Pro basketball player Rasheed Wallace often exclaimed the pragmatic truth “Ball don’t lie!” during a game. It is a protest against a referee’s bad calls. But the slogan, which originated in pickup games, brings the reality of a racialized urban playground into mainstream American popular culture.
In Ball Don’t Lie!, Yago Colás traces the various forms of power at work in the intersections between basketball and language from the game’s invention to the present day. He critiques existing popular myths concerning the history of basketball, contextualizes them, and presents an alternative history of the sport inspired by innovations. Colás emphasizes the creative prerogative of players and the ways in which their innovations shape—and are shaped by—broader cultural and social phenomena.
Ball Don't Lie! shows that basketball cannot be reduced to a single, fixed or timeless essence but instead is a continually evolving exhibition of physical culture that flexibly adapts to and sparks changes in American society.
When Hermann Seele anived in New Braunfels in 1845, the raw colony was plagued by poverty, disease, lack of food, and hostile Indians. This personal record of the Germans in Texas shows their evolution from struggling colonists to prosperous citizens.
From his viewpoint of a hardworking yet imaginative pioneer, Seele presents first a history of German immigration and settlement in Texas during the nineteenth century. Next, his autobiographical writings range from a "sentimental recollection" of his first Christmas Eve in Texas to his first day of teaching in New Braunfels, from accounts of the popular singing society to murder and justice along the Comal River. In addition, Seele's romantic novel, The Cypress, is a delightful though improbable tale of a traveling botanist, a chieftain's daughter, and a savage Indian cult.
Hermann Seele—farmer, lawyer, teacher, lay preacher, mayor, state representative, Civil War major, and editor—epitomizes the best of the German immigrants who established their communities as models of respectability and prosperity.
Franklin combines wide-ranging sources—from historical accounts of sheep-breeding, to scientific representations of cloning by nuclear transfer, to popular media reports of Dolly's creation and birth—as she draws on gender and kinship theory as well as postcolonial and science studies. She argues that there is an urgent need for more nuanced responses to the complex intersections between the social and the biological, intersections which are literally reshaping reproduction and genealogy. In Dolly Mixtures, Franklin uses the renowned sheep as an opportunity to begin developing a critical language to identify and evaluate the reproductive possibilities that post-Dolly biology now faces, and to look back at some of the important historical formations that enabled and prefigured Dollys creation.
For more than twenty years, Povinelli has traveled to the social worlds of indigenous men and women living at Belyuen, a small community in the Northern Territory of Australia. More recently she has moved across communities of alternative progressive queer movements in the United States, particularly those who identify as radical faeries. In this book she traces how liberal binary concepts of individual freedom and social constraint influence understandings of intimacy in these two worlds. At the same time, she describes alternative models of social relations within each group in order to highlight modes of intimacy that transcend a reductive choice between freedom and constraint.
Shifting focus away from identities toward the social matrices out of which identities and divisions emerge, Povinelli offers a framework for thinking through such issues as what counts as sexuality and which forms of intimate social relations result in the distribution of rights, recognition, and resources, and which do not. In The Empire of Love Povinelli calls for, and begins to formulate, a politics of “thick life,” a way of representing social life nuanced enough to meet the density and variation of actual social worlds.
What was the Enlightenment? Though many scholars have attempted to solve this riddle, none has made as much use of contemporary answers as Dan Edelstein does here. In seeking to recover where, when, and how the concept of “the Enlightenment” first emerged, Edelstein departs from genealogies that trace it back to political and philosophical developments in England and the Dutch Republic. According to Edelstein, by the 1720s scholars and authors in France were already employing a constellation of terms—such as l’esprit philosophique—to describe what we would today call the Enlightenment. But Edelstein argues that it was within the French Academies, and in the context of the Quarrel of the Ancients and the Moderns, that the key definition, concepts, and historical narratives of the Enlightenment were crafted.
A necessary corrective to many of our contemporary ideas about the Enlightenment, Edelstein’s book turns conventional thinking about the period on its head. Concise, clear, and contrarian, The Enlightenment will be welcomed by all teachers and students of the period.
The innovative format of Exploring Civil War Wisconsin makes it easy for Civil War buffs, genealogists, and students to find and effectively use the vast array of historical materials about the Civil War found in archives, military and census records, published firsthand accounts, newspapers, and even on the Internet. This lively, illustrated guide focuses on Wisconsin in the Civil War, but is broadly applicable to Civil War research anywhere. Images of original documents and historic photographs illustrate every chapter, acquainting readers with both the Civil War and its sources. The easy-to-use and informative text is unlike anything else currently on the market.
Throughout the book, boxed features and sidebars provide background information and tips on how to do research. Author Brett Barker explains how to uncover the history of an individual soldier, his regiment, and his role in the Union Army using rosters, military records, pension files, and memoirs. And, he shows how to explore the home front during the war using the census, newspapers, city directories, and government records.
Familial Forms is the first full-length study to examine how literary writers engaged the politics of genealogy that helped define the “century of revolution.” By demonstrating how conflicts over the family-state analogy intersected with the period’s battles over succession, including: the ascent of James I, the execution of Charles I, disputes over the terms of the Interregnum government, the Restoration of Charles II, the Exclusion Crisis, the deposition of James II, the ascent of William and Mary, and Anne’s failure to produce a surviving heir, this study provides a new map of the seventeenth-century politics of family in England. Beginning with a reconsideration of Jacobean patriarchalism, Familial Forms focuses on the work of John Milton, Lucy Hutchinson, John Dryden, and Mary Astell. From their contrasting political and gendered positions, these authors contemplated and contested the relevance of marriage and kinship to government. Their writing illuminates two crucial elements of England’s conflicts. First, the formal qualities of poems and prose tracts reveal that not only was there a competition among different versions of the family-state analogy, but also a competition over its very status as an analogy. Second, through their negotiations of linear and nonlinear forms, Milton, Hutchinson, Dryden, and Astell demonstrate the centrality of temporality to the period’s political battles.
Through close textual analysis of poetry, political tracts, parliamentary records, and nonliterary genealogies, Familial Forms offers a fresh understanding of the seventeenth-century politics of genealogy. It also provides new answers to long-standing critical questions about the poetic form of canonical works, such as Paradise Lost and Absalom and Achitophel, and illuminates the political significance of newly-canonical works by women writers, including Aemilia Lanyer’s Salve Deus Rex Judaeoreum, Hutchinson’s Order and Disorder, and Astell’s A Serious Proposal to the Ladies.Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
The quest for roots has been an enduring American preoccupation. Over the centuries, generations have sketched coats of arms, embroidered family trees, established local genealogical societies, and carefully filled in the blanks in their bibles, all in pursuit of self-knowledge and status through kinship ties. This long and varied history of Americans’ search for identity illuminates the story of America itself, according to François Weil, as fixations with social standing, racial purity, and national belonging gave way in the twentieth century to an embrace of diverse ethnicity and heritage.
Seeking out one’s ancestors was a genteel pursuit in the colonial era, when an aristocratic pedigree secured a place in the British Atlantic empire. Genealogy developed into a middle-class diversion in the young republic. But over the next century, knowledge of one’s family background came to represent a quasi-scientific defense of elite “Anglo-Saxons” in a nation transformed by immigration and the emancipation of slaves. By the mid-twentieth century, when a new enthusiasm for cultural diversity took hold, the practice of tracing one’s family tree had become thoroughly democratized and commercialized.
Today, Ancestry.com attracts over two million members with census records and ship manifests, while popular television shows depict celebrities exploring archives and submitting to DNA testing to learn the stories of their forebears. Further advances in genetics promise new insights as Americans continue their restless pursuit of past and place in an ever-changing world.
Genealogy and Literature was first published in 1995. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Traditionalists insist that literature transcends culture. Others counter that it is subversive by nature. By challenging both claims, Genealogy and Literature reveals the importance of literature for understanding dominant and often violent power/knowledge relations within a given society.
The authors explore the ways in which literature functions as a cultural practice, the links between death and literature as a field of discourse, and the possibilities of dismantling modes of bodily regulation. Through wide-ranging investigations of writing from England, France, Nigeria, Peru, Japan, and the United States, they reinvigorate the study of literature as a means of understanding the complexities of everyday experience.
Contributors: Claudette Kemper Columbus, Lennard J. Davis, Simon During, Michel Foucault, Ellen J. Goldner, Tom Hayes, Kate Mehuron, Donald Mengay, Imafedia Okhamafe, Lee Quinby, José David Saldivar, Malini Johar Schueller.
Lee Quinby is professor of English and American studies at Hobart and William Smith Colleges. She is the author of Anti-Apocalypse: Exercises in Genealogical Criticism (Minnesota, 1994).
By shedding light on a long-forgotten epigraphic genre that flourished in North China during the Mongol Empire, or Yuan Dynasty (1271–1368), Genealogy and Status explores the ways the conquered Chinese people understood and represented the alien Mongol ruling principles through their own cultural tradition. This epigraphic genre, which this book collectively calls “genealogical steles,” was quite unique in the history of Chinese epigraphy.
Northern Chinese officials commissioned these steles exclusively to record a family’s extensive genealogy, rather than the biography or achievements of an individual. Tomoyasu Iiyama shows how the rise of these steles demonstrates that Mongol rule fundamentally affected how northern Chinese families defined, organized, and commemorated their kinship. Because most of these inscriptions are in Classical Chinese, they appear to be part of Chinese tradition. In fact, they reflect a massive social change in Chinese society that occurred because of Mongol rule in China.
The evolution of genealogical steles delineates how local elites, while thinking of themselves as the heirs of traditional Chinese culture, fully accommodated to Mongol imperial rule and became instead one of its cornerstones in eastern Eurasia.
Giovanni Boccaccio’s Genealogy of the Pagan Gods is an ambitious work of humanistic scholarship whose goal is to plunder ancient and medieval literary sources so as to create a massive synthesis of Greek and Roman mythology. The work also contains a famous defense of the value of studying ancient pagan poetry in a Christian world.
The complete work in fifteen books contains a meticulously organized genealogical tree identifying approximately 950 Greco-Roman mythological figures. The scope is enormous: 723 chapters include over a thousand citations from two hundred Greek, Roman, medieval, and Trecento authors. Throughout the Genealogy, Boccaccio deploys an array of allegorical, historical, and philological critiques of the ancient myths and their iconography.
Much more than a mere compilation of pagan myths, the Genealogy incorporates hundreds of excerpts from and comments on ancient poetry, illustrative of the new spirit of philological and cultural inquiry emerging in the early Renaissance. It is at once the most ambitious work of literary scholarship of the early Renaissance and a demonstration to contemporaries of the moral and cultural value of studying ancient poetry. This is the first volume of a projected three-volume set of Boccaccio’s complete Genealogy.
Genealogy of the Pagan Gods by Giovanni Boccaccio (1313–1375) is an ambitious work of humanistic scholarship whose goal is to plunder ancient and medieval literary sources so as to create a massive synthesis of Greek and Roman mythology. The work also contains a famous defense of the value of studying ancient pagan poetry in a Christian world.
The complete work in fifteen books contains a meticulously organized genealogical tree identifying approximately 950 Greco-Roman mythological figures. The scope is enormous: 723 chapters include over a thousand citations from 200 Greek, Roman, medieval, and Trecento authors. Throughout the Genealogy, Boccaccio deploys an array of allegorical, historical, and philological critiques of the ancient myths and their iconography.
Much more than a mere compilation of pagan myths, the Genealogy incorporates hundreds of excerpts from and comments on ancient poetry, illustrative of the new spirit of philological and cultural inquiry emerging in the early Renaissance. It is at once the most ambitious work of literary scholarship of the early Renaissance and a demonstration to contemporaries of the moral and cultural value of studying ancient poetry.
Adam Sitze meticulously traces the origins of South Africa’s Truth and Reconciliation Commission back to two well-established instruments of colonial and imperial governance: the jurisprudence of indemnity and the commission of inquiry. This genealogy provides a fresh, though counterintuitive, understanding of the TRC’s legal, political, and cultural importance. The TRC’s genius, Sitze contends, is not the substitution of “forgiving” restorative justice for “strict” legal justice but rather the innovative adaptation of colonial law, sovereignty, and government. However, this approach also contains a potential liability: if the TRC’s origins are forgotten, the very enterprise intended to overturn the jurisprudence of colonial rule may perpetuate it. In sum, Sitze proposes a provocative new means by which South Africa’s Truth and Reconciliation Commission should be understood and evaluated.
On a summer day in 1980 in Niederfeulen, Luxembourg, Suzanne Bunkers pored over parish records of her maternal ancestors, immigrants to the rural American Midwest in the mid 1800s. Suddenly, chance led her to the name Simmerl and to the missing piece in the genealogical puzzle that had brought her so far: Susanna Simmerl, Bunkers' paternal great-great-grandmother, who had given birth to an illegitimate daughter in 1856 before coming to America. Finding Susanna was the catalyst for Bunkers' intensely personal book, which blends history, memory, and imagination into a drama of two women's lives within their multigenerational family.
Biondo Flavio (1392–1463), humanist and historian, was a pioneering figure in the Renaissance discovery of antiquity; famously, he was the author who popularized the term “Middle Age” to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. While serving a number of Renaissance popes, he inaugurated an extraordinary program of research into the history, cultural life, and physical remains of the ancient world.
Italy Illuminated (1453), of which this is the second and final volume, is a topographical work describing Italy region by region. Its aim is to explore the Roman roots of modern Italy. As such, it is the quintessential work of Renaissance antiquarianism.
Though the Aztec Empire fell to Spain in 1521, three principal heirs of the last emperor, Moctezuma II, survived the conquest and were later acknowledged by the Spanish victors as reyes naturales (natural kings or monarchs) who possessed certain inalienable rights as Indian royalty. For their part, the descendants of Moctezuma II used Spanish law and customs to maintain and enhance their status throughout the colonial period, achieving titles of knighthood and nobility in Mexico and Spain. So respected were they that a Moctezuma descendant by marriage became Viceroy of New Spain (colonial Mexico's highest governmental office) in 1696.
This authoritative history follows the fortunes of the principal heirs of Moctezuma II across nearly two centuries. Drawing on extensive research in both Mexican and Spanish archives, Donald E. Chipman shows how daughters Isabel and Mariana and son Pedro and their offspring used lawsuits, strategic marriages, and political maneuvers and alliances to gain pensions, rights of entailment, admission to military orders, and titles of nobility from the Spanish government. Chipman also discusses how the Moctezuma family history illuminates several larger issues in colonial Latin American history, including women's status and opportunities and trans-Atlantic relations between Spain and its New World colonies.
Orr, who has experienced panic attacks herself, kept a diary of her participation as a research subject in clinical trials for the Upjohn Company’s anti-anxiety drug Xanax. This “panic diary” grounds her study and suggests the complexity of her desire to track the diffusion and regulation of panic in U.S. society. Orr’s historical research, theoretical reflections, and biographical narrative combine in this remarkable and compelling genealogy, which documents the manipulation of panic by the media, the social sciences and psychiatry, the U.S. military and government, and transnational drug companies.
Power in the Blood: A Family Narrative traces Linda Tate’s journey to rediscover the Cherokee-Appalachian branch of her family and provides an unflinching examination of the poverty, discrimination, and family violence that marked their lives. In her search for the truth of her own past, Tate scoured archives, libraries, and courthouses throughout Kentucky, Tennessee, Alabama, Illinois, and Missouri, visited numerous cemeteries, and combed through census records, marriage records, court cases, local histories, old maps, and photographs. As she began to locate distant relatives — fifth, sixth, seventh cousins, all descended from her great-greatgrandmother Louisiana — they gathered in kitchens and living rooms, held family reunions, and swapped stories. A past that had long been buried slowly came to light as family members shared the pieces of the family’s tale that had been passed along to them.
Power in the Blood is a dramatic family history that reads like a novel, as Tate’s compelling narrative reveals one mystery after another. Innovative and groundbreaking in its approach to research and storytelling, Power in the Blood shows that exploring a family story can enhance understanding of history, life, and culture and that honest examination of the past can lead to healing and liberation in the present.
At the heart of this book is the controversy over whether Inca history can and should be read as history. Did the Incas narrate a true reflection of their past, and did the Spaniards capture these narratives in a way that can be meaningfully reconstructed? In Reading Inca History,Catherine Julien finds that the Incas did indeed create detectable life histories.
The two historical genres that contributed most to sixteenth- and seventeenth-century Spanish narratives about the Incas were an official account of Inca dynastic genealogy and a series of life histories of Inca rulers. Rather than take for granted that there was an Inca historical consciousness, Julien begins by establishing an Inca purpose for keeping this dynastic genealogy. She then compares Spanish narratives of the Inca past to identify the structure of underlying Inca genres and establish the dependency on oral sources. Once the genealogical genre can be identified, the life histories can also be detected.
By carefully studying the composition of Spanish narratives and their underlying sources, Julien provides an informed and convincing reading of these complex texts. By disentangling the sources of their meaning, she reaches across time, language, and cultural barriers to achieve a rewarding understanding of the dynamics of Inca and colonial political history.
A metaphor for the Swedish migration to America in the mid-nineteenth century, the Sven Svensson family, traced here by historian H. Arnold Barton, a descendant, provides a model for genealogical research with which all persons interested in ancestors can identify and from which anyone can learn.
The field of migration history has taken on new importance as a result of accelerating interest in ethnicity and genealogical research. Though a family history, and in a sense an inner voyage of self-discovery, the search for ancestors told here reveals the broader contours of Swedish and American history in the nineteenth century.
The Search for Ancestors is a microanalysis of those social, economic, and cultural developments that led to the gradual breakup of an ancient way of life in the Swedish countryside and the migration of growing numbers of Swedish peasants across the Atlantic to America.
Barton’s personal odyssey took him to Gowrie, Iowa, the heart of Swedish America, and to the province of Småland in southern Sweden. Research in the Swedish Statistical Central Bureau in Stockholm, contacts with emigration historians in Stockholm, and search in Swedish provincial and national archives, finally gave him the impressive mass of information and statistical data with which to chart his family’s history—over four centuries, back to the 1530s.
A kind of “history with the works showing” or do-it-yourself genealogical kit, the book will be fascinating as well as informative for general readers as well as students of history.
The warp and weft of political and social relationships among the medieval elite were formed by marriages made between royal families. Ties of Kinship establishes a new standard for tracking the dynastic marriages of the ruling family of Rus´—the descendants of Volodimer (Volodimeroviči). Utilizing a modern scholarly approach and a broad range of primary sources from inside and outside Rus´, Christian Raffensperger has created a fully realized picture of the Volodimeroviči from the tenth through the twelfth centuries and the first comprehensive, scholarly treatment of the subject in English.
Alongside more than twenty-two genealogical charts with accompanying bibliographic information, this work presents an analysis of the Volodimeroviči dynastic marriages with modern interpretations and historical contextualization that highlights the importance of Rus´ in a medieval European framework. This study will be used by Slavists, Byzantinists, and West European medievalists as the new baseline for research on the Volodimeroviči and their complex web of relationships with the world beyond.
Like the Bouthilliers, the Colberts, the Fouquets, and the Letelliers, the Arnauld family rose to prominence at the end of the sixteenth century by attaching themselves to the king. Their power and influence depended upon absolute loyalty and obedience to the sovereign whose own power they sought to enhance. Dictates of conscience, however, brought all that to an end and put them in conflict with both king and pope. As a result of the religious conversion of Angélique Arnauld early in the seventeenth century, the family eventually adopted a set of religious principles that appeared Calvinist to some ecclesiastical authorities. These "Jansenist" principles were condemned by the papacy and Louis XIV.
The travails of conscience experienced by the Arnauld family, and the resulting religious schism that separated different branches, divided husbands from wives and parents from children. However, neither the historic achievements of individual family members nor the differences of opinion between them could obscure the sense of family solidarity.
The dramatic appeal of this book is underscored by a tumultuous period in French history which coincides with and punctuates the Arnauld family's struggle with the world. We see how this extraordinary family reacted to momentous political and religious developments, as well as the ways in which individual members, by means of their own convictions, helped shape the history of their time.
The Tale of Genji (ca. 1008), by noblewoman Murasaki Shikibu, is known for its sophisticated renderings of fictional characters’ minds and its critical perspectives on the lives of the aristocracy of eleventh-century Japan. Unreal Houses radically rethinks the Genji by focusing on the figure of the house. Edith Sarra examines the narrative’s fictionalized images of aristocratic mansions and its representation of the people who inhabit them, exploring how key characters in the Genji think about houses in both the architectural and genealogical sense of the word.
Through close readings of the Genji and other Heian narratives, Unreal Houses elucidates the literary fabrication of social, architectural, and affective spaces and shows how the figure of the house contributes to the structuring of narrative sequences and the expression of relational nuances among fictional characters. Combining literary analysis with the history of gender, marriage, and the built environment, Sarra opens new perspectives on the architectonics of the Genji and the feminine milieu that midwifed what some have called the world’s first novel.
Lesjak demonstrates how the ideological work of the literature of the Victorian era, the “golden age of the novel,” revolved around separating the domains of labor and pleasure and emphasizing the latter as the proper realm of literary representation. She reveals how the utopian works of Morris and Wilde grapple with this divide and attempt to imagine new relationships between work and pleasure, relationships that might enable a future in which work is not the antithesis of pleasure. In Working Fictions, Lesjak argues for the contemporary relevance of the “labor novel,” suggesting that within its pages lie resources with which to confront the gulf between work and pleasure that continues to characterize our world today.
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