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In the troubled days before the American Civil War, both Northern protectionists and Southern free trade economists saw political economy as the key to understanding the natural laws on which every republican political order should be based. They believed that individual freedom was one such law of nature and that this freedom required a market economy in which citizens could freely pursue their particular economic interests and goals.

But Northern and Southern thinkers alike feared that the pursuit of wealth in a market economy might lead to the replacement of the independent producer by the wage laborer. A worker without property is a potential rebel, and so the freedom and commerce that give birth to such a worker would seem to be incompatible with preserving the content citizenry necessary for a stable, republican political order.

Around the resolution of this dilemma revolved the great debate on the desirability of slavery in this country. Northern protectionists argued that independent labor must be protected at the same time that capitalist development is encouraged. Southern free trade economists answered that the formation of a propertyless class is inevitable; to keep the nation from anarchy and rebellion, slavery—justified by racism—must be preserved at any cost.

Battles of the economists such as these left little room for political compromise between North and South as the antebellum United States confronted the corrosive effects of capitalist development. And slavery's retardant effect on the Southern economy ultimately created a rift within the South between those who sought to make slavery more like capitalism and those who sought to make capitalism more like slavery.

The institutional evolution of “corporate futurism” and its influence on our view of the role of private enterprise in society. 

While the bright capitalist future that the power elite of postwar America dreamed of hasn’t come to pass, its influence and repercussions continue to resonate. Gavin Benke shows that the cultural, intellectual, and political rise of neoliberalism was not inevitable. Instead, beginning in the early 1960s,  a group that he dubs “corporate futurists” imagined a differently shaped and community-minded version of capitalism. Most interestingly, Benke goes beyond the once-big names in the field (such as Alvin Toffler and Daniel Bell) to show how deep-seated and granular the engagement with futurism was. 

Using an incredible array of futurists’ reports, conference proceedings, and internal deliberations at places like the infamous RAND Corporation, Capitalism’s Tomorrows uncovers a moment of genuine introspection about capitalism’s development and shows how it is subject to our imaginative capacity and ability to shape how these systems work.

Paul Cuffe is best understood as a member of the Black founding fathers—a group of pre-eminent African Americans who built institutions and movements during the first decades of the United States. While he is known amongst scholars, his astounding life story deserves a much wider audience. Jeffrey A. Fortin has crafted a beautiful, moving portrait of this important maritime figure that will appeal to anyone interested in early American history and who loves great story telling.

Born on Cuttyhunk Island, Massachusetts in 1759 to a formerly enslaved African father and a Wampanoag Indian mother, Cuffe emerged from anonymity to become the most celebrated African-American sea captain during the Age of Sail. An abolitionist, veteran, and community activist, celebrity followed Cuffe as he built a shipping empire that traded both in American coastal waters and across the wider Atlantic Ocean. Cuffe and his Black crews shook the foundations of systemic racism, challenging norms by sailing into Charleston and other ports where slavery was legal, and thus demonstrating that business and profits were more powerful than social limitations. He founded America’s first racially integrated school in Westport, Massachusetts, and is considered the leader of the nation’s first back-to-Africa movement. Newspapers in England, the United States, and the Caribbean reported his whereabouts and adventures, and abolitionists hailed him for his Quaker beliefs, sobriety, and commitment to advancing opportunities for persons of African descent.

Drawing on pamphlets, letters, and other documents, and painstakingly reconstructing his genealogy, Fortin vividly describes Cuffe’s experiences and places them within the broader history of the Early Republic to help reveal the central role of African Americans in the founding of the United States. Unlike previous biographies, Fortin situates Cuffe within an Atlantic world where race and identity were fluid, and Africans and African Americans sought to build and govern a free Black nation in West Africa. 

This volume draws together an unusually rich body of original sources that tell the story of the 1704 French and Indian attack on Deerfield, Massachusetts, from different vantage points. Texts range from one of the most famous early American captivity narratives, John Williams's The Redeemed Captive, to the records of French soldiers and clerics, to little-known Abenaki and Mohawk stories of the raid that emerged out of their communities' oral traditions. Evan Haefeli and Kevin Sweeney provide a general introduction, extensive annotations, and headnotes to each text.

Although the oft-reprinted Redeemed Captive stands at the core of this collection, it is juxtaposed to less familiar accounts of captivity composed by other Deerfield residents: Quentin Stockwell, Daniel Belding, Joseph Petty, Joseph Kellogg, and the teenaged Stephen Williams. Presented in their original form, before clerical editors revised and embellished their content to highlight religious themes, these stories challenge long-standing assumptions about classic Puritan captivity narratives.

The inclusion of three Abenaki and Mohawk narratives of the Deerfield raid is equally noteworthy, offering a rare opportunity not only to compare captors' and captives' accounts of the same experiences, but to do so with reference to different Native oral traditions. Similarly, the memoirs of French military officers and an excerpt from the Jesuit Relations illuminate the motivations behind the attack and offer fresh insights into the complexities of French-Indian alliances.

Taken together, the stories collected in this volume, framed by the editors' introduction and the assessments of two Native scholars, Taiaiake Alfred and Marge Bruchac, allow readers to reconstruct the history of the Deerfield raid from multiple points of view and, in so doing, to explore the interplay of culture and memory that shapes our understanding of the past.

A gripping account of Union soldiers behind Confederate bars—where survival, sacrifice, and the unforgiving realities of Civil War imprisonment collide.

In Captives in Blue, Roger Pickenpaugh examines the ways the Confederate army contended with the growing prison population, the variations in the policies and practices of different Confederate prison camps, the effects these policies and practices had on Union prisoners, and the logistics of prisoner exchanges. He explores conditions that arose from conscious government policy decisions and conditions that were the product of local officials or unique local situations. He also considers how Confederate prisons and policies dealt with African American Union soldiers. Black soldiers held captive in Confederate prisons faced uncertain fates; many former slaves were returned to their former owners, while others faced harsh treatment in the camps. Drawing on prisoner diaries, Pickenpaugh provides compelling first-person accounts of life in prison camps often overlooked by scholars in the field.

This study of Union captives in Confederate prisons is a companion to Roger Pickenpaugh’s earlier groundbreaking book Captives in Gray: The Civil War Prisons of the Union and extends his examination of Civil War prisoner-of-war facilities into the Confederacy.

“This is a vivid description of conditions and events rarely described: the imprisonment of captured Confederate soldiers during the Civil War. Its many parallels to circumstances in Andersonville are especially intriguing.” —Jimmy Carter, 39th President of the United States

Contains contemporary reports from prisoners and witnesses humanize the grim realities of the POW camps.

Captives in Gray is Civil War prison camp authority Roger Pickenpaugh’s acclaimed and definitive account of the Union’s POW camps. Combining his own extensive research into official records and a rich variety of letters and diaries with the best contemporary scholarship, Pickenpaugh covers every major northern camp.

Because the Union won few victories in 1861 and took few prisoners, the North had time to plan and build prison camps, an opportunity it largely squandered. Pickenpaugh gives illuminating accounts of the role and leadership of thrifty Lieutenant Colonel William Hoffman, the commissary general of prisoners for most of the conflict, and President Abraham Lincoln's secretaries of war, the incompetent Simon Cameron and the malignant Edwin M. Stanton.

Death came in many ways. Soldiers from the Deep South had no experience with extreme cold, and they died by the hundreds each winter. In one memorable freeze, Rock Island, Illinois, saw temperatures between twenty-eight and thirty-one degrees below zero. With insufficient fuel and inadequate shelter, clothing, and blankets, prisoners there and in other camps froze to death. Food rations varied widely. A few Confederates enjoyed better rations than they had in the CSA armies, but the majority supplemented their meager rations by eating rats, dogs, cats, and seagulls.

Poor medical care added to the death toll. Treatment was bad even by the standards of Civil War medicine, often due to Hoffman's reluctance to spend. Prisoners suffered from lice and scurvy, as well as pneumonia, measles, and a variety of fevers. As in both armies, diarrhea and dysentery were chronic. Smallpox epidemics killed many. Poor sanitation and drainage caused 385 deaths at Elmira, New York, in September 1864 alone.

During the war, over 12 percent of rebel prisoners, or 25,976 of the 214,865, died in captivity. Together with his Captives in Blue, Captives in Gray gives the fullest account of the experiences of prisoners of war in the American Civil War.

A collection of essays grappling with the many, often overlooked, forms of unfree labor in the West.

When Americans think of unfree labor—coerced, extracted from workers unable to freely enter and exit contracts—what comes to mind is Black slavery and peonage in the South. But other forms of unfree labor also built the United States. Collecting a diverse range of sharply argued historical essays, Capturing Labor shares the story of unfree labor in the Southwest, affecting mainly Indigenous people, Mexican Americans, and people of color.

In Texas and elsewhere, state agents developed various methods for directing the movement of workers, seizing their time, and controlling the products of their efforts. Case studies highlight the detention during World War I of Indigenous children and unaccompanied women, who were placed in boarding schools, fined, and obligated to work off the resulting debt. Other essays expose authorities forcing workers to break strikes and jailing Americans who supported labor uprisings in rural Mexico and the United States. Prisons and asylums supplied coerced agricultural workers and musicians who were never compensated for their labor or by the labels that took their recordings.

Editors Jessica Pliley and John Mckiernan-González contend that unfree labor continues to shape American life, and is all around us today. Understanding its history aids us in recognizing and bringing attention to the grim realities of the present.

One of Ms. Magazine's Most Anticipated Books of 2023

Carceral liberalism emerges from the confluence of neoliberalism, carcerality, and patriarchy to construct a powerful ruse disguised as freedom. It waves the feminist flag while keeping most women still at the margins. It speaks of a post-race society while one in three Black men remain incarcerated. It sings the praises of capital while the dispossessed remain mired in debt.

Shreerekha Pillai edits essays on carceral liberalism that continue the trajectory of the Combahee River Collective and the many people inspired by its vision of feminist solidarity and radical liberation. Academics, activists, writers, and a formerly incarcerated social worker look at feminist resurgence and resistance within, at the threshold of, and outside state violence; observe and record direct and indirect forms of carcerality sponsored by the state and shaped by state structures, traditions, and actors; and critique carcerality. Acclaimed poets like Honorée Fanonne Jeffers and Solmaz Sharif amplify the volume’s themes in works that bookend each section.

Cutting-edge yet historically grounded, Carceral Liberalism examines an American ideological creation that advances imperialism, anti-blackness, capitalism, and patriarchy.

Contributors: Maria F. Curtis, Joanna Eleftheriou, Autumn Elizabeth and Zarinah Agnew and D Coulombe, Jeremy Eugene, Demita Frazier, Honorée Fanonne Jeffers, Alka Kurian, Cassandra D. Little, Beth Matusoff Merfish, Francisco Argüelles Paz y Puente, Shreerekha Pillai, Marta Romero-Delgado, Ravi Shankar, Solmaz Sharif, Shailza Sharma, Tria Blu Wakpa and Jennifer Musial, Javier Zamora

Achieving the American Dream became inextricably linked with career/business success after World War II, as an increasingly consumerist America learned to define the dream through possessions and status. Not surprisingly, Hollywood films in the postwar years reflected the country's preoccupation with work and career success, offering both dramatic and comedic visions of the career quest and its effects on personal fulfillment, family relations, women's roles, and the creation (or destruction) of just and caring communities.

In this book, Jack Boozer argues that the career/business film achieved such variety and prominence in the years between 1945 and 2001 that it should be considered a legitimate film genre. Analyzing numerous well-known films from the entire period, he defines the genre as one in which a protagonist strives for career success that often proves to be either elusive despite hard work, or unfulfilling despite material rewards and status. Boozer also explores several distinct subgenres of the career movie—the corporate executive films of the 1950s; the career struggles of (single, married, and/or parenting) women; the entrepreneurial film as it is also embodied in texts about immigrants and racial and ethnic minorities and business-oriented femmes fatales; the explosion of promotionalism and the corporatization of employment; and, finally, the blurring of work and private life in the brave new world of the televirtuality film.

An Escaped Slave who Fought for the Union and Whose Wartime Heroism was Finally Recognized with the Nation's Highest Honor for Military Valor

In 1862, Andrew “Andy” Jackson Smith, son of a white landowner and enslaved woman, es­caped to Union troops operating in Kentucky, made his way to the North, and volunteered for the 55th Massachusetts, one of the newly formed African American regiments. The regiment was deployed to South Carolina, and during a desperate assault on a Confederate battery, the color bearer was killed. Before the flag was lost, Smith quickly retrieved it and under heavy fire held the colors steady while the decimated regiment withdrew. The regiment’s commanding officer pro­moted Smith to color sergeant and wrote him a commendation for both saving the regimental flag and bravery under fire. Honorably discharged, Smith returned to Kentucky, where over the course of the next forty years he invested in land. In the early twentieth century, Burt G. Wilder, medical officer of the 55th, contacted Smith about his experiences for a book he was writing. During their correspondence, Wilder realized Smith was eligible for the nation’s highest award. In 1916, Wilder applied to the army, but his request for Smith’s medal was denied due to the “absence of records.” At Smith’s death in 1932, his daughter Caruth received a box of his papers revealing the extent of her father’s heroism. Her nephew took up the cause and through long and painstaking research located the lost records. With the help of historians, local politicians, and others, Andrew Jackson Smith received his long overdue Medal of Honor in 2001.

In Carrying the Colors: The Life and Legacy of Medal of Honor Recipient Andrew Jackson Smith, the riveting journey from slavery to a White House ceremony is revealed, with the indomitable spirit of Smith—slave, soldier, landowner, father—mirrored by the dogged pursuit of his grandson and his allies in the quest to discover the truth about an American who dedicated his life to the service of his community and country.

A Poets & Writers First Fiction 2026 Debut Selection

In the late 1970s, Ziad Idilbi, a Palestinian refugee from Lebanon, marries Salma, a Lebanese refugee escaping the war in Beirut. Resolving to start over for the very last time, the couple opens a corner store in Toledo, Ohio, across from the General Motors factory, where Toledo’s Arab community intermingles with the working class. Over the decades, whether it’s bigotry (pre- and post-9/11), financial ruin, or terminal illness, the Idilbis find themselves on life’s outskirts, attempting to build something new.

Achingly poignant and slyly funny, the linked stories in Carryout follow the Idilbis and their children as they teeter on the brink of catastrophe. Walid, the youngest child of Ziad and Salma, navigates the heartbreaks of youth as well as the colorful characters who haunt his parents’ corner store. As he grows up into a writer, Walid’s gaze fixes on his father and the long shadow of displacement and occupation. Mustafa, the eldest son, is forever trying to outrun the disasters that seem to seek him out, while Nawal, the only daughter, is dumped by a friend and hatches a scheme to win her back. Unsure whether to run toward each other or away from each other, the characters in Dudar’s exquisite debut suffer the absurdities and indignities of life in America with wry obstinance and striking wisdom.