Like her father before her, Bette Husted grew up on stolen land. The bench land above the Clearwater River in north-central Idaho had been a home for the Nez Perce Indians until the Dawes Act opened their reservation to settlement in 1895. As a child on the family homestead, Husted felt the presence of the Nez Perce: "But they were always just out of sight, like a smoky shadow behind me that I couldn't quite turn around quickly enough to catch."
Above the Clearwater chronicles her family's history on the land, revealing their joys and sorrows, their triumphs and tragedies. In a series of graceful and moving essays, Husted traces this intimate history, from her Cold War childhood to her struggles as a parent and finally to her life as a woman and teacher in the rural West. Her family's stories echo those of countless other families in the American West: the conflicts with guns, the struggles over land ownership and water rights, the isolation of women, the separations by race and class, the family secrets of mental illness and suicide.
With a powerful, poetic voice, Husted illuminates the tangled relationship between the history of a particular place and the history of the families who inhabit that place over time. As Above the Clearwater explores one family's search for a home on land taken from its original inhabitants, it quietly asks all readers to examine their own homes in the same light.
Above the Oxbow is a journey through the tangle of rich narratives surrounding Mount Holyoke, a locally cherished mountain in Western Massachusetts. It explores how visitors have forged connections with the mountain through various activities over the past two centuries. In an accessible blend of storytelling and scholarly analysis, Danielle Raad shows the significance of the landscape, historic sites, and material culture, revealing how cultural perspectives, community activism, collective memory, and personal experiences shape our understanding of a place. Situated at the intersection of public history and environmental history, this ethnography of place also discloses the curious stories of the Summit House, an erstwhile tramway, an airplane crash, and the local fight to conserve Mount Holyoke as a natural space and celebrates its myriad uses today.
One of the few books of its kind, Acting Up and Getting Down brings together seven African American literary voices that all have a connection to the Lone Star state. Covering Texas themes and universal ones, this collection showcases often-overlooked literary talents to bring to life inspiring facets of black theatre history.
Capturing the intensity of racial violence in Texas, from the Battle of San Jacinto to a World War I–era riot at a Houston training ground, Celeste Bedford Walker’s Camp Logan and Ted Shine’s Ancestors provide fascinating narratives through the lens of history. Thomas Meloncon’s Johnny B. Goode and George Hawkins’s Br’er Rabbit explore the cultural legacies of blues music and folktales. Three unflinching dramas (Sterling Houston’s Driving Wheel, Eugene Lee’s Killingsworth, and Elizabeth Brown-Guillory’s When the Ancestors Call) examine homosexuality, a death in the family, and child abuse, bringing to light the private tensions of intersections between the individual and the community.
Supplemented by a chronology of black literary milestones as well as a playwrights’ canon, Acting Up and Getting Down puts the spotlight on creative achievements that have for too long been excluded from Texas letters. The resulting anthology not only provides new insight into a regional experience but also completes the American story as told onstage.
The keeping of journals and diaries became an almost everyday pastime for many Americans in the nineteenth century. Adeline and Julia Graham, two young women from Berrien Springs, Michigan, were both drawn to this activity, writing about the daily events in their lives, as well as their 'grand adventures.' These are fascinating, deeply personal accounts that provide an insight into the thoughts and motivation of two sisters who lived more than a century ago. Adeline began keeping a diary when she was sixteen, from mid-1880 through mid-1884; through it we see a young woman coming of age in this small community in western Michigan. Paired with Adeline's account is her sister Julia's diary, which begins in 1885 when she sets out with three other young women to homestead in Greeley County, Kansas, just east of the Colorado border. It is a vivid and colorful narrative of a young woman's journey into America's western landscape.
Over a forty-year career, Chicagoan Tom Burrell changed the face of advertising and revolutionized the industry’s approach to African Americans as human beings and consumers. Jason P. Chambers offers a biography of the groundbreaking creator and entrepreneur that explores Burrell’s role in building brands like McDonald’s and Coca-Cola within a deeply felt vision of folding positive images of Black people into mainstream American life. While detailing Burrell’s successes, Chambers tells a parallel story of what Burrell tried to do that sheds light on the motivations of advertising creators who viewed their work as being about more than just selling. Chambers also highlights how Burrell used his entrepreneurial gifts to build an agency that opened the door for Black artists, copywriters, directors, and other professionals to earn livings, build careers, and become leaders within the industry.
Compelling and multidimensional, Advertising Revolutionary combines archival research and interviews with Burrell and his colleagues to provide a long overdue portrait of an advertising industry legend and his times.
This collection brings together nearly three decades of research on the African American experience, class, and race relations in the Appalachian coal industry. It shows how, with deep roots in the antebellum era of chattel slavery, West Virginia’s Black working class gradually picked up steam during the emancipation years following the Civil War and dramatically expanded during the late nineteenth and early twentieth centuries.
From there, African American Workers and the Appalachian Coal Industry highlights the decline of the region’s Black industrial proletariat under the impact of rapid technological, social, and political changes following World War II. It underscores how all miners suffered unemployment and outmigration from the region as global transformations took their toll on the coal industry, but emphasizes the disproportionately painful impact of declining bituminous coal production on African American workers, their families, and their communities. Joe Trotter not only reiterates the contributions of proletarianization to our knowledge of US labor and working-class history but also draws attention to the gender limits of studies of Black life that focus on class formation, while calling for new transnational perspectives on the subject. Equally important, this volume illuminates the intellectual journey of a noted labor historian with deep family roots in the southern Appalachian coalfields.
African Americans, as free laborers and as slaves, were among the earliest permanent residents of Michigan, settling among the French, British, and Native people with whom they worked and farmed. Lewis Walker and Benjamin Wilson recount the long history of African American communities in Michigan, delineating their change over time, as migrants from the South, East, and overseas made their homes in the state. Moreover, the authors show how Michigan's development is inextricably joined with the vitality and strength of its African American residents. In a related chapter, Linwood Cousins examines youth culture and identity in African American schools, linking education with historical and contemporary issues of economics, racism, and power.
Exploration of African American contributions to the state of Florida during the era of Reconstruction
Despite their shortcomings, “radical” politicians, including African Americans, made worthy contributions to the state of Florida during the era of Reconstruction. Joe Richardson disputes many of the misconceptions about the state’s debt and corruption by exploring how some African American politicians were quite capable and learned their duties quickly. Even more remarkable was the rapidity with which the unlettered ex-slaves absorbed education and adjusted to their status as free men. African Americans in the Reconstruction of Florida delves into the problems encountered by the freed men and traces their successes and failures during the first decade after emancipation.
What happens when fossil fuels run out? How do communities and cultures survive?
Central Appalachia and south Wales were built to extract coal, and faced with coal’s decline, both regions have experienced economic depression, labor unrest, and out-migration. After Coal focuses on coalfield residents who chose not to leave, but instead remained in their communities and worked to build a diverse and sustainable economy. It tells the story of four decades of exchange between two mining communities on opposite sides of the Atlantic, and profiles individuals and organizations that are undertaking the critical work of regeneration.
The stories in this book are told through interviews and photographs collected during the making of After Coal, a documentary film produced by the Center for Appalachian Studies at Appalachian State University and directed by Tom Hansell. Considering resonances between Appalachia and Wales in the realms of labor, environment, and movements for social justice, the book approaches the transition from coal as an opportunity for marginalized people around the world to work toward safer and more egalitarian futures.
The stage was set for conflict: The First Congress of the Republic of Texas had arbitrarily designated the Rio Grande as the boundary of the new nation. Yet the historic boundaries of Texas, under Spain and Mexico, had never extended beyond the Nueces River. Mexico, unwilling to acknowledge Texas independence, was even more unwilling to allow this further encroachment upon her territory.
But neither country was in a strong position to substantiate claims; so the conflict developed as a war of futile threats, border raids, and counterraids. Nevertheless, men died—often heroically—and this is the first full story of their bitter struggle. Based on original sources, it is an unbiased account of Texas-Mexican relations in a crucial period.
Though the Shawnee chief Tecumseh attempted to form a confederacy of tribes to stem the tide of white settlement in the Old Northwest, in November of 1811, the Americans marched to his village at the mouth of Tippecanoe Creek. The ensuing battle ended all hope of an Indian federation and had far-reaching effects on American and British relations. The British, blamed for providing the Indians with arms, drew the ire of hawks in Congress, who clamored ever more loudly for a war to end England’s power in North America. Revised with a new introduction and updated biographical information, After Tippecanoe contains six papers originally presented as lectures in Windsor, Canada, and Detroit, Michigan, during the winter of 1961–62 by three American and three Canadian historians. Their focus is the War of 1812 as it unfolded in the Great Lakes region, with special emphasis on the conflict in Michigan, New York, and Ontario, Canada.
WINNER OF THE FRANCIS B. SIMKINS AWARD, SOUTHERN HISTORICAL ASSOCIATION
WINNER OF THE 2024 BEST FIRST BOOK AWARD FROM PHI ALPHA THETA, THE NATIONAL HISTORY HONOR SOCIETY
A bold reconceptualization of how settler expansion and narratives of victimhood, honor, and revenge drove the conquest and erasure of the Native South and fed the emergence of a distinct white southern identity.
In 1823, Tennessee historian John Haywood encapsulated a foundational sentiment among the white citizenry of Tennessee when he wrote of a “long continued course of aggression and sufferings” between whites and Native Americans. According to F. Evan Nooe, “aggression” and “sufferings” are broad categories that can be used to represent the framework of factors contributing to the coalescence of the white South.
Traditionally, the concept of coalescence is an anthropological model used to examine the transformation of Indigenous communities in the Eastern Woodlands from chieftaincies to Native tribes, confederacies, and nations in response to colonialism. Applying this concept to white southerners, Nooe argues that through the experiences and selective memory of settlers in the antebellum South, white southerners incorporated their aggression against and suffering at the hands of the Indigenous peoples of the Southeast in the coalescence of a regional identity built upon the violent dispossession of the Native South. This, in turn, formed a precursor to Confederate identity and its later iterations in the long nineteenth century.
Geographically, Aggression and Sufferings prioritizes events in South Carolina, Florida, Tennessee, Georgia, and Alabama. Nooe considers how divergent systems of violence and justice between Native Americans and white settlers (such as blood revenge and concepts of honor) functioned in the region and examines the involved societies’ conflicting standards on how to equitably resolve interpersonal violence. Finally, Nooe explores how white southerners constructed, propagated, and perpetuated harrowing tales of colonizers as both victims and heroes in the violent expulsion of the region’s Native peoples from their homelands. This constructed sense of regional history and identity continued to flower into the antebellum period, during western expansion, and well through the twentieth century.
Forging Alabama’s legacy: The definitive history of every blast furnace from pioneer charcoal fires to industrial giants.
Alabama Blast Furnaces by Joseph H. Woodward II offers the only comprehensive history of every blast furnace constructed in Alabama between 1815 and 1940, tracing a vital chapter in the state's iron and steel legacy. Beginning with the pioneering Cedar Creek charcoal furnace in 1815, Woodward meticulously chronicles four distinct eras:
Pioneer Era (1815–1861): Early, locally focused furnaces that laid the foundation of Alabama’s iron industry;
Civil War Era (1861–1865): Furnaces mobilized for the Confederate war effort, including Northern raids, labor shortages,
and innovation under duress;
Reconstruction Era (1866–1879): Transition from stone-stack furnaces toward iron- and steel-shelled technology; and
Modern Era (1880–1940): The rise of large-scale coke-fired plants that propelled Alabama onto the national and international stage.
The heart of the book is a rich series of illustrated, furnace-by-furnace histories—capturing specifics on every site, including four that were built but never operated. With 50 detailed illustrations and rigorous documentation, this reissue—part of the Library of Alabama Classics series—features a new introduction by historian James R. Bennett, who situates Woodward’s work in its historical context and underscores its lasting relevance.
Originally compiled in 1940 by a member of the Woodward Iron Company family, the volume remains a seminal reference for scholars, students, and industrial history enthusiasts. Its thorough scope ensures every furnace—whether a modest pioneer operation or a towering industrial complex—has its story preserved. As one reviewer notes, this work covers furnaces that “made Alabama internationally significant in the iron and steel industry,” offering a level of detail unmatched in regional history.
A visually rich survey of two hundred years of Alabama fine arts and artists
Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.
Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.
This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works. Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.
Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.
The story of Alabama's governors has been often bizarre, occasionally inspiring, but never dull. Several of the state's early governors fought duels; one killed his wife's lover. A Reconstruction era-governor barricaded himself in his administrative office and refused to give it up when voters failed to reelect him. A 20th-century governor, an alumnus of Yale, married his first cousin and served as an officer in the Ku Klux Klan.
This collection of biographical essays, written by 34 noted historians and political scientists, chronicles the foibles and idiosyncrasies, in and out of office, of those who have served as the state's highest elected official. It also describes their courage; their meaningful policy initiatives; their accomplishments and failures; the complex factors that led to their actions or inaction; and the enormous consequences of their choices on the state's behalf.
Taken together, the essays provide a unified history of the state, with its recurring themes of race, federal-state relations, economic development, taxation, and education. Alabama Governors is certain to become an invaluable resource for teachers, students, librarians, journalists, and anyone interested in the colorful history and politics of the state.
An authoritative popular history that places the state in regional and national context.
Penned by one of Alabama’s most distinguished historians, this masterful work offers a sweeping yet intimate portrait of a century that reshaped both the state and the nation. With clarity, wit, and deep insight, the author traces the dramatic arc of the 20th century—from the dawn of flight and the rise of industrial power to revolutions in psychology, literature, and morality—all through the lens of Alabama’s unique experience.
Far more than a catalog of events, this book is a meditation on transformation. It captures the spirit of Alabamians as they confronted change with determination and vision, reckoning with the promises and perils of modernity. The author’s deep respect for archival sources and fellow scholars is matched by his gift for storytelling, making this an accessible and compelling read for both academics and general audiences.
With a voice honed by decades of scholarship and a heart rooted in Southern soil, the author brings history to life—illuminating how one state mirrored the nation’s evolution while forging its own path. This is essential reading for anyone seeking to understand Alabama’s place in the American story.
WINNER OF THE ANNE B. & JAMES B. MCMILLAN PRIZE IN SOUTHERN HISTORY
Examines the legacies of eight momentous US Supreme Court decisions that have their origins in Alabama legal disputes.
Unknown to many, Alabama has played a remarkable role in a number of Supreme Court rulings that continue to touch the lives of every American. In Alabama Justice: The Cases and Faces That Changed a Nation, Steven P. Brown has identified eight landmark cases that deal with religion, voting rights, libel, gender discrimination, and other issues, all originating from legal disputes in Alabama.
Written in a concise and accessible manner, each case law chapter begins with the circumstances that created the dispute. Brown then provides historical and constitutional background for the issue followed by a review of the path of litigation. Excerpts from the Court’s ruling in the case are also presented, along with a brief account of the aftermath and significance of the decision. The First Amendment (New York Times v. Sullivan), racial redistricting (Gomillion v. Lightfoot), the Equal Protection Clause of the Fourteenth Amendment (Frontiero v. Richardson), and prayer in public schools (Wallace v. Jaffree) are among the pivotal issues stamped indelibly by disputes with their origins in Alabama legal, political, and cultural landscapes. By examining such landmark twentieth-century milestones and eras such as the Scottsboro Boys trial, the Civil Rights movement, and the fight for women’s rights through a legal lens, Brown sheds new and unexpected light on the ways that events in Alabama have shaped the nation.
In addition to his analysis of cases, Brown discusses the three associate Supreme Court justices from Alabama to the Supreme Court: John McKinley, John Archibald Campbell, and Hugo Black. Their cumulative influence on constitutional interpretation, the institution of the Court, and the day-to-day rights and liberties enjoyed by every American is impossible to measure. A closing chapter examines the careers and contributions of these three Alabamians.
A comprehensive, illustrated history that shows Alabama's important role in the development of the nation's railroad system
Alabama Railroads is the first extensive history of the state’s railway system, from the chartering of the Tuscumbia Railway Company in January 1830, to the maturity of the system in the latter half of the 20th century, when Amtrak assumed control of the nation’s passenger service.
Railroads built Alabama. Without them the state’s vast natural resources could not have been developed. Scores of Alabama towns, including the city of Birmingham, owe their existence to the railroads. Moreover, Alabama legislators were instrumental in securing passage of momentous land grant legislation that brought the railroad—and settlers—to every section of the American frontier.
During the Civil War, the state’s rail system was a primary objective of Union raiders, and an Alabama rail connection into Chattanooga proved to be a vital key to victory. After the war, the railroad shaped politics and economic development in the state. Indeed, most of the important events of the first 100 years of Alabama history were influenced in a significant manner by the railroad. Alabama Railroads chronicles these events—from land grant legislation and the strategic importance of Alabama’s railroads in the Civil War to the founding of Birmingham and the development of the state’s agricultural, mineral, and timber regions.
Wayne Cline traces the development of all the major lines as well as the most prominent short lines, from the day in 1832 when the first horse-drawn cars rolled over primitive tracks at Tuscumbia, to the night in 1971 at Sylacauga when the final operating order was issued for one of the 20th century’s most famous streamliners. Along the way we meet the varied cast of colorful characters who pioneered the railway system that serves the state today. With more than 100 rare and vintage illustrations from the 19th and early 20th centuries, Alabama Railroads places Alabama’s rail heritage in a national context and allows students of southern history as well as railroad enthusiasts to view this Deep South state from an entirely fresh perspective.
A definitive bicentennial history of Alabama and its place in the American South.
Alabama: The History of a Deep South State, Bicentennial Edition is a comprehensive narrative account of the state from its earliest days to the present. This edition, updated to celebrate the state’s bicentennial year, offers a detailed survey of the colorful, dramatic, and often controversial turns in Alabama’s evolution. Organized chronologically and divided into three main sections—the first concluding in 1865, the second in 1920, and the third bringing the story to the present—makes clear and interprets the major events that occurred during Alabama’s history within the larger context of the South and the nation.
Once the home of aboriginal inhabitants, Alabama was claimed and occupied by a number of European nations prior to becoming a permanent part of the United States in 1819. A cotton and slave state for more than half of the nineteenth century, Alabama seceded in 1861 to join the Confederate States of America, and occupied an uneasy and uncertain place in America’s post-Civil War landscape. Alabama’s role in the twentieth century has been equally tumultuous and dramatic.
General readers as well as scholars will welcome this up-to-date and scrupulously researched history of Alabama, which examines such traditional subjects as politics, military history, economics, race, and class. It contains essential accounts devoted to Native Americans, women, and the environment, as well as detailed coverage of health, education, organized labor, civil rights, and the many cultural developments, from literature to sport, that have enriched Alabama’s history. The stories of individual leaders, from politicians to creative artists, are also highlighted. A key facet of this landmark historical narrative is the strong emphasis placed on the common everyday people of Alabama, those who have been rightly described as the “bone and sinew” of the state.
The story of Alabama—where history shaped a state and a nation.
Alabama: The Making of an American State is itself a watershed event in the long and storied history of the state of Alabama. Here, presented for the first time ever in a single, magnificently illustrated volume, Edwin C. Bridges conveys the magisterial sweep of Alabama’s rich, difficult, and remarkable history with verve, eloquence, and an unblinking eye.
From Alabama’s earliest fossil records to its settlement by Native Americans and later by European settlers and African slaves, from its territorial birth pangs and statehood through the upheavals of the Civil War and the civil rights movement, Bridges makes evident in clear, direct storytelling the unique social, political, economic, and cultural forces that have indelibly shaped this historically rich and unique American region.
Illustrated lavishly with maps, archival photographs, and archaeological artifacts, as well as art works, portraiture, and specimens of Alabama craftsmanship—many never before published—Alabama: The Making of an American State makes evident as rarely seen before Alabama’s most significant struggles, conflicts, achievements, and developments.
Drawn from decades of research and the deep archival holdings of the Alabama Department of Archives and History, this volume will be the definitive resource for decades to come for anyone seeking a broad understanding of Alabama’s evolving legacy.
As Mexican soldiers fought the mostly Anglo-American colonists and volunteers at the Alamo in 1836, San Antonio's Tejano population was caught in the crossfire, both literally and symbolically. Though their origins were in Mexico, the Tejanos had put down lasting roots in Texas and did not automatically identify with the Mexican cause. Indeed, as the accounts in this new collection demonstrate, their strongest allegiance was to their fellow San Antonians, with whom they shared a common history and a common plight as war raged in their hometown.
Timothy M. Matovina here gathers all known Tejano accounts of the Battle of the Alamo. These accounts consist of first reports of the battle, including Juan N. Seguín's funeral oration at the interment ceremony of the Alamo defenders, conversations with local Tejanos, unpublished petitions and depositions, and published accounts from newspapers and other sources. This communal response to the legendary battle deepens our understanding of the formation of Mexican American consciousness and identity.
The Alaska Native Reader describes indigenous worldviews, languages, arts, and other cultural traditions as well as contemporary efforts to preserve them. Several pieces examine Alaska Natives’ experiences of and resistance to Russian and American colonialism; some of these address land claims, self-determination, and sovereignty. Some essays discuss contemporary Alaska Native literature, indigenous philosophical and spiritual tenets, and the ways that Native peoples are represented in the media. Others take up such diverse topics as the use of digital technologies to document Native cultures, planning systems that have enabled indigenous communities to survive in the Arctic for thousands of years, and a project to accurately represent Dena’ina heritage in and around Anchorage. Fourteen of the volume’s many illustrations appear in color, including work by the contemporary artists Subhankar Banerjee, Perry Eaton, Erica Lord, and Larry McNeil.
On May 1, 1897, Louise Luetgert disappeared. Although no body was found, Chicago police arrested her husband, Adolph, the owner of a large sausage factory, and charged him with murder. The eyes of the world were still on Chicago following the success of the World's Columbian Exposition, and the Luetgert case, with its missing victim, once-prosperous suspect, and all manner of gruesome theories regarding the disposal of the corpse, turned into one of the first media-fueled celebrity trials in American history.
Newspapers fought one another for scoops, people across the country claimed to have seen the missing woman alive, and each new clue led to fresh rounds of speculation about the crime. Meanwhile, sausage sales plummeted nationwide as rumors circulated that Luetgert had destroyed his wife's body in one of his factory's meat grinders.
Weaving in strange-but-true subplots involving hypnotists, palmreaders, English con artists, bullied witnesses, and insane-asylum bodysnatchers, Alchemy of Bones is more than just a true crime narrative; it is a grand, sprawling portrait of 1890s Chicago--and a nation--getting an early taste of the dark, chaotic twentieth century.
Alexander Edwin Sweet (1841-1901) is Texas's own "Sifter," whose humorous columns appeared in the Galveston Daily News in the late 1870s and early 1880s. In his wickedly funny, tongue-in-cheek sketches, readers learned of an astonishing variety of frontier phenomena, some familiar, others downright odd. For example, there was the typical nineteenth-century custom of New Year's Day receptions for bachelor guests only, with refreshments consisting largely of strong drink and equally strong fruitcake. Imbibing a bit more cheer at each stop, according to Sweet, the bachelors brought the last prospective sweethearts they visited New Year's greetings as incoherent as they were heartfelt.
At times Sweet parodied the Yankee image of the typical Texan, whom he described as "half alligator, half human," eating raw buffalo and toting an arsenal of weaponry like a "perambulating gun-rack." But he also did as much as any writer to establish and enlarge upon the national image of Texas and Texans. Even the irascible red ant and the other "critters" in Sweet's column were Texas big and Texas-fabulous!
In 1881 Sweet co-founded Texas Siftings, a humor magazine that moved from Austin to New York to become one of the most popular periodicals of its kind in the United States. From Texas Siftings, from Sweet's two published books (one called by John Jenkins in Basic Texas Books the "best volume of 19th century Texas humor"), and from many never-before-collected newspaper columns, editor Virginia Eisenhour has assembled an Alex Sweet sampler that presents the very best of the timeless humorist's work. The result—Alex Sweet's Texas—clearly demonstrates why the New York Journal pronounced Sweet "second to no living writer in freshness, originality, sparkling wit, and refined humor." A century later, that wit still sparkles and is guaranteed to delight Texans present as it once did Texans past.
Author, collector, and historian Alice Morse Earle (1851–1911) was among the most important and prolific writers of her day. Between 1890 and 1904, she produced seventeen books as well as numerous articles, pamphlets, and speeches about the life, manners, customs, and material culture of colonial New England. Earle's work coincided with a surge of interest in early American history, genealogy, and antique collecting, and more than a century after the publication of her first book, her contributions still resonate with readers interested in the nation's colonial past.
An intensely private woman, Earle lived in Brooklyn, New York, with her husband and four children and conducted much of her research either by mail or at the newly established Long Island Historical Society. She began writing on the eve of her fortieth birthday, and the impressive body of scholarship she generated over the next fifteen years stimulated new interest in early American social customs, domestic routines, foodways, clothing, and childrearing patterns.
Written in a style calculated to appeal to a wide readership, Earle's richly illustrated books recorded the intimate details of what she described as colonial “home life.” These works reflected her belief that women had played a key historical role, helping to nurture communities by constructing households that both served and shaped their families. It was a vision that spoke eloquently to her contemporaries, who were busily creating exhibitions of early American life in museums, staging historical pageants and other forms of patriotic celebration, and furnishing their own domestic interiors.
From All Anybody Ever Wanted of Me Was to Work...
"Starting around 1950, people stopped raising chickens, milking cows, and raising hogs. They just buy it at the store, ready to eat. A lot buy a steer and have it processed in Dongola and put it in their freezer. What a difference! Girls have got it so easy now. They don't even know what it was like to start out. And I guess my mother's life, when she started out, was as hard again as mine, because they had to make everything by hand. I don't know if it could get any easier for these girls. But they don't know what it was like, and they never will. Everything is packaged. All you do is go to the store and buy you a package and cook it. Automatic washers and dryers. I'm glad they don't have to work like I did. Very glad."
Edith Bradley Rendleman's story of her life in southern Illinois is remarkable in many ways. Recalling the first half of the twentieth century in great detail, she vividly cites vignettes from her childhood as her family moved from farm to farm until settling in 1909 in the Mississippi bottoms of Wolf Lake. She recounts the lives and times of her family and neighbors during an era gone forever.
Remarkable for the vivid details that evoke the past, Rendleman's account is rare in another respect: memoirs of the time—usually written by people from elite or urban families—often reek of nostalgia. But Rendleman's memoir differs from the norm. Born poor in rural southern Illinois, she tells an unvarnished tale of what it was really like growing up on a tenant farm early this century.
Nora Wendl’s audacious work of creative nonfiction explodes the sex-and-real-estate myth surrounding the Edith Farnsworth House and its two central figures. An eminent physician and woman of letters, Farnsworth left a rich trove of correspondence, memoirs, and photographs that Wendl uses to reconstruct her voice. Farnsworth’s memories and experiences alternate with Wendl’s thoughts on topics like misogyny and professional ambition to fashion a lyrical examination of love, loneliness, beauty, and the search for the divine.
Eloquent and confessional, Almost Nothing restores Edith Farnsworth to her place in architectural history and the masterpiece that bears her name.
Notable shipwrecks of Lake Michigan throughout a century of enterprise, industry, heroism, and disaster on the Great Lakes
The Great Lakes are graveyards of a vast number of shipwrecks (30,000 by some estimates), and Lake Michigan has more than the other four lakes combined. The stories of those wrecks tell the history of that mighty lake in its endless, mercurial challenge to human endeavor.
Surveying the wreckage throughout the decades, from the fiery end of the twin propeller–driven Phoenix in 1847 to the failure of the Anna Minch to outrun the infamous 1940 Armistice Day storm, Michael Schumacher charts the course of shipping disasters great and small on Lake Michigan. He illuminates the details of maritime weather and shipcraft, the lives devoted to and lost on the water, and the mistakes and monumental failures that led to these ships’ watery ends.
Schumacher’s deft storytelling, drawing from deep research and comprehensive knowledge, brings forth the vivid details of the last minutes of these doomed ships, along with the circumstances surrounding their voyages. Here are tragic tales like that of the Eastland, the deadliest shipwreck in Great Lakes history, lost while docked in the Chicago River; the Rouse Simmons, a wooden schooner loaded with Christmas trees; the train ferry Milwaukee and the Wisconsin, a package freighter, gone within one week of each other in October 1929; and the passenger vessel the Lady Elgin, a devastating loss met with incredible heroism.
Liberally illustrated with historical photographs, the stories of these shipwrecks, spanning a full century of commercial traffic on Lake Michigan, document the myriad forms of bravery and misfortune that mark our encounters with the Great Lakes.
In these pages, the reader will witness the dramatic creation of the Tetons; the arrival of the first humans, bands of fur-clad Early Hunters who ventured into the valley some 10,000 years ago; the coming and going of the later Indian tribes; and the nearly incredible journey of John Colter, who back in 1807 is said to have been the first white man to have found his way through the wilderness and into Jackson Hole.
Here, too, the reader will meet the boisterous mountain men, trappers such as Jim Bridger and the former slave, Jim Beckwourth, who roamed the Rockies when St. Louis was still a frontier village; a little Mormon boy who ran away from home and lived with the Indians before becoming a Pony Express rider; a most unusual Englishman who describes a terrible tragedy that befell his Indian wife and half-breed children; a glory-seeking lieutenant who led six cavalrymen on a foolhardy expedition that almost cost them their lives; and a nineteenth-century president of the United States who took a pack trip through Jackson Hole, allegedly leaving a trail of empty bottles behind.
And there is more, much more--the story of the pioneers, those hardy few who dared to settle in this high and inhospitable land; the story of outlaws, a shoot-out, vigilance committees and an Indian "massacre" that embarrassed the New York Times; the story of the deliverance of the world's largest elk herd from the many perils that threatened it with extinction; and, finally, the story of the long and angry controversy over the preservation of the Tetons and Jackson Hole as a national park, a struggle called "one of the most remarkable conservation fights of the twentieth century."
All these and still other episodes in the long and colorful cavalcade of Jackson Hole are woven together to form a work of Western Americana rich in anecdotes and portraits of delightfully eccentric characters.
Edgar Allen Imhoff renders a series of touching, colorful vignettes about growing up in southern Illinois during the Great Depression. He writes poignantly of his family and their struggles (including his father’s exhausting but successful effort at self-education) as he revisits his early childhood years in the country and his eventual move to the town of Murphysboro, where he encountered school bullies, outstanding teachers, first love, World War II, and adolescence.
Imhoff contrasts these memories of his youth with events, incidents, and thoughts from his more recent past. While writing a government check with six figures to the left of the decimal, he remembers how his mother once scrounged together thirty cents so Imhoff and his brother and sister could go to the circus with their classmates. Listening to President Carter give a speech in the Rose Garden reminds him of the contrasting elocutionary style of the Reverend William Boatman, the pastor at his country church, which was built by Imhoff’s great-great-grandfather and others.
Through such contrasts, Imhoff not only paints a loving picture of his past, he also comments on the alienation and emptiness that mark many lives in the United States, especially those of modern nomads. Imhoff has himself become a nomad, living far from the land of his birth, enjoying a successful and rewarding career. Yet he is drawn repeatedly to his past, his family, his childhood home, and the intricate combination of events, attitudes, values, and loyalties that influenced and molded him.
In 1769, Spain took action to solidify control over its northern New World territories by establishing a series of missions and presidios in what is now modern California. To populate these remote establishments, the Spanish crown relied on Franciscan priests, whose role it was to convince the Native Californian population to abandon their traditional religious practices and adopt Catholicism. During their tutelage, the Indians of California would be indoctrinated into Spanish society, where they would learn obedience to the church and crown.
The legal system of Southern California has been used by Anglo populations as a social and demographic tool to control Native Americans. Following the Mexican-American War and the 1849 Gold Rush, as California property values increased and transportation corridors were established, Native Americans remained a sharply declining presence in many communities, and were likely to be charged with crimes. The sentences they received were lighter than those given to Anglo offenders, indicating that the legal system was used as a means of harassment. Additionally, courts chronicled the decline of the once flourishing native populations with each case of drunkenness, assault, or rape that appeared before the bench. Nineteenth-century American society had little sympathy for the plight of Indians or for the destruction of their culture. Many believed that the Indians of Southern California would fade from history because of their inability to adapt to a changing world. While many aspects of their traditional culture have been irreparably lost, the people of southern California are, nevertheless, attempting to recreate the cultures that were challenged by the influx of Europeans and later Americans to their lands.
1992 Myers Center Outstanding Book on Human Rights
Historians have produced scores of studies on white men, extraordinary white women, and even the often anonymous mass of enslaved Black people in the United States. But in this innovative work, Adele Logan Alexander chronicles there heretofore undocumented dilemmas of one of nineteenth-century America’s most marginalized groups—free women of color in the rural South.
Ambiguous Lives focuses on the women of Alexander’s own family as representative of this subcaste of the African-American community. Their forbears, in fact, included Africans, Native Americans, and whites. Neither black nor white, affluent nor impoverished, enslaved nor truly free, these women of color lived and died in a shadowy realm situated somewhere between the legal, social, and economic extremes of empowered whites and subjugated blacks. Yet, as Alexander persuasively argues, these lives are worthy of attention precisely because of these ambiguities—because the intricacies, gradations, and subtleties of their anomalous experience became part of the tangled skein of American history and exemplify our country’s endless diversity, complexity, and self-contradictions.
Written as a “reclamation” of a long-ignored substratum of our society, Ambiguous Lives is more than the story of one family—it is a well-researched and fascinating profile of America, its race and gender relations, and its complex cultural weave.
Lynching is often viewed as a narrow form of violence: either the spontaneous act of an angry mob against accused individuals, or a demonstration of white supremacy against an entire population considered subhuman. However, in this new treatise, historian Guy Lancaster exposes the multiple forms of violence hidden beneath the singular label of lynching.
Lancaster, who has written extensively on racial violence, details several lynchings of Blacks by white posses in post-Reconstruction Arkansas. Drawing from the fields of history, philosophy, cognitive science, sociology, and literary theory, and quoting chilling contemporary accounts, he argues that the act of lynching encompasses five distinct but overlapping types of violence. This new framework reveals lynching to be even more of an atrocity than previously understood: that mobs did not disregard the humanity of their victims but rather reveled in it; that they were not simply enacting personal vengeance but manifesting an elite project of subjugation. Lancaster thus clarifies and connects the motives and goals of seemingly isolated lynch mobs, embedding the practice in the ongoing enforcement of white supremacy. By interrogating the substance of lynching, American Atrocity shines new light on both past anti-Black violence and the historical underpinnings of our present moment.
An exhilarating behind-the-scenes journey into the history of America’s largest cross-country ski race
Each February, cross-country skiers from across the nation and around the world descend upon the sleepy northern Wisconsin town of Hayward to compete in the American Birkebeiner—the largest cross-country ski race in North America. In American Birkebeiner: The Nation’s Greatest Ski Marathon, author and skier Jerome P. Poling traces the remarkable history of the famed “Birkie,” from its modest origins in the early 1970s to its modern incarnation as an international Nordic-themed festival and multi-day racing event drawing more than 30,000 skiers and spectators.
American Birkebeiner offers an up-close, behind-the-scenes tour of all things Birkie—from pre-race preparations and skier profiles to race-day highlights and history-making finishes. It also tells the story of visionary race founder Tony Wise and his efforts to popularize the sport of cross-country skiing in the Upper Midwest. The book delves into the origin and evolution of the world-class Birkebeiner Trail and the communities that support it, as well as the ways the American Birkebeiner Ski Foundation is adapting to climate change to help ensure the event thrives for years to come.
American Birkebeiner sparks with lively, narrative-driven prose and is based on extensive archival research, reporting, and personal interviews. The lavishly illustrated book also features 150 photographs, including intimate portraits of athletes pushed to the limits of their endurance, sweeping aerial shots of skiers and cheering crowds, and awe-inspiring winter vistas. An exquisitely crafted ode to an extraordinary race, American Birkebeiner will inspire winter sports fans and outdoor enthusiasts alike.
The Old Northwest—the region now known as the Midwest—has been largely overlooked in American cultural history, represented as a place smoothly assimilated into the expanding, manifestly-destined nation. An American Colony: Regionalism and the Roots of Midwestern Culture studies the primary texts and principal conflicts of the settlement of the Old Northwest to reveal that its entry into the nation’s culture was not without problems. In fact, Edward Watts argues that it is best understood as a colony of the United States, just as the eastern states were colonies of the British Empire.
Reconsidered as a colony, the Old Northwest becomes a crucible revealing the complex entanglement of local, indigenous, and regional interests with the coercions of racism, nationalism, and imperialism. This conflicted setting, like those of all settlement colonies, was beset by competing views of local identity, especially as they came to contradict writers from the eastern seaboard.
Using postcolonial theories developed to describe other settlement colonies, An American Colony identifies the Old Northwest as a colony and its culture as less than fully participating in either the nation’s or its own writing and identity. This embedded sense of cultural inferiority, Watts argues, haunts Midwestern culture even today.
A portrait of Black life in the Great Plains, written by a key figure in the Chicago Renaissance and decades-long editor of Ebony.
Era Bell Thompson grew up on the plains of North Dakota, where she and her family were some of the only Black people amid an overwhelmingly white population. American Daughter, originally published in 1946, recounts her childhood in the rural West, her college years in Iowa, and the social and racial revelations she experienced upon arriving in Chicago, where she first encountered a large Black community.
Her memories defy contemporary assumptions. She was a popular high school student, even if she was forced to disarm ignorant questions from her peers. She describes her father’s work for the governor, her family’s interactions with diverse Midwestern immigrant communities, the natural beauty of the landscape, and the collaborative spirit necessary to survive the harsh weather conditions in North Dakota. As an adult in Chicago, she discovered lifestyles and attitudes that were entirely unfamiliar after her childhood in predominantly white spaces. While Thompson endured discrimination in rural and urban settings alike, she relied on her trademark humor to defuse tensions and bridge differences. Her memoir similarly radiates optimism, curiosity, and wit.
Long out of print, this new edition includes a foreword by the Chicago-based journalist Natalie Y. Moore, who not only contextualizes the memoir for contemporary readers but also explores Thompson’s life after American Daughter, including her trailblazing career as an editor for Ebony magazine.
One man was tongue-tied and awkward around women, in many ways a mama's boy at heart, although his reputation for thuggery was well earned. The other was a playboy, full of easy charm and ready jokes, his appetite for high living a matter of public record. One man tolerated gangsters and bootleggers as long as they paid their dues to his organization. The other was effectively a gangster himself, so crooked that he hosted a national gathering of America's most ruthless killers. One man never drank alcohol. The other, from all evidence, seldom drank anything else.
American Dictators is the dual biography of two of America’s greatest political bosses: Frank Hagueand Enoch “Nucky” Johnson. Packed with compelling information and written in an informal, sometimes humorous style, the book shows Hague and Johnson at the peak of their power and the strength of their political machines during the years of Prohibition and the Great Depression. Steven Hart compares how both men used their influence to benefit and punish the local citizenry, amass huge personal fortunes, and sometimes collaborate to trounce their enemies.
Similar in their ruthlessness, both men were very different in appearance and temperament. Hague, the mayor of Jersey City, intimidated presidents and wielded unchallenged power for three decades. He never drank and was happily married to his wife for decades. He also allowed gangsters to run bootlegging and illegal gambling operations as long as they paid protection money. Johnson, the political boss of Atlantic City, and the inspiration for the hit HBO series Boardwalk Empire, presided over corruption as well, but for a shorter period of time. He was notorious for his decadent lifestyle. Essentially a gangster himself, Johnson hosted the infamous Atlantic City conference that fostered the growth of organized crime.
Both Hague and Johnson shrewdly integrated otherwise disenfranchised groups into their machines and gave them a stake in political power. Yet each failed to adapt to changing demographics and circumstances. In American Dictators, Hart paints a balanced portrait of their accomplishments and their failures.
When the terrorist attacks struck New York City on September 11, 2001, boat operators and waterfront workers quickly realized that they had the skills, the equipment, and the opportunity to take definite, immediate action in responding to the most significant destructive event in the United States in decades. For many of them, they were “doing what needed to be done.”
American Dunkirk shows how people, many of whom were volunteers, mobilized rescue efforts in various improvised and spontaneous ways on that fateful date. Disaster experts James Kendra and Tricia Wachtendorf examine the efforts through fieldwork and interviews with many of the participants to understand the evacuation and its larger implications for the entire practice of disaster management.
The authors ultimately explore how people—as individuals, groups, and formal organizations—pull together to respond to and recover from startling, destructive events. American Dunkirk asks, What can these people and lessons teach us about not only surviving but thriving in the face of calamity?
In the early and mid-twentieth century, Chinese migrants evaded draconian anti-immigrant laws by entering the US under false papers that identified them as the sons of people who had returned to China to marry. Wayne Hung Wong tells the story of his life after emigrating to Wichita, Kansas, as a thirteen-year-old paper son. After working in his father’s restaurant as a teen, Wong served in an all-Chinese Air Force unit stationed in China during World War II. His account traces the impact of race and segregation on his service experience and follows his postwar life from finding a wife in Taishan through his involvement in the government’s amnesty program for Chinese immigrants and career in real estate. Throughout, Wong describes the realities of life as part of a small Chinese American community in a midwestern town.
Vivid and rich with poignant insights, American Paper Son explores twentieth-century Asian American history through one person’s experiences.
In this poetic personal narrative, Thomas P. Huber reflects on two seemingly unrelated places-the North Fork Valley in western Colorado and the Coulon River Valley in Provence, France-and finds a shared landscape and sense of place. What began as a simple comparison of two like places in distant locations turned into a more complex, interesting, and personal task. Much is similar-the light, the valleys, the climate, the agriculture. And much is less so-the history, the geology, the physical makeup of villages. Using a geographer's eye and passion for the land and people, Huber examines the regions' similarities and differences to explore the common emotional impact of each region. Part intimate travelogue and part case study of geography in the real world, An American Provence illuminates the importance sense of place plays in who we are.
The blossoming of Appalachian studies began some thirty years ago. Thousands of young people from the hills have since been made aware of their region’s rich literary tradition through high school and college courses. An entire generation has discovered that their own landscapes, families, and communities had been truthfully portrayed by writers whose background was similar to their own.
An American Vein: Critical Readings in Appalachian Literature is an anthology of literary criticism of Appalachian novelists, poets, and playwrights. The book reprises critical writing of influential authors such as Joyce Carol Oates, Cratis Williams, and Jim Wayne Miller. It introduces new writing by Rodger Cunningham, Elizabeth Engelhardt, and others.
Many writers from the mountains have found success and acclaim outside the region, but the region itself as a thriving center of literary creativity has not been widely appreciated. The editors of An American Vein have remedied this, producing the first general collection of Appalachian literary criticism. This book is a resource for those who teach and read Appalachian literature. What’s more, it holds the promise of introducing new readers, nationally and internationally, to Appalachian literature and its relevance to our times.
Winner, ISHS Certificate of Excellence, 2015
Disaster relief as we know it did not exist when the deadliest tornado in U.S. history gouged a path from southeast Missouri through southern Illinois and into southwestern Indiana. The tri-state tornado of 1925 hugged the ground for 219 miles, generated wind speeds in excess of 300 miles per hour, and killed 695 people. Drawing on survivor interviews, public records, and newspaper archives, America’s Deadliest Twister offers a detailed account of the storm, but more important, it describes life in the region at that time as well as the tornado’s lasting cultural impact, especially on southern Illinois.
Author Geoff Partlow follows the storm from town to town, introducing us to the people most affected by the tornado, including the African American population of southern Illinois. Their narratives, along with the stories of the heroes who led recovery efforts in the years following, add a hometown perspective to the account of the storm itself.
In the discussion of the aftermath of the tornado, Partlow examines the lasting social and economic scars in the area, but he also looks at some of the technological firsts associated with this devastating tragedy. Partlow shows how relief efforts in the region began to change the way people throughout the nation thought about disaster relief, which led to the unified responses we are familiar with today.
Perceptive and broad in scope, America’s Religious Crossroads illuminates the integral relationship between communal and spiritual growth in early Midwestern history.
Driving the rural roads of Michigan one might suddenly come upon a black buggy driven by a bonneted woman or a bearded Amish man. In 1955 there were fewer than five hundred Amish in Michigan—in 2000 there were more than seven thousand. The Amish, with their unique life-style, are found only in North America where approximately 170,000 live in twenty-four states and one Canadian province. This sensitive and fascinating volume explores the Amish historical background, immigration into Michigan, occupations, marriage patterns, cultural conflicts, community-financed schools, medical practices, and cultural survival.
"And Other Neighborly Names"—the title is from a study by Americo Paredes of the names, complimentary and otherwise, exchanged across cultural boundaries by Anglos and Mexicans—is a collection of essays devoted to various aspects of folk tradition in Texas. The approach builds on the work of the folklorists who have helped give the study of folklore in Texas such high standing in the field-Mody Boatright, J. Frank Dobie, John Mason Brewer, the Lomaxes, and of course Paredes himself, to whom this book is dedicated.
Focusing on the ways in which traditions arise and are maintained where diverse peoples come together, the editors and other essayists—John Holmes McDowell, Joe Graham, Alicia María González, Beverly J. Stoeltje, Archie Green, José E. Limón, Thomas A. Green, Rosan A. Jordan, Patrick B. Mullen, and Manuel H. Peña—examine conjunto music, the corrido, Gulf fishermen's stories, rodeo traditions, dog trading and dog-trading tales, Mexican bakers' lore, Austin's "cosmic cowboy" scene, and other fascinating aspects of folklore in Texas. Their emphasis is on the creative reaction to socially and culturally pluralistic situations, and in this they represent a distinctively Texan way of studying folklore, especially as illustrated in the performance-centered approach of Paredes, Boatright, and others who taught at the University of Texas at Austin. As an overview of this approach—its past, present, and future—"And Other Neighborly Names" makes a valuable contribution both to Texas folklore and to the discipline as a whole.
Karen L. Graves details how teachers were targeted, interrogated, and stripped of their professional credentials, and she examines the extent to which these teachers resisted the invasion of their personal lives. She contrasts the experience of three groups--civil rights activists, gay and lesbian teachers, and University of South Florida personnel--called before the committee and looks at the range of response and resistance to the investigations. Based on archival research conducted on a recently opened series of Investigation Committee records in the State Archives of Florida, this work highlights the importance of sexuality in American and education history and argues that Florida's attempt to govern sexuality in schools implies that educators are distinctly positioned to transform dominant ideology in American society.
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