Growing up is a universal experience, but the particularities of homeland, culture, ethnicity, religion, family, and so on make every childhood unique. To give Western readers insight into what growing up in the Middle East was like in the twentieth century, this book gathers thirty-six original memoirs written by Middle Eastern men and women about their own childhoods.
Elizabeth Warnock Fernea, a well-known writer of books and documentary films about women and the family in the Middle East, has collected stories of childhoods spent in Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Morocco, Palestine, Saudi Arabia, Sudan, Syria, Tunisia, and Turkey. The accounts span the entire twentieth century, a full range of ethnicities and religions, and the social spectrum from aristocracy to peasantry. They are grouped by eras, for which Fernea provides a concise historical sketch, and include a brief biography of each contributor. The introduction by anthropologist Robert A. Fernea sets the memoirs in the larger context of Middle Eastern life and culture.
As a collection, the memoirs offer an unprecedented opportunity to look at the same period in history in the same region of the world from a variety of very different remembered experiences. At times dramatic, humorous, or tragic, and always deeply felt, the memoirs document the diversity and richness of people's lives in the modern Middle East.
Ezra F. Vogel (July 11, 1930–December 20, 2020) was one of America’s foremost experts on Asia, mastering the Japanese and Chinese languages and contributing important scholarly works on both countries, and on their relationships with each other and with the world. Starting from modest roots in an immigrant family in a small town in Ohio, he came to Harvard in 1953 to train as a sociologist. He then shifted his focus to Asia, spending almost the entirety of his life at Harvard.
Vogel had a dramatic impact around the world, not only through his scholarship and the students he trained, but also through his friendship and mentoring of journalists, diplomats, business executives, and foreign leaders as well as through his public policy advice and devotion to institution building, at Harvard as well as nationally and internationally. Active until the end, his sudden death provoked outpourings of gratitude and grief from countless people whose lives he had affected. The present volume, containing fond reminiscences from 155 diverse individuals, conveys what was so extraordinary about the character and life of Ezra Vogel.
Remembering Japanese Baseball: An Oral History of the Game transports us onto diamonds and into dugouts on the other side of the globe, where the vigorous sportsmanship of the game and the impassioned devotion of its fans transcend cultural and geographic borders and prove that baseball is fast becoming an international pastime.
Called Yakyu, baseball has been played in Japan since the 1890s but has only recently gained a substantial global following. Robert K. Fitts chronicles the nation’s distinctive version of the sport as recounted by twenty-five of its players. Fitts’s careful choice of subjects represents the experiences of a mix of American and Japanese players—including stars, titleholders, and members of the Japanese Hall of Fame. Informal, candid, and remarkably specific, these recollections describe teammates and opponents, corporate owners and loyal fans, triumphs and frustrations, collectively capturing all the spirit and emotion engendered by the game from decidedly personal vantage points. Throughout, readers glimpse the unique traits of baseball in Japan and discern how the game has evolved since its inception as well as how it differs from its American counterpart.
An unparalleled introduction for an American audience, Remembering Japanese Baseball is augmented by photos of its twenty-five interviewees and a timeline demarking milestone moments in the game’s Japanese history. Robert Whiting, author of You Gotta Have Wa! and The Meaning of Ichiro, provides the foreword.
Media:
Denver Post
Daily Camera
Colorado Arts & Sciences Magazine
Remembering the Power of Words recounts the personal and professional journey of Avel Gordly, the first African-American woman elected to the Oregon State Senate.
The book is a brave and honest telling of Gordly’s life. She shares the challenges and struggles she faced growing up black in Portland in the 1950s and 1960s, as well as her determination to attend college, the dedication to activism that took her from Portland to Africa, and her eventual decision to run for a seat in the state legislature.
That words have power is a constant undercurrent in Gordly’s account and a truth she learned early in life. “Growing up, finding my own voice,” she writes, “was tied up with denying my voice or having it forcefully rejected and in all of that the memory of my father is very strong. To this day—and I am today a very experienced public speaker—preparation to speak takes a great deal of energy.” That this memoir has its origins as an oral history is fitting since Gordly has used her voice, out loud, to teach and inspire others for so many years.
Important as a biographical account of one significant Oregonian’s story, the book also contributes “broader narratives touching on Black history (and Oregon’s place within it), and most particularly the politics associated with being an African American woman,” according to series editor Melody Rose.
A rare and remarkable example of Indo-Persian autobiography by the poet Mir Taqi Mir.
Mir Muhammad Taqi Mir (1723–1810) is the author of six collections of Urdu poetry and widely regarded as the finest ghazal poet in that language. However, he also wrote one volume of verse and three prose works in Persian, including Zikr-e Mir, or Remembrances, a rare and remarkable example of Indo-Persian autobiography.
Remembrances recounts Mir’s ancestry, his father’s spiritual quest, and his own struggles to find education and patronage both in his native Agra and in Delhi. While the work may offer few glimpses into the author’s private life or professional literary activity, it presents a vivid picture of political events and intrigues between 1760 and 1789, when north India witnessed extensive warfare.
The Persian text, presented here in the Naskh script, includes all the author’s additions and alterations properly identified and chronologically arranged, along with a newly revised English translation. Mir concludes his autobiography with a series of jokes and witty anecdotes, some of them quite risqué, that are printed here for the first time.
"To tell my own story is to tell that of my famous husband, General John A. Logan," explains Mary S. Logan in the preface to her autobiography.
Married to John A. Logan for thirty-one years, Mary Logan shared in her distinguished husband’s career as a prosecutor in southern Illinois, as a Civil War general, and as a senator from Illinois. She observed firsthand the extraordinary events before, during, and after the Civil War, and she knew personally those world leaders who held the power to shape history. After the death of her husband, she maintained her influence in Washington, D.C. "Under the brightest and darkest skies," she explains, "I have passed than a half-century at the national capital."
Born in 1838, Logan writes of her early days growing up in southern Illinois through 1913, when this book was first published. A skillful observer, she recounts events that are personal, regional, and national in scope. In charming detail, she shares her courtship and subsequent marriage to a young prosecutor from Jackson County and the births of their children. She writes proudly of the Lincoln-Douglas debates in 1858 and her husband’s election to the Thirty-seventh Congress that same year. Logan tells of the coming of the Civil War and of her husband—formerly a Democrat and an enemy of Lincoln—casting his fate with the Union and raising a regiment in southern Illinois. She poignantly describes her brother’s defection to the Confederate Army, her life in war-torn Cairo, Illinois, and her horror at her husband’s severe war wounds. She recounts the battles, the political campaigns, and Lincoln’s reelection and subsequent assassination from her point of view—and, as the wife of a politician and general, hers is a decidedly privileged perspective.
In a position to observe and to participate in events ranging from momentous to minute throughout the latter half of the nineteenth and early twentieth centuries, she reports the essential episodes of history with the flair of journalism, a career she in fact embraced after the death of her husband. She writes movingly of a wounded captain on the road to recovery who suddenly died when the minié shifted next to his lung, amusingly of the excuses soldiers invented to wrangle a pass to town, and elegantly of her trips to Europe and of the pomp and circumstance of the parties attended by the great men and women of the time. Drawing on events grand and small, she re-creates history as only a skillful writer who was in the right place at the right time could.
The old judge enjoyed swapping tales and sharing company with other lawyers, politicians, and family members. A true aristocrat of the Old South, Garnett Andrews (1798–1873) so enjoyed hearing and telling good yarns that he decided late in his life to preserve them for posterity. The judge wrote down a collection of his stories, including tales of men with whom he had worked—and some whom he had worked against—and in 1870, about three years before he died, he had his booklet printed and circulated among friends. He titled it Reminiscences of an Old Georgia Lawyer.
This new volume reprises Andrews’s work, and features a new introduction by S. Kittrell Rushing. In recounting a lawyer’s life from the frontier period through the Civil War and into the Reconstruction era, Andrews’s recollections provide rare and fascinating details, particularly about pre–Civil War Georgia, the state of the judiciary in the early national period—about which little has been written—and the larger political and social milieu of antebellum and postbellum America. This is an eclectic mixture of tall tales, humorous anecdotes, and keen observations about southern society and the practice of law.
In his introduction, Rushing places Andrews’s writings in a broad context. He addresses Andrews’s racial views head on, confronting and probing the racism, sexism, and classism of Andrews and his times. In addition, Rushing provides biographical and genealogical information about the judge and his family, including his daughter, the noted diarist and novelist Eliza Frances Andrews. This volume also includes other pieces by Andrews, among them letters, speeches, and his acceptance of the 1855 gubernatorial nomination.
Highly readable and lively, Reminiscence of an Old Georgia Lawyer will enlighten and entertain both scholars and general readers interested in the history of Georgia, the Old South, and American legal history.
Provides a fascinating glimpse into the early history of the Mississippi-Alabama Territory and antebellum Alabama
The two sections of the Reminiscences of George Strother Gaines form one of the most important primary sources on the early history of Alabama and Mississippi. The Reminiscences cover the years 1805 to 1843, during which time Gaines served as assistant factor and then factor of the Choctaw trading house (1805-18), cashier of Tombeckbee Bank in St. Stephens (1818-22), a merchant in Demopolis (1822-32), and finally a banker and merchant in Mobile (1832-43). In addition, Gaines played a key role in Indian-white relations during the Creek War of 1813-14, served a two-year term in the Alabama Senate (1825-27), led a Choctaw exploring party to the new Choctaw lands in the West following the Treaty of Dancing Rabbit Creek (1830-31), and served as the superintendent for Choctaw removal (1831-32).
Gaines dictated his Reminiscences in 1871 at the age of eighty-seven. Part of the Reminiscences, referred to as the "first series," was originally published in five issues of the Mobile Register in June-July 1872 as "Notes on the Early Days of South Alabama." Nearly a century later, the first series and the previously unpublished second series, "Reminiscences of Early Times in Mississippi Territory," were published in a 1964 issue of the Alabama Historical Quarterly as "Gaines' Reminiscences."
In this first book-length edition of the Reminiscences, James Pate has provided an extensive biographical introduction, notes, illustrations, maps, and appendixes to aid the general reader and the scholar. The appendixes include additional unpublished primary materials-including interviews conducted by Albert James Pickett in 1847 and 1848 that provide further information about this important early pioneer and statesman.
When DJ Lee’s dear friend vanishes in the vast Selway-Bitterroot Wilderness of Idaho and Montana, she travels there to seek answers. The journey unexpectedly brings to an end her fifteen-year quest to uncover the buried history of her family in this remote place. Although Lee doesn’t find all the answers, she comes away with a penetrating memoir that weaves her present-day story with past excursions into the region, wilderness history, and family secrets.
As she grapples with wild animal stand-offs, bush plane flights in dense fog, raging forest fires, and strange characters who have come to the wilderness to seek or hide, Lee learns how she can survive emotionally and how the wilderness survives as an ecosystem. Her growing knowledge of the life cycles of salmon and wolverine, the regenerative role of fire, and Nimíipuu land practices helps her find intimacy in this remote landscape.
Skillfully intertwining history, outdoor adventure, and mystery, Lee’s memoir is an engaging contribution to the growing body of literature on women and wilderness and a lyrical tribute to the spiritual connection between people and the natural world.
In this truly one-of-a-kind book, the author/narrator—a representative, in extremis, of contemporary American obsession with beauty, celebrity, transmitted image—finds himself suspended, fascinated, in the remoteness of our wall-to-wall mediascape. It is a remoteness that both perplexes and enthralls him.
Through dazzling sleight of hand in which the public becomes private and the private becomes public, the entire book—clicking from confession to family-album photograph to family chronicle to sexual fantasy to pseudo-scholarly footnote to reportage to personal essay to stand-up comedy to cultural criticism to literary criticism to film criticism to prose-poem to litany to outtake —becomes both an anatomy of American culture and a searing self-portrait.
David Shields reads his own life—reads our life—as if it were an allegory about remoteness and finds persuasive, hilarious, heartbreaking evidence wherever he goes.
Winner of the PEN / Revson Award?
This portrait of one of John Steinbeck's closest friends illuminates the life and work of a figure central to the development of scientific and literary thought in the 20th century.
Marine biologist Edward F. Ricketts is perhaps best known as the inspiration for John Steinbeck's most empathic literary characters Doc in Cannery Row, Slim in Of Mice and Men, Jim Casy in The Grapes of Wrath, and Lee in East of Eden. The correspondence of this accomplished scientist, writer, and philosopher reveals the influential exchange of ideas he shared with such prominent thinkers and artists as Henry Miller, Joseph Campbell, Ellwood Graham, and James Fitzgerald, in addition to Steinbeck, all of whom were drawn to Ricketts's Monterey Bay laboratory, a haven of intellectual discourse and Bohemian culture in the 1930s and 1940s.
The 125 previously unpublished letters of this collection, housed at the Stanford University Library, document the broad range of Ricketts's interests and accomplishments during the last 12 and most productive years of his life. His handbook on Pacific marine life, Between Pacific Tides, is still in print, now in its fifth edition. The biologist's devotion to ecological conservation and his evolving philosophy of science as a cross-disciplinary, holistic pursuit led to the publication of The Sea of Cortez. Many of Ricketts's letters discuss his studies of the Pacific littoral and his theories of “phalanx” and transcendence. Epistles to family members, often tender and humorous, add dimension and depth to Steinbeck's mythologized depictions of Ricketts. Katharine A. Rodger has enriched the correspondence with an introductory biographical essay and a list of works cited.
The early plans for Mount Rushmore called for blasting heroic likenesses of mountain men--Kit Carson, Jim Bridger, and John Colter-—into the solid mountain granite of South Dakota. Readers of this colorful volume will see the heroics and the brutally rugged individualism that made these fur trappers candidates for legend and infamy.
The accounts of the mountain men are spun from the experiences of a nation moving westward: a trapper returns from the dead; hunters feast on buffalo intestines served on a dirty blanket; a missionary woman is astounded by the violence and vulgarity of the trappers’ rendezvous. These are just a few of the narratives, tall tales, and just plain lies that make up A Rendezvous Reader.
The writers represented in this book include a dyed-in-the wool trappers, adventuring European nobles, upward-gazing eastern missionaries, and just plain hacks who never unsheathed a Green River knife or traveled farther west that the Ohio River. What these writers have in common is that all of them, whether they dealt mostly in fact of entirely in fantasy, helped to create a uniquely American icon: the mountain man.
Though A Rendezvous Reader will certainly be of interest to the historian and the historically curious, the true purpose of this anthology is to bring together in one volume the liveliest most readable accounts by and about the mountain men. Whether you sample or devour this anthology of mountain horrors and delights, it is a book guaranteed to entertain as well as inform.
2022 Atlantean Award, Robert E. Howard Foundation
You may not know the name Robert E. Howard, but you probably know his work. His most famous creation, Conan the Barbarian, is an icon of popular culture. In hundreds of tales detailing the exploits of Conan, King Kull, and others, Howard helped to invent the sword and sorcery genre.
Todd B. Vick delves into newly available archives and probes Howard’s relationships, particularly with schoolteacher Novalyne Price, to bring a fresh, objective perspective to Howard's life. Like his many characters, Howard was an enigma and an outsider. He spent his formative years visiting the four corners of Texas, experiences that left a mark on his stories. He was intensely devoted to his mother, whom he nursed in her final days, and whose impending death contributed to his suicide in 1936 when he was just thirty years old.
Renegades and Rogues is an unequivocal journalistic account that situates Howard within the broader context of pulp literature. More than a realistic fantasist, he wrote westerns and horror stories as well, and engaged in avid correspondence with H. P. Lovecraft and other pulp writers of his day. Vick investigates Howard’s twelve-year writing career, analyzes the influences that underlay his celebrated characters, and assesses the afterlife of Conan, the figure in whom Howard's fervent imagination achieved its most durable expression.
Jack Hill was a pioneering Arkansas documentary filmmaker dedicated to sharing his state’s history with a wider public. Following a decade as an award-winning investigative journalist and news anchor at KAIT in Jonesboro, Hill was pushed out by new management for his controversial reporting on corruption in a local sheriff’s office. What seemed like a major career setback turned out to be an opportunity: he founded the production company TeleVision for Arkansas, through which he produced dozens of original films. Although Hill brought an abiding interest in education and public health to this work from the beginning, he found his true calling in topics based in Arkansas history. Convinced that a greater acquaintance with the state’s most significant historical events would nurture a greater sense of homegrown pride, Hill tirelessly crisscrossed the state to capture the voices of hundreds of Arkansans recalling significant chapters in the state’s history, such as the oil boom in El Dorado and Smackover, the crucial contributions of the Arkansas Ordnance Plant in Jacksonville during World War II, and the role of Rosenwald Schools in expanding educational opportunities.
In Reporting for Arkansas, Dale Carpenter and Robert Cochran present a biography of Hill alongside an annotated selected filmography designed to accompany sixteen of his best films on subjects related to Arkansas history—all newly hosted online by the Center for Arkansas and Regional Studies at the University of Arkansas.
"At first reading, Representative Men seems the most alien of Emerson's books. First published in 1850 (having taken form over the five preceding years as a series of lectures intended as 'winter evening entertainments'), it was inspired by the romantic belief that there exists a 'general mind' that expresses itself with special intensity through certain individual lives. It was an appreciation of genius as a quality distributed to the few for the benefit of the many. When, according to Longfellow, Emerson began to speak on these themes in Boston in 1845, the Odeon theater was jammed with 'old men and young, bald heads and flowing transcendental locks, matrons and maidens, misanthropists and lovers.' The crowds were rapt and grateful, as were their counterparts two years later in England where the lecture series continued...
This edition of Representative Men is reproduced from the fourth volume of The Collected Works of Ralph Waldo Emerson, text established by Douglas Emory Wilson.
“A wonderful excavation of the first era of civil rights lawyering.”—Randall L. Kennedy, author of The Persistence of the Color Line
“Ken Mack brings to this monumental work not only a profound understanding of law, biography, history and racial relations but also an engaging narrative style that brings each of his subjects dynamically alive.”—Doris Kearns Goodwin, author of Team of Rivals
Representing the Race tells the story of an enduring paradox of American race relations through the prism of a collective biography of African American lawyers who worked in the era of segregation. Practicing the law and seeking justice for diverse clients, they confronted a tension between their racial identity as black men and women and their professional identity as lawyers. Both blacks and whites demanded that these attorneys stand apart from their racial community as members of the legal fraternity. Yet, at the same time, they were expected to be “authentic”—that is, in sympathy with the black masses. This conundrum, as Kenneth W. Mack shows, continues to reverberate through American politics today.
Mack reorients what we thought we knew about famous figures such as Thurgood Marshall, who rose to prominence by convincing local blacks and prominent whites that he was—as nearly as possible—one of them. But he also introduces a little-known cast of characters to the American racial narrative. These include Loren Miller, the biracial Los Angeles lawyer who, after learning in college that he was black, became a Marxist critic of his fellow black attorneys and ultimately a leading civil rights advocate; and Pauli Murray, a black woman who seemed neither black nor white, neither man nor woman, who helped invent sex discrimination as a category of law. The stories of these lawyers pose the unsettling question: what, ultimately, does it mean to “represent” a minority group in the give-and-take of American law and politics?
In the early twentieth century, shifting attitudes and new public health standards brought an unprecedented interest in and effort to regulate issues affecting reproduction and maternity. Maternal and infant health, nutrition, and medical care came under scrutiny, as did the issue of birth control. While the prior gained public support, the latter remained controversial. Though some reformers saw birth control as an important part of maternal welfare, others sought to separate it from more popular reforms. The careers of the four prominent but usually neglected reformers (Elizabeth Lowell Putnam, Ethel Sturges Dummer, Mary Ware Dennett, and Blanche Ames) examined in this book embody the struggle to define and resolve these tensions.
The study of these reformers offers a new perspective on more recognized leaders in the arena of reproductive health and rights, especially the U.S. Children's Bureau and Margaret Sanger. Putnam's elitism contextualizes the class politics of the Bureau, underscoring its sensitivity to the vulnerable and its innovative approach to public health. Dummer reminds us of roads not taken by policy makers in the Bureau, accentuating the differences between a child-centered and a woman-centered agenda. Dennett highlights the obstacles to women reformers in the formal political sphere, while Ames's penchant toward maternalism and compromise also led to difficulties. Together, they illustrate the complexities of formulating an effective approach to securing reproductive rights and health.
Anywhere football is played, Texas is the force to reckon with. Its powerhouse programs produce the best football players in America. In The Republic of Football, Chad S. Conine vividly captures Texas’s impact on the game with action-filled stories about legendary high school players, coaches, and teams from around the state and across seven decades.
Drawing on dozens of interviews, Conine offers rare glimpses of the early days of some of football’s biggest stars. He reveals that some players took time to achieve greatness—LaDainian Tomlinson wasn’t even the featured running back on his high school team until a breakthrough game in his senior season vaulted him to the highest level of the sport—while others, like Colt McCoy, showed their first flashes of brilliance in middle school. In telling these and many other stories of players and coaches, including Hayden Fry, Spike Dykes, Bob McQueen, Lovie Smith, Art Briles, Lawrence Elkins, Warren McVea, Ray Rhodes, Dat Nguyen, Zach Thomas, Drew Brees, and Adrian Peterson, Conine spotlights the decisive moments when players caught fire and teams such as Celina, Southlake Carroll, and Converse Judson turned into Texas dynasties. Packed with never-before-told anecdotes, as well as fresh takes on the games everyone remembers, The Republic of Football is a must-read for all fans of Friday night lights.
Jurgen Herbst’s account of growing up in Nazi Germany from 1928 to 1948 is a boy’s experience of anti-Semitism and militarism from the inside. Herbst was a middle-class boy in a Lutheran family that saw value in Prussian military ideals and a mythic German past. His memoir is a compelling, understated tale of moral awakening.
As Karl Marx the icon has fallen along with so many communist regimes, we are left with the mystery of Karl Marx the man, the complexities of a life that has profoundly affected millions. A Requiem for Karl Marx is Frank Manuel's searching meditation on that life, a learned and elegantly written engagement with the man and his work.
Manuel gives us a psychological portrait rendered with sympathy and critical detachment, a probing look at the connections between the private drama of Marx's life and his revolutionary ideas. Manuel pursues these connections from Marx's adolescence and education in Trier through his university studies, marriage to a German baroness, and early affiliation with French and German radical groups. Here we see Marx in moments of youthful rapture, in periods of despair, in maneuvers of blatant hypocrisy, in outbursts of self-mockery. We follow his involuted response to his status as a converted Jew, observe the psychic toll of debilitating bouts of illness, and witness the shattering effects of his aggressive, often brutal conduct toward friend and foe alike. Manuel analyzes in intricate detail the central role of Marx's enduring relationship with Friedrich Engels, which appears to transcend the bounds of friendship, and his changing behavior toward his wife, Jenny, the neurotic and tragic figure who shared his dismal London exile.
What becomes clear in this narrative is the link between Marx's personal life and his ideas about class struggle, revolutionary strategy, and utopia--as well as the impact of his personal vision and political tactics on the movements that followed him, down to our day.
This is the story of a Holocaust rescuer, Pierre Toureille, a French Protestant pastor whose efforts resulted in the rescue of hundreds of refugees, most of them Jewish. Inspired by his Huguenot heritage, Pastor Toureille participated in international Protestant church efforts to combat Nazism during the 1930s and headed a major refugee aid organization in Vichy France during World War II. After the war, Pastor Toureille was honored by the Jewish organization Yad Vashem as one of the "Righteous Among the Nations."
In telling Toureille’s story, Tela Zasloff also depicts the wide-ranging network of Protestant pastors and lay people in southern French villages who participated in an aggressive rescue effort. She delves into their motivations, including their heritage as members of a religious minority. Toureille’s rescue work under the Vichy regime, partly official and then increasingly clandestine as the war progrressed. was a crucial part of the French non-violent "spiritual resistance" against Nazism.
African slaves in Haiti emancipated themselves from French rule in 1804 and created the first independent black republic in the Western Hemisphere. But they reinstituted slavery for the most vulnerable members of Haitian society—the children of the poor—by using them as unpaid servants to the wealthy. These children were—and still are—restavecs, a French term whose literal meaning of "staying with" disguises the unremitting labor, abuse, and denial of education that characterizes the children's lives.
In this memoir, Jean-Robert Cadet recounts the harrowing story of his youth as a restavec, as well as his inspiring climb to middle-class American life. He vividly describes what it was like to be an unwanted illegitimate child "staying with" a well-to-do family whose physical and emotional abuse was sanctioned by Haitian society. He also details his subsequent life in the United States, where, despite American racism, he put himself through college and found success in the Army, in business, and finally in teaching.
Engaging and informed, Restless Pilgrim is a groundbreaking study of an important figure in Latter-day Saint intellectual life during a transformative era in Church history.
After a stirring e-mail exchange with his father, awardwinning essayist and cultural commentator Ilan Stavans decided to do something bizarre: revisit his hometown, Mexico City, accompanied by a tourist guide. But rather than seeking his roots in the neighborhood where he grew up, he headed to the Centro Histórico, the downtown area at the heart of the world’s largest metropolis. It was there that conversos, the hidden Jews escaping the might of the Holy Office of the Inquisition, were burned at the stake. And, centuries later, it was the same section where Jewish immigrants, both Yiddish-speaking Ashkenazim and Sephardim from the Ottoman Empire, made their homes as peddlers. In a sense, Centro Histórico is to Mexico what the Lower East Side is to the United States: a platform for reinventing one’s self in the New World.
With the same linguistic verve and insight that has made him one of the most distinguished voices in American literature today, Ilan Stavans invites readers along for a personal journey that is not only his own, but that of an entire culture. In Return to Centro Histórico he makes it possible to understand the intimate role that Jews have played in the development of Hispanic civilization.
Leila Abouzeid, whose novel Year of the Elephant has gone through six reprintings, has now translated her childhood memoir into English. Published in Rabat in 1993 to critical acclaim, the work brings to life the interlocking dramas of family ties and political conflict.
Against a background of Morocco's struggle for independence from French colonial rule, Abouzeid charts the development of personal relationships, between generations as well as between husbands and wives. Abouzeid's father is a central figure; as a strong advocate of Moroccan nationalism, he was frequently imprisoned by the French and his family forced to flee the capital. Si Hmed was a public hero, but the young daughter's memories of her famous father and of the family's plight because of his political activities are not so idyllic.
The memoir utilizes multiple voices, especially those of women, in a manner reminiscent of the narrative strategies of the oral tradition in Moroccan culture. Return to Childhood may also be classified as an autobiography, a form only now gaining respect as a valid literary genre in the Middle East. Abouzeid's own introduction and Elizabeth Fernea's foreword discuss this new development in Arabic literature.
Revolution on My Mind is a stunning revelation of the inner world of Stalin’s Russia. We see into the minds and hearts of Soviet citizens who recorded their lives during an extraordinary period of revolutionary fervor and state terror. Writing a diary, like other creative expression, seems nearly impossible amid the fear and distrust of totalitarian rule; but as Jochen Hellbeck shows, diary-keeping was widespread, as individuals struggled to adjust to Stalin’s regime.
Rather than protect themselves against totalitarianism, many men and women bent their will to its demands, by striving to merge their individual identities with the collective and by battling vestiges of the old self within. We see how Stalin’s subjects, from artists to intellectuals and from students to housewives, absorbed directives while endeavoring to fulfill the mandate of the Soviet revolution—re-creation of the self as a builder of the socialist society. Thanks to a newly discovered trove of diaries, we are brought face to face with individual life stories—gripping and unforgettably poignant.
The diarists’ efforts defy our liberal imaginations and our ideals of autonomy and private fulfillment. These Soviet citizens dreamed differently. They coveted a morally and aesthetically superior form of life, and were eager to inscribe themselves into the unfolding revolution. Revolution on My Mind is a brilliant exploration of the forging of the revolutionary self, a study without precedent that speaks to the evolution of the individual in mass movements of our own time.
In Rewrite Man, Alison Macor tells an engrossing story about the challenges faced by a top screenwriter at the crossroads of mixed and conflicting agendas in Hollywood. Whether writing love scenes for Tom Cruise on the set of Top Gun, running lines with Michael Keaton on Beetlejuice, or crafting Nietzschean dialogue for Jack Nicholson on Batman, Warren Skaaren collaborated with many of New Hollywood’s most powerful stars, producers, and directors. By the time of his premature death in 1990, Skaaren was one of Hollywood’s highest-paid writers, although he rarely left Austin, where he lived and worked. Yet he had to battle for shared screenwriting credit on these films, and his struggles yield a new understanding of the secretive screen credit arbitration process—a process that has only become more intense, more litigious, and more public for screenwriters and their union, the Writers Guild of America, since Skaaren’s time. His story, told through a wealth of archival material, illuminates crucial issues of film authorship that have seldom been explored.
In the context of a growing scholarly literature devoted to the topics of biography and autobiography, especially in the Arabic literary tradition, the essays in this volume explore the forms and meanings of these genres with particular reference to Persian writings, as well as to writings in Arabic and Turkish that were also composed in Persianate societies.
The authors address, among other topics, biographies and autobiographies of women; biographies of specific occupational groups, such as poets; the relation of traditional “lives of poets” to the reception of their literary works; intertextuality across biographical and autobiographical writings and across languages; and the processes involved in translating written biographies for the contemporary television screen.
Readers are invited to glimpse the lives of figures from the past and to appreciate the historical, cultural, and literary contexts that shaped their biographical and autobiographical narratives, and to reflect on the continuing significance of these narratives into the modern era.
"The first detailed study of one of the swing era's most important bands and the first biography of its leader, Jimmie Lunceford. This is a most welcome and significant contribution to the literature of jazz, to our understanding of a vital period in jazz history, and to the music of an outstanding and unique ensemble that was emblematic of the swing era."
---Dan Morgenstern, Director, Institute of Jazz Studies, Rutgers University, and author of Living with Jazz
"We were more popular than Benny Goodman! We were the first black band that played the Paramount Theater, downtown New York. Not Duke Ellington, not Count Basie. Six weeks in a row, four or five shows daily, and it was packed every day, people lining up around the corner constantly! We could outdraw any band in the country."
---Gerald Wilson
"Jimmie Lunceford was a key swing-era figure, and no book covers his biography and music like this one does. Grounded in years of research and inspired by the writer's love of his subject, the book fills a critical gap in the jazz literature and will be essential reading for all swing aficionados."
---Jeffrey Magee, Associate Professor of Musicology, University of Illinois, Urbana-Champaign, and author of The Uncrowned King of Swing: Fletcher Henderson and Big Band Jazz
"It was Jimmie Lunceford and his orchestra that inspired me to become a musician. I was eleven years old at the time. When I heard that band play I said to myself, 'That's for me. I want to become a musician.' I still get inspired when I listen to some of their recordings. The Jimmie Lunceford Orchestra is one of the great jazz orchestras of all time."
---Horace Silver
"Jimmie Lunceford has the best of all bands. Duke is great, Basie is remarkable, but Lunceford tops them both."
---Glenn Miller
In the 1930s, swing music reigned, and the Jimmie Lunceford Orchestra was the hottest and hippest attraction on the black dance circuits. Known for its impeccable appearance and infectious rhythms, Lunceford's group was able to out-swing and outdraw any band. For ten consecutive years, they were the best-loved attraction at Harlem's famed Apollo Theater. The group's hit recordings sold in the hundreds of thousands, and Jimmie Lunceford's band rivaled Ellington's for popularity in the African American community.
Jimmie Lunceford was also an innovator, elevating big-band showmanship to an art and introducing such novel instruments as the electric guitar and bass. The band's arrangements, written by Sy Oliver, Edwin Wilcox, Gerald Wilson, Billy Moore, Jr., and Tadd Dameron, were daring and forward looking, influencing generations of big-band writers.
Rhythm Is Our Business traces the development of the Jimmie Lunceford Orchestra from its infant days as a high school band in Memphis to its record-breaking tours across the United States, Canada, and Europe. The book also unveils Lunceford's romantic yet ill-fated involvement with Yolande Du Bois, daughter of famous writer and opinion leader W.E.B. Du Bois. And by reconstructing Lunceford's last day, the book offers a glimpse into the mysteries surrounding the leader's untimely death. This is essential reading for anyone interested in the history and legacy of swing.
Eddy Determeyer has been a freelance music journalist for more than three decades. In 1984 Determeyer wrote a seven-part series on Jimmie Lunceford for the Dutch magazine Jazz Nu. Determeyer has written thousands of articles on music for a variety of Dutch publications and is the author of several books. He currently produces the Holiday for Hipsters radio show for Dutch station Concertzender.
Cover image: Lunceford brass section, ca. late 1936. Left to right: Paul Webster, Eddie Durham, Sy Oliver, Elmer Crumbley, Eddie Tompkins, Russell Bowles. (Bertil Lyttkens Collection)
In Richard Barr: The Playwright’s Producer, author David A. Crespy investigates the career of one of the theatre’s most vivid luminaries, from his work on the film and radio productions of Orson Welles to his triumphant—and final—production of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street. Explored in detail along the way are the producer’s relationship with playwright Edward Albee, whose major plays such as A Zoo Story and Who’s Afraid of Virginia Woolf Barr was the first to produce, and his innovative productions of controversial works by playwrights like Samuel Beckett, Terrence McNally, and Sam Shepard. Crespy draws on Barr’s own writings on the theatre, his personal papers, and more than sixty interviews with theatre professionals to offer insight into a man whose legacy to producers and playwrights resounds in the theatre world. Also included in the volume are a foreword and an afterword by Edward Albee, a three-time Pulitzer Prize–winning playwright and one of Barr’s closest associates.
On Richard Cobden’s death, Charles Francis Adams noted in his diary that Cobden “had fought his way to fame and honor by the single force of his character. He had nothing to give. No wealth, no honors, no preferment. He first taught the multitude by precept and example that the right of government was not really to the few, but to the many.&rquo; Disraeli was no less acute when he remarked that Cobden was “the greatest political character that the pure middle class of this country has yet produced.”
In this biography, Nicholas Edsall demonstrates how Cobden dominated middle-class radicalism from its high-water mark in the turbulent 1840s to the quieter years immediately before the emergence of the Gladstonian Liberal party in the 1860s. Cobden headed the movement for the incorporation of his adopted city, Manchester; he was the leader of the most successful of Victorian mass agitations, the Anti-Corn Law League, and chief adviser to the movement for the repeal of newspaper taxes; he was a founder of the mid-nineteenth-century peace movement and a vocal opponent of the Crimean War; he was the chief English negotiator of the Anglo–French Commercial Treaty of 1860; and he was one of the earliest critics of the modern arms race.
This is the first full-length biography since the publication of the official life more than a century ago. Not only has a good deal of new material become available, but the passage of time has served to underscore Cobden’s significance both as a spokesman for the middle class in an era of acute class conflict and as a critic of the aims of great-power diplomacy at a time when his own country was the greatest of powers.
Richard Halliburton (1900–1939), considered the world’s first celebrity travel writer, swam the length of the Panama Canal, recreated Ulysses’ voyages in the Mediterranean, crossed the Alps on an elephant, flew around the world in a biplane, and descended into the Mayan Well of Death, all the while chronicling his own adventures. Several books treat his life and travels, yet no book has addressed in detail Halliburton’s most ambitious expedition: an attempt to sail across the Pacific Ocean in a Chinese junk.
Set against the backdrop of a China devastated by invading Japanese armies and the storm clouds of world war gathering in Europe, Halliburton and a crew of fourteen set out to build and sail the Sea Dragon—a junk or ancient sailing ship—from Hong Kong to San Francisco for the Golden Gate International Exposition. After battling through crew conflicts and frequent delays, the Sea Dragon set sail on March 4, 1939. Three weeks after embarking, the ship encountered a typhoon and disappeared without a trace.
Richly enhanced with historic photographs, Richard Halliburton and the Voyage of the Sea Dragon follows the dramatic arc of this ill-fated expedition in fine detail. Gerry Max artfully unpacks the tensions between Halliburton and his captain, John Wenlock Welch (owing much to Welch’s homophobia and Halliburton’s unconcealed homosexuality). And while Max naturally explores the trials and tribulations of preparing, constructing, and finally launching the Sea Dragon, he also punctuates the story with the invasion of China by the Japanese, as Halliburton and his letters home reveal an excellent wartime reporter. Max mines these documents, many of which have only recently come to light, as well as additional letters from Halliburton and his crew to family and friends, photographs, films, and tape recordings, to paint an intricate portrait of Halliburton’s final expedition from inception to tragic end.
In the mid-1850s, no scientist in the British Empire was more visible than Richard Owen. Mentioned in the same breath as Isaac Newton and championed as Britain’s answer to France’s Georges Cuvier and Germany’s Alexander von Humboldt, Owen was, as the Times declared in 1856, the most “distinguished man of science in the country.” But, a century and a half later, Owen remains largely obscured by the shadow of the most famous Victorian naturalist of all, Charles Darwin. Publicly marginalized by his contemporaries for his critique of natural selection, Owen suffered personal attacks that undermined his credibility long after his name faded from history.
With this innovative biography, Nicolaas A. Rupke resuscitates Owen’s reputation. Arguing that Owen should no longer be judged by the evolution dispute that figured in only a minor part of his work, Rupke stresses context, emphasizing the importance of places and practices in the production and reception of scientific knowledge. Dovetailing with the recent resurgence of interest in Owen’s life and work, Rupke’s book brings the forgotten naturalist back into the canon of the history of science and demonstrates how much biology existed with, and without, Darwin
How Rick Perry navigated and shaped Texas politics as the state’s longest serving governor.
Rick Perry, the charming rancher, pilot, and politician from West Texas who was governor from 2000 to 2015, is one of the most important but polarizing figures in the state's history. Over the nearly forty years he spent in the political arena, his political instincts served as a radar primed to sense future political opportunities. Hugging the arc of Texas political change, he shifted from a rural, “blue dog” Democrat to one of the most conservative politicians the state had elected up to that time, overseeing the enactment of controversial redistricting, voting, and abortion measures. Yet his evolution was complicated and incomplete, as his stands on such topics as immigration, vaccine requirements, and the use of state funds to attract business ran into opposition from a growing and ever-more conservative wing of the Republican Party in Texas—and the nation.
Rick Perry is both a biography of Perry as a politician and a study of the shifts in state politics that took place during his time in office. Demonstrating that Perry ranks among the most consequential governors in Texas history, Brandon Rottinghaus chronicles the profound ways he accumulated power and shaped the governorship.
Riding on Comets is the true story of an only child growing up in a working-class family during the 1950s and ‘60s.
As the family storyteller, Cat Pleska whispers and shouts about her life growing up around savvy, strong women and hard-working, hard-drinking men. Unlike many family stories set within Appalachia, this story provides an uncommon glimpse into this region: not coal, but an aluminum plant; not hollers, but small-town America; not hillbillies, but a hard-working family with traditional values.
From the dinner table, to the back porch, to the sprawling countryside, Cat Pleska reveals the sometimes tender, sometimes frightening education of a child who listens at the knees of these giants. She mimics and learns every nuance, every rhythm—how they laugh, smoke, cuss, fight, love, and tell stories—as she unwittingly prepares to carry their tales forward, their words and actions forever etched in her mind. And finally, she discovers a life story of her own.
The spectacle of thoroughbred horses dashing powerfully and gracefully down the track is one of the most stimulating and beautiful of all athletic events. Yet despite its mass appeal, an elite group of men and a few women have traditionally controlled the sport. What are the origins and personalities behind the sport in America?
In The Right Blood, Carole Case examines the history of American thoroughbred racing, in particular the story behind the Jockey Club. Formed in 1894 by the nation’s richest, most powerful, and often most notorious men, the Jockey Club continues to this day to exert a formidable influence on this “sport of kings.”
Using Jockey Club documents and personal interviews, Case traces the history of how club members created and enforced the rules governing racing, from the first decades of the twentieth century to the present day. She tells of how club members once assigned racing dates, issued licenses, appointed judges, and dictated who could train, ride, and own thoroughbred horses. Case also describes how many of them exploited the poor to work their horses, defeated those who posed a threat to their interests, and excluded people of different backgrounds from horse racing ¾ all in the name of improving the breed and promoting the sport. The Jockey Club maintained this stranglehold on the sport until 1950, when an appellate court took away its licensing power. Perhaps most interestingly, the men of the Jockey Club became and continue as keepers of the registry of North American thoroughbred horses, The American Stud Book, determining which horses can ¾ and cannot ¾ be considered thoroughbreds.
Written for the general reader interested in the sport and its culture, The Right Blood is an engaging look behind the scenes of American horse racing.
The Ringling Brothers began their business under the most modest of circumstances and through hard work, business savvy, and some luck created the largest, most famous circus in the world. They became wealthy men, one 50 cent admission ticket at a time.
Ringlingville USA chronicles the brothers' journey from immigrant poverty to enduring glory as the kings of the circus world. The Ringlings and their circus were last studied in depth over four decades ago. Now, for the first time, the brothers' detailed financial records and personal correspondence are available to researchers. Jerry Apps weaves together that information with newspaper accounts, oral histories, colorful anecdotes, and stunning circus ephemera and photos, many never before been published, to illuminate the importance of the Ringlings' accomplishments. He describes how the Ringling Brothers confronted the challenges of taxation, war, economic pressure, changing technology, and personal sorrows to find their place in history. The brothers emerge as complex characters whose ambition, imagination, and pure hucksterism fueled the phenomenon that was the Ringling Brothers' Circus.
The Republic of Texas was still in its first exultation over independence when John Salmon "Rip" Ford arrived from South Carolina in June of 1836. Ford stayed to participate in virtually every major event in Texas history during the next sixty years. Doctor, lawyer, surveyor, newspaper reporter, elected representative, and above all, soldier and Indian fighter, Ford sat down in his old age to record the events of the turbulent years through which he had lived. Stephen Oates has edited Ford's memoirs to produce a clear and vigorous personal history of Texas.
When she was in fifth grade, Monica Abbott declared that she would one day become an Olympic athlete. In the decades that would follow, her prediction would prove stunningly true, as she would not only compete in the Games but go on to claim two Silver Medals as pitcher for Team USA softball.
In her twenty-plus years as a professional athlete, Abbott has set a high standard of firsts and achievements—but her talents and tenacity have not only shattered records but have also created new possibilities for female athletes everywhere. In Rise and Shine, Abbott chronicles significant lessons and experiences from her childhood, her University of Tennessee and professional softball years, her time in the Olympics, and beyond. Throughout the book, she shares insights cultivated on her journey, offering them to readers of all ages and skill sets to consider as they endeavor to bring their lives into contact with their dreams.
How do we set goals yet unseen? How do we thrive even while overcoming obstacles? And perhaps most importantly, how do we turn our successes into advantages for others? With a foreword by world-renowned tennis icon Billie Jean King, Rise and Shine is more than a record of medals and firsts; it is the story of making dreams come true and of lifting others with you as you rise.
Underscoring professional and educational issues pertinent to higher learning at universities across the country, Theodore L. Gross’s memoir of his years in academia chronicles his successful fourteen-year presidency at Chicago’s Roosevelt University, a period of leadership that resulted in an upsurge of fund-raising, sharp increases in enrollment and endowment, and the transformation of an urban campus into a metropolitan university.
Beginning with a description of his childhood and adolescent education and experiences, Gross recalls his years as a faculty member and academic administrator at the City College of New York from 1958 to 1978, when the college was moving from selective admissions to open enrollment. He also served in administrative positions at Penn State University and SUNY Purchase before accepting the Roosevelt presidency in 1988. Focusing on the tension between the promise of open admissions and aspirations of academic excellence, The Rise of Roosevelt University: Presidential Reflections relates Gross’s perceptions of the failure of open admissions at CCNY and his resolution to learn from those mistakes while at Roosevelt.
Drawing on private correspondence and conversations, essays, university documents, and other archival materials and research, Gross re-creates the highs and lows of his quest to make Roosevelt distinctive. His strategic plan included the appointment of senior executives and deans, the creation of a performing arts conservatory, the development of an educational alliance with other universities, online instruction, an honors program, a Chicago School of Real Estate, an MBA for Chinese students, the Partners in Corporate Education program, and the implementation of a second comprehensive campus. He describes the creation of the Albert A. Robin campus in Schaumburg and the realization of Roosevelt as a metropolitan university, creating a vivid portrait of the suburban culture, the educational context of large community colleges throughout the northwest suburbs, the development of a community advisory board that helped secure funds, and the improved morale of faculty and administration.
Gross’s fund-raising efforts increased the endowment from $3 million to $33 million, and a capital campaign surpassed the goal of $45 million. In this volume, he describes meetings with major donors, the successes and failures of contributions, and the development of greater alumni support in the context of fund-raising throughout Chicago. He also analyzes the highly publicized legal dispute between the Auditorium Theatre Council and Roosevelt University over ownership of the world renowned theatre, pointing out how the case epitomizes issues that all universities confront: the university’s need to control its entities, detrimental publicity, sectional and regional conflicts, and a split in the arts community. Throughout this narrative, Gross juxtaposes his personal life and professional career, dramatizing how the two are related.
More than a retelling of anecdotes and statistics, the volume provides a rare perspective on the intersection of higher education and politics in Chicago. Gross analyzes the different public and private universities in the city and in surrounding Cook County to describe their relationships with ethnicity, religion, class, and with city hall. He also covers the Daley political machine’s influence on higher education, the politics of university governance, the spectacular growth of the western suburbs, and city versus suburban identities.
A personal road map of the development of higher education through the post–World War II decades, The Rise of Roosevelt University: Presidential Reflections mirrors the social climate that affected the country’s universities at large, from the open admissions policies and student rebellions of the ’60s and ’70s, to the urban blight and suburban sprawl of the ’80s, to the strategic planning and expansion of the ’90s and the new century. The result is a captivating account of the issues involved in presidential transition and leadership, the strategic development of metropolitan universities, and the future role of Roosevelt and similar institutions.
Risking Everything: A Freedom Summer Reader documents the 1964 Mississippi Freedom Summer Project, when SNCC and CORE workers and volunteers arrived in the Deep South to register voters and teach non-violence, and more than 60,000 black Mississippians risked everything to overturn a system that had brutally exploited them.
In the 44 original documents in this anthology, you’ll read their letters, eavesdrop on their meetings, shudder at their suffering, and admire their courage. You’ll witness the final hours of three workers murdered on the project’s first day, hear testimony by black residents who bravely stood up to police torture and Klan firebombs, and watch the liberal establishment betray them.
These vivid primary sources, collected by the Wisconsin Historical Society, provide both first-hand accounts of this astounding grassroots struggle as well as a broader understanding of the Civil Rights movement.
The selected documents are among the 25,000 pages about the Mississippi Freedom Summer Project in the archives of the Wisconsin Historical Society. The manuscripts were collected in the mid-1960s, at a time when few other institutions were interested in saving the stories of common people in McComb or Ruleville, Mississippi. Most have never been published before.
For more than forty years, Helen M. Stummer has captured images depicting the dignity, humanity, and suffering of people living in conditions of poverty. Her efforts taught her to understand firsthand the resilience of people living in insufferable conditions. In her inspiring memoir, Risking Life and Lens, Stummer recounts her experiences as a socially-concerned documentary photographer whose passion for her work overcame her fears.
Stummer’s images, from the mean streets of Manhattan and Newark, New Jersey, to the back woods of Maine and the mountains of Guatemala, expose the myths of poverty and serve as a metaphor for her challenges in her own life. The 159 photographs reproduced here recount Stummer’s journey as an artist and her personal quest for truth.
Risking Life and Lens shares Stummer’s work and educational efforts and it provides valuable insights about race, class, and social justice—issues that continue to divide the country and the world. Her work has created change in both her own life and the lives of those who view it.
The April 1988 murder and decapitation of twenty-three-year-old Michael Miley in rural southern Illinois horrified and enraged local residents and law enforcement officials, some of whom suspected the homicide was a hate crime. The Rita Nitz Story: A Life Without Parole is an in-depth personal investigation into Miley’s murder, for which Rita Nitz was convicted as an accomplice to life in prison. Born in 1959, Rita was thirty when she was sentenced in 1989. Her husband, Richard Nitz, was convicted of the murder. Detailing the crime and its aftermath, Larry L. Franklin uncovers a disturbing set of facts that illuminate a possible miscarriage of justice.
Was Rita Nitz involved in the murder of Michael Miley? Franklin doesn’t purport her guilt or her innocence but instead details the plight of a troubled woman who was a victim of sexual abuse and domestic violence at the hands of family members and spouses and who may also have been a victim of inadequate legal representation and a judicial system more interested in delivering the maximal punishment than in serving justice. Consulting with experts in prosecutorial conduct, jury psychology, and forensic evidence, Franklin discovered details that were withheld from the jury and the public during the trial in 1989. He also suggests other theories and names possible perpetrators involved in the murder that further imply shoddy police work and a tainted criminal investigation.
Drawing on numerous conversations with Rita at the Dwight Correctional Center in Illinois, Franklin divulges the story of Rita’s tumultuous youth and her three problematic marriages. He shows her to be a battered woman who didn’t fully understand the circumstances and behavior that led to her being implicated in such a hideous crime and who lacked the financial resources and emotional strength to navigate the legal tangle that entrapped her.
Franklin also points out the disparity in justice between Rita and Richard, who is up for parole in less than twenty years, while Rita remains sentenced to life without parole. In attempting to reach the truth about Miley’s murder, Franklin highlights abuses in the Illinois correctional system and disparities between the treatment of male and female convicts, sketching a blueprint that could improve law enforcement and justice in rural Illinois.
Winner, William P. Clements Prize, Best Non-Fiction Book on Southwestern America, 2004
Not quite the United States and not quite Mexico, La Junta de los Rios straddles the border between Texas and Chihuahua, occupying the basin formed by the conjunction of the Rio Grande and the Rio Conchos. It is one of the oldest continuously inhabited settlements in the Chihuahuan Desert, ranking in age and dignity with the Anasazi pueblos of New Mexico.
In the first comprehensive history of the region, Jefferson Morgenthaler traces the history of La Junta de los Rios from the formation of the Mexico-Texas border in the mid-19th century to the 1997 ambush shooting of teenage goatherd Esquiel Hernandez by U.S. Marines performing drug interdiction in El Polvo, Texas. "Though it is scores of miles from a major highway, I found natives, soldiers, rebels, bandidos, heroes, scoundrels, drug lords, scalp hunters, medal winners, and mystics," writes Morgenthaler. "I found love, tragedy, struggle, and stories that have never been told." In telling the turbulent history of this remote valley oasis, he examines the consequences of a national border running through a community older than the invisible line that divides it.
The death of her father begins Dorothy Weil’s search for what causes the family’s “spinning of in all directions like the pieces of Chaos.” She embarks on a river odyssey, traveling the Ohio, Missouri, and Mississippi Rivers by steamboat, towboat, and even an old-fashioned flatboat. The river brings her family back, as she records the stories of her fellow “river rats”: steamboat veterans, deckhands, captains, and cooks.
The River Home takes the reader into a world few ever glimpse, that of America’s riverboats. In the fast-paced narrative, with incisive characterizations and dialogue, the author introduces us to this vivid milieu and a gallery of fascinating people. We meet her father, a “wild river man from the Kentucky hills,” her mother, “a proper girl from a Cincinnati Dutch clan,” and her brother, a fourth-generation river man, as well as the artists and academics she meets in her adult life.
Weil’s voice is clear and wry, as well as poetic, bringing out both the sadness and joys of a family torn by mismatched backgrounds. Her themes speak to all: the confusion brought by family conflict, the strength of family love no matter how troubled the relationships, the mortality we all face, the importance of where we come from and where we go.
In 1894, an eighteen-year-old Jack London quit his job shoveling coal, hopped a freight train, and left California on the first leg of a ten thousand-mile odyssey. His adventure was an exaggerated version of the unemployed migrations made by millions of boys, men, and a few women during the original "great depression of the 1890s. By taking to the road, young wayfarers like London forged a vast hobo subculture that was both a product of the new urban industrial order and a challenge to it. As London's experience suggests, this hobo world was born of equal parts desperation and fascination. "I went on 'The Road,'" he writes, "because I couldn't keep away from it . . . Because I was so made that I couldn't work all my life on 'one same shift'; because-well, just because it was easier to than not to."
The best stories that London told about his hoboing days can be found in The Road, a collection of nine essays with accompanying illustrations, most of which originally appeared in Cosmopolitan magazine between 1907 and 1908. His virile persona spoke to white middle-class readers who vicariously escaped their desk-bound lives and followed London down the hobo trail. The zest and humor of his tales, as Todd DePastino explains in his lucid introduction, often obscure their depth and complexity. The Road is as much a commentary on London's disillusionment with wealth, celebrity, and the literary marketplace as it is a picaresque memoir of his youth.
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