According to some estimates, at least 1.7 billion people do not have an adequate supply of drinking water and as many as 40% of the world's population face chronic shortages. Yet water scarcity is more than a matter of terrain, increased population, and climate. It can also be a byproduct or end result of water management, where the building of dams, canals, and complicated delivery systems provide water for some at the cost of others, and result in short-term gains that wreak long-term ecological havoc. Water scarcity can also be a product of the social systems in which we live.
Water, Culture, and Power presents a series of case studies from around the world that examine the complex culture and power dimensions of water resources and water resource management. Chapters describe highly contested and contentious cases that span the continuum of water management concerns from dam construction and hydroelectric power generation to water quality and potable water systems. Sections examine: impact of water resource development on indigenous peoples varied cultural meanings of water and water resources political process of funding and building water resource projects tensions between culture and power as they structure perceptions and experiences of water scarcity, transforming water from natural resource to social constructio.
Case studies include Lummi nation challenges to water rights in the northwest United States; drinking water quality issues in Oaxaca de Juarez, Mexico; the effects of tourism development in the Bay Islands, Honduras; water scarcity on St. Thomas, the Virgin Islands; the role of water in the Arab-Israeli conflict; and other national and regional situations including those from Zimbabwe, Japan, and Bangladesh.
While places and cases vary, all chapters address the values and meanings associated with water and how changes in power result in changes in both meaning and in patterns of use, access, and control. Water, Culture, and Power provides an important look at water conflicts and crises and is essential reading for students, researchers, and anyone interested in the role of cultural factors as they affect the political economy of natural resource use and control.
From Niagara Falls in the United States to Angel Falls in Venezuela, Victoria Falls in Africa, and Hannoki Falls in Japan, waterfalls provide some of the world’s loveliest panoramas. With their glistening spray and deafening roar, these astonishing natural wonders attract hordes of people each year who seek out, with cameras in hand, these terrifying and sublime examples of natural beauty.
Never before have so many scholars produced so much work--and never before have they seemed to have so little to say to one another, or to the public at large. This is the dilemma of the modern university, which today sets the pattern for virtually all scholarship. In his eloquent book, David Damrosch offers a lucid, often troubling assessment of the state of scholarship in our academic institutions, a look at how these institutions acquired their present complexion, and a proposal for reforms that can promote scholarly communication and so, perhaps, broader, more relevant scholarship.
We Scholars explores an academic culture in which disciplines are vigorously isolated and then further divided into specialized fields, making for a heady mix of scholarly alienation and disciplinary territorialism, a wealth of specialized inquiry and a poverty of general discussion. This pattern, however, is not necessary and immutable; rather, it stems from decisions made a century ago, when the American university assumed its modern form. Damrosch traces the political and economic assumptions behind these decisions and reveals their persisting effects on academic structures despite dramatic changes in the larger society. We Scholars makes a compelling case for a scholarly community more reflective of and attuned to today's needs. The author's call for cooperation as the basis for intellectual endeavor, both within and outside the academy, will resonate for anyone concerned with the present complexities and future possibilities of academic work.
In 2005, Hurricane Katrina devastated New Orleans. The principal Vietnamese-American enclave was a remote, low-income area that flooded badly. Many residents arrived decades earlier as refugees from the Vietnam War and were marginally fluent in English. Yet, despite these poor odds of success, the Vietnamese made a surprisingly strong comeback in the wake of the flood. In Weathering Katrina, public health scholar Mark VanLandingham analyzes their path to recovery, and examines the extent to which culture helped them cope during this crisis.
Contrasting his longitudinal survey data and qualitative interviews of Vietnamese residents with the work of other research teams, VanLandingham finds that on the principal measures of disaster recovery—housing stability, economic stability, health, and social adaptation—the Vietnamese community fared better than other communities. By Katrina’s one-year anniversary, almost 90 percent of the Vietnamese had returned to their neighborhood, higher than the rate of return for either blacks or whites. They also showed much lower rates of post-traumatic stress disorder than other groups. And by the second year after the flood, the employment rate for the Vietnamese had returned to its pre-Katrina level.
While some commentators initially attributed this resilience to fairly simple explanations such as strong leadership or to a set of vague cultural strengths characteristic of the Vietnamese and other “model minorities”, VanLandingham shows that in fact it was a broad set of factors that fostered their rapid recovery. Many of these factors had little to do with culture. First, these immigrants were highly selected—those who settled in New Orleans enjoyed higher human capital than those who stayed in Vietnam. Also, as a small, tightly knit community, the New Orleans Vietnamese could efficiently pass on information about job leads, business prospects, and other opportunities to one another. Finally, they had access to a number of special programs that were intended to facilitate recovery among immigrants, and enjoyed a positive social image both in New Orleans and across the U.S., which motivated many people and charities to offer the community additional resources. But culture—which VanLandingham is careful to define and delimit—was important, too. A shared history of overcoming previous challenges—and a powerful set of narratives that describe these successes; a shared set of perspectives or frames for interpreting events; and a shared sense of symbolic boundaries that distinguish them from broader society are important elements of culture that provided the Vietnamese with some strong advantages in the post-Katrina environment.
By carefully defining and disentangling the elements that enabled the swift recovery of the Vietnamese in New Orleans, Weathering Katrina enriches our understanding of this understudied immigrant community and of why some groups fare better than others after a major catastrophe like Katrina.
The people of Taquile Island on the Peruvian side of beautiful Lake Titicaca, the highest navigable lake in the Americas, are renowned for the hand-woven textiles that they both wear and sell to outsiders. One thousand seven hundred Quechua-speaking peasant farmers, who depend on potatoes and the fish from the lake, host the forty thousand tourists who visit their island each year. Yet only twenty-five years ago, few tourists had even heard of Taquile. In Weaving a Future: Tourism, Cloth, and Culture on an Andean Island, Elayne Zorn documents the remarkable transformation of the isolated rocky island into a community-controlled enterprise that now provides a model for indigenous communities worldwide.
Over the course of three decades and nearly two years living on Taquile Island, Zorn, who is trained in both the arts and anthropology, learned to weave from Taquilean women. She also learned how gender structures both the traditional lifestyles and the changes that tourism and transnationalism have brought. In her comprehensive and accessible study, she reveals how Taquileans used their isolation, landownership, and communal organizations to negotiate the pitfalls of globalization and modernization and even to benefit from tourism. This multi-sited ethnography set in Peru, Washington, D.C., and New York City shows why and how cloth remains central to Andean society and how the marketing of textiles provided the experience and money for Taquilean initiatives in controlling tourism.
The first book about tourism in South America that centers on traditional arts as well as community control, Weaving a Future will be of great interest to anthropologists and scholars and practitioners of tourism, grassroots development, and the fiber arts.
At a time when studies suggest the average American woman spends seventeen years caring for children and eighteen years caring for aging parents, Julia T. Wood examines how culture creates and sustains our definitions of caring, determines who cares along gender lines, and assigns the diminished value that caring has in our society.
Wood argues that America’s expanding need for caring is currently being met at an unacceptably high cost to caregivers. It is time, she believes, to examine caregiving roles and the personal, political, and social issues that surround the question of who cares. Caring must be recognized and promoted as an activity that commands the respect and participation of all members of our society—men and women alike.
Only by implementing changes in the basic fabric of American culture, affecting both the structure and the policies of our society and government, can we, Wood concludes, carve out a system of caring that will recognize caring as everyone’s responsibility.
Richard Davis has expertly crafted a stirring narrative of the last years of Song, focusing on loyalist resistance to Mongol domination as more than just a political event. Davis convincingly argues that Song martyrs were dying for more than dynasty alone: martyrdom can be linked to other powerfully compelling symbols as well. Seen from the perspective of the conquered, the phenomenon of martyrdom reveals much about the cultural history of the Song.
Davis challenges the traditional view of Song martyrdom as a simple expression of political duty by examining the phenomenon instead from the perspective of material life and masculine identity. He also explores the tensions between the outer court of militant radicals and an inner court run by female regents—tensions that reflect the broader split between factions of Song government as well as societal conflict. Davis reveals the true magnitude of the loyalist phenomenon in this beautifully written, fascinating study of Song political loyalty and cultural values.
Women readers, editors, librarians, authors, journalists, booksellers, and others are the subjects in this stimulating new collection on modern print culture. The essays feature women like Marie Mason Potts, editor of Smoke Signals, a mid-twentieth century periodical of the Federated Indians of California; Lois Waisbrooker, publisher of books and journals on female sexuality and women's rights in the decades after the Civil War; and Elizabeth Jordan, author of two novels and editor of Harper's Bazaar from 1900 to 1913. The volume presents a complex and engaging picture of print culture and of the forces that affected women's lives in the nineteenth and twentieth centuries.
Published in collaboration among the University of Wisconsin Press, the Center for the History of Print Culture in Modern America (a joint program of the University of Wisconsin–Madison and the Wisconsin Historical Society), and the University of Wisconsin–Madison General Library System Office of Scholarly Communication.
Women with disabilities are women first, sharing the dreams and disappointments common to women in a male-dominated society. But because society persists in viewing disability as an emblem of passivity and incompetence, disabled women occupy a devalued status in the social hierarchy. This book represents the intersection of the feminist and disability rights perspectives; it analyzes the forces that push disabled women towards the margins of social life, and it considers the resources that enable these women to resist the stereotype.
Drawing on law, social science, folklore, literature, psychoanalytic theory, and political activism, this book describes the experience of women with disabilities. The essays consider the impact of social class, race, the age at which disability occurs, and sexual orientation on the disabled woman's self esteem as well as on her life options. The contributors focus their inquiry on the self perceptions of disabled women and ask: From what sources do these women draw positive self images? How do they resist the culture's power to label them as deviant? The essays describe the ways in which disabled women face discrimination in the workplace and the failure of the mainstream women's movement to address their concerns.
In 1918, Woodrow Wilson’s image as leader of the free world and the image of America as dispenser of democracy spread throughout Italy, filling an ideological void after the rout of Caporetto and diverting attention from a hapless ruling class. Wilson’s popularity depended not only on the modernity of his democratic message, but also on a massive propaganda campaign he conducted across Italy, using as conduits the American Red Cross, the YMCA, and the Committee on Public Information.
American popularity, though, did not ensure mutual understanding. The Paris peace negotiations revealed the limits of policies on both sides, illustrated most clearly in Wilson’s disastrous direct appeal to the Italian public. The estranged countries pulled inward, the Americans headed toward isolationism, the Italians toward fascism.
Rossini sets the Italian-American political confrontation within the full context of the two countries’ cultural perceptions of each other, different war experiences, and ideas about participatory democracy and peace. A stellar example of the new international history, this timely book highlights the impact of American ideology and sense of mission in the world.
The publication of Martha B. Helfer’s The Word Unheard: Legacies of Anti-Semitism in German Literature and Culture marks a stunningly original new direction in the interpretation of canonical works of eighteenth- and nineteenth-century German literature.
Between 1749 and 1850—the formative years of the so-called Jewish Question in Germany—the emancipation debates over granting full civil and political rights to Jews provided the topical background against which all representations of Jewish characters and concerns in literary texts were read. Helfer focuses sharply on these debates and demonstrates through close readings of works by Gotthold Lessing, Friedrich Schiller, Achim von Arnim, Annette von Droste- Hülshoff, Adalbert Stifter, and Franz Grillparzer how disciplinary practices within the field of German studies have led to systematic blind spots in the scholarship on anti-Semitism to date.
While all the authors discussed are well known and justly celebrated, the particular works addressed represent an effective mix of enduring classics and less recognized, indeed often scandalously overlooked, texts whose consideration leads to a reevaluation of the author’s more mainstream oeuvre. Although some of the works and authors chosen have previously been noted for their anti-Semitic proclivities, the majority have not, and some have even been marked by German scholarship as philo-Semitic—a view that The Word Unheard undertakes not so much to refute as to complicate, and in the process to question not only these texts but also the deafness of the German scholarly tradition. With implications that reach into many disciplines, The Word Unheard will be a foundational study for all scholars of modern Germany.
In this collection of essays, D’Emilio brings his historian’s eye to bear on these profound changes in American society, culture, and politics. He explores the career of Bayard Rustin, a civil rights leader and pacifist who was openly gay a generation before almost everyone else; the legacy of radical gay and lesbian liberation; the influence of AIDS activist and writer Larry Kramer; the scapegoating of gays and lesbians by the Christian Right; the gay-gene controversy and the debate over whether people are "born gay"; and the explosion of attention focused on queer families. He illuminates the historical roots of contemporary debates over identity politics and explains why the gay community has become, over the last decade, such a visible part of American life.
The post–World War II science-based technological revolution inevitably found its way into almost all international expositions with displays on atomic energy, space exploration, transportation, communications, and computers. Major advancements in Cold War science and technology helped to shape new visions of utopian futures, the stock-in-trade of world’s fairs. From the 1940s to the 1980s, expositions in the United States and around the world, from Brussels to Osaka to Brisbane, mirrored Cold War culture in a variety of ways, and also played an active role in shaping it. This volume illustrates the cultural change and strain spurred by the Cold War, a disruptive period of scientific and technological progress that ignited growing concern over the impact of such progress on the environment and humanistic and spiritual values. Through the lens of world’s fairs, contributors across disciplines offer an integrated exploration of the US–USSR rivalry from a global perspective and in the context of broader social and cultural phenomena—faith and religion, gender and family relations, urbanization and urban planning, fashion, modernization, and national identity—all of which were fundamentally reshaped by tensions and anxieties of the Atomic Age.
Questions about land use, conservation, and preservation—already so perplexing and contentious—take on a new complexity and greater urgency when the land in question is understood as sacred. This is a view increasingly held, as adherents of mainstream religions come to recognize what indigenous peoples knew centuries ago—that the sacred inheres in nature itself. What such a trend means and how it involves the forces of culture, religion, and constitutional law (especially First Amendment clauses concerning the free exercise of religion) are considered with a remarkable breadth and depth of understanding in this important new work.
Drawing on case studies of national parks and monuments, national forests, and other public lands and resources, Lloyd Burton gives a clear and comprehensive account of how the intertwining influences of culture, religion, and law have affected the management of public lands and resources in the recent past and how they may do so in the future. In a unique and unprecedented way, his book weaves together teachings on nature and the sacred among indigenous and immigrant culture groups in the United States; the relevant constitutional history of religion and government action; and analysis of contemporary conflicts over culture, religion, and public lands management. As such, Worship and Wilderness is essential reading not only for public land managers and environmental policy makers but also for anyone interested in the growing significance of religious interests in the use of resources that constitute our national commons and our common natural heritage.
Attracting controversy as readily as they do crowds, art museums--the Grand Louvre project and the new Orsay in Paris, or the proposed Whitney and Guggenheim additions in New York, for example--occupy a curious but central position in world culture. Choosing the art museums of provincial France in the previous century as a paradigm, Daniel Sherman reaches toward an understanding of the museum's place in modern society by exploring its past. He uses an array of previously unstudied archival sources as evidence that the museum's emergence as an institution involved not only the intricacies of national policy but also the political dynamics and social fabric of the nineteenth-century city.
The author ascertains that while the French state played an important role in the creation of provincial museums during the Revolutionary era, for much of the next century it was content simply to send works of art to the provinces. When in the 1880s the new Republican regime began to devote more attention to the real purposes and functions of provincial museums, officials were surprised to learn that the initiative had already passed into the hands of local elites who had nurtured their own museums from their inception.
Sherman devotes particular attention to the museums of Bordeaux, Dijon, Marseilles, and Rouen. From their origins as repositories for objects confiscated during the Revolution, they began to attract the attention of local governments, which started to add objects purchased at regional art exhibitions. In the period 1860-1890, monumental buildings were constructed, and these museums became identified with the cities' bourgeois leaders. This central connection with local elites has continued to our own day, and leads into the author's stimulating reflections on the art museum's past, present, and future.
This original and highly readable account should attract those with an interest in cultural institutions and art history in general as well as those who study the history and sociology of modern France.
The environmental imagination does not stop short at the edge of the woods. Nor should our understanding of it, as Lawrence Buell makes powerfully clear in his new book that aims to reshape the field of literature and environmental studies. Emphasizing the influence of the physical environment on individual and collective perception, his book thus provides the theoretical underpinnings for an ecocriticism now reaching full power, and does so in remarkably clear and concrete ways.
Writing for an Endangered World offers a conception of the physical environment--whether built or natural--as simultaneously found and constructed, and treats imaginative representations of it as acts of both discovery and invention. A number of the chapters develop this idea through parallel studies of figures identified with either "natural" or urban settings: John Muir and Jane Addams; Aldo Leopold and William Faulkner; Robinson Jeffers and Theodore Dreiser; Wendell Berry and Gwendolyn Brooks. Focusing on nineteenth- and twentieth-century writers, but ranging freely across national borders, his book reimagines city and country as a single complex landscape.
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