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22 books about Hero
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Arthur: God and Hero in Avalon
Christopher R. Fee
Reaktion Books, 2019

For fifteen centuries, legends of King Arthur have enthralled us. Born in the misty past of a Britain under siege, half-remembered events became shrouded in ancient myth and folklore. The resulting tales were told and retold, until over time Arthur, Camelot, Avalon, the Round Table, the Holy Grail, Excalibur, Lancelot, and Guinevere all became instantly recognizable icons. Along the way, Arthur’s life and times were recast in the mold of the hero’s journey: Arthur’s miraculous conception at Tintagel through the magical intercession of his shaman guide, Merlin; the childhood deed of pulling the sword from the stone, through which Arthur was anointed King; the quest for the Holy Grail, the most sacred object in Christendom; the betrayal of Arthur by his wife and champion; and the apocalyptic battle between good and evil ending with Arthur’s journey to the Otherworld.

Touching on all of these classic aspects of the Arthur tale, Christopher R. Fee seeks to understand Arthur in terms of comparative mythology as he explores how the Once and Future King remains relevant in our contemporary world. From ancient legend to Monty Python, Arthur: God and Hero in Avalon discusses everything from the very earliest versions of the King Arthur myth to the most recent film and television adaptations, offering insight into why Arthur remains so popular—a hero whose story still speaks so eloquently to universal human needs and anxieties.
 
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The Author as Hero: Self and Tradition in Bulgakov, Pasternak, and Nabokov
Justin Weir
Northwestern University Press, 2002
Library of Congress PG3098.4.W45 2002 | Dewey Decimal 891.73409384

Justin Weir develops a persuasive analysis of the complex relationship between authorial self-reflection and literary tradition in three of the most famous Russian novels of the first half of the twentieth century: Bulgakov's The Master and Margarita, Pasternak's Doctor Zhivago, and Nabokov's The Gift. With Weir's innovative interpretation, and its compelling historical, cultural, and theoretical insights, The Author as Hero offers a new view of an important moment in the evolution of Russian literature.
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Francis Parkman, Historian as Hero: The Formative Years
By Wilbur R. Jacobs
University of Texas Press, 1991
Library of Congress E175.5.P28J3 1991 | Dewey Decimal 970.007202

A historian who lived the kind of history he wrote, Francis Parkman is a major—and controversial—figure in American historiography. His narrative style, while popular with readers wanting a "good story," has raised many questions with professional historians. Was Parkman writing history or historical fiction? Did he color historical figures with his own heroic self-image? Was his objectivity compromised by his "unbending, conservative, Brahmin" values? These are some of the many issues that Wilbur Jacobs treats in this thought-provoking study.

Jacobs carefully considers the "apprenticeship" of Francis Parkman, first spent in facing the rigors of the Oregon Trail and later in struggling to write his histories despite a mysterious, frequently incapacitating illness. He shows how these events allowed Parkman to create a heroic self-image, which impelled his desire for fame as a historian and influenced his treatment of both the "noble" and the "savage" characters of his histories.

In addition to assessing the influence of Parkman's development and personality on his histories, Jacobs comments on Parkman's relationship to basic social and cultural issues of the nineteenth century. These include the slavery question, Native American issues, expansion of the suffrage to new groups, including women, and anti-Catholicism.

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From Villain to Hero: Odysseus in Ancient Thought
Silvia Montiglio
University of Michigan Press, 2011
Library of Congress PN57.O3M66 2011 | Dewey Decimal 880.9351

Praise for Silvia Montiglio

"[A] brilliant and important book. . . . "
---Journal of Religion, on Silence in the Land of Logos

"[A]n invigorating reevaluation of both the ancient symbolic landscape and our preconceptions of it."
---American Journal of Philology, on Wandering in Ancient Greek Culture
 
 Best known for his adventures during his homeward journey as narrated in Homer's Odyssey, Odysseus remained a major figure and a source of inspiration in later literature, from Greek tragedy to Dante's Inferno to Joyce's Ulysses. Less commonly known, but equally interesting, are Odysseus' "wanderings" in ancient philosophy: Odysseus becomes a model of wisdom for Socrates and his followers, Cynics and Stoics, as well as for later Platonic thinkers. From Villain to Hero: Odysseus in Ancient Thought follows these wanderings in the world of ancient Greek and Roman philosophy, retracing the steps that led the cunning hero of Homeric epic and the villain of Attic tragedy to become a paradigm of the wise man.

From Villain to Hero explores the reception of Odysseus in philosophy, a subject that so far has been treated only in tangential or limited ways. Diverging from previous studies, Montiglio outlines the philosophers' Odysseus across the spectrum, from the Socratics to the Middle Platonists. By the early centuries CE, Odysseus' credentials as a wise man are firmly established, and the start of Odysseus' rehabilitation by philosophers challenges current perceptions of him as a villain. More than merely a study in ancient philosophy, From Villain to Hero seeks to understand the articulations between philosophical readings of Odysseus and nonphilosophical ones, with an eye to the larger cultural contexts of both. While this book is the work of a classicist, it will also be of interest to students of philosophy, comparative literature, and reception studies.

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Grief and the Hero: The Futility of Longing in the Iliad
Emily P. Austin
University of Michigan Press, 2021
Library of Congress PA4037 | Dewey Decimal 883.01

Grief and the Hero examines Achilles’ experience of the futility of grief in the context of the Iliad’s study of anger. No action can undo his friend Patroklos’ death, but the experience of death drives him to behave as though he can achieve something restorative. Rather than assuming that grief gives rise to anger, as most scholars have done, Grief and the Hero pays close attention to the poem’s representation of the origin of these emotions. In the Iliad, only Achilles’ grief for Patroklos is joined with the word pothê, “longing”; no other grief in the poem is described with this term. The Iliad depicts Achilles’ grief as the rupture of shared life—an insight that generates a new way of reading the epic. Achilles’ anguish drives him to extremes, oscillating between self-isolation and seeking communal expressions of grief; between weeping abundantly and relentlessly pursuing battle; between varied threats of mutilation, deeds of vengeance, and other vows. Yet his yearning for life shared with Patroklos is the common denominator. Here lies the profound insight of the Iliad. All of Achilles’ grief-driven deeds arise from his longing for life with Patroklos, and thus all of these deeds are, in a deep sense, futile. He yearns for something unattainable—undoing the reality of death. Grief and the Hero will appeal not only to scholars and students of Homer but to all humanists. Loss, longing, and even revenge touch many human lives, and the insights of the Iliad have broad resonance.

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Haunts Of the Black Masseur: The Swimmer as Hero
Charles Sprawson
University of Minnesota Press, 2000

In a masterful work of cultural history, Charles Sprawson, himself an obsessional swimmer and fluent diver, explores the meaning that different cultures have attached to water. Sprawson compares the meaning various societies have assigned to swimming—from classical Greece and imperial Rome to nineteenth-century England and Germany and the U.S. and Japan in the last fifty years. Sprawson gives us fascinating glimpses of the great swimmer heroes: Byron leaping dramatically into the surf at Shelley’s beach funeral; Edgar Allen Poe’s lone and mysterious river-swims; Rupert Brooke swimming naked with Virginia Woolf; Hart Crane swallow-diving to his death in the Bay of Mexico; Johnny Weismuller as athlete and entertainer. Informed by the literature of Swinburne, Goethe, Scott Fitzgerald, and Yukio Mishima; the films of Reifenstahl and Vigo; the Hollywood “swimming musicals” of the 1930s; and delving in and out of Olympic history, Haunts of the Black Masseur is a celebration of swimming that explores aspects of culture in a heretofore unimagined way.

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Hero
Root Leeb
Haus Publishing, 2014

A young woman who lives in Bavaria, Nele is quiet, an introvert, preferring to go unnoticed and keep to herself. That reticence carries over to her relationship with her father, Hero—until, that is, she realizes that he is seriously ill, and in fact may even be dying. That realization prompts her to work up the gumption to introduce him to her boyfriend, a Nigerian immigrant. This new-found courage impresses Hero, who comes to respect his daughter and entrusts her with a secret: a cardboard box whose contents are a mystery. Hero tells her to distribute what she finds inside to her mother and siblings, but only after his death.

Inspired in part by King Lear, this enchanting novel of families, secrets, and love is the first of Root Leeb’s works to be translated into English and is sure to win new fans for this successful German writer.
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The Hero and the City: An Interpretation of Sophocles' Oedipus at Colonus
Joseph P. Wilson
University of Michigan Press, 2003
Library of Congress PA4413.O53W54 1997 | Dewey Decimal 882.01

Challenges many of the traditional views concerning Oedipus at Colonus
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A Hero in His Time
Arthur A. Cohen
University of Chicago Press, 1987
Library of Congress PS3553.O418H4 1988 | Dewey Decimal 813.54

All his life Yuri Maximovich Isakovsky, a minor Russian poet, editor of a journal of folk music, sometime English translator, has assiduously avoided power and politics—in fact, attention of any kind. How can it be, then, that the Soviet government has chosen him to attend a conference in the fabled land of bourgeois temptation itself, New York City? And not only that, but to do a "piece of work" for the KGB, to deliver a code message embedded in the text of a certain poem to be read in public along with his own . . .

"Cohen has achieved here a tour de force, bringing the idea of poetry to life in a messy little man, no hero at all, not even that much of a poet. . . . [The novel] is stately as well as funny, an authentically noble account of a celebrant. . . . It is the true article."—Geoffrey Wolff, New York Times Book Review

"Arthur Cohen catches fire. . . . A Hero in His Time represents for him a great imaginative leap, for we are shown the interior mental landscape of a middle-aged Russian-Jewish minor poet and . . . most astonishing is that we believe, without question, in this poet."—Doris Grumbach, Village Voice

"A tremendous achievement. . . . To have made this tremendous imaginative leap from the heart of American Jewishness to the heart of Russian Jewishness was a daring thing to do, and it has been accomplished with absolute conviction."—The Sunday Times (London)

"A rich compound of high seriousness and robust comedy."—Newsweek
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The Hero in Transition
Ray B. Browne
University of Wisconsin Press, 1983
Library of Congress E169.1.H365 1983 | Dewey Decimal 973

An investigation of society’s heroes during any time period will reveal the personnel deemed worthy of being emulated at that particular time by that particular society. There will be many old and time-tested figures, sometimes with new faces and new profiles; there will also be a mix of new faces. Thus the hero—like history itself—is constantly in transition, and both the hero and the transition are fundamental to the study of a culture. These essays turn the pantheon of heroes around before our eyes and reveal the many complicated aspects of hero worship.
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A Hero of Our Time
Mikhail Lermontov, Translated from the Russian and with an Introduction by Elizabeth Cheresh Allen
Northwestern University Press, 2016
Library of Congress PG3337.L4G4133 2016 | Dewey Decimal 891.733

Translated from the Russian by Elizabeth Cheresh Allen

Mikhail Lermontov’s A Hero of Our Time was the first modern Russian novel. Published in 1840, it set a model of penetrating observation and psychological depth that would come to typify Russian literature. Its "hero," Grigorii Pechorin, also established a character type that became known in Russian fiction as "the superfluous man"—widely familiar from Dostoevsky’s Notes from Underground. At once driven by pride and wracked by self-doubt, both shockingly self-revealing and blindly self-deceived, he flounders to affirm himself in a social world he despises yet yearns to dominate. Pechorin is a troubling and unforgettable character. And A Hero of Our Time, which has provoked much controversy, is a novel not only central to Russian literature but fundamental to the Western literary tradition of the antihero.

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Hero of the Angry Sky: The World War I Diary and Letters of David S. Ingalls, America’s First Naval Ace
David S. Ingalls
Ohio University Press, 2012
Library of Congress D606.I54 2013 | Dewey Decimal 940.45973092

Hero of the Angry Sky draws on the unpublished diaries, correspondence, informal memoir, and other personal documents of the U.S. Navy’s only flying “ace” of World War I to tell his unique story. David S. Ingalls was a prolific writer, and virtually all of his World War I aviation career is covered, from the teenager’s early, informal training in Palm Beach, Florida, to his exhilarating and terrifying missions over the Western Front. This edited collection of Ingalls’s writing details the career of the U.S. Navy’s most successful combat flyer from that conflict.

While Ingalls’s wartime experiences are compelling at a personal level, they also illuminate the larger, but still relatively unexplored, realm of early U.S. naval aviation. Ingalls’s engaging correspondence offers a rare personal view of the evolution of naval aviation during the war, both at home and abroad. There are no published biographies of navy combat flyers from this period, and just a handful of diaries and letters in print, the last appearing more than twenty years ago. Ingalls’s extensive letters and diaries add significantly to historians’ store of available material.

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A Hero on Mount St. Helens: The Life and Legacy of David A. Johnston
Melanie Holmes
University of Illinois Press, 2019
Library of Congress QE523.S23H65 2019 | Dewey Decimal 551.210979784

Serendipity placed David Johnston on Mount St. Helens when the volcano rumbled to life in March 1980. Throughout that ominous spring, Johnston was part of a team that conducted scientific research that underpinned warnings about the mountain. Those warnings saved thousands of lives when the most devastating volcanic eruption in U.S. history blew apart Mount St. Helens, but killed Johnston on the ridge that now bears his name. Melanie Holmes tells the story of Johnston's journey from a nature-loving Boy Scout to a committed geologist. Blending science with personal detail, Holmes follows Johnston through encounters with Aleutian volcanoes, his work helping the Portuguese government assess the geothermal power of the Azores, and his dream job as a volcanologist with the U.S. Geological Survey. Interviews and personal writings reveal what a friend called "the most unjaded person I ever met," an imperfect but kind, intelligent young scientist passionately in love with his life and work and determined to make a difference.
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John Maclean: Hero of Red Clydeside
Henry Bell
Pluto Press, 2018
Library of Congress HX244.7.M26B45 2018 | Dewey Decimal 324.241075092

“I am not here, then, as the accused; I am here as the accuser of capitalism dripping with blood from head to foot.”—John Maclean, Speech from the Dock, 1918
 
Feared by the government, adored by workers, celebrated by Lenin and Trotsky. The head of British Military Intelligence called John Maclean (1879–1923) “the most dangerous man in Britain.”
            This new biography explores the events that shaped the life of a momentous man—from the Great War and the Great Unrest to the Rent Strike and the Russian Revolution. It examines his work as an organizer and educator, his imprisonment and hunger strike, and his rise to the position of Britain’s most famous revolutionary. At a moment when radical politics is drawing renewed attention and support, Maclean’s example of activism and commitment is as timely as ever.
 
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Lermontov's "A Hero of Our Time": A Critical Companion
Lewis Bagby
Northwestern University Press, 2001
Library of Congress PG3337.L4G49 2002 | Dewey Decimal 891.733

Praised as the first Russian novel of psychological realism and as a critique of the repressive era in which Mikhail Lermontov lived, A Hero of Our Time brought to life the political and social ideas that at that time could only be expressed indirectly. This latest volume in the acclaimed Northwestern/AATSEEL Critical Companions to Russian Literature series presents diverse perspectives of leading Slavic literary theorists and specialists, ethnologists, formalist critics, and Western humanists. Lending additional breadth and depth are conservative and radical reviews of the novel written at the time of its publication, plus two new essays, one on ethnic identity and the other on women's issues in the novel.
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Lermontov’s "A Hero of Our Time": A Critical Companion
Lewis Bagby
Northwestern University Press

Praised as the first Russian novel of psychological realism and as a critique of the repressive era in which Mikhail Lermontov lived, A Hero of Our Time brought to life the political and social ideas that at that time could only be expressed indirectly. This latest volume in the acclaimed Northwestern/AATSEEL Critical Companions to Russian Literature series presents diverse perspectives of leading Slavic literary theorists and specialists, ethnologists, formalist critics, and Western humanists. Lending additional breadth and depth are conservative and radical reviews of the novel written at the time of its publication, plus two new essays, one on ethnic identity and the other on women's issues in the novel.
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Lincoln as Hero
Frank J. Williams
Southern Illinois University Press, 2012
Library of Congress E457.W729 2012 | Dewey Decimal 973.7092

Most Americans have considered, and still consider, Abraham Lincoln to be a heroic figure. From his humble beginnings to his leadership of a divided nation during the Civil War to his early efforts in abolishing slavery, Lincoln’s legacy is one of deep personal and political courage. In this unique and concise retelling of many of the key moments and achievements of Lincoln’s life and work, Frank J. Williams explores in detail what it means to be a hero and how Lincoln embodied the qualities Americans look for in their heroes.

            Lincoln as Hero shows how—whether it was as president, lawyer, or schoolboy—Lincoln extolled the foundational virtues of American society. Williams describes the character and leadership traits that define American heroism, including ideas and beliefs, willpower, pertinacity, the ability to communicate, and magnanimity. Using both celebrated episodes and lesser-known anecdotes from Lincoln’s life and achievements, Williams presents a wide-ranging analysis of these traits as they were demonstrated in Lincoln’s rise, starting with his self-education as a young man and moving on to his training and experience as a lawyer, his entry onto the political stage, and his burgeoning grasp of military tactics and leadership.

            Williams also examines in detail how Lincoln embodied heroism in standing against secession and fighting to preserve America’s great democratic experiment. With a focused sense of justice and a great respect for the mandates of both the Declaration of Independence and the Constitution, Lincoln came to embrace freedom for the enslaved, and his Emancipation Proclamation led the way for the Thirteenth Amendment, which abolished slavery. Lincoln’s legacy as a hero and secular saint was secured when his lifeended by assassination as the Civil War was drawing to a close

            Touching on Lincoln’s humor and his quest for independence, justice, and equality, Williams outlines the path Lincoln took to becoming a great leader and an American hero, showing readers why his heroism is still relevant. True heroes, Williams argues, are successful not just by the standards of their own time but also through achievements that transcend their own eras and resonate throughout history—with their words and actions living on in our minds, if we are imaginative, and in our actions, if we are wise. 


Univeristy Press Books for Public and Secondary Schools 2013 edition

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Not a Hero: A Novel
Ignaty Potapenko
University of Pittsburgh Press, 2021

Between 1890 and 1893, Ignaty Potapenko published a number of works in which he presented the Russian intelligentsia with a new role model, the “mediocre, but common-sensical man,” whose diligence and steady devotion to the improvement of society are depicted as being more productive than the reckless heroism of the regime’s most outspoken, and sometimes violent, intellectual opponents. Not a Hero introduces the twenty-first-century reader to an important debate of the prerevolutionary period, a debate that is still relevant today: how to bring about social change within an oppressive and ossified political system without resorting to violence.

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Poet and Hero in the Persian Book of Kings: Third Edition
Olga M. Davidson
Harvard University Press
Library of Congress PK6459.D38 2013 | Dewey Decimal 891.5511

Poet and Hero in the Persian Book of Kings presents a far-reaching reassessment of the classical Persian epic known as the Shahnama or “Book of Kings,” composed by the poet Ferdowsi in the early eleventh century ce. Combining comparative perspectives with a close reading of the internal evidence provided by the text of this epic, Olga M. Davidson argues that the poet of the Shahnama is actually a character in the epic, coexisting with ancient Iranian heroes and kings whose deeds are celebrated by the poetry. The poet can have the role of a character because his poetry comes to life in performance. Whenever the Shahnama was performed by the poet or by later practitioners of his poetry, the performer could interact with his grand characters by re-engaging with their stories, as if for the first time. After documenting the oral poetic performance traditions underlying the text of the Shahnama in all its variations, Davidson argues that the heroic tradition of this epic is deeply ancient, stemming from Indo-European poetic traditions. A primary example is the great warrior Rostam, who upholds Iranian kingship while at the same time posing a threat to kings who prove unworthy of the crown.
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Requiem and Poem without a Hero
Anna Akhmatova
Ohio University Press, 2001

With this edition Swallow Press presents two of Anna Akhmatova’s best-known works that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin’s regime.

Akhmatova began the three-decade process of writing “Requiem” in 1935 after the arrests of her son, Lev Gumilev, and her third husband. The autobiographical fifteen-poem cycle primarily chronicles a mother’s wait—lining up outside Leningrad Prison every day for seventeen months—for news of her son’s fate. But from this limbo, Akhmatova expresses and elevates the collective grief for all the thousands vanished under the regime, and for those left behind to speculate about their loved ones’ fates. Similarly, Akhmatova wrote “Poem without a Hero” over a long period. It takes as its focus the transformation of Akhmatova’s beloved city of St. Petersburg—historically a seat of art and culture—into Leningrad. Taken together, these works plumb the foremost themes for which Akhmatova is known and revered. When Ohio University Press published D. M. Thomas’s translations in 1976, it was the first time they had appeared in English. Under Thomas’s stewardship, Akhmatova’s words ring clear as a bell.

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Trickster and Hero: Two Characters in the Oral and Written Traditions of the World
Harold Scheub
University of Wisconsin Press, 2012
Library of Congress GR524.S37 2012 | Dewey Decimal 80993352

The trickster and the hero, found in so many of the world’s oral traditions, are seemingly opposed but often united in one character. Trickster and Hero provides a comparative look at a rich array of world oral traditions, folktales, mythologies, and literatures—from The Odyssey, The Epic of Gilgamesh, and Beowulf to Native American and African tales. Award-winning folklorist Harold Scheub explores the “Trickster moment,” the moment in the story when the tale, the teller, and the listener are transformed: we are both man and woman, god and human, hero and villain.
    Scheub delves into the importance of trickster mythologies and the shifting relationships between tricksters and heroes. He examines protagonists that figure centrally in a wide range of oral narrative traditions, showing that the true hero is always to some extent a trickster as well. The trickster and hero, Scheub contends, are at the core of storytelling, and all the possibilities of life are there: we are taken apart and rebuilt, dismembered and reborn, defeated and renewed.
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Victim of the Muses: Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History
Todd Merlin Compton
Harvard University Press, 2006
Library of Congress PA3005.C66 2006 | Dewey Decimal 809.93352

This book probes the narratives of poets who are exiled, tried or executed for their satire. Aesop, fabulist and riddle warrior, is assimilated to the pharmakos--the wretched human scapegoat who is expelled from the city or killed in response to a crisis--after satirizing the Delphians.

In much the same way, Dumezil's Indo-European heroes, Starkathr and Suibhne, are both warrior-poets persecuted by patron deities. This book views the scapegoat as a group's dominant warrior, sent out to confront predators or besieging forces. Both poets and warriors specialize in madness and aggression, are necessary to society, yet dangerous to society.

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22 books about Hero
Arthur
God and Hero in Avalon
Christopher R. Fee
Reaktion Books, 2019
For fifteen centuries, legends of King Arthur have enthralled us. Born in the misty past of a Britain under siege, half-remembered events became shrouded in ancient myth and folklore. The resulting tales were told and retold, until over time Arthur, Camelot, Avalon, the Round Table, the Holy Grail, Excalibur, Lancelot, and Guinevere all became instantly recognizable icons. Along the way, Arthur’s life and times were recast in the mold of the hero’s journey: Arthur’s miraculous conception at Tintagel through the magical intercession of his shaman guide, Merlin; the childhood deed of pulling the sword from the stone, through which Arthur was anointed King; the quest for the Holy Grail, the most sacred object in Christendom; the betrayal of Arthur by his wife and champion; and the apocalyptic battle between good and evil ending with Arthur’s journey to the Otherworld.

Touching on all of these classic aspects of the Arthur tale, Christopher R. Fee seeks to understand Arthur in terms of comparative mythology as he explores how the Once and Future King remains relevant in our contemporary world. From ancient legend to Monty Python, Arthur: God and Hero in Avalon discusses everything from the very earliest versions of the King Arthur myth to the most recent film and television adaptations, offering insight into why Arthur remains so popular—a hero whose story still speaks so eloquently to universal human needs and anxieties.
 
[more]

The Author as Hero
Self and Tradition in Bulgakov, Pasternak, and Nabokov
Justin Weir
Northwestern University Press, 2002
Justin Weir develops a persuasive analysis of the complex relationship between authorial self-reflection and literary tradition in three of the most famous Russian novels of the first half of the twentieth century: Bulgakov's The Master and Margarita, Pasternak's Doctor Zhivago, and Nabokov's The Gift. With Weir's innovative interpretation, and its compelling historical, cultural, and theoretical insights, The Author as Hero offers a new view of an important moment in the evolution of Russian literature.
[more]

Francis Parkman, Historian as Hero
The Formative Years
By Wilbur R. Jacobs
University of Texas Press, 1991

A historian who lived the kind of history he wrote, Francis Parkman is a major—and controversial—figure in American historiography. His narrative style, while popular with readers wanting a "good story," has raised many questions with professional historians. Was Parkman writing history or historical fiction? Did he color historical figures with his own heroic self-image? Was his objectivity compromised by his "unbending, conservative, Brahmin" values? These are some of the many issues that Wilbur Jacobs treats in this thought-provoking study.

Jacobs carefully considers the "apprenticeship" of Francis Parkman, first spent in facing the rigors of the Oregon Trail and later in struggling to write his histories despite a mysterious, frequently incapacitating illness. He shows how these events allowed Parkman to create a heroic self-image, which impelled his desire for fame as a historian and influenced his treatment of both the "noble" and the "savage" characters of his histories.

In addition to assessing the influence of Parkman's development and personality on his histories, Jacobs comments on Parkman's relationship to basic social and cultural issues of the nineteenth century. These include the slavery question, Native American issues, expansion of the suffrage to new groups, including women, and anti-Catholicism.

[more]

From Villain to Hero
Odysseus in Ancient Thought
Silvia Montiglio
University of Michigan Press, 2011

Praise for Silvia Montiglio

"[A] brilliant and important book. . . . "
---Journal of Religion, on Silence in the Land of Logos

"[A]n invigorating reevaluation of both the ancient symbolic landscape and our preconceptions of it."
---American Journal of Philology, on Wandering in Ancient Greek Culture
 
 Best known for his adventures during his homeward journey as narrated in Homer's Odyssey, Odysseus remained a major figure and a source of inspiration in later literature, from Greek tragedy to Dante's Inferno to Joyce's Ulysses. Less commonly known, but equally interesting, are Odysseus' "wanderings" in ancient philosophy: Odysseus becomes a model of wisdom for Socrates and his followers, Cynics and Stoics, as well as for later Platonic thinkers. From Villain to Hero: Odysseus in Ancient Thought follows these wanderings in the world of ancient Greek and Roman philosophy, retracing the steps that led the cunning hero of Homeric epic and the villain of Attic tragedy to become a paradigm of the wise man.

From Villain to Hero explores the reception of Odysseus in philosophy, a subject that so far has been treated only in tangential or limited ways. Diverging from previous studies, Montiglio outlines the philosophers' Odysseus across the spectrum, from the Socratics to the Middle Platonists. By the early centuries CE, Odysseus' credentials as a wise man are firmly established, and the start of Odysseus' rehabilitation by philosophers challenges current perceptions of him as a villain. More than merely a study in ancient philosophy, From Villain to Hero seeks to understand the articulations between philosophical readings of Odysseus and nonphilosophical ones, with an eye to the larger cultural contexts of both. While this book is the work of a classicist, it will also be of interest to students of philosophy, comparative literature, and reception studies.

[more]

Grief and the Hero
The Futility of Longing in the Iliad
Emily P. Austin
University of Michigan Press, 2021

Grief and the Hero examines Achilles’ experience of the futility of grief in the context of the Iliad’s study of anger. No action can undo his friend Patroklos’ death, but the experience of death drives him to behave as though he can achieve something restorative. Rather than assuming that grief gives rise to anger, as most scholars have done, Grief and the Hero pays close attention to the poem’s representation of the origin of these emotions. In the Iliad, only Achilles’ grief for Patroklos is joined with the word pothê, “longing”; no other grief in the poem is described with this term. The Iliad depicts Achilles’ grief as the rupture of shared life—an insight that generates a new way of reading the epic. Achilles’ anguish drives him to extremes, oscillating between self-isolation and seeking communal expressions of grief; between weeping abundantly and relentlessly pursuing battle; between varied threats of mutilation, deeds of vengeance, and other vows. Yet his yearning for life shared with Patroklos is the common denominator. Here lies the profound insight of the Iliad. All of Achilles’ grief-driven deeds arise from his longing for life with Patroklos, and thus all of these deeds are, in a deep sense, futile. He yearns for something unattainable—undoing the reality of death. Grief and the Hero will appeal not only to scholars and students of Homer but to all humanists. Loss, longing, and even revenge touch many human lives, and the insights of the Iliad have broad resonance.

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Haunts Of the Black Masseur
The Swimmer as Hero
Charles Sprawson
University of Minnesota Press, 2000

In a masterful work of cultural history, Charles Sprawson, himself an obsessional swimmer and fluent diver, explores the meaning that different cultures have attached to water. Sprawson compares the meaning various societies have assigned to swimming—from classical Greece and imperial Rome to nineteenth-century England and Germany and the U.S. and Japan in the last fifty years. Sprawson gives us fascinating glimpses of the great swimmer heroes: Byron leaping dramatically into the surf at Shelley’s beach funeral; Edgar Allen Poe’s lone and mysterious river-swims; Rupert Brooke swimming naked with Virginia Woolf; Hart Crane swallow-diving to his death in the Bay of Mexico; Johnny Weismuller as athlete and entertainer. Informed by the literature of Swinburne, Goethe, Scott Fitzgerald, and Yukio Mishima; the films of Reifenstahl and Vigo; the Hollywood “swimming musicals” of the 1930s; and delving in and out of Olympic history, Haunts of the Black Masseur is a celebration of swimming that explores aspects of culture in a heretofore unimagined way.

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Hero
Root Leeb
Haus Publishing, 2014
A young woman who lives in Bavaria, Nele is quiet, an introvert, preferring to go unnoticed and keep to herself. That reticence carries over to her relationship with her father, Hero—until, that is, she realizes that he is seriously ill, and in fact may even be dying. That realization prompts her to work up the gumption to introduce him to her boyfriend, a Nigerian immigrant. This new-found courage impresses Hero, who comes to respect his daughter and entrusts her with a secret: a cardboard box whose contents are a mystery. Hero tells her to distribute what she finds inside to her mother and siblings, but only after his death.

Inspired in part by King Lear, this enchanting novel of families, secrets, and love is the first of Root Leeb’s works to be translated into English and is sure to win new fans for this successful German writer.
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The Hero and the City
An Interpretation of Sophocles' Oedipus at Colonus
Joseph P. Wilson
University of Michigan Press, 2003
Challenges many of the traditional views concerning Oedipus at Colonus
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A Hero in His Time
Arthur A. Cohen
University of Chicago Press, 1987
All his life Yuri Maximovich Isakovsky, a minor Russian poet, editor of a journal of folk music, sometime English translator, has assiduously avoided power and politics—in fact, attention of any kind. How can it be, then, that the Soviet government has chosen him to attend a conference in the fabled land of bourgeois temptation itself, New York City? And not only that, but to do a "piece of work" for the KGB, to deliver a code message embedded in the text of a certain poem to be read in public along with his own . . .

"Cohen has achieved here a tour de force, bringing the idea of poetry to life in a messy little man, no hero at all, not even that much of a poet. . . . [The novel] is stately as well as funny, an authentically noble account of a celebrant. . . . It is the true article."—Geoffrey Wolff, New York Times Book Review

"Arthur Cohen catches fire. . . . A Hero in His Time represents for him a great imaginative leap, for we are shown the interior mental landscape of a middle-aged Russian-Jewish minor poet and . . . most astonishing is that we believe, without question, in this poet."—Doris Grumbach, Village Voice

"A tremendous achievement. . . . To have made this tremendous imaginative leap from the heart of American Jewishness to the heart of Russian Jewishness was a daring thing to do, and it has been accomplished with absolute conviction."—The Sunday Times (London)

"A rich compound of high seriousness and robust comedy."—Newsweek
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The Hero in Transition
Ray B. Browne
University of Wisconsin Press, 1983
An investigation of society’s heroes during any time period will reveal the personnel deemed worthy of being emulated at that particular time by that particular society. There will be many old and time-tested figures, sometimes with new faces and new profiles; there will also be a mix of new faces. Thus the hero—like history itself—is constantly in transition, and both the hero and the transition are fundamental to the study of a culture. These essays turn the pantheon of heroes around before our eyes and reveal the many complicated aspects of hero worship.
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A Hero of Our Time
Mikhail Lermontov, Translated from the Russian and with an Introduction by Elizabeth Cheresh Allen
Northwestern University Press, 2016

Translated from the Russian by Elizabeth Cheresh Allen

Mikhail Lermontov’s A Hero of Our Time was the first modern Russian novel. Published in 1840, it set a model of penetrating observation and psychological depth that would come to typify Russian literature. Its "hero," Grigorii Pechorin, also established a character type that became known in Russian fiction as "the superfluous man"—widely familiar from Dostoevsky’s Notes from Underground. At once driven by pride and wracked by self-doubt, both shockingly self-revealing and blindly self-deceived, he flounders to affirm himself in a social world he despises yet yearns to dominate. Pechorin is a troubling and unforgettable character. And A Hero of Our Time, which has provoked much controversy, is a novel not only central to Russian literature but fundamental to the Western literary tradition of the antihero.

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Hero of the Angry Sky
The World War I Diary and Letters of David S. Ingalls, America’s First Naval Ace
David S. Ingalls
Ohio University Press, 2012

Hero of the Angry Sky draws on the unpublished diaries, correspondence, informal memoir, and other personal documents of the U.S. Navy’s only flying “ace” of World War I to tell his unique story. David S. Ingalls was a prolific writer, and virtually all of his World War I aviation career is covered, from the teenager’s early, informal training in Palm Beach, Florida, to his exhilarating and terrifying missions over the Western Front. This edited collection of Ingalls’s writing details the career of the U.S. Navy’s most successful combat flyer from that conflict.

While Ingalls’s wartime experiences are compelling at a personal level, they also illuminate the larger, but still relatively unexplored, realm of early U.S. naval aviation. Ingalls’s engaging correspondence offers a rare personal view of the evolution of naval aviation during the war, both at home and abroad. There are no published biographies of navy combat flyers from this period, and just a handful of diaries and letters in print, the last appearing more than twenty years ago. Ingalls’s extensive letters and diaries add significantly to historians’ store of available material.

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A Hero on Mount St. Helens
The Life and Legacy of David A. Johnston
Melanie Holmes
University of Illinois Press, 2019
Serendipity placed David Johnston on Mount St. Helens when the volcano rumbled to life in March 1980. Throughout that ominous spring, Johnston was part of a team that conducted scientific research that underpinned warnings about the mountain. Those warnings saved thousands of lives when the most devastating volcanic eruption in U.S. history blew apart Mount St. Helens, but killed Johnston on the ridge that now bears his name. Melanie Holmes tells the story of Johnston's journey from a nature-loving Boy Scout to a committed geologist. Blending science with personal detail, Holmes follows Johnston through encounters with Aleutian volcanoes, his work helping the Portuguese government assess the geothermal power of the Azores, and his dream job as a volcanologist with the U.S. Geological Survey. Interviews and personal writings reveal what a friend called "the most unjaded person I ever met," an imperfect but kind, intelligent young scientist passionately in love with his life and work and determined to make a difference.
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John Maclean
Hero of Red Clydeside
Henry Bell
Pluto Press, 2018
“I am not here, then, as the accused; I am here as the accuser of capitalism dripping with blood from head to foot.”—John Maclean, Speech from the Dock, 1918
 
Feared by the government, adored by workers, celebrated by Lenin and Trotsky. The head of British Military Intelligence called John Maclean (1879–1923) “the most dangerous man in Britain.”
            This new biography explores the events that shaped the life of a momentous man—from the Great War and the Great Unrest to the Rent Strike and the Russian Revolution. It examines his work as an organizer and educator, his imprisonment and hunger strike, and his rise to the position of Britain’s most famous revolutionary. At a moment when radical politics is drawing renewed attention and support, Maclean’s example of activism and commitment is as timely as ever.
 
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Lermontov's "A Hero of Our Time"
A Critical Companion
Lewis Bagby
Northwestern University Press, 2001
Praised as the first Russian novel of psychological realism and as a critique of the repressive era in which Mikhail Lermontov lived, A Hero of Our Time brought to life the political and social ideas that at that time could only be expressed indirectly. This latest volume in the acclaimed Northwestern/AATSEEL Critical Companions to Russian Literature series presents diverse perspectives of leading Slavic literary theorists and specialists, ethnologists, formalist critics, and Western humanists. Lending additional breadth and depth are conservative and radical reviews of the novel written at the time of its publication, plus two new essays, one on ethnic identity and the other on women's issues in the novel.
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Lermontov’s "A Hero of Our Time"
A Critical Companion
Lewis Bagby
Northwestern University Press
Praised as the first Russian novel of psychological realism and as a critique of the repressive era in which Mikhail Lermontov lived, A Hero of Our Time brought to life the political and social ideas that at that time could only be expressed indirectly. This latest volume in the acclaimed Northwestern/AATSEEL Critical Companions to Russian Literature series presents diverse perspectives of leading Slavic literary theorists and specialists, ethnologists, formalist critics, and Western humanists. Lending additional breadth and depth are conservative and radical reviews of the novel written at the time of its publication, plus two new essays, one on ethnic identity and the other on women's issues in the novel.
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Lincoln as Hero
Frank J. Williams
Southern Illinois University Press, 2012
Most Americans have considered, and still consider, Abraham Lincoln to be a heroic figure. From his humble beginnings to his leadership of a divided nation during the Civil War to his early efforts in abolishing slavery, Lincoln’s legacy is one of deep personal and political courage. In this unique and concise retelling of many of the key moments and achievements of Lincoln’s life and work, Frank J. Williams explores in detail what it means to be a hero and how Lincoln embodied the qualities Americans look for in their heroes.

            Lincoln as Hero shows how—whether it was as president, lawyer, or schoolboy—Lincoln extolled the foundational virtues of American society. Williams describes the character and leadership traits that define American heroism, including ideas and beliefs, willpower, pertinacity, the ability to communicate, and magnanimity. Using both celebrated episodes and lesser-known anecdotes from Lincoln’s life and achievements, Williams presents a wide-ranging analysis of these traits as they were demonstrated in Lincoln’s rise, starting with his self-education as a young man and moving on to his training and experience as a lawyer, his entry onto the political stage, and his burgeoning grasp of military tactics and leadership.

            Williams also examines in detail how Lincoln embodied heroism in standing against secession and fighting to preserve America’s great democratic experiment. With a focused sense of justice and a great respect for the mandates of both the Declaration of Independence and the Constitution, Lincoln came to embrace freedom for the enslaved, and his Emancipation Proclamation led the way for the Thirteenth Amendment, which abolished slavery. Lincoln’s legacy as a hero and secular saint was secured when his lifeended by assassination as the Civil War was drawing to a close

            Touching on Lincoln’s humor and his quest for independence, justice, and equality, Williams outlines the path Lincoln took to becoming a great leader and an American hero, showing readers why his heroism is still relevant. True heroes, Williams argues, are successful not just by the standards of their own time but also through achievements that transcend their own eras and resonate throughout history—with their words and actions living on in our minds, if we are imaginative, and in our actions, if we are wise. 


Univeristy Press Books for Public and Secondary Schools 2013 edition

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Not a Hero
A Novel
Ignaty Potapenko
University of Pittsburgh Press, 2021

Between 1890 and 1893, Ignaty Potapenko published a number of works in which he presented the Russian intelligentsia with a new role model, the “mediocre, but common-sensical man,” whose diligence and steady devotion to the improvement of society are depicted as being more productive than the reckless heroism of the regime’s most outspoken, and sometimes violent, intellectual opponents. Not a Hero introduces the twenty-first-century reader to an important debate of the prerevolutionary period, a debate that is still relevant today: how to bring about social change within an oppressive and ossified political system without resorting to violence.

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Poet and Hero in the Persian Book of Kings
Third Edition
Olga M. Davidson
Harvard University Press
Poet and Hero in the Persian Book of Kings presents a far-reaching reassessment of the classical Persian epic known as the Shahnama or “Book of Kings,” composed by the poet Ferdowsi in the early eleventh century ce. Combining comparative perspectives with a close reading of the internal evidence provided by the text of this epic, Olga M. Davidson argues that the poet of the Shahnama is actually a character in the epic, coexisting with ancient Iranian heroes and kings whose deeds are celebrated by the poetry. The poet can have the role of a character because his poetry comes to life in performance. Whenever the Shahnama was performed by the poet or by later practitioners of his poetry, the performer could interact with his grand characters by re-engaging with their stories, as if for the first time. After documenting the oral poetic performance traditions underlying the text of the Shahnama in all its variations, Davidson argues that the heroic tradition of this epic is deeply ancient, stemming from Indo-European poetic traditions. A primary example is the great warrior Rostam, who upholds Iranian kingship while at the same time posing a threat to kings who prove unworthy of the crown.
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Requiem and Poem without a Hero
Anna Akhmatova
Ohio University Press, 2001

With this edition Swallow Press presents two of Anna Akhmatova’s best-known works that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin’s regime.

Akhmatova began the three-decade process of writing “Requiem” in 1935 after the arrests of her son, Lev Gumilev, and her third husband. The autobiographical fifteen-poem cycle primarily chronicles a mother’s wait—lining up outside Leningrad Prison every day for seventeen months—for news of her son’s fate. But from this limbo, Akhmatova expresses and elevates the collective grief for all the thousands vanished under the regime, and for those left behind to speculate about their loved ones’ fates. Similarly, Akhmatova wrote “Poem without a Hero” over a long period. It takes as its focus the transformation of Akhmatova’s beloved city of St. Petersburg—historically a seat of art and culture—into Leningrad. Taken together, these works plumb the foremost themes for which Akhmatova is known and revered. When Ohio University Press published D. M. Thomas’s translations in 1976, it was the first time they had appeared in English. Under Thomas’s stewardship, Akhmatova’s words ring clear as a bell.

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Trickster and Hero
Two Characters in the Oral and Written Traditions of the World
Harold Scheub
University of Wisconsin Press, 2012
The trickster and the hero, found in so many of the world’s oral traditions, are seemingly opposed but often united in one character. Trickster and Hero provides a comparative look at a rich array of world oral traditions, folktales, mythologies, and literatures—from The Odyssey, The Epic of Gilgamesh, and Beowulf to Native American and African tales. Award-winning folklorist Harold Scheub explores the “Trickster moment,” the moment in the story when the tale, the teller, and the listener are transformed: we are both man and woman, god and human, hero and villain.
    Scheub delves into the importance of trickster mythologies and the shifting relationships between tricksters and heroes. He examines protagonists that figure centrally in a wide range of oral narrative traditions, showing that the true hero is always to some extent a trickster as well. The trickster and hero, Scheub contends, are at the core of storytelling, and all the possibilities of life are there: we are taken apart and rebuilt, dismembered and reborn, defeated and renewed.
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Victim of the Muses
Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History
Todd Merlin Compton
Harvard University Press, 2006

This book probes the narratives of poets who are exiled, tried or executed for their satire. Aesop, fabulist and riddle warrior, is assimilated to the pharmakos--the wretched human scapegoat who is expelled from the city or killed in response to a crisis--after satirizing the Delphians.

In much the same way, Dumezil's Indo-European heroes, Starkathr and Suibhne, are both warrior-poets persecuted by patron deities. This book views the scapegoat as a group's dominant warrior, sent out to confront predators or besieging forces. Both poets and warriors specialize in madness and aggression, are necessary to society, yet dangerous to society.

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