This book is the first comprehensive study tracing the origins and growth of English radicalism from the time of John Wilkes’s defiant fight for the rights of parliamentary electors to the final suppression of radical societies in 1799. It spans the age of revolution in England as the revolution absorbed reverberations from the American colonies and France, and was sometimes diverted by happenings in Scotland and Ireland.
“The Friends of Liberty” was the name English reformers took under George Ill's reign as they fought aristocratic rule and imperial domination within the English empire and abroad. They supported universal manhood suffrage, annual parliaments, social justice, the right of association, and they fought government suppression. At the height of their activity they were attacked as Jacobins, but the unfair denigration only hastened the beginnings of working class political consciousness and the formation of English conservatism.
Albert Goodwin contributes greatly to a profound understanding of the origins of popular radicalism in three ways. He reifies radicalism in urban areas beyond London—in the provincial cities of Manchester, Sheffield, Norwich, Birmingham, Derby, and Leicester. He places radicalism into a continental context. Finally, he traces radical thought from its seventeenth-century origins, through metropolitan Wilkite radicalism, Painite republicanism, and to Godwinian and Spencerian utopianism.
The question of whether true friendship could exist in an era of patronage occupied Renaissance Florentines as it had the ancient Greeks and Romans whose culture they admired and emulated. Rather than attempting to measure Renaissance friendship against a universal ideal defined by essentially modern notions of disinterestedness, intimacy, and sincerity, in this book Dale Kent explores the meaning of love and friendship as they were represented in the fifteenth century, particularly the relationship between heavenly and human friendship.
She documents the elements of shared experience in friendships between Florentines of various occupations and ranks, observing how these were shaped and played out in the physical spaces of the city: the streets, street corners, outdoor benches and loggias, family palaces, churches, confraternal meeting places, workshops of artisans and artists, taverns, dinner tables, and the baptismal font.
Finally, Kent examines the betrayal of trust, focusing on friends at moments of crisis or trial in which friendships were tested, and failed or endured. The exile of Cosimo de’ Medici in 1433 and his recall in 1434, the attempt in 1466 of the Medici family’s closest friends to take over their patronage network, and the Pazzi conspiracy to assassinate Lorenzo and Giuliano de’ Medici in 1478 expose the complexity and ambivalence of Florentine friendship, a combination of patronage with mutual intellectual passion and love—erotic, platonic, and Christian—sublimely expressed in the poetry and art of Michelangelo.
In this book, the reader is privileged to take a leisurely and thoroughly enjoyable trip through the Greece of the mid-twentieth century, led by a poet-narrator who is a comfortable and engaging guide and complemented by the artwork of John Guerin.
Frederic Will recounts his odyssey: from Austria through Yugoslavia, across the northern Greek border, from Salonika to Athens and the Aegean Sea, to the site of remnants of Old Greece in Smyrna, Pergamum, and Ephesus, and finally to the monasteries on Mount Athos.
The author not only presents vivid descriptions of the towns and people in contemporary Greece but also conveys the still-present aura of the ancient Greek deities, in both the ruins and the modern cities. Witness the following passage written at Salonika, in Northern Greece, Will’s first stop of importance:
The sense-binding, sense-shaping ocean is omnipresent there. It is visible from nearly any point in the city. You only need to go up to your second story—if you have one. There is that pure, rhythmic, bounded but boundless element, spread somewhere at the bottom of the street. The same vision glimmers or stirs at the end of nearly every east-west-running street. Many townsmen spend much of their time promenading along the harbor. They seem to be subliminally magnetized to the sea.
I spent several weeks there. During that time I would often go up to the crowning Venetian walls, and look down onto Salonika and its harbor. From there Salonika’s deep dependence on the ocean became a fact proved by eyesight. The city is built on the half-moon-shaped plain of the Axios River. Two images came to me repeatedly: that Salonika is an amphitheater facing the ocean; or that she is a lover, reaching to embrace the ocean. Here are the hot, white (or cream-colored) buildings of the city; there is the element they thirst for.
Will gives a great deal of fascinating information but gives it gracefully and without excess. Above all, the narrative is suffused with the atmosphere, the emotions, and the beauty of Greece. The author has said he intends for this work to dramatize, not to instruct. Actually, it does both.
The American Civil War and the Paris Commune of 1871, Philip Katz argues, were part of the broader sweep of transatlantic development in the mid-nineteenth century--an age of democratic civil wars. Katz shows how American political culture in the period that followed the Paris Commune was shaped by that event.
The telegraph, the new Atlantic cable, and the news-gathering experience gained in the Civil War transformed the Paris Commune into an American national event. News from Europe arrived in fragments, however, and was rarely cohesive and often contradictory. Americans were forced to assimilate the foreign events into familiar domestic patterns, most notably the Civil War. Two ways of Americanizing the Commune emerged: descriptive (recasting events in American terms in order to better understand them) and predictive (preoccupation with whether Parisian unrest might reproduce itself in the United States).
By 1877, the Commune became a symbol for the domestic labor unrest that culminated in the Great Railroad Strike of that year. As more powerful local models of social unrest emerged, however, the Commune slowly disappeared as an active force in American culture.
Because prior studies of American women’s travel writing have focused exclusively on middle-class and wealthy travelers, it has been difficult to assess the genre and its participants in a holistic fashion. One of the very few surviving working-class travel diaries, Lorenza Stevens Berbineau’s account provides readers with a unique perspective of a domestic servant in the wealthy Lowell family in Boston. Staying in luxurious hotels and caring for her young charge Eddie during her six-month grand tour, Berbineau wrote detailed and insightful entries about the people and places she saw.
Contributing to the traditions of women’s, diary, and travel literature from the perspective of a domestic servant, Berbineau's narrative reveals an arresting and intimate outlook on both her own life and the activities, places, and people she encounters. For example, she carefully records Europeans’ religious practices, working people and their behavior, and each region’s aesthetic qualities. Clearly writing in haste and with a pleasing freedom from the constraints of orthographic and stylistic convention, Berbineau offers a distinctive voice and a discerning perspective. Alert to nuances of social class, her narrative is as appealing and informative to today's readers as it no doubt was to her fellow domestics in the Lowell household.
Unobtrusively edited to retain as much as possible the individuality and texture of the author’s original manuscript, From Beacon Hill to the Crystal Palace offers readers brief framing summaries, informative endnotes, and a valuable introduction that analyzes Berbineau’s narrative in relation to gender and class issues and compares it to the published travel writing of her famous contemporary, Harriet Beecher Stowe.
At the end of World War II, the Allies were unanimous in their determination to disarm the former aggressor Germany. As the Cold War intensified, however, the decision whether to reverse that policy and to rearm West Germany as a bulwark against the Soviet threat led to disagreements both within the US government and among members of the nascent NATO alliance. The US military took the practical view that a substantial number of German troops would be required to deter any potential Soviet assault. The State Department, on the other hand, initially advocated an alternative strategy of strengthening European institutions but eventually came around to the military’s position that an armed West Germany was preferable to a weak state on the dividing line between the Western democracies and the Soviet satellite states.
Sheldon A. Goldberg traces the military, diplomatic, and political threads of postwar policy toward West Germany and provides insights into the inner workings of alliance building and the roles of bureaucrats and military officers as well as those of diplomats and statesmen. He draws on previously unexamined primary sources to construct a cogent account of the political and diplomatic negotiations that led to West Germany’s accession to NATO and the shaping of European order for the next forty years.
In 1965 the Second Vatican Council declared that God loves the Jews. Before that, the Church had taught for centuries that Jews were cursed by God and, in the 1940s, mostly kept silent as Jews were slaughtered by the Nazis. How did an institution whose wisdom is said to be unchanging undertake one of the most enormous, yet undiscussed, ideological swings in modern history?
The radical shift of Vatican II grew out of a buried history, a theological struggle in Central Europe in the years just before the Holocaust, when a small group of Catholic converts (especially former Jew Johannes Oesterreicher and former Protestant Karl Thieme) fought to keep Nazi racism from entering their newfound church. Through decades of engagement, extending from debates in academic journals, to popular education, to lobbying in the corridors of the Vatican, this unlikely duo overcame the most problematic aspect of Catholic history. Their success came not through appeals to morality but rather from a rediscovery of neglected portions of scripture.
From Enemy to Brother illuminates the baffling silence of the Catholic Church during the Holocaust, showing how the ancient teaching of deicide—according to which the Jews were condemned to suffer until they turned to Christ—constituted the Church’s only language to talk about the Jews. As he explores the process of theological change, John Connelly moves from the speechless Vatican to those Catholics who endeavored to find a new language to speak to the Jews on the eve of, and in the shadow of, the Holocaust.
Viktoria von Hoffmann explores four kinds of early modern texts--culinary, medical, religious, and philosophical--to follow taste's ascent from the sinful to the beautiful. Combining food studies and sensory history, she takes readers on an odyssey that redefined a fundamental human experience. Scholars and cooks rediscovered a vast array of ways to prepare and present foods. Far-sailing fleets returned to Europe bursting with new vegetables, exotic fruits, and pungent spices. Hosts refined notions of hospitality in the home while philosophers pondered the body and its perceptions. As von Hoffmann shows, these labors produced a sea change in perception and thought, one that moved taste from the base realm of the tongue to the ethereal heights of aesthetics.
Epic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief.
From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.
From Monastery to Hospital traces the origin of the late Roman hospital to the earliest groups of Christian monastics. Often characterized as holy men and miracle-workers who transformed late antique spirituality, monks held an equally significant impact on the development of medicine in Late Antiquity. Andrew Crislip illuminates the innovative approaches to health care within the earliest monasteries that provided the model for the greatest medical achievement of Late Antiquity: the hospital.
From Monastery to Hospital draws on some of the most vibrant areas of scholarship of the ancient world, including asceticism, the study of the body, history of the family, and the history of medicine. The book will be of interest to scholars and students of early Christianity, Roman History, the history of medicine, and Catholic, Coptic, and Eastern Orthodox history and theology. It will also be of interest to the broader field of history of Christianity, especially with its connections to charitable traditions in the church through the modern period.
Andrew Crislip is Assistant Professor of Religion at the University of Hawaii.
Tracing teachers' experiences in the Third Reich and East Germany, Charles Lansing analyzes developments in education of crucial importance to both dictatorships. Lansing uses the town of Brandenburg an der Havel as a case study to examine ideological reeducation projects requiring the full mobilization of the schools and the active participation of a transformed teaching staff. Although lesson plans were easily changed, skilled teachers were neither quickly made nor easily substituted. The men and women charged in the postwar era with educating a new “antifascist” generation were, to a surprising degree, the same individuals who had worked to “Nazify” pupils in the Third Reich. But significant discontinuities existed as well, especially regarding the teachers' professional self-understanding and attitudes toward the state-sanctioned teachers' union. The mixture of continuities and discontinuities helped to stabilize the early GDR as it faced its first major crisis in the uprising of June 17, 1953.
This uniquely comparative work sheds new light on an essential story as it reconceptualizes the traditional periodization of postwar German and European history.
When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations.
The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman.
Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.
Although more general accounts of the Left’s “failure” to halt international war in August 1914 focus on its lack of unity or the decline of trade unionism, Miller contends that these explanations barely scratch the surface when it comes to interpreting the Left’s overwhelming acceptance of the war. By embedding his cultural analysis of antimilitarist propaganda into the larger political and diplomatic history of prewar Europe, he reveals the Left’s seemingly sudden transformation “from revolutionaries to citizens” as less a failure of resolve than a confession of commonality with the broader ideals of republican France. Examining sources ranging from police files and court records to German and British foreign office memos, Miller emphasizes the success of antimilitarism as a rallying cry against social and political inequities on behalf of ordinary citizens. Despite their keen awareness of the bloodletting that awaited Europe, he claims, antimilitarists ultimately accepted the war with Germany for the same reason they had pursued their own struggle within France: to address injustices and defend the rights of citizens in a democratic society.
A young Jewish boy—the old, much-fought-over city of Vilnius—the rumblings and then the reality of World War I—all combine in this book to create a striking historical document of a period during which Europe and the Western world were changed forever. In the streets and alleys of Vilnius actor Joseph Buloff came of age, learning the arts of shape-altering necessary for survival during successive occupations by Cossacks, Germans, Bolsheviks, and Poles; it is this fascinating vanished milieu that he brings to life in From the Old Marketplace.
For a little boy, the old marketplace was full of enchantment, a world in itself, and Buloff brilliantly describes the eccentric inhabitants who peopled his childhood: Berchick the orphan, Barve's son the intellectual and historian, the starveling Matzek, Arkashka the Cossack, Joseph's mother, the saintly yet practical Sarah, and his father, Benjamin, who made a fortune in America and lost it again in Europe.
The boy came to realize his own Jewishness when Russian persecution forced the Jews to make the synagogue the center of their world. He was driven by brutality, hunger, and ostracism to transform himself in spirit into the imaginary Chantille Jeantaigne Delacroix, scourge of evil, avenger of his people, Conqueror of Death. Joseph's accounts of daily life under unbelievably hard circumstances range from down-to-earth facts to soaring flights of fantasy—and his desperate acting in order to stay alive brought him his true vocation, first on the scrounging amateur stage and then in the professional theatre.
From Topic to Tale was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The transition from the Middle Ages to the Renaissance has been discussed since the 1940s as a shift from a Latinate culture to one based on a vernacular language, and, since the 1960s, as a shift from orality to literacy. From Topic to Tale focuses on this multifaceted transition, but it poses the problem in different terms: it shows how a rhetorical tradition was transformed into a textual one, and ends ultimately in a discussion of the relationship between discourse and society.
The rise of French vernacular literacy in the twelfth century coincided with the emergence of logic as a powerful instrument of the human mind. With logic come a new concern for narrative coherence and form, a concern exemplified by the work of Chretien de Troyes. Many brilliant poetic achievements crystallized in the narrative art of Chretien, establishing an enduring tradition of literary technique for all of Europe. Eugene Vance explores the intellectual context of Chretien's vernacular literacy, and in particular, the interaction between the three "arts of language" (grammar, logic, and rhetoric) compromising the trivium. Until Vance, few critics have studied the contribution of logic to Chretiens poetics, nor have they assessed the ethical bond between rationalism and the new heroic code of romance.
Vance takes Chretien de Troyes' great romance, Yvain ou le chevalier au lion,as the centerpiece of the Twelfth-Century Renaissance. It is also central to his own thesis, which shows how Chretien forged a bold new vision of humans as social beings situated between beasts and angels and promulgated the symbolic powers of language, money, and heraldic art to regulate the effects of human desire. Vance's reading of the Yvain contributes not only to the intellectual history of the Middle Ages, but also to the continuing dialogue between contemporary critical theory and medieval culture.
Eugene Vance is professor of French and comparative literature at Emory University and principal editor of a University of Nebraska series, Regents Studies in Medieval Culture. Wlad Godzich is director of the Center for Humanistic Studies at the University of Minnesota and co-editor of the series Theory and History of Literature.
Spanning both the history of the modern West and his own five-decade journey as a historian, Gerald Stourzh’s sweeping new essay collection covers the same breadth of topics that has characterized his career—from Benjamin Franklin to Gustav Mahler, from Alexis de Tocqueville to Charles Beard, from the notion of constitution in seventeenth-century England to the concept of neutrality in twentieth-century Austria.
This storied career brought him in the 1950s from the University of Vienna to the University of Chicago—of which he draws a brilliant picture—and later took him to Berlin and eventually back to Austria. One of the few prominent scholars equally at home with U.S. history and the history of central Europe, Stourzh has informed these geographically diverse experiences and subjects with the overarching themes of his scholarly achievement: the comparative study of liberal constitutionalism and the struggle for equal rights at the core of Western notions of free government. Composed between 1953 and 2005 and including a new autobiographical essay written especially for this volume, From Vienna to Chicago and Back will delight Stourzh fans, attract new admirers, and make an important contribution to transatlantic history.
Frontiers of Possession asks how territorial borders were established in Europe and the Americas during the early modern period and challenges the standard view that national boundaries are largely determined by military conflicts and treaties. Focusing on Spanish and Portuguese claims in the New and Old Worlds, Tamar Herzog reconstructs the different ways land rights were negotiated and enforced, sometimes violently, among people who remembered old possessions or envisioned new ones: farmers and nobles, clergymen and missionaries, settlers and indigenous peoples.
Questioning the habitual narrative that sees the Americas as a logical extension of the Old World, Herzog portrays Spain and Portugal on both sides of the Atlantic as one unified imperial space. She begins in the Americas, where Iberian conquerors had to decide who could settle the land, who could harvest fruit and cut timber, and who had river rights for travel and trade. The presence of indigenous peoples as enemies to vanquish or allies to befriend, along with the vastness of the land, complicated the picture, as did the promise of unlimited wealth. In Europe, meanwhile, the formation and re-formation of boundaries could last centuries, as ancient entitlements clashed with evolving economic conditions and changing political views and juridical doctrines regarding how land could be acquired and maintained.
Herzog demonstrates that the same fundamental questions had to be addressed in Europe and in the Americas. Territorial control was always subject to negotiation, as neighbors and outsiders, in their quotidian interactions, carved out and defended new frontiers of possession.
The Frontline presents a selection of essays drawn together for the first time to form a companion volume to Serhii Plokhy’s The Gates of Europe and Chernobyl. Here he expands upon his analysis in earlier works of key events in Ukrainian history, including Ukraine’s complex relations with Russia and the West, the burden of tragedies such as the Holodomor and World War II, the impact of the Chernobyl nuclear disaster, and Ukraine’s contribution to the collapse of the Soviet Union.
Juxtaposing Ukraine’s history to the contemporary politics of memory, this volume provides a multidimensional image of a country that continues to make headlines around the world. Eloquent in style and comprehensive in approach, the essays collected here reveal the roots of the ongoing political, cultural, and military conflict in Ukraine, the largest country in Europe.
In the middle decades of the sixteenth century, the republican city-state of Florence--birthplace of the Renaissance--failed. In its place the Medici family created a principality, becoming first dukes of Florence and then grand dukes of Tuscany. The Fruit of Liberty examines how this transition occurred from the perspective of the Florentine patricians who had dominated and controlled the republic. The book analyzes the long, slow social and cultural transformations that predated, accompanied, and facilitated the institutional shift from republic to principality, from citizen to subject.
More than a chronological narrative, this analysis covers a wide range of contributing factors to this transition, from attitudes toward office holding, clothing, and the patronage of artists and architects to notions of self, family, and gender. Using a wide variety of sources including private letters, diaries, and art works, Nicholas Baker explores how the language, images, and values of the republic were reconceptualized to aid the shift from citizen to subject. He argues that the creation of Medici principality did not occur by a radical break with the past but with the adoption and adaptation of the political culture of Renaissance republicanism.
The leading Polish poet still residing in his native land, Zbigniew Herbert as not been the subject of a book-length study in English until now. Stanislaw Baranczak, himself a poet, critic, and translator, emigrated from Poland only in 1981, and is therefore eminently qualified to supply a politico-cultural context for Herbert while describing and analyzing the texts and themes of his poems.
Herbert's poetry is based on permanent confrontation--the confrontation of Western tradition with the experience of a "barbarian" from Eastern Europe, of the classical past with the modern era, of cultural myth with a practical, empirical point of view. Baranczak illustrates these oppositions by examining, first, the complex relations between "disinheritance" and "heritage" as they appear in Herbert's work on various structural levels, from symbolic key words to lyrical characters; second, the forms and functions of Herbert's "unmasking metaphor"; third, his uses of irony; fourth, his ethical system, which enables him to be both ironist and moralist. Baranczak pays special attention to irony as the most conspicuous feature of Herbert's poetic method.
A Fugitive from Utopia makes Herbert's poetic ideas fully accessible to the general reader, and will also be of interest to students of Polish literature, of East European culture and society, and of modern poetry. Those who have already encountered Herbert's poetry in one of the several translations into English currently available will welcome this lucid explication of his work.
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