shirley Letters, Eliza Farnham’s California, In-doors and Out, and Lydia Spencer Lane’s I Married a Soldier---to explore the ways in which women’s responses to the western environment differed from men’s.Throughout their very different journeys---from an eighteen-year-old bride and self-styled “wandering princess” on the Santa Fe Trail, to the mining camps of northern California, to garrison life in the Southwest---these women moved out of their traditional positions as objects of masculine culture. Initially disoriented, they soon began the complex process of assimilating to a new environment, changing views of power and authority, and making homes in wilderness conditions.Because critics tend to consider nineteenth-century women’s writings as confirmations of home and stability, they overlook aspects of women’s textualizations of themselves that are dynamic and contingent on movement through space. As the narratives in Writing the Trail illustrate, women’s frontier writings depict geographical, spiritual, and psychological movement. By tracing the journeys of Magoffin, Royce, Clappe, Farnham, and Lane, readers are exposed to the subversive strength of travel writing and come to a new understanding of gender roles on the nineteenth-century frontier.
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Walt Whitman and the Class Struggle
Andrew Lawson
University of Iowa Press, 2006
By reconsidering Whitman not as the proletarian voice of American diversity but as a historically specific poet with roots in the antebellum lower middle class, Andrew Lawson in Walt Whitman and the Class Struggle defines the tensions and ambiguities about culture, class, and politics that underlie his poetry.Drawing on a wealth of primary sources from across the range of antebellum print culture, Lawson uses close readings of Leaves of Grass to reveal Whitman as an artisan and an autodidact ambivalently balanced between his sense of the injustice of class privilege and his desire for distinction. Consciously drawing upon the languages of both the elite culture above him and the vernacular culture below him, Whitman constructed a kind of middle linguistic register that attempted to filter these conflicting strata and defuse their tensions: “You shall not look through my eyes either, nor take things from me, / You shall listen to all sides and filter them from yourself.” By exploring Whitman's internal struggle with the contradictions and tensions of his class identity, Lawson locates the source of his poetic innovation. By revealing a class-conscious and conflicted Whitman, he realigns our understanding of the poet's political identity and distinctive use of language and thus valuably alters our perspective on his poetry.
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The Body of Brooklyn
David Lazar
University of Iowa Press, 2003
Even before the controversy that surrounded the publication of A Million Little Pieces, the question of truth has been at the heart of memoir. From Elie Wiesel to Benjamin Wilkomirski to David Sedaris, the veracity of writers' claims has been suspect. In this fascinating and timely collection of essays, leading writers meditate on the subject of truth in literary nonfiction. As David Lazar writes in his introduction, "How do we verify? Do we care to? (Do we dare to eat the apple of knowledge and say it's true? Or is it a peach?) Do we choose to? Is it a subcategory of faith? How do you respond when someone says, 'This is really true'? Why do they choose to say it then?"
The past and the truth are slippery things, and the art of non-fiction writing requires the writer to shape as well as explore. In personal essays, meditations on the nature of memory, considerations of the genres of memoir, prose poetry, essay, fiction, and film, the contributors to this provocative collection attempt to find answers to the question of what truth in nonfiction means.
Contributors: 
John D'Agata, Mark Doty, Su Friedrich, Joanna Frueh, Ray González, Vivian Gornick, Barbara Hammer, Kathryn Harrison, Marianne Hirsch, Wayne Koestenbaum, Leonard Kriegel, David Lazar, Alphonso Lingis, Paul Lisicky, Nancy Mairs, Nancy K. Miller, Judith Ortiz Cofer, Phyllis Rose, Oliver Sacks, David Shields, and Leo Spitzer.
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Truth in Nonfiction
Essays
David Lazar
University of Iowa Press, 2008
Even before the controversy that surrounded the publication of A Million Little Pieces, the question of truth has been at the heart of memoir. From Elie Wiesel to Benjamin Wilkomirski to David Sedaris, the veracity of writers’ claims has been suspect. In this fascinating and timely collection of essays, leading writers meditate on the subject of truth in literary nonfiction. As David Lazar writes in his introduction, “How do we verify? Do we care to? (Do we dare to eat the apple of knowledge and say it’s true? Or is it a peach?) Do we choose to? Is it a subcategory of faith? How do you respond when someone says, ‘This is really true’? Why do they choose to say it then?”

The past and the truth are slippery things, and the art of nonfiction writing requires the writer to shape as well as explore. In personal essays, meditations on the nature of memory, considerations of the genres of memoir, prose poetry, essay, fiction, and film, the contributors to this provocative collection attempt to find answers to the question of what truth in nonfiction means.

Contributors: John D’Agata, Mark Doty, Su Friedrich, Joanna Frueh, Ray González, Vivian Gornick, Barbara Hammer, Kathryn Harrison, Marianne Hirsch, Wayne Koestenbaum, Leonard Kriegel, David Lazar, Alphonso Lingis, Paul Lisicky, Nancy Mairs, Nancy K. Miller, Judith Ortiz Cofer, Phyllis Rose, Oliver Sacks, David Shields, and Leo Spitzer
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Penultimate Suitor
Mary Leader
University of Iowa Press, 2001
In The Penultimate Suitor Mary Leader strips away comfortable layers of poetic self-protection to arrive at a position of acute emotional self-conflagration. Each poem turns upon and returns to the infuriating and glorious correlations between love and art. Learning to love, learning to make art, trying to make beauty, trying to be a beauty-all these efforts call for passionate explorations in the schools of art and love.
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Aviation's Golden Age
Portraits From 1920S And 1930S
William M. Leary
University of Iowa Press, 1989

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Pilots' Directions
Transcontinental Airway
William M. Leary
University of Iowa Press, 1990

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Poetics of Emergence
Affect and History in Postwar Experimental Poetry
Benjamin Lee
University of Iowa Press, 2020

Experimental poetry responded to historical change in the decades after World War II, with an attitude of such casual and reckless originality that its insights have often been overlooked. However, as Benjamin Lee argues, to ignore the scenes of self and the historical occasions captured by experimental poets during the 1950s and 1960s is to overlook a rich and instructive resource for our own complicated transition into the twenty-first century.

Frank O’Hara and fellow experimental poets like Amiri Baraka, Diane di Prima, and Allen Ginsberg offer us a set of perceptive responses to Cold War culture, lyric meditations on consequential changes in U.S. social life and politics, including the decline of the Old Left, the rise of white-collar workers, and the emergence of vernacular practices like hipsterism and camp. At the same time, they offer us opportunities to anatomize our own desire for historical significance and belonging, a desire we may well see reflected and reconfigured in the work of these poets.

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Esther's Town
Deemer Lee
University of Iowa Press, 2012
Esther's Town could be "Any Town, U.S.A.," for the equals of its cast of characters can be found in any small town. And here, as usual, was the town newspaper editor, the observing eye of all the foibles and peccadillos that form any town's history. Remembering all the years with love and humor, editor Deemer Lee chronicled the forty-four years he gathered and wrote news—forty-one of them as editor and publisher of his town's newspaper.

He dug into old records, recalled old times, and talked with old-timers. He illuminated the transition of a town, from Estherville’s pioneer settlement to the busy, active town it is today.

The excitement and fun begin with a story of bootleggers, Chautauqua meetings, and an accomplished arsonist—who achieves in less than two months the impressive score of burning seven barns and one feed store, with an unsuccessful attempt on the Methodist church. Scandinavians move in, build crude shelters for the first winter, and add their special characteristics to the town. The Irish arrive and stamp their mark on the whole territory. The circus comes to town and entrances everyone with its ancient pageantry. The railroads come through and add a rowdy element to the population. The Depression begins and farms see 11-cent corn, 108-degree heat, and a twister.

All these events, plus adventures with a massive meteorite and haunting river tragedies, create the drama and flow of small-town life, story by story, in a fascinating revelation of Americana. 
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Deep Travel
In Thoreau's Wake on the Concord and Merrimack
David K. Leff
University of Iowa Press, 2009
In the hot summer of 2004, David Leff floated away from the routine of daily life just as Henry David Thoreau and his brother had done in their own small boat in 1839. Fortified with Thoreau’s observations as revealed in A Week on the Concord and Merrimack Rivers, Leff brought his own concept of mindful deep travel to these same New England waterways. His first-person narrative uses his ecological way of looking, of going deep rather than far, to show that our outward journeys are inseparable from our inward ones.

How we see depends on where we are in our lives and with whom we travel. Leff chose his companions wisely. In consecutive journeys his neighbor and friend Alan, a veteran city planner; his son Josh, an energetic eleven-year-old; and his sweetheart Pamela, a compassionate professional caregiver, added their perspectives to Leff’s own experiences as a government official in natural resources policy. Not so much sight seeing as sight seeking, together they explored a geography of the imagination as well as the rich natural and human histories of the rivers and their communities.

The heightened awareness of deep travel demands that we immerse ourselves fully in places and realize that they exist in time as well as space. Its mindfulness enriches the experience and makes the voyager worthy of the journey. Leff’s intriguing, contemplative deep travel along these historic rivers presents a methodology for exploration that will enrich any trip.

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Ecological Restoration in the Midwest
Past, Present, and Future
Christian Lenhart
University of Iowa Press, 2018

Most people do not realize it, but the Midwest has been at the forefront of ecological restoration longer than perhaps any other region in the United States, dating back to the 1930s. Because of its industrial history, agricultural productivity, and natural features such as the Great Lakes, the Midwest has always faced a unique set of ecological challenges.

Focusing on six cutting-edge case studies that highlight thirty restoration efforts and research sites throughout the region— Iowa, Indiana, Illinois, Wisconsin, Michigan, Minnesota, and Ohio— editors Christian Lenhart and Peter “Rocky” Smiley Jr. bring together a group of scholars and practitioners to show how midwestern restoration efforts have developed, as well as where they are headed. Whether cleaning up contamination from auto plants in Ohio, or restoring native prairie grasses along the Iowa highway, the contributors uncover a vast network of interested citizens and volunteer groups committed to preserving the region’s environment.

This study, intended for researchers, students, and practitioners, also provides an updated synthesis of restoration theory and practice, and pinpoints emerging issues of importance in the Midwest, such as climate change and the increase in invasive species it will bring to the region. Though focusing exclusively on the Midwest, the contributors demonstrate how these case studies apply to restoration efforts across the globe.

Contributors: Luther Aadland, David P. Benson, Andrew F. Casper, Hua Chen, Joe DiMisa, Steve Glass, Heath M. Hagy, John A. Harrington, Neil Haugerud, Constance Hausman, Michael J. Lemke, Christian Lenhart, Jen Lyndall, Dan Shaw, John A. Shuey, Peter C. Smiley Jr., Daryl Smith 
 
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A Secret To Be Burried
Diary Emily Hawley Gillespie
Judy Nolte Lensink
University of Iowa Press, 1989

The sound of nineteenth-century women, once thought lost to us, is alive because ordinary women like Emily Hawley Gillespie gave voice to their thoughts in diaries. This condensed version of the 2,500-page journals of Emily Gillespie, faithfully written from 1858 to 1888, is a detailed account of rural Iowa life. More than this, it contains the reflections of a woman who dreamed of being a painter and writer and instead became a wife and a mother, a woman whose radical convictions were recorded in her diary, while publicly she conformed to the prescribed life of a Victorian pioneer woman. Through Emily's journals, readers are offered immediate and unmodified contact with settlers in Iowa one hundred years ago. A wealth of facts are included—what produce she harvested and preserved from her garden, how her husband tended his fields and what he raised, the challenges and rewards of family life.

Judy Lensink's skillful analysis shows the larger patterns in Emily Gillespie's life and provides keys that unlock the diary's secrets. Emily's life is revealed as a youth full of promise fading into middle and declining years of lost dreams and eventual tragedy, which caused her to write, "I have written many things in my journal, but the worst is a secret to be burried when I shall cease to be."

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Within the Lighted City
Lisa Lenzo
University of Iowa Press, 1997
Lisa Lenzo's stories explore what happens when safe boundaries are crossed. Often impetuous or unintentional, these crossings-over are never taken with full knowledge—characters step or glide or slip into trouble, and occasionally they hold still as danger overtakes them. The result is the loss of lives, limbs, or simply the illusion of safety. Yet despite their trials, the characters in these stories come away with a sense of hope for what remains.
All of the characters in Within the Lighted City are Detroiters or former Detroiters, including a near-albino teenager, an angel, and the Zito family—Ralph and Rosie and their children, who first appear in the collection during the '67 riots. Their stories of confrontation, loss, love, humor, and joy are, in the words of Stuart Dybek, “unsentimental in their honesty and at the same time powerfully empathetic.” They are also beautifully told.
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Molière, the French Revolution, and the Theatrical Afterlife
Mechele Leon
University of Iowa Press, 2009
From 1680 until the French Revolution, when legislation abolished restrictions on theatrical enterprise, a single theatre held sole proprietorship of Molière’s works. After 1791, his plays were performed in new theatres all over Paris by new actors, before audiences new to his works. Both his plays and his image took on new dimensions. In Molière, the French Revolution, and the Theatrical Afterlife, Mechele Leon convincingly demonstrates how revolutionaries challenged the ties that bound this preeminent seventeenth-century comic playwright to the Old Regime and provided him with a place of honor in the nation’s new cultural memory.

Leon begins by analyzing the performance of Molière’s plays during the Revolution, showing how his privileged position as royal servant was disrupted by the practical conditions of the revolutionary theatre. Next she explores Molière’s relationship to Louis XIV, Tartuffe, and the social function of his comedy, using Rousseau’s famous critique of Molière as well as appropriations of George Dandin in revolutionary iconography to discuss how Moliérean laughter was retooled to serve republican interests. After examining the profusion of plays dealing with his life in the latter years of the Revolution, she looks at the exhumation of his remains and their reentombment as the tangible manifestation of his passage from Ancien Régime favorite to new national icon.

The great Molière is appreciated by theatre artists and audiences worldwide, but for the French people it is no exaggeration to say that the Father of French Comedy is part of their national soul. By showing how he was represented, reborn, and reburied in the new France—how the revolutionaries asserted his relevance for their tumultuous time in ways that were audacious, irreverent, imaginative, and extreme—Leon clarifies the important role of theatrical figures in preserving and portraying a nation’s history.
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Contested Records
The Turn to Documents in Contemporary North American Poetry
Michael Leong
University of Iowa Press, 2020

Why have so many contemporary poets turned to source material, from newspapers to governmental records, as inspiration for their poetry? How can citational poems offer a means of social engagement? Contested Records analyzes how some of the most well-known twenty-first century North American poets work with fraught documents. Whether it’s the legal paperwork detailing the murder of 132 African captives, state transcriptions of the last words of death row inmates, or testimony from miners and rescue workers about a fatal mine disaster, author Michael Leong reveals that much of the power of contemporary poetry rests in its potential to select, adapt, evaluate, and extend public documentation.

Examining the use of documents in the works of Kenneth Goldsmith, Vanessa Place, Amiri Baraka, Claudia Rankine, M. NourbeSe Philip, and others, Leong reveals how official records can evoke a wide range of emotions—from hatred to veneration, from indifference to empathy, from desire to disgust. He looks at techniques such as collage, plagiarism, re-reporting, and textual outsourcing, and evaluates some of the most loved—and reviled—contemporary North American poems. Ultimately, Leong finds that if bureaucracy and documentation have the power to police and traumatize through the exercise of state power, then so, too, can document-based poetry function as an unofficial, counterhegemonic, and popular practice that authenticates marginalized experiences at the fringes of our cultural memory.

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Whitman among the Bohemians
Joanna Levin
University of Iowa Press, 2014
For several years just before and just after his 1860 edition of Leaves of Grass appeared, Walt Whitman regularly frequented Pfaff’s beer cellar in downtown Manhattan. The basement bar was the very center of mid-nineteenth-century American bohemian activity and was heavily patronized by writers, artists, musicians, actors, intellectuals, and radicals such as free-love advocate Henry Clapp, Jr., and Broadway succès de scandale Adah Isaacs Menken. Numerous creative and political ventures emerged from this environment, and at least two bohemian literary weeklies, The New-York Saturday Press and Vanity Fair, shared origins around the tables at Pfaff’s.

In this milieu, Whitman found sympathetic supporters of his poetic vision, professional connections, rivals, romantic partners, and close friends, and left a lasting impression on poet and critic Edmund Clarence Stedman, an erstwhile bohemian who later in the century emerged as a tastemaker of American poetry. Yet for many years, the bohemians associated with Pfaff’s have served merely as minor background characters in Whitman scholarship. Whitman among the Bohemians corrects that by exploring in depth the connections Whitman made at Pfaff’s and the impact they had on him, his poetry, and his career. In telling the story of these intersecting social and professional links that converged at Pfaff’s in the late 1850s and early 1860s, the essays in this volume powerfully demonstrate just how much we can learn about Whitman and his work by viewing him within the context of American bohemia.

CONTRIBUTORS: Stephanie Blalock, Ruth Bohan, Leif Eckstrom, Logan Esdale, Amanda Gailey, Karen Karbiener, Joanna Levin, Mary Loeffelholz, Eliza Richards, Ingrid Satelmajer, Robert J. Scholnick, Edward Whitley
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Sound Fury
Poems
Mark Levine
University of Iowa Press, 2022
Throughout Sound Fury, poems by metaphysician Robert Herrick are refashioned into phantasmagorical oddities of likeness and difference. Figures from the fringes of popular imagination—Zane Grey, Robinson Crusoe, Porfirio Díaz—surface as cobbled-together avatars on the theme of identity. Brilliantly asserting the necessity of humane and resistant modes of speech against the vapid sounds and enforced silences of orthodoxy, Sound Fury finds the poet “Now, in our former state/ In our current one/ In stately procession,” venturing forth in a world “where things of questionable being go.”
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Sweet Will
Philip Levine
University of Iowa Press, 2013
Pulitzer Prize–winning poet Philip Levine published Sweet Will, his eleventh volume of poems, in 1985. His last book with Atheneum, it has been unavailable for many years. Because of its subdued and thoughtful nature, it was seen as a transitional book for Levine, one that presaged the tone of much that was to come. Peter Stitt, writing in the Kenyon Review, called it “the quietest book that Philip Levine has ever written,” concluding that “though the river that glides through it is still on the surface, the sweetness of its will runs deep indeed.” And Dave Smith, writing in Poetry, delighted in the poems of “emergent tenderness and faith,” and claimed that “linking himself to Wordsworth, who loved this world uncommonly in uncommon poetry, Philip Levine has lifted his moral tale to the level of joyful celebration.”
The poems in Sweet Will are set in Detroit, California, New York, Europe, and the country of memory. Their aim is to bring the overlooked events of daily life into a sharper focus that transcends the ordinary. At the time of its original publication, the book was seen as an attempt to bring together the themes and methods of Levine’s early, groundbreaking work: the anger of They Feed They Lion, the family concerns of 1933, the characters of The Names of the Lost, and the hopes of One for the Rose. Yet it is clearly a mid-career book composed by a poet who can begin to look back in tranquility at a tempestuous life.

The poems, including the long meditation of more than five hundred lines, “A Poem with No Ending,” are beautiful and essential. Restored to print, they will resonate with readers who love both the earlier and the later work of one of our most important poets. 
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Small Boat
Lesle Lewis
University of Iowa Press, 2003
In Small Boat Lesle Lewis's craft rides the waves of the New England landscape both internal and external. If her world is a collage, as she says, then her poems provide the glue that anchors everything from shifts in the weather to world events to a cacophony of thoughts. When two sentences collide, a new relationship begins, and Lewis's poems bring sense to these complex and disparate juxtapositions. Small Boat, in other words, both creates an exciting chaos and provides a soothing faith.
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Performing Whitely in the Postcolony
Afrikaners in South African Theatrical and Public Life
Megan Lewis
University of Iowa Press, 2016
What does it mean to perform whiteness in the postcolonial era? To answer this question—crucial for understanding the changing meanings of race in the twenty-first century—Megan Lewis examines the ways that members of South Africa’s Afrikaner minority have performed themselves into, around, and out of power from the colonial period to the postcolony. The nation’s first European settlers and in the twentieth century the architects of apartheid, since 1994 Afrikaners have been citizens of a multicultural, multilingual democracy. How have they enacted their whiteness in the past, and how do they do so now when their privilege has been deflated?

Performing Whitely examines the multiple speech acts, political acts, and theatrical acts of the Afrikaner volk or nation in theatrical and public life, including pageants, museum sites, film, and popular music as well as theatrical productions. Lewis explores the diverse ways in which Afrikaners perform whitely, and the tactics they use, including nostalgia, melodrama, queering, abjection, and kitsch. She first investigates the way that apartheid’s architects leveraged whiteness in support of their nation-building efforts in the early twentieth century. In addition to re-enacting national pilgrimages of colonial-era migrations and building massive monuments at home, Afrikaner nationalists took their show to the United States, staging critical events of the Boer War at the 1904 St. Louis Exposition. A case study of the South African experience, Performing Whitely also offers parables for global whitenesses in the postcolonial era.
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Entitled to the Pedestal
Place, Race, and Progress in White Southern Women's Writing,1920-1945
Nghana tamu Lewis
University of Iowa Press, 2007
In this searching study, Nghana Lewis offers a close reading of the works and private correspondences, essays, and lectures of five southern white women writers: Julia Peterkin, Gwen Bristow, Caroline Gordon, Willa Cather, and Lillian Smith. At the core of this work is a sophisticated reexamination of the myth of southern white womanhood.
    Lewis overturns the conventional argument that white women were passive and pedestal-bound. Instead, she argues that these figures were complicit in the day-to-day dynamics of power and authorship and stood to gain much from these arrangements at the expense of others.
    At the same time that her examination of southern mythology explodes received wisdom, it is also a journey of self-discovery. As Lewis writes in her preface, “As a proud daughter of the South, I have always been acutely aware of the region’s rich cultural heritage, folks, and foodstuffs. How could I not be? I was born and reared in Lafayette, Louisiana, where an infant’s first words are not ‘da-da’ and ‘ma-ma’ but ‘crawfish boil’ and ‘fais-do-do.’ . . . I have also always been keenly familiar with its volatile history.” Where these conflicting images—and specifically the role of white southern women as catalysts, vindicators, abettors, and antagonists—meet forms the crux of this study. As such, this study of the South by a daughter of the South offers a distinctive perspective that illuminates the texts in novel and provocative ways.
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A Grotesque Animal
Amy Lee Lillard
University of Iowa Press, 2024
At the age of forty-three, Amy Lee Lillard learned she was autistic. She learned she was part of a community of unseen women who fell through the gaps due to medical bias and social stereotypes.

A Grotesque Animal explores the making, unmaking, and making again of a woman with an undiagnosed disorder. How did a working-­ class background and a deep-rooted Midwest culture of silence lead to hiding in plain sight for decades? How did sexuality and anger hide the roots of trauma among the women in her family? And what does it mean to be a queer, disabled, aging woman, a descendent of wild but tamed mothers and a survivor of the things patriarchy inflicts?

Through wide-ranging styles and a combination of personal storytelling and cultural analysis, Lillard dissects anger, sexuality, autistic masking, bodies, punk, and female annihilation to create a new picture of modern women.
 
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Dubuque's Forgotten Cemetery
Excavating a Nineteenth-Century Burial Ground in a Twenty-first Century City
Robin M. Lillie
University of Iowa Press, 2015
Atop a scenic bluff overlooking the Mississippi River and downtown Dubuque there once lay a graveyard dating to the 1830s, the earliest days of American settlement in Iowa. Though many local residents knew the property had once been a Catholic burial ground, they believed the graves had been moved to a new cemetery in the late nineteenth century in response to overcrowding and changing burial customs. But in 2007, when a developer broke ground for a new condominium complex here, the heavy machinery unearthed human bones. Clearly, some of Dubuque’s early settlers still rested there—in fact, more than anyone expected. For the next four years, staff with the Burials Program of the University of Iowa Office of the State Archaeologist excavated the site so that development could proceed.

The excavation fieldwork was just the beginning. Once the digging was done each summer, skeletal biologist Robin M. Lillie and archaeologist Jennifer E. Mack still faced the enormous task of teasing out life histories from fragile bones, disintegrating artifacts, and the decaying wooden coffins the families had chosen for the deceased. Poring over scant documents and sifting through old newspapers, they pieced together the story of the cemetery and its residents, a story often surprising and poignant. Weaving together science, history, and local mythology, the tale of the Third Street Cemetery provides a fascinating glimpse into Dubuque’s early years, the hardships its settlers endured, and the difficulties they did not survive.

While they worked, Lillie and Mack also grappled with the legal and ethical obligations of the living to the dead. These issues are increasingly urgent as more and more of America’s unmarked (and marked) cemeteries are removed in the name of progress. Fans of forensic crime shows and novels will find here a real-world example of what can be learned from the fragments left in time’s wake.
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Of Cabbages and Kings County
Agriculture and the Formation of Modern Brooklyn
Marc Linder
University of Iowa Press, 1999

No one today thinks of Brooklyn, New York, as an agricultural center. Yet Kings County enjoyed over two centuries of farming prosperity. Even as late as 1880 it was one of the nation's leading vegetable producers, second only to neighboring Queens County.

In Of Cabbages and Kings County, Marc Linder and Lawrence Zacharias reconstruct the history of a lost agricultural community. Their study focuses on rural Kings County, the site of Brooklyn's tremendous expansion during the latter part of the nineteenth century. In particular, they question whether sprawl was a necessary condition of American industrialization: could the agricultural base that preceded and surrounded the city have survived the onrush of residential real estate speculation with a bit of foresight and public policies that the politically outnumbered farmers could not have secured on their own?

The first part of the book reviews the county's Dutch American agricultural tradition, in particular its conversion after 1850 from extensive farming (e.g., wheat, corn) to intensive farming of market garden crops. The authors examine the growing competition between local farmers and their southern counterparts for a share of the huge New York City market, comparing farming conditions and factors such as labor and transportation.

In the second part of the book, the authors turn their attention to the forces that eventually destroyed Kings County's farming—ranging from the political and ideological pressures to modernize the city's rural surroundings to unplanned, market-driven attempts to facilitate transportation for more affluent city dwellers to recreational outlets on Coney Island and, once transportation was at hand, to replace farms with residential housing for the city's congested population.

Drawing on a vast range of archival sources, the authors refocus the history of Brooklyn to uncover what was lost with the expansion of the city. For today, as urban planners, ecologists, and agricultural developers reevaluate urban sprawl and the need for greenbelts or agricultural-urban balance, the lost opportunities of the past loom larger.

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In Earshot of Water
Notes from the Columbia Plateau
Paul Lindholdt
University of Iowa Press, 2011
Whether the subject is the plants that grow there, the animals that live there, the rivers that run there, or the people he has known there, Paul Lindholdt’s In Earshot of Water illuminates the Pacific Northwest in vivid detail. Lindholdt writes with the precision of a naturalist, the critical eye of an ecologist, the affection of an apologist, and the self-revelation and self-awareness of a personal essayist in the manner of Annie Dillard, Loren Eiseley, Derrick Jensen, John McPhee, Robert Michael Pyle, and Kathleen Dean Moore.
              Exploring both the literal and literary sense of place, with particular emphasis on environmental issues and politics in the far Northwest, Lindholdt weds passages from the journals of Lewis and Clark, the log of Captain James Cook, the novelized memoir of Theodore Winthrop, and Bureau of Reclamation records growing from the paintings that the agency commissioned to publicize its dams in the 1960s and 1970s, to tell ecological and personal histories of the region he knows and loves.
 In Lindholdt’s beautiful prose, America’s environmental legacies—those inherited from his blood relatives as well as those from the influences of mass culture—and illuminations of  the hazards of neglecting nature’s warning signs blur and merge and reemerge in new forms. Themes of fathers and sons layer the book, as well—the narrator as father and as son—interwoven with a call to responsible social activism with appeals to reason and emotion. Like water itself, In Earshot of Water cascades across boundaries and blends genres, at once learned and literary.
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La Far
Eric Linsker
University of Iowa Press, 2014
How far are we from the Lake District? How far from the garden? Eric Linsker’s first book scrolls down the Anthropocene, tracking our passage through a technophilic pastoral where work and play are both forms of making others suffer in order to exist. In La Far, the world is faraway near, a hell conveniently elsewhere in which workers bundle Foxconn’s “rare earths” into the “frosty kits” that return us our content, but also the sea meeting land as it always has. Both are singable conditions and lead, irreversibly, to odes equally comfortable with praise and lament. The poems in La Far hope that by making the abstract concrete and the concrete abstract, “literalizing / a nightingale beyond / knowledge,” we might construct what Wordsworth called a “Common Day,” a communized life partaken of by all.
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The True Story of Alice B. Toklas
A Study of Three Autobiographies
Anna Linzie
University of Iowa Press, 2006
In this original and intriguing study, Anna Linzie examines three mid-twentieth-century texts never before treated as interrelated in a book-length work of literary criticism: Gertrude Stein's The Autobiography of Alice B. Toklas (1933) and Alice B. Toklas's The Alice B. Toklas Cook Book (1954) and What Is Remembered (1963). Taking these three texts as intertexts or as an assemblage of the true story of Alice B. Toklas, Linzie challenges assumptions about primary authorship and singular identity that have continued to limit lesbian and feminist rereadings of autobiography as a genre and of Stein and Toklas as writers and historical figures.The True Story of Alice B. Toklas explores how the concept of autobiography as a primarily referential genre is challenged and transformed in relation to autobiographical texts written about the same person, the same life, but differently, by different writers, at different points in time. The concept of one true story is deconstructed in the process as Linzie modifies Homi K. Bhabha's “almost the same but not quite/not white” for the purposes of this particular study as “almost the same but not quite/not straight.” The investigation moves simultaneously on the planes of textuality and sexuality in order to provisionally articulate a “lesbian autobiographical subject” in Linzie's reading of these three texts.Linzie's study fills a gap in literary criticism where Stein's companion and her work have been more or less neglected, conceptualizing the Stein-Toklas sexual/textual relationship as fundamentally reciprocal. The True Story of Alice B. Toklas provides a new critical perspective on Toklas as indispensable to Stein's literary production, a cultural laborer in her own right, and a writer of her own books. Making a significant contribution to recent lesbian/feminist reconceptualizations of the genre of autobiography, this study will fascinate Stein and Toklas scholars as well as those interested in queer and autobiography studies.
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American Idyll
Academic Antielitism as Cultural Critique
Catherine Liu
University of Iowa Press, 2011
A trenchant critique of failure and opportunism across the political spectrum, American Idyll argues that social mobility, once a revered hallmark of American society, has ebbed, as higher education has become a mechanistic process for efficient sorting that has more to do with class formation than anything else. Academic freedom and aesthetic education are reserved for high-scoring, privileged students and vocational education is the only option for economically marginal ones.
Throughout most of American history, antielitist sentiment was reserved for attacks against an entrenched aristocracy or rapacious plutocracy, but it has now become a revolt against meritocracy itself, directed against what insurgents see as a ruling class of credentialed elites with degrees from exclusive academic institutions. Catherine Liu reveals that, within the academy and stemming from the relatively new discipline of cultural studies, animosity against expertise has animated much of the Left’s cultural criticism.
By unpacking the disciplinary formation and academic ambitions of American cultural studies, Liu uncovers the genealogy of the current antielitism, placing the populism that dominates headlines within a broad historical context. In the process, she emphasizes the relevance of the historical origins of populist revolt against finance capital and its political influence. American Idyll reveals the unlikely alliance between American pragmatism and proponents of the Frankfurt School and argues for the importance of broad frames of historical thinking in encouraging robust academic debate within democratic institutions. In a bold thought experiment that revives and defends Richard Hofstadter’s theories of anti-intellectualism in American life, Liu asks, What if cultural populism had been the consensus politics of the past three decades?
American Idyll shows that recent antielitism does nothing to redress the source of its discontent—namely, growing economic inequality and diminishing social mobility. Instead, pseudopopulist rage, in conservative and countercultural forms alike, has been transformed into resentment, content merely to take down allegedly elitist cultural forms without questioning the real political and economic consolidation of powers that has taken place in America during the past thirty years.
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The Body Alone
A Lyrical Articulation of Chronic Pain
Nina Lohman
University of Iowa Press, 2024
The Body Alone is an inquiry into the experience, meaning, and articulation of pain. It is a personal hybrid account incorporating research, scholarship, and memoir to examine chronic pain through the multi-lens of medicine, theology, and philosophy. Broken bodies tell broken stories. Nina Lohman’s pain experience is portrayed through a cyclical narrative of primers, vocabulary lessons, prescription records, and hypothesized internal monologues—fractured not for the sake of experimentation but because the story itself demands it.

In both form and content, The Body Alone represents boundary-pressing work that subverts the traditional narrative by putting pressure on the medical, cultural, and political systems that impact women’s access to fair and equal healthcare. This is more than an illness narrative, it is a battle cry demanding change.
 
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Visible Dissent
Latin American Writers, Small U.S. Presses, and Progressive Social Change
Teresa V. Longo
University of Iowa Press, 2018

As Teresa Longo’s groundbreaking examination reveals, North America’s dissident literature has its roots in the Latin American literary tradition. From Pablo Neruda’s Canto General to Eduardo Galeano’s Open Veins of Latin America to Gabriel García Márquez’s One Hundred Years of Solitude—among others—contemporary writers throughout the Americas have forced us to reconsider the United States’s relationship with Latin America, and more broadly with the Global South. Highlighting the importance of reading and re-reading the Latin American canon in the United States, Longo finds that literature can be an instrument of progressive social change, and argues that small literary presses—City Lights, Curbstone, and Seven Stories—have made that dissent visible in the United States. In the book’s final two chapters on the Robert F. Kennedy Center’s Speak Truth to Power initiative and the publication of Marc Falkoff’s Poems from Guantánamo, the author turns our attention further outward, probing the role poetry, theater, and photography play in global human rights work. 

Locating the work of artists and writers alongside that of scholars and legal advocates, Visible Dissent not only unveils the staying-power of committed writing, it honors the cross-currents and the on-the-ground implications of humane political engagement. 

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A Bountiful Harvest
The Midwestern Farm Photographs of Pete Wettach, 1925-1965
Leslie A. Loveless
University of Iowa Press, 2002

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Lost in the Customhouse
Authorship in the American Renaissance
Jerome Loving
University of Iowa Press, 1993
In this vigorous challenge to dominant literary criticism, Jerome Loving extends the traditional period of American literary rebirth to the end of the 19th century and argues for the intrinsic value of literature in the face of new historicist and deconstructionist readings. Bucking the trend for revisionist interpretations, Loving discusses the major work of the 19th century’s canonized writers as restorative adventures with the self and society.
From Irving, Hawthorne, Melville, Poe, Thoreau, and Emerson to Whitman, Twain, Dickinson, James, Chopin, and Dreiser, Loving finds the American literary tradition filled with narrators who keep waking up to the central scene of the author’s real or imagined life. They travel through a customhouse of the imagination in which the Old World experience of the present is taxed by the New World of the utopian past, where life is always cyclical instead of linear and ameliorative.
Loving celebrates, enjoys, and experiences these awakened and reborn writers as he challenges the notion that American literature is preponderately “cultural work.” In the epilogue, he packs up his own carpetbag—the American ego—and passes through the European customhouse to find that American writers are more readily perceived as literary geniuses outside their culture than within it.
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History, Memory, and the Literary Left
Modern American Poetry, 1935-1968
John Lowney
University of Iowa Press, 2006
In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era’s impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the 1960s. Informed by an ongoing scholarly reconsideration of 1930s American culture and concentrating on Left writers whose historical consciousness was profoundly shaped by the Depression, World War II, and the Cold War, Lowney articulates the Left’s challenges to national collective memory and redefines the importance of late modernism in American literary history. The late modernist writers Lowney studies most closely---Muriel Rukeyser, Elizabeth Bishop, Langston Hughes, Gwendolyn Brooks, Thomas McGrath, and George Oppen---are not all customarily associated with the 1930s, nor are they commonly seen as literary peers. By examining these late modernist writers comparatively, Lowney foregrounds differences of gender and sexuality, race and ethnicity, and social class and region while emphasizing how each writer developed poetic forms that responded to the cultural politics and socioaesthetic debates of the 1930s. In so doing he calls into question the boundaries that have limited the scholarly dialogue about modern poetry.No other study of American poetry has considered the particular gathering of careers that Lowney considers. As poets whose collective historical consciousness was profoundly shaped by the turmoil of the Depression and war years and the Cold War’s repression or rewriting of history, their diverse talents represent a distinct generational impact on U.S. and international literary history.
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Poetics of Cognition
Thinking through Experimental Poems
Jessica Lewis Luck
University of Iowa Press, 2023
Poetics of Cognition investigates the material effects of experimental poetics using new evidence emerging from cognitive science. It asks: How do experimental poems “think” and how do we think through them? Examining experimental modes such as the New Sentence, proceduralism, projective verse, sound poetry, and visual poetry, Jessica Lewis Luck argues that experimental poems materialize not so much the content as the activity of the embodied mind, and they can thus function as a powerful scaffolding for extended cognition, both for the writer and the reader. While current critical approaches tend to describe the effects of experimentalism solely in terms of emotion and sensation, Luck shifts from the feeling to the thinking that these poems can generate, expanding the potential blast radius of experimental poetic effects into areas of linguistic, sonic, and visual processing and revealing a transformational potency that strictly affective approaches miss.

The cognitive research Luck draws upon suggests that the strangeness of experimental poetry can reshape the activity of the reader’s mind, creating new forms of attention, perception, and cognition. This book closes by shifting from theory to praxis, extracting forms of teaching from the forms of thinking that experimental poems instill in order to better enable their transformative effects in readers and to bring poetry pedagogy into the twenty-first century.
 
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No Such Country
Essays toward Home
Elmar Lueth
University of Iowa Press, 2002
 Matthew Mark Trumbull was a Londoner who immigrated at the age of twenty. Within ten years of his arrival in America, he had become a lawyer in Butler County, Iowa; two years later a member of the state legislature; and two years after that a captain in the Union Army. By the end of the Civil War, he was a brevet brigadier general, and in his later years he was an author and lecturer. Kenneth Lyftogt’s biography details the amazing life of this remarkable man, also shedding light on the histories of the Third Iowa Volunteer Infantry and the Ninth Iowa Volunteer Cavalry.
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Austentatious
The Evolving World of Jane Austen Fans
Holly Luetkenhaus
University of Iowa Press, 2019
The amount of fan-generated content about Jane Austen and her novels has long surpassed the author’s original canon. Adaptations like Clueless, Pride and Prejudice and Zombies, Jane Austen’s Fight Club, and The Lizzie Bennet Diaries have given Austen fans priceless opportunities to enjoy the classic texts anew, and continue to bring new and younger fans into the fold. Now, through online culture, the amount and type of fan-created works has exponentially multiplied in recent years. Fans write stories, create art, make videos, and craft memes, all in homage to one of the most celebrated authors of all time.

This book explores online fan spaces in search of “Janeites” all over the world to discover what fans are making, how fans are sharing their work, and why it matters that so many women and nonbinary individuals find a haven not only in Jane Austen, but also in Jane Austen fandom. In relatable chapters based on firsthand experience, the authors explore how Austen fandom has and continues to build communities around women, people of color, and the LGBTQ+ community. Whether Janeites are shrewdly picking up on the latent sexual tension between women in Emma or casting people of color in leading roles, Luetkenhaus and Weinstein argue that Austen fans are particularly adept at marrying fantasy and feminism.
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Polish Theatre Revisited
Theatre Fans in the Nineteenth Century
Agata Luksza
University of Iowa Press, 2023
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Łuksza places special emphasis on the most engaged spectators, known as “theatremaniacs”—from what they wore, to what they bought, to what they ate. Her source material is elusive ephemera from fans’ lives, such as notes scribbled on a weekly list of shows in the Warsaw theatres, collections of theatre postcards, and recipes for sweets named after famous actors.

The fannish behavior of theatremaniacs was usually deemed excessive or in poor taste by people in positions of power, as it clashed with the ongoing embourgeoisement of the theatre and the disciplining of audiences. Nevertheless, the theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
 
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And the Monkey Learned Nothing
Dispatches from a Life in Transit
Tom Lutz
University of Iowa Press, 2016
Tom Lutz is on a mission to visit every country on earth. And the Monkey Learned Nothing contains reports from fifty of them, most describing personal encounters in rarely visited spots, anecdotes from way off the beaten path. Traveling without an itinerary and without a goal, Lutz explores the Iranian love of poetry, the occupying Chinese army in Tibet, the amputee beggars in Cambodia, the hill tribes on Vietnam’s Chinese border, the sociopathic monkeys of Bali, the dangerous fishermen and conmen of southern India, the salt flats of Uyumi in Peru, and floating hotels in French Guiana, introduces you to an Uzbeki prodigy in the market of Samarkand, an Azeri rental car clerk in Baku, guestworkers in Dubai, a military contractor in Jordan, cucuruchos in Guatemala, a Pentecostal preacher in rural El Salvador, a playboy in Nicaragua, employment agents in Singapore specializing in Tamil workers, prostitutes in Colombia and the Dominican Republic, international bankers in Belarus, a teacher in Havana, border guards in Botswana, tango dancers in Argentina, a cook in Suriname, a juvenile thief in Uruguay, voters in Guyana, doctors in Tanzania and Lesotho, scary poker players in Moscow, reed dancers in Swaziland, young camel herders in Tunisia, Romanian missionaries in Macedonia, and musical groups in Mozambique. With an eye out for both the sublime and the ridiculous, Lutz falls, regularly, into the instant intimacy of the road with random strangers.
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The Kindness of Strangers
Tom Lutz
University of Iowa Press, 2021
Once again, Tom Lutz takes us to seldom-traveled corners of the world—the small towns of western Madagascar, the terraced rice fields in northern Luzon, the scattered homesteads on the Mongolian steppe, the hilltop churches on Micronesian islands, the riverside docks of Dhaka, Ethiopian weddings in Gondar, funeral pyres in Nepal, traditionalist karaoke bars in Bhutan—to bring us random reports of human kindness.

You may never visit these places, but Tom Lutz will do it for you. And while global media may serve up a steady diet of division, violence, oppression, hatred, and strife, The Kindness of Strangers shows that people the world over are much more likely to meet strangers with interest, empathy, welcome, and compassion.
 
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From Blue Mills to Columbia
Cedar Falls and the Civil War
Kenneth L. Lyftogt
University of Iowa Press, 1993
Historian Kenneth Lyftogt introduces us to the volunteer soldiers of the Pioneer Grays and Cedar Falls Reserves infantry companies and in turn examines Iowa’s role in the Civil War. Many of these soldiers served the Union for the duration of the war, from the early fighting in Missouri to Shiloh, Vicksburg, and Sherman’s destructive marches through Georgia and the Carolinas. Their letters home are Lyftogt’s primary sources, as are editorials and articles published in the Cedar Falls Gazette.
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Iowa's Forgotten General
Matthew Mark Trumbull and the Civil War
Kenneth L. Lyftogt
University of Iowa Press, 2005

Matthew Mark Trumbull was a Londoner who immigrated at the age of twenty. Within ten years of his arrival in America, he had become a lawyer in Butler County, Iowa; two years later a member of the state legislature; and two years after that a captain in the Union Army. By the end of the Civil War, he was a brevet brigadier general, and in his later years he was an author and lecturer. Kenneth Lyftogt’s biography details the amazing life of this remarkable man, also shedding light on the histories of the Third Iowa Volunteer Infantry and the Ninth Iowa Volunteer Cavalry.

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