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Throughout history and in all places, animals have been an essential part of human culture. They have been hunted and domesticated, studied and mythologized, feared and loved. Our complicated relationships with other animals have repeatedly found expression in art, literature, religion, and science.

In 1995 the New School for Social Research sponsored a landmark conference to explore human/animal interactions. Published as a special issue of the journal Social Research (under the title In the Company of Animals), this collection is now available for the first time in a book edition.

In Habitations of Modernity, Dipesh Chakrabarty explores the complexities of modernism in India and seeks principles of humaneness grounded in everyday life that may elude grand political theories. The questions that motivate Chakrabarty are shared by all postcolonial historians and anthropologists: How do we think about the legacy of the European Enlightenment in lands far from Europe in geography or history? How can we envision ways of being modern that speak to what is shared around the world, as well as to cultural diversity? How do we resist the tendency to justify the violence accompanying triumphalist moments of modernity?

Chakrabarty pursues these issues in a series of closely linked essays, ranging from a history of the influential Indian series Subaltern Studies to examinations of specific cultural practices in modern India, such as the use of khadi—Gandhian style of dress—by male politicians and the politics of civic consciousness in public spaces. He concludes with considerations of the ethical dilemmas that arise when one writes on behalf of social justice projects.

Cabdrivers and their yellow taxis are as much a part of the cityscape as the high-rise buildings and the subway. We hail them without thought after a wearying day at the office or an exuberant night on the town. And, undoubtedly, taxi drivers have stories to tell—of farcical local politics, of colorful passengers, of changing neighborhoods and clandestine shortcuts. No one knows a city’s streets—and thus its heart—better than its cabdrivers. And from behind the wheel of his taxi, Dmitry Samarov has seen more of Chicago than most Chicagoans will hope to experience in a lifetime.

An artist and painter trained at the School of the Art Institute of Chicago, Samarov began driving a cab in 1993 to make ends meet, and he’s been working as a taxi driver ever since. In Hack: Stories from a Chicago Cab, he recounts tales that will delight, surprise, and sometimes shock the most seasoned urbanite. We follow Samarov through the rhythms of a typical week, as he waits hours at the garage to pick up a shift, ferries comically drunken passengers between bars, delivers prostitutes to their johns, and inadvertently observes drug deals. There are long waits with other cabbies at O’Hare, vivid portraits of street corners and their regular denizens, amorous Cubs fans celebrating after a game at Wrigley Field, and customers who are pleasantly surprised that Samarov is white—and tell him so. Throughout, Samarov’s own drawings—of his fares, of the taxi garage, and of a variety of Chicago street scenes—accompany his stories. In the grand tradition of Nelson Algren, Saul Bellow, Mike Royko, and Studs Terkel, Dmitry Samarov has rendered an entertaining, poignant, and unforgettable vision of Chicago and its people.

Alberto P. Calderón (1920-1998) was one of this century's leading mathematical analysts. His contributions, characterized by great originality and depth, have changed the way researchers approach and think about everything from harmonic analysis to partial differential equations and from signal processing to tomography. In addition, he helped define the "Chicago school" of analysis, which remains influential to this day.

In 1996, more than 300 mathematicians from around the world gathered in Chicago for a conference on harmonic analysis and partial differential equations held in Calderón's honor. This volume originated in papers given there and presents timely syntheses of several major fields of mathematics as well as original research articles contributed by some of the finest scholars working in these areas. An important addition to the literature, this book is essential reading for researchers in these and other related fields.

Four essential questions: Why does one fish? How should one properly fish? What relations are created in fishing? And what effects does fishing have on the future? Haunted by Waters is a self-examination by the author as he constructs his own narrative and tries to answer these questions for himself. But it is also a thorough examination of the answers he uncovers in the course of reading what's been written on the subject.

As his own story unfolds, Mark Browning analyzes angling literature from the Bible to Norman Maclean, always bringing his inquiry back to the same source: the enigma of this sport.

Haunted by Waters is an exploration of the apparent compulsion of those who fish not only to read about the sport, but to write about it as well. Mark Browning's personal account as a fly fisherman and his perspective as a critic make him uniquely qualified to navigate these waters.

Writer and photographer Gary Lantz has always felt most at home in what the Osage used to call the “heart stays” country—the southern edge of the Flint Hills tallgrass prairie in Oklahoma’s Osage County. It’s a place of grassy mounds with lots of rocks underfoot and clusters of crooked little oaks providing shade. It started young, his long-lasting love affair with a landscape that unnerves the uninitiated a little, mostly because it just seems so empty, and it has persisted through his entire life.

As proud grasslanders know, the prairie is biologically fulfilling, unique, and increasingly rare: biologists from the National Park Service and the Nature Conservancy agree that a healthy prairie remains one of the most ecologically diverse and dynamic ecosystems on this planet—as well as one of the rarest left on earth. This landscape that once inspired rapturous exclamations from travelers headed west on horseback now mostly exists in fragments exiled from each other by cropland, cities, and interstate highways.

Historically, tallgrass prairie stretched from Canada to Texas, from central Kansas to Indiana. Now the last major expanse of tallgrass occurs in the Flint Hills, a verdant landscape extending in a north-south strip across eastern Kansas and into northern Oklahoma’s Osage County. In these essays, Gary Lantz brings the beautiful diversity of the prairie home to all of us. 
 

The law has traditionally been regarded as a set of rules and institutions. In this thoughtful series of essays, James Boyd White urges a fresh view of the law as an essentially literary, rhetorical, and ethical activity. Defining and elaborating his conception, he artfully bridges the fields of jurisprudence, literature, philosophy, history, and political science. The result, a new approach that may change the way we perceive the legal process, will engage not only lawyers and law students but anyone interested in the relationship between ethics, persuasion, and community.

White’s essays, though bound by a common perspective, are thematically varied. Each of these pieces makes eloquent and insightful reading. Taken as a whole, they establish, by triangulation, a position from which they all proceed: a view of poetry, law, and rhetoric as essentially synonymous. Only when we perceive the links between these processes, White stresses, can we begin to unite the concerns of truth, beauty, and justice in a single field of action and expression.

It is in the Presidio of San Francisco, California, that Leslie Carol Roberts walks. The Presidio, America’s only residential national park tucked wholly into an urban setting, is a fading historic forest. Here is where Leslie’s memories of other places, people, and travels emerge. Here is where the author’s home has been for more than a decade, and here is the place she raised her two children as a single mother.

In layered stories of her life and travels, Leslie turns her daily walks into revelations of deeper meaning. From Maryland to Iowa to Tasmania, we follow a fierce and keenly observant walker through places of exquisite beauty and complexity. Her daily walks inspire Leslie to accept the invitation of the beckoning trees where she finds herself colliding with the urban coyote, the peculiar banana slug, and the manzanita. She also notes both ridiculous and poignant aspects of human ecosystems in pursuit of what it means to live a life of creativity and creation from scientist-activists battling to save environments to the tragic realities of ordinary life.

In this finely crafted eco-memoir, each place provides Leslie with exactly the scaffolding needed to survive, with nature serving as the tonic. Here is Where I Walk provides a vivid answer to how we can find our place, not only in nature but within ourselves and the world we walk.
 

The author of several volumes of poetry in Russian and English, Ilya Kutik is also a consummate essayist in the Russian tradition: aphoristic, allusive, deploying unlikely juxtapositions and poetic measures to arrive at surprising and gratifying insights. In this first English-language collection of Kutik's essays, readers encounter one of the best and most original contemporary Russian stylists.

Higher Education and Democracy is a collection of essays written over the last ten years on how civic engagement in higher education works to achieve what authors John Saltmarsh and Edward Zlotkowsi consider to be the academic and civic purposes of higher education. These include creating new modes of teaching and learning, fostering participation in American democracy, the development and respect for community and civic institutions, and encouraging the constant renewal all of these dimensions of American life.

Organized chronologically, the twenty-two essays in this volume provide "signposts" along the road in the journey of fulfilling the civic purposes of higher education. For the authors, service-learning is positioned as centrally important to the primary academic systems and structures of higher education, departments, disciplines, curriculum, and programs that are central to the faculty domain. Progressing from the general and the contextual to specific practices embodied in ever larger academic units, the authors conclude with observations on the future of the civic engagement movement.

This book, written from the perspective of a practicing primary care physician, interweaves patients’ stories with fascinating new brain research to show how addictive drugs overtake basic brain functions and transform them to create a chronic illness that is very difficult to treat. The idea that drug and alcohol addiction are chronic illnesses and not character flaws is not news—this notion has been around for many years. What Hijacked Brains offers is context and personal stories that demonstrate this point in a very accessible package. Dr. Barnes explores how the healthy brain works, how addictive drugs flood basic reward pathways, and what it feels like to grapple with addiction. She discusses how, for individuals, the combination of genetic and environmental factors determines both vulnerability for addiction and the resilience necessary for recovery. Finally, she shows how American culture, with its emphasis on freewill and individualism, tends to blame the addict for bad choices and personal weakness, thereby impeding political and/or health-related efforts to get the addict what she needs to recover.

Known as one of the most outstanding theologians of the twentieth century, Wolfhart Pannenberg is also considered a great interdisciplinary thinker. Now, essays and articles on science and theology that are central to understanding Pannenberg's theories have been collected into one volume.

Niels Henrik Gregersen, a former student of Pannenberg and now professor of systematic theology at Copenhagen University, has compiled the writings in four sections: Methodology, Creation and Nature's Historicity, Religion and Anthropology, and Meaning and Metaphysics. Included in this volume are:

•Translations of Pannenberg's principled argument for the consonance between science and religion, including contingency and laws of nature, field theories and space-time, and divine action
•Translations of Pannenberg's theory of theology as a rational hypothetical science, including his discussions with leading British and American scholars such as A. N. Whitehead, John Cobb, and Langdon Gilkey
•Previously unpublished articles on the problems between science and theology in the course of modern history, explaining why chance may be more important for theology than design
•Translations of seminal articles that articulate Pannenberg's understanding of the role of religion in human nature
•One of the few theological articles on aggression as a psychological and social phenomenon

With this collection, the essays of this important contemporary theologian and his illuminating views are presented in one convenient volume.

History and Philosophy of Modern Mathematics was first published in 1988. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The fourteen essays in this volume build on the pioneering effort of Garrett Birkhoff, professor of mathematics at Harvard University, who in 1974 organized a conference of mathematicians and historians of modern mathematics to examine how the two disciplines approach the history of mathematics. In History and Philosophy of Modern Mathematics, William Aspray and Philip Kitcher bring together distinguished scholars from mathematics, history, and philosophy to assess the current state of the field. Their essays, which grow out of a 1985 conference at the University of Minnesota, develop the basic premise that mathematical thought needs to be studied from an interdisciplinary perspective.

The opening essays study issues arising within logic and the foundations of mathematics, a traditional area of interest to historians and philosophers. The second section examines issues in the history of mathematics within the framework of established historical periods and questions. Next come case studies that illustrate the power of an interdisciplinary approach to the study of mathematics. The collection closes with a look at mathematics from a sociohistorical perspective, including the way institutions affect what constitutes mathematical knowledge.

Naturalist and philosopher Kathleen Dean Moore meditates on connection and separation in these twenty-one elegant, probing essays. Using the metaphor of holdfasts—the structures that attach seaweed to rocks with a grip strong enough to withstand winter gales—she examines our connections to our own bedrock.

“When people lock themselves in their houses at night and seal the windows shut to keep out storms, it is possible to forget, sometimes for years and years, that human beings are part of the natural world,” she writes. Holdfast passionately reclaims an awareness of the natural world, exploring the sense of belonging fostered by the communal howls of wolves; the inevitability of losing children to their own lives; the fear of bears and love of storms; the sublimity of life and longing in the creatures of the sea; her agonizing decision when facing her father’s bone-deep pain. As Moore travels philosophically and geographically—from Oregon’s shores to Alaska’s islands—she leaves no doubt of her virtuosity and range. 

The new afterword is an important statement on the new responsibilities of nature writers as the world faces the consequences of climate change. 

As a native New Yorker who now calls Oregon home, Dionisia Morales knows how moving and resettling can spark an identity crisis relative to geography, family, and tradition. The essays collected in Homing Instincts explore how Morales’s conception of home plays out in her daily life, as she navigates the gap between where she is and the stories she tells herself about where she belongs.

Although Morales migrated from one North American coast to another, the questions she raises are relevant to migrations of any scale and place, whether across town or around the world. What does it mean to be a newcomer? Who has the right to claim a sense of place? What is gained or lost when we try to fit in? In a world where people are migrating more than ever for social, economic, personal, and political reasons, these questions take on a new urgency.

A wife and mother as well as a professional writer and editor, Morales writes with grace and resolve about a broad range of topics, including pregnancy, people watching, rock climbing, and bee colony collapse. She channels a spirit of adventure and adaptability while acknowledging how certain habits and mindsets are indelibly ingrained and are—like it or not—forever part of where, what, and who we call home.

As issues of migration and social integration play out in national and international politics, Morales provides a personal lens through which readers can appreciate that at one time or another we have all been in the process of arriving. Homing Instincts is a remarkable debut from a gifted prose stylist. It will be warmly received by lovers of the essay form and anyone who has sought, or still seeks, a place to call home.

Horses have been part of the American West since the first Spanish explorers brought their European-bred steeds onto the new continent. Soon thereafter, some of these animals, lost or abandoned by their owners or captured by indigenous peoples, became the foundation of the great herds of mustangs (from the Spanish mesteño, stray) that still roam the West. These feral horses are inextricably intertwined with the culture, economy, and mythology of the West. The current situation of the mustangs as vigorous competitors for the scanty resources of the West’s drought-parched rangelands has put them at the center of passionate controversies about their purpose, place, and future on the open range. Photographer/oral historian Paula Morin has interviewed sixty-two people who know these horses best: ranchers, horse breeders and trainers, Native Americans, veterinarians, wild horse advocates, mustangers, range scientists, cowboy poets, western historians, wildlife experts, animal behaviorists, and agents of the federal Bureau of Land Management. The result is the most comprehensive, impartial examination yet of the history and impact of wild mustangs in the Great Basin. Morin elicits from her interviewees a range of expertise, insight, and candid opinion about the nature of horses, ranching, and the western environment. Honest Horses brings us the voices of authentic westerners, people who live intimately with horses and the land, who share their experiences and love of the mustangs, and who understand how precariously all life exists in Great Basin.

Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies.
The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study.
Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader.

Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi

Horizons of Enchantment is about the peculiar power and exceptional pull of the imaginary in American culture. Johannessen’s subject here is the almost mystical American belief in the promise and potential of the individual, or the reliance on a kind of “modern magic” that can loosely be characterized as a fundamental and unwavering faith in the secular sanctity of the American project of modernity. Among the diverse topics and cultural artifacts she examines are the Norwegian American novel A Saloonkeeper’s Daughter by Drude Krog Janson, Walt Whitman’s Song of Myself, Rodolfo Gonzales’s I Am Joaquín, Richard Ford’s The Sportwriter, Ana Menéndez’s In Cuba I Was a German Shepherd, essays by Samuel Huntington and Richard Rodriquez, and the 2009 film Sugar, about a Dominican baseball player trying to make it in the big leagues. In both her subject matter and perspective, Johannessen reconfigures and enriches questions of the transnational and exceptional in American studies.

Laurence Gonzales began his successful publishing career in 1989 with the publication of The Still Point and later The Hero’s Apprentice (1994), both with the University of Arkansas Press. From these collections of essays he went on to write for renowned magazines in addition to publishing several books, including the best selling Deep Survival. His journalism garnered two National Magazine Awards, and his latest nonfiction book, Surviving Survival, was named by Kirkus as one of the best books of 2012.

This new collection of essays shows us the sometimes hair-raising, sometimes heart-wrenching writing that Gonzales has become known for. This “compelling and trustworthy guide” (Booklist) takes us from a maximum-security prison to a cancer ward, from a mental institution to the World Trade Center. Among the essays included is “Marion Prison,” a National Magazine Award finalist, with its intimate view inside the most maximum security prison in America. “House of Pain” takes the reader into the life of a brain surgeon at Chicago’s Cook County Hospital, a grim world that few ever see. “Rites of Spring,” another National Magazine Award finalist, follows Gonzales and his wife on their journey through cancer, not once, but twice.

Other stories venture above the Arctic Circle, flying deep into the Alaskan wilderness among grizzly bears and trumpeter swans; explore aerobatics in high-performance aircraft; and eulogize Memphis and Miami as American cities that mourn their fates in uniquely different ways.

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
 
“Like the myriad companions and comrades that he summons from their exile, Khaled Mattawa is himself a ‘poet-stranger.’ In the essays, ‘written in a poet’s prose,’ collected in How Long Have You Been With Us, Mattawa evokes a powerful amalgam of the personal intimacy of the solitary and the political challenge of solidarity.”
—Barbara Harlow, University of Texas at Austin
 
“If you’ve read about exile, you’ve read about Brodsky and Milosz—just as, if you’ve read about translation, you’ve read about Walter Benjamin and George Steiner. While Khaled Mattawa has mastered these masters, his essays about world literature serve as a tour of the rest of the world. He introduces you to the writers you haven’t heard of but should from contemporary Libya and colonial South Asia to Latin America and China. When Mattawa invokes Saadi Youssef or Rabinidrath Tagore, Mohja Kahf or Toru Dutt, the effect is to deprovincialize American literature.”
—Ken Chen, The Asian American Writers’ Workshop
 
Khaled Mattawa, an American poet of Libyan origin, explores various dynamic developments shaping American poetry as it is being practiced today. Arising from an incredibly diverse range personal backgrounds, lyric traditions, and even languages, American poetry is transforming into a truly international form. Mattawa, who also translates Arabic poetry into American English and American poetry into Arabic, explores the poetics and politics of cross-cultural exchange and literary translation that fostered such transformation. The essays in this collection also shed light on Mattawa’s development as a poet and provide numerous portraits of the poets who helped shaped his poetry.

The essays in How Many Exceptionalisms? span the long history of the intellectual output of Aristide Zolberg, one of the most distinguished social scientists of our time. In this collection, Zolberg shows his originality, insights, and breadth of thought as he addresses subjects ranging from theories of immigration policy, the making of Belgium, and the origins of the modern world system.

Written over three decades, and featuring many essays that have not been in wide circulation, Zolberg here draws from political science, cultural anthropology, sociology, and history to provide a configurative analysis of and long-term approach to the cultural diversity in Africa, Europe, and the United States.

As scores of crises over the past century have shown, the stock market is manipulable and manipulated. The market is composed of human-made machines, which are affected by a lack of predictability more fundamental than the human: the noise of the material world. N. Adriana Knouf draws on historical and contemporary documents to show how noise—sonic, informatic, or otherwise—affects the ways in which financial markets function. How Noise Matters to Finance draws on different forms of financial noise, paying attention to how materiality and the interference of humans and machines causes the meanings of noise to shift over space and time.

Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

Centering around the life and times of the revered American sportswriter Grantland Rice (1880-1954), How You Played the Game takes us back to those magical days of sporting tales and mythic heroes. Through Rice's eyes we behold such sports as bicycle racing, boxing, golf, baseball, football, and tennis as they were played before 1950. We witness ups and downs in the careers of such legendary figures as Christy Mathewson, Jack Dempsey, Ty Cobb, Babe Ruth, Jim Thorpe, Red Grange, Bobby Jones, Bill Tilden, Notre Dame's Four Horsemen, Gene Tunney, and Babe Didrikson--all of whom Rice helped become household names.

Grantland Rice was a remarkably gifted and honorable sportswriter. From his early days in Nashville and Atlanta, to his famed years in New York, Rice was acknowledged by all for his uncanny grasp of the ins and outs of a dozen sports, as well as his personal friendship with hundreds of sportsmen and sportswomen. As a pioneer in American sportswriting, Rice helped establish and dignify the profession, sitting shoulder to shoulder in press boxes around the nation with the likes of Ring Lardner, Damon Runyon, Heywood Broun, and Red Smith.

Besides being a first-rate reporter, Rice was also a columnist, poet, magazine and book writer, film producer, family man, war veteran, fund-raiser, and skillful golfer. His personal accomplishments over a half century as an advocate for sports and good sportsmanship are astounding by any standard. What truly set Rice apart from so many of his peers, however, was the idea behind his sports reporting and writing. He believed that good sportsmanship was capable of lifting individuals, societies, and even nations to remarkable heights of moral and social action.

More than just a biography of Grantland Rice, How You Played the Game is about the rise of American sports and the early days of those who created the art and craft of sportswriting. Exploring the life of a man who perfectly blended journalism and sporting culture, this book is sure to appeal to all, sports lovers or not.

“At its simplest, this is the story of a restless search for a place to be– a way to live– after a series of devastating events. But there’s nothing simple about it. Kelle Groom has created a marvel: a haunted, haunting, beautifully sustained dream of a book.”
—Joan Wickersham

Finalist, National Book Award in Nonfiction
Winner, 2021 Massachusetts Book Award, Nonfiction Category
A Book of the Year pick from Kirkus, BuzzFeed, and Literary Hub

“The essays in this collection are restless, brilliant and short. . . . The brevity suits not just Walker’s style but his worldview, too.…Keeping things quick gives him the freedom to move; he can alight on a truth without pinning it into place.” —Jennifer Szalai, the New York Times

For the black community, Jerald Walker asserts in How to Make a Slave, “anger is often a prelude to a joke, as there is broad understanding that the triumph over this destructive emotion lay in finding its punchline.” It is on the knife’s edge between fury and farce that the essays in this exquisite collection balance. Whether confronting the medical profession’s racial biases, considering the complicated legacy of Michael Jackson, paying homage to his writing mentor James Alan McPherson, or attempting to break free of personal and societal stereotypes, Walker elegantly blends personal revelation and cultural critique. The result is a bracing and often humorous examination by one of America’s most acclaimed essayists of what it is to grow, parent, write, and exist as a black American male. Walker refuses to lull his readers; instead his missives urge them to do better as they consider, through his eyes, how to be a good citizen, how to be a good father, how to live, and how to love.