A Peculiar Imbalance is the little-known history of the black experience in Minnesota in the mid-1800s, a time of dramatic change in the region. William D. Green explains how, as white progressive politicians pushed for statehood, black men who had been integrated members of the community, owning businesses and maintaining good relationships with their neighbors, found themselves denied the right to vote or to run for office in those same communities.
As Minnesota was transformed from a wilderness territory to a state, the concepts of race and ethnicity and the distinctions among them made by Anglo-Americans grew more rigid and arbitrary. A black man might enjoy economic success and a middle-class lifestyle but was not considered a citizen under the law. In contrast, an Irish Catholic man was able to vote—as could a mixed-blood Indian—but might find himself struggling to build a business because of the ethnic and religious prejudices of the Anglo-American community. A Peculiar Imbalance examines these disparities, reflecting on the political, social, and legal experiences of black men from 1837 to 1869, the year of black suffrage.
Pedro Pino, or Lai-iu-ah-tsai-lu (his Zuni name) was for many years the most important Zuni political leader. He served during a period of tremendous change and challenges for his people. Born in 1788, captured by Navajos in his teens, he was sold into a New Mexican household, where he obtained his Spanish name. When he returned to Zuni, he spoke three languages and brought with him a wealth of knowledge regarding the world outside the pueblo. For decades he ably conducted Zuni foreign relations, defending the pueblo's sovereignty and lands, establishing trade relationships, interacting with foreigners-from prominent military and scientific expeditions to common emigrants-and documenting all in a remarkable archive. Steeped in Zuni traditions, he was known among other things for his diplomatic savvy, as a great warrior, for his oratory, and for his honesty and hospitality.
More than a biography, Richard Hart's work provides a history of Zuni during an especially significant period. Also the author of Zuni and the Courts: A Struggle for Sovereign
Land Rights and the co-author of A Zuni Atlas, Hart originally wrote the manuscript in 1979 after a decade of historical work for Zuni Pueblo. He then set it aside but continued to pursue research about and for Zuni. Its publication, at last, inscribes an important contribution to Pueblo history and biography and a testimonial to a remarkable Native American leader. In an afterword written for this publication, Hart discusses his original intentions in writing about Pedro Pino and Zuni and situates the biography in relation to current scholarship.
During the past thirty years, Native American dance has emerged as a visible force on concert stages throughout North America. In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these performances are at once diverse and connected by common influences.
Demonstrating the complex relationship between Native and modern dance choreography, Shea Murphy delves first into U.S. and Canadian federal policies toward Native performance from the late nineteenth through the early twentieth centuries, revealing the ways in which government sought to curtail authentic ceremonial dancing while actually encouraging staged spectacles, such as those in Buffalo Bill’s Wild West shows. She then engages the innovative work of Ted Shawn, Lester Horton, and Martha Graham, highlighting the influence of Native American dance on modern dance in the twentieth century. Shea Murphy moves on to discuss contemporary concert dance initiatives, including Canada’s Aboriginal Dance Program and the American Indian Dance Theatre.
Illustrating how Native dance enacts, rather than represents, cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes about American Indian dance and offers new ways of recognizing the agency of bodies on stage.
Jacqueline Shea Murphy is associate professor of dance studies at the University of California, Riverside, and coeditor of Bodies of the Text: Dance as Theory, Literature as Dance.
For fifty years anthropologist June Helm studied the culture and ethnohistory of the Dene, “The People,” the Athapaskan-speaking Indians of the Mackenzie River drainage of Canada's western subarctic. Now in this impressive collection she brings together previously published essays—with updated commentaries where necessary—unpublished field notes, archival documents, supplementary essays and notes from collaborators, and narratives by the Dene themselves as an offering to those studying North American Indians, hunter-gatherers, and subarctic ethnohistory and as a historical resource for the people of all ethnicities who live in Denendeh, Land of the Dene.
Helm begins with a broad-ranging, stimulating overview of the social organization of hunter-gatherer peoples of the world, past and present, that provides a background for all she has learned about the Dene. The chapters in part 1 focus on community and daily life among the Mackenzie Dene in the middle of the twentieth century. After two historical overview chapters, Helm moves from the early years of the twentieth century to the earliest contacts between Dene and white culture, ending with a look at the momentous changes in Dene-government relations in the 1970s. Part 3 considers traditional Dene knowledge, meaning, and enjoyments, including a chapter on the Dogrib hand game. Throughout, Helm's encyclopedic knowledge combines with her personal interactions to create a collection that is unique in its breadth and intensity.
People of the Big Voice tells the visual history of Ho-Chunk families at the turn of the twentieth century and beyond as depicted through the lens of Black River Falls, Wisconsin studio photographer, Charles Van Schaick. The family relationships between those who “sat for the photographer” are clearly visible in these images—sisters, friends, families, young couples—who appear and reappear to fill in a chronicle spanning from 1879 to 1942. Also included are candid shots of Ho-Chunk on the streets of Black River Falls, outside family dwellings, and at powwows. As author and Ho-Chunk tribal member Amy Lonetree writes, “A significant number of the images were taken just a few short years after the darkest, most devastating period for the Ho-Chunk. Invasion, diseases, warfare, forced assimilation, loss of land, and repeated forced removals from our beloved homelands left the Ho-Chunk people in a fight for their culture and their lives.”
The Missouria people were the first American Indians encountered by European explorers venturing up the Pekitanoui River—the waterway we know as the Missouri. This Indian nation called itself the Nyut^achi, which translates to “People of the River Mouth,” and had been a dominant force in the Louisiana Territory of the pre-colonial era. When first described by the Europeans in 1673, they numbered in the thousands. But by 1804, when William Clark referred to them as “once the most powerful nation on the Missouri River,” fewer than 400 Missouria remained. The state and Missouri River are namesakes of these historic Indians, but little of the tribe’s history is known today. Michael Dickey tells the story of these indigenous Americans in The People of the River’s Mouth.
Biological warfare is a menacing twenty-first-century issue, but its origins extend to antiquity. While the recorded use of toxins in warfare in some ancient populations is rarely disputed (the use of arsenical smoke in China, which dates to at least 1000 BC, for example) the use of "poison arrows" and other deadly substances by Native American groups has been fraught with contradiction. At last revealing clear documentation to support these theories, anthropologist David Jones transforms the realm of ethnobotany in Poison Arrows.
Examining evidence within the few extant descriptive accounts of Native American warfare, along with grooved arrowheads and clues from botanical knowledge, Jones builds a solid case to indicate widespread and very effective use of many types of toxins. He argues that various groups applied them to not only warfare but also to hunting, and even as an early form of insect extermination. Culling extensive ethnological, historical, and archaeological data, Jones provides a thoroughly comprehensive survey of the use of ethnobotanical and entomological compounds applied in wide-ranging ways, including homicide and suicide. Although many narratives from the contact period in North America deny such uses, Jones now offers conclusive documentation to prove otherwise.
A groundbreaking study of a subject that has been long overlooked, Poison Arrows imparts an extraordinary new perspective to the history of warfare, weaponry, and deadly human ingenuity.
Bringing fresh insight to a century of writing by Native Americans
The Political Arrays of American Indian Literary History challenges conventional views of the past one hundred years of Native American writing, bringing Native American Renaissance and post-Renaissance writers into conversation with their predecessors. Addressing the political positions such writers have adopted, explored, and debated in their work, James H. Cox counters what he considers a “flattening” of the politics of American Indian literary expression and sets forth a new method of reading Native literature in a vexingly politicized context.
Examining both canonical and lesser-known writers, Cox proposes that scholars approach these texts as “political arrays”: confounding but also generative collisions of conservative, moderate, and progressive ideas that together constitute the rich political landscape of American Indian literary history. Reviewing a broad range of genres including journalism, short fiction, drama, screenplays, personal letters, and detective fiction—by Lynn Riggs, Will Rogers, Sherman Alexie, Thomas King, Leslie Marmon Silko, Louise Erdrich, Winona LaDuke, Carole laFavor, and N. Scott Momaday—he demonstrates that Native texts resist efforts to be read as advocating a particular set of politics
Meticulously researched, The Political Arrays of American Indian Literary History represents a compelling case for reconceptualizing the Native American Renaissance as a literary–historical constellation. By focusing on post-1968 Native writers and texts, argues Cox, critics have often missed how earlier writers were similarly entangled, hopeful, frustrated, contradictory, and unpredictable in their political engagements.
Inside the Sioux Nation's pursuit of recognition and justice
This book is the powerful story of the ongoing struggle of indigenous Americans in the twentieth century United States and of its shift in focus from traditional battlefield and massacre sites to federal courtrooms and the halls of Congress.
The Politics of Hallowed Ground includes excerpts from the diary kept by Mario Gonzalez, the attorney for the Sioux Nation in its struggle for recognition of the Wounded Knee Massacre site as a national monument. Gonzalez's personal record of the struggle is coupled with commentary by Elizabeth Cook-Lynn, a Native American writer who places the work in its historical context. Together, the two voices will draw the reader into far more than the continuing struggle of the Sioux people to achieve justice.
The book covers Sioux history from before the Wounded Knee tragedy to modern times, through the Sioux Nation's long and often rancorous dialogue with the U.S. government over control of South Dakota's Black Hills, traditional Sioux lands recognized by treaty in 1877 and never forfeited or sold. After reading a 13-year-old survivor's narrative of what happened at Wounded Knee and the list of the dead and wounded, readers will find it difficult not to share the Sioux perspective.
This book deals with the prehistory of the region encompassed by the present state of Alabama and spans a period of some 11,000 years—from 9000 B.C. and the earliest documented appearance of human beings in the area to A.D. 1750, when the early European settlements were well established. Only within the last five decades have remains of these prehistoric peoples been scientifically investigated.
This volume is the product of intensive archaeological investigations in Alabama by scores of amateur and professional researchers. It represents no end product but rather is an initial step in our ongoing study of Alabama's prehistoric past. The extent of current industrial development and highway construction within Alabama and the damming of more and more rivers and streams underscore the necessity that an unprecedented effort be made to preserve the traces of prehistoric human beings that are destroyed every day by our own progress.
This book is part of a concentrated series of books that examines child maltreatment across minoritized, cultural groups.Specifically, this volume addresses American Indian and Alaska Native populations. However, in an effort to contextualize the experiences of 574 federally recognized tribes and 50+ state recognized tribes, as well as villages, the authors focus on populations within rural and remote regions and discuss the experiences of some tribal communities throughout US history. It should be noted that established research has primarily drawn attention to the pervasive problems impacting Indigenous individuals, families, and communities. Aligned with an attempt to adhere to a decolonizing praxis, the authors share information in a strength-based framework for the Indigenous communities discussed within the text. The authors review federally funded programs (prevention, intervention, and treatment) that have been adapted for tribal communities (e.g., Safecare) and include cultural teachings that address child maltreatment. The intention of this book is to inform researchers, practitioners, policy makers, and advocates about the current state of child maltreatment from an Indigenous perspective.
A searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect.
In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology.
The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors’ methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public’s confidence in the hierarchies of superiority and inferiority invented by “scientific” racism.
Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance.
Frank Waters lived for three years among the Hopi people of Arizona and was quickly drawn into their culture. Pumpkin Seed Point is a beautifully written personal account of Waters’s inner and outer experiences among the Hopi.
Comprises two valuable, original, and difficult-to-find pieces on Choctaw history and culture that originally appeared in the 1904 and 1906 volumes of Publications of the Mississippi Historical Society
This important book comprises two articles that appeared in the 1904 and 1906 volumes of Publications of the Mississippi Historical Society. In “Life of Apushimataha,” Gideon Lincecum tells the story of Choctaw chief Pushmataha, who was born in Mississippi in 1764. A fearless warrior, his name literally means “one whose tomahawk is fatal in war or hunting.” As a charismatic leader, his foresight in making an alliance with General Andrew Jackson brought the Choctaws into war with the Creek Nation and into the War of 1812 but served to their benefit for many years with the United States government. In 1824, Pushmataha traveled to Washington, DC, to negotiate the Treaty of Doak’s Stand as pressure grew for Choctaw removal to Oklahoma Territory, but he fell ill and died there. He was buried with full military honors in the Congressional Cemetery at Arlington.
In “Choctaw Traditions about Their Settlement in Mississippi and the Origin of Their Mounds,” Lincecum translates a portion of the Skukhaanumpula—the traditional history of the tribe, which was related to him verbally by Chata Immataha, “the oldest man in the world, a man that knew everything.” It explains how and why the sacred Nanih Waya mound was erected and how the Choctaws formed new towns, and it describes the structure of leadership roles in their society.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press