Harm J. de Blij Northwestern University Press, 1962
Africa South presents a history and description of southern Africa from the arrival of Europeans until the creation of the Republic of South Africa in 1961. Harm J. de Blij provides a portrait of the landscape and the internal policies and struggles within the region. The work serves as a historical travel guide and an introduction to the history of southern Africa. All the maps in Africa South were prepared by the author.
The devastating influenza epidemic of 1918 ripped through southern Africa. In its aftermath, revivalist and millenarian movements sprouted. Prophets appeared bearing messages of resistance, redemption, and renewal. African Apocalypse: The Story of Nontetha Nkwenkwe, A Twentieth-Century Prophet is the remarkable story of one such prophet, a middle-aged Xhosa woman named Nontetha. After surviving the deadly virus, Nontetha proclaimed that a series of dreams revealed to her that the influenza had been a punishment from God. Consequently, she embarked on a mission to reform her society.
She imposed numerous prohibitions and rules on her followers. In a parallel movement, in 1919, millenarian Israelites congregated in the holy village of Ntabelanga, 100 miles north of Nontetha’s area, to await the end of the world. In May 1921, police killed nearly 200 Israelites near Queenstown in a showdown over attempts to expel the settlers.
Accused of sedition by an alarmed government, Nontetha was committed to Fort Beaufort Mental Hospital in 1922. On Nontetha’s death in 1935, officials buried her in an unmarked pauper’s grave. In 1997, Edgar and Sapire located Nontetha’s grave. Of Edgar’s efforts to return Nontetha to her home, the New York Times said, “One would not expect, perhaps, that a mild-mannered professor from Howard University would turn out to be the Indiana Jones of South Africa.”
African Apocalypse touches on a variety of themes, including African Christianity, gender, protest, the social history of madness, and the engagement of professional historians in contemporary issues.
Africa’s World Cup: Critical Reflections on Play, Patriotism, Spectatorship, and Spacefocuses on a remarkable month in the modern history of Africa and in the global history of football. Peter Alegi and Chris Bolsmann are well-known experts on South African football, and they have assembled an impressive team of local and international journalists, academics, and football experts to reflect on the 2010 World Cup and its broader significance, its meanings, complexities, and contradictions.
The World Cup’s sounds, sights, and aesthetics are explored, along with questions of patriotism, nationalism, and spectatorship in Africa and around the world. Experts on urban design and communities write on how the presence of the World Cup worked to refashion urban spaces and negotiate the local struggles in the hosting cities. The volume is richly illustrated by authors’ photographs, and the essays in this volume feature chronicles of match day experiences; travelogues; ethnographies of fan cultures; analyses of print, broadcast, and electronic media coverage of the tournament; reflections on the World Cup’s private and public spaces; football exhibits in South African museums; and critiques of the World Cup’s processes of inclusion and exclusion, as well as its political and economic legacies.
The volume concludes with a forum on the World Cup, including Thabo Dladla, Director of Soccer at the University of KwaZulu-Natal, Mohlomi Kekeletso Maubane, a well-known Soweto-based writer and a soccer researcher, and Rodney Reiners, former professional footballer and current chief soccer writer for the Cape Argus newspaper in Cape Town. This collection will appeal to students, scholars, journalists, and fans.
Cover illustration: South African fan blowing his vuvuzela at South Africa vs. France, Free State Stadium, Bloemfontein, June 22, 2010. Photo by Chris Bolsmann.
After the Thrill Is Gone is a serious appraisal of what South African democracy has yielded and has failed to yield in the era following the heady expectations of liberation from apartheid’s multiple repressions. Since that time, South Africa has revealed itself as a turbulent, dynamic nation. After the release of black political prisoners in 1990 and the first national democratic election in 1994, its citizens have witnessed a massive increase in crime, unemployment, and poverty and an educational system in chaos.
In a range of politically inflected essays by philosophers, community activists, political scientists, sociologists, literary scholars, and cultural and postcolonial theorists—many of whom are diasporic or resident South Africans—this special issue of SAQ provides a critical look at the realities of black majority governance, at the African National Congress, and at the costs of ANC rule to the populace. One essay draws a condemning sketch of poverty and violence in the townships and the growing communities of squatters that continue despite the emergence of democracy. A philosophical piece contemplates the practice of human rights in a South African society grappling with the memory of apartheid abuses. The fiction and poetry in the collection explore sexual identity, including issues created by the AIDS epidemic, and offer critiques of government policies. Using comic strips, another contributor demonstrates the ability of South African popular culture to satirize the nation’s political status quo. Taken together, the essays in After the Thrill Is Gone open a sobering perspective on South Africa’s recent history, its present, and its future.
Contributors. Rita Barnard, Patrick Bond, Ashwin Desai, Emmanuel Chukwudi Eze, Grant Fared, Michiel Heyns, Shaun Irlam, Neil Lazarus, Michael MacDonald, Zine Magubane, Richard Pithouse, Lesego Rampolokeng, Adam Sitze
Has South Africa dealt effectively with the past, and is the country ready to face the future? What are the challenges facing both government and civil society in the years ahead? These and other questions are explored in this collection of essays by international and local commentators on the Truth and Reconciliation Commission.
A range of perspectives on whether the TRC met its objectives of truth and reconciliation is presented. The areas of particular contention-the payment of reparation, the granting of amnesty, and memorialization-are also examined.
Finally, the major challenges facing South Africa are identified, and ways of meeting these challenges and developing the assets of the nation are explored.
Contributors: Haribert Adam, Kanya Adam, Alex Boraine, Colin Bundy, Mary Burton, John de Gruchy, Richard Goldstone, Willem Heath, Wilmot James, Jeffrey Lever, Mahmood Mamdani, Gary Minkley, Njabulo Ndebele, Dumisa Ntsebeza, Kaizer Nyatsumba, Grace Naledi Pandor, Mamphela Ramphele, Ciraj Rassool, Albie Sachs, Patricia Valdez, Linda van de Vijver, Jan van Eck, Frederik Van Zyl Slabbert, Charles Villa-Vicencio, Francis Wilson, and Leslie Witz
Started by the National Life and Accident Insurance Company in 1925, WSM became one of the most influential and exceptional radio stations in the history of broadcasting and country music. WSM gave Nashville the moniker “Music City USA” as well as a rich tradition of music, news, and broad-based entertainment. With the rise of country music broadcasting and recording between the 1920s and ‘50s, WSM, Nashville, and country music became inseparable, stemming from WSM’s launch of the Grand Ole Opry, popular daily shows like Noontime Neighbors, and early morning artist-driven shows such as Hank Williams on Mother’s Best Flour.
Sparked by public outcry following a proposal to pull country music and the Opry from WSM-AM in 2002, Craig Havighurst scoured new and existing sources to document the station’s profound effect on the character and self-image of Nashville. Introducing the reader to colorful artists and businessmen from the station’s history, including Owen Bradley, Minnie Pearl, Jim Denny, Edwin Craig, and Dinah Shore, the volume invites the reader to reflect on the status of Nashville, radio, and country music in American culture.
One of the foremost critics in contemporary American letters, Christopher Benfey has long been known for his brilliant and incisive essays. Appearing in such publications as the New York Review of Books, the New Republic, and the Times Literary Supplement, Benfey's writings have helped us reimagine the American literary canon. In American Audacity, Benfey gathers his finest writings on eminent American authors (including Emerson, Dickinson, Whitman, Millay, Faulkner, Frost, and Welty), bringing to his subjects---as the New York Times Book Review has said of his earlier work---"a scholar's thoroughness, a critic's astuteness and a storyteller's sense of drama."
Although Benfey's interests range from art to literature to social history, this collection focuses on particular American writers and the various ways in which an American identity and culture inform their work. Broken into three sections, "Northerners,""Southerners," and "The Union Reconsidered," American Audacity explores a variety of canonical works, old (Emerson, Dickinson, Millay, Whitman), modern (Faulkner, Dos Passos), and more contemporary (Gary Snyder, E. L. Doctorow).
Christopher Benfey is the author of numerous highly regarded books, including Emily Dickinson: Lives of a Poet; The Double Life of Stephen Crane; Degas in New Orleans: Encounters in the Creole World of Kate Chopin and George Washington Cable; and, most recently, The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan. Benfey's poems have appeared in the Paris Review, Pequod, and Ploughshares. He has held fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, and the American Council of Learned Societies. Currently he is Mellon Professor of English at Mount Holyoke College.
"In its vigorous and original criticism of American writers, Christopher Benfey's American Audacity displays its own audacities on every page."
---William H. Pritchard
In 1998 David Kruiper, the leader of the ‡Khomani San who today live in the Kalahari Desert in South Africa, lamented, “We have been made into nothing.” His comment applies equally to the fate of all the hunter-gatherer societies of the Cape Colony who were destroyed by the impact of European colonialism. Until relatively recently, the extermination of the Cape San peoples has been treated as little more than a footnote to South African narratives of colonial conquest.
During the eighteenth and nineteenth centuries, Dutch-speaking pastoralists who infiltrated the Cape interior dispossessed its aboriginal inhabitants. In response to indigenous resistance, colonists formed mounted militia units known as commandos with the express purpose of destroying San bands. This ensured the virtual extinction of the Cape San peoples. In The Anatomy of a South African Genocide, Mohamed Adhikari examines the history of the San and persuasively presents the annihilation of Cape San society as genocide.
The ANC Youth League
Clive Glaser Ohio University Press, 2012 Library of Congress DT1971.G55 2013 | Dewey Decimal 324.268083
This brilliant little book tells the story of the African National Congress (ANC) Youth League from its origins in the 1940s to the present and the controversies over Julius Malema and his influence in contemporary youth politics. Glaser analyzes the ideology and tactics of its founders, some of whom (notably Nelson Mandela and Oliver Tambo) later became iconic figures in South African history as well as inspirational figures such as A. P. Mda (father of author Zakes Mda) and Anton Lembede. It shows how the early Youth League gave birth not only to the modern ANC but also to its rival, the Pan Africanist Congress. Dormant for many years, the Youth League reemerged in the transition era under the leadership of Peter Mokaba—infused with the tradition of the militant youth politics of the 1980s. Throughout its history the Youth League has tried to “dynamize” and criticize the ANC from within, while remaining devoted to the mother body and struggling to find a balance between loyalty and rebellion.
New oral histories from Black Namibian and Angolan troops who fought in apartheid South Africa’s security forces reveal their involvement, and its impact on their lives to be far more complicated than most existing historical scholarship has acknowledged.
In anticolonial struggles across the African continent, tens of thousands of African soldiers served in the militaries of colonial and settler states. In southern Africa, they often made up the bulk of these militaries and, in some contexts, far outnumbered those who fought in the liberation movements’ armed wings. Despite these soldiers' significant impact on the region’s military and political history, this dimension of southern Africa’s anticolonial struggles has been almost entirely ignored in previous scholarship.
Black troops from Namibia and Angola spearheaded apartheid South Africa’s military intervention in their countries’ respective anticolonial war and postindependence civil war. Drawing from oral history interviews and archival sources, Lennart Bolliger challenges the common framing of these wars as struggles of national liberation fought by and for Africans against White colonial and settler-state armies.
Focusing on three case studies of predominantly Black units commanded by White officers, Bolliger investigates how and why these soldiers participated in South Africa’s security forces and considers the legacies of that involvement. In tackling these questions, he rejects the common tendency to categorize the soldiers as “collaborators” and “traitors” and reveals the un-national facets of anticolonial struggles.
Finally, the book’s unique analysis of apartheid military culture shows how South Africa’s military units were far from monolithic and instead developed distinctive institutional practices, mythologies, and concepts of militarized masculinity.
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives.
Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recent scholarship that explores violence, criminality, and the hopeless entanglements of the apartheid state, this book focuses instead on a small group’s efforts to fashion more fulfilling lives for its members and their community through the ironic medium of the apartheid-era school.
There is no book like this in South African historiography. Lushly illustrated and poetically written, it gives us fully formed lives that offer remarkable insights into the now clichéd experience of black life under segregation and apartheid.
Extending the understanding of race and ethnicity in the South beyond the prism of black-white relations, this interdisciplinary collection explores the growth, impact, and significance of rapidly growing Asian American populations in the American South. Avoiding the usual focus on the East and West Coasts, several essays attend to the nuanced ways in which Asian Americans negotiate the dominant black and white racial binary, while others provoke readers to reconsider the supposed cultural isolation of the region, reintroducing the South within a historical web of global networks across the Caribbean, Pacific, and Atlantic.
Contributors are Vivek Bald, Leslie Bow, Amy Brandzel, Daniel Bronstein, Jigna Desai, Jennifer Ho, Khyati Y. Joshi, ChangHwan Kim, Marguerite Nguyen, Purvi Shah, Arthur Sakamoto, Jasmine Tang, Isao Takei, and Roy Vu.