Ya Te Veo takes as its title the name of a mythical tree that eats people. Like the branches of that tree, the poems in this book seem to capture and nourish themselves on a diverse cast of would-be passers-by, drawing their life-force from the resulting synthesis of characters. Among the seized are poets and painters alongside musicians from Garth Brooks to Wu-Tang Clan to the composer Morton Feldman, whose mysterious personality serves as a backdrop in many poems for meditations on intimacy, ethics, and anxiety.
As the phrase “ya te veo” (“I see you”) implies, this is a book interested in revealing what we think is hidden, in questioning the gap inside all of us, a gap between what we feel and what we say and do, making space for our many contradictions.
Like the works of Feldman, these poems focus and recede, experimenting with form in order to accomplish a state of deep concentration. They impersonate sonnets, ghazals, terza rima, monologues, translations, and freestyles, but inexactly, embracing failed imitation as an opportunity to remix the familiar.
The Yakama Nation of present-day Washington State has responded to more than a century of historical trauma with a resurgence of grassroots activism and cultural revitalization. This pathbreaking ethnography shifts the conversation from one of victimhood to one of ongoing resistance and resilience as a means of healing the soul wounds of settler colonialism. Yakama Rising: Indigenous Cultural Revitalization, Activism, and Healing argues that Indigenous communities themselves have the answers to the persistent social problems they face. This book contributes to discourses of Indigenous social change by articulating a Yakama decolonizing praxis that advances the premise that grassroots activism and cultural revitalization are powerful examples of decolonization.
Michelle M. Jacob employs ethnographic case studies to demonstrate the tension between reclaiming traditional cultural practices and adapting to change. Through interviewees’ narratives, she carefully tacks back and forth between the atrocities of colonization and the remarkable actions of individuals committed to sustaining Yakama heritage. Focusing on three domains of Indigenous revitalization—dance, language, and foods—Jacob carefully elucidates the philosophy underlying and unifying each domain while also illustrating the importance of these practices for Indigenous self-determination, healing, and survival.
In the impassioned voice of a member of the Yakama Nation, Jacob presents a volume that is at once intimate and specific to her home community and that also advances theories of Indigenous decolonization, feminism, and cultural revitalization. Jacob’s theoretical and methodological contributions make this work valuable to a range of students, academics, tribal community members, and professionals, and an essential read for anyone interested in the ways that grassroots activism can transform individual lives, communities, and society.
The Yale Critics was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A heated debate has been raging in North America in recent years over the form and function of literature. At the center of the fray is a group of critics teaching at Yale University—Harold Bloom, Geoffrey Hartman, Paul de Man, and J. Hillis Miller—whose work can be described in relation to the deconstructive philosophy practiced by French philosopher Jacques Derrida. For over a decade the Yale Critics have aroused controversy; most often they are considered as a group, to be applauded or attacked, rather than as individuals whose ideas merit critical scrutiny. Here a new generation of scholars attempts for the first time a serious, broad assessment of the Yale group. These essays appraise the Yale Critics by exploring their roots, their individual careers, and the issues they introduce.
Wallace Martin's introduction offers a brilliant, compact account of the Yale Critics and of their relation to deconstruction and the deconstruction to two characteristically Anglo-American enterprises; Paul Bove explores the new criticism and Wlad Godzich the reception of Derrida in America. Next come essays giving individual attention to each of the critics: Michael Sprinker on Hartman, Donald Pease on Miller, Stanley Corngold on de Man, and Daniel O'Hara on Bloom. Two essays then illuminate "deconstruction in America" through a return to modern continental philosophy: Donald Marshall on Maurice Blanchot, and Rodolphe Gasche on Martin Heidegger. Finally, Jonathan Arac's afterword brings the volume together and projects a future beyond the Yale Critics.
Throughout, the contributors aim to provide a balanced view of a subject that has most often been treated polemically. While useful as an introduction, The Yale Critics also engages in a serious critical reflection on the uses of the humanities in American today.
Honored in his own time as one of the most prominent Indian public intellectuals, Henry Roe Cloud (c. 1884–1950) fought to open higher education to Indians. Joel Pfister’s extensive archival research establishes the historical significance of key chapters in the Winnebago’s remarkable life. Roe Cloud was the first Indian to receive undergraduate and graduate degrees from Yale University, where he was elected to the prestigious and intellectual Elihu Club. Pfister compares Roe Cloud’s experience to that of other “college Indians” and also to African Americans such as W. E. B. Du Bois. Roe Cloud helped launch the Society of American Indians, graduated from Auburn seminary, founded a preparatory school for Indians, and served as the first Indian superintendent of the Haskell Institute (forerunner of Haskell Indian Nations University). He also worked under John Collier at the Bureau of Indian Affairs, where he was a catalyst for the Indian New Deal.
Roe Cloud’s white-collar activism was entwined with the Progressive Era formation of an Indian professional and managerial class, a Native “talented tenth,” whose members strategically used their contingent entry into arenas of white social, intellectual, and political power on behalf of Indians without such access. His Yale training provided a cross-cultural education in class-structured emotions and individuality. While at Yale, Roe Cloud was informally adopted by a white missionary couple. Through them he was schooled in upper-middle-class sentimentality and incentives. He also learned how interracial romance could jeopardize Indian acceptance into their class. Roe Cloud expanded the range of what modern Indians could aspire to and achieve.
Yali's Question is the story of a remarkable physical and social creation—Ramu Sugar Limited (RSL), a sugar plantation created in a remote part of Papua New Guinea. As an embodiment of imported industrial production, RSL's smoke-belching, steam-shrieking factory and vast fields of carefully tended sugar cane contrast sharply with the surrounding grassland. RSL not only dominates the landscape, but also shapes those culturally diverse thousands who left their homes to work there.
To understand the creation of such a startling place, Frederick Errington and Deborah Gewertz explore the perspectives of the diverse participants that had a hand in its creation. In examining these views, they also consider those of Yali, a local Papua New Guinean political leader. Significantly, Yali features not only in the story of RSL, but also in Jared Diamond's Pulitzer Prize winning world history Guns, Germs, and Steel—a history probed through its contrast with RSL's. The authors' disagreement with Diamond stems, not from the generality of his focus and the specificity of theirs, but from a difference in view about how history is made—and from an insistence that those with power be held accountable for affecting history.
Yam in West Africa examines a crop that has been sidelined and ignored for too long while being central to the existence of so many and consumed worldwide. In this book, Felix Nweke attempts to unravel the contradictory nature of the yam crop sector in West Africa by looking at the largest issues in the problematic industry.
Yam production is concentrated in West Africa, which is responsible for more than 90 percent of the 50 million tons produced annually around the globe. Though the crop can attract high prices, too often its producers live in penury. Regional issues drive up labor costs of food crops because of dependence on obsolete technology. In addition, certain agronomic practices that are peculiar to yam production remain unchanged, and pests and diseases still ravage the crop. Yam in West Africa investigates solutions to these problems with the aim of expanding yam production, increasing sales, helping farmers, and bringing more of this staple food to those who need it. The future of the yam is bright; this book aims to make it more so.
One of the famous canal cities of the world and a former center of culture, trade, transportation, and fashion, the old town of Yangzhou evokes romantic bridges, beautiful courtesans, fine gardens, and eccentric painters. It is also remembered as a war-torn ruin after the Qing conquest and the Taiping Rebellion, and as a city in decline as trade shifted to seaports and railways. Yangzhou, A Place in Literature offers a wealth of literary, semi-literary, and oral texts representing social life over three hundred years of dramatic change between the seventeenth and twentieth centuries.
The translations in this volume represent a wide range of literary forms and styles, both elite and popular, with subjects ranging from literature, history, theater, and art to the history of architecture and gardening, and of material culture at large. Readers will come across rarely found details of everyday life, the sights, smells, and sounds of the lanes and teahouses, a world of taverns, pilgrimages, communal baths, fish markets, salt merchants, acting troupes, and food in one of the wealthiest cities of imperial China. Each text has an introductory essay and rich textual notes by an expert in the relevant field. The selected texts are historically and intellectually important in their own right, but the volume greatly enhances their collective value by combining them, arranging them in historical sequence, and providing a dense network of cross-references that invite comparisons and reveal contrasts in style, form, focus, and topic.
Yankee Doodle Dandy
Edited by Patrick McGilligan; Tino T. Balio, Series Editor University of Wisconsin Press, 1981 Library of Congress PN1997.Y322 | Dewey Decimal 791.4372
The 1942 smash musical hit Yankee Doodle Dandy has long remained a favorite among audiences and film buffs. Ostensibly the story of "Mr. Broadway"—George M. Cohan— the movie evolved in its making into one of Warners' trademark "biopics" and a showcase for the singing and dancing talents of James Cagney.
In many ways, John H. Black typified the thousands of volunteers who fought for the Union during the Civil War. Born in 1834 and raised on his family’s farm near Allegheny Township, Pennsylvania, Black taught school until he, like many Pennsylvanians, rushed to defend the Union after the attack on Fort Sumter in April 1861. He served with the Twelfth Pennsylvania Cavalry, one of the Union’s most unruly, maligned, and criticized units.Consistently outperformed early in the conflict, the Twelfth finally managed to salvage much of its reputation by the end of the war. Throughout his service, Black penned frequent and descriptive letters to his fiancée and later wife, Jennie Leighty Black. This welcome volume presents this complete correspondence for the first time, offering a surprisingly full record of the cavalryman’s service from 1862 to 1865 and an intimate portrait of a wartime romance.
In his letters, Black reveals his impassioned devotion to the cause, frequently expressing his disgust toward those who would not enlist and his frustration with friends who were not appropriately patriotic. Despite the Twelfth Pennsylvania’s somewhat checkered history, Black consistently praises both the regiment’s men and their service and demonstrates a strong camaraderie with his fellow soldiers. He offers detailed descriptions of the regiment’s vital operations in protecting Unionists and tracking down and combating guerrillas, in particular John Singleton Mosby and his partisan rangers, providing a rare first-person account of Union counterinsurgency tactics in the Lower Shenandoah Valley. In the midst of portraying heated and chaotic military operations, Black makes Jennie a prominent character in his war, illustrating the various ways in which the conflict altered or nurtured romantic relationships.
One of the few compilations of letters by a long-term Yankee cavalry member and the only such collection by a member of the Twelfth Pennsylvania, A Yankee Horseman in the Shenandoah Valley provides new insights into the brutal, confused guerrilla fighting that occurred in northwestern Virginia. Moreover, these letters make a significant contribution toward an emerging consensus that Yankee cavalry—often maligned and contrasted with their celebrated Confederate foes—became a superior fighting force as the war progressed.
David J. Coles, professor of history at Longwood University, is the associate editor of the Encyclopedia of Civil War, coauthor of Sons of Garibaldi in Blue and Gray, and coeditor of the Encyclopedia of the American Civil War.
Stephen D. Engle, professor of history at Florida Atlantic University, is the author of Yankee Dutchman: The Life of Franz Sigel, Don Carlos Buell: Most Promising of All, and Struggle for the Heartland: The Campaigns from Fort Henry to Corinth.
Alan L. MCPHERSON Harvard University Press, 2003 Library of Congress F1418.M373 2003 | Dewey Decimal 327.7308
In 1958, angry Venezuelans attacked Vice President Richard Nixon in Caracas, opening a turbulent decade in Latin American-U.S. relations. In Yankee No! Alan McPherson sheds much-needed light on the controversial and pressing problem of anti-U.S. sentiment in the world.
Examining the roots of anti-Americanism in Latin America, McPherson focuses on three major crises: the Cuban Revolution, the 1964 Panama riots, and U.S. intervention in the Dominican Republic. Deftly combining cultural and political analysis, he demonstrates the shifting and complex nature of anti-Americanism in each country and the love-hate ambivalence of most Latin Americans toward the United States. When rising panic over "Yankee hating" led Washington to try to contain foreign hostility, the government displayed a surprisingly coherent and consistent response, maintaining an ideological self-confidence that has outlasted a Latin American diplomacy torn between resentment and admiration of the United States.
However, McPherson warns, U.S. leaders run a great risk if they continue to ignore the deeper causes of anti-Americanism. Written with dramatic flair, Yankee No! is a timely, compelling, and carefully researched contribution to international history.
Table of Contents:
Introduction Anti-Americanism as Historical Problem
1. The Road to Caracas Or, Richard Nixon Must Get Stoned 2. Cuba, 1959 Revolutionary Anti-Americanism and U.S. Panic 3. Panama, 1964 Conservative Anti-Americanism and U.S. Pragmatism 4. Dominican Republic, 1965 Episodic Anti-Americanism and U.S. Containment
Epilogue Toward Global Anti-Americanism
Abbreviations Notes Selected Sources Acknowledgments Index
Reviews of this book: McPherson examines the years from 1958 to 1966, when anti-Americanism was a prominent theme in inter-American diplomacy, to deliver a helpful reminder that anti-Americanism is not a new phenomenon nor a product only of the Middle East--and that it has been confronted quite effectively in the past, at least when its sources were sought out and taken seriously. He provides several vivid case studies, starting with the attacks on Vice President Richard Nixon in Caracas and continuing on to Cuba, Panama, and the Dominican Republic. Together, these examples show the variability and ambivalence of anti-Americanism; they also emphasize the importance of U.S. policies that respond to its challenges rather than dismissing it as a cynical invention of alienated elites...This well-written and balanced book should be required reading in the White House, in Langley, and around Foggy Bottom. --Foreign Affairs
Alan McPherson has not only made a valuable contribution to the literature on U.S.-Latin American relations but, more importantly, he has provided a superb analysis of anti-Americanism by identifying its variability, its ambivalence, and the U.S. resilience in confronting the challenge during the critical years framed in this book. In his sophistication and in his writing he demonstrates all the attributes of a seasoned historian. --Lester D. Langley, author of The Americas in the Modern Age
McPherson expertly extends the field of U.S. foreign relations into social and cultural history. In his analysis of U.S. relations with Cuba, the Dominican Republic, and Panama, he deftly avoids the trap of writing international history solely with the 'view from Washington' perspective. I unequivocally recommend it. --Stephen Rabe, author of Eisenhower and Latin America
This timely, deeply researched, analytically rigorous, and handsomely written study probes the many anti-Americanisms that have bedeviled U.S. relations with Latin America. Why do they hate us?' is an urgent question today. McPherson impressively demonstrates that it has profound historical roots that can inform caring policymakers eager to prevent global violence. --Thomas G. Paterson, author of Contesting Castro
McPherson opens a revealing window on the heretofore elusive phenomenon of anti-Americanism. In so doing he takes his place in the front ranks of younger scholars writing about U.S. foreign relations. --William Walker, Florida International University
Merging scholarly insight with a professional guitarist's keen sense of the musical life, Yankee Twang delves into the rich tradition of country & western music that is played and loved in the mill towns and cities of the American northeast. Clifford R. Murphy draws on a wealth of ethnographic material, interviews, and encounters with recorded and live music to reveal the central role of country and western in the social lives and musical activity of working-class New Englanders.
As Murphy shows, an extraordinary multiculturalism informed by New England's kaleidoscope of ethnic groups created a distinctive country and western music style. But the music also gave--and gives--voice to working-class feeling. Yankee country and western emphasizes the western, reflecting the longing for the mythical cowboy's life of rugged but fulfilling individualism. Indeed, many New Englanders use country and western to comment on economic disenfranchisement and express their resentment of a mass media, government, and Nashville music establishment they believe neither reflects nor understands their life experiences.
A German-born Union officer in the American Civil War, Maj. Gen. Peter Osterhaus served from the first clash in the western theater until the final surrender of the war. Osterhaus made a name for himself within the army as an energetic and resourceful commander who led his men from the front. He was one of the last surviving Union major general and military governor of Mississippi in the early days of Reconstruction.
This first full-length study of the officer documents how, despite his meteoric military career, his accomplishments were underreported even in his own day and often misrepresented in the historical record. Mary Bobbitt Townsend corrects previous errors about his life and offers new insights into his contributions to major turning points in the war at Vicksburg, Chattanooga, and Atlanta, as well as other battles.
Townsend draws on battle reports not found in the Official Records, on personal papers, and on other nonpublished material to examine Osterhaus’s part in the major battles in the West as well as in minor engagements. She tells how he came into his own in the Vicksburg campaign and proved himself through skill with artillery, expertise in intelligence gathering, and taking the lead in hostile territory—blazing the trail down the west side of the river for the entire Union army and then covering Grant’s back for a month during the siege. At Chattanooga, Osterhaus helped Joe Hooker strategize the rout at Lookout Mountain; at Atlanta, he led the Fifteenth Corps, the largest of the four corps making Sherman's March to the Sea. Townsend also documents his contributions in the battles of Wilson's Creek, Pea Ridge, Arkansas Post, Port Gibson, Ringgold Gap, and Resaca and shows that he played a crucial role in Canby’s Mobile Bay operations at the end of the war.
In addition to reporting Osterhaus’s wartime experiences, Townsend describes his experiences as a leader in the 1848–1849 Rebellion in his native Germany, his frustration during his term as Mississippi’s governor, and his stint as U.S. consul to France during the Franco-Prussian War.
Osterhaus stood out from other volunteer officers in his understanding of tactics and logistics, even though his careful field preparation led to criticism by historians that he was unduly cautious in battle. Yankee Warhorse sets the record straight on this important Civil War general as it opens a new window on the war in the West.
Yankees in Michigan
Brian C. Wilson Michigan State University Press, 2008 Library of Congress F575.A1W55 2008 | Dewey Decimal 304.877407409034
As Brian C. Wilson describes them in this highly readable and entertaining book, Yankees—defined by their shared culture and sense of identity—had a number of distinctive traits and sought to impose their ideas across the state of Michigan.
After the ethnic label of "Yankee" fell out of use, the offspring of Yankees appropriated the term "Midwesterner." So fused did the identities of Yankee and Midwesterner become that understanding the larger story of America's Midwestern regional identity begins with the Yankees in Michigan.
Yankees in Petrograd, Bosheviks in New York examines the myth of America as the Other World at the moment of transition from the Russian to the Soviet version. The material on which Milla Fedorova bases her study comprises a curious phenomenon of the waning nineteenth and early twentieth centuries—pilgrimages to America by prominent Russian writers who then created travelogues. The writers’ missions usually consisted of two parts: the physical journey, which most of the writers considered as ideologically significant, and the literary fruit of the pilgrimages. Until now, the American travelogue has not been recognized and studied as a particular kind of narration with its own canons. Arguing that the primary cultural model for Russian writers’ journey to America is Dante’s descent into Hell, Federova ultimately reveals how America is represented as the country of “dead souls” where objects and machines have exchanged places with people, where relations between the living and the dead are inverted.
Yaqui regard song as a kind of lingua franca of the intelligent universe. It is through song that experience with other living things is made intelligible and accessible to the human community. Deer songs often take the form of dialogues in which the deer and others in the wilderness world speak with one another or with the deer singers themselves. It is in this way, according to one deer singer, that “the wilderness world listens to itself even today.”
In this book authentic ceremonial songs, transcribed in both Yaqui and English, are the center of a fascinating discussion of the Deer Song tradition in Yaqui culture. Yaqui Deer Songs/Maso Bwikam thus enables non-Yaquis to hear these dialogues with the wilderness world for the first time.
In this illuminating book, anthropologist Kirstin Erickson explains how members of the Yaqui tribe, an indigenous group in northern Mexico, construct, negotiate, and continually reimagine their ethnic identity. She examines two interconnected dimensions of the Yaqui ethnic imagination: the simultaneous processes of place making and identification, and the inseparability of ethnicity from female-identified spaces, roles, and practices.
Yaquis live in a portion of their ancestral homeland in Sonora, about 250 miles south of the Arizona border. A long history of displacement and ethnic struggle continues to shape the Yaqui sense of self, as Erickson discovered during the sixteen months that she lived in Potam, one of the eight historic Yaqui pueblos. She found that themes of identity frequently arise in the stories that Yaquis tell and that geography and location—space and place—figure prominently in their narratives.
Revisiting Edward Spicer’s groundbreaking anthropological study of the Yaquis of Potam pueblo undertaken more than sixty years ago, Erickson pays particular attention to the “cultural work” performed by Yaqui women today. She shows that by reaffirming their gendered identities and creating and occupying female-gendered spaces such as kitchens, household altars, and domestic ceremonial spaces, women constitute Yaqui ethnicity in ways that are as significant as actions taken by males in tribal leadership and public ceremony.
This absorbing study contributes new empirical knowledge about a Native American community as it adds to the growing anthropology of space/place and gender. By inviting readers into the homes and patios where Yaqui women discuss their lives, it offers a highly personalized account of how they construct—and reconstruct—their identity.
The Yaqui warrior is a persistent trope of the Mexican nation. But using fresh eyes to examine Yoeme indigeneity constructs, appropriations, and efforts at reclamation in twentieth- and twenty-first-century Mexican and Chicana/o literature provides important and vivid new opportunities for understanding. In Yaqui Indigeneity, Ariel Zatarain Tumbaga offers an interdisciplinary approach to examining representations of the transborder Yaqui nation as interpreted through the Mexican and Chicana/o imaginary.
Tumbaga examines colonial documents and nineteenth-century political literature that produce a Yaqui warrior mystique and reexamines the Mexican Revolution through indigenous culture. He delves into literary depictions of Yaqui battalions by writers like Martín Luis Guzmán and Carlos Fuentes and concludes that they conceal Yaqui politics and stigmatize Yaqui warriorhood, as well as misrepresent frequently performed deer dances as isolated exotic events.
Yaqui Indigeneity draws attention to a community of Chicana/o writers of Yaqui descent: Chicano-Yaqui authors such as Luis Valdez, Alma Luz Villanueva, Miguel Méndez, Alfredo Véa Jr., and Michael Nava, who possess a diaspora-based indigenous identity. Their writings rebut prior colonial and Mexican depictions of Yaquis—in particular, Véa’s La Maravilla exemplifies the new literary tradition that looks to indigenous oral tradition, religion, and history to address questions of cultural memory and immigration.
Using indigenous forms of knowledge, Tumbaga shows the important and growing body of literary work on Yaqui culture and history that demonstrates the historical and contemporary importance of the Yaqui nation in Mexican and Chicana/o history, politics, and culture.
Evelyn Hu-DeHart brings into focus the Yaqui in the nineteenth century, as the newly independent Mexico lurched through immense economic and governmental transformations, wars, insurgencies, and changing political alliances. This history includes Yaqui efforts to establish a native republic independent of Mexico, their resistance against government efforts to reduce their communal land to individual holdings, the value of their labor to mining and agricultural companies in northwest Mexico, their several revolts and guerrilla actions, the massive deportation of Yaquis from Sonora to Yucatán, the flight of some Yaquis across the U.S. border to Arizona, and their role in the 1910 Mexican Revolution.
In this revised edition of her groundbreaking work, Hu-DeHart reviews and reflects on the growth in scholarship about the Yaqui, including advances in theoretical frameworks and methodologies on borderlands, transnationalism, diaspora, and collective memory that are especially relevant to their history.
Yaya’s Story is a book about Yaya Harouna, a Songhay trader originally from Niger who found a path to America. It is also a book about Paul Stoller—its author—an American anthropologist who found his own path to Africa. Separated by ethnicity, language, profession, and culture, these two men’s lives couldn’t be more different. But when they were both threatened by a grave illness—cancer—those differences evaporated, and the two were brought to profound existential convergence, a deep camaraderie in the face of the most harrowing of circumstances. Yaya’s Story is that story.
Harouna and Stoller would meet in Harlem, at a bustling African market where Harouna built a life as an African art trader and Stoller was conducting research. Moving from Belayara in Niger to Silver Spring, Maryland, and from the Peace Corps to fieldwork to New York, Stoller recounts their separate lives and how the threat posed by cancer brought them a new, profound, and shared sense of meaning. Combining memoir, ethnography, and philosophy through a series of interconnected narratives, he tells a story of remarkable friendship and the quest for well-being. It’s a story of difference and unity, of illness and health, a lyrical reflection on human resiliency and the shoulders we lean on.
In 1970 Brown v. Board of Education was sixteen years old, and fifteen years had passed since the Brown II mandate that schools integrate "with all deliberate speed." Still, after all this time, it was necessary for the U.S. Supreme Court to order thirty Mississippi school districts--whose speed had been anything but deliberate--to integrate immediately. One of these districts included Yazoo City, the hometown of writer Willie Morris. Installed productively on "safe, sane Manhattan Island," Morris, though compelled to write about this pivotal moment, was reluctant to return to Yazoo and do no less than serve as cultural ambassador between the flawed Mississippi that he loved and a wider world. "I did not want to go back," Morris wrote. "I finally went home because the urge to be there during Yazoo's most critical moment was too elemental to resist, and because I would have been ashamed of myself if I had not." The result, Yazoo, is part reportage, part memoir, part ethnography, part social critique--and one of the richest accounts we have of a community's attempt to come to terms with the realities of seismic social change. As infinitely readable and nuanced as ever, Yazoo is available again, enhanced by an informative foreword by historian Jenifer Jensen Wallach and a warm and personal afterword on Morris's writing life by his widow, JoAnne Prichard Morris.
Modernity remade much of the world in the late nineteenth and early twentieth centuries and was nowhere more transformational than in the American South. In the wake of the Civil War, the region not only formed new legal, financial, and social structures, but citizens of the South also faced disorienting uncertainty about personal identity and even gender itself. Ye That Are Men Now Serve Him traces the changes in southern gender roles during the New South period of 1877–1915 and demonstrates that religion is the key to perceiving how constructions of gender changed.
The Civil War cleaved southerners from the culture they had developed organically during antebellum decades, raising questions that went to the very heart of selfhood: What does it mean to be a man? How does a good woman behave? Unmoored from traditional anchors of gender, family, and race, southerners sought guidance from familiar sources: scripture and their churches. In Ye That Are Men Now Serve Him, Colin Chapell traces how concepts of gender evolved within the majority Baptist and Methodist denominations as compared to the more fluid and innovative Holiness movement.
Grounded in expansive research into the archives of the Southern Baptist Convention; Methodist Episcopal Church, South; and the Holiness movement, Chapell’s writing is also enlivened by a rich trove of primary sources: diaries, sermons, personal correspondence, published works, and unpublished memoirs. Chapell artfully contrasts the majority Baptist and Methodist view of gender with the relatively radical approaches of the emerging Holiness movement, thereby bringing into focus how subtle differences in belief gave rise to significantly different ideas of gender roles.
Scholars have explored class, race, and politics as factors that contributed to contemporary southern identity, and Chapell restores theology to its intuitive place at the center of southern identity. Probing and illuminating, Ye That Are Men Now Serve Him offers much of interest to scholars and readers of the South, southern history, and religion.
A Year at the Supreme Court
Neal Devins and Davison M. Douglas, eds. Duke University Press, 2004 Library of Congress KF8742.Y428 2004 | Dewey Decimal 347.732609
The United States Supreme Court’s 2002–03 term confounded Court watchers. The same Rehnquist Court that many had seen as solidly conservative and unduly activist—the Court that helped decide the 2000 presidential election and struck down thirty-one federal statutes since 1995—issued a set of surprising, watershed rulings. In a term filled with important and unpredictable decisions, it upheld affirmative action, invalidated a same-sex sodomy statute, and reversed a death sentence due to ineffective assistance of counsel. With essays focused on individual Justices, Court practices, and some of last year’s most important rulings, this volume explores the meaning and significance of the Court’s 2002–03 term. Seasoned Supreme Court advocates and journalists from The New Republic, The Los Angeles Times, Newsweek,National Journal, Slate, and Legal Times grapple with questions about the Rehnquist Court’s identity and the Supreme Court’s role in the political life of the country.
Some essays consider the role of “swing” Justices Sandra Day O’Connor and Anthony Kennedy within a Court that divides 5–4 more than any other group of Justices in the nation’s history. Others examine the political reaction to and legal context of the Court’s Lawrence v. Texas decision declaring a Texas law criminalizing homosexual sodomy unconstitutional. Contributors analyze the Court’s rulings on affirmative action and reassess its commitment to states’ rights. Considering the Court’s practices, one advocate explores the use and utility of amicus curiae, or “friend of the court” briefs, while another reflects on indications of an increased openness by the Court to public scrutiny. Two advocates who argued cases before the Court—one related to hate speech and the other to a “three strikes and you’re out” criminal statute—offer vivid accounts of their experiences. Intended for general readers, A Year at the Supreme Court is for all those who want to understand the Rehnquist Court and its momentous 2002–03 term.
Contributors Erwin Chemerinsky Neal Devins Davison M. Douglas David J. Garrow Dahlia Lithwick Tony Mauro Carter Phillips Ramesh Ponnuru Jeffrey Rosen David G. Savage Rodney A. Smolla Stuart Taylor Jr.
Despite its importance to the life of the nation and all its citizens, the Supreme Court remains a mystery to most Americans, its workings widely felt but rarely seen firsthand. In this book, journalists who cover the Court—acting as the eyes and ears of not just the American people, but the Constitution itself—give us a rare close look into its proceedings, the people behind them, and the complex, often fascinating ways in which justice is ultimately served. Their narratives form an intimate account of a year in the life of the Supreme Court. The cases heard by the Surpreme Court are, first and foremost, disputes involving real people with actual stories. The accidents and twists of circumstance that have brought these people to the last resort of litigation can make for compelling drama. The contributors to this volume bring these dramatic stories to life, using them as a backdrop for the larger issues of law and social policy that constitute the Court’s business: abortion, separation of church and state, freedom of speech, the right of privacy, crime, violence, discrimination, and the death penalty. In the course of these narratives, the authors describe the personalities and jurisprudential leanings of the various Justices, explaining how the interplay of these characters and theories about the Constitution interact to influence the Court’s decisions. Highly readable and richly informative, this book offers an unusually clear and comprehensive portrait of one of the most influential institutions in modern American life.
Every Sunday evening for almost ten years, Iowa photographer and naturalist Carl Kurtz has e-mailed a photo and an extended caption to hundreds of outdoor enthusiasts. Engaging and informative, the photos focus on the world around and away from his tallgrass prairie homeplace: snow buntings in a blizzard, maple leaves in fall, migrating snow geese and red-winged blackbirds and monarchs, prairie spiderworts in spring bloom, leopard frogs loafing on waterlily leaves, northern flickers feeding young, and all the inhabitants and moods of the passing seasons. Now, in A Year of Iowa Nature, he presents fifty-five of his favorite photos along with an evocative introduction that urges us to go forth and discover the beauty in our own backyards.
Concentrating on Iowa’s tallgrass prairie, Kurtz also points his viewfinder toward the great variety of natural habitats in the eastern United States. Arranged chronologically throughout the year, the fifty-five color photos and their accompanying narratives rotate through the seasons like a nature film. The winter months showcase a frost-covered white-tailed deer, cedar waxwings feeding on winter apples, a muskrat on the surface of an icy pond, and dune-like snowdrifts. Kurtz’s palette warms up in springtime with stunning photos of Virginia bluebells, fox cubs, juvenile chipmunks, and ruddy ducks. Summer brings a host of butterflies, frogs, and goldfinches as well as blooming prairie plants. The colors become more subdued in fall with the change in light, revealing the rich hues of Indian grass and big bluestem and the subtle plumage of migrating warblers.
Just as Kurtz’s Practical Guide to Prairie Reconstruction offers an indispensable manual for individuals and land managers working to create a diverse prairie community, so does A Year of Iowa Nature point the way toward a sincere, month-by-month appreciation of the natural world around us.
The Year of Perfect Happiness
Becky Adnot-Haynes University of North Texas Press, 2014 Library of Congress PS3601.D585A6 2014 | Dewey Decimal 813.6
The Year of the Gorilla
George B. Schaller University of Chicago Press, 2010 Library of Congress QL737.P96S3 2009 | Dewey Decimal 599.8840967571
This seminal work chronicles George B. Schaller’s two years of travel and observation of gorillas in East and Central Africa in the late 1950s, high in the Virunga volcanoes on the Zaire-Rwanda-Uganda border. There, he learned that these majestic animals, far from being the aggressive apes of film and fiction, form close-knit societies of caring mothers and protective fathers watching over playful young. Alongside his observations of gorilla society, Schaller celebrates the enforced yet splendid solitude of the naturalist, recounts the adventures he experienced along the way, and offers a warning against poaching and other human threats against these endangered creatures. This edition features a postscript detailing Schaller’s more recent visits with gorillas, current to 2009.
“Whether the author is tracking gorillas, slipping past elephant herds on narrow jungle paths, avoiding poachers’ deadfalls, or routing Watusi invaders, this is an exciting book. Although Schaller feels that this is ‘not an adventure book,’ few readers will be able to agree.”—Irven DeVore, Science
The Year of the Gorilla
George B. Schaller University of Chicago Press, 1988 Library of Congress QL737.P96S3 1988 | Dewey Decimal 599.8846
"A sensitive and articulate observer, [Schaller] is at his best when he is describing the forest itself . . . . This is an exciting book. Although Schaller feels that this is 'not an adventure book,' few readers will be able to agree."—Irven DeVore, Science
"An excellent account . . . . His descriptions of the events sort out many confusions that appear in other studies." —The Niagara Loyalist
"Mr. Williams's prose is clear and direct, his narrative thorough: He has visited the sites he writes about. . . . [He] makes vivid an aspect of the American Revolution all but overlooked in traditional histories. . . . We must admire what Mr. Williams has done here."—The Wall Street Journal
"An insightful and detailed look at the war on the frontier." —On Point
After two years of fighting, Great Britain felt confident that the American rebellion would be crushed in 1777, the "Year of the Hangman." Britain devised a bold new strategy. Turning its attention to the colonial frontiers, especially those of western New York, Pennsylvania, and Virginia, Britain enlisted its provincial rangers, Tories, and allied warriors, principally from the Iroquois Confederacy, to wage a brutal backwoods war in support of General John Burgoyne's offensive as it swept southward from Canada in an attempt to cut the colonies in half, divert the Continental Army, and weaken its presence around British-occupied New York City and Philadelphia.
Burgoyne's defeat at Saratoga sent shock waves through the British command. But the efforts along the frontier under the direction of Sir John Johnson, Colonel John Butler, and the charismatic Mohawk leader, Joseph Brant, appeared to be impairing the American ability to conduct the war. Destroying Patriot settlements and farms across hundreds of miles of frontier, the British and Indian forces threatened to reduce Continental army enlistment, and more importantly, precious food supplies. Following the massacres at the well-established colonial settlements of Wyoming, Pennsylvania, and Cherry Valley, New York, the Continental Congress persuaded General George Washington to conduct a decisive offensive to end the threat once and for all. Brewing for years, the conflict between the Iroquois and colonists would now reach its deadly climax.
Charging his troops "to not merely overrun, but destroy," Washington devised a two-prong attack to exact American revenge. The largest coordinated American military action against American Indians in the war, the campaign shifted the power in the east, ending the political and military influence of the Iroquois, forcing large numbers of loyalist to flee to Canada, and sealing Britain's fateful decision to seek victory in the south. In Year of the Hangman: George Washington's Campaign Against the Iroquois, historian Glenn F. Williams recreates the riveting events surrounding the action, including the checkered story of European and Indian alliances, the bitter frontier wars, and the bloody battles of Oriskany and Newtown.
Year of the Pig
Mark J. Hainds University of Alabama Press, 2011 Library of Congress SF397.83.U6H35 2011 | Dewey Decimal 799.276332
Year of the Pig is a personal account of one avid hunter's pursuit of wild pigs in eleven American states. Mark Hainds tied his mission to the Chinese calendar's Year of the Pig in 2007 and journeyed through longleaf forests, cypress swamps, and wiliwili forests in search of his prey. He used a range of weapons--black-powder rifle, bow and arrow, knife, and high-powered rifle--and various methods to stalk his quarry through titi, saw palmetto, privet hedge, and blue palms.
Introduced pig populations have wreaked havoc on ecosystems the world over. Non-native to the Western Hemisphere, pigs originally arrived in the southeast with De Soto's entrada and in the Hawaiian Archipelago on the outriggers of South Pacific islanders. In America feral hogs are considered pests and invaders because of their omnivorous diet and rooting habits that destroy both fragile native species and agricultural cropland.
Appealing to hunters and adventure readers for its sheer entertainment, Year of the Pig will also be valuable to farmers, land managers, and environmentalists for its broad information and perspective on the topic.
Year of the Rat
Marc Anthony Richardson University of Alabama Press, 2016 Library of Congress PS3618.I34477Y43 2016 | Dewey Decimal 813.6
2017 American Book Award Winner Winner of the FC2 Ronald Sukenick Innovative Fiction Prize
Marc Anthony Richardson's Year of the Rat is a poignant and riveting literary debut narrated in an unabashedly exuberant voice.
In Year of the Rat, an artist returns to the dystopian city of his birth to tend to his invalid mother only to find himself torn apart by memories and longings. Narrated by this nameless figure whose rants, reveries, and Rabelaisian escapades take him on a Dantesque descent into himself, the story follows him and his mother as they share a one-bedroom apartment over the course of a year.
Despite his mother’s precarious health, the lingering memories of a lost love, an incarcerated sibling, a repressed sexuality, and an anarchic inability to support himself, he pursues his dream of becoming an avant-garde artist. His prospects grow dim until a devastating death provides a painful and unforeseeable opportunity. With a voice that is poetic and profane, ethereal and irreverent, cyclical and succinct, he roams from vignette to vignette, creating a polyphonic patchwork quilt of a family portrait.
Year of the Snake
Lee Ann Roripaugh Southern Illinois University Press, 2004 Library of Congress PS3568.O717Y43 2004 | Dewey Decimal 811.54
In her second collection of poems, Lee Ann Roripaugh probes themes of mixed-race female identities, evoking the molting processes of snakes and insects who shed their skins and shells as an ongoing metaphor for transformation of self. Intertwining contemporary renditions of traditional Japanese myths and fairy tales with poems that explore the landscape of childhood and early adolescence, she blurs the boundaries between myth and memory, between real and imagined selves. This collection explores cultural, psychological, and physical liminalities and exposes the diasporic arc cast by first-generation Asian American mothers and their second-generation daughters, revealing a desire for metamorphosis of self through time, geography, culture, and myth.
Year We Studied Women
Bruce Snider University of Wisconsin Press, 2003 Library of Congress PS3619.N53Y43 2003 | Dewey Decimal 811.6
In this intimate first collection Bruce Snider explores the intricacies of memory, loss, and identity in poems about everything from algebra to sperm to lipstick. A farmer finds the body of a dead child, a boy watches his mother get ready for a date, a woman with cancer shops for a wig, an overweight sister shares a cupcake with her little brother. In the book’s longest and most complex poem a tarot card reading excavates the relationship between a son and his distant, often violent father. Sometimes funny, always big-hearted and inventive, Snider catalogues the minutiae of daily life with language that is plainspoken yet strongly imagistic, weaving together both public and private moments as he maps one man’s longing for transformation. It’s an attempt to reconcile it all—past and present, fear and desire, self and sexuality—making the barest symbols of maleness and femaleness into their own deeply personal language.
In Yearnings of the Soul, Jonathan Garb uncovers a crucial thread in the story of modern Kabbalah and modern mysticism more generally: psychology. Returning psychology to its roots as an attempt to understand the soul, he traces the manifold interactions between psychology and spirituality that have arisen over five centuries of Kabbalistic writing, from sixteenth-century Galilee to twenty-first-century New York. In doing so, he shows just how rich Kabbalah’s psychological tradition is and how much it can offer to the corpus of modern psychological knowledge.
Garb follows the gradual disappearance of the soul from modern philosophy while drawing attention to its continued persistence as a topic in literature and popular culture. He pays close attention to James Hillman’s “archetypal psychology,” using it to engage critically with the psychoanalytic tradition and reflect anew on the cultural and political implications of the return of the soul to contemporary psychology. Comparing Kabbalistic thought to adjacent developments in Catholic, Protestant, and other popular expressions of mysticism, Garb ultimately offers a thought-provoking argument for the continued relevance of religion to the study of psychology.
The Great War that engulfed Europe between 1914 and 1918 was a catastrophe for France. French soil was the site of most of the fighting on the Western Front. French dead were more than 1.3 million, the permanently disabled another 1.1 million, overwhelmingly men in their twenties and thirties. The decade and a half before the war had been years of plenty, a time of increasing prosperity and confidence remembered as the Belle Epoque or the good old days. The two decades that followed its end were years of want, loss, misery, and fear. In 1914, France went to war convinced of victory. In 1939, France went to war dreading defeat. To explain the burden of winning the Great War and embracing the collapse that followed, Benjamin Martin examines the national mood and daily life of France in July 1914 and August 1939, the months that preceded the two world wars. He presents two titans: Georges Clemenceau, defiant and steadfast, who rallied a dejected nation in 1918, and Edouard Daladier,hesitant and irresolute, who espoused appeasement in 1938 though comprehending its implications. He explores novels by a constellation of celebrated French writers who treated the Great War and its social impact, from Colette to Irène Némirovsky, from François Mauriac to Antoine de Saint-Exupéry. And he devotes special attention to Roger Martin du Gard, the1937 Nobel Laureate, whose roman-fleuve The Thibaults is an unrivaled depiction of social unraveling and disillusionment. For many in France, the legacy of the Great War was the vow to avoid any future war no matter what the cost. They cowered behind the Maginot Line, the fortifications along the eastern border designed to halt any future German invasion. Others knew that cost would be too great and defended the “Descartes Line”: liberty and truth, the declared values of French civilization. In his distinctive and vividly compelling prose, Martin recounts this struggle for the soul of France.
This latest volume of Yeats continues the tradition of excellence with nine new critical essays and a host of book reviews. Highlights include "Yeats at Fifty," a recent essay by A. Walton Litz; a consideration of the art in the Cuala Press Broadsides by Elizabeth Bergmann Loizeaux; and a discussion of the textual and interpretive history of The Green Helmet and Other Poems by David Holdeman. Other contributors include Brian Arkins on style in Yeats's poetry, David Clark on "Her Vision in a Wood," Peter Denman on Ferguson and Yeats, Shelley Sharp on Yeats's theater, and Janis E. Tedesco on the sexual dynamic of A Vision. Rounding out the volume are the annual bibliography of Yeats's scholarship by K. P. S. Jochum and a compilation of dissertation abstracts.
Yeats and the Logic of Formalism deals with formalism as a philosophy in Yeats’s works and how that in turn affects both his art and his social vision. Vereen M. Bell’s linking of “formalism” and “philosophy” stems from a meditation by Yeats in a manuscript note: “I am always feeling a lack of life's own values behind my
thought. They should have been there before the stream began, before it became necessary to let the work create its values.” In Bell’s reading, formalism is not simply a philosophy of art but a philosophy of life as directed by art—existential at its source and unpredictably political in its applications.
Bell examines formalism as an ideology and evaluates its credibility in Yeats's practice in relation to other theoretical discourses and in the context of the turbulent cultural and historical circumstances under which Yeats worked. He invokes and elaborates upon Edward Said’s reading of Yeats as a special kind of colonial subject. He revisits in this context the issue of how much Yeats and Nietzsche have in common and argues, in the manner of J. Hillis Miller, that the primordial is for Yeats what formalism ultimately sets itself against.
Yeats and the Logic of Formalism mediates between older, traditional readings and recent materialist critiques of Yeats’s work in an effort to restore a balanced perspective. The author centers most of his discussion on Yeats's poems as acts of thought, both as poetry and as a body of ideas. Within this context he
maintains that Yeats as a modernist is essentially aligned with Wallace Stevens in the project of creating supreme fictions. Formalism in this function, he argues, is an ideology without content. As such, it compelled Yeats to remain unsettled in his outlook. On the other hand, it enabled him, as Richard Ellmann has pointed out, to continually adapt and readapt "himself to the changing conditions of his body and mind and of the outside world."
Yellow Future examines the emergence and popularity of techno-oriental representations in Hollywood cinema since the 1980s, focusing on the ways East Asian peoples and places have become linked with technology to produce a collective fantasy of East Asia as the future. Jane Chi Hyun Park demonstrates how this fantasy is sustained through imagery, iconography, and performance that conflate East Asia with technology, constituting what Park calls oriental style.
Park provides a genealogy of oriental style through contextualized readings of popular films-from the multicultural city in Blade Runner and the Japanese American mentor in The Karate Kid to the Afro-Asian reworking of the buddy genre in Rush Hour and the mixed-race hero in The Matrix. Throughout these analyses Park shows how references to the Orient have marked important changes in American popular attitudes toward East Asia in the past thirty years, from abjection to celebration, invisibility to hypervisibility.
Unlike other investigations of racial imagery in Hollywood, Yellow Future centers on how the Asiatic is transformed into and performed as style in the backdrop of these movies and discusses the significance of this conditional visibility for representations of racial difference.
When a case containing dismembered human remains surfaced in New York's East River in June of 1897, the publisher of the New York Journal--a young, devil-may-care millionaire named William Randolph Hearst--decided that his newspaper would "scoop" the city's police department by solving this heinous crime. Pulling out all the stops, Hearst launched more than a journalistic murder investigation; his newspaper's active intervention in the city's daily life, especially its underside, marked the birth of the Yellow Press. In a work that studies the rise and fall of this phenomenon, David R. Spencer documents the fierce competition that characterized yellow journalism, the social realities and trends that contributed to its success (and its ultimate demise), its accomplishments for good or ill, and its long-term legacy.
Most notable among Hearst's competitors was New York City's The World, owned and managed by a European Jewish immigrant named Joseph Pulitzer. The Yellow Journalism describes how these two papers and others exploited the scandal, corruption, and crime among the city's most influential citizens, and its most desperate inhabitants--a policy that made this "journalism of action" remarkably effective, not just as a commercial force, but also as an advocate for the city's poor and defenseless. Spencer shows how many of the innovations first introduced during this period--from investigative reporting to the use of color, entertainment news, and cartoons in papers--have had a lasting effect on journalism; and how media in our day reflects the Yellow Press's influence, but also its threatened irrelevance within the broader realities of contemporary society.
"For three decades, William Wong has been America's most energetic and entertaining chronicler of the Asian diaspora and its effects on politics, culture, business, sports, dress, diet, and language. Like other great humorists, he exposes the painful absurdities that plague each new wave of immigrant families as they enrich the national character, from Wong's own adventurous parents to Tiger Woods. Some of these pieces offer surprising insights on geopolitics and others explore the legal and social consequences of racial discrimination, but my favorites are the playful essays, including the classic 'So That's Why I Can't Lose Weight.' "
--Jay Mathews, Washington Post reporter and columnist, and author of Class Struggle
Who are Asian Americans? Are they the remnants of the "yellow peril" portrayed in the media through stories on Asian street gangs, unscrupulous political fundraisers, and crafty nuclear spies? Or are they the "model minority" that the media present as consistently outranking European Americans in math scores and violin performances?
In this funny, sobering, and always enlightening collection, journalist William Wong comments on these and other anomalies of the Asian American experience. From its opening tribute to the Oakland Chinatown of Wong's childhood to its closing tribute to Tiger Woods, Yellow Journalist portrays the many-sided legacies of exclusion and discrimination. The stories, columns, essays, and commentaries in this collection tackle such persistent problems as media racism, criminality, inter-ethnic tensions, and political marginalization. As a group, they make a strong case for the centrality of the Asian American historical experiences in U.S. race relations.
The essays cover many subjects, from the personal to policy, from the serious to the silly. You will learn a little Asian American history and a lot about the nuances and complexities of the contemporary Asian American experience. If there is an overriding theme of these stories and essays, it is the multi-faceted adaptation of ethnic Asians to the common American culture, the intriguing roles that they play in our society, and the quality of their achievements to contribute to a better society.
Bill Wong's high school journalism teacher took him aside during his senior year and told him he would have to be "twice as good" to succeed at his chosen profession. Succeed he did, and "twice as good" he is. As Darrell Hamamoto remarks in his Foreword, "'Chinaman,' Chinese American, Asian American; any way you slice it, Bill Wong is one straight-up righteous Yellow Man."
"One of the advantages of having a writer of Bill Wong's talent around is that we don't have to depend upon intermediaries and go-betweens to give us insights about issues affecting Asian-Americans. He is often entertaining, and ironic, but underneath it all is a serious mind devoted to shattering myths about one of our fastest growing minorities."
--Ishmael Reed, author of The Reed Reader
"It is about time that America meet William Wong--an icon in journalism whose experience as a second generation Chinese-American has given him a unique lens through which life in America can be examined. For almost two decades, his columns in the Oakland Tribune and other San Francisco bay area newspapers have captured a different kind of reality about some of our most important social, cultural, and political moments. Wong's readiness to share his family, his community, and his conscience allows readers to cross a bridge into the world of Asian America. Whether it is an analysis of the 1996 campaign finance scandals or a perspective on how parent pressures and bi-cultural conflicts can play out in a young Asian American teen's life, Wong's skillful weaving of humor, irony, and poignant portrayals of the circumstances make each story linger long past the final sentence of his essay."
--Angela E. Oh, Lecturer/Former Advisory Board Member, President's Initiative on Race
"...an anthology of Wong's best writing from the last decade and a half, covering an impressive array of topics and tone."
Yellow Music is the first history of the emergence of Chinese popular music and urban media culture in early-twentieth-century China. Andrew F. Jones focuses on the affinities between "yellow” or “pornographic" music—as critics derisively referred to the "decadent" fusion of American jazz, Hollywood film music, and Chinese folk forms—and the anticolonial mass music that challenged its commercial and ideological dominance. Jones radically revises previous understandings of race, politics, popular culture, and technology in the making of modern Chinese culture. The personal and professional histories of three musicians are central to Jones's discussions of shifting gender roles, class inequality, the politics of national salvation, and emerging media technologies: the American jazz musician Buck Clayton; Li Jinhui, the creator of "yellow music"; and leftist Nie Er, a former student of Li’s whose musical idiom grew out of virulent opposition to this Sinified jazz. As he analyzes global media cultures in the postcolonial world, Jones avoids the parochialism of media studies in the West. He teaches us to hear not only the American influence on Chinese popular music but the Chinese influence on American music as well; in so doing, he illuminates the ways in which both cultures were implicated in the unfolding of colonial modernity in the twentieth century.
This dynamic collection explores the life, work, and persona of saxophonist Fred Ho, an unabashedly revolutionary artist whose illuminating and daring work redefines the relationship between art and politics. Scholars, artists, and friends give their unique takes on Ho's career, articulating his artistic contributions, their joint projects, and personal stories. Exploring his musical and theatrical work, his political theory and activism, and his personal life as it relates to politics, Yellow Power, Yellow Soul offers an intimate appreciation of Fred Ho's irrepressible and truly original creative spirit.
Contributors are Roger N. Buckley, Peggy Myo-Young Choy, Jayne Cortez, Kevin Fellezs, Diane C. Fujino, Magdalena Gómez, Richard Hamasaki, Esther Iverem, Robert Kocik, Genny Lim, Ruth Margraff, Bill V. Mullen, Tamara Roberts, Arthur J. Sabatini, Kalamu ya Salaam, Miyoshi Smith, Arthur Song, and Salim Washington.
In the Maoist years the North China Plain was re-engineered to use every drop of water for irrigation and hydroelectricity. As David Pietz shows, China’s urban growth, industrial expansion, and agricultural intensification rested on compromised water resources, with effects that cast a long shadow over China’s future course as a global power.
Scholars have argued for decades over which constitutes the best possible version of Charlotte Perkins Gilman’s frequently anthologized story “The Yellow Wall-Paper.”
Most editions have been based on the 1892 New England Magazine publication rather than the handwritten manuscript at Radcliffe College. Publication of the unedited manuscript in 1994 sparked controversy over which of the two was definitive. Since then, scholars have discovered half a dozen parent texts for later twentieth-century printings, including William Dean Howells’s version from 1920 and the 1933 Golden Book version.
While traditional critical editions gather evidence and make an argument for adopting one text as preferable to others,“The Yellow Wall-Paper” by Charlotte Perkins Gilman: A Dual-Text Critical Edition, edited by Shawn St. Jean, offers both manuscript and magazine versions, critically edited and printed in parallel for the first time. New significance appears in such facets as the magazine’s accompanying illustrations, its lineation and paragraphing, Gilman’s choice of pronouns, and her original handwritten ending.
This critical edition of “The Yellow Wall-Paper” includes a full and nontraditional apparatus, making it easy for students and scholars to study the more than four hundred variants between the two texts. Four new essays, written especially for this volume, explore the implications of this multitext model.
Michael Amundson presents a detailed analysis of the four mining communities at the hub of the twentieth-century uranium booms: Moab, Utah; Grants, New Mexico; Uravan, Colorado; and Jeffrey City, Wyoming. He follows the ups and downs of these "Yellowcake Towns" from uranium's origins as the crucial element in atomic bombs and the 1950s boom to its use in nuclear power plants, the Three Mile Island accident, and the 1980s bust. Yellowcake Towns provides a look at the supply side of the Atomic Age and serves as an important contribution to the growing bibliography of atomic history.
Published to mark the Civil War sesquicentennial, The Yellowhammer War collects new essays on Alabama’s role in, and experience of, the bloody national conflict and its aftermath.
During the first winter of the war, Confederate soldiers derided the men of an Alabama Confederate unit for their yellow-trimmed uniforms that allegedly resembled the plumage of the yellow-shafted flicker or “yellowhammer” (now the Northern Flicker, Colaptes auratus, and the state bird of Alabama). The soldiers’ nickname, “Yellowhammers,” came from this epithet. After the war, Alabama veterans proudly wore yellowhammer feathers in their hats or lapels when attending reunions. Celebrations throughout the state have often expanded on that pageantry and glorified the figures, events, and battles of the Civil War with sometimes dubious attention to historical fact and little awareness of those who supported, resisted, or tolerated the war off the battlefield.
Many books about Alabama’s role in the Civil War have focused serious attention on the military and political history of the war. The Yellowhammer War likewise examines the military and political history of Alabama’s Civil War contributions, but it also covers areas of study usually neglected by centennial scholars, such as race, women, the home front, and Reconstruction. From Patricia A. Hoskins’s look at Jews in Alabama during the Civil War and Jennifer Ann Newman Treviño’s examination of white women’s attitudes during secession to Harriet E. Amos Doss’s study of the reaction of Alabamians to Lincoln’s Assassination and Jason J. Battles’s essay on the Freedman’s Bureau, readers are treated to a broader canvas of topics on the Civil War and the state.
Jason J. Battles / Lonnie A. Burnett / Harriet E. Amos Doss / Bertis English / Michael W. Fitzgerald / Jennifer Lynn Gross / Patricia A. Hoskins / Kenneth W. Noe / Victoria E. Ott / Terry L. Seip / Ben H. Severance / Kristopher A. Teters / Jennifer Ann Newman Treviño / Sarah Woolfolk Wiggins / Brian Steel Wills
Published in Cooperation with the Frances S. Summersell Center for the Study of the South
Pioneer photographer William Henry Jackson’s photographs from the 1871 Hayden Survey were instrumental in persuading Congress to designate Yellowstone as a national park—America’s first and greatest experiment in the preservation of an extraordinary landscape. Yellowstone National Park: Through the Lens of Time is an extended visual essay presenting Jackson’s images paired with breathtaking color rephotographs of each view from photojournalist Bradly J. Boner. These contemporary comparisons to Jackson’s originals reveal just how well that experiment has stood the test of time.
Yellowstone is always changing. The Grand Canyon is getting deeper and wider as the Yellowstone River carves a chasm into the earth. The flows of the great hot springs at Mammoth are creating new layers of delicate, colorful cascades and leaving the old terraces to crumble in decay. Roads, bridges, and pathways wind through the park, and there are restaurants, campgrounds, and hotels. Yet even with the impact of humanity, Yellowstone remains remarkably intact, evidence that the effort to preserve and sustain the park for future generations has been a success.
Combining more than 100 gorgeous “then and now” sets of photographs—the first complete published collection of Jackson’s images from the 1871 Hayden Survey and a result of Boner's three years of work rephotographing them—with history, extensive notes, and personal tales, Yellowstone National Park: Through the Lens of Time pays homage to the park’s early history and its present state, and offers a glimpse into the future. The great experiment of Yellowstone—which captivates millions of visitors from all corners of the globe each year—has transcended generations and should be maintained for generations to come.
The University Press of Colorado and the author gratefully acknowledge the generous contributions of the many donors to the Kickstarter campaign supporting the publication of this book.
The Yellowstone Story traces the history of the Yellowstone region from the time when hunters and gatherers migrated into the Rocky Mountains thousands of years ago to the post-World War II era when tourists began inundating Yellowstone National Park. Volume I takes the account from prehistoric times through the mid-1880s, with emphasis on the park's exploration and its trouble-filled early years under federal management. Volume II covers the years of military administration of the park and the more recent developments under the National Park Service.
The Yellowstone Story traces the history of the Yellowstone region from the time when hunters and gatherers migrated into the Rocky Mountains thousands of years ago to the post-World War II era when tourists began inundating Yellowstone National Park. Volume I takes the account from prehistoric times through the mid-1880s, with emphasis on the park's exploration and its trouble-filled early years under federal management. Volume II covers the years of military administration of the park and the more recent developments under the National Park Service.
Yellowstone Wildlife is a natural history of the wildlife species that call Yellowstone National Park and the Greater Yellowstone Ecosystem their home. Illustrated with stunning images by renowned wildlife photographer Thomas Mangelsen, Yellowstone Wildlife describes the lives of species in the park, exploring their habitats from the Grand Tetons to Jackson Hole.
From charismatic megafauna like elk, bison, wolves, bighorn sheep, and grizzly bears, to smaller mammals like bats, pikas, beavers, and otters, to some of the 279 species of birds, Johnsgard describes the behavior of animals throughout the seasons, with sections on what summer and autumn mean to the wildlife of the park, especially with the intrusion of millions of tourists each year. Enhanced by Mangelsen’s wildlife photography, Yellowstone Wildlife reveals the beauty and complexity of these species’ intertwined lives and that of Yellowstone’s greater ecosystem.
The world's first national park is constantly changing. How we understand and respond to recent events putting species under stress will determine the future of ecosystems millions of years in the making. Marshaling expertise from over 30 contributors, Yellowstone's Wildlife in Transition examines three primary challenges to the park's ecology.
Drawing on his experience as historian of astronomy, practicing astrophysicist, and director of Lick Observatory, Donald Osterbrock uncovers a chapter in the history of astronomy by providing the story of the Yerkes Observatory.
"An excellent description of the ups and downs of a major observatory."—Jack Meadows, Nature
"Historians are much indebted to Osterbrock for this new contribution to the fascinating story of twentieth-century American astronomy."—Adriaan Blaauw, Journal for the History of Astronomy
"An important reference about one of the key American observatories of this century."—Woodruff T. Sullivan III, Physics Today
Thomas Bernhard University of Chicago Press, 1992 Library of Congress PT2662.E7J213 1992 | Dewey Decimal 833.914
The narrator, a scientist working on antibodies and suffering from emotional and mental illness, meets a Persian woman, the companion of a Swiss engineer, at an office in rural Austria. For the scientist, his endless talks with the strange Asian woman mean release from his condition, but for the Persian woman, as her own circumstances deteriorate, there is only one answer.
"Thomas Bernhard was one of the few major writers of the second half of this century."—Gabriel Josipovici, Independent
"With his death, European letters lost one of its most perceptive, uncompromising voices since the war."—Spectator
Widely acclaimed as a novelist, playwright, and poet, Thomas Bernhard (1931-89) won many of the most prestigious literary prizes of Europe, including the Austrian State Prize, the Bremen and Brüchner prizes, and Le Prix Séguier.
Yes, There Will Be Singing
Marilyn Krysl University of Michigan Press, 2014 Library of Congress PS3561.R88A6 2014 | Dewey Decimal 811.54
Yes, There Will Be Singing brings together Marilyn Krysl’s essays on the origins of language and poetry, poetic form, the poetry of witness, and poetry’s collaboration with the healing arts. Beginning with pieces on her own origins as a poet, she branches into poetry’s profound spiritual and political possibilities, drawing on rich examples from poets such as Anna Akhmatova, W.S. Merwin, and Vénus Khoury-Ghata. Krysl concludes with a selection of stories of her nursing and humanitarian work, powerfully connecting poetic expression with a generous and compassionate worldview.
The pulp magazines dealt in fiction that was, by reason of the audience and the medium, heightened beyond normal experience. The drama was intense, the colors vivid, and the pace exhausting. The characters moving through these prose dreams were heightened, too. Most were cast in a quasi-heroic mold and moved on elevated planes of accomplishment.
This book and its companion volumes are concerned with the slow shaping of many literary conventions over many decades. This volume begins the study with the dime novels and several early series characters who influenced the direction of pulp fiction at its source.
The second volume within this series presents more than fifty series characters within pulp fiction, selected to represent four popular story types from the 1907–1939 pulps—scientific detectives, occult and psychic investigators, jungle men, and adventurers in interplanetary romance. Some characters—Tarzan, John Carter of Mars, Craig Kennedy, Anthony (Buck) Rogers—became internationally known. Others are now almost forgotten, except by collectors and specialists.
More than forty criminal heroes are examined in this volume. They include evil characters such as Dr. Fu Manchu, Li Shoon, Black Star, the Spider, Rafferty, Mr. Clackworthy, Elegant Edward, Big-nose Charlie, Thubway Tham, the Thunderbolt, the Man in Purple, and the Crimson Clown, plus many, many more!
The development of these characters is traced across more than two decades of crime fiction published in Detective Story Magazine, Flynn’s, Black Mask, and other magazines. The conventions that made these stories a special part of popular fiction are examined in detail.
For the fourth volume of this series, Robert Sampson has selected more than fifty magazine series characters to illustrate the development of the character of the detective. Included here are both the amateur and professional detective, female investigators, deducting doctors, brilliant amateurs, and equally brilliant professional police. There are private detectives reflecting Holmes and hard-boiled cops from the parallel traditions of realism and melodramatic fantasy. Characters include Brady and Riordan, Terry Trimble, Glamorous Nan Russell, J. G. Reeder, plus many others.
In this fifth volume of the Yesterday’s Faces series, Robert Sampson has selected a host of series characters who adventured throughout the world in the 1903–1930 pulps. Sparkling brightly among these characters are Terence O'Rourke, Captain Blood, and the ferocious Hurricane Williams. More characters include Peter the Brazen, in China, Sanders of the River, in Africa—and much, much more.
Although Wisconsin residents gloried in the past, they paid even greater attention to the future. Journalists, scholars, religious leaders, and even schoolteachers offered predictions. Some predictions proved quite accurate, such as increased life expectancy through better medicine, central air conditioning, and air travel, while others, such as free university education for all and communication with Martians, did not.
The nearly one hundred items that appear here are taken from newspapers, magazines, and other materials that were published in Wisconsin at the turn of the century. These articles and essays--some wildly funny and engaging, others somber and thoughtful--offer a window on the hopes and fears of our forebears at a moment of great change.
The yew is the oldest and most common tree in the world, but it is a plant of puzzling contradictions: it is a conifer with juicy scarlet berries, but no cones; deer can feast on its poisonous foliage, but it is lethal to farm animals; and it thrives where other plants cannot because of its extraordinarily low rate of photosynthesis. Exploring this paradoxical plant in Yew, Fred Hageneder surveys its position in religious and cultural history, its role in the creation of the British Empire, and its place in modern medicine.
Hageneder explains the way the yew is able to renew itself from the inside by producing interior roots and how early humans, fascinated with its regenerative powers, began to associate the tree with concepts of life and death, the afterlife, and eternity. As such, it can be found at the sacred sites of Native Americans, Buddhists, and Shinto shrines in Japan, and it has become a living symbol of the resurrection for the Christian faith. He describes how churchyards saved many yews during the Middle Ages, when the trees were used for the mass production of the longbow, which laid the foundation for the British Empire. Finally, he discusses the latest scientific discoveries about the yew, including its use in cancer treatments. A comprehensive and richly illustrated history, Yew will appeal to botanists and other readers interested in the history and symbolism of the natural world.
This is the only book to seriously treat the intriguing linguistic and cultural phenomenon of the intimate contact between Yiddish and English over the past 120 years.
Yiddish arrived in America as the mother tongue of millions of Jewish immigrants from eastern Europe. Not only did this language without a homeland survive in the great American melting pot, it infiltrated the majority language, English, with a wide variety of new words and expressions and helped to establish a new ethnic language called "Jewish English." New Yorkers, in particular, have adopted a long list of Yiddish words, including the well-known "kosher," "chutzpah," "klutz," "yenta," "nosh," "mavin," "schlep," and "shmo."
Yiddish had first developed from language sharing as Jews of northern France and northern Italy migrated into the German-speaking region of the Rhine Valley in the Middle Ages. Sol Steinmetz traces the development of such words as bonhomme from the Old French meaning "good man" to the Yiddish of bonim, or shul for synagogue derived from the German schuol, meaning "school," which had come originally from the Latin schola, for example. With a rich collection of quotations from literature and the press, Steinmetz documents the unusually high lexical, semantic, and intonational exchanges between Yiddish and English in America. He offers more than 1,200 Yiddish words, expressions, idioms, and phrases that have melted into the English vernacular.
Yiddish and English is important for Judaica collections with its two appendixes-one on the romanization of Yiddish and another of Yiddish-origin words, a Jewish-English glossary, a selected bibliography, and an index. But this slim volume is so entertaining and informative for the general reader that it is recommended for anyone who delights in word derivations and language.
Yiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary Yiddish theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
Part dark fairy tale, part mystery, Yiza is the story of three homeless street children on the run. One evening, not long after her arrival in Germany, six-year-old Yiza is abandoned at the market where she spends her days. At a shelter for migrant children she meets two boys, Schamhan and Arian, and together they run away. Trekking through snowy forests and housing settlements, they evade police custody, subsisting on the margins of society and doing whatever it takes to survive.
Both boys are protective of Yiza but are blind to the moral and emotional complexities of their actions. When Yiza falls ill they take shelter in a greenhouse and Arian spends his days begging for food and medicine, but before long they are discovered. When Yiza is illicitly taken into foster care and confined the novel reaches its brutal denouement as we see that Schamhan and Arian will do anything to be reunited with her.
Narrated in simple language and with an innocent charm that belies its social reality, Yiza is a pertinent and timely tale of displacement and suffering.
Yodel in Hi-Fi explores the vibrant and varied traditions of yodelers around the world. Far from being a quaint and dying art, yodel is a thriving vocal technique that has been perennially renewed by singers from Switzerland to Korea, from Colorado to Iran. Bart Plantenga offers a lively and surprising tour of yodeling in genres from opera to hip-hop and in venues from cowboy campfires and Oktoberfests to film soundtracks and yogurt commercials. Displaying an extraordinary versatility, yodeling crosses all borders and circumvents all language barriers to assume its rightful place in the world of music.
“If Wisconsin wasn’t on the yodel music map before, this book puts it there.”—Wisconsin State Journal
A popular and critical success when it first appeared in France, Yoga and the Hindu Tradition has freed Yoga from the common misconceptions of the recent Yoga vogue. Jean Varenne, the distinguished French Orientalist, presents the theory of classical Yoga, in all its richness, as a method—a concrete way to reach the Absolute through spiritual exercises—which makes possible the transition from existence to essence.
This excellent translation, including line drawings and charts, a glossary of technical terms, and a complete translation of the Yoga Darshana Upanishad, begins with a brief description of the metaphysical and religious history on which Yoga is based. Varenne discusses the theoretical conception of Yoga as the search for liberating knowledge, concluding with a brief indication of the physical practices and extra Yogic themes such as Kundalini and Tantrism. It is the author's hope that "those who read [this book] will come to realize that it is in fact dishonest to reduce Yoga to some sort of physical training, or to just an occult doctrine; it is a 'world view' a Weltanschauung that comprehends reality in its totality."
"The straightforward, well-organized presentation makes the book itself a microcosm of what Varenne singles out as a dominant feature of classical Hindu thought—a bringing of the complex and multitudinous into a unity."—Judith Guttman, Yoga Journal
Yonder Mountain, inspired by poet Miller Williams's Ozark, Ozark: A Hillside Reader, is rooted in the literary legacy of the Ozarks while reflecting the diversity and change of the region. Readers will find fresh, creative, honest voices profoundly influenced by the landscape and culture of the Ozark Mountains. Poets, novelists, columnists, and historians are represented--Donald Harington, Sara Burge, Marcus Cafagna, Art Homer, Pattiann Rogers, Miller Williams, Roy Reed, Dan Woodrell, and more.
Yooper Talk is a fresh and significant contribution to understanding regional language and culture in North America. The Upper Peninsula of Michigan—known as "the UP"—is historically, geographically, and culturally distinct. Struggles over land, labor, and language during the last 150 years have shaped the variety of English spoken by resident Yoopers, as well as how they are viewed by outsiders.
Drawing on sixteen years of fieldwork, including interviews with seventy-five lifelong residents of the UP, Kathryn Remlinger examines how the idea of a unique Yooper dialect emerged. Considering UP English in relation to other regional dialects and their speakers, she looks at local identity, literacy practices, media representations, language attitudes, notions of authenticity, economic factors, tourism, and contact with immigrant and Native American languages. The book also explores how a dialect becomes a recognizable and valuable commodity: Yooper talk (or "Yoopanese") is emblazoned on t-shirts, flags, postcards, coffee mugs, and bumper stickers.
Yooper Talk explains linguistic concepts with entertaining examples for general readers and also contributes to interdisciplinary discussions of dialect and identity in sociolinguistics, anthropology, dialectology, and folklore.
Responding to growing international interest in the Yorùbá culture of southwestern Nigeria, practitioners of bàtá—a centuries-old drumming, dancing, and singing tradition—have recast themselves as traditional performers in a global market. As the Nigerian market for ritual bàtá has been declining, international opportunities for performance have grown. Debra L. Klein’s lively ethnography explores this disjunction, revealing the world of bàtá artists and the global culture market that helps to sustain their art.
Yorùbá Bàtá Goes Global describes the dramatic changes and reinventions of traditional bàtá performance in recent years, showing how they are continually recreated, performed, and sold. Klein delves into the lives of Yorùbá musicians, focusing on their strategic collaborations with artists, culture brokers, researchers, and entrepreneurs worldwide. And she explores how reinvigorated performing ensembles are beginning to parlay success on the world stage into increased power and status within Nigeria. Klein’s study of the interwoven roles of innovation and tradition will interest scholars of African, global, and cultural studies, anthropology, and ethnomusicology alike.
In 1851 a small militia trekked through California’s Sierra Nevada Mountains and discovered a site so spectacular that, over the succeeding century and a half, millions of others would follow to gaze upon its splendor: Yosemite. Publishing in time for the 125th anniversary of Yosemite National Park, Kate Nearpass Ogden’s Yosemite offers a comprehensive look at both the scientific and cultural history of this remarkable place, exploring everything from its geological origins to the political will it took to preserve it.
Known for its unusual and dramatic rock formations, breathtaking vistas, and treasure trove of waterfalls, Yosemite receives nearly four million visitors a year. Scanning over these crowds, Ogden soon leaves them to walk through Yosemite’s history, back to its original name, “Ahwahnee”—given by its Miwok inhabitants—and the tragic irony behind what we call it now, which early Anglo-American visitors mistook as the Miwok appellation, but which some scholars now suggest in fact means “there are killers among them.” Visiting with famed stewards such as John Muir, and lesser-known ones such as James Mason Hutchings and Galen Rowell, she recounts the valley’s discovery by westerners, exploration, exploitation, and its eventual preservation as one of the first National Parks. Ogden also looks at the many artworks it has inspired and the larger hold it has had on the imagination and our dreams of the unspoiled American west.
Rich in detail and beautifully illustrated with everything from landscape photography to paintings inspired by its beauties, this book is a must read for anyone who has ever stepped into this incomparable valley—or anyone who has wanted to.
You Alone Are Dancing
Brenda Flanagan University of Michigan Press, 1996 Library of Congress PS3556.L314Y6 1996 | Dewey Decimal 813.54
Rape, the devastation of hurricane Flora, a child's tragic death, and an indifferent and corrupt government are some of the numerous problems challenging the people of Rosehill. Set on the fictional island of Santabella and spanning three years, You Alone Are Dancing follows the life of young Beatrice Salandy, balancing her ambitions, obligations, and love for Sonny Allen. Determined to create his own opportunities, Sonny leaves Rosehill for the United States in a swirl of promises and expectations. Beatrice remains on Rosehill, sharing her neighbors' struggle, adding their pain to her own, but sharing as well their music and their laughter, their history and their allegiance to it.
Like Santabella, set in an indifferent blue sea, Rosehill is part of a larger neglected Caribbean society, and Beatrice must learn to negotiate its tides and ebbs, overcome its storm and ensure its lulls, as she peruses what has to be done. She succeeds--but at a price that changes her life forever, as it does that of Sonny and all of Rosehill.
"In Brenda Flanagan's novel, You Alone Are Dancing, there's talk and talk, the life-long dance of talk--it's lyrical, raucous, sorrowful, vibrant, inventive. And there you are, on the island, in the midst and mix of it all. What the best musicians do with wood and brass and air, Brenda Flanagan does with words--she gives them voice and life."
--Janet Kauffman, author of Places in the World a Woman Could Walk
Brenda Flanagan, a native of Trinidad, is Professor of English at Eastern Michigan University, where she teaches creative writing and African-American and Caribbean literature. Flanagan is a three-time Hopwood award winner, including one for this novel. She is also the author of a play, When the Jumbie Bird Calls, and a forthcoming short story collection, In Praise of Older Women and Other Crimes. Her poetry and short fiction have appeared in Caliban, Calalloo, the Caribbean Review, and the Indiana Review, among others.
"Prepared by a psychologist who works with deaf students and their
families, You and Your Deaf Child is handy for advice as different
"This self-instructional manual for parents of deaf or hard of
hearing children provides practical information and techniques for
understanding and dealing with hearing loss."
--Exceptional Child Education Resources
"It will be invaluable to the parents of children with newly
diagnosed hearing loss."
--Ear and Hearing
You and Your Deaf Child is a guide for parents of deaf or hard of
hearing children that explores how parents and their children interact.
It examines the special impact of having a deaf child in the family.
Eleven chapters focus on such topics as feelings about hearing
loss, the importance of communication in the family, and effective
behavior management. Many chapters contain practice activities and
questions to help parents retain skills taught in the chapter and check
their grasp of the material. Four appendices provide references, general
resources, and guidelines for evaluating educational programs.
Once parents have worked through You and Your Deaf Child, this
friendly guide can be referred to for specific information and advice as
different situations arise.
John W. Adams is a psychologist at St. Mary's School for the Deaf
and also at The Family Center of Western New York, both in Buffalo, NY.
You Are Here
Paul Breslin Northwestern University Press, 2000 Library of Congress PS3552.R392Y68 2000 | Dewey Decimal 811.6
Acerbic, rueful, tender, and suffused with understated wit, Paul Breslin's first collection of poems inhabits a realm of hard truths: the human condition in extremis, imprisoned or enslaved; the urban nightmare of incipient violence; the universe of adult dementia seen from the perspective of the baffled child.
Winnowed from a distinguished career, then distilled, then polished and winnowed again, the poems in You Are Here are Leon Stokesbury’s best from fifty years of published work.
The selections from his earlier volumes are as fully realized as one would expect from the winner of the AWP Poetry Competition and the Poets’ Prize. But it is in Stokesbury’s new work, collected under the heading “These Days,” that he reveals something completely different. From a carnival sideshow to Hitchcock’s Mount Rushmore, from John Keats’s backyard to the miseries of a failed crematorium operator, every turned page divulges a particular we didn’t see coming. You Are Here is like a sideshow of this modern world, even when we discover, amazed, our selves looking back at us.
“Why do we still only stand here?” Stokesbury asks in one of his earliest salvos. The poems in this collection give such varied answers that readers will have no idea what the next page holds, only that they will find themselves somewhere new.
This volume comprises a translation of the first post-modernist historical Arabic novella, You as of Today, by the renowned Jordanian writer Tayseer al-Sboul, and his two short stories “Red Indian” and “The Rooster’s Cry.” “Red Indian” and “The Rooster’s Cry” complement You as of Today by providing, with striking transparency and precision, narratives that examine man’s journey to self-discovery through events that are culturally unique, transparent, and at times shocking. This volume is rich with tales of war, love, politics, censorship, and the search for self in a complex and conflicting Arab world at a critical time in its history. In a captivating style consistent with the nature of events narrated in the text, al-Sboul unveils the inner nature of social, political, and religious patterns of life in Arab society with an honesty and skill that renders You as of Today My Homeland a testimony of human experiences that transcend the boundaries of time and place.
You, Beast: Poems
Nick Lantz University of Wisconsin Press, 2017 Library of Congress PS3612.A586Y68 2017 | Dewey Decimal 811.6
With macabre humor, You, Beast explores the roots and limits of human empathy. Nick Lantz examines our strange, absurd, and often brutal relationship with other animals, from roaches scuttling across the kitchen floor to pigs whose heart valves can replace our own. In poems ranging from found text to villanelles, and from short plays to fables, this lyric collection tracks the troubled ways we define our humanity through mythology, language, politics, art, and food.
Those who do not have their heads buried too deeply in partisan sands will know that there is something awry with the American form of electoral democracy. Florida's continuing ability to misplace votes recently and in the 2000 Presidential election is only part of the iceberg we have been made privy to-and Steven Schier takes a good, hard, evaluative look not only at what is there in plain sight, but that which lurks below the surface (and not only in Florida and not only with the electoral college). He further proposes practical improvements that will make our surprisingly peculiar democratic processes healthy, whole, and responsive again.
Identifying four essential evaluative criteria for a democracy that genuinely works, Schier asks us to examine the degree to which our system promotes political stability, the degree to which our elected officials are held accountable, what the problems are with voter turnout and how to improve it, and asks for a meaningful scrutiny of governmental policy.
No look at our peculiar democracy would be complete without an examination of other established democracies, nor a look at how special interests warp political parties and the concept of majority rule. The solution to many of our electoral problems, Schier argues, lies in enhancing the roles and influence of political parties. Schier proposes reforms that include broadening voter registration; giving parties large blocks of free TV time; adopting one-punch partisan ballots, making it easier for voters to cast a straight-party vote; abandoning initiatives which clutter up the ballot; and utilizing party-based financing to boost voter turnout. With these proposals, he encourages the creative consideration of election reform, and shows how the Florida 2000 race may have played out had these suggestions been in place.
Schier's book appeals to any and every citizen interested in our electoral system and its role in governmental politics. It is invaluable for professionals in political science and ideal for students in American government, political parties, elections, and political behavior courses, as well for political scientists. Any citizens concerned about the conduct of American elections will discover here a fresh and focused analysis of our problems at the ballot box.
Does God love and care for each individual? Should the Bible be interpreted literally? Why are we here? Questions such as these persist for many people today. Grant Schnarr presents "the new Christianity," based on the Bible and the teachings of the eighteenth-century theologian Emanuel Swedenborg. Schnarr examines the underlying reasons that prevent people from truly believing and provides logical and positive answers to life's questions. The result is a solid foundation for building faith and embracing a relationship with God.
Feet, bras, autopsies, hair—Peggy Shinner takes an honest, unflinching look at all of them in You Feel So Mortal, a collection of searing and witty essays about the body: her own body, female and Jewish; those of her parents, the bodies she came from; and the collective body, with all its historical, social, and political implications. What, she asks, does this whole mess of bones, muscles, organs, and soul mean? Searching for answers, she turns her keen narrative sense to body image, gender, ethnic history, and familial legacy, exploring what it means to live in our bodies and to leave them behind.
Over the course of twelve essays, Shinner holds a mirror up to the complex desires, fears, confusions, and mysteries that shape our bodily perceptions. Driven by the collision between herself and the larger world, she examines her feet through the often-skewed lens of history to understand what makes them, in the eyes of some, decidedly Jewish; considers bras, breasts, and the storied skills of the bra fitter; asks, from the perspective of a confused and grieving daughter, what it means to cut the body open; and takes a reeling time-trip through myth, culture, and history to look at women’s hair in ancient Rome, Laos, France, Syria, Cuba, India, and her own past. Some pieces investigate the body under emotional or physical duress, while others use the body to consider personal heritage and legacy. Throughout, Shinner writes with elegance and assurance, weaving her wide-ranging thoughts into a firm and fascinating fabric.
Turning the category of body books on, well, its ear, You Feel So Mortal offers a probing view of our preoccupation with the body that is both idiosyncratic and universal, leaving us with the deep satisfaction of our shared humanity.
You Got Older: A Play
Clare Barron Northwestern University Press, 2017 Library of Congress PS3602.A837246Y68 2017 | Dewey Decimal 812.6
Winner of a 2015 Obie Award for Playwriting
Mae has returned home to help her father while he undergoes treatment for cancer. But she needs a little help herself. She’s just lost her boyfriend and her job. (It turns out there are consequences to dating your boss . . .) And she’s desperately craving intimacy of any sort. Mae escapes into the the arms of a chain-smoking, imaginary Cowboy who turns her on and ties her up. And she escapes into chatter with her siblings as they attempt to distract and entertain themselves in a hospital waiting room. But ultimately, it’s her deep love for her father that teaches Mae to remain optimistic and ambitious in the face of suffering and that gets her back on track.
Sam Venable is one of America’s seventy-six million Baby Boomers who are turning into their parents. He can’t quite see without his reading glasses, he thinks the music kids listen to these days is nothing but a loud racket, and his belt is mysteriously creeping up higher and higher on his chest.
The way Venable figures it, he’s roaring along the road (at about twenty-seven miles per hour, the average speed for someone his age) to Codgerville. You Gotta Laugh to Keep From Cryin’ highlights the observations and lifestyle changes (and a few other things he can’t quite seem to remember at the moment) that Venable has made along the way.
From the day his wife discovers his first ear hair, Venable begins to recognize the signs of old age. Though he had reconciled himself to daily fiber and a distinguished head of gray, he is one step further to an insatiable desire for cafeteria food and permanently leaving his car’s right turn signal flashing.
The news isn’t all bad, though. To his surprise, Venable discovers that his new appearance and habits have qualified him for the senior discount on breakfast at his favorite restaurant. After reading about a scientific study concluding that men’s brains shrink faster than women’s in the normal aging process, Venable has a new source of excuses to explain to his wife why he is missing important dates, times, places, and appointments.
As an official CIT (Codger In Training), Venable delights in other newfound freedoms. He can stand in a fast-food line and stare at the menu for a full two minutes without saying a word (besides, he can’t hear the people behind him grumbling). He can drive as slowly as he likes and has perfected the art of maintaining a death grip on the steering wheel of his car. And he really doesn’t have to listen to anyone anymore; he can merely turn their way from time to time and mumble, “Huh?”
From the swinging doors whose “Push/Pull” directions elude him to the high-tech mysteries of ATMs designed to baffle the elderly, Sam Venable’s rollicking view of life after fifty will leave readers laughing and happy to be a member of the AARP set.
The Author: Sam Venable, recognized for his humor writing in 2000, 2001, and 2002 by the Tennessee Press Association, is a columnist for the Knoxville News-Sentinel. He is the author of a number of books, including Rock-Elephant: A Story of Friendship and Fishing and Mountain Hands: A Portrait of Southern Appalachia. He lives in Knoxville, Tennessee.
“Nowhere / on these parchment leaves do I find / myself, my likeness, my name, / not a whisper—Cynthia—not one / breath of me.”
For thirty years poet Jana Harris researched the diaries and letters of North American pioneer women. While the names and experiences of the authors varied, Harris found one story often connected them: their most powerful memories were of courtships and weddings. They dreamed of having a fine wedding while they spent their lives hauling water, scrubbing floors, and hoping for admirers. Many married men they hardly knew.
Based on primary research of nineteenth-century frontier women, Harris uses her compelling poetry to resurrect a forgotten history. She captures the hope, anxiety, anger, and despair of these women through a variety of characters and poetic strategies, while archival photographs give faces to the names and details to the settings. Harris’s meticulous research and stirring words give these pioneer women a renewed voice that proves the timelessness of the hopes and fears of love and marriage.
Miranda Weber is a hot mess. In Paula Whyman’s debut collection of stories, we find her hoarding duct tape to ward off terrorists, stumbling into a drug run with a crackhead, and—frequently—enduring the bad behavior of men. A drivers’ education class pulsing with racial tension is the unexpected context of her sexual awakening. As she comes of age, and in the three decades that follow, the potential for violence always hovers nearby. She’s haunted by the fate of her disabled sister and—thanks to the crack cocaine epidemic of the ’80s, the wars in the Middle East, and sniper attacks—the threat of crime and terror in her hometown of Washington, D.C. Miranda can be lascivious, sardonic, and maddeningly self-destructive, but, no matter what befalls her, she never loses her sharp wit or powers of observation, which illuminate both her own life and her strange, unsettling times.
You, Me, and the Violence
Catherine Taylor The Ohio State University Press, 2017 Library of Congress PS3620.A93583Y68 2017 | Dewey Decimal 814.6
“Things puppets can do to us: charm, deceive, captivate, fool, trick, remind, amuse, distract, bore, repulse, annoy, puzzle, transport, provoke, fascinate, stand in for, kill.” In You, Me, and the Violence, Catherine Taylor ponders the nature of personal and political autonomy, focusing on the surprising juxtaposition of puppetry and military drones. In a book at once politically significant and narratively engaging, Taylor blends genres to question the roles of individuals within society and expose the gritty and emotional underpinnings of the seemingly mechanical process of a remote soldier.
From conversations with her own brother about his military experiences to Punch and Judy, from the original tale of Pinocchio to the radio chatter of soldiers in active drone operation, Taylor writes about family, power, and the “theater” of war in a voice both sly and sobering, heartbreaking and hopeful.
Booker T. Washington, the founder of Tuskegee Institute, and Julius Rosenwald, the president of Sears, Roebuck, and Company, first met in 1911 at a Chicago luncheon. By charting the lives of these two men both before and after the meeting, Stephanie Deutsch offers a fascinating glimpse into the partnership that would bring thousands of modern schoolhouses to African American communities in the rural South in the era leading up to the civil rights movement. Trim and vital at just shy of fifty, Rosenwald was the extraordinarily rich chairman of one of the nation’s largest businesses, interested in using his fortune to do good not just in his own Jewish community but also to promote the well-being of African Americans.
Washington, though widely admired, had weathered severe crises both public and private in his fifty-six years. He had dined with President Theodore Roosevelt and drunk tea with Queen Victoria, but he had also been assaulted on a street in New York City. He had suffered personal heartbreak, years of overwork, and the discouraging knowledge that, despite his optimism and considerable success, conditions for African Americans were not improving as he had assumed they would. From within his own community, Washington faced the bitter charge of accommodationism that haunts his legacy to this day. Despite their differences, the two men would work together well and their collaboration would lead to the building of five thousand schoolhouses. By the time segregation ended, the “Rosenwald Schools” that sprang from this unlikely partnership were educating one third of the South’s African American children. These schoolhouses represent a significant step in the ongoing endeavor to bring high quality education to every child in the United States—an ideal that remains to be realized even today.
You Were Never in Chicago
Neil Steinberg University of Chicago Press, 2012 Library of Congress PS3569.T37548Z46 2013 | Dewey Decimal 818.5403
In 1952 the New Yorker published a three-part essay by A. J. Liebling in which he dubbed Chicago the "Second City." From garbage collection to the skyline, nothing escaped Liebling's withering gaze. Among the outraged responses from Chicago residents was one that Liebling described as the apotheosis of such criticism: a postcard that read, simply, "You were never in Chicago."
Neil Steinberg has lived in and around Chicago for more than three decades—ever since he left his hometown of Berea, Ohio, to attend Northwestern—yet he remains fascinated by the dynamics captured in Liebling's anecdote. In You Were Never in Chicago Steinberg weaves the story of his own coming-of-age as a young outsider who made his way into the inner circles and upper levels of Chicago journalism with a nuanced portrait of the city that would surprise even lifelong residents.
Steinberg takes readers through Chicago's vanishing industrial past and explores the city from the quaint skybridge between the towers of the Wrigley Building, to the depths of the vast Deep Tunnel system below the streets. He deftly explains the city's complex web of political favoritism and carefully profiles the characters he meets along the way, from greats of jazz and journalism to small-business owners just getting by. Throughout, Steinberg never loses the curiosity and close observation of an outsider, while thoughtfully considering how this perspective has shaped the city, and what it really means to belong. Intimate and layered, You Were Never in Chicago will be a welcome addition to the bookshelves of all Chicagoans, be they born in the city or forever transplanted.
You Will Hear Thunder
Anna Akhmatova Ohio University Press, 1985 Library of Congress PG3476.A324A27 1985 | Dewey Decimal 891.7142
Anna Akhmatova (1889–1966) had a life that spanned prerevolution Russia, Bolshevism, and Stalinism. Throughout it all, she maintained a restrained, graceful, yet muscular style that could grab a reader by the throat, or the heart, at a moment’s notice. Her themes include romantic yearning and frustration, the pull of the sensory, the emotional power of the mundane, and her belief that a Russian poet could only produce poetry in Russia. By reputation, both Akhmatova’s poems and the poet herself are defined by tragedy and beauty in equal measure, and she is for many the quintessential twentieth-century Russian poet.
You Will Hear Thunder spans Akhmatova’s very early career into the early 1960s. These poems were written through her bohemian prerevolution days, her many marriages, the terror and privation of life under Stalin, and her later years, during which she saw her work once again recognized by the Soviet state. Intricately observed and unwavering in their emotional immediacy, these strikingly modern poems represent one of the twentieth century’s most powerful voices.
"An outstanding piece of scholarship and a welcome contribution to the field, this collection of neglected but powerful poetry speaks to our own time as much as it does to its own era."
---Nicholas Coles, University of Pittsburgh
"Opens up a dramatic new aspect of American literature for study, discussion, and enjoyment. The collection of poems is original and engaging and is sure to be useful for classes in literature, American history, and labor studies."
---Alan Wald, University of Michigan
You Work Tomorrow provides a glimpse into a relatively unknown aspect of American literary and labor history---the remarkable but largely forgotten poems published in union newspapers during the turbulent 1930s. Members of all unions---including autoworkers, musicians, teachers, tenant farmers, garment workers, artists, and electricians---wrote thousands of poems during this period that described their working, living, and political conditions. From this wealth of material, John Marsh has chosen poetry that is both aesthetically appealing and historically relevant, dispelling the myth that labor poetry consisted solely of amateurish and predictable sloganeering. A foreword by contemporary poet Jim Daniels is followed by John Marsh's substantive introduction, detailing the cultural and political significance of union poetry.
John Marsh is Assistant Professor of English at the University of Illinois at Urbana-Champaign and Coordinator of The Odyssey Project, a year-long, college-accredited course in the humanities offered at no cost to adults living below or slightly above the federal poverty level.
The mountains of southwestern Pennsylvania provide the setting for the most popular whitewater in America: the Youghiogheny River at Ohiopyle. People from all over the nation come to run the rapids, while others simply enjoy the natural beauty of Ohiopyle State Park. But this Appalachian river has many faces as it flows from its source among the scattered mountain farms of western Maryland to its confluence with the Monongahela in the industrial outskirts of Pittsburgh. Though always a home to people who cherish their mountain roots, the region’s river offers recreation for millions of Americans.
By canoe, raft, van, and on foot, Tim Palmer explores the river from its highest spring to its industrial end. He writes about the people - afternoon visitors and eigth-generation natives - and about their pasts and their hopes, about the shaping of the land, and the land’s inevitable shaping of them.
The author chronicles the rise of the five Ohiopyle rafting companies that host 80,000 visitors each year and then takes the reader on one of these outfitted voyages. Finally, Palmer paddles beyond the Appalachians to the river’s urban end near Pittsburgh. Strip mining, land development, and recreation management are examined with a consciousness that asks, What will happen to this remarkable but threatened place?
As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. Having just been dismissed from the celebrated Miles Davis Quintet, he set out on the road, playing with his first touring group as a leader until he eventually formed what would become a revolutionary band. Taking the Swahili name Mwandishi, the group would go on to play some of the most innovative music of the 1970s, fusing an assortment of musical genres, American and African cultures, and acoustic and electronic sounds into groundbreaking experiments that helped shape the American popular music that followed. In You’ll Know When You Get There, Bob Gluck offers the first comprehensive study of this influential group, mapping the musical, technological, political, and cultural changes that they not only lived in but also effected.
Beginning with Hancock’s formative years as a sideman in bebop and hard bop ensembles, his work with Miles Davis, and the early recordings under his own name, Gluck uncovers the many ingredients that would come to form the Mwandishi sound. He offers an extensive series of interviews with Hancock and other band members, the producer and engineer who worked with them, and a catalog of well-known musicians who were profoundly influenced by the group. Paying close attention to the Mwandishi band’s repertoire, he analyzes a wide array of recordings—many little known—and examines the group’s instrumentation, their pioneering use of electronics, and their transformation of the studio into a compositional tool.
From protofunk rhythms to synthesizers to the reclamation of African identities, Gluck tells the story of a highly peculiar and thrillingly unpredictable band that became a hallmark of American genius.
The National Reform Association (NRA) was an antebellum land reform movement inspired by the shared dream of a future shaped by egalitarian homesteads. Mark A. Lause's Young America argues that it was these working people's interest in equitable access to the country's most obvious asset--land--that led them to advocate a federal homestead act granting land to the landless, state legislation to prohibit the foreclosure of family farms, and antimonopolistic limitations on land ownership.
Rooting the movement in contemporary economic structures and social ideology, Young America examines this urban and working-class "agrarianism," demonstrating how the political preoccupations of this movement transformed socialism by drawing its adherents from communitarian preoccupations into political action. The alliance of the NRA's land reformers and radical abolitionists led unprecedented numbers to petition Congress and established the foundations of what became the new Republican Party, promising "Free Soil, Free Labor, Free Men."
This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history. Most of the acknowledged experts on this period are represented, joined by several new voices. Together they chart the development of cinema in Britain from its beginnings in the 1890s to the conversion to sound in the late 1920s. From these accounts the youthful British cinema emerges as far from innocent. On the contrary, it was a fascinatingly complex field of cultural and industrial practices. The book also includes guides to bibliographical and archival sources and an extensive bibliography.