Melting sea ice and rumbling volcanoes. Sled dogs racing through unnamed valleys.
These were the images that came to mind when Molly Rettig moved to Fairbanks, Alaska to work as a reporter at the local newspaper. An avid environmentalist, she couldn’t wait to explore the vast, untamed spaces that had largely been paved over on the east coast. But when her 72-year-old neighbor, Clutch, invites her on a tour of his gold mine—an 800-foot tunnel blasted into the side of his house–she begins to question many of her ideas about Alaska, and about herself.
In Finding True North, Rettig takes us on a gripping journey through Alaska's past that brings alive the state's magnificent country and its quirky, larger-than-life characters. She meets a trapper who harvests all she needs from the land, a bush pilot who taught himself how to fly, and an archaeologist who helped build an oil pipeline through pristine wilderness. While she learns how airplanes, mines, and oil fields have paved the way for newcomers like herself, she also stumbles upon a bigger question: what has this quest for Alaska’s natural resources actually cost, and how much more is at stake?
This is a book about all the ways wild places teach us about ourselves. Rettig writes both playfully and honestly about how one place can be many things to many people—and how all of it can be true.
Ray Didinger opens his lively memoir Finished Business with the Philadelphia Eagles’ upset win in Super Bowl LII. When the Eagles finally hoist the Lombardi Trophy, Didinger does his best to straddle the emotions of a working reporter and a long-suffering Philly fan. His ability to do that is why he has built up such a loyal following.
Didinger began following the Eagles as a kid, hanging out in his grandfather’s bar in Southwest Philadelphia. He spent his summers at the team's training camp in Hershey. It was there he met his idol, flanker Tommy McDonald. He would later write a play, Tommy and Me, about their friendship and his efforts to see McDonald enshrined in the Pro Football Hall of Fame.
Didinger has been covering the Eagles as a newspaper columnist or TV analyst since 1970. Over the years, he wrote sports for the Philadelphia Bulletin and the Philadelphia Daily News. He later produced Emmy Award–winning documentaries for NFL Films before transitioning to sports talk radio and TV analysis.
In five decades, across multiple media platforms, he has interviewed everyone from Hank Aaron, Wayne Gretzky, Muhammad Ali, Julius Erving, Jack Nicklaus, to Mike Schmidt, as well as writing film scripts for Hollywood stars such as Bruce Willis and Alec Baldwin. He went to the White House with the U.S. Olympic team and even explored the bizarre world of professional wrestling.
His stories, told in his familiar, breezy style, capture his enthusiasm for sports and his affection for the fans who still mourn the pennant that eluded the Phillies in 1964. Didinger has become synonymous with Philadelphia sports, and his memoir is as passionate as an autumn Sunday at Lincoln Financial Field.
In 2005 Michael Ignatieff left his life as a writer and professor at Harvard University to enter the combative world of politics back home in Canada. By 2008, he was leader of the country’s Liberal Party and poised—should the governing Conservatives falter—to become Canada’s next Prime Minister. It never happened. Today, after a bruising electoral defeat, Ignatieff is back where he started, writing and teaching what he learned.
What did he take away from this crash course in political success and failure? Did a life of thinking about politics prepare him for the real thing? How did he handle it when his own history as a longtime expatriate became a major political issue? Are cynics right to despair about democratic politics? Are idealists right to hope? Ignatieff blends reflection and analysis to portray today’s democratic politics as ruthless, unpredictable, unforgiving, and hyper-adversarial.
Rough as it is, Ignatieff argues, democratic politics is a crucible for compromise, and many of the apparent vices of political life, from inconsistency to the fake smile, follow from the necessity of bridging differences in a pluralist society. A compelling account of modern politics as it really is, the book is also a celebration of the political life in all its wild, exuberant variety.
When Fred Shuttlesworth suffered only a bump on the head in the 1956 bombing of his home, members of his church called it a miracle. Shuttlesworth took it as a sign that God would protect him on the mission that had made him a target that night. Standing in front of his demolished home, Shuttlesworth vigorously renewed his commitment to integrate Birmingham's buses, lunch counters, police force, and parks. The incident transformed him, in the eyes of Birmingham's blacks, from an up-and-coming young minister to a virtual folk hero and, in the view of white Birmingham, from obscurity to rabble-rouser extraordinaire.
From his 1956 founding of the Alabama Christian Movement for Human Rights through the historic demonstrations of 1963, driven by a sense of divine mission, Shuttlesworth pressured Jim Crow restrictions in Birmingham with radically confrontational acts of courage. His intensive campaign pitted him against the staunchly segregationist police commissioner Eugene "Bull" Connor and ultimately brought him to the side of Martin Luther King Jr. and to the inner chambers of the Kennedy White House.
First published in 1999, Andrew Manis's award-winning biography of "one of the nation's most courageous freedom fighters" demonstrates compellingly that Shuttleworth's brand of fiery, outspoken confrontation derived from his prophetic understanding of the pastoral role. Civil rights activism was tantamount to salvation in his understanding of the role of Christian minister.
Andrei Kozyrev was foreign minister of Russia under President Boris Yeltsin from August 1991 to January 1996. During the August 1991 coup attempt against Mikhail Gorbachev, he was present when tanks moved in to seize the Russian White House, where Boris Yeltsin famously stood on a tank to address the crowd assembled. He then departed to Paris to muster international support and, if needed, to form a Russian government-in-exile. He participated in the negotiations at Brezhnev’s former hunting lodge in Belazheva, Belarus where the leaders of Russia, Ukraine, and Belarus agreed to secede from the Soviet Union and form a Commonwealth of Independent States. Kozyrev’s pro-Western orientation made him an increasingly unpopular figure in Russia as Russia’s spiraling economy and the emergence of ultra-wealthy oligarchs soured ordinary Russians on Western ideas of democracy and market capitalism.
The Firebird takes the reader into the corridors of power to provide a startling eyewitness account of the collapse of the Soviet Union, the struggle to create a democratic Russia in its place, and how the promise of a better future led to the tragic outcome that changed our world forever.
Organized alphabetically as a reference guide, this volume provides a biographical sketch of each architect's life, education, and professional career, and a list of known works and sources for further research. Many of these remarkable women have never before appeared in any other history, making The First American Women Architects a unique and invaluable reference for students and scholars interested in women's history and architecture. As an instructive record of the legacy of women in architectural history, this book will also serve as a stimulating indicator of the broadening potential for women and other minorities within the field of architecture.
On April 5, 1917, Three Plays for a Negro Theater by Ridgely Torrence opened at the Garden Theatre in New York City. This performance was a monumental event in American stage history. Not only was this the first dramatic production to portray African American life beyond the cliché, it was also the first production on Broadway to feature an all-black cast. The morning after the three plays were performed, newspapers were filled with praise for the cast, crew, and playwright. Audience member W. E. B. Du Bois declared the show "epoch making." Despite such early critical acclaim, Three Plays for a Negro Theater closed before the end of the month and received little attention thereafter.
Why was a nation, so fascinated with firsts, able to forget these black actors and this production so quickly? It is this question that Susan Curtis addresses in The First Black Actors on the Great White Way.
Set against the backdrop of transforming theater conventions in the early 1900s and the war in 1917, this important study relates the stories of the actors, stage artists, critics, and many others—black and white—involved in this groundbreaking production. Curtis explores in great depth both the progress in race relations that led to this production and the multifaceted reasons for its quick demise.
Three Plays for a Negro Theater opened on the eve of the United States' entrance into World War I. Curtis attributes the early closure of the three plays to this coincidence, but she does not settle for so simple an explanation. Rather, she investigates the heightened national self-consciousness that followed the United States' entry into the war. America was ready to "make the world safe for democracy," but it was not fully ready to accept democracy and equality in its own culture.
The First Black Actors on the Great White Way is not simply a study of African American theater and its entrance into American culture. By focusing on a single event at a critical moment in history, Curtis offers a unique glimpse into race relations in early-twentieth-century American society. The experience of these pioneering artists reveals an unexplored aspect of the painfully slow evolution of racial equality.
A remarkable story about people who waged an extraordinary campaign against racism, The First Black Actors on the Great White Way will be of special interest to scholars of American studies, race relations, and cultural history, as well as the general reader.
The 1928 Olympic Games in Amsterdam were the first in which women—over the objections of many, including Pope Pius XI and the founder of the modern Olympics, Baron Pierre de Coubertin—were allowed to run in the marquee track events.
Equally remarkable is the story behind the first female gold medal winner in the 100-meter dash, sixteen-year-old American Betty Robinson. A prodigy running in just her fourth organized meet, Robinson stunned the world, earning special praise from the president of the 1928 American Olympic Committee, General Douglas MacArthur. But Robinson’s triumph soon became tragedy when in 1931 she was involved in a life-threatening plane crash. Unable to assume a sprinter’s crouch, she nevertheless joined fellow pioneer Jesse Owens at the infamous 1936 Berlin Olympics, and achieved further glory on the relay team. Journalist Joe Gergen’s The First Lady of Olympic Track rescues an exceptional figure from obscurity.
When Jefferson Davis became president of the Confederacy, his wife, Varina Howell Davis, reluctantly became the First Lady. For this highly intelligent, acutely observant woman, loyalty did not come easily: she spent long years struggling to reconcile her societal duties to her personal beliefs. Raised in Mississippi but educated in Philadelphia, and a long-time resident of Washington, D.C., Mrs. Davis never felt at ease in Richmond. During the war she nursed Union prisoners and secretly corresponded with friends in the North. Though she publicly supported the South, her term as First Lady was plagued by rumors of her disaffection.
After the war, Varina Davis endured financial woes and the loss of several children, but following her husband's death in 1889, she moved to New York and began a career in journalism. Here she advocated reconciliation between the North and South and became friends with Julia Grant, the widow of Ulysses S. Grant. She shocked many by declaring in a newspaper that it was God's will that the North won the war.
A century after Varina Davis's death in 1906, Joan E. Cashin has written a masterly work, the first definitive biography of this truly modern, but deeply conflicted, woman. Pro-slavery but also pro-Union, Varina Davis was inhibited by her role as Confederate First Lady and unable to reveal her true convictions. In this pathbreaking book, Cashin offers a splendid portrait of a fascinating woman who struggled with the constraints of her time and place.
"Mayor Richard M. Daley dropped the bomb at a routine news conference at City Hall on Tuesday. With no prelude or fanfare, Mr. Daley announced that he would not seek re-election when his term expires next year. 'Simply put, it's time,' he said." New York Times, September 7, 2010
With those four words, an era ended. After twenty-two years, the longest-serving and most powerful mayor in the history of Chicago—and, arguably, America—stepped down, leaving behind a city that was utterly transformed, and a complicated legacy we are only beginning to evaluate.
With Koeneman as our guide, we follow young Daley from his beginnings as an average Bridgeport kid thought to lack his father's talent and charisma to his unlikely transformation into an iron-fisted leader. Daley not only escaped the giant shadow of his father but also transformed Chicago from a gritty, post-industrial Midwestern capital into a beautiful, sophisticated global city widely recognized as a model for innovative metropolises throughout the world.
But in spite of his many accomplishments, Richard M. Daley's record is far from flawless. First Son sets the dramatic improvement of certain parts of the city against the persistent realities of crime, financial stress , failing public housing, and dysfunctional schools. And it reveals that while in many ways Daley broke with the machine politics of his father, he continued to reward loyalty with favors, use the resources of city government to overwhelm opponents, and tolerate political corruption.
A nuanced portrait of a complex man, First Son shows Daley to be sensitive yet tough, impatient yet persistent, a street-smart fighter and detail-driven policy expert who not only ran Chicago, but was Chicago.
Writing was the central passion of Emerson’s life. While his thoughts on the craft are well developed in “The Poet,” “The American Scholar,” Nature, “Goethe,” and “Persian Poetry,” less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage’s energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today.
Emerson advised that “the way to write is to throw your body at the mark when your arrows are spent.” First We Read, Then We Write contains numerous such surprises—from “every word we speak is million-faced” to “talent alone cannot make a writer”—but it is no mere collection of aphorisms and exhortations. Instead, in Robert Richardson’s hands, the biographical and historical context in which Emerson worked becomes clear.
Emerson’s advice grew from his personal experience; in practically every moment of his adult life he was either preparing to write, trying to write, or writing. Richardson shows us an Emerson who is no granite bust but instead is a fully fleshed, creative person disarmingly willing to confront his own failures. Emerson urges his readers to try anything—strategies, tricks, makeshifts—speaking not only of the nuts and bolts of writing but also of the grain and sinew of his determination. Whether a writer by trade or a novice, every reader will find something to treasure in this volume. Fearlessly wrestling with “the birthing stage of art,” Emerson’s counsel on being a reader and writer will be read and reread for years to come.
Representing a historical cross-section of performance and training in Western music since the seventeenth century, Five Lives in Music brings to light the private and performance lives of five remarkable women musicians and composers. Elegantly guiding readers through the Thirty Years War in central Europe, elite courts in Germany, urban salons in Paris, Nazi control of Germany and Austria, and American musical life today, as well as personal experiences of marriage, motherhood, and widowhood, Cecelia Hopkins Porter provides valuable insights into the culture in which each woman was active.
Michel Winock’s biography situates Gustave Flaubert’s life and work in France’s century of great democratic transition. Flaubert did not welcome the egalitarian society predicted by Tocqueville. Wary of the masses, he rejected the universal male suffrage hard won by the Revolution of 1848, and he was exasperated by the nascent socialism that promoted the collective to the detriment of the individual. But above all, he hated the bourgeoisie. Vulgar, ignorant, obsessed with material comforts, impervious to beauty, the French middle class embodied for Flaubert every vice of the democratic age. His loathing became a fixation—and a source of literary inspiration.
Flaubert depicts a man whose personality, habits, and thought are a stew of paradoxes. The author of Madame Bovary and Sentimental Education spent his life inseparably bound to solitude and melancholy, yet he enjoyed periodic escapes from his “hole” in Croisset to pursue a variety of pleasures: fervent friendships, society soirées, and a whirlwind of literary and romantic encounters. He prided himself on the impersonality of his writing, but he did not hesitate to use material from his own life in his fiction. Nowhere are Flaubert’s contradictions more evident than in his politics. An enemy of power who held no nostalgia for the monarchy or the church, he was nonetheless hostile to collectivist utopias.
Despite declarations of the timelessness and sacredness of Art, Flaubert could not transcend the era he abominated. Rejecting the modern world, he paradoxically became its celebrated chronicler and the most modern writer of his time.
Finalist, 2006 National Book Critics Circle Awards, Biography Category | A New York Times Notable Book of 2006 | A Publishers Weekly Best Book of 2006
In this riveting landmark biography, Frederick Brown illuminates the life and career of the author of Madame Bovary. He describes Flaubert’s fraught relationship with his longtime mistress Louise Colet, his liaisons with many other women, and his friendships with luminaries such as Turgenev and Zola. Here too is Brown’s description of Flaubert’s meticulous compositional habits, his painstaking search for the sentence that is deeply, rhythmically right.
Brown brings his subject remarkably and fully to life, illuminating not only the novelist but also his milieu—the Paris and Normandy of the revolution of 1848 and of the Second Empire—with arresting clarity and a deepening sense of Flaubert’s time and place. Flaubert is a sophisticated, thorough, and utterly absorbing re-creation of the life and times of the man who is arguably the architect of the modern novel.
“When I was eleven the world was filled with birds,”writes Lisa Knopp of her girlhood in Burlington, Iowa. Picking up where she left off in her first book, Field of Vision, Knopp knits together sections of her life story through a pattern of images drawn from nature. The most prevalent of these unifying themes are metaphors of flight—birds, wind, moving upward and outward and across the midwestern landscape from Nebraska and Iowa to southern Illinois.
Reminiscent of Thoreau's introspective nature writing and Dillard's taut, personal prose, each chapter in Flight Dreams stands alone as a distinct narrative, yet each is linked by profoundly personal descriptions of dreams, the natural world, defining experiences, and chance encounters with people that later prove to be fateful. Part Eastern meditation, part dream sequence, part historical reconstruction, Flight Dreams testifies to a deep understanding of how the natural world—its visible and invisible elements—guides our destinies.
Flinders Petrie has been called the “Father of Modern Egyptology”—and indeed he is one of the pioneers of modern archaeological methods. This fascinating biography of Petrie was first published to high acclaim in England in 1985. Margaret S. Drower, a student of Petrie’s in the early 1930s, traces his life from his boyhood, when he was already a budding scholar, through his stunning career in the deserts of Egypt to his death in Jerusalem at the age of eighty-nine. Drower combines her first-hand knowledge with Petrie’s own voluminous personal and professional diaries to forge a lively account of this influential and sometimes controversial figure.
Drower presents Petrie as he was: an enthusiastic eccentric, diligently plunging into the uncharted past of ancient Egypt. She tells not only of his spectacular finds, including the tombs of the first Pharaohs, the earliest alphabetic script, a Homer manuscript, and a collection of painted portraits on mummy cases, but also of Petrie’s important contributions to the science of modern archaeology, such as orderly record-keeping of the progress of a dig and the use of pottery sherds in historical dating. Petrie's careful academic methods often pitted him against such rival archaeologists as Amélineau, who boasted he had smashed the stone jars he could not carry away to be sold, and Maspero and Naville, who mangled a pyramid at El Kula they had vainly tried to break into.
Written in close collaboration with Mr. Seckler and those who know him, Foggy Mountain Troubadour is the first full-length biography of an American original. Penny Parsons follows a journey from North Carolina schoolhouses to the Grand Ole Opry stage and the Bluegrass Hall of Fame, from boarding houses to radio studios and traveling five to a car on two-lane roads to make the next show. Throughout, she captures the warm humor, hard choices, and vivid details of a brilliant artist's life as he criss-crosses a nation and a century making music.
Over thirty scholars examine the development of folklore studies through the lens of over one hundred years of significant activity in a state that has provided grist for the mills of many prominent folklorists. In the past the Folklore Society of Utah has examined the work of such scholars in biographical and other essays published in its newsletters. This book incorporates those essays and goes well beyond them to include many other topices, offering a thorough history of folklore studies and a guide to resources for those pursuing research in Utah now and in the future.
The essays survey the development and contributions of folklore studies in Utah from 1892 to 2004 but also represent developments in both academic and public-sector folklore throughout the United States. Following a thorough historical introduction, part I profiles the first folklorists working in the state, including Hector Lee, Thomas Cheney, Austin and Alta Fife, Wayland Hand, and Lester Hubbard. Part II looks at the careers of prominent Utah folklorists Jan Harold Brunvand, Barre Toelken, and William B. Wilson, as well as the works of the next, current generation of folklorists. Part III covers studies in major folklore genres, with essays on the study of material culture, vernacular architecture, and Mormon, ethnic, Native American, and Latino folklore. Part IV examines public folklore programs including organizations, conferences, and tourism. Back matter describes academic programs at Utah institutions of higher education, summarizes the holdings of the various folklore archives in the state, and provides a complete cross-indexed bibliography of articles, books, and recordings of Utah folklore.
The Follinglo Dog Book both is and is not about dogs. The dogs are certainly here: from Milla to Chip the Third, we encounter a procession of heroic if often unfortunate creatures who, along with their immigrant masters, led a hard life on the nineteenth-century American frontier. However, if you pick up this book thinking it will offer a heartwarming read about canine experiences, you will find yourself reinformed by the way it unfolds.
Instead, these are the stories of a Norwegian pioneer family that came in 1860 to settle the Iowa prairie on a homestead called Follinglo Farm in Story County, Iowa. In the Tjernagels' experience one may read a chronicle of the state, the region, and the nation. Arriving in Iowa in what was still the age of wooden equipment and animal power, the Tjernagels witnessed each successive revolution on the land. They built homes and barns, cultivated the land, and encountered every manner of natural disaster from prairie fires to blizzards. Through all the struggles and setbacks, Peder Gustav Tjernagel's stories sparkle with boyhood pranks and adventures, in which the family dogs frequently play a role.
Readers will discover a wonderful cast of Norwegian relatives and neighbors, including a Herculean uncle, Store Per (Big Pete), who could lift a cow by its horns; a mysterious aunt, Stora Fastero (Big Sister), whose arrival signaled that a baby was soon to be born; and Elling Eilson, the walking Lutheran apostle. And, of course, there are the dogs who shepherd, protect, and even baby-sit the residents of Follinglo Farm.
Detailing the fascinating career of Joe Evans, Follow Your Heart chronicles the nearly thirty years that he spent immersed in one of the most exciting times in African American music history. An alto saxophonist who between 1939 and 1965 performed with some of America's greatest musicians, including Louis Armstrong, Cab Calloway, Charlie Parker, Jay McShann, Andy Kirk, Billie Holiday, Bill "Bojangles" Robinson, Lionel Hampton, and Ivory Joe Hunter, Evans warmly recounts his wide range of experience in the music industry. Readers follow Evans from Pensacola, Florida, where he first learned to play, to such exotic destinations as Tel Aviv and Paris, which he visited while on tour with Lionel Hampton. Evans also comments on popular New York City venues used for shaping and producing black music, such as the Apollo Theater, the Savoy, Minton's Playhouse, and the Rhythm Club.
Revealing Evans as a master storyteller, Follow Your Heart describes his stints as a music executive, entrepreneur, and musician. Evans provides rich descriptions of jazz, swing, and rhythm and blues culture by highlighting his experiences promoting tracks to radio deejays under Ray Charles's Tangerine label and later writing, arranging, and producing hits for the Manhattans and the Pretenders. Leading numerous musical ventures that included a publishing company and several labels--Cee Jay Records (with Jack Rags), Revival, and Carnival Records--Evans remained active in the music industry even after he stopped performing regularly. As one of the few who enjoyed success as both performer and entrepreneur, he offers invaluable insight into race relations within the industry, the development of African American music and society from the 1920s to 1970s, and the music scene of the era.
Winner, ISHS Certificate of Excellence, 2016
In the late 1850s and early 1860s, the attention of the Catholic and Protestant religious communities around the world focused on a few small settlements of French Canadian immigrants in northeastern Illinois. Soon after arriving in their new home, a large number of these immigrants, led by Father Charles Chiniquy, the charismatic Catholic priest who had brought them there, converted to Protestantism. In this anthropological history, Caroline B. Brettell explores how Father Chiniquy took on both the sacred and the secular authority of the Catholic Church to engineer the religious schism and how the legacy of this rift affected the lives of the immigrants and their descendants for generations. This intriguing study of a nineteenth-century migration of French Canadians to the American Midwest offers an innovative perspective on the immigrant experience in America.
Brettell chronicles how Chiniquy came to lead approximately one thousand French Canadian families to St. Anne, Illinois, in the early 1850s and how his conflict with the Catholic hierarchy over the ownership and administration of church property, delivery of the mass in French instead of Latin, and access to the Bible by laymen led to his excommunication. Drawing on the concept of social drama—a situation of intensely lived conflict that emerges within social groups—Brettell explains the religious schism in terms of larger ethnic and religious disagreements that were happening elsewhere in the United States and in Canada. Brettell also explores legal disputes, analyzes the reemergence of Catholicism in St. Anne in the first decade of the twentieth century, addresses the legacy of Chiniquy in both the United States and Quebec, and closely examines the French Canadian immigrant communities, focusing on the differences between the people who converted to Protestantism and those who remained Catholic.
Occurring when nativism was pervasive and the anti-immigrant Know-Nothing Party was at its height, Chiniquy’s religious schism offers an opportunity to examine a range of important historical and anthropological issues, including immigration, ethnicity, and religion; changes in household and family structure; the ways social identities are constructed and reconstructed through time; and the significance of charismatic leadership in processes of social and religious change. Through its multidisciplinary approach, Brettell’s enlightening study provides a pioneering assessment of larger national tensions and social processes, some of which are still evident in modern immigration to the United States.
In a style reminiscent of the master storytellers of yore, Charless Caraway recounts the story of his life, as a man and a boy, on small farms in Saline and Jackson counties, particularly around Eldorado, Makanda, and Etherton Switch. He makes no bones about the hardships of those "old days," first helping his father eke out a living from the land, then scrambling for a living as a sharecropper and fruit picker, as he scrimped and saved for the day when he and his young wife, Bessie Mae Rowan Caraway, could buy a piece of land of their own.
The one-room school, the general store, the trips by wagon over roads that choked you in summer and swallowed you in winter, the home that burned: all are described in a matter-of-fact yet moving way. Many of the locations, buildings, and people are represented in equally unromanticized photographs from the family’s collection. Some of the stories and photos recall the common disasters of the frontier: drought, flood, and the tornado of 1925.
It is clear from these stories that each aspect of life exacted a price, but the Caraways paid that price without regret and rallied to go on their way. Charless and his family and friends fill this book with courage, strength, and an unshakable faith in the value of human endeavor.
A fascinating memoir about a Holocaust survivor's loss of and journey back to faith. In 1939, Baruch Goldstein was a religiously observant adolescent resident of the Jewish community in Mlawa, a town that was then in East Prussia. After war broke out, the Jewish community there was relatively sheltered, as that region was incorporated into the German Reich rather than into the General Government (the German run-fragment of pre-war Poland, where conditions were harsh for everyone). However in 1942, Goldstein was sent to Auschwitz, where he stayed two-and-a-half years. His family was scattered all to their deaths, but he survived the war--barely. For Decades I Was Silent is an account of life in a small Polish-German town and provides information on the religious life of the Jewish citizens. This book creates a direct sense of the random, mystifying personal violence individuals felt at the hands of Germans--not the anonymous industrial death machine, but immediate, face-to-face violence.
After the war, Goldstein drifted as a refugee to UNRR camps in Italy. Over time, young Goldstein had to face the fact that all of his extended family was lost and he had only the possibilities of Palestine or help from distant relatives in the United States as a future. His American relatives urged him to enter the United States as a yeshiva student, and eventually he became a rabbi and started a family. As a young rabbinical student, and then as a rabbi, Goldstein was forced to confront the events of the Holocaust and the damage done to his faith.
The youngest of twenty children of sharecroppers in rural Mississippi, Fannie Lou Hamer witnessed throughout her childhood the white cruelty, political exclusion, and relentless economic exploitation that defined African American existence in the Delta.
In this intimate biography, Chana Kai Lee documents Hamer's lifelong crusade to empower the poor through collective action, her rise to national prominence as a civil rights activist, and the personal costs of her ongoing struggle to win a political voice and economic self-sufficiency for blacks in the segregated South. Lee looks at Hamer's early work as a field secretary for the Student Nonviolent Coordinating Committee in Mississippi, her dramatic appearance at the 1964 Democratic National Convention, and her ongoing work as a militant grassroots leader in her own community.
She was a friend, lover, and confidante of charismatic Spanish American independence hero Simón Bolívar and, after her death, a nationalist icon in her own right. Yet authors generally have chosen either to romanticize Manuela Sáenz or to discount her altogether. For Glory and Bolivar: The Remarkable of Life of Manuela Sáenz, by contrast, offers a comprehensive and clear-eyed biography of her. Based on unprecedented archival research, it paints a vivid portrait of the Quito-born "Libertadora," revealing both an exceptional figure and a flesh-and-blood person whose life broadly reflected the experiences of women during Spanish America's turbulent Age of Revolution.
Already married at the time of her meeting with the famous Liberator, Sáenz abandoned her husband in order to become not only Bolívar's romantic companion, but also his official archivist, a member of his inner circle, and one of his most loyal followers. She played a central role in Spanish South America's independence drama and eventually in developments leading to the consolidation of new nations. Pamela Murray, for the first time, closely examines Sáenz's political trajectory including her vital, often-overlooked years in exile. She exposes the myths that still surround her. She offers, in short, a nuanced and much-needed historical perspective, one that balances recognition of Sáenz's uniqueness with awareness of the broader forces that shaped this dynamic nineteenth-century woman.
More than one hundred years before Barack Obama, George Edwin Taylor made presidential history. Born in the antebellum South to a slave and a freed woman, Taylor became the first African American ticketed as a political party’s nominee for president of the United States, running against Theodore Roosevelt in 1904.
Orphaned as a child at the peak of the Civil War, Taylor spent several years homeless before boarding a Mississippi riverboat that dropped him in La Crosse, Wisconsin. Taken in by an African American farm family, Taylor attended a private school and eventually rose to prominence as the owner/editor of a labor newspaper and as a vocal leader in Wisconsin’s People’s Party. At a time when many African Americans felt allegiance to the Republican Party for its support of abolition, Taylor’s sympathy with the labor cause drew him first to the national Democratic Party and then to an African American party, the newly formed National Liberty Party, which in 1904 named him its presidential candidate. Bruce L. Mouser follows Taylor’s life and career in Arkansas, Illinois, Wisconsin, Iowa, and Florida, giving life to a figure representing a generation of African American idealists whose initial post-slavery belief in political and social equality in America gave way to the despair of the Jim Crow decades that followed.
Best Books for Special Interests, selected by the American Association for School Libraries
Best Books for Professional Use, selected by the American Association for School Libraries
Best Books for General Audiences, selected by the Public Library Association
Second Place, Biography, Society of Midland Authors
Honorable Mention, Benjamin F. Shambough Award, the State Historical Society of Iowa
Laura Esther Wolfson’s literary debut draws on years of immersion in the Russian and French languages; struggles to gain a basic understanding of Judaism, its history, and her place in it; and her search for a form to hold the stories that emerge from what she has lived, observed, overheard, and misremembered.
In “Proust at Rush Hour,” when her lungs begin to collapse and fail, forcing her to give up an exciting and precarious existence as a globetrotting simultaneous interpreter, she seeks consolation by reading Proust in the original while commuting by subway to a desk job that requires no more than a minimal knowledge of French. In “For Single Mothers Working as Train Conductors” she gives away her diaphragm and tubes of spermicidal jelly to a woman in the Soviet Union who, with two unwanted pregnancies behind her, needs them more than she does. “The Husband Method” has her translating a book on Russian obscenities and gulag slang during the dissolution of her marriage to the Russian-speaker who taught her much of what she knows about that language.
In prose spangled with pathos and dusted with humor, Wolfson transports us to Paris, the Republic of Georgia, upstate New York, the Upper West Side, and the corridors of the United Nations, telling stories that skewer, transform, and inspire.
In 1645 the Japanese samurai Musashi Miamoto wrote A Book of Five Rings, which described the attitudes necessary for individual success. Though he was a swordsman, his book was not limited to combat but addressed the much broader question of how to achieve excellence in life through study, discipline, and planning. It is still avidly read in Japan today. Arthur Kornberg’s book is a modern-day Book of Five Rings that replaces the medium of swordsmanship with that of biochemistry, particularly enzymology. As Kornberg describes his successive research problems, the challenges they presented, and the ultimate accomplishments that resulted, he provides us with a primer in the strategies needed to do scientific work of great significance. Moreover, these strategies are played out in the context of solving some of the great biochemical problems of the twentieth century.
The ability to manipulate and alter DNA fired a revolution that forever changed the nature of biology. Arthur Kornberg is a primary architect of that revolution, arguably one of the two or three most important biologists of this time. Prior to Kornberg, genetic information and later DNA were imbued by biologists with an almost vitalistic aura. Kornberg demonstrated that DNA is a molecule synthesized by enzymes, like all other chemical constituents of the cell. More important, he trained a school of scientists who focused on and discovered many of the enzymatic activities that act on DNA. It is these enzymes in particular that allow modern “genetic engineering.”
For the Love of Enzymes does not describe a single lucky or hard-won accomplishment. Rather, it is the story of thirty years of decisive campaigns, nearly all of which led to insights of major significance. In relating his story, Kornberg never avoids the difficult question of “why”: why he felt classical nutritional studies had reached a plateau, why he turned to enzymology as a discipline in which the important answers would be found, and why he believes the study of enzymes will grow ever more important as we face the new scientific frontier of brain function.
This book will challenge students of biology and chemistry at all levels who want to do important work rather than simply follow popular trends. It will also delight and inform readers who wish to understand how “real” science is done, and to learn of the values that guide one of our greatest researchers.
A Force for Change is the first full-length study of the life and work of one of Oregon’s most dynamic civil rights activists, African American journalist Beatrice Morrow Cannady. Between 1912 and 1936, Cannady tirelessly promoted interracial goodwill and fought segregation and discrimination.
She gave hundreds of lectures to high school and college students and shared her message with radio listeners across the Pacific Northwest. She was assistant editor, and later publisher, of The Advocate, Oregon’s largest African American newspaper. Cannady was the first black woman to graduate from law school in Oregon, and the first to run for state representative. She held interracial teas in her home in Northeast Portland and protested repeated showings of the racist film The Birth of a Nation. And when the Ku Klux Klan swept into Oregon, she urged the governor to act quickly to protect black Oregonians’ right to live and work without fear. Despite these accomplishments—and many more during her twenty-five-year career—Beatrice Cannady fell into obscurity when she left Oregon in about 1938.
A Force for Change illuminates Cannady’s important role in advocating for better race relations in Oregon in the early decades of the twentieth century. It describes her encounters with the period’s leading black artists, editors, politicians, and intellectuals, including W.E.B. Du Bois, Langston Hughes, A. Philip Randolph, Oscar De Priest, Roland Hayes, and James Weldon Johnson. It dispels the myth that African Americans played little part in Oregon’s history and enriches our understanding of the black experience in Oregon.
A Force for Change is an invaluable resource for students and scholars of women’s history, gender studies, African American history, journalism history, and Pacific Northwest history. It belongs on the shelf of any reader interested in a richer understanding of the civil rights movement in Oregon and across the country.
Forced Out: A Nikkei Woman’s Search for a Home in America offers insight into “voluntary evacuation,” a little-known Japanese American experience during World War II, and the lasting effects of cultural trauma. Of the roughly 120,000 people forced from their homes by Executive Order 9066, around 5,000 were able to escape incarceration beforehand by fleeing inland. In a series of beautifully written essays, Judy Kawamoto recounts her family’s flight from their home in Washington to Wyoming, their later moves to Montana and Colorado, and the influence of those experiences on the rest of her life. Hers is a story shared by the many families who lost everything and had to start over in often suspicious and hostile environments.
Kawamoto vividly illustrates the details of her family’s daily life, the discrimination and financial hardship they experienced, and the isolation that came from experiencing the horrors of the 1940s very differently than many other Japanese Americans. Chapters address her personal and often unconscious reactions to her parents’ trauma, as well as her own subsequent travels around much of the world, exploring, learning, enjoying, but also unconsciously acting out a continual search for a home.
Showing how the impacts of traumatic events are collective and generational, Kawamoto draws
interconnections between her family’s displacement and later aspects of her life and juxtaposes the impact of her early experiences and questions of identity, culture, and assimilation. Forced Out will be of great interest to the general reader as well as students and scholars of ethnic studies, Asian American studies, history, education, and mental health.
2022 Asian/Pacific American Award for Literature, Honor Title, Adult Non-Fiction Literature
2022 Evans Handcart Award Winner
Between 1905 and 1939 a conspicuously tall white man with a shock of red hair, dressed in a silk shirt and white linen trousers, could be seen on the streets of Onitsha, in Eastern Nigeria. How was it possible for an unconventional, boy-loving Englishman to gain a social status among the local populace enjoyed by few other Europeans in colonial West Africa?
In The Forger’s Tale: The Search for Odeziaku Stephanie Newell charts the story of the English novelist and poet John Moray Stuart-Young (1881–1939) as he traveled from the slums of Manchester to West Africa in order to escape the homophobic prejudices of late-Victorian society. Leaving behind a criminal record for forgery and embezzlement and his notoriety as a “spirit rapper,” Stuart-Young found a new identity as a wealthy palm oil trader and a celebrated author, known to Nigerians as “Odeziaku.”
In this fascinating biographical account, Newell draws on queer theory, African gender debates, and “new imperial history” to open up a wider study of imperialism, (homo)sexuality, and nonelite culture between the 1880s and the late 1930s. The Forger’s Tale pays close attention to different forms of West African cultural production in the colonial period and to public debates about sexuality and ethics, as well as to movements in mainstream English literature.
In 1811, deaf student Ferdinand Berthier commenced his education at the National Institute for the Deaf in Paris under its director Abbé Sicard and his teachers Auguste Bébian, Jean Massieu, and Laurent Clerc. Their tutelage eventually led Berthier to join the faculty at the Institute and become a life-long proponent of sign language and Deaf culture. Berthier earned fame for instituting the famous silent banquets in Paris in 1834. He also learned to advance his agenda by writing biographies of important figures who advocated sign over oralism to educate deaf French students. Forging Deaf Education in Nineteenth-Century France offers the first translation of Berthier’s biographical sketches of the four men above who influenced him most.
Berthier wrote first about Bébian in 1839, timed to advocate sign language for teaching deaf students after the death of the pro-oralism Institute Director Désiré Ordinaire. Berthier extolled Bébian’s linguistic acumen and his educational philosophy. In later sketches, however, he described Sicard and Massieu in positive terms, but also criticized them for supporting “methodical” signing that conformed to spoken language conventions. In contrast, he lauded Clerc in his portrayal for using “natural” signing to teach deaf students. The clarity of these translations will introduce a brand new audience to Berthier’s biographies shaped by his unswerving beliefs about Deaf French education.
Rarely has an individual's life been so inseparable from his writing as was Randolph Bourne's. His work reveals not only his political viewpoints but also his humanistic personality and the tumultuous era during which he lived. Forgotten Prophet carefully examines the intellect and personality of the "born essayist" who saw clearly both his century's potential for harmony and the danger that it faced from the lingering tides of nineteenth-century European nationalism.
Disfigured and hunchbacked, Bourne reacted to his disability not with bitterness or self-pity, but rather with an exuberant love for beauty and a compassion for humanity that created in him a longing for a truly cosmopolitan society—a "trans-national America" that would draw its strength from ethnic diversity and political pluralism. Nearly alone among American intellectuals, Bourne actively denounced involvement in World War I. He foresaw that, beyond the horrible cost in young lives, the war would bring in its wake the spiritual impoverishment of the nation and the disillusionment of its youth; it would strangle reform and social tolerance, exacerbate racism and nativism, and plant the seeds for further international instability. Although derided and largely ignored at the time they were written, Bourne's fearful predictions would all too quickly be confirmed in the dissolute frenzy of the jazz age, the turmoil of the 1930s, and the social chaos that brought about the rise of fascism in Europe and, soon, an even more destructive war.
Bourne did not live to witness this terrifying unfolding of events. His career as a social critic was brief but prolific. When he died in 1918 at the age of thirty-two, a victim of the flu epidemic, he had completed three books and more than a hundred essays. His first book, Youth and Life, is considered by some to be the original manifesto of the counterculture. From his earliest years as a writer, Bourne was identified as a voice for youth, idealism, and progress in human relations. Forgotten Prophet characterizes Bourne not just as a foreseer of this century's bloodshed but, equally important, as an apostle of hope—a champion of what was best, most truthful in the arts, in politics, and in the conduct of our daily lives.
In 1894, on the eve of the French conquest of Morocco, a young Muslim mystic named Muḥammad al-Kattānī decided to abandon his life of asceticism to preach Islamic revival and jihad against the French. Ten years later, al-Kattānī mobilized a socially diverse coalition of Moroccans who called for resistance against French colonization.
In 1909, he met a violent death at the hands of the same Moroccan anti-colonialists he had empowered through his activism. Today, the government of Morocco regards al-Kattānī’s story as subversive, and he has virtually disappeared from the narratives of the early Moroccan anti-colonialism and nationalism. Despite this silencing, al-Kattānī’s remarkable personal transformation and sacrifice is at the heart of the events that, although ultimately failing to prevent French rule, gave birth to Moroccan nationalism and to modern concepts of Moroccan political power and authority.
Forgotten Saints draws on a diverse collection of previously unknown primary sources to narrate the vivid story of al-Kattānī and his virtual disappearance from accounts of modern Moroccan history.
An intellectual biography that critically engages Adolf Jellinek’s scholarship and communal activities
Adolf Jellinek (1821–1893), the Czech-born, German-educated, liberal chief rabbi of Vienna, was the most famous Jewish preacher in Central Europe in the second half of the nineteenth century. As an innovative rhetorician, Jellinek helped mold and define the modern synagogue sermon into an instrument for expressing Jewish religious and ethical values for a new era. As a historian, he made groundbreaking contributions to the study of the Zohar and medieval Jewish mysticism. Jellinek was emblematic of rabbi-as-scholar-preacher during the earliest, formative years of communal synagogues as urban religious space. In a world that was rapidly losing the felt and remembered past of premodern Jewish society, the rabbi, with Jellinek as prime exemplar, took hold of the Sabbath sermon as an instrument to define and mold Judaism and Jewish values for a new world.
An intensely dramatic true story, Forsaking All Others recounts the fascinating case of an interracial couple who attempted, in defiance of
society’s laws and conventions, to formalize their relationship in the post-Reconstruction South. It was an affair with tragic consequences, one that entangled the protagonists in a miscegenation trial and, ultimately, a desperate act of revenge.
From the mid-1870s to the early 1880s, Isaac Bankston was the proud sheriff of Desha County, Arkansas, a man so prominent and popular that he won five consecutive terms in office. Although he was married with two children, around 1881 he entered into a relationship with Missouri Bradford, an African American woman who bore his child. Some two years later, Missouri and Isaac absconded
to Memphis, hoping to begin a new life there together. Although Tennessee lawmakers had made miscegenation a felony, Isaac’s dark complexion enabled the couple to apply successfully for a marriage license and take their vows. Word of the marriage quickly spread, however, and Missouri and Isaac were charged with unlawful cohabitation. An attorney from Desha County, James Coates, came to Memphis to act as special prosecutor in the case. Events then took a surprising turn as Isaac chose to deny his white heritage in order to escape conviction. Despite this victory in court, however, Isaac had been publicly disgraced, and his sense of honor propelled him into a violent confrontation with Coates, the man he considered most responsible for his downfall. Charles F. Robinson uses Missouri and Isaac’s story to examine key aspects of post-Reconstruction society, from the rise of miscegenation laws and the particular burdens they placed on anyone who chose to circumvent them, to the southern codes of honor that governed both social and individual behavior, especially among white men. But most of all, the book offers a compelling personal narrative with important implications for our supposedly more
tolerant times.
This engaging biography of Augustus Garrett and Eliza Clark Garrett tells two equally compelling stories: an ambitious man’s struggle to succeed and the remarkable spiritual journey of a woman attempting to overcome tragedy. By contextualizing the couple’s lives within the rich social, political, business, and religious milieu of Chicago’s early urbanization, author Charles H. Cosgrove fills a gap in the history of the city in the mid-nineteenth century.
The Garretts moved from the Hudson River Valley to a nascent Chicago, where Augustus made his fortune in the land boom as an auctioneer and speculator. A mayor during the city’s formative period, Augustus was at the center of the first mayoral election scandal in Chicago. To save his honor, he resigned dramatically and found vindication in his reelection the following year. His story reveals much about the inner workings of Chicago politics and business in the antebellum era.
The couple had lost three young children to disease, and Eliza arrived in Chicago with deep emotional scars. Her journey exemplifies the struggles of sincere, pious women to come to terms with tragedy in an age when most people attributed unhappy events to divine punishment. Following Augustus’s premature death, Eliza developed plans to devote her estate to founding a women’s college and a school for ministerial training, and in 1853 she endowed a Methodist theological school, the Garrett Biblical Institute (now the Garrett-Evangelical Theological Seminary), thereby becoming the first woman in North America to found an institution of higher learning.
In addition to illuminating our understanding of Chicago from the 1830s to the 1850s, Fortune and Faith in Old Chicago explores American religious history, particularly Presbyterianism and Methodism, and its attention to gender shows how men and women experienced the same era in vastly different ways. The result is a rare, fascinating glimpse into old Chicago through the eyes of two of its important early residents.
Raouf Mama is widely beloved by children and adults alike for his books and especially for his African and multicultural storytelling, which incorporates poetry, song, music, and dance.
In Fortune’s Favored Child, the master storyteller tells his own story, beginning in the West African country of Benin. Through a harrowing experience with sickness, an encounter with a clairvoyant traditional healer, and astonishing twists of fortune, the protagonist struggles to uncover his real identity, to get an education, and to make his own way in the world. His journey takes him to the shores of the United States to attend graduate school at the University of Michigan and begin a new chapter in his life.
Who was Acorn Whistler, and why did he have to die? A deeply researched analysis of a bloody eighteenth-century conflict and its tangled aftermath, The Four Deaths of Acorn Whistler unearths competing accounts of the events surrounding the death of this Creek Indian. Told from the perspectives of a colonial governor, a Creek Nation military leader, local Native Americans, and British colonists, each story speaks to issues that transcend the condemned man’s fate: the collision of European and Native American cultures, the struggle of Indians to preserve traditional ways of life, and tensions within the British Empire as the American Revolution approached.
At the hand of his own nephew, Acorn Whistler was executed in the summer of 1752 for the crime of murdering five Cherokee men. War had just broken out between the Creeks and the Cherokees to the north. To the east, colonists in South Carolina and Georgia watched the growing conflict with alarm, while British imperial officials kept an eye on both the Indians’ war and the volatile politics of the colonists themselves. They all interpreted the single calamitous event of Acorn Whistler’s death through their own uncertainty about the future. Joshua Piker uses their diverging accounts to uncover the larger truth of an early America rife with violence and insecurity but also transformative possibility.
In this last book by the late Donald Pitkin, author of The House that Giacomo Built, comes a story of the Schorcht family, through whose fortunes and struggles one can see the transformations of Germany through the long twentieth century.
Each chapter of Four Germanys is reflective of generational rather than historical time. In 1922, Edwin Schorcht inherited his family farm, and in Part One, Pitkin traces the derivation of this farmstead. Part Two focuses on Schorcht’s children who came of age in Hitler’s Germany. Part Three has the Schorchts growing up in the Ulbricht years (1950–73) of the German Democratic Republic. The book concludes with the great-granddaughter, Maria, looking back to the past in relation to the new Germany that history had bequeathed her.
Ultimately, Four Germanys reflects the impact of critical historical events on ordinary East Germans while it also reveals how one particular family managed its own historical adaptation to these events.
An updated paperback version of the book heralded as “a new benchmark in Marx scholarship” by the Los Angeles Times
Before film made them international comedy legends, the Marx Brothers developed their comic skills on stage for twenty-five years. In Four of the Three Musketeers: The Marx Brothers on Stage, Robert S. Bader offers the first comprehensive history of the foursome’s hardscrabble early years honing their act in front of live audiences.
From Groucho’s debut in 1905 to their final live performances of scenes from A Night in Casablanca in 1945, the brothers’ stage career shows how their characters and routines evolved before their arrival in Hollywood. Four of the Three Musketeers draws on an unmatched array of sources, many not referenced elsewhere. Bader’s detailed portrait of the struggling young actors both brings to vivid life a typical night on the road for the Marx Brothers and illuminates the inner workings of the vaudeville business, especially during its peak in the 1920s.
As Bader traces the origins of the characters that would later come to be beloved by filmgoers, he also skillfully scrapes away the accretion of rumors and mythology perpetuated not only by fans and writers but by the Marx Brothers themselves. Revealing, vital, and entertaining, Four of the Three Musketeers has taken its place as an essential reference for this legendary American act. Now, the updated edition adds newly discovered performances—some submitted by readers—and additional information provided by descendants of long-departed vaudevillians mentioned in the book.
Learn how Fran and Frederick Hamerstrom worked to save the greater prairie chicken from extinction in the Wisconsin Historical Society Press’s new book for young readers, "Fran and Frederick Hamerstrom: Wildlife Conservation Pioneers." Fran and Frederick grew up in New England, and married in 1935. They both loved nature and wanted to dedicate their lives to understanding and preserving wildlife. As students of the famous naturalist, Aldo Leopold, they learned about new ways for humans to think about saving land for animals. Fran was a brave, outgoing woman who cared more about interacting with animals than wearing pretty dresses. Frederick was a calm, thoughtful man who loved to study and conduct research. Together, they spent over thirty years mentoring many future scientists, and working to save the greater prairie chicken, and other animals, from extinction. "Fran and Frederick Hamerstrom: Wildlife Conservation Pioneers" is the newest addition to the Society Press’s Badger Biographies Series.
As I was coming up, it was painful to me not to have been given my own nickname. It made me feel different, or rather that I was being treated differently from other family members. I wondered why everybody else was spoken to in terms of their identity, their character, their behavior, and I was simply identified by the 'tag,' my given name. But then, when I read in a book that France meant free, I began to think of it as imbuing me with a sense of flight, of movement. Ultimately, I came to believe my name spoke for itself and that I did not need any other.'—from the book
Imbued with rich detail of family life in a rural community, as well as a system of values at a time of transition in American history, this is the life story of France Davis, the dynamic pastor of the Calvary Baptist Church in Salt Lake City. It is an engaging story of courage and vision that describes coming of age in the segregation-era South, of dreaming, enduring with honor, and living at the forefront of major issues within the United States.
Recorded and skillfully written by Nayra Atiya, France Davis: An American Story Told, is an oral history, ethnography, memoir, perhaps even a life-enhancing sermon delivered with the strong voice of a preacher. The gathered strands of a life lived with conviction and grace will appeal to a broad spectrum of readers from the curious to those seeking inspiration.
Winner of the Utah Book Award in Nonfiction.
Best known as author of The Oregon Trail, Francis Parkman is now increasingly recognized as one of the greatest nineteenth–century American historians. In Pontiac, Pioneers, La Salle and Montcalm and Wolfe, Parkman, more than anyone else, first grasped the tragic element implicit in our pioneer heritage and placed the opening up of the great North American wilderness in broad historical perspective.
Handsome, brilliant, courageous, Parkman drove himself relentlessly. The result was a severe breakdown in his twenties, complicated in later years by other illnesses. This interpretative biography chronicles his triumph over these setbacks and sheds new light on the impressive histories that seem to become ever more contemporary with the passage of time.
A historian who lived the kind of history he wrote, Francis Parkman is a major—and controversial—figure in American historiography. His narrative style, while popular with readers wanting a "good story," has raised many questions with professional historians. Was Parkman writing history or historical fiction? Did he color historical figures with his own heroic self-image? Was his objectivity compromised by his "unbending, conservative, Brahmin" values? These are some of the many issues that Wilbur Jacobs treats in this thought-provoking study.
Jacobs carefully considers the "apprenticeship" of Francis Parkman, first spent in facing the rigors of the Oregon Trail and later in struggling to write his histories despite a mysterious, frequently incapacitating illness. He shows how these events allowed Parkman to create a heroic self-image, which impelled his desire for fame as a historian and influenced his treatment of both the "noble" and the "savage" characters of his histories.
In addition to assessing the influence of Parkman's development and personality on his histories, Jacobs comments on Parkman's relationship to basic social and cultural issues of the nineteenth century. These include the slavery question, Native American issues, expansion of the suffrage to new groups, including women, and anti-Catholicism.
"This is a book that anyone interested in South Carolina history, the emergence of the New South, and the southern press, so important to the regional culture, will find valuable. Clark has researched all the important manuscript collections and a wide variety of other sources. He also writes in a style that is lucid and imaginative." —Journal of Southern History
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