With its scattered mountains and high rims, its dry air and summer lightning, its rising tier of biomes from desert grasses to alpine conifers, and its aggressive exurban sprawl, something in the Southwest is ready to burn each year and some high-value assets seem ever in their path. But the past 20 years have witnessed an uptake in savagery, as routine surface burns have mutated into megafires and overrun nearly a quarter of the region’s forests. What happened, and what does it mean for the rest of the country?

Through a mixture of journalism, history, and literary imagination, fire expert Stephen J. Pyne provides a lively survey of what makes this region distinctive, moving us beyond the usual conversations of science and policy. Pyne explores the Southwest’s sacred mountains, including the Jemez, Mogollon, Huachucas, and Kaibab; its sky islands, among them the Chiricahuas, Mount Graham, and Tanque Verde; and its famous rims and borders. Together, the essays provide a cross-section of how landscape fire looks in the early years of the 21st century, what is being done to manage it, and how fire connects with other themes of southwestern life and culture.

The Southwest is part of the multivolume series describing the nation’s fire scene region by region. The volumes in To the Last Smoke also cover California, the Northern Rockies, the Great Plains, Florida, and several other critical fire regions. The series serves as an important punctuation point to Pyne’s 50-year career with wildland fire—both as a firefighter and a fire scholar. These unique surveys of regional pyrogeography are Pyne’s way of “keeping with it to the end,” encompassing the directive from his rookie season to stay with every fire “to the last smoke.”

Is there a way to appreciate the desert without destroying it, a way to enjoy it without consuming it and to love it without killing it? Moreover, how can literature about the southwestern landscape affect ways in which it is either exploited or preserved? When and how did the desert change dramatically in the eyes of Anglo Americans from barren wilderness to national treasure?

By focusing on cultures that lived in the Southwest and by analyzing ways in which they described the land, David Teague persuasively argues against the destructive approach that Americans currently take to the region. Included are Native American legends and Spanish and Hispanic literature. However, the bulk of the study concentrates on Anglo American views of the Southwest, which have been generally at odds with the ecology of the deserts.

Ranging from oral traditions of the Navajo, Zuñi, and Hopi Indians to travel journals, fiction, and visual art, Teague examines the work of nearly thirty writers, artists, and explorers, including Alvar Núñez Cabeza de Vaca, Mary Austin, John Wesley Powell, and Frederic Remington. As he traces ideas about the desert over time, the author shows how American literature and art have come to represent the Southwest as a landscape to be sustained rather than transformed.

Bound to gain a prominent place in ecological criticism and in literature of the Southwest, this book offers important insights for scholars and students of literature, environmental studies, history, anthropology, and Native American studies. Its originality and vigor will also appeal to general readers with an interest in the landscape—and the future—of the American Southwest.

The southwestern deserts stretch from southeastern California to west Texas and then south to central Mexico. The landscape of this region is known as basin and range topography featuring to “sky islands” of forest rising from the desert lowlands which creates a uniquely diverse ecology. The region is further complicated by an international border, where governments have caused difficulties for many animal populations.

This book puts a spotlight on individual research projects which are specific examples of work being done in the area and when they are all brought together, to shed a general light of understanding the biological and cultural resources of this vast region so that those same resources can be managed as effectively and efficiently as possible. The intent is to show that collaborative efforts among federal, state agency, university, and private sector researchers working with land managers, provides better science and better management than when scientists and land managers work independently.

As doctors' time becomes more limited, communication with patients becomes more important and the need for doctor-patient understanding becomes critical. Here is a book that helps bridge the gap between the professional language of health care providers and that of people whose first language is Spanish.

A staple of southwestern health care for more than twenty years, this dictionary can make a difference in patient care. Now available in a revised edition, it focuses on vocabulary used in health contexts by Spanish-speaking people in order to help patients tell their stories and medical practitioners to understand them. Unlike other bilingual dictionaries that emphasize scientific terms, this one focuses on standard Spanish terms as well as regional expressions peculiar to Mexican Spanish—language encountered in Chicago as easily as in Phoenix.

In the Spanish-to-English section, Spanish terms are followed by English translations and sample sentences to help health care practitioners understand how a patient might use them:

acedías, heartburn, pain in lower esophagus perceived as in the heart. Uno tiene la tendencia a sufrir de acedías después de comer chile. One has a tendency to suffer heartburn after eating chile. (syn: acidez, agruras del estómago)

In the English-to-Spanish section, English words are translated into simple Spanish terms along with English synonyms.

Now available in a revised edition, this handy reference features:

• more than 3,000 entries
• new entries that reflect current health problems and treatments
• inclusion of cognates
• Spanish definitions of English words
• anatomical drawings with bilingual labels
• more material on medicinal plants, including an appendix of poisonous and non-poisonous plants
• lists of food items and kinship terms

This book is an indispensable reference for all health care professionals who see patients of Mexican origin. Combining idiomatic precision with technical accuracy, it can help break down language barriers on either side of the border.

Pithouses are the earliest identifiable domestic architecture in many areas of the world, and can provide insights into the origins of communities--a fundamental component of past and present societies. In this book, Lisa Young and Sarah Herr invite archaeologists to explore the development of communities using information from pithouse sites in the American Southwest.

Using regional and topical syntheses to investigate the formation of pithouse communities, contributors to this volume examine the complex relationship between the economic transition to agricultural dependence and the social changes associated with sedentism. They discover that during this transformation, peoples' relationship with the landscape changed in ways that affected their use of space, community organization, and cultural identity.

Employing various theoretical perspectives, these contributions analyze changes in pithouses, site layout, communal architecture, and settlement patterns to investigate the development of place-based communities. Chapters look at community formation strategies in populous regions like the northern San Juan Basin, the southern Colorado Plateau, Mimbres/southern Mogollon, and Hohokam Basin and Range and compare them with social structures in more sparsely populated regions like the northeast Hohokam peripheries, the Arizona Transition Zone, the Cibola region, southeast New Mexico, and the northern Rio Grande. The book also includes thematic discussions of panregional economic change, the complex relationship between house and household, and the demographic shifts accompanying the Neolithic Demographic Transition.

An essential book for students and archaeologists interested in the origins of communities, Southwestern Pithouse Communities is also an important comparative resource for scholars interested in social change during the transition to settled village life.
 

While the sovereign nation-state is considered the world’s political norm, millions of colonial subjects, immigrants, refugees, and native peoples appear to be without sovereignty. What claims have they to sovereignty? If they cannot ever constitute themselves into sovereign nation-states, are they out of the political game? Can a framework like sovereignty—used historically to exploit, dispossess, and even exterminate people—be a part of a struggle for political freedom?

Editor Frances Negrón-Muntaner and the contributors to Sovereign Acts engage in a debate around these questions with surprising results. Moving the idea of sovereignty beyond the narrow confines of the nation-state, beyond the concept of a power that one either has or lacks, this paradigm-­shifting work examines the multiple ways that Indigenous nations and U.S. territorial peoples act as sovereign and the possible limits of such sovereign acts within the current globalized context. A valuable contribution to the debate around indigenous and other conceptions of sovereignty, Sovereign Acts goes further than legal frameworks to investigate the relationships among sovereignty, gender, sexuality, representation, and the body.

From activist style and choreography to the politics of recognition, the scholars and artists featured in this unique volume map out how people disrupt modern notions of sovereignty, attempt to redefine what being sovereign means, or seek alternative political vocabularies. Sovereignty is not only, after all, a kingdom and a crown.

CONTRIBUTORS

Michael Lujan Bevacqua
Glen Coulthard
Jennifer Nez Denetdale
Adriana María Garriga-López
Jessica A. F. Harkins
Brian Klopotek
Davianna Pomaika‘i McGregor
Frances Negrón-Muntaner
Yasmin Ramírez
Mark Rifkin
Madeline Román
Stephanie Nohelani Teves
Fa‘anofo Lisaclaire Uperesa
 

Two-Spirit people, identified by many different tribally specific names and standings within their communities, have been living, loving, and creating art since time immemorial. It wasn’t until the 1970s, however, that contemporary queer Native literature gained any public notice. Even now, only a handful of books address it specifically, most notably the 1988 collection Living the Spirit: A Gay American Indian Anthology. Since that book’s publication twenty-three years ago, there has not been another collection published that focuses explicitly on the writing and art of Indigenous Two-Spirit and Queer people.

This landmark collection strives to reflect the complexity of identities within Native Gay, Lesbian, Bisexual, Transgender, Queer, and Two-Spirit (GLBTQ2) communities. Gathering together the work of established writers and talented new voices, this anthology spans genres (fiction, nonfiction, poetry, and essay) and themes (memory, history, sexuality, indigeneity, friendship, family, love, and loss) and represents a watershed moment in Native American and Indigenous literatures, Queer studies, and the intersections between the two.

Collaboratively, the pieces in Sovereign Erotics demonstrate not only the radical diversity among the voices of today’s Indigenous GLBTQ2 writers but also the beauty, strength, and resilience of Indigenous GLBTQ2 people in the twenty-first century.

Contributors: Indira Allegra, Louise Esme Cruz, Paula Gunn Allen, Qwo-Li Driskill, Laura Furlan, Janice Gould, Carrie House, Daniel Heath Justice, Maurice Kenny, Michael Koby, M. Carmen Lane, Jaynie Lara, Chip Livingston, Luna Maia, Janet McAdams, Deborah Miranda, Daniel David Moses, D. M. O’Brien, Malea Powell, Cheryl Savageau, Kim Shuck, Sarah Tsigeyu Sharp, James Thomas Stevens, Dan Taulapapa McMullin, William Raymond Taylor, Joel Waters, and Craig Womack

Spanish American civilization developed over several generations as Iberian-born settlers and their "New World" descendants adapted Old World institutions, beliefs, and literary forms to diverse American social contexts. Like their European forebears, criollos—descendants of Spanish immigrants who called the New World home—preserved the memory of persons of extraordinary Roman Catholic piety in a centuries-old literary form known as the saint's Life. These criollo religious biographies reflect not only traditional Roman Catholic values but also such New World concerns as immigration, racial mixing, and English piracy. Ronald Morgan examines the collective function of the saint's Life from 1600 to the end of the colonial period, arguing that this literary form served not only to prove the protagonist’s sanctity and move the faithful to veneration but also to reinforce sentiments of group pride and solidarity. When criollos praised americano saints, he explains, they also called attention to their own virtues and achievements. Morgan analyzes the printed hagiographies of five New World holy persons: Blessed Sebastián de Aparicio (Mexico), St. Rosa de Lima (Peru), St. Mariana de Jesús (Ecuador), Catarina de San Juan (Mexico), and St. Felipe de Jesús (Mexico). Through close readings of these texts, he explores the significance of holy persons as cultural and political symbols. By highlighting this convergence of religious and sociopolitical discourse, Morgan sheds important light on the growth of Spanish American self-consciousness and criollo identity formation. By focusing on the biographical process itself, Morgan demonstrates the importance of reading each hagiographic text for its idiosyncrasies rather than its conventional features. His work offers new insight into the Latin American cult of saints, inviting scholars to look beyond the isolated lives of individuals to the cultural and social milieus in which their sanctity originated and their public reputations took shape.

Women's participation, both formal and informal, in the creation of what we now call Spanish America is reflected in its literary legacy. Stacey Schlau examines what women from a wide spectrum of classes and races have to say about the societies in which they lived and their place in them. Schlau has written the first book to study a historical selection of Spanish American women's writings with an emphasis on social and political themes. Through their words, she offers an alternative vision of the development of narrative genres—critical, fictional, and testimonial—from colonial times to the present. The authors considered here represent the chronological yet nonlinear development of women's narrative. They include Teresa Romero Zapata, accused before the Inquisition of being a false visionary; Inés Suárez, nun and writer of spiritual autobiography; Gertrudis Gómez de Avellaneda, author of an indigenist historical romance; Magda Portal, whose biography of Flora Tristán furthered her own political agenda; Dora Alonso, who wrote revolutionary children's books; Domitila Barrios de Chungara, political leader and organizer; Elvira Orphée, whose novel unpacks the psychology of the torturer; and several others who address social and political struggles that continue to the present day. Although the writers treated here may seem to have little in common, all sought to maneuver through institutions and systems and insert themselves into public life by using the written word, often through the appropriation and modification of mainstream genres. In examining how these authors stretched the boundaries of genre to create a multiplicity of hybrid forms, Schlau reveals points of convergence in the narrative tradition of challenging established political and social structures. Outlining the shape of this literary tradition, she introduces us to a host of neglected voices, as well as examining better-known ones, who demonstrate that for women, simply writing can be a political act.

“[Dobyns] has written a fascinating account of the ethnic development of early Tucson. Using a variety of methods and sources, he reveals how Spaniards, mestizos from New Spain, and Native Americans from many tribes laid the ethnic foundations for the modern city. The book also provides much insight into the general history of Spanish colonial society as it evolved in the Tucson area to 1821. . . . Dobyns, utilizing previously unpublished primary sources, allows the early inhabitants of the Tucson area to speak for themselves, and their comments add much to a very colorful and exciting but often grim story. . . . And his penetrating look at the ethnic development of early Tucson should attract attention from anyone interested in a better understanding of how the nation as a whole achieved its multi-cultural character.” —The Journal of American History

For more than a century, Mexican American journalists used their presses to voice socio-historical concerns and to represent themselves as a determinant group of communities in Nuevo México, a particularly resilient corner of the Chicano homeland. This book draws on exhaustive archival research to review the history of newspapers in these communities from the arrival of the first press in the region to publication of the last edition of Santa Fe’s El Nuevo Mexicano.

Gabriel Meléndez details the education and formation of a generation of Spanish-language journalists who were instrumental in creating a culture of print in nativo communities. He then offers in-depth cultural and literary analyses of the texts produced by los periodiqueros, establishing them thematically as precursors of the Chicano literary and political movements of the 1960s and ’70s.

Moving beyond a simple effort to reinscribe Nuevomexicanos into history, Meléndez views these newspapers as cultural productions and the work of the editors as an organized movement against cultural erasure amid the massive influx of easterners to the Southwest. Readers will find a wealth of information in this book. But more important, they will come away with the sense that the survival of Nuevomexicanos as a culturally and politically viable group is owed to the labor of this brilliant generation of newspapermen who also were statesmen, scholars, and creative writers.

Although American Indian poetry is widely read and discussed, few resources have been available that focus on it critically. This book is the first collection of essays on the genre, bringing poetry out from under the shadow of fiction in the study of Native American literature.

Speak to Me Words is a stimulating blend of classic articles and original pieces that reflect the energy of modern American Indian literary studies. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices. Included here are such landmark articles as "Answering the Deer" by Paula Gunn Allen, "Herbs of Healing" by Carter Revard, and "Song, Poetry and Language—Expression and Perception" by Simon Ortiz—all pieces that have shaped how we think about Native poetry. Among the contributions appearing for the first time are Elaine Jahner writing on Paula Gunn Allen's use of formal structures; Robert Nelson addressing pan-Indian tropes of emergence, survival, return, and renewal; and Janet McAdams focusing on Carter Revard's "angled mirrors." Although many Native writers may disregard distinctions between genres, together these writings help readers see the difference between American Indian poetry and other forms of Native literature.

These essays are as broad, encompassing, and provocative as Native poetry itself, branching off from and weaving back into one another. In showing how American Indian poetry redefines our social order and articulates how Indian communities think about themselves, these writers establish a new foundation for the study—and enjoyment—of this vital art.

Previous studies in the fields of applied linguistics, sociolinguistics, and gender studies have focused upon Chicano linguistic communities as a monolith or have focused entirely upon male-centered aspects of language use, leaving a tremendous gap in works about Chicanas, for Chicanas, and by Chicanas as they pertain to language-related issues. Speaking Chicana bridges that gap, offering for the first time an extensive examination of language issues among Chicanas. Flowing throughout this collection of essays are themes of empowerment and suppression of voice. Combining empirical studies and personal narratives in the form of testimonios, the editors expand the boundaries of linguistic study to include disciplines such as art, law, women's studies, and literature. The result is a multifaceted approach to the study of Chicana speech—one that provides a significant survey of the literature on Chicanas and language production. Ten contributors—from linguistic to lawyer, from poet to art historian—discuss language varieties and attitudes; bilinguality; codeswitching; cultural identity and language; language in literature and art; taboo language; and legal discourse. Speaking Chicana celebrates the complexity and diversity of linguistic contexts and influences reflected in Chicana speech. Various essays explore the speech of rural women; the evolution of linguistic forces over time; the influence of U.S. public education; linguistic dilemmas encountered by literary authors and women in the legal profession; and language used by pachucas and pintas.Speaking Chicana represents a significant contribution, not only to sociolinguistics, but also to other fields, including women's studies, Chicana/o studies, anthropology, and cultural studies. Contents
Part 1. Reconstruction: Language Varieties, Language Use, and Language Attitudes
1. Crossing Social and Cultural Borders: The Road to Language Hybridity, María Dolores Gonzales
2. Fighting Words: Latina Girls, Gangs, and Language Attitudes, Norma Mendoza-Denton
Part 2. Reflection: Testimonios
3. Speaking as a Chicana: Tracing Cultural Heritage through Silence and Betrayal, Jacqueline M. Martínez
4. The Power of Language: From the Back of the Bus to the Ivory Tower, Christine Marín
5. Challenging Tradition: Opening the Headgate, Ida M. Luján
6. Mexican Blood Runs through My Veins, Aurora E. Orozco
Part 3. Innovation: Speaking Creatively/Creatively Speaking
7. Searching for a Voice: Ambiguities and Possibilities, Erlinda Gonzales-Berry
8. Sacred Cults, Subversive Icons: Chicanas and the Pictorial Language of Catholicism, Charlene Villaseñor Black
9. Caló and Taboo Language Use among Chicanas: A Description of Linguistic Appropriation and Innovation, D. Letticia Galindo
10. Máscaras, Trenzas, y Greñas: Un/Masking the Self While Un/Braiding Latina Stories and Legal Discourse, Margaret E. Montoya

Now it is my turn to stand. At Acoma Pueblo meetings, members rise and announce their intention to speak. In that moment they are recognized and heard. In Speaking for the Generations, Acoma Pueblo poet Simon Ortiz brings together contemporary Native American writers to take their turn. Each offers an evocation of herself or himself, describing the personal, social, and cultural influences on her or his development as a writer. Although each writer's viewpoint is personal and unique, together they reflect the rich tapestry of today's Native literature.

Of varied backgrounds, the writers represent Indian heritages and cultures from the Pacific Northwest to the northern plains, from Canada to Guatemala. They are poets, novelists, and playwrights. And although their backgrounds are different and their statements intensely personal, they share common themes of their relationship to the land, to their ancestors, and to future generations of their people. From Gloria Bird's powerful recounting of personal and family history to Esther Belin's vibrant tale of her urban Native homeland in Los Angeles, these writers reveal the importance of place and politics in their lives. Leslie Marmon Silko calls upon the ancient tradition of Native American storytelling and its role in connecting the people to the land. Roberta J. Hill and Elizabeth Woody ponder some of the absurdities of contemporary Native life, while Guatemalan Victor Montejo takes readers to the Mayan world, where a native culture had writing and books long before Europeans came.

Together these pieces offer an inspiring portrait of what it means to be a Native writer in the twentieth century. With passion and urgency, these writers are speaking for themselves, for their land, and for the generations.

In compelling first-person accounts, Latinas speak freely about dealing with serious health episodes as patients, family caregivers, or friends. They show how the complex interweaving of gender, class, and race impacts the health status of Latinas—and how family, spirituality, and culture affect the experience of illness.

Here are stories of Latinas living with conditions common to many: hypertension, breast cancer, obesity, diabetes, depression, osteoarthritis, rheumatoid arthritis, dementia, Parkinson’s, lupus, and hyper/hypothyroidism. By bringing these narratives out from the shadows of private lives, they demonstrate how such ailments form part of the larger whole of Latina lives that encompasses family, community, the medical profession, and society. They show how personal identity and community intersect to affect the interpretation of illness, compliance with treatment, and the utilization of allopathic medicine, alternative therapies, and traditional healing practices. The book also includes a retrospective analysis of the narratives and a discussion of Latina health issues and policy recommendations.

These Latina cultural narratives illustrate important aspects of the social contexts and real-world family relationships crucial to understanding illness. Speaking from the Body is a trailblazing collection of personal testimonies that integrates professional and personal perspectives and shows that our understanding of health remains incomplete if Latina cultural narratives are not included.

"The Hills confront far more than what is 'sayable' in terms of Mexicano grammar; they deal with what is actually said, with the relationship between Spanish and Mexicano as resources in the community's linguistic repertoire. . . . One of the major studies of language contact produced within the past forty years."—Language

"The genius of this work is the integration of the linguistic analysis with the cultural and political analysis."—Latin American Anthropology Review

"This is a fine introduction to Hopi mythology and values. It recreates an authentic poetic spirit and makes the reader eager to read more Hopi tales." —New Mexico Humanities Review

All communities are teeming with energy, spirit, and knowledge, and Spiral to the Stars taps into and activates this dynamism to discuss Indigenous community planning from a Mvskoke perspective. This book poses questions about what community is, how to reclaim community, and how to embark on the process of envisioning what and where the community can be.

Geographer Laura Harjo demonstrates that Mvskoke communities have what they need to dream, imagine, speculate, and activate the wishes of ancestors, contemporary kin, and future relatives—all in a present temporality—­which is Indigenous futurity.

Organized around four methodologies—radical sovereignty, community knowledge, collective power, and emergence geographies—Spiral to the Stars provides a path that departs from traditional community-making strategies, which are often extensions of the settler state. Readers are provided a set of methodologies to build genuine community relationships, knowledge, power, and spaces for themselves. Communities don’t have to wait on experts because this book helps them activate their own possibilities and expertise. A detailed final chapter provides participatory tools that can be used in workshop settings or one on one.

This book offers a critical and concrete map for community making that leverages Indigenous way-finding tools. Mvskoke narratives thread throughout the text, vividly demonstrating that theories come from lived and felt experiences. This is a must-have book for community organizers, radical pedagogists, and anyone wishing to empower and advocate for their community.

Latina theater and solo performance emerged in the 1990s as vibrant, energetic new genres found on stages from New York to Los Angeles. Many women now work in all aspects of Latina theater—often as playwrights or solo performers—with practitioners ranging from teenagers to grandmothers. Alberto Sandoval-Sánchez and Nancy Saporta Sternbach have previously published a groundbreaking anthology of Latina theater, Puro Teatro. They now offer a critical analysis of theatrical works, presenting a theoretical perspective from which to examine, understand, and contextualize Latina theater as a genre in its own right.

This is the first in-depth study of the entire corpus of Latina theater, based on close readings of works both published and in manuscript. It considers a large body of productions and performances, including works by such internationally known authors as Dolores Prida, Cherríe Moraga, and Janis Astor del Valle.

Applying feminist and postcolonial theory as well as theories of transculturation, Sandoval-Sánchez and Sternbach show how, despite cultural differences among Latinas, their works share a common poetics by building upon the politics of representation, identity, and location. In addition to covering theater, this study also shows that solo performance has its own history, properties, structure, and poetics. It examines performances of Carmelita Tropicana, Monica Palacios, and Marga Gomez—artists whose hybrid identities as Latina lesbians constitute living examples of transculturation in the making—to show how solo performance has roots in and digresses from more traditional modes of theater. With their Latina heritage as a unifying link, these women reflect common traits, patterns, dramatic structures, and properties that overcome regional differences. Stages of Life reads these eclectic cultural productions as a unified body of work that contributes to the formation of Latina identity in America today.

In the heart of the Pacific Ocean, Hawai‘i exists at a global crosscurrent of indigeneity and race, homeland and diaspora, nation and globalization, sovereignty and imperialism. In order to better understand how settler colonialism works and thus move decolonization efforts forward, Staking Claim analyzes competing claims of identity, belonging, and political status in Hawai‘i.  

Author Judy Rohrer brings together an analysis of racial formation and colonization in the islands through a study of legal cases, contemporary public discourse (local media and literature), and Hawai‘i scholarship. Her analysis exposes how racialization works to obscure—with the ultimate goal of eliminating—native Hawaiian indigeneity, homeland, nation, and sovereignty.

Staking Claim argues that the dual settler colonial processes of racializing native Hawaiians (erasing their indigeneity), and indigenizing non-Hawaiians, enable the staking of non-Hawaiian claims to Hawai‘i. It encourages us to think beyond a settler-native binary by analyzing the ways racializations of Hawaiians and various non-Hawaiian settlers and arrivants bolster settler colonial claims, structures, and white supremacist ideologies.

Merriam's turkey is a bird native to the southern Rocky Mountains and the Colorado Plateau, a subspecies that might seem at first blush an unlikely subject for intensive research. But as Harley Shaw well knows, no creature is exempt from the close scrutiny of biologists. Shaw is himself a research biologist perhaps best known for his book Soul among Lions. Although the wild turkey may be less charismatic than the puma, it offers an equal opportunity for Shaw to reflect on how we manage—or mismanage—wildlife. But while focusing on this big bird of the Southwest, his new book is really a field study of another rare species, the wildlife management professional. Stalking the Big Bird is a sober and seasoned view of what that rare breed is doing, and failing to do, in its efforts to protect the animals and landscapes that we love.

State and federal wildlife agencies have for some sixty years functioned under the belief that increased knowledge produced by research improves our ability to manage wildlife. Shaw suggests that the more we know about a species, the more difficult clear decisions may often become. He offers shrewd observations on the difficulties of interpreting and implementing research results in the face of pressures exerted by government bureaucracies, non-governmental organizations, and politically powerful loggers, ranchers, land developers, and environmentalists. He also shows that management of even a common game bird may be beyond the capabilities of responsible resource management agencies. Through stories about his own experiences studying Merriam's wild turkey—anecdotes about the foibles of field work and the bureaucratic boondoggles of wildlife management—Shaw reveals some of the complexities involved in wildlife research.

Drawing on a lifetime of work and reflection, his book shows that sound research and effective management of this animal—and, by extension, others—are severely hampered by political agendas, social misunderstandings, inappropriate research, and above all, human indifference. As entertaining as it is informative, Stalking the Big Bird will be of interest to environmentalists, hunters, and resource managers—or anyone confused by the practices of modern wildlife conservation. It will help both professionals and lay readers understand our relationship with one wild subspecies, and in the process get a better handle on the true goals in managing the wild.

In 1975 a watershed moment captivated Mexico as indigenous peoples from across the country came together on the Island of Janitzio for the First National Congress of Indigenous Peoples. The congress was a federal government initiative intended to preempt an independent indigenous movement. But indigenous groups circumvented the intended containment policies of the congress and made bold demands for political self-determination.

Using previously unavailable documents, María L. O. Muñoz examines the events that led to the congress, the meeting itself, and developments after the assembly. Muñoz shows how indigenous leaders working within Mexico’s Department of Colonization and Agrarian Affairs (DAAC) sidestepped state attempts to control indigenous communities, and how they made bold demands that redefined the ways federal and state governments engaged with pueblos indígenas.

Through research in previously untapped archives, Muñoz is able to trace the political history of the indigenous leaders and government officials who redefined the ways indigenous peoples engaged with governments. She illustrates the fluid and evolving power relationships of the key players with a focus on the twelve years of populism in the last decades of the twentieth century.

This book challenges the discourse of unquestioned power and hegemony of the national ruling party, the Institutional Revolutionary Party (PRI), and it illustrates how indigenous communities in Mexico reimagined their roles in the social, political, and economic life of the nation.

In the 1990s three college campuses in California exploded as Chicano/a and Latino/a students went on hunger strikes. Through courageous self-sacrifice, these students risked their lives to challenge racial neoliberalism, budget cuts, and fee increases. The strikers acted and spoke spectacularly and, despite great odds, produced substantive change.

Social movement scholars have raised the question of why some people risk their lives to create a better world. In Starving for Justice, Ralph Armbruster-Sandoval uses interviews and archival material to examine people’s willingness to make the extreme sacrifice and give their lives in order to create a more just society.

Popular memory and scholarly discourse around social movements have long acknowledged the actions of student groups during the 1960s. Now Armbruster-Sandoval extends our understanding of social justice and activism, providing one of the first examinations of Chicana/o and Latina/o student activism in the 1990s.

Students at University of California, Los Angeles; University of California, Santa Barbara; and Stanford University went on hunger strikes to demand the establishment and expansion of Chicana/o studies departments. They also had even broader aspirations—to obtain dignity and justice for all people. These students spoke eloquently, making their bodies and concerns visible. They challenged anti-immigrant politics. They scrutinized the rapid growth of the prison-industrial complex, racial and class polarization, and the university’s neoliberalization. Though they did not fully succeed in having all their demands met, they helped generate long-lasting social change on their respective campuses, making those learning institutions more just.

Ten original essays focus on the rise, change, and persistence of the Native American reservation system. Contributors drawn from history, anthropology, sociology, and political science offer divergent points of view buttressed by historical and ethnographic case studies. Together, these articles suggest that the time has come—or is long overdue—to rethink the basic assumptions underlying Federal Indian policy.

CONTENTS
Introduction, George Pierre Castile & Robert L. Bee
Part I—Historical Foundations of the Reservation System
An Elusive Institution: The Meanings of Indian Reservations in Gold Rush California, John M. Findlay
Crow Leadership Amidst Reservation Oppression, Frederick E. Hoxie
Part II—The Nonreservation Experience
Utah Indians and the Homestead Laws, Martha C. Knack
The Enduring Reservations of Oklahoma, John H. Moore
Without Reservation: Federal Indian Policy and the Landless Tribes of Washington, Frank W. Porter, III
Part III—Power and Symbols
Riding the Paper Tiger, Robert L. Bee
Indian Sign: Hegemony and Symbolism in Federal Indian Policy, George P. Castile
Part IV—The Resource Base
Primitive Accumulation, Reservations, and the Alaska Native Claims Settlement Act, Lawrence Weiss & David C.Maas
Shortcomings of the Indian Self-Determination Policy, George S. Esber, Jr.
Getting to Yes in the New West: The Negotiation of Policy, Thomas R. McGuire

Amazonian indigenous peoples have preserved many aspects of their culture and cosmology while also developing complex relationships with dominant non-indigenous society. Until now, anthropological writing on Amazonian peoples has been divided between “traditional” topics like kinship, cosmology, ritual, and myth, on the one hand, and the analysis of their struggles with the nation-state on the other. What has been lacking is work that bridges these two approaches and takes into consideration the meaning of relationships with the state from an indigenous perspective.

That long-standing dichotomy is challenged in this new ethnography by anthropologist José Kelly. Kelly places the study of culture and cosmology squarely within the context of the modern nation-state and its institutions. He explores Indian-white relations as seen through the operation of a state-run health system among the indigenous Yanomami of southern Venezuela.

With theoretical foundations in the fields of medical and Amazonian anthropology, Kelly sheds light on how Amerindian cosmology shapes concepts of the state at the community level. The result is a symmetrical anthropology that treats white and Amerindian perceptions of each other within a single theoretical framework, thus expanding our understanding of each group and its influences on the other. This book will be valuable to those studying Amazonian peoples, medical anthropology, development studies, and Latin America. Its new takes on theory and methodology make it ideal for classroom use.

Winner, Best Social Sciences Book (Latin American Studies Association, Mexico Section)

What happens to indigenous people when their homelands are declared by well-intentioned outsiders to be precious environmental habitats? In this revelatory book, Molly Doane describes how a rain forest in Mexico’s southern state of Oaxaca was appropriated and redefined by environmentalists who initially wanted to conserve its biodiversity. Her case study approach shows that good intentions are not always enough to produce results that benefit both a habitat and its many different types of inhabitants.

Doane begins by showing how Chimalapas—translated as “shining rivers”—has been “produced” in various ways over time, from a worthless wasteland to a priceless asset. Focusing on a series of environmental projects that operated between 1990 and 2008, she reveals that environmentalists attempted to recast agrarian disputes—which actually stemmed from government-supported corporate incursions into community lands and from unequal land redistribution—as environmental problems.

Doane focuses in particular on the attempt throughout the 1990s to establish a “Campesino Ecological Reserve” in Chimalapas. Supported by major grants from the World Wildlife Foundation (WWF), this effort to foster and merge agrarian and environmental interests was ultimately unsuccessful because it was seen as politically threatening by the state. By 2000, the Mexican government had convinced the WWF to redirect its conservation monies to the state government and its agencies.

The WWF eventually abandoned attempts to establish an “enclosure” nature reserve in the region or to gain community acceptance for conservation. Instead, working from a new market-based model of conservation, the WWF began paying cash to individuals for “environmental services” such as reforestation and environmental monitoring.

By 1850 the Pima Indians of central Arizona had developed a strong and sustainable agricultural economy based on irrigation. As David H. DeJong demonstrates, the Pima were an economic force in the mid-nineteenth century middle Gila River valley, producing food and fiber crops for western military expeditions and immigrants. Moreover, crops from their fields provided an additional source of food for the Mexican military presidio in Tucson, as well as the U.S. mining districts centered near Prescott. For a brief period of about three decades, the Pima were on an equal economic footing with their non-Indian neighbors.

This economic vitality did not last, however. As immigrants settled upstream from the Pima villages, they deprived the Indians of the water they needed to sustain their economy. DeJong traces federal, territorial, and state policies that ignored Pima water rights even though some policies appeared to encourage Indian agriculture. This is a particularly egregious example of a common story in the West: the flagrant local rejection of Supreme Court rulings that protected Indian water rights. With plentiful maps, tables, and illustrations, DeJong demonstrates that maintaining the spreading farms and growing towns of the increasingly white population led Congress and other government agencies to willfully deny Pimas their water rights.

Had their rights been protected, DeJong argues, Pimas would have had an economy rivaling the local and national economies of the time. Instead of succeeding, the Pima were reduced to cycles of poverty, their lives destroyed by greed and disrespect for the law, as well as legal decisions made for personal gain.

Chaco Canyon, Canyon de Chelly, Mesa Verde, Hovenweep . . . For many, such historic places evoke images of stone ruins, cliff dwellings, pot shards, and petroglyphs. For others, they recall ancestry. Remnants of the American Southwest's ancestral Puebloan peoples (sometimes known as Anasazi) have mystified and tantalized explorers, settlers, archaeologists, artists, and other visitors for centuries. And for a select group of writers, these ancient inhabitants have been a profound source of inspiration.

Collected here are more than fifty selections from a striking body of literature about the prehistoric Southwest: essays, stories, travelers' reports, and poems spanning more than four centuries of visitation. They include timeless writings such as John Wesley Powell's The Exploration of the Colorado River and Its Tributaries and Frank Hamilton Cushing's "Life at Zuni," plus contemporary classics ranging from Colin Fletcher's The Man Who Walked Through Time to Wallace Stegner's Beyond the Hundredth Meridian to Edward Abbey's "The Great American Desert." Reuben Ellis's introduction brings contemporary insight and continuity to the collection, and a section on "reading in place" invites readers to experience these great works amidst the landscapes that inspired them. For anyone who loves to roam ancient lands steeped in mystery, Stories and Stone is an incomparable companion that will enhance their enjoyment.

Re-issue, with new Preface offering recent insights, of the classic archaeological study which produced valuable findings on Hohokam perishable culture.

The vast public lands of the American West are being transformed today, not geologically but conceptually. A century ago, visitors to western public lands were likely to be ranchers or miners. Today, the lands are popular destinations for campers, hikers, rock climbers, river runners, artists, and off-road-vehicle enthusiasts. These new visitors have proved to be a challenge for managers of public lands, in particular the federal Bureau of Land Management. Perhaps no area has been more affected by changing users and shifting policies than the San Rafael Swell, a million-acre expanse in southeastern Utah. In this insightful and useful book, Jeffrey Durrant follows the trail of decisions and events that have had—and continue to have—a transformative impact on this ancient land.

In detailing political and environmental squabbles over the San Rafael Swell, Durrant illuminates issues that confront land managers, bureaucrats, and elected officials throughout the country. He describes struggles between county commissioners and environmental activists, conflicts over water rights, proposals that repeatedly fail to gain government approval, and political posturings. Caught in the crossfire, and often overwhelmed, the Bureau of Land Management has seen its long-time mission—once centered on grazing and mining rights—transmogrify into a new and, to some, unsettling responsibility for recreation and preservation.

The sandstone crags and twisting valleys of the San Rafael Swell present a formidable landscape, but as this book clearly shows, the political landscape may be even more daunting, strewn with bureaucratic boulders and embedded with fixed positions on the functions and values of public land.

There are two basic rules for writing nonfiction, says historian and award-­winning author Stephen J. Pyne. Rule 1: You can’t make stuff up. Rule 2: You can’t leave out known stuff that affects our understanding. Follow these rules, and you are writing nonfiction. Writing for different audiences and genres will require further guidelines. But all readers expect that style and story (or more broadly, theme) will complement one another.

Style and Story is for those who wish to craft nonfiction texts that do more than simply relay facts and arguments. Pyne explains how writers can employ literary tools and strategies to have art and craft add value to their theme. With advice gleaned from nearly a dozen years of teaching writing to graduate students, Pyne offers pragmatic guidance on how to create powerful nonfiction, whether for an academic or popular audience.

Each chapter offers samples that span genres, showcasing the best kinds of nonfiction writing. Pyne analyzes these examples that will help writers understand how they can improve their nonfiction through their choice of voice, words, structure, metaphors, and narrative. Pyne builds on his previous guide, Voice and Vision, expanding the range of topics to include openings and closings, humor and satire, historical writing, setting scenes, writing about technical matters and deep details, long and short narration, reading for craft, and thoughts on writing generally. He also includes in this volume a set of exercises to practice writing techniques.

Style and Story will be treasured by anyone, whether novice or expert, who seeks guidance to improve the power of their nonfiction writing.

Education is a primary route to rewarding employment and economic security. It is particularly significant for the future prospects of children who are ethnic minorities, were born into disadvantaged economic circumstances, or are dealing with language barriers.

For nearly a decade Julio Cammarota interviewed and observed Latino youth between the ages of seventeen and twenty-four who lived in a barrio in a city on the California coast. He conducted forty life interviews, selecting six people to investigate in depth. Twenty of the study participants worked at a fast-food restaurant, while the other twenty worked at a community cultural center.

Focusing on the experiences of his subjects in the primary settings of family, work, and school, Cammarota structured his research to examine how Latino youth negotiate myriad social conditions and hostile economic and political pressures in their daily lives. His extensive interviews and incisive analyses illuminate the complex relationships among low-wage employment, cultural standards, education, class oppression, and gender expectations.

Among other topics, Cammarota investigates how working affects Latino education; how gender influences social relationships and life choices; how Latinos and Latinas try to maintain their distinct ethnic identity while attempting to transcend marginalization; whether the Latino culture helps young people work hard for their families and for a better future; and how the connections and disconnections among work, family, and school constitute formative processes that shape the cultural identities of Latino youth.

One of the most extensive studies of barrio youth available, Sueños Americanos concludes with a discussion of social justice education for Latino youth and how this educational approach meets their academic needs while providing opportunities for self-determination and community activism.

An interdisciplinary approach to solar physics, as eighty-nine contributors trace the evolution of the Sun and provide a review of our current understanding of both its structure and its role in the origin and evolution of the solar system.

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.

When the Exxon Valdez oil tanker ran aground on Bligh Reef in Alaska in 1989 and spilled 11 million gallons of oil, it changed Prince William Sound forever. The catastrophe disrupted the region’s biological system, killing countless animals and poisoning habitats that to this day no longer support some of the local species. The effects have also profoundly altered the way people use this region.

Nearly three decades later, changes in recreation use run counter to what was initially expected. Instead of avoiding Prince William Sound, tourists and visitors flock there. Economic revitalization efforts have resulted in increased wilderness access as new commercial enterprises offer nature tourism in remote bays and fjords. This increased visitation has caused concerns that the wilderness may again be threatened—not by oil but rather by the very humans seeking those wilderness experiences.

In Sustaining Wildlands, scientists and managers, along with local community residents, address what has come to be a central paradox in public lands management: the need to accommodate increasing human use while reducing the environmental impact of those activities. This volume draws on diverse efforts and perspectives to dissect this paradox, offering an alternative approach where human use is central to sustaining wildlands and recovering a damaged ecosystem like Prince William Sound.

Contributors:

Brad A. Andres, Chris Beck, Nancy Bird, Dale J. Blahna, Harold Blehm, Sara Boario, Bridget A. Brown, Courtney Brown, Greg Brown, Milo Burcham, Kristin Carpenter, Ted Cooney, Patience Andersen Faulkner, Maryann Smith Fidel, Jessica B. Fraver, Jennifer Gessert, Randy Gimblett, Michael I. Goldstein, Samantha Greenwood, Lynn Highland, Marybeth Holleman, Shay Howlin, Tanya Iden, Robert M. Itami, Lisa Jaeger, Laura A. Kennedy, Spencer Lace, Nancy Lethcoe, Kate McLaughlin, Rosa H. Meehan, Christopher Monz, Karen A. Murphy, Lisa Oakley, Aaron J. Poe, Chandra B. Poe, Karin Preston, Jeremy Robida, Clare M. Ryan, Gerry Sanger, Bill Sherwonit, Lowell H. Suring, Paul Twardock, Sarah Warnock, and Sadie Youngstrom
 

A self-taught artist in several mediums who became known for stippling, Leonard Chana captured the essence of the Tohono O’odham people. He incorporated subtle details of O’odham life into his art, and his images evoke the smells, sounds, textures, and tastes of the Sonoran desert—all the while depicting the values of his people.

He began his career by creating cards and soon was lending his art to posters and logos for many community-based Native organizations. Winning recognition from these groups, his work was soon actively sought by them. Chana’s work also appears on the covers and as interior art in a number of books on southwestern and American Indian topics.

The Sweet Smell of Home is an autobiographical work, written in Chana’s own voice that unfolds through oral history interviews with anthropologist Susan Lobo. Chana imparts the story of his upbringing and starting down the path toward a career as an artist. Balancing humor with a keen eye for cultural detail, he tells us about life both on and off the reservation.

Eighty pieces of art—26 in color—grace the text, and Chana explains both the impetus for and the evolution of each piece. Leonard Chana was a people’s artist who celebrated the extraordinary heroism of common people’s lives. The Sweet Smell of Home now celebrates this unique artist whose words and art illuminate not only his own remarkable life, but also the land and lives of the Tohono O’odham people

Because of the long dominance of Mexico’s leading political party, the Partido Revolucionario Institucional, the campaigns of its presidential candidates were never considered relevant in determining the victor. This book offers an ethnography of the Mexican political system under PRI hegemony, focusing on the relationship between the formal democratic structure of the state and the unofficial practices of the underlying political culture, and addressing the question of what purpose campaigns serve when the outcome is predetermined.

Discussing Mexican presidential politics from the perspectives of anthropology, political science, and communications science, the authors analyze the 1988 presidential campaign of Carlos Salinas de Gortari—the last great campaign of the PRI to display the characteristics traditionally found in the twentieth century. These detailed descriptions of campaign events show that their ritualistic nature expressed both a national culture and an aura of domination.

The authors describe the political and cultural context in which this campaign took place—an authoritarian presidential system that dated from the 1920s—and explain how the constitutional provisions of the state interacted with the informal practices of the party to produce highly scripted symbolic rituals. Their analysis probes such topics as the meanings behind the candidate’s behavior, the effects of public opinion polling, and the role of the press, then goes on to show how the system has begun to change since 2000.

By dealing with the campaign from multiple perspectives, the authors reveal it as a rite of passage that sheds light on the political culture of the country. Their study expands our understanding of authoritarianism during the years of PRI dominance and facilitates comparison of current practices with those of the past.

In this cycle of poetry and stories, Navajo writer Luci Tapahonso shares memories of her home in Shiprock, New Mexico, and of the places and people there. Through these celebrations of birth, partings, and reunions, this gifted writer displays both her love of the Navajo world and her resonant use of language. Blending memoir and fiction in the storytelling style common to many Indian traditions, Tapahonso's writing shows that life and death are intertwined, and that the Navajo people live with the knowledge that identity is formed by knowing about the people to whom one belongs. The use of both English and Navajo in her work creates an interplay that may also give readers a new way of understanding their connectedness to their own inner lives and to other people.

Luci Tapahonso shows how the details of everyday life—whether the tragedy of losing a loved one or the joy of raising children, or simply drinking coffee with her uncle—bear evidence of cultural endurance and continuity. Through her work, readers may come to better appreciate the different perceptions that come from women's lives.