Anthony of Padua: Franciscan, Preacher, Teacher, Saint represents the culmination of a lifetime of scholarly work by Valentin Strappazzon (d. 2023) on Anthony of Padua and especially on his sermons and spirituality. About 20 years prior to this volume, he had penned a short overview of his life in the popular "Petites Vies" series in the French language. A few years before the publication of the book in question, he edited and published three significant volumes on the sermons of the saint. Although the present volume has been written in a less rigorous and erudite manner, it is intended to be a solid historical and analytical treatment for a wider reading public interested in the life and preaching of this fascinating medieval friar. Particular attention is given to explaining how and why Anthony, once he became a Franciscan living in France and Italy, became the focus of intense waves of popular devotion to whom numerous miracles and wonders came to be attributed both in the Middle Ages and even in our own time. Being the penultimate work of this author, written in French and lucidly translated by Michael F. Cusato, Anthony of Padua is a work of intelligence and reflection on a medieval figure who has too often only been the subject of piety rather than an assessment of the towering spiritual person that he was.

This volume offers a comprehensive portrait--or rather, self-portrait, since its words are mostly Augustine's own--drawn from the breadth of his writings and from the long course of his career

This work, which forms an important bridge between medieval and Counter-Reformation sanctity and canonization, provides a richly contextualized analysis of the ways in which the last five candidates for sainthood before the Reformation came to be canonized.

Happiness and Wisdom contributes to ongoing debates about the nature of Augustine's early development, and argues that Augustine's vision of the soul's ascent through the liberal arts is an attractive and basically coherent view of learning, which, while not wholly novel, surpasses both classical and earlier patristic renderings of the aims of education.

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"This book contains five legends from the German Middle Ages, presented in the Middle High German source language, with a modern English translation. These include the narratives of Veronica, Vespasian, Theophilus, Mary Magdalene and the miraculous history of the True Cross. This outstanding and timely translation of these Middle High German texts will make them more accessible to an English speaking academic community. The introduction provides an overview of Germanic legend research, discusses the main principal themes in medieval German legends and provides summary introductions to each of the texts. The translations are easy to read and successful at finding the balance between faithfulness to original and providing the readership with a serviceable text. Through this book, beginners as well as advanced students should be able to gain knowledge in various fields: linguistic in mastering Middle High German and translation skills, literary-historical in acquiring and broadening knowledge of a literary genre that is typical for the Middle Ages and medieval literature. The book is also aimed at students and scholars who are not proficient in Middle High German. The English translation will give them access to this important field. "

A fascinating and highly original contribution to the study of Egypt’s religious folklore.

First published in Cairo during World War II, The Moulids of Egypt is a study of moulids, the popular Egyptian religious festivals celebrated by both Muslims and Christians in the first half of the twentieth century. The book talks in detail about the secular side of moulids, where sports, games, theatres, dancing, and laughter were as much part of the festivals as the religious processions and the whirling of dervishes. Some of the rites and customs analyzed here date from as far back as the Pharaonic period, but the moulids are gradually dying out; many of the 126 festivals described in Moulids of Egypt have since faded away, making the book of lasting interest.

This bilingual volume (Latin text with English translation) is the second in the series presenting hagiographical narratives from medieval Central Europe. It contains the most important hagiographical corpus of medieval Hungarian history: that of Saint Margaret (1242–1270), daughter of King Béla IV, who lived her life as a Dominican nun. Margaret’s cult started immediately after her death and the demand to examine her sanctity was first formulated in 1272. The canonization process recommenced in 1276, followed by further initiatives across the centuries. Margaret was eventually canonized only in 1943. Besides the full Latin text and the English translation of her oldest legend, written between 1272 and 1275, this volume contains the acts of the 110 testimonies of the papal investigation concerning her sainthood, recorded between July and October 1276 and prepared from existing source editions. In addition, the editors include a series of recently discovered documents, including a petition by the bishop of Várad (Oradea) to promote the cause, and the notarial records of a set of miracles that occurred at Margaret's grave in the second half of the fifteenth century. The annotated bilingual text is complemented by a select bibliography on Saint Margaret and her hagiography.

The studies in this volume concentrate on a complex set of socio-cultural phenomena, the cult of saints, in a variety of regions from Egypt to Poland, with a focus on Italy and Central Europe. The subjects of the contributions range in time from the fourth until the eighteenth century. The diversity of approaches adopted by the contributors—from literary analysis and historical anthropology to archaeology and art history—represents that open and multidisciplinary historical research that characterizes the work of Gábor Klaniczay to whom these essays are dedicated.

This book, the newest volume in the CUA Studies in Early Christianity, presents original works by leading patristics scholars on a wide range of theological, historical, and cultural topics

This volume contains a translation of the version of the Saga of St. Jón of Hólar that is probably closest to the first Latin vita. It is only the second saga of an Icelandic episcopal saint to appear in a modern translation in the present century. The volume consists of two parts, the first comprising a general introduction and a translation by Margaret Cormack. The second part provides a detailed scholarly analysis of the manuscripts, contents, style, and literary connections of the saga by the late Peter Foote, one of the foremost scholars of Old Norse and Icelandic literature. 

The Jóns saga was written in the early thirteenth century, nearly a century after the death of its protagonist, the first bishop of the diocese of Hólar in Northern Iceland. The author of the saga combined Latin learning with native folklore to produce a readable narrative that is contemporary with the earliest family and contemporary sagas. This text provides valuable insight into the religious life of ordinary Icelanders in the thirteenth century, and the introduction corrects common misconceptions about ecclesiastical history and the cult of saints in Iceland. It will be of value to scholars of medieval Icelandic literature, hagiography, and history. 

This study uncovers how Saint Cecilia came to be closely associated with music and musicians.

Until the fifteenth century, Saint Cecilia was not connected with music. She was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument.
 
In this book, John A. Rice argues that Cecilia’s association with music came about in several stages, involving Christian liturgy, visual arts, and music. It was fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. Saint Cecilia in the Renaissance explores the cult of the saint in Medieval times and through the sixteenth century when musicians’ guilds in the Low Countries and France first chose Cecilia as their patron. The book then turns to music and the explosion of polyphonic vocal works written in Cecilia’s honor by some of the most celebrated composers in Europe. Finally, the book examines the wealth of visual representations of Cecilia especially during the Italian Renaissance, among which Raphael’s 1515 painting, The Ecstasy of Saint Cecilia, is but the most famous example. Thoroughly researched and beautifully illustrated in color, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical and artistic inspiration.

It is a commonplace in devotional literature, historical scholarship, and papal writings that Saint Teresa of Ávila played a key role in the development of veneration of Saint Joseph. Saint Joseph and the Carmelite Reform of Saint Teresa of Ávila unpacks this commonplace by recovering the often-overlooked back story to Teresa’s story, namely, the extraordinarily rich liturgical cult of Saint Joseph in the Ancient Order of Carmel which fully flowered in the Teresian Carmel and beyond, to the universal Church. This volume charts a narrative arc from the liturgical cult of Saint Joseph in the Carmelite Order of Ancient Observance; to Saint Joseph’s vital formative presence in Saint Teresa’s life and reformed Carmel as father, teacher of prayer, and intercessor in every need; to the Carmelite family as a whole giving liturgical expression to its privileged relationship with Saint Joseph by the establishment of the Feast of the Patronage of Saint Joseph; to this feast becoming widespread outside Carmel and ultimately extended to the Universal Church (1847); and, finally, to Saint Joseph’s proclamation as Patron of the Universal Church (1870). An epilogue considers the absence of Joseph’s title “Patron of the Universal Church” in the post-Vatican II liturgical calendar and books, while the papal magisterium has consistently insisted that this patronage is ever necessary for the Church as not only a protection against all dangers, but also an impetus for its mission of evangelization and re-evangelization. An appendix reprints the letter, “Saint Joseph, Patron of Carmel,” jointly issued by the Prior General of the Order of Carmelites of the Ancient Observance and the Superior General of the Order of Discalced Carmelites, to mark the 150th anniversary of the proclamation of Saint Joseph as Patron of the Universal Church.

This volume is the first of two containing hagiographical narratives from medieval Central Europe. The lives of the saints in this volume, from the tenth to eleventh centuries, written not much later, are telling witnesses for the process of Christianization of Bohemia, Poland, Hungary and Dalmatia. Most of them became patrons of their region and highly venerated throughout the Middle Ages. The volume presents the first English translation of a legend of each of these saints with the most recent critical edition of the Latin original and prefaces discussing the textual tradition. In an appendix the extensive hagiographical literature of the saints is being critically surveyed.

The latest title in the Central European Medieval Texts series contains the lives of saints who were canonized in the eleventh through thirteenth centuries in the newly Christianized countries of Central and Eastern Europe (Bohemia, Poland, Hungary, and Dalmatia). A rejoinder to the earlier volume in the series, the Saints of the Christianization Age of Central Europe (CEMT, Vol. 6), containing hermits, missionaries, and martyrs, this second volume of hagiography is dominated by political or ecclesiastical leaders who became saintly patrons of their region and were highly venerated throughout the Middle Ages.

The legends in the volume present the two Hungarian holy kings Stephen and Ladislas, the holy duke Emeric, the Czech holy abbot Prokop of Sázava, three bishops, the Venetian-Hungarian Gellért of Csanád, the Polish Stanislas of Cracow (both martyrs), and the Dalmatian holy bishop Saint John of Trogir. Each “vita” is published in Latin original with an English translation and with prefaces discussing the textual tradition.

Saints’ lives have been recognized as an invaluable source of information on social and economic history, the history of mentalities and everyday life, cultural history, and, above all, as a special genre with crucial importance and prevalence in medieval literature.

The canonisation of John Henry Newman in October 2019 has increased public and academic interest in him. A controversial figure during his own lifetime, John Henry Newman’s legacy remains contested by scholars. This conference will explore John Henry Newman as: ·A Scholar: Newman influenced the academic landscape during his lifetime through his time at Oriel, his academic foundations, and his published works. ·A Sage: Newman gained a reputation for providing reliable and wise advice early in his career, which remained even after his reception into the Roman Church in 1845. ·A Saint: Newman studied the lives of the saints and recommended them as exemplars of Christian behaviour. Newman’s work and life invites discussion on the relationship between sanctity and saintliness.

Titus Brandsma is best known for courageously speaking out against the ideology of National Socialism and for defending the freedom of the Catholic press to refuse their propaganda. Indeed, it was his activities as a Catholic journalist and on behalf of Catholic journalism that placed him in the crosshairs of the Nazi authorities. But his imprisonment and eventual death in the concentration camp of Dachau was preceded by a notable academic career and a life of tireless service. As Paul Chandler reveals in this ground-breaking volume, the torture and “experiments” that he suffered in the infirmary at Dachau included shocking examples of sexual abuse, according to the infirmary nurse who administered the fatal injection, whose eye-witness account previous biographers have glossed over. For the first time, Chandler provides an English translation of her complete testimony. Additional material reminds us of other major Carmelite “witnesses to truth” during World War II, including St. Edith Stein (Teresa Benedicta of the Cross) and Père Jacques Bunel. All of them show that authentic Carmelite and Christian spirituality is not something abstract and ethereal, but has social consequences, and that mystical prayer must express itself in prophetic words and actions.

Two accounts of the life of Saint Colette of Corbie.

Saint Colette of Corbie (1381–1447) was a French reformer of the Franciscan Order and the founder of seventeen convents. Though of humble origin, she attracted the support of powerful patrons and important Church officials. The two biographies translated here were authored by Pierre de Vaux, her confessor and mentor, and Perrine de Baume, a nun who for decades was Colette’s companion and confidant. Both accounts offer fascinating portraits of the saint as a pious ascetic assailed by demons and performing miracles, as well as in her role as skillful administrator and caring mother of her nuns. This is the first English translation of two biographies in Middle French of the most important female figures of the Middle Ages. 
 

As the patron of travelers, Saint Christopher inspired one of the most popular cults in the medieval era, which spread across Europe and especially the Iberian Peninsula. Artistic renderings of the saint were found near the doors of most Spanish Gothic churches, and paratheatrical representations of Saint Christopher were also commonplace in religious processions. His conversion and martyrdom were often staged between the fifteenth and early eighteenth centuries. 

In the theater, Juan de Benavides’s Vida y muerte de San Cristóbal is one of two known comedias dealing with the saint, but it was heavily censored after its premiere. The immense popularity of St. Christopher and other primitive saints first drew the attention of the Council of Trent in the mid-1500s, when the Catholic Church attempted to suppress the influence of the earlier saints due to their fantastical nature. The stories of these saints were censored, rewritten or even omitted in the post-Tridentine martyrologies. This publication is the first critical edition of the only extant copy of Benavides’s playscript. The circumstances surrounding Benavides’s play continue a dialogue about such important topics as censorship and the influence of the church over artistic production.

Dispersed in two continents, four countries and six collections; many of its pages were cropped, cut into four, or lost forever; its history, origin, commissioner and audience are obscure; still, in its fragmented state it presents fifty-eight legends in abundant series of images, on folios fully covered by miniatures, richly gilded, using only one side of the fine parchment; a luxurious codex worthy of a ruler; a unique iconographic treasury of medieval legends; one of the most significant manuscripts of the medieval Hungarian Kingdom – these are all what we call the Hungarian Angevin Legendary.