BiblioVault - Books about Charleston

Black Charlestonians

A Social History, 1822-1885

Bernard E. Powers

University of Arkansas Press, 2016

This revisionist work delineates the major social and economic contours of the large black population in the pivotal Southern city of Charleston, South Carolina., historic seaport center for the slave trade. It draws upon census data, manuscript collections, and newspaper accounts to expand our knowledge of this particular community of nineteenth-century black urbanites.

Although the federal government codified the rights of African-Americans into law following the Civil War, it was the initiatives taken by black men and women that actually transformed the theoretical benefits of emancipation into clear achievement.

Because of its large free black population, Charleston provided a case study of black social class stratification and social mobility even before the war. Reconstruction only emphasized that stratification, and Powers examines in detail the aspirations and concessions that shaped the lives of the newly freed blacks, who were led by a black upper class tat sometimes seemed more inclined to emulate white social mores than act as a vanguard for fundamental social change.

Unlike most Reconstruction studies, which concentrate on politics, Black Charlestonians explores the era’s vital socioeconomic challenges for blacks as they emerged into full citizenship in an important city in the South.

Choice’s 1996 Outstanding Academic Books List

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The Charleston Orphan House

Children's Lives in the First Public Orphanage in America

John E. Murray

University of Chicago Press, 2012

The first public orphanage in America, the Charleston Orphan House saw to the welfare and education of thousands of children from poor white families in the urban South. From wealthy benefactors to the families who sought its assistance to the artisans and merchants who relied on its charges as apprentices, the Orphan House was a critical component of the city’s social fabric. By bringing together white citizens from all levels of society, it also played a powerful political role in maintaining the prevailing social order.

John E. Murray tells the story of the Charleston Orphan House for the first time through the words of those who lived there or had family members who did. Through their letters and petitions, the book follows the families from the events and decisions that led them to the Charleston Orphan House through the children’s time spent there to, in a few cases, their later adult lives. What these accounts reveal are families struggling to maintain ties after catastrophic loss and to preserve bonds with children who no longer lived under their roofs.

An intimate glimpse into the lives of the white poor in early American history, The Charleston Orphan House is moreover an illuminating look at social welfare provision in the antebellum South.

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Doing the Charleston

My Personal History of Scholarly Communication

Katina Strauch with Darrell W. Gunter

Against the Grain, LLC, 2025

In 1980, Katina Strauch started the Charleston Conference: Issues in Book and Serial Acquisition to bring together librarians, publishers, and vendors to discuss issues shared by the three groups. The meeting has continued annually and boasts over 3,000 attendees in person and virtually. This memoir is Katina’s diary and story of the Charleston Conference and its development concurrently with her career as a professional librarian. Over the last 45 years, there have been massive changes in scholarly communication, changes that Katina has been at the heart of. Where and what will the library and publishing professions develop next? The sky’s the limit to reimagining! Let’s go.

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Doing the Charleston

My Personal History of Scholarly Communication

Katina Strauch with Darrell W. Gunter

Against the Grain, LLC, 2025

In 1980, Katina Strauch started the Charleston Conference: Issues in Book and Serial Acquisition to bring together librarians, publishers, and vendors to discuss issues shared by the three groups. The meeting has continued annually and boasts over 3,000 attendees in person and virtually. This memoir is Katina’s diary and story of the Charleston Conference and its development concurrently with her career as a professional librarian. Over the last 45 years, there have been massive changes in scholarly communication, changes that Katina has been at the heart of. Where and what will the library and publishing professions develop next? The sky’s the limit to reimagining! Let’s go.

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The Four Deaths of Acorn Whistler

Telling Stories in Colonial America

Joshua Piker

Harvard University Press, 2013

Who was Acorn Whistler, and why did he have to die? A deeply researched analysis of a bloody eighteenth-century conflict and its tangled aftermath, The Four Deaths of Acorn Whistler unearths competing accounts of the events surrounding the death of this Creek Indian. Told from the perspectives of a colonial governor, a Creek Nation military leader, local Native Americans, and British colonists, each story speaks to issues that transcend the condemned man’s fate: the collision of European and Native American cultures, the struggle of Indians to preserve traditional ways of life, and tensions within the British Empire as the American Revolution approached.

At the hand of his own nephew, Acorn Whistler was executed in the summer of 1752 for the crime of murdering five Cherokee men. War had just broken out between the Creeks and the Cherokees to the north. To the east, colonists in South Carolina and Georgia watched the growing conflict with alarm, while British imperial officials kept an eye on both the Indians’ war and the volatile politics of the colonists themselves. They all interpreted the single calamitous event of Acorn Whistler’s death through their own uncertainty about the future. Joshua Piker uses their diverging accounts to uncover the larger truth of an early America rife with violence and insecurity but also transformative possibility.

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I'm Afraid of That Water

A Collaborative Ethnography of a West Virginia Water Crisis

Luke Eric Lassiter

West Virginia University Press, 2020

Weatherford Award Winner, Nonfiction

On January 9, 2014, residents across Charleston, West Virginia, awoke to an unusual licorice smell in the air and a similar taste in the public drinking water. That evening residents were informed the tap water in tens of thousands of homes, hundreds of businesses, and dozens of schools and hospitals—the water made available to as many as 300,000 citizens in a nine-county region—had been contaminated with a chemical used for cleaning crushed coal.

This book tells a particular set of stories about that chemical spill and its aftermath, an unfolding water crisis that would lead to months, even years, of fear and distrust. It is both oral history and collaborative ethnography, jointly conceptualized, researched, and written by people—more than fifty in all—across various positions in academia and local communities. I’m Afraid of That Water foregrounds the ongoing concerns of West Virginians (and people in comparable situations in places like Flint, Michigan) confronted by the problem of contamination, where thresholds for official safety may be crossed, but a genuine return to normality is elusive.

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Isaac Harby of Charleston, 1788-1828

Jewish Reformer and Intellectual

Gary Phillip Zola

University of Alabama Press, 1994

The visionary voice who helped shape American Judaism—and Charleston’s cultural soul.

Isaac Harby of Charleston, 1788–1828 is a richly detailed biography that brings to life one of early America’s most fascinating and underappreciated Jewish intellectuals. Gary Phillip Zola offers a compelling portrait of Harby—a playwright, newspaper editor, drama critic, educator, and religious reformer—who emerged as a central figure in Charleston’s vibrant cultural scene during the early 19th century. At a time when Charleston was experiencing both economic prosperity and cultural efflorescence, Harby stood at the crossroads of literary ambition and religious innovation.

A descendant of Sephardic Jews, Harby was deeply engaged in the intellectual and civic life of his city. He founded a literary journal at just eighteen, established a private academy, and wrote prolifically on politics, education, and religion. But his most enduring legacy lies in his role as a pioneer of Reform Judaism in America. As a founding member of the Reformed Society of Israelites in 1825, Harby advocated for a rational, modernized approach to Jewish worship—one that emphasized universal ethics and intellectual engagement over ritual formalism. His efforts, though controversial in his time, laid the groundwork for the broader Reform movement that would flourish later in the century.

Drawing on newly uncovered archival materials, including Harby’s personal library and writings, Zola’s biography not only illuminates Harby’s life and thought but also offers a window into the broader cultural, religious, and political transformations of the early American republic. This book is essential reading for anyone interested in American Jewish history, Southern intellectual life, and the roots of religious reform in the United States.

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Maria Martin's World

Art and Science, Faith and Family in Audubon’s America

Debra J. Lindsay

University of Alabama Press, 2018

The first book-length treatment of one of John James Audubon’s background painters.

Maria Martin (1796–1863) was an evangelical Lutheran from Charleston, South Carolina, who became an accomplished painter within months of meeting John James Audubon. Martin met Audubon through her brother-in-law, Reverend John Bachman, who befriended Audubon while passing through Charleston on route to Florida where he expected to find new avian species. Martin was an amateur artist, but by the time Audubon left, she had familiarized herself with his style of drawing. Six months after their initial meeting, her background botanicals were deemed good enough to embellish Audubon’s exquisite bird paintings.

Martin’s botanicals and insects appeared in volumes two and four of The Birds of America (1830–1838). She painted snakes for John Edwards Holbrook’s North American Herpetology (1842) and assisted in drafting the descriptive taxonomies prepared by John Bachman—who later became her husband in 1848 following the death of her older sister—for The Viviparous Quadrupeds of North America (1846–1854). Until now, her contributions have been unknown to all but the most astute students of natural history and art history and a close circle of family and friends.

Maria Martin’s World is a heavily illustrated volume examining how Maria Martin learned to paint aesthetically beautiful botanicals with exacting accuracy. Drawing on deep research into archival documents and family-held artifacts, Debra Lindsay brings Maria Martin out from behind the curtain of obscurity and disinformation that has previously shrouded her and places her centrally in her own time and milieu. In the telling of Maria Martin’s story, Lindsay also uncovers many nuances of the behavior and actions of the two prominent men in her life that readers interested in Audubon and Bachman will find noteworthy.

Martin was a gifted artist recognized for having contributed beautiful paintings to a natural history. But beyond the natural world this is a biography of an evangelical Lutheran steeped in the faith of her German ancestors and raised to respect the patriarchal norms of her time. Maria Martin pursued her scientific and artistic interests only when they did not conflict with her religious and familial responsibilities.

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Phonological Variation and Change in the Dialect of Charleston, South Carolina, Volume 82

Maciej Baranowski

Duke University Press

Red, White, Black, and Blue

A Dual Memoir of Race and Class in Appalachia

William M. Drennen Jr., Kojo (William T.) Jones Jr.

Ohio University Press, 2004

Red, White, Black, and Blue began as a collaborative memoir by William M. “Bill” Drennen, a European American, and Kojo (William T.) Jones, an African American. These Appalachian men grew up in the South Hills section of Charleston, West Virginia. As boys they played on the same Little League baseball team and experienced just one year together as schoolmates after the all-white Thomas Jefferson Junior High School was desegregated in 1955. After that, class, race, and choice separated their life experiences for forty-five years. In 1992 both had returned to Charleston from lives mostly lived elsewhere. They decided to work together on a memoir of growing up through the trauma of desegregation. Their aim was to foster understanding between their distinct cultures for themselves and for their own and future generations. Dolores Johnson, in editing the two texts, observed two very different modes of expression: Bill Drennen’s narrative is threaded with references that connote wealth, status, and personal privilege; Kojo Jones’s memoir is interwoven with African American signification, protest, and moral outrage. The stories of their Appalachian upbringing in homes less than a mile apart are anecdotal in nature, but their diverse uses of the English language as they endeavor to communicate shared memories and common meanings reveal significant cultural connotations that transform standard American English into two different languages, rendering interracial communication problematic. Dr. Johnson’s analysis is to the point. Red, White, Black, and Blue is a groundbreaking approach to studying not only cultural linguistics but also the cultural heritage of a historic time and place in America. It gives witness to the issues of race and class inherent in the way we write, speak, and think.

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This Happy Land

The Jews of Colonial and Antebellum Charleston

James William Hagy

University of Alabama Press, 1993

This Happy Land charts the history of the Jewish community in Charleston, South Carolina, from the arrival of the first Jewish settlers in the 1690s until the outbreak of the Civil War in 1861. Charleston was the preeminent city of the South for many decades, and its Jewish community was the largest in North America from about the time of the American Revolution until around 1820. American Reform Judaism, one of the three major divisions of the faith, first appeared in Charleston in 1824 when the Reformed Society of Israelites was established. What happened among the Jews in Charleston thus affected the development of Judaism throughout America.

The Jews who lived in the city from the 17th century to 1861 are identified in Hagy’s comprehensive volume, which includes information on their places of origin, marriages, children, and deaths. From Hagy’s exhaustive research into published and archival sources, patterns emerged that allowed him to draw conclusions about the life of the people in the city and to develop both a social and religious history. Hagy shows that the Jews who lived in Charleston quickly adapted to Southern ways of life, including dueling and the ownership of slaves and plantations. Jewish residents gained full economic and political rights long before other communities in the western world, which led to their full participation in the town’s public, financial, intellectual, and social life. The also lived where they chose, followed the professions they wanted, and generally participated in the affairs of the city. Most viewed America as this “happy land” and Charleston as their “New Jerusalem.”

This book breaks new ground in the history of Jewish communities by providing such analyses as the origins of residents, the roles that women played in business, the causes of mortality, the antebellum Jewish family, the common aspects of life, and relations between Jews and African-Americans. It also provides a thorough analysis of the Reformed Society of Israelites that originated at Beth Elohim synagogue, and which became the first reform movement in America. The volume concludes with an appendix containing a list of all the known Jewish residents of Charleston for this period with selected biographical information.

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Wrestlin' Jacob

A Portrait of Religion in Antebellum Georgia and the Carolina Low Country

Erskine Clarke

University of Alabama Press, 2000

An important introduction to the efforts of whites to evangelize African Americans in the antebellum South

First published in 1979, Wrestlin’ Jacob offers important insights into the intersection of black and white religious history in the South. Erskine Clarke provides two arenas—one urban and one rural—that show what happened when white ministers tried to bring black slaves into the fold of Christianity. Clarke illustrates how the good intentions—and vain illusions—of the white preachers, coupled with the degradation and cultural strength of the slaves, played a significant role in the development of black churches in the South.

From 1833 to 1847, Reverend Charles Colcock Jones served as an itinerant minister to slaves on the rice and cotton plantations in Liberty County, Georgia. The aim of Jones, and of the largely Puritan-descended slave owners, was to harvest not only good Christians but also obedient and hard-working slaves. At the same time, similar efforts were under way in cosmopolitan Charleston, South Carolina. Charleston permitted blacks to worship only under the supervision of whites, and partially as a result, whites and blacks worshiped together in ways that would be unheard of later in the segregated South.

Clarke examines not only the white ministers’ motivation in their missionary work but also the slaves’ reasons for becoming a part of the church. He addresses the important issue of the continuity of African traditions with the religious life of slaves and provides a significant introduction to the larger issues of slavery and religion in the South.

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