front cover of Cages of Reason
Cages of Reason
The Rise of the Rational State in France, Japan, the United States, and Great Britain
Bernard S. Silberman
University of Chicago Press, 1993
Blending political, historical, and sociological analysis, Bernard S. Silberman offers a provocative explanation for the bureaucratic development of the modern state. The study of modern state bureaucracy has its origins in Max Weber's analysis of the modes of social domination, which Silberman takes as his starting point.

Whereas Weber contends that the administration of all modern nation-states would eventually converge in one form characterized by rationality and legal authority, Silberman argues that the process of bureaucratic rationalization took, in fact, two courses. One path is characterized by permeable organizational boundaries and the allocation of information by "professionals." The other features well-defined boundaries and the allocation of information by organizational rules. Through case studies of France, Japan, the United States, and Great Britain, Silberman demonstrates that this divergence stems from differences in leadership structure and in levels of uncertainty about leadership succession in the nineteenth century.

Silberman concludes that the rise of bureacratic rationality was primarily a response to political problems rather than social and economic concerns. Cages of Reason demonstrates how rationalization can have occurred over a wide range of cultures at various levels of economic development. It will be of considerable interest to readers in a number of disciplines: political science, sociology, history, and public administration.

"Silberman has produced an invaluable, densely packed work that those with deep knowledge of public administrative development will find extremely rewarding." —David H. Rosenbloom, American Political Science Review

"An erudite, incisive, and vibrant book, the product of intensive study and careful reflection. Given its innovative theoretical framework and the wealth of historical materials contained in it, this study will generate debate and stimulate research in sociology, political science, and organizational theory. It is undoubtedly the best book on the comparative evolution of the modern state published in the last decade."—Mauro F. Guillen, Contemporary Sociology
[more]

front cover of The Call of Japan
The Call of Japan
A Continuing Story-1950 to the Present Day
Hans Brinckmann
Amsterdam University Press, 2020
Part personal memoir, part professional flashback, part socio-cultural commentary, The Call of Japan chronicles the author’s experiences during his 40 years of living in Japan, from 1950 to 1974 as a ‘reluctant banker’, and from 2003 to the present as a writer. The Call of Japan comments extensively on the country’s economic, political and cultural realities during the crucial early years of post-war reconstruction as well as during more recent times.
[more]

front cover of Campaigns of Knowledge
Campaigns of Knowledge
U.S. Pedagogies of Colonialism and Occupation in the Philippines and Japan
Malini Johar Schueller
Temple University Press, 2019

The creation of a new school system in the Philippines in 1898 and educational reforms in occupied Japan, both with stated goals of democratization, speaks to a singular vision of America as savior, following its politics of violence with benevolent recuperation. The pedagogy of recovery—in which schooling was central and natives were forced to accept empire through education—might have shown how Americans could be good occupiers, but it also created projects of Orientalist racial management: Filipinos had to be educated and civilized, while the Japanese had to be reeducated and “de-civilized.” 

In Campaigns of Knowledge, Malini Schueller contrapuntally reads state-sanctioned proclamations, educational agendas, and school textbooks alongside political cartoons, novels, short stories, and films to demonstrate how the U.S. tutelary project was rerouted, appropriated, reinterpreted, and resisted. In doing so, she highlights how schooling was conceived as a process of subjectification, creating particular modes of thought, behaviors, aspirations, and desires that would render the natives docile subjects amenable to American-style colonialism in the Philippines and occupation in Japan.

[more]

front cover of Carbon Technocracy
Carbon Technocracy
Energy Regimes in Modern East Asia
Victor Seow
University of Chicago Press, 2021
A forceful reckoning with the relationship between energy and power through the history of what was once East Asia’s largest coal mine.

The coal-mining town of Fushun in China’s Northeast is home to a monstrous open pit. First excavated in the early twentieth century, this pit grew like a widening maw over the ensuing decades, as various Chinese and Japanese states endeavored to unearth Fushun’s purportedly “inexhaustible” carbon resources. Today, the depleted mine that remains is a wondrous and terrifying monument to fantasies of a fossil-fueled future and the technologies mobilized in attempts to turn those developmentalist dreams into reality.

In Carbon Technocracy, Victor Seow uses the remarkable story of the Fushun colliery to chart how the fossil fuel economy emerged in tandem with the rise of the modern technocratic state. Taking coal as an essential feedstock of national wealth and power, Chinese and Japanese bureaucrats, engineers, and industrialists deployed new technologies like open-pit mining and hydraulic stowage in pursuit of intensive energy extraction. But as much as these mine operators idealized the might of fossil fuel–driven machines, their extractive efforts nevertheless relied heavily on the human labor that those devices were expected to displace. Under the carbon energy regime, countless workers here and elsewhere would be subjected to invasive techniques of labor control, ever-escalating output targets, and the dangers of an increasingly exploited earth.

Although Fushun is no longer the coal capital it once was, the pattern of aggressive fossil-fueled development that led to its ascent endures. As we confront a planetary crisis precipitated by our extravagant consumption of carbon, it holds urgent lessons. This is a groundbreaking exploration of how the mutual production of energy and power came to define industrial modernity and the wider world that carbon made.
[more]

front cover of Carbon Technocracy
Carbon Technocracy
Energy Regimes in Modern East Asia
Victor Seow
University of Chicago Press, 2021

Audiobook edition

A forceful reckoning with the relationship between energy and power through the history of what was once East Asia’s largest coal mine.


The coal-mining town of Fushun in China’s Northeast is home to a monstrous open pit. First excavated in the early twentieth century, this pit grew like a widening maw over the ensuing decades, as various Chinese and Japanese states endeavored to unearth Fushun’s purportedly “inexhaustible” carbon resources. Today, the depleted mine that remains is a wondrous and terrifying monument to fantasies of a fossil-fueled future and the technologies mobilized in attempts to turn those developmentalist dreams into reality.

In Carbon Technocracy, Victor Seow uses the remarkable story of the Fushun colliery to chart how the fossil fuel economy emerged in tandem with the rise of the modern technocratic state. Taking coal as an essential feedstock of national wealth and power, Chinese and Japanese bureaucrats, engineers, and industrialists deployed new technologies like open-pit mining and hydraulic stowage in pursuit of intensive energy extraction. But as much as these mine operators idealized the might of fossil fuel–driven machines, their extractive efforts nevertheless relied heavily on the human labor that those devices were expected to displace. Under the carbon energy regime, countless workers here and elsewhere would be subjected to invasive techniques of labor control, ever-escalating output targets, and the dangers of an increasingly exploited earth.

Although Fushun is no longer the coal capital it once was, the pattern of aggressive fossil-fueled development that led to its ascent endures. As we confront a planetary crisis precipitated by our extravagant consumption of carbon, it holds urgent lessons. This is a groundbreaking exploration of how the mutual production of energy and power came to define industrial modernity and the wider world that carbon made.

[more]

front cover of Cartographic Japan
Cartographic Japan
A History in Maps
Edited by Kären Wigen, Sugimoto Fumiko, and Cary Karacas
University of Chicago Press, 2016
Miles of shelf space in contemporary Japanese bookstores and libraries are devoted to travel guides, walking maps, and topical atlases. Young Japanese children are taught how to properly map their classrooms and schoolgrounds. Elderly retirees pore over old castle plans and village cadasters. Pioneering surveyors are featured in popular television shows, and avid collectors covet exquisite scrolls depicting sea and land routes. Today, Japanese people are zealous producers and consumers of cartography, and maps are an integral part of daily life.
 
But this was not always the case: a thousand years ago, maps were solely a privilege of the ruling elite in Japan. Only in the past four hundred years has Japanese cartography truly taken off, and between the dawn of Japan’s cartographic explosion and today, the nation’s society and landscape have undergone major transformations. At every point, maps have documented those monumental changes. Cartographic Japan offers a rich introduction to the resulting treasure trove, with close analysis of one hundred maps from the late 1500s to the present day, each one treated as a distinctive window onto Japan’s tumultuous history.
 
Forty-seven distinguished contributors—hailing from Japan, North America, Europe, and Australia—uncover the meanings behind a key selection of these maps, situating them in historical context and explaining how they were made, read, and used at the time. With more than one hundred gorgeous full-color illustrations, Cartographic Japan offers an enlightening tour of Japan’s magnificent cartographic archive.
[more]

front cover of Cataclysm
Cataclysm
General Hap Arnold and the Defeat of Japan
Herman S. Wolk
University of North Texas Press, 2010

front cover of Childhood Years
Childhood Years
A Memoir
Tanizaki Jun'ichiro; Translated by Paul McCarthy
University of Michigan Press, 2017
In Childhood Years, originally published serially in a literary magazine between 1955 and 1956, Tanizaki Jun’ichirō (1886–1965) takes a meandering look back on his early life in Tokyo. He reflects on his upbringing, family, and the capital city with a conversational—and not necessarily honest—eye, offering insights into his later life and his writing. 
 
[more]

logo for Harvard University Press
Children as Treasures
Childhood and the Middle Class in Early Twentieth Century Japan
Mark Jones
Harvard University Press, 2010

Mark Jones examines the making of a new child’s world in Japan between 1890 and 1930 and focuses on the institutions, groups, and individuals that reshaped both the idea of childhood and the daily life of children. Family reformers, scientific child experts, magazine editors, well-educated mothers, and other prewar urban elites constructed a model of childhood—having one’s own room, devoting time to homework, reading children’s literature, playing with toys—that ultimately became the norm for young Japanese in subsequent decades.

This book also places the story of modern childhood within a broader social context—the emergence of a middle class in early twentieth century Japan. The ideal of making the child into a “superior student” (yutosei) appealed to the family seeking upward mobility and to the nation-state that needed disciplined, educated workers able to further Japan’s capitalist and imperialist growth. This view of the middle class as a child-centered, educationally obsessed, socially aspiring stratum survived World War II and prospered into the years beyond.

[more]

front cover of Children of the Atomic Bomb
Children of the Atomic Bomb
An American Physician’s Memoir of Nagasaki, Hiroshima, and the Marshall Islands
James N. Yamazaki and Louis B. Fleming
Duke University Press, 1995
Despite familiar images of the dropping of the atomic bomb on Japan and the controversy over its fiftieth anniversary, the human impact of those horrific events often seems lost to view. In this uncommon memoir, Dr. James N. Yamazaki tells us in personal and moving terms of the human toll of nuclear warfare and the specific vulnerability of children to the effects of these weapons. Giving voice to the brutal ironies of racial and cultural conflict, of war and sacrifice, his story creates an inspiring and humbling portrait of events whose lessons remain difficult and troubling fifty years later.
Children of the Atomic Bomb is Dr. Yamazaki’s account of a lifelong effort to understand and document the impact of nuclear explosions on children, particularly the children conceived but not yet born at the time of the explosions. Assigned in 1949 as Physician-in-Charge of the United States Atomic Bomb Casualty Commission in Nagasaki, Yamazaki had served as a combat surgeon at the Battle of the Bulge where he had been captured and held as a prisoner of war by the Germans. In Japan he was confronted with violence of another dimension—the devastating impact of a nuclear blast and the particularly insidious effects of radiation on children.
Yamazaki’s story is also one of striking juxtapositions, an account of a Japanese-American’s encounter with racism, the story of a man who fought for his country while his parents were interned in a concentration camp in Arkansas. Once the object of discrimination at home, Yamazaki paradoxically found himself in Japan for the first time as an American, part of the Allied occupation forces, and again an outsider. This experience resonates through his work with the children of Nagasaki and Hiroshima and with the Marshallese people who bore the brunt of America’s postwar testing of nuclear weapons in the Pacific.
Recalling a career that has spanned five decades, Dr. Yamazaki chronicles the discoveries that helped chart the dangers of nuclear radiation and presents powerful observations of both the medical and social effects of the bomb. He offers an indelible picture of human tragedy, a tale of unimaginable suffering, and a dedication to healing that is ultimately an unwavering, impassioned plea for peace.
[more]

front cover of Children of the Occupation
Children of the Occupation
Japan's Untold Story
Hamilton, Walter
Rutgers University Press, 2013
Following World War II, the Allied Powers occupied Japan from 1945 to 1952, leaving a human legacy: thousands of children of Japanese mothers fathered by men from Australia, the United States, New Zealand, India, and Britain. These mixed-race offspring, and often their mothers, faced intense discrimination.

Based on interviews with or research on 150 konketsuji—a now-taboo word for "mixed-blood" Japanese—journalist Walter Hamilton presents vivid first-person accounts of these adults as they remember their experiences of childhood loss. Using archival material from organizations dedicated to assisting the children, he combines moving personal tales with historical and political analyses of international race relations and immigration policy, particularly in North America and Australia.

Not only were attitudes and behaviors of the Japanese biased against the mixed-race children, but so were the restrictive and prejudicial immigration policies of the fathers’ native countries. Japan’s racial intolerance was fully matched in the nations it fought against. Hamilton examines how attitudes about race relations have evolved and traces the impact of racial ideology on national policy and cultural identity in Australia, Japan, and the United States.
[more]

logo for Harvard University Press
China, 1898-1912
The Xinzheng Revolution and Japan
Douglas Reynolds
Harvard University Press, 1993

front cover of China and Japan
China and Japan
Facing History
Ezra F. Vogel
Harvard University Press, 2019

A Financial Times “Summer Books” Selection

“Will become required reading.”
Times Literary Supplement


“Elegantly written…with a confidence that comes from decades of deep research on the topic, illustrating how influence and power have waxed and waned between the two countries.”
—Rana Mitter, Financial Times


China and Japan have cultural and political connections that stretch back fifteen hundred years, but today their relationship is strained. China’s military buildup deeply worries Japan, while Japan’s brutal occupation of China in World War II remains an open wound. In recent years both countries have insisted that the other side must openly address the flashpoints of the past before relations can improve.

Boldly tackling the most contentious chapters in this long and tangled relationship, Ezra Vogel uses the tools of a master historian to examine key turning points in Sino–Japanese history. Gracefully pivoting from past to present, he argues that for the sake of a stable world order, these two Asian giants must reset their relationship.

“A sweeping, often fascinating, account…Impressively researched and smoothly written.”
Japan Times

“Vogel uses the powerful lens of the past to frame contemporary Chinese–Japanese relations…[He] suggests that over the centuries—across both the imperial and the modern eras—friction has always dominated their relations.”
—Sheila A. Smith, Foreign Affairs

[more]

logo for Harvard University Press
China and Japan in the Global Setting
Akira Iriye
Harvard University Press, 1992

The relationship between China and Japan remains among the most significant of all the world’s bilateral affairs—yet it is also the most tortured and the least understood. Akira Iriye adds brilliant clarity to the past century of Chinese–Japanese interactions in this masterful interpretive survey.

Placing the relationship within its global context, he outlines three distinct periods in the history of these Asian giants. From the 1880s to World War I, the two nations struggled for power. Armaments, war strategies, and security measures played pivotal roles, reflecting the importance 0f military calculations in a world dominated by Western governments.

In the second period, that between the two World Wars, Iriye illuminates the dominant role of culture and the stress on internationalism. China’s continuing literary influence, an exchange of ideas and students reforms such as Japan’s Taisho democracy and China’s May Fourth movement, and both nations’ bid for racial equality in the West profoundly affected these interwar years.

The third period reaches from the end of World War II through the present day, and is characterized by exchanges of an economic nature: trade, shipping, investment, and emigration. The author discusses the results of China’s civil war, the rise and decline 0f the Cold War in the West, and the cultural and ecological problems brought by Japan’s spiraling economic development. But economic ties remain deeply entwined with cultural concerns, and ultimately, Iriye stresses, the future of China and Japan depends on the successful cultural interdependence of what may be the most significant pair of countries in the world today.

[more]

logo for Harvard University Press
China Diplomacy, 1914-1918
Madeleine Chi
Harvard University Press, 1970
This study of World War I diplomacy concerning China covers in detail the outbreak of the war in the Far East; China's attempt to join the allies in 1915; the secret agreements during 1917 between Japan and Great Britain, France, Italy, and Russia; and later negotiations relative to China's entry into the war.
[more]

logo for Harvard University Press
China in the Tokugawa World
Marius B. Jansen
Harvard University Press, 1992
This engaging book challenges the traditional notion that Japan was an isolated nation cut off from the outside world in the modern era. This familiar story of seclusion, argues master historian Marius B. Jansen, results from viewing the period soley in terms of Japan's ties with the West, at the expense of its relationship with closer Asian neighbors. Taking as his focus the port of Nagasaki and its thriving trade with China in the sixteenth through nineteenth centuries, Jansen not only corrects this misperception but offers an important analysis of the impact of the China trade on Japan's cultural, economic, and political life.
[more]

front cover of China’s War Reporters
China’s War Reporters
The Legacy of Resistance against Japan
Parks M. Coble
Harvard University Press, 2015

When Japan invaded China in the summer of 1937, many Chinese journalists greeted the news with euphoria. For years, the Chinese press had urged Chiang Kai-shek to resist Tokyo’s aggressive overtures. This was the war they wanted, convinced that their countrymen would triumph.

Parks Coble recaptures the experiences of China’s war correspondents during the Sino–Japanese War of 1937–1945. He delves into the wartime writing of reporters connected with the National Salvation Movement—journalists such as Fan Changjiang, Jin Zhonghua, and Zou Taofen—who believed their mission was to inspire the masses through patriotic reporting. As the Japanese army moved from one stunning victory to the next, forcing Chiang’s government to retreat to the interior, newspaper reports often masked the extent of China’s defeats. Atrocities such as the Rape of Nanjing were played down in the press for fear of undercutting national morale.

By 1941, as political cohesion in China melted away, Chiang cracked down on leftist intellectuals, including journalists, many of whom fled to the Communist-held areas of the north. When the People’s Republic was established in 1949, some of these journalists were elevated to prominent positions. But in a bitter twist, all mention of their wartime writings disappeared. Mao Zedong emphasized the heroism of his own Communist Revolution, not the war effort led by his archrival Chiang. Denounced as enemies during the Cultural Revolution, once-prominent wartime journalists, including Fan, committed suicide. Only with the revival of Chinese nationalism in the reform era has their legacy been resurrected.

[more]

logo for Harvard University Press
Chinese Literary Forms in Heian Japan
Poetics and Practice
Brian Steininger
Harvard University Press, 2017

Written Chinese served as a prestigious, cosmopolitan script across medieval East Asia, from as far west as the Tarim Basin to the eastern kingdom of Heian period Japan (794–1185). In this book, Brian Steininger revisits the mid-Heian court of the Tale of Genji and the Pillow Book, where literary Chinese was not only the basis of official administration, but also a medium for political protest, sermons of mourning, and poems of celebration.

Chinese Literary Forms in Heian Japan reconstructs the lived practice of Chinese poetic and prose genres among Heian officials, analyzing the material exchanges by which documents were commissioned, the local reinterpretations of Tang aesthetic principles, and the ritual venues in which literary Chinese texts were performed in Japanese vocalization. Even as state ideology and educational institutions proclaimed the Chinese script’s embodiment of timeless cosmological patterns, everyday practice in this far-flung periphery subjected classical models to a string of improvised exceptions. Through careful comparison of literary and documentary sources, this book provides a vivid case study of one society’s negotiation of literature’s position—both within a hierarchy of authority and between the incommensurable realms of script and speech.

[more]

front cover of Christian Converts and Social Protests in Meiji Japan
Christian Converts and Social Protests in Meiji Japan
Irwin Scheiner
University of Michigan Press, 2002
Nowhere has there been a discussion of the confusion necessarily generated by the rapidity of the change or of the agony created in the lives of many whose attitudes, expectations, and even success depended on the continuance of now abolished institutions. Historians have ignored the settled conditions of most samurai and instead concentrated on the study of the minority of activist samurai leaders who, with the backing of only a few Han (feudal domains) sought to overthrow the old order and whose success in doing so has made the study of the modernization of Japan the prime concern of historians. The history of the Meiji period may have been an overall political and industrial success story, but for a fuller understanding of the conditions of that success it is also necessary to understand "what it was really like" for the members of the old elite to be estranged from the proponents of revolution and what many members did to assure their own social and psychological position in a world they had not expected.
In this book the author attempts to show that the impact of the Meiji Restoration destroyed the meaningfulness of the Confucian doctrine for these declasse samurai. Through Christianity, the samurai attempted to revive their status in society by finding a doctrine that offered a meaningful path to power. But in doing so, they had to accept a new theory of social relations. Ultimately, as the convert's understanding of society became totally informed by the Christian doctrine, they accepted a transcendent authority that brought them into conflict with society about them. Therefore, to understand the development of a Christian opposition in Meiji society we must begin with the conversion experience itself. [intro]
[more]

front cover of A Christian Samurai
A Christian Samurai
William J. Farge
Catholic University of America Press, 2016
Through a close critical analysis of Baba Bunko's often humorous, but always biting, satirical essays a new picture of the hidden world of Christianity in eighteenth-century Japan emerges - a picture that contradicts the generally-held belief among Western historians that the Catholic mission in Japan ended in failure. A Christian Samurai will surprise many readers when they discover that Christian moral teachings not only survived the long period of persecution but influenced Japanese society throughout the Tokugawa period.
[more]

front cover of Cinema of Actuality
Cinema of Actuality
Japanese Avant-Garde Filmmaking in the Season of Image Politics
Yuriko Furuhata
Duke University Press, 2013
During the 1960s and early 1970s, Japanese avant-garde filmmakers intensely explored the shifting role of the image in political activism and media events. Known as the "season of politics," the era was filled with widely covered dramatic events from hijackings and hostage crises to student protests. This season of politics was, Yuriko Furuhata argues, the season of image politics. Well-known directors, including Oshima Nagisa, Matsumoto Toshio, Wakamatsu Kōji, and Adachi Masao, appropriated the sensationalized media coverage of current events, turning news stories into material for timely critique and intermedial experimentation. Cinema of Actuality analyzes Japanese avant-garde filmmakers' struggle to radicalize cinema in light of the intensifying politics of spectacle and a rapidly changing media environment, one that was increasingly dominated by television. Furuhata demonstrates how avant-garde filmmaking intersected with media history, and how sophisticated debates about film theory emerged out of dialogues with photography, television, and other visual arts.
[more]

front cover of The Cinema of Naruse Mikio
The Cinema of Naruse Mikio
Women and Japanese Modernity
Catherine Russell
Duke University Press, 2008
One of the most prolific and respected directors of Japanese cinema, Naruse Mikio (1905–69) made eighty-nine films between 1930 and 1967. Little, however, has been written about Naruse in English, and much of the writing about him in Japanese has not been translated into English. With The Cinema of Naruse Mikio, Catherine Russell brings deserved critical attention to this under-appreciated director. Besides illuminating Naruse’s contributions to Japanese and world cinema, Russell’s in-depth study of the director sheds new light on the Japanese film industry between the 1930s and the 1960s.

Naruse was a studio-based director, a company man renowned for bringing films in on budget and on time. During his long career, he directed movies in different styles of melodrama while displaying a remarkable continuity of tone. His films were based on a variety of Japanese literary sources and original scripts; almost all of them were set in contemporary Japan. Many were “women’s films.” They had female protagonists, and they depicted women’s passions, disappointments, routines, and living conditions. While neither Naruse or his audiences identified themselves as “feminist,” his films repeatedly foreground, if not challenge, the rigid gender norms of Japanese society. Given the complex historical and critical issues surrounding Naruse’s cinema, a comprehensive study of the director demands an innovative and interdisciplinary approach. Russell draws on the critical reception of Naruse in Japan in addition to the cultural theories of Harry Harootunian, Miriam Hansen, and Walter Benjamin. She shows that Naruse’s movies were key texts of Japanese modernity, both in the ways that they portrayed the changing roles of Japanese women in the public sphere and in their depiction of an urban, industrialized, mass-media-saturated society.

[more]

front cover of The Civil Code Controversy in Meiji Japan
The Civil Code Controversy in Meiji Japan
Michal A. Piegzik
Leiden University Press, 2024
'The Civil Code Controversy in Meiji Japan' outlines the dramatic history of the failed liberalization of Japanese private law during the Meiji era.
[more]

front cover of Civilization and Monsters
Civilization and Monsters
Spirits of Modernity in Meiji Japan
Gerald Figal
Duke University Press, 2000
Monsters, ghosts, the supernatural, the fantastic, the mysterious. These are not usually considered the “stuff” of modernism. More often they are regarded as inconsequential to the study of the modern, or, at best, seen as representative of traditional beliefs that are overcome and left behind in the transformation toward modernity. In Civilization and Monsters Gerald Figal asserts that discourse on the fantastic was at the heart of the historical configuration of Japanese modernity—that the representation of the magical and mysterious played an integral part in the production of modernity beginning in Meiji Japan (1868–1912).
After discussing the role of the fantastic in everyday Japan at the eve of the Meiji period, Figal draws new connections between folklorists, writers, educators, state ideologues, and policymakers, all of whom crossed paths in a contest over supernatural terrain. He shows the ways in which a determined Meiji state was engaged in a battle to suppress, denigrate, manipulate, or reincorporate folk belief as part of an effort toward the consolidation of a modern national culture. Modern medicine and education, functioning as a means for the state to exercise its power, redefined folk practices as a source of evil. Diverse local spirits were supplanted by a new Japanese Spirit, embodied by the newly constituted emperor, the supernatural source of the nation’s strength. The monsters of folklore were identified, catalogued, and characterized according to a new regime of modern reason. But whether engaged to support state power and forge a national citizenry or to critique the arbitrary nature of that power, the fantastic, as Figal maintains, is the constant condition of Japanese modernity in all its contradictions. Furthermore, he argues, modernity in general is born of fantasy in ways that have scarcely been recognized.
Bringing unexplored and provocative new ideas to the Japan specialist, Civilization and Monsters will also appeal to readers concerned with issues of modernity in general.
[more]

front cover of Climatic Media
Climatic Media
Transpacific Experiments in Atmospheric Control
Yuriko Furuhata
Duke University Press, 2022
In Climatic Media, Yuriko Furuhata traces climate engineering from the early twentieth century to the present, emphasizing the legacies of Japan’s empire building and its Cold War alliance with the United States. Furuhata boldly expands the scope of media studies to consider technologies that chemically “condition” Earth’s atmosphere and socially “condition” the conduct of people, focusing on the attempts to monitor and modify indoor and outdoor atmospheres by Japanese scientists, technicians, architects, and artists in conjunction with their American counterparts. She charts the geopolitical contexts of what she calls climatic media by examining a range of technologies such as cloud seeding and artificial snowflakes, digital computing used for weather forecasting and weather control, cybernetics for urban planning and policing, Nakaya Fujiko’s fog sculpture, and the architectural experiments of Tange Lab and the Metabolists, who sought to design climate-controlled capsule housing and domed cities. Furuhata’s transpacific analysis offers a novel take on the elemental conditions of media and climate change.
[more]

front cover of Coed Revolution
Coed Revolution
The Female Student in the Japanese New Left
Chelsea Szendi Schieder
Duke University Press, 2021
In the 1960s, a new generation of university-educated youth in Japan challenged forms of capitalism and the state. In Coed Revolution Chelsea Szendi Schieder recounts the crucial stories of Japanese women's participation in these protest movements led by the New Left through the early 1970s. Women were involved in contentious politics to an unprecedented degree, but they and their concerns were frequently marginalized by men in the movement and the mass media, and the movement at large is often memorialized as male and masculine. Drawing on stories of individual women, Schieder outlines how the media and other activists portrayed these women as icons of vulnerability and victims of violence, making women central to discourses about legitimate forms of postwar political expression. Schieder disentangles the gendered patterns that obscured radical women's voices to construct a feminist genealogy of the Japanese New Left, demonstrating that student activism in 1960s Japan cannot be understood without considering the experiences and representations of these women.
[more]

front cover of Coeds Ruining the Nation
Coeds Ruining the Nation
Women, Education, and Social Change in Postwar Japanese Media
Julia C. Bullock
University of Michigan Press, 2019
In the late 1800s, Japan introduced a new, sex-segregated educational system. Boys would be prepared to enter a rapidly modernizing public sphere, while girls trained to become “good wives and wise mothers” who would contribute to the nation by supporting their husbands and nurturing the next generation of imperial subjects. When this system was replaced by a coeducational model during the American Occupation following World War II, adults raised with gender-specific standards were afraid coeducation would cause “moral problems”—even societal collapse. By contrast, young people generally greeted coeducation with greater composure. 

This is the first book in English to explore the arguments for and against coeducation as presented in newspaper and magazine articles, cartoons, student-authored school newsletters, and roundtable discussions published in the Japanese press as these reforms were being implemented. It complicates the notion of the postwar years as a moment of rupture, highlighting prewar experiments with coeducation that belied objections that the practice was a foreign imposition and therefore “unnatural” for Japanese culture. It also illustrates a remarkable degree of continuity between prewar and postwar models of femininity, arguing that Occupation-era guarantees of equal educational opportunity were ultimately repurposed toward a gendered division of labor that underwrote the postwar project of economic recovery. Finally, it excavates discourses of gender and sexuality underlying the moral panic surrounding coeducation to demonstrate that claims of rampant sexual deviance, among other concerns, were employed as disciplinary mechanisms meant to reinforce compliance with an ideology of harmonious gender complementarity and to dissuade women from pursuing conventionally masculine prerogatives.
 
This book will interest scholars of Japanese history and culture and, more broadly, scholars of media, education, and gender and sexuality studies. Written in accessible and engaging language that avoids jargon, it is also suitable for use in undergraduate courses
[more]

logo for Harvard University Press
Coins, Trade, and the State
Economic Growth in Early Medieval Japan
Ethan Isaac Segal
Harvard University Press, 2011

Framed by the decline of the Heian aristocracy in the late 1100s and the rise of the Tokugawa shogunate in the early 1600s, Japan’s medieval era was a chaotic period of diffuse political power and frequent military strife. This instability prevented central authorities from regulating trade, issuing currency, enforcing contracts, or guaranteeing property rights. But the lack of a strong central government did not inhibit economic growth. Rather, it created opportunities for a wider spectrum of society to participate in trade, markets, and monetization.

Peripheral elites—including merchants, warriors, rural estate managers, and religious leaders—devised new ways to circumvent older forms of exchange by importing Chinese currency, trading in local markets, and building an effective system of long-distance money remittance. Over time, the central government recognized the futility of trying to stifle these developments, and by the sixteenth century it asserted greater control over monetary matters throughout the realm.

Drawing upon diaries, tax ledgers, temple records, and government decrees, Ethan Isaac Segal chronicles how the circulation of copper currency and the expansion of trade led to the start of a market-centered economy and laid the groundwork for Japan’s transformation into an early modern society.

[more]

front cover of Cold War Democracy
Cold War Democracy
The United States and Japan
Jennifer M. Miller
Harvard University Press, 2019

A fresh reappraisal of Japan’s relationship with the United States, which reveals how the Cold War shaped Japan and transformed America’s understanding of what it takes to establish a postwar democracy.

Is American foreign policy a reflection of a desire to promote democracy, or is it motivated by America’s economic interests and imperial dreams? Jennifer Miller argues that democratic ideals were indeed crucial in the early days of the U.S.–Japanese relationship, but not in the way most defenders claim. American leaders believed that building a peaceful, stable, and democratic Japan after a devastating war required much more than elections or a new constitution. Instead, they saw democracy as a psychological and even spiritual “state of mind,” a vigilant society perpetually mobilized against the false promises of fascist and communist anti-democratic forces. These ideas inspired an unprecedented crusade to help the Japanese achieve the individualistic and rational qualities deemed necessary for democracy.

These American ambitions confronted vigorous Japanese resistance. Activists mobilized against U.S. policy, surrounding U.S. military bases and staging protests to argue that a true democracy must be accountable to the Japanese people. In the face of these protests, leaders from both the United States and Japan maintained their commitment to building a psychologically “healthy” democracy. During the occupation, American policymakers identified elections and education as the wellsprings of a new consciousness, but as the extent of Japan’s remarkable economic recovery became clear, they increasingly placed prosperity at the core of a revised vision for their new ally’s future. Cold War Democracy reveals how these ideas and conflicts informed American policies, including the decision to rebuild the Japanese military and distribute U.S. economic assistance and development throughout Asia.

[more]

front cover of Cold War Ruins
Cold War Ruins
Transpacific Critique of American Justice and Japanese War Crimes
Lisa Yoneyama
Duke University Press, 2016
In Cold War Ruins Lisa Yoneyama argues that the efforts intensifying since the 1990s to bring justice to the victims of Japanese military and colonial violence have generated what she calls a "transborder redress culture." A product of failed post-World War II transitional justice that left many colonial legacies intact, this culture both contests and reiterates the complex transwar and transpacific entanglements that have sustained the Cold War unredressability and illegibility of certain violences. By linking justice to the effects of American geopolitical hegemony, and by deploying a conjunctive cultural critique—of "comfort women" redress efforts, state-sponsored apologies and amnesties, Asian American involvement in redress cases, the ongoing effects of the U.S. occupation of Japan and Okinawa, Japanese atrocities in China, and battles over WWII memories—Yoneyama helps illuminate how redress culture across Asia and the Pacific has the potential to bring powerful new and challenging perspectives on American exceptionalism, militarized security, justice, sovereignty, forgiveness, and decolonization.
[more]

front cover of Collaboration
Collaboration
Japanese Agents and Local Elites in Wartime China
Timothy Brook
Harvard University Press, 2005

Studies of collaboration have changed how the history of World War II in Europe is written, but for China and Japan this aspect of wartime conduct has remained largely unacknowledged. In a bold new work, Timothy Brook breaks the silence surrounding the sensitive topic of wartime collaboration between the Chinese and their Japanese occupiers.

Japan's attack on Shanghai in August 1937 led to the occupation of the Yangtze Delta. In spite of the legendary violence of the assault, Chinese elites throughout the delta came forward to work with the conquerors. Using archives on both sides of the conflict, Brook reconstructs the process of collaboration from Shanghai to Nanking. Collaboration proved to be politically unstable and morally awkward for both sides, provoking tensions that undercut the authority of the occupation state and undermined Japan's long-term prospects for occupying China.

This groundbreaking study mirrors the more familiar stories of European collaboration with the Nazis, showing how the Chinese were deeply troubled by their unavoidable cooperation with the occupiers. The comparison provides a point of entry into the difficult but necessary discussion about this long-ignored aspect of the war in the Pacific.

[more]

front cover of Collateral Knowledge
Collateral Knowledge
Legal Reasoning in the Global Financial Markets
Annelise Riles
University of Chicago Press, 2011

Who are the agents of financial regulation? Is good (or bad) financial governance merely the work of legislators and regulators? Here Annelise Riles argues that financial governance is made not just through top-down laws and policies but also through the daily use of mundane legal techniques such as collateral by a variety of secondary agents, from legal technicians and retail investors to financiers and academics and even computerized trading programs.    

            
Drawing upon her ten years of ethnographic fieldwork in the Japanese derivatives market, Riles explores the uses of collateral in the financial markets as a regulatory device for stabilizing market transactions. How collateral operates, Riles suggests, is paradigmatic of a class of low-profile, mundane, but indispensable activities and practices that are all too often ignored as we think about how markets should work and be governed.  Riles seeks to democratize our understanding of legal techniques, and demonstrate how these day-to-day private actions can be reformed to produce more effective forms of market regulation.

[more]

front cover of Collective Decision Making in Rural Japan
Collective Decision Making in Rural Japan
Robert C. Marshall
University of Michigan Press, 1984
This study is a result of three continuous years of fieldwork in a hamlet in rural Japan. The data presented and analyzed here consist of records from participant observation, formal and informal interviews, casual conversation and formal questionnaires, and public and private documents. The subject of this research is group decision making, and the results of this process are, after all, a matter of public record.
The major conclusions of this study are outlined in their simplest and most straightforward form. A hamlet is fundamentally a nexus for the organization of productive exchange among member households, the form of exchange through which two or more parties actively combine their resources to produce something of value not available, or as cheaply available, to any of them separately. Defection from productive exchange agreements by hamlet members is reduced by making access to future valuable transactions and corporate property contingent upon the integrity of each current exchange transaction. This method of combining a common interest in production with contingent access to productive resources is termed mutual investment and is the major source of consensus in hamlet decision making. When only cooperate resources are at issue, decisions regularly result in unanimity. When a course of action can be implemented only if hamlet members relinquish control over individually held resources, a division will emerge among the membership. Whether or not a formal vote is taken, the distribution of differing opinion will be known through more informal means of communication. In all cases of division, by the time the course of action to be implemented is formally announced, the minority in opposition will be extremely small. The question then must be resolved whether those in the minority will participate in the implementation or resign as hamlet members.
This book is written with two rather disparate audiences in mind: readers interested primarily in exchange and decision-making phenomenon, on the one hand, and readers interested primarily in the unity of experience represented by the Japanese sensibility, on the other.
[more]

front cover of Collisions With History
Collisions With History
Latin American Fiction and Social Science from “El Boom” to the New World Order
Frederick M. Nunn
Ohio University Press, 2001

Latin American intellectuals have traditionally debated their region’s history, never with so much agreement as in the fiction, commentary, and scholarship of the late twentieth century. Collisions with History shows how “fictional histories” of discovery and conquest, independence and early nationhood, and the recent authoritarian past were purposeful revisionist collisions with received national versions. These collisions occurred only because of El Boom, thus making Latin America’s greatest literary movement a historical phenomenon as well. Frederick M. Nunn discusses the cataclysmic view of history conveyed in Boom novels and examines the thought and self-perception of selected authors whose political activism enhanced the appeal of their works—historical and otherwise: Alejo Carpentier, Carlos Fuentes, Gabriel García Márquez, and Augusto Roa Bastos; Julio Cortázar, Isabel Allende, Mario Vargas Llosa, and Darcy Ribeiro.

Collisions with History demonstrates how their commentary on history, literature, politics, and international affairs reveals a conscious sense of purpose. From between the lines of their nonfiction emerges a consensus that outside forces have defined as well as controlled Latin America’s history.

Professor Nunn also suggests that, with novelists now no longer very interested in colliding with history, it may fall to social scientists to speak for what remains of the region’s past in the New World Order.

[more]

logo for Harvard University Press
Colonial Modernity in Korea
Gi-Wook Shin
Harvard University Press, 1999
The twelve chapters in this volume seek to overcome the nationalist paradigm of Japanese repression and exploitation versus Korean resistance that has dominated the study of Korea’s colonial period (1910–1945) by adopting a more inclusive, pluralistic approach that stresses the complex relations among colonialism, modernity, and nationalism. By addressing such diverse subjects as the colonial legal system, radio, telecommunications, the rural economy, and industrialization and the formation of industrial labor, one group of essays analyzes how various aspects of modernity emerged in the colonial context and how they were mobilized by the Japanese for colonial domination, with often unexpected results. A second group examines the development of various forms of identity from nation to gender to class, particularly how aspects of colonial modernity facilitated their formation through negotiation, contestation, and redefinition.
[more]

front cover of The Comfort Women of Singapore in History and Memory
The Comfort Women of Singapore in History and Memory
Kevin Blackburn
National University of Singapore Press, 2022

A balanced, sensitive study of the history of comfort women in Singapore during World War II.
 
“Comfort women” or ianfu is the euphemism used by the Japanese military for the women they compelled to do sex work in the Second World War, and has become the term generally used in English to discuss the subject. The role of comfort women in the Japanese empire during World War II remains an important and emotional topic around the world. Most scholarship concentrates on Korean comfort women, with less on their counterparts in Japan, China, and Taiwan, and even less on Southeast Asia. That gap persists despite widespread knowledge of the elaborate series of comfort stations, or comfort houses, that were organized by the Japanese administration across Singapore during the Occupation from 1942 to 1945. So why, the author asks, did no former comfort women from Singapore come forward and tell their stories when others across Asia began to do publicly in the 1990s? 

To understand this silence, this book offers a detailed examination of the sex industry serving the Japanese military during the wartime occupation of Singapore: the comfort stations, managers, procuresses, girls, and women who either volunteered or were forced into service and in many cases sexual slavery. Kevin Blackburn then turns from history to the public presence of the comfort women in Singapore’s memory, including newspapers, novels, plays, television, and touristic heritage sites, showing how comfort women became known in Singapore during the 1990s and 2000s. Bringing great care, balance, and sensitivity to a difficult subject, Blackburn helps to fill an important gap in our understanding of this period.
 

[more]

front cover of The Comfort Women
The Comfort Women
Sexual Violence and Postcolonial Memory in Korea and Japan
C. Sarah Soh
University of Chicago Press, 2008

In an era marked by atrocities perpetrated on a grand scale, the tragedy of the so-called comfort women—mostly Korean women forced into prostitution by the Japanese army—endures as one of the darkest events of World War II. These women have usually been labeled victims of a war crime, a simplistic view that makes it easy to pin blame on the policies of imperial Japan and therefore easier to consign the episode to a war-torn past. In this revelatory study, C. Sarah Soh provocatively disputes this master narrative.
            Soh reveals that the forces of Japanese colonialism and Korean patriarchy together shaped the fate of Korean comfort women—a double bind made strikingly apparent in the cases of women cast into sexual slavery after fleeing abuse at home. Other victims were press-ganged into prostitution, sometimes with the help of Korean procurers. Drawing on historical research and interviews with survivors, Soh tells the stories of these women from girlhood through their subjugation and beyond to their efforts to overcome the traumas of their past. Finally, Soh examines the array of factors— from South Korean nationalist politics to the aims of the international women’s human rights movement—that have contributed to the incomplete view of the tragedy that still dominates today.

[more]

front cover of Comics and the Origins of Manga
Comics and the Origins of Manga
A Revisionist History
Eike Exner
Rutgers University Press, 2022
2022 Eisner Award Winner for Best Academic/Scholarly Work

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.
 
Comics and the Origins of Manga reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
 
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
[more]

logo for University of Michigan Press
The Community of Nuchi Du Takara ("Life Is the Ultimate Treasure") in Postwar Okinawa
Local Subjectivity within and against Empire
Masamichi (Marro) Inoue
University of Michigan Press, 2025
Against the background of the prolonged presence of the US military in post–World War II Okinawa, The Community of Nuchi Du Takara (“Life Is the Ultimate Treasure”) in Postwar Okinawa explores the conflict between Okinawa and the US-Japan alliance. Inoue examines how Okinawan activists, artists, writers, and others have resisted US military presence, particularly the planned construction of a new military facility in northern Okinawa. In so doing, however, Inoue also underscores something in postwar Okinawa that one fails to grasp if one approaches it solely through the lens of resistance or protest. In historically and ethnographically grappling with this “something,” he develops a local notion of nuchi du takara (“life is the ultimate treasure”) into an analytical concept. Inoue shows how nuchi du takara has functioned as a cultural cushion inserted between the constituent power of Okinawan social actors from below and the constituted power of the US-Japan alliance from above; it has helped Okinawan social actors externally engage in complex negotiations—compromises and concessions as well as resistances and protests—vis-à-vis Washington and Tokyo, a process involving the development of the internal capacity of their community to embrace diverse and often contradictory attitudes toward the US military for small yet significant and incremental social changes if not revolution. Inoue’s grounded investigation points toward the possibility of a World Republic—an international politics built upon universal peace, global democracy, and shared affluence—against the current sovereignty of global capitalism.
[more]

front cover of Composing Japanese Musical Modernity
Composing Japanese Musical Modernity
Bonnie C. Wade
University of Chicago Press, 2013
When we think of composers, we usually envision an isolated artist separate from the orchestra—someone alone in a study, surround by staff paper—and in Europe and America this image generally has been accurate. For most of Japan’s musical history, however, no such role existed—composition and performance were deeply intertwined.  Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture.

Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around them—or that they forged—during Japan’s astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made. 
[more]

logo for Harvard University Press
Computers, Inc.
Japan’s Challenge to IBM
Marie Anchordoguy
Harvard University Press, 1989

This account of efforts to build a domestic Japanese computer industry is enlivened with quotations from industrial leaders commenting on the stages through which Japan has emerged as a world-class competitor.

In the late 1950s, Japan was still relying on IBM and other foreign suppliers. After the decision to enter the computer field, the government used protectionism, financial aid, and cooperative R&D projects to assist firms in developing hardware and improving their technology. The establishment of a quasi-public computer rental company to carry the burden of financing rentals played a key role in helping fledgling firms compete with IBM.

Marie Anchordoguy shows how government intervention in the market avoided the risks of technological sluggishness by encouraging keen competition among domestic computer firms. She traces the growth of Japanese computer hardware to Japan’s position as an exporter of mainframes and describes some of the problems encountered in producing software. This study provides a clear example of the way in which government–industry cooperation has enhanced Japan’s position in the world market.

[more]

logo for Harvard University Press
Confluence and Conflict
Reading Transwar Japanese Literature and Thought
Brian Hurley
Harvard University Press, 2022

Writers and intellectuals in modern Japan have long forged dialogues across the boundaries separating the spheres of literature and thought. This book explores some of their most intellectually and aesthetically provocative connections in the volatile transwar years of the 1920s to 1950s. Reading philosophical texts alongside literary writings, the study links the intellectual side of literature to the literary dimensions of thought in contexts ranging from middlebrow writing to avant-garde modernism, and from the wartime left to the postwar right.

Chapters trace these dynamics through the novelist Tanizaki Jun’ichirō’s collaboration with the nativist linguist Yamada Yoshio on a modern translation of The Tale of Genji; the modernist writer Yokomitsu Riichi’s dialogue with Kyoto School philosophers around the question of “worldliness”; the Marxist poet Nakano Shigeharu’s and the philosopher Tosaka Jun’s thinking about prosaic everyday language; and the postwar rumination on liberal society that surrounded the scholar Edwin McClellan while he translated Natsume Sōseki’s classic 1914 novel Kokoro as a graduate student in the United States working with the famed economist Friedrich Hayek. Revealing unexpected intersections of literature, ideas, and politics in a global transwar context, the book concludes by turning to Murakami Haruki and the resonances of those intersections in a time closer to our own.

[more]

front cover of Consul in Japan, 1903-1941
Consul in Japan, 1903-1941
Oswald White’s Memoir ‘All Ambition Spent’
Hugo Read
Amsterdam University Press, 2017
A rare account by a foreigner working in Japan in the 20th century; a unique insight into this important period of Japan's history; complements existing material. First a student interpreter, then an assistant in Korea, Vice-Consul in Yokohama and Osaka, Consul in Nagasaki and Dairen, then Consul-General in Seoul, Osaka, Mukden and Tientsin. Not a contemporary diary as such, but a write-up of notes made towards the end of White's career spanning thirty-eight years. Importantly, it includes reflective passages on the momentous developments of the later 1930s, as Japan moved onto a war-footing in China - and as Consul-General in the Chinese treaty port of Tianjin under Japanese occupation, White was in the middle of the growing tensions between Britain and Japan. His post-war recollections are also valuable. Like others who had lived and worked in Japan, he sought to come to terms with what had happened to the country in which he had spent so much of his adult life. Along the way he provides fascinating vignettes of his colleagues, some well known, others less so, while his service in Seoul, Mukden (now Shenyang) and Tianjin provides fresh material on the Japanese colonial empire.
[more]

front cover of Consuming Life in Post-Bubble Japan
Consuming Life in Post-Bubble Japan
A Transdisciplinary Perspective
Edited by Katarzyna J. Cwiertka and Ewa Machotka
Amsterdam University Press, 2018
This multidisciplinary book analyses the contradictory coexistence of consumerism and environmentalism in contemporary Japan. It focuses on the dilemma that the diffusion of the concepts of sustainability and recycling has posed for everyday consumption practices, and on how these concepts have affected, and were affected by, the production and consumption of art. Special attention is paid to the changes in consumption practices and environmental consciousness among the Japanese public that have occurred since the 1990s and in the aftermath of the earthquake, tsunami, and nuclear disasters of March 2011.
[more]

front cover of Containing Health Care Costs in Japan
Containing Health Care Costs in Japan
Naoki Ikegami and John Creighton Campbell, Editors
University of Michigan Press, 1996

The Japanese health care system provides universal coverage to a healthy but aging population. Its costs are among the lowest in the world and have remained nearly constant as a share of the economy for more than a decade. Americans concerned about runaway medical spending need to know about the successes that Japan has experienced and the problems the country has encountered in its effort to control costs while maintaining quality of care.

Offered here is an analysis of the key issues of cost-containment by specialists followed by reactions from some of America's best-known experts on health care delivery and finance. Topics include the macro-and microeconomics of health care, technology and costs, institutions and costs, attitudinal and behavioral aspects, and the politics of health care.

This collection provides an authoritative study of successful cost-containment in the Japanese health care system---a chronicle of success that is neither a statistical illusion nor a result of sociocultural factors. Detailed here is information on the key mechanism of cost constraint: a fee schedule that covers virtually all medical services and rewards inexpensive services while making expensive services unprofitable. This system has resulted in the provision of quality health care to the entire population at roughly half the cost of American health care. Is it a single-payer system? Would the United States have to introduce a dramatically altered health care structure to benefit from the Japanese experience? No. Japan relies mainly on fee-for-service medicine financed by multiple insurers---a system familiar to Americans and one from which many lessons may be learned.

Based on conferences held in Washington, D.C., and Izu, Japan, this volume collects original chapters on the overall cost structure, how the negotiated mandatory fee schedule works, specific mechanisms for cost control, the politics of health care financing, and the impact of cost cutting on quality, among other topics. These pathbreaking studies will be a significant resource for policymakers and scholars interested in comparative health care systems as well as those interested in health care reform in the United States.

[more]

front cover of Continuous Improvement
Continuous Improvement
Quality Control Circles in Japanese Industry
Paul Lillrank; Noriaki Kano
University of Michigan Press, 1989
Quality Control Circles (QCCs) are small groups of workers from the same workshop, which meet, often on their own time, to discuss ways to improve the quality of their work. They are supported by management; the circles and the support structure together are called Quality Control Circle (QCC) activity. The phenomenon is widespread in Japan: as of December 1987, 264,899 circles had been registered with more than two million members. QCC activities have spread to more than fifty countries worldwide and can be considered the most famous Japanese organizational innovation to date. The Japanese QCC, in its contribution to business application and theory, may rival the discovery of the informal organization of Hawthorne Studies frame.
The Japanese QCC movement has achieved quite impressive results, which are well described in the Japanese-language literature. Of concern, however, is what sustains and causes the phenomenon. The existing literature is quite thin on these mechanisms and forces.
Our aim in this research is to develop a systematic model of the organizational nature and management of Japanese QCC activities. Quality engineering and group dynamics are not part of this study; the focus is on the supporting arrangements, not on what happens within a circle. [1]
[more]

front cover of The Contradictions of Neoliberal Agri-Food
The Contradictions of Neoliberal Agri-Food
Corporations, Resistance, and Disasters in Japan
Kae Sekine
West Virginia University Press, 2016
Employing original fieldwork, historical analysis, and sociological theory, Sekine and Bonanno probe how Japan’s food and agriculture sectors have been shaped by the global push toward privatization and corporate power, known in the social science literature as neoliberalism. They also examine related changes that have occurred after the triple disaster of March 2011 (the earthquake, tsunami, and meltdown of the Fukushima Daiichi nuclear reactor), noting that reconstruction policy has favored deregulation and the reduction of social welfare.
 
Sekine and Bonanno stress the incompatibility of the requirements of neoliberalism with the structural and cultural conditions of Japanese agri-food. Local farmers’ and fishermen’s emphasis on community collective management of natural resources, they argue, clashes with neoliberalism’s focus on individualism and competitiveness. The authors conclude by pointing out the resulting fundamental contradiction: The lack of recognition of this incompatibility allows the continuous implementation of market solutions to problems that originate in these very market mechanisms.
 
[more]

front cover of Conversations with Shotetsu
Conversations with Shotetsu
Translated by Robert H. Brower; With an Introduction and Notes by Steven D. Carter
University of Michigan Press, 1992
Shōtetsu monogatari was written by a disciple of Shōtetsu (1381–1459), whom many scholars regard as the last great poet of the courtly tradition. The work provides information about the practice of poetry during the 14th and 15th centuries, including anecdotes about famous poets, advice on how to treat certain standard topics, and lessons in etiquette when attending or participating in poetry contests and gatherings. But unlike the many other works of that time that stop at that level, Shōtetsu’s contributions to medieval aesthetics gained prominence, showing him as a worthy heir—both as poet and thinker—to the legacy of the great poet-critic Fujiwara no Teika (1162–1241).
The last project of the late Robert H. Brower, Conversations with Shôtetsu provides a translation of the complete Nihon koten bungaku taikei text, as edited by Hisamatsu Sen'ichi. Steven D. Carter has annotated the translation and provided an introduction that details Shôtetsu’s life, his place in the poetic circles of his day, and the relationship of his work to the larger poetic tradition of medieval Japan.
Conversations with Shōtetsu is important reading for anyone interested in medieval Japanese literature and culture, in poetry, and in aesthetics. It provides a unique look at the literary world of late medieval Japan.
[more]

front cover of The Courteous Power
The Courteous Power
Japan and Southeast Asia in the Indo-Pacific Era
John D. Ciorciari and Kiyoteru Tsutsui, editors
University of Michigan Press, 2021

The Courteous Power seeks to provide a nuanced view of the current relationship between Japan and Southeast Asia. Much of the current scholarship on East–Southeast Asian engagement has focused on the multidimensional chess game playing out between China and Japan, as the dominant post-imperialist powers. Alternatively, there has been renewed attention on ASEAN and other Southeast Asian–centered initiatives, explicitly minimizing the influence of East Asia in the region. Given the urgency of understanding the careful balance in the Indo-Pacific region, this volume brings together scholars to examine the history and current engagement from a variety of perspectives, ranging from economic and political, to the cultural and technological, while also focusing more clearly on the specific relationship between the region and Japan.

[more]

front cover of Crafting Selves
Crafting Selves
Power, Gender, and Discourses of Identity in a Japanese Workplace
Dorinne K. Kondo
University of Chicago Press, 1990
"The ethnography of Japan is currently being reshaped by a new generation of Japanologists, and the present work certainly deserves a place in this body of literature. . . . The combination of utility with beauty makes Kondo's book required reading, for those with an interest not only in Japan but also in reflexive anthropology, women's studies, field methods, the anthropology of work, social psychology, Asian Americans, and even modern literature."—Paul H. Noguchi, American Anthropologist

"Kondo's work is significant because she goes beyond disharmony, insisting on complexity. Kondo shows that inequalities are not simply oppressive-they are meaningful ways to establish identities."—Nancy Rosenberger, Journal of Asian Studies
[more]

front cover of The Culture of Japanese Fascism
The Culture of Japanese Fascism
Alan Tansman, ed.
Duke University Press, 2009
This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context and situates them in relation to previous scholarly inquiries into the existence of fascism in Japan.

Several contributors examine how fascism was understood in the 1930s by, for example, influential theorists, an antifascist literary group, and leading intellectuals responding to capitalist modernization. Others explore the idea that fascism’s solution to alienation and exploitation lay in efforts to beautify work, the workplace, and everyday life. Still others analyze the realization of and limits to fascist aesthetics in film, memorial design, architecture, animal imagery, a military museum, and a national exposition. Contributors also assess both manifestations of and resistance to fascist ideology in the work of renowned authors including the Nobel-prize-winning novelist and short-story writer Kawabata Yasunari and the mystery writers Edogawa Ranpo and Hamao Shirō. In the work of these final two, the tropes of sexual perversity and paranoia open a new perspective on fascist culture. This volume makes Japanese fascism available as a critical point of comparison for scholars of fascism worldwide. The concluding essay models such work by comparing Spanish and Japanese fascisms.

Contributors. Noriko Aso, Michael Baskett, Kim Brandt, Nina Cornyetz, Kevin M. Doak, James Dorsey, Aaron Gerow, Harry Harootunian, Marilyn Ivy, Angus Lockyer, Jim Reichert, Jonathan Reynolds, Ellen Schattschneider, Aaron Skabelund, Akiko Takenaka, Alan Tansman, Richard Torrance, Keith Vincent, Alejandro Yarza

[more]

front cover of The Culture of the Quake
The Culture of the Quake
The Great Kanto Earthquake and Taisho Japan
Alex Bates
University of Michigan Press, 2015
The Culture of the Quake is first and foremost an exploration of Taishō-era narrative fiction. Every major film studio produced earthquake films, and authors from I-novelists to modernists, proletarian writers to popular fiction writers wrote something on the earthquake. In every case pre-existing attitudes toward their work shaped the way these people represented the earthquake, and yet the overwhelming destruction and mass suffering also posed particular challenges in representation. How could one show the pain without exploitation? Other scholars have looked at some of these groups of writers or filmmakers individually, but there are no studies looking at how they each tackled a similar subject.
The Great Kanto Earthquake is an understudied event that has only recently caught the attention of scholars. By focusing on the way it was represented in high and low culture, The Culture of the Quake gives insight into how people experienced the disaster and how they interpreted it in the years following. This book should be of interest to scholars of Japanese and Asian literature, film, culture, and history, and scholars of disaster studies.
[more]

front cover of The Culture of the Sound Image in Prewar Japan
The Culture of the Sound Image in Prewar Japan
Michael Raine
Amsterdam University Press, 2020
This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a "culture of the sound image", it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers.
[more]

front cover of Culture, Power and Politics in Treaty-Port Japan, 1854-1899
Culture, Power and Politics in Treaty-Port Japan, 1854-1899
Key Papers, Press and Contemporary writings
James Hoare
Amsterdam University Press, 2018
This two–volume collection, supported by an in-depth introduction that addresses origins, actuality, endgame and afterlife, brings together for the first time contemporary documentation and more recent scholarship to give a broad picture of Japan’s Treaty Ports and their inhabitants at work and play in the second half of the nineteenth century. The material selected, shows how the ports’ existence and the Japanese struggle to end their special status, impacted on many aspects of modern Japan beyond their primary role as trading stations. Compared with their counterparts in China, the Japanese treaty ports cast a small shadow. They were far fewer – only four really mattered – and lasted for just under fifty years, while the Chinese ports made their centenary. Yet the Japanese ports were important. The thriving modern cities of Yokohama and Kobe had their origins as treaty ports. Nagasaki, a major centre of foreign trade since at least the sixteenth century, may not have owed so much to its treaty-port status, but it was a factor in its modern development.
[more]

front cover of Culture Shock and Japanese-American Relations
Culture Shock and Japanese-American Relations
Historical Essays
Sadao Asada
University of Missouri Press, 2007

Ever since Commodore Perry sailed into Uraga Channel, relations between the United States and Japan have been characterized by culture shock. Now a distinguished Japanese historian critically analyzes contemporary thought, public opinion, and behavior in the two countries over the course of the twentieth century, offering a binational perspective on culture shock as it has affected their relations.

            In these essays, Sadao Asada examines the historical interaction between these two countries from 1890 to 2006, focusing on naval strategy, transpacific racism, and the atomic bomb controversy. For each topic, he offers a rigorous analysis of both American and Japanese perceptions, showing how cultural relations and the interchange of ideas have been complex—and occasionally destructive.

            Culture Shock and Japanese-American Relations contains insightful essays on the influence of Alfred Mahan on the Japanese navy and on American images of Japan during the 1920s. Other essays consider the progressive breakdown of relations between the two countries and the origins of the Pacific War from the viewpoint of the Japanese navy, then tackle the ultimate shock of the atomic bomb and Japan’s surrender, tracing changing perceptions of the decision to use the bomb on both sides of the Pacific over the course of sixty years. In discussing these subjects, Asada draws on Japanese sources largely inaccessible to Western scholars to provide a host of eye-opening insights for non-Japanese readers.

            After studying in America for nine years and receiving degrees from both Carleton College and Yale University, Asada returned to Japan to face his own reverse culture shock. His insights raise important questions of why people on opposite sides of the Pacific see things differently and adapt their perceptions to different purposes. This book marks a major effort toward reconstructing and understanding the conflicted course of Japanese-American relations during the first half of the twentieth century.

[more]


Send via email Share on Facebook Share on Twitter