front cover of The Art of Renaissance Venice
The Art of Renaissance Venice
Architecture, Sculpture, and Painting, 1460-1590
Norbert Huse and Wolfgang Wolters
University of Chicago Press, 1990
In the first contemporary single-volume survey of the three arts of Venice—painting, sculpture, and architecture—Norbert Huse and Wolfgang Wolters offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian art. They begin their study in 1460, when Venice was one of the key powers of Italy, and end with the death of Tintoretto in 1594, a period of waning international power. In the process, they define the distinctly Venetian terms by which the city and its culture should be understood. With over three hundred illustrations and an exhaustive bibliography, this volume makes an impressive contribution to art historical scholarship.

"The historical aspect of this book is splendid, but where it excels is in its fearless and thought-provoking critical judgements. . . . it will lead both beginners and experts to new joys."—David Ekserdjian, Times Literary Supplement

[more]

front cover of Autobiography of an Aspiring Saint
Autobiography of an Aspiring Saint
Cecilia Ferrazzi
University of Chicago Press, 1996
Charged by the Venetian Inquisition with the conscious and cynical feigning of holiness, Cecelia Ferrazzi (1609-1684) requested and obtained the unprecedented opportunity to defend herself through a presentation of her life story. Ferrazzi's unique inquisitorial autobiography and the transcripts of her preceding testimony, expertly transcribed and eloquently translated into English, allow us to enter an unfamiliar sector of the past and hear 'another voice'—that of a humble Venetian woman who had extraordinary experiences and exhibited exceptional courage.

Born in 1609 into an artisan family, Cecilia Ferrazzi wanted to become a nun. When her parents' death in the plague of 1630 made it financially impossible for her to enter the convent, she refused to marry and as a single laywoman set out in pursuit of holiness. Eventually she improvised a vocation: running houses of refuge for "girls in danger," young women at risk of being lured into prostitution.

Ferrazzi's frequent visions persuaded her, as well as some clerics and acquaintances among the Venetian elite, that she was on the right track. The socially valuable service she was providing enhanced this impresssion. Not everyone, however, was convinced that she was a genuine favorite of God. In 1664 she was denounced to the Inquisition.

The Inquisition convicted Ferrazzi of the pretense of sanctity. Yet her autobiographical act permits us to see in vivid detail both the opportunities and the obstacles presented to seventeenth-century women.
[more]

front cover of Convents and the Body Politic in Late Renaissance Venice
Convents and the Body Politic in Late Renaissance Venice
Jutta Gisela Sperling
University of Chicago Press, 2000
In late sixteenth-century Venice, nearly 60 percent of all patrician women joined convents, and only a minority of these women did so voluntarily. In trying to explain why unprecedented numbers of patrician women did not marry, historians have claimed that dowries became too expensive. However, Jutta Gisela Sperling debunks this myth and argues that the rise of forced vocations happened within the context of aristocratic culture and society.

Sperling explains how women were not allowed to marry beneath their social status while men could, especially if their brides were wealthy. Faced with a shortage of suitable partners, patrician women were forced to offer themselves as "a gift not only to God, but to their fatherland," as Patriarch Giovanni Tiepolo told the Senate of Venice in 1619. Noting the declining birth rate among patrician women, Sperling explores the paradox of a marriage system that preserved the nobility at the price of its physical extinction. And on a more individual level, she tells the fascinating stories of these women. Some became scholars or advocates of women's rights, some took lovers, and others escaped only to survive as servants, prostitutes, or thieves.



[more]

front cover of The Culture Wars of the Late Renaissance
The Culture Wars of the Late Renaissance
Skeptics, Libertines, and Opera
Edward Muir
Harvard University Press, 2007

In the summer of 1591 students from the University of Padua attacked the local Jesuit college and successfully appealed to the Venetian Senate to intervene on behalf of the university. When the Jesuits were expelled from the Venetian dominion a few years later, religious censorship was virtually eliminated. The result was a remarkable era of cultural innovation that promoted free inquiry in the face of philosophical and theological orthodoxy, advocated libertine morals, critiqued the tyranny of aristocratic fathers over their daughters, and expanded the theatrical potential of grand opera.

In Padua a faction of university faculty, including Galileo Galilei and the philosopher Cesare Cremonini, pursued an open and free inquiry into astronomy and philosophy. In Venice some of Cremonini's students founded the Accademia degli Incogniti (Academy of the Unknowns), one of whose most notorious members was the brilliant polemicist Ferrante Pallavicino.

The execution of Pallavicino for his writings attacking Pope Urban VIII silenced the more outrageous members of the Incogniti, who soon turned to writing libretti for operas. The final phase of the Venetian culture wars pitted commercial opera, with its female performers and racy plot lines, against the decorous model of Jesuit theater. The libertine inclinations of the Incogniti suffuse many of the operas written in the 1640s, especially Monteverdi's masterpiece, L'Incoronazione di Poppea.

Edward Muir's exploration of an earlier age of anxiety reveals the distinguished past of today's culture wars, including debates about the place of women in society, the clash between science and faith, and the power of the arts to stir emotions.

[more]

front cover of The Death of the Child Valerio Marcello
The Death of the Child Valerio Marcello
Margaret L. King
University of Chicago Press, 1994
Margaret King shows what the death of a little boy named Valerio Marcello over five hundred years ago can tell us about his time.

This child, scion of a family of power and privilege at Venice's time of greatness, left his father in a state of despair so profound and so public that it occasioned an outpouring of consoling letters, orations, treatises, and poems. In these documents, we find a firsthand account, richly colored by humanist conventions and expectations, of the life of the fifteenth-century boy, the passionate devotion of his father, the feelings of his brothers and sisters, the striking absence of his mother. The father's story is here as well: the career of a Venetian nobleman and scholar, patron and soldier, a participant in Venice's struggle for dominion in the north of Italy.

Through these sources also King traces the cultural trends that made Marcello's century famous. Her work enlarges our view of the literature of consolation, which had a distinctive tradition in Venice, and shifting attitudes toward death from the late Middle Ages onward.

For the depth and acuity of its insights into political, cultural, and private life in fifteenth-century Venice, this book will be essential reading for students of the Renaissance. For the grace and drama of its storytelling, it will be savored by anyone who wishes to look into life and death in a palace, and a city, long ago.
[more]

logo for Harvard University Press
The Documents of Angelo de Cartura and Donato Fontanella
Venetian Notaries in Fourteenth-Century Crete
Alan M. Stahl
Harvard University Press, 2000
This volume, which includes the texts in Latin with an English preface and extensive indices, contains the text of two notarial protocols in the Notai di Candia series of the Archivio di Stato di Venezia. Both notaries were active in the town of Candia, modern Herakleion, in the Venetian colony of Crete in the early fourteenth century.Though the two protocols published here are fragmentary in terms of their survival, and selective in the aspects of life that they record, they are both valuable sources for understanding the lives of Venetian, Greek, and Jewish men and women in fourteenth-century Crete.
[more]

front cover of Everyday Renaissances
Everyday Renaissances
The Quest for Cultural Legitimacy in Venice
Sarah Gwyneth Ross
Harvard University Press, 2016

The world of wealth and patronage that we associate with sixteenth- and early seventeenth-century Italy can make the Renaissance seem the exclusive domain of artists and aristocrats. Revealing a Renaissance beyond Michelangelo and the Medici, Sarah Gwyneth Ross recovers the experiences of everyday men and women who were inspired to pursue literature and learning.

Ross draws on a trove of original unpublished sources—wills, diaries, household inventories, account books, and other miscellany—to reconstruct the lives of over one hundred artisans, merchants, and others on the middle rung of Venetian society who embraced the ennobling virtues of a humanistic education. These men and women sought out the latest knowledge, amassed personal libraries, and passed both their books and their hard-earned wisdom on to their families and heirs.

Physicians were often the most avid—and the most anxious—of professionals seeking cultural legitimacy. Ross examines the lives of three doctors: Nicolò Massa (1485–1569), Francesco Longo (1506–1576), and Alberto Rini (d. 1599). Though they had received university training, these self-made men of letters were not patricians but members of a social group that still yearned for credibility. Unlike priests or lawyers, physicians had not yet rid themselves of the taint of artisanal labor, and they were thus indicative of a middle class that sought to earn the respect of their peers and betters, protect and advance their families, and secure honorable remembrance after death.

[more]

front cover of Facing Crisis
Facing Crisis
Art as Politics in Fourteenth-Century Venice
Stefania Gerevini
Harvard University Press

Though Venice emerged as a leading Mediterranean power in the Trecento, the city faced a series of crises during a brief but cataclysmic period coinciding with Andrea Dandolo’s dogeship (1343–1354): earthquakes, disease, fierce military conflicts, and dramatic political and institutional tensions had the republic on edge. It was nevertheless precisely at this time that the government sponsored the ambitious and sumptuous artistic campaigns in San Marco that are at the heart of this book: a reliquary-chapel, a new baptistery, and a folding altarpiece, all masterpieces crafted with unparalleled technical skill, blending Byzantine and Italianate visual forms.

Far from being mere artistic commissions, these works were affirmative political interventions that interrogated the meaning of community, authority, and (shared) political leadership at a time when those notions were unsettled. Looking beyond established concepts of triumph and imperialism, Facing Crisis situates the artistic interactions between Byzantium and Venice into ongoing processes of state formation and attests to the power of images to inform—and transform—political imaginations in troubled times. This study thus offers new insights into how medieval communities across the Mediterranean understood and responded to uncertainty through the visual, and in doing so, probes the value of “crisis” as a methodological framework.

[more]

logo for University of Chicago Press
Heavenly Supper
The Story of Maria Janis
Fulvio Tomizza
University of Chicago Press, 1991
It is a winter morning in Venice, in 1622. Muted voices drift through a thin wall next door. Her curiosity aroused, a young woman peers through a crack in the door, only to witness a strange and disturbing sight: a woman and a priest secretly celebrating communion. Troubled by what she sees, she reports the incident at confession. Her revelation leads to the arrest, jailing, and arraignment of the two for heresy before the Venetian Holy Office of the Inquisition.

So begins Fulvio Tomizza's absorbing account of the true story of Maria Janis, a devout peasant woman from the mountains north of Bergamo. Too poor to enter a convent, Maria had set out to serve God by relinquishing the little she had, through renunciation of all food but the bread and wine of communion. Encouraged by the restless village priest Pietro Morali, Maria claimed to have existed in this sanctified state for five years. During this time, she, Morali, and the weaver Pietro Palazzi travel from a little village in the Alps to Rome and then to Venice, where their alleged sacrilege is discovered and they are brought to trial. Both revered as a saint and reviled as a fraud, Maria with her "privilege" inspires and threatens believers within the Church. Combining the historian's precision with the novelist's imagination, Tomizza painstakingly reconstructs her story, crafting a fascinating portrait of sublimated love, ambition, and jealousy.

Heavenly Supper alternates a chronological account of the trial with analyses of each protagonist's life history. Along the way, Tomizza gives voice to the minds and hearts of his characters, allowing them to speak for themselves in their own words. The world he recreates resonates with the fervor of the Counter Reformation when faith and its consequences were rigidly controlled by the Church. As suspenseful as a detective novel, Tomizza's story goes beyond the trial to evoke a panoramic view of seventeenth-century Italian culture.
[more]

logo for Harvard University Press
History of Venice
Pietro BemboEdited and translated by Robert W. Ulery, Jr.
Harvard University Press, 2007
Pietro Bembo (1470–1547), a Venetian nobleman, later a cardinal of the Roman Catholic Church, was the most celebrated Latin stylist of his day and was widely admired for his writings in Italian as well. His early dialogue on the subject of love greatly influenced the development of the literary vernacular, as did his Prose della volgar lingua (1525). From 1513 to 1521, he served Pope Leo X as Latin secretary and became known as the leading advocate of Ciceronian Latin in Europe and of the Tuscan dialect within Italy. He was named official historian of Venice in 1529 and began to compose in Latin his continuation of the city’s history in twelve books, covering the years from 1487 to 1513. Although the work chronicles internal politics and events, much of it is devoted to the external affairs of Venice, principally conflicts with other European states (France, Spain, the Holy Roman Empire, Milan, and the papacy) and with the Turks in the East. The History of Venice was published after Bembo’s death, in Latin and in his own Italian version. This edition, completed by this third volume, makes it available for the first time in English translation.
[more]

logo for Harvard University Press
History of Venice
Pietro BemboEdited and translated by Robert W. Ulery, Jr.
Harvard University Press, 2007
Pietro Bembo (1470–1547), a Venetian nobleman, later a cardinal of the Roman Catholic Church, was the most celebrated Latin stylist of his day and was widely admired for his writings in Italian as well. His early dialogue on the subject of love greatly influenced the development of the literary vernacular, as did his Prose della volgar lingua (1525). From 1513 to 1521 he served Pope Leo X as Latin secretary and became known as the leading advocate of Ciceronian Latin in Europe and of the Tuscan dialect within Italy. He was named official historian of Venice in 1529 and began to compose in Latin his continuation of the city’s history in twelve books, covering the years from 1487 to 1513. Although the work chronicles internal politics and events, much of it is devoted to the external affairs of Venice, principally conflicts with other European states (France, Spain, the Holy Roman Empire, Milan, and the papacy) and with the Turks in the East. The History of Venice was published after Bembo’s death, in Latin and in his own Italian version. This edition, in a projected three volumes, makes it available for the first time in English translation.
[more]

logo for Harvard University Press
History of Venice
Pietro BemboEdited and translated by Robert W. Ulery, Jr.
Harvard University Press, 2007
Pietro Bembo (1470–1547), a Venetian nobleman, later a cardinal of the Roman Catholic Church, was the most celebrated Latin stylist of his day and was widely admired for his writings in Italian as well. His early dialogue on the subject of love greatly influenced the development of the literary vernacular, as did his Prose della volgar lingua (1525). From 1513 to 1521 he served Pope Leo X as Latin secretary and became known as the leading advocate of Ciceronian Latin in Europe and of the Tuscan dialect within Italy. He was named official historian of Venice in 1529 and began to compose in Latin his continuation of the city's history in twelve books, covering the years from 1487 to 1513. Although the work chronicles internal politics and events, much of it is devoted to the external affairs of Venice, principally conflicts with other European states (France, Spain, the Holy Roman Empire, Milan, and the papacy) and with the Turks in the East. The History of Venice was published after Bembo's death, in Latin and in his own Italian version. This edition, in a projected three volumes, makes it available for the first time in English translation.
[more]

front cover of The Honest Courtesan
The Honest Courtesan
Veronica Franco, Citizen and Writer in Sixteenth-Century Venice
Margaret F. Rosenthal
University of Chicago Press, 1992
The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the cortigiana onesta—the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position.

Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today.

Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions.

"A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."—Helen Hackett, Times Higher Education Supplement

The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.)
[more]

logo for Harvard University Press
Industry and Economic Decline in Seventeenth-Century Venice
Richard Tilden Rapp
Harvard University Press, 1976
One of the oldest, most commanding topics in early modern economic history--Venice's fall from commercial supremacy to relative insignificance--is here examined. What emerges is what many scholars have come to suspect: the catch-all phrase "the decline of Venice" embodies a myth. Rapp explains the paradox of seventeenth-century Venice, a republic that experienced a relative economic decline in commerce and industry with no absolute decline in overall income. In this systematic approach to the subject of economic decline, Rapp focuses on economic factors common to all Venetian enterprise: labor supply and quality, technology and capital employment, foreign demand, and government policy. The statistical backbone of this massively documented book is an employment census of the city derived from the records of the Naval Personnel Administration, the Collegio da Milizia da Mar. Throughout the book, many analytical insights are offered about population, guilds, technology, and economic policy in early modern Europe.
[more]

front cover of Life and Death in a Venetian Convent
Life and Death in a Venetian Convent
The Chronicle and Necrology of Corpus Domini, 1395-1436
Sister Bartolomea Riccoboni
University of Chicago Press, 2000
These works by Sister Bartolomea Riccoboni offer an intimate portrait of the women who inhabited the Venetian convent of Corpus Domini, where they shared a religious life bounded physically by the convent wall and organized temporally by the rhythms of work and worship. At the same time, they show how this cloistered community vibrated with news of the great ecclesiastical events of the day, such as the Great Western Schism and the Council of Constance.

While the chronicle recounts the history of the nuns' collective life, the necrology provides highly individualized biographies of nearly fifty women who died in the convent between 1395 and 1436. We follow the fascinating stories that led these women, from adolescent girls to elderly widows, to join the convent; and we learn of their cultural backgrounds and intellectual accomplishments, their ascetic practices and mystical visions, their charity and devotion to each other and their fortitude in the face of illness and death.

The personal and social meaning of religious devotion comes alive in these texts, the first of their kind to be translated into English.

[more]

front cover of The Merchant of Venice
The Merchant of Venice
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2021
An updated version of The Merchant of Venice that speaks to our contemporary reckoning with racism and injustice. 
 
Elise Thoron’s translation of Shakespeare’s searing The Merchant of Venice cuts straight to the heart of today’s fraught issues of social justice and systemic racism. Thoron’s clear, compelling contemporary verse translation retains the power of the original iambic pentameter while allowing readers and audiences to fully comprehend and directly experience the brutal dilemmas of Shakespeare’s Venice, where prejudice and privilege reign unchallenged. As the author of three acclaimed music-theater works on the Jewish experience and informed by her work directing cross-cultural projects in locations as different as Russia, Japan, Cuba, and New York City, Thoron brings to her Merchant an immediacy that speaks directly to the present reckoning with race in America.  
 
This translation was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. These volumes make these works available for the first time in print—a new First Folio for a new era. 
[more]

front cover of Ordering Customs
Ordering Customs
Ethnographic Thought in Early Modern Venice
Kathryn Taylor
University of Delaware Press, 2023
Ordering Customs explores how Renaissance Venetians sought to make sense of human difference in a period characterized by increasing global contact and a rapid acceleration of the circulation of information. Venice was at the center of both these developments. The book traces the emergence of a distinctive tradition of ethnographic writing that served as the basis for defining religious and cultural difference in new ways. Taylor draws on a trove of unpublished sources—diplomatic correspondence, court records, diaries, and inventories—to show that the study of customs, rituals, and ways of life not only became central in how Venetians sought to apprehend other peoples, but also had a very real impact at the level of policy, shaping how the Venetian state governed minority populations in the city and its empire. In contrast with the familiar image of ethnography as the product of overseas imperial and missionary encounters, the book points to a more complicated set of origins. 

 
[more]

front cover of Othello
Othello
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2022
A contemporary translation that emphasizes the racial malice at the heart of Shakespeare’s play.
 
In her update of Shakespeare’s Othello, Mfoniso Udofia engages with the racial malice at the heart of the play. Udofia’s take on this complicated story emphasizes the rhythm and lyrical patterns of Othello’s speech. Opening up the text to modern ears, Udofia presents us with a code-switched Othello.

This translation of Othello was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
[more]

front cover of Piazza San Marco
Piazza San Marco
Iain Fenlon
Harvard University Press, 2009

The Piazza San Marco, one of the most famous and instantly recognizable townscapes in the West, if not the world, has been described as a stage set, as Europe’s drawing room, as a painter’s canvas. This book traces the changing shape and function of the piazza, from its beginnings in the ninth century to its present day ubiquity in the Venetian, European, as well as global imagination.

Through its long history, the Piazza San Marco has functioned as civic space that was used for such varied activities as public meetings; animal-baiting; executions; state processions; meat and produce markets; a performance venue for rock concerts; as well as, more recently, a cafe to enjoy a leisurely Campari. Constantly alert to the question of function, this book recreates not only rituals of the past but also activities of the present, from the coronation of the doge to the legendary Pink Floyd concert of 1989, with much fanfare in between. Iain Fenlon recreates the dynamic, colorful, and noisy history of the piazza—a history that is also the history of Venice and, indeed, of Europe.

[more]

front cover of Save Venice Inc.
Save Venice Inc.
American Philanthropy and Art Conservation in Italy, 1966-2021
Christopher Carlsmith
University of Massachusetts Press, 2022

In 1966, the most destructive flood in the history of Venice temporarily submerged the city and threatened its extraordinary art and architecture. Among the organizations that mobilized to protect this fragile heritage was Save Venice Inc. Founded in Boston and now headquartered in New York City, this nonprofit has become the largest and most active committee dedicated to preserving the artistic legacy of Venice.

Christopher Carlsmith tells the fascinating story of Save Venice Inc., from its origins to its fiftieth anniversary. It continues to provide an influential model for philanthropy in the cultural sector, raising substantial funds to conserve and restore paintings, sculptures, books, mosaics, and entire buildings at risk from human and environmental impacts. Employing extensive archival research, oral interviews, and newspaper accounts, Save Venice Inc. explores a range of topics, including leadership, conservation projects, fundraising, and educational outreach. Using a range of methodologies from cultural history and art history, Carlsmith traces the achievements and challenges faced by this and other historic preservation organizations and by this unique city on the sea.

[more]

front cover of To Forget Venice
To Forget Venice
Peg Boyers
University of Chicago Press, 2014
To Forget Venice is the improbable challenge and the title of Peg Boyers’s newest collection of poems. The site of several unforgettable years of her adolescence, the place she has returned to more frequently than any other, the city of Venice is both adored and reviled by the speakers in this varied and unconventionally polyphonic work. The voices we hear in these poems belong not only to characters like the mother of Tadzio (think Death in Venice), or the companion of Vladimir Ilych Lenin, or the Victorian prophet John Ruskin and his wife, Effie, but also to wall moss, and sand, and—most especially—an authorial speaker who in 1965, at age thirteen, landed in Venice and never quite recovered from the formative experiences that shaped her there. Ranging over several stages of a life that features adolescent heartbreak and betrayal, marriage and children, friendship and loss, the book insistently addresses the author’s desire to get to the bottom of her obsession with a place that has imprinted itself so profoundly on her consciousness.
[more]

front cover of Venice
Venice
William H. McNeill
University of Chicago Press, 2009

In this magisterial history, National Book Award winner William H. McNeill chronicles the interactions and disputes between Latin Christians and the Orthodox communities of eastern Europe during the period 1081–1797. Concentrating on Venice as the hinge of European history in the late medieval and early modern period, McNeill explores the technological, economic, and political bases of Venetian power and wealth, and the city’s unique status at the frontier between the papal and Orthodox Christian worlds. He pays particular attention to Venetian influence upon southeastern Europe, and from such an angle of vision, the familiar pattern of European history changes shape.

“No other historian would have been capable of writing a book as direct, as well-informed and as little weighed down by purple prose as this one. Or as impartial. McNeill has succeeded admirably.”—Fernand Braudel, Times Literary Supplement

“The book is serious, interesting, occasionally compelling, and always suggestive.”—Stanley Chojnacki, American Historical Review

[more]

logo for Harvard University Press
Venice Desired
Tony Tanner
Harvard University Press, 1992

If there is one city that might be said to embody both reason and desire, it would surely be Venice: a thousand-year triumph of rational legislation, aesthetic and sensual self-expression, and self-creation—powerful, lovely, serene. Unique in so many ways, Venice is also unique in its relation to writing. London has Dickens, Paris has Balzac, Saint Petersburg has Dostoevsky, Dublin has Joyce, but there is simply no comparable writer for, or out of, Venice.

Venice effectively disappeared from history altogether in 1797 after its defeat by Napoleon. From then on, it seemed to exist as a curiously marooned spectacle. Literally marooned—the city mysteriously growing out of the sea, the beautiful stone impossibly floating on water—but temporally marooned as well, stagnating outside history. Yet as spectacle, as the beautiful city par excellence, the city of art, the city as art and as spectacular example, as the greatest and richest republic in the history of the world, now declined and fallen, Venice became an important site for the European imagination.

Watery, dark, silent, a place of sensuality and secrecy; of masks and masquerading; of an always possibly treacherous beauty; of Desdemona and Iago, Shylock, Volpone; of conspiracy and courtesans in Otway; an obvious setting for many Gothic novels—Venice is not written from the inside but variously appropriated from without. Venice—the place, the name, the dream—seems to lend itself to a whole variety of appreciations, recuperations, and and hallucinations. In decay and decline, yet saturated with secret sexuality—suggesting a heady compound of death and desire—Venice becomes for many writers what is was for Byron: both “the greenest island of my imagination” and a “sea-sodom.” It also, as this book tries to show, plays a crucial role in the development of modern writing. Tony Tanner skillfully lays before us the many ways in which this dreamlike city has been summoned up, depicted, dramatized—then rediscovered or transfigured in selected writings through the years.

[more]

front cover of Venice from the Ground Up
Venice from the Ground Up
James H. S. McGregor
Harvard University Press, 2008

Venice came to life on spongy mudflats at the edge of the habitable world. Protected in a tidal estuary from barbarian invaders and Byzantine overlords, the fishermen, salt gatherers, and traders who settled there crafted an amphibious way of life unlike anything the Roman Empire had ever known. In an astonishing feat of narrative history, James H. S. McGregor recreates this world-turned-upside-down, with its waterways rather than roads, its boats tethered alongside dwellings, and its livelihood harvested from the sea.

McGregor begins with the river currents that poured into the shallow Lagoon, carving channels in its bed and depositing islands of silt. He then describes the imaginative responses of Venetians to the demands and opportunities of this harsh environment—transforming the channels into canals, reclaiming salt marshes for the construction of massive churches, erecting a thriving marketplace and stately palaces along the Grand Canal. Through McGregor’s eyes, we witness the flowering of Venice’s restless creativity in the elaborate mosaics of St. Mark’s soaring basilica, the expressive paintings in smaller neighborhood churches, and the colorful religious festivals—but also in theatrical productions, gambling casinos, and masked revelry, which reveal the city’s less pious and orderly face.

McGregor tells his unique history of Venice by drawing on a crumbling, tide-threatened cityscape and a treasure-trove of art that can still be seen in place today. The narrative follows both a chronological and geographical organization, so that readers can trace the city’s evolution chapter by chapter and visitors can explore it district by district on foot and by boat.

[more]

front cover of The Venice Ghetto
The Venice Ghetto
A Memory Space that Travels
Edited by Chiara Camarda, Amanda K. Sharick, and Katharine G. Trostel
University of Massachusetts Press, 2022
The Venice Ghetto was founded in 1516 by the Venetian government as a segregated area of the city in which Jews were compelled to live. The world's first ghetto and the origin of the English word, the term simultaneously works to mark specific places and their histories, and as a global symbol that evokes themes of identity, exile, marginalization, and segregation. To capture these multiple meanings, the editors of this volume conceptualize the ghetto as a "memory space that travels" through both time and space.

This interdisciplinary collection engages with questions about the history, conditions, and lived experience of the Venice Ghetto, including its legacy as a compulsory, segregated, and enclosed space. Contributors also consider the ghetto's influence on the figure of the Renaissance moneylender, the material culture of the ghetto archive, the urban form of North Africa's mellah and hara, and the ghetto's impact on the writings of Primo Levi and Marjorie Agosí­n.

In addition to the volume editors, The Venice Ghetto features a foreword from James E. Young and contributions from Shaul Bassi, Murray Baumgarten, Margaux Fitoussi, Dario Miccoli, Andrea Yaakov Lattes, Federica Ruspio, Michael Shapiro, Clive Sinclair, and Emanuela Trevisan Semi.
[more]

front cover of Venice's Most Loyal City
Venice's Most Loyal City
Civic Identity in Renaissance Brescia
Stephen D. Bowd
Harvard University Press, 2010

By the second decade of the fifteenth century Venice had established an empire in Italy extending from its lagoon base to the lakes, mountains, and valleys of the northwestern part of the peninsula. The wealthiest and most populous part of this empire was the city of Brescia which, together with its surrounding territory, lay in a key frontier zone between the politically powerful Milanese and the economically important Germans. Venetian governance there involved political compromise and some sensitivity to local concerns, and Brescians forged their distinctive civic identity alongside a strong Venetian cultural presence.

Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on dismembering the Venetian empire. In spite of all these troubles the city experienced a cultural revival and a dramatic political transformation under Venetian rule, which Bowd describes and uses to illuminate the process of state formation in one of the most powerful regions of Renaissance Italy.

[more]

front cover of A View of Venice
A View of Venice
Portrait of a Renaissance City
Kristin Love Huffman, editor
Duke University Press, 2024
Jacopo de’ Barbari’s View of Venice, a woodcut first printed in the year 1500, presents a bird’s-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to A View of Venice: Portrait of a Renaissance City draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the city’s economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, A View of Venice highlights the reality and myths of a topographically unique, mystical city and its place in the world.

Contributors. Karen-edis Barzman, Andrea Bellieni, Patricia Fortini Brown, Valeria Cafà, Stanley Chojnacki, Tracy E. Cooper, Giada Damen, Julia A. DeLancey, Piero Falchetta, Ludovica Galeazzo, Maartje van Gelder, Jonathan Glixon, Richard Goy, Anna Christine Swartwood House, Kristin Love Huffman, Holly Hurlburt, Claire Judde de Larivière, Blake de Maria, Martina Massaro, Cosimo Monteleone, Monique O’Connell, Mary Pardo, Giorgio Tagliaferro, Saundra Weddle, Bronwen Wilson, Rangsook Yoon
[more]

logo for University of Chicago Press
A Visitable Past
Views of Venice by American Artists, 1860-1915
Margaretta M. Lovell
University of Chicago Press, 1988
In this ambitious and imaginative study, Margaretta M. Lovell analyzes the large body of accomplished, sometimes startling, often brilliant work of American artists drawn to Venice's ragged splendor in the last century. Including major works by such diverse and talented painters as James McNeill Whistler, John Singer Sargent, and Maurice Prendergast, these richly varied paintings portray sleepy canals, architectural monuments, and scenes of picturesque everyday life while they also reveal surprising aspects of American culture.
[more]


Send via email Share on Facebook Share on Twitter