2335 books match the query 'Modern' and 88 start with h

cover of HAWTHORNE AND THE REAL: BICENTENNIAL ESSAYS

HAWTHORNE AND THE REAL

BICENTENNIAL ESSAYS

MILLICENT BELL

The Ohio State University Press, 2005

In this edited collection commemorating the bicentennial of Hawthorne’s birth in 1804, Millicent Bell gathers essays by distinguished scholars and critics that examine the ways in which Hawthorne related himself to the “real” in his own world and expressed that relation in his writing. Radically revising the older view that he was detached from conditions of actual life in 19th-century American society, the authors undertake to show how current social conditions, current events, and political movements taking place at a crucial point in American history were an evident part of Hawthorne’s consciousness. The essays situate his imaginative writings in a contemporary context of common experience and rediscover a Hawthorne alert to pressing problems of his day, especially slavery, feminism, and reform in general—the very issues that motivated his contemporaries on the eve of the Civil War. Hawthorne was, with his own complicity, long described as a writer of unreal romances (as he preferred to call his novels) or “allegories of the heart” as he termed some of his short stories. But the literary mode of his fiction has long needed to be redefined. The essays in this collection contribute to the turn in recent Hawthorne criticism which shows how deeply implicated in realism his writing was. This volume should long continue to provide new starting points for changing views of a great writer.
Contributors:
  • Millicent Bell
  • Nina Baym
  • Michael T. Gilmore
  • Leland S. Person
  • David Leverenz
  • Larry J. Reynolds
  • Lawrence Buell
  • Rita K. Gollin
  • John Carlos Row
  • Brenda Wineapple
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cover of Hammarskjöld: A Life

Hammarskjöld

A Life

Roger Lipsey

University of Michigan Press, 2015

After his mysterious death, Dag Hammarskjöld was described by John F. Kennedy as the "greatest statesman of our century." Second secretary-general of the United Nations (1953 - 61), he is the only person to have been awarded the Nobel Peace Prize posthumously. Through extensive research in little explored archives and personal correspondence, Roger Lipsey has produced the definitive biography of Dag Hammarskjöld. Hammarskjöld: A Life provides vivid new insights into the life and mind of a truly great individual. Hammarskjöld the statesman and Hammarskjöld the author of the classic spiritual journal Markings meet in this new biography - and the reader will meet them both in these pages. A towering mid-twentieth-century figure, Hammarskjöld speaks directly to our time.

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cover of Hannah Whitman Heyde: The Complete Correspondence

Hannah Whitman Heyde

The Complete Correspondence

Maire Mullins

Bucknell University Press, 2022

The correspondence of Hannah Whitman Heyde (1823-1908), younger sister of poet Walt Whitman, provides a rare glimpse into the life of a nineteenth-century woman. Married to well-known Vermont landscape artist Charles Louis Heyde (1820-1892), Hannah documented in letters to her mother, Louisa Van Velsor Whitman (1795-1873), and other family members, her lived experience of ongoing physical and emotional abuse at the hands of her husband. Hannah has long been characterized in biographical and scholarly studies of Whitman’s family as a neurotic and a hypochondriac—a narrative promulgated by Heyde himself—but Walt Whitman carefully preserved his sister’s letters, telling his literary biographer that his intention was to document her plight. Hannah’s complete letters, gathered here for the first time and painstakingly edited and annotated by Maire Mullins, provide an important counternarrative, allowing readers insight into the life of a real nineteenth-century woman, sister, and wife to famous men, who endured and eventually survived domestic violence.
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cover of Hans Jonas: The Integrity of Thinking

Hans Jonas

The Integrity of Thinking

David J. Levy

University of Missouri Press, 2002

Hans Jonas: The Integrity of Thinking provides the first overall account of the work of Hans Jonas. While Jonas is not the best-known thinker of the twentieth century, David J. Levy shows that he is one of the most important. Levy covers the philosopher’s life and his contributions to the history of religion, philosophical biology, philosophical anthropology, ethics, and theology. Jonas’s work is situated in relationship to that of his first intellectual mentor, Martin Heidegger, as well as that of such related thinkers among his contemporaries as Eric Voegelin.
Setting Jonas’s work in the historical and philosophical context of his life and times, Levy summarizes Jonas’s original achievements in fields as apparently diverse as the history of ancient Gnosticism, the philosophical significance of biology, the problems of ethics in a technological age, and the mysteries of theology, while demonstrating the notable unity of theme and purpose that guided his various fields of inquiry.
Jonas’s work will become increasingly significant in the years ahead as we face the problems produced by current developments in technology such as biological engineering. Such issues were of particular interest for him, and he was unique among his philosophical contemporaries in devoting attention to them. His eloquent writings on these themes bring wisdom and common sense anchored in Jonas’s own historical and biographical experience of the fragility of human life and the common good. Having begun his academic life in Germany between the world wars, he later served in the British army throughout the struggle against Hitler and lost his mother at Auschwitz.
Unlike the scattered works, anthologies, and essays that are currently available, Hans Jonas: The Integrity of Thinking provides a much-needed single, coherent overview of the various fields to which Jonas’s attention was drawn, bringing out the unified, systematic quality of Jonas’s philosophical approach.
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cover of Haphazard Families: Romanticism, Nation, and the Prehistory of Modern Adoption

Haphazard Families

Romanticism, Nation, and the Prehistory of Modern Adoption

Eric C. Walker

The Ohio State University Press, 2024

There are no provisions for adoption in English common law, and adoption wasn't legally formalized in England and Wales until 1926. But a century earlier, untimely adoptions navigated the new exceptionalism of childhood in Romanticism. In Haphazard Families, Eric C. Walker explores the history of the adopted child in Romantic-era England. Taking up the stories of both fictional and historical adoptees, he demonstrates how these children, diminished to nonpersons, shouldered the burden of social constructs of nation, family, gender, and class. Walker further demonstrates how Rousseau’s infamous failure to follow his own ideals of parenthood shaped British reactions in famous texts such as Frankenstein and Emma. Incorporating perspectives from Romantic scholarship and critical adoption studies and examining the stories of adopted children associated with Queen Caroline, Anna Letitia Barbauld, Jane Austen, the Wordsworth siblings, Mary Shelley, Charles and Mary Lamb, Letitia Landon, and others, Haphazard Families considers how Romantic constructions of childhood supply foundational structures of modern adoptee subjectivity.

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cover of Happy Days: Images of the Pre-Sixties Past in Seventies America

Happy Days

Images of the Pre-Sixties Past in Seventies America

Benjamin L. Alpers

Rutgers University Press, 2024

After the techno-futurism of the 1950s and the utopian 1960s vision of a “great society,” the 1970s saw Americans turning to the past as a source for both nostalgic escapism and serious reflection on the nation’s history. While some popular works like Grease presented the relatively recent past as a more innocent time, far away from the nation’s post-Vietnam, post-Watergate malaise, others like Roots used America’s bicentennial as an occasion for deep soul-searching. 
 
Happy Days investigates how 1970s popular culture was obsessed with America’s past but often offered radically different interpretations of the same historical events and icons. Even the figure of the greaser, once an icon of juvenile delinquency, was made family-friendly by Henry Winkler’s Fonzie at the same time that he was being appropriated in more threatening ways by punk and gay subcultures. The cultural historian Benjamin Alpers discovers similar levels of ambivalence toward the past in 1970s neo-noir films, representations of America’s founding, and neo-slave narratives by Alex Haley and Octavia Butler. By exploring how Americans used the 1970s to construct divergent representations of their shared history, he identifies it as a pivotal moment in the nation’s ideological fracturing. 
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cover of Harbor of Hope: Nurses of the Boston Floating Hospital

Harbor of Hope

Nurses of the Boston Floating Hospital

Arlene W. Keeling

University of Massachusetts Press, 2026

The untold story of Boston’s Floating Hospital and the nurses whose work redefined infant care

In late nineteenth-century Boston, nearly one in five babies did not survive infancy. Each summer, outbreaks of “summer complaint”—a deadly gastrointestinal illness caused by contaminated cow’s milk—swept through the city’s poorest neighborhoods. Infants born to immigrant families were especially vulnerable, trapped in stifling tenements with poor sanitation and little access to safe nutrition. Searching for a solution, reform-minded Bostonians looked to New York City’s hospital boats, which offered sick children relief from the heat. In the summer of 1894, Boston launched its own bold experiment: the Boston Floating Hospital.

What began as a modest charitable venture in Boston Harbor soon transformed pediatric care. While physicians have long received credit for the Floating Hospital’s success in reducing infant mortality, Harbor of Hope tells a deeper story. Historian Arlene W. Keeling reveals the essential and often overlooked role of nurses. It was nurses who translated medical theory into lifesaving practice: feeding and bathing fragile infants, administering treatments, calming anxious mothers, and carefully observing each child’s response. Serving as the vital link between doctors and families, they became the heart of the Floating Hospital’s mission.

Tracing the hospital’s story from its first voyage to its tragic destruction by fire in 1927, Harbor of Hope situates these nurses within a city undergoing dramatic change. Against the backdrop of rapid industrial growth, mass immigration, and emerging movements in public health and social reform, Keeling shows how skill, compassion, and persistence reshaped the fate of Boston’s most vulnerable children. Set afloat on Boston Harbor, this is a powerful story of caregiving, innovation, and the women who fought day after day to save babies’ lives.

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cover of Harvester of Hearts: Motherhood under the Sign of Frankenstein

Harvester of Hearts

Motherhood under the Sign of Frankenstein

Rachel Feder

Northwestern University Press, 2018

In the period between 1815 and 1820, Mary Shelley wrote her most famous novel, Frankenstein; or, The Modern Prometheus, as well as its companion piece, Mathilda, a tragic incest narrative that was confiscated by her father, William Godwin, and left unpublished until 1959. She also gave birth to four—and lost three—children.

In this hybrid text, Rachel Feder interprets Frankenstein and Mathilda within a series of provocative frameworks including Shelley’s experiences of motherhood and maternal loss, twentieth-century feminists’ interests in and attachments to Mary Shelley, and the critic’s own experiences of pregnancy, childbirth, and motherhood. Harvester of Hearts explores how Mary Shelley’s exchanges with her children—in utero, in birth, in life, and in death—infuse her literary creations. Drawing on the archives of feminist scholarship, Feder theorizes “elective affinities,” a term she borrows from Goethe to interrogate how the personal attachments of literary critics shape our sense of literary history. Feder blurs the distinctions between intellectual, bodily, literary, and personal history, reanimating the classical feminist discourse on Frankenstein by stepping into the frame.

The result—at once an experimental book of literary criticism, a performative foray into feminist praxis, and a deeply personal lyric essay—not only locates Mary Shelley’s monsters within the folds of maternal identity but also illuminates the connections between the literary and the quotidian.

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cover of Haunting Realities: Naturalist Gothic and American Realism

Haunting Realities

Naturalist Gothic and American Realism

Edited by Monika Elbert and Wendy Ryden

University of Alabama Press, 2017

An innovative collection of essays examining the sometimes paradoxical alignment of Realism and Naturalism with the Gothic in American literature to highlight their shared qualities

Following the golden age of British Gothic in the late eighteenth century, the American Gothic’s pinnacle is often recognized as having taken place during the decades of American Romanticism. However, Haunting Realities explores the period of American Realism—the end of the nineteenth century—to discover evidence of fertile ground for another age of Gothic proliferation.

At first glance, “Naturalist Gothic” seems to be a contradiction in terms. While the Gothic is known for its sensational effects, with its emphasis on horror and the supernatural, the doctrines of late nineteenth-century Naturalism attempted to move away from the aesthetics of sentimentality and stressed sobering, mechanistic views of reality steeped in scientific thought and the determinism of market values and biology. Nonetheless, what binds Gothicism and Naturalism together is a vision of shared pessimism and the perception of a fearful, lingering presence that ominously haunts an impending modernity. Indeed, it seems that in many Naturalist works reality is so horrific that it can only be depicted through Gothic tropes that prefigure the alienation and despair of modernism.

In recent years, research on the Gothic has flourished, yet there has been no extensive study of the links between the Gothic and Naturalism, particularly those which stem from the early American Realist tradition. Haunting Realities is a timely volume that addresses this gap and is an important addition to scholarly work on both the Gothic and Naturalism in the American literary tradition.

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cover of Hawker Hunter: the story of a thoroughbred

Hawker Hunter

the story of a thoroughbred

Sreco Bradic

Amsterdam University Press, 2023

The most successful British jet fighter produced was without doubt the sleek and graceful Hawker Hunter. As usual for every new aircraft type it had its share of teething problems, but once these were all adequately solved the U.K. had at that time one of the best jet fighters available. It was built in large numbers and exported to many countries.
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cover of Haydn’s Sunrise, Beethoven’s Shadow: Audiovisual Culture and the Emergence of Musical Romanticism

Haydn’s Sunrise, Beethoven’s Shadow

Audiovisual Culture and the Emergence of Musical Romanticism

Deirdre Loughridge

University of Chicago Press, 2016

The years between roughly 1760 and 1810, a period stretching from the rise of Joseph Haydn’s career to the height of Ludwig van Beethoven’s, are often viewed as a golden age for musical culture, when audiences started to revel in the sounds of the concert hall. But the latter half of the eighteenth century also saw proliferating optical technologies—including magnifying instruments, magic lanterns, peepshows, and shadow-plays—that offered new performance tools, fostered musical innovation, and shaped the very idea of “pure” music. Haydn’s Sunrise, Beethoven’s Shadow is a fascinating exploration of the early romantic blending of sight and sound as encountered in popular science, street entertainments, opera, and music criticism.

Deirdre Loughridge reveals that allusions in musical writings to optical technologies reflect their spread from fairgrounds and laboratories into public consciousness and a range of discourses, including that of music. She demonstrates how concrete points of intersection—composers’ treatments of telescopes and peepshows in opera, for instance, or a shadow-play performance of a ballad—could then fuel new modes of listening that aimed to extend the senses. An illuminating look at romantic musical practices and aesthetics, this book yields surprising relations between the past and present and offers insight into our own contemporary audiovisual culture.
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cover of Hayek and the Evolution of Capitalism

Hayek and the Evolution of Capitalism

Naomi Beck

University of Chicago Press, 2018

Few economists can claim the influence—or fame—of F. A. Hayek. Winner of the Nobel Prize, Hayek was one of the most consequential thinkers of the twentieth century, his views on the free market echoed by such major figures as Ronald Reagan and Margaret Thatcher.
 
Yet even among those who study his work in depth, few have looked closely at his use of ideas from evolutionary science to advance his vision of markets and society. With this book Naomi Beck offers the first full-length engagement with Hayek’s thought from this perspective. Hayek argued that the capitalism we see in advanced civilizations is an unintended consequence of group selection—groups that adopted free market behavior expanded more successfully than others. But this attempt at a scientific grounding for Hayek’s principles, Beck shows, fails to hold water, plagued by incoherencies, misinterpretations of the underlying science, and lack of evidence. As crises around the globe lead to reconsiderations of the place of capitalism, Beck’s excavation of this little-known strand of Hayek’s thought—and its failure—is timely and instructive.
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cover of Hayek on Mill: The Mill-Taylor Friendship and Related Writings

Hayek on Mill

The Mill-Taylor Friendship and Related Writings

F. A. Hayek

University of Chicago Press, 2015

Best known for reviving the tradition of classical liberalism, F. A. Hayek was also a prominent scholar of the philosopher John Stuart Mill. One of his greatest undertakings was a collection of Mill’s extensive correspondence with his longstanding friend and later companion and wife, Harriet Taylor-Mill. Hayek first published the Mill-Taylor correspondence in 1951, and his edition soon became required reading for any study of the nineteenth-century foundations of liberalism.
           
This latest addition to the University of Chicago Press’s Collected Works of F. A. Hayek series showcases the fascinating intersections between two of the most prominent thinkers from two successive centuries. Hayek situates Mill within the complex social and intellectual milieu of nineteenth-century Europe—as well as within twentieth-century debates on socialism and planning—and uncovers the influence of Taylor-Mill on Mill’s political economy. The volume features the Mill-Taylor correspondence and brings together for the first time Hayek’s related writings, which were widely credited with beginning a new era of Mill scholarship.
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cover of He Words Me: Men Writing as Women in Early Modern England

He Words Me

Men Writing as Women in Early Modern England

Catherine Loomis

Arizona Center for Medieval and Renaissance Studies, 2026

A collection of works by early modern men writing in women’s voices.

This anthology gives students and scholars access to a body of texts that provide a clearer understanding of what life was like for early modern women by presenting hundreds of little-known primary texts that contain details about early modern women’s work, relationships, emotional and intellectual development, friendships, and daily struggles. He Words Me brings together work from a variety of genres in which male authors adopt the voice of a female narrator and use that voice to provide intimate details about the lives of women. 

These works introduce modern readers to less familiar genres, complement or contradict portrayals of women in canonical texts, and raise compelling questions about who speaks for women and when women can speak for themselves. Through these women’s voices, readers can encounter characters and experiences that will broaden their understanding of early modern English literature and culture, and of the history of women in the late sixteenth and early seventeenth centuries.
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cover of Head Masters: Phrenology, Secular Education, and Nineteenth-Century Social Thought

Head Masters

Phrenology, Secular Education, and Nineteenth-Century Social Thought

Stephen Tomlinson

University of Alabama Press, 2005

Contributes to a better understanding of Horace Mann and the educational reform movement he advanced

Head Masters challenges the assumption that phrenology—the study of the conformation of the skull as it relates to mental faculties and character—played only a minor and somewhat anecdotal role in the development of education. Stephen Tomlinson asserts instead that phrenology was a scientifically respectable theory of human nature, perhaps the first solid physiological psychology. He shows that the first phrenologists were among the most prominent scientists and intellectuals of their day, and that the concept was eagerly embraced by leading members of the New England medical community.

Following its progression from European theorists Franz-Joseph Gall, Johan Gasper Spurzheim, and George Combe to Americans Horace Mann and Samuel Gridley Howe, Tomlinson traces the origins of phrenological theory and examines how its basic principles of human classification, inheritance, and development provided a foundation for the progressive practices advocated by middle-class reformers such as Combe and Mann. He also elucidates the ways in which class, race, and gender stereotypes permeated 19th century thought and how popular views of nature, mind, and society supported a secular curriculum favoring the use of disciplinary practices based on physiology.

This study ultimately offers a reconsideration of the ideas and theories that motivated education reformers such as Mann and Howe, and a reassessment of Combe, who, though hardly known by contemporary scholars, emerges as one of the most important and influential educators of the 19th century.
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cover of Healing the African Body: British Medicine in West Africa, 1800-1860

Healing the African Body

British Medicine in West Africa, 1800-1860

John Rankin

University of Missouri Press, 2015

This timely book explores the troubled intertwining of religion, medicine, empire, and race relations in the early nineteenth century. John Rankin analyzes the British use of medicine in West Africa as a tool to usher in a “softer” form of imperialism, considers how British colonial officials, missionaries, and doctors regarded Africans, and explores the impact of race classification on colonial constructs.

Rankin goes beyond contemporary medical theory, examining the practice of medicine in colonial Africa as Britons dealt with the challenges of providing health care to their civilian employees, African soldiers, and the increasing numbers of freed slaves in the general population, even while the imperialists themselves were threatened by a lack of British doctors and western medicines. As Rankin writes, “The medical system sought to not only heal Africans but to ‘uplift’ them and make them more amenable to colonial control . . . Colonialism starts in the mind and can be pushed on the other solely through ideological pressure.”

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cover of Hearing Things: Voice and Method in the Writing of Stanley Cavell

Hearing Things

Voice and Method in the Writing of Stanley Cavell

Timothy Gould

University of Chicago Press, 1998

What does philosophy have to do with the human voice? Has contemporary philosophy banished the "voice" from the field of legitimate investigation? Timothy Gould examines these questions through the philosopher most responsible for formulating them, Stanley Cavell. Hearing Things is the first work to treat systematically the relation between Cavell's pervasive authorial voice and his equally powerful, though less discernible, impulse to produce a set of usable philosophical methods.

Gould argues that a tension between voice and method unites Cavell's broad and often perplexing range of interests. From Wittgenstein to Thoreau, from Shakespeare to the movies, and from opera to Freud, Gould reveals the connection between the voice within Cavell's writing and the voices Cavell appeals to through the methods of ordinary language philosophy. Within Cavell's extraordinary productivity lies a new sense of philosophical method based on elements of the act of reading. Hearing Things is both an important study of Cavell's work and a major contribution to the construction of American philosophy.

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cover of Hegel and the Freedom of Moderns

Hegel and the Freedom of Moderns

Domenico Losurdo

Duke University Press, 2004

Available in English for the first time, Hegel and the Freedom of Moderns revives discussion of the major political and philosophical tenets underlying contemporary liberalism through a revolutionary interpretation of G. W. F. Hegel’s thought. Domenico Losurdo,one of the world’s leading Hegelians, reveals that the philosopher was fully engaged with the political controversies of his time. In so doing, he shows how the issues addressed by Hegel in the nineteenth century resonate with many of the central political concerns of today, among them questions of community, nation, liberalism, and freedom. Based on an examination of Hegel’s entire corpus—including manuscripts, lecture notes, different versions of texts, and letters—Losurdo locates the philosopher’s works within the historical contexts and political situations in which they were composed.

Hegel and the Freedom of Moderns persuasively argues that the tug of war between “conservative” and “liberal” interpretations of Hegel has obscured and distorted the most important aspects of his political thought. Losurdo unravels this misleading dualism and provides an illuminating discussion of the relation between Hegel’s political philosophy and the thinking of Karl Marx and Friedrich Engels. He also discusses Hegel’s ideas in relation to the pertinent writings of other major figures of modern political philosophy such as Jean-Jacques Rousseau, John Locke, Edmund Burke, John Stuart Mill, Jeremy Bentham, Karl Popper, Norberto Bobbio, and Friedrich Hayek.

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cover of Hegel's Energy: A Reading of The Phenomenology of Spirit

Hegel's Energy

A Reading of The Phenomenology of Spirit

Michael Marder

Northwestern University Press, 2021

Hegel’s The Phenomenology of Spirit has been one of the most important works of philosophy since the nineteenth century, while the question of energy has been crucial to life in the twenty-first century. In this book, Michael Marder integrates the two, narrating a story about the trials and tribulations of energy embedded in Hegel’s dialectics. Through an original interpretation of actuality (Wirklichkeit) as energy in the Hegelian corpus, the book provides an exciting lens for understanding the dialectical project and the energy‑starved condition of our contemporaneity. To elaborate this theory, Marder undertakes a meticulous rereading of major parts of the Phenomenology, where the energy deficit of mere consciousness gives way to the energy surplus of self‑consciousness and its self‑delimitation in the domain of reason. In so doing, he denounces the current understanding of energy as pure potentiality, linking this mindset to pollution, profit-driven economies, and environmental crises. Surprising and deeply engaged with its contemporary implications, this book doesn’t simply illuminate aspects of The Phenomenology of Spirit—it provides an entirely new understanding of Hegel’s ideas.
 
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cover of Hegel's Idea of a Phenomenology of Spirit

Hegel's Idea of a Phenomenology of Spirit

Michael N. Forster

University of Chicago Press, 1998

Hegel's Phenomenology of Spirit has acquired a paradoxical reputation as one the most important and most impenetrable and inconsistent philosophical works. In Hegel's Idea of a Phenomenology of Spirit, Michael N. Forster advances an original reading of the work. His approach differs from that of previous scholars in two crucial ways: he reads the work, first, as a whole—not piecemeal, as it has usually been analyzed—and second, within the context of Hegel's broader corpus and the works of other philosophers.

The Phenomenology of Spirit emerges as an extraordinarily coherent work with a rich array of important and original ideas. These include a diagnosis of the ills of modernity in terms of its commitment to a series of dualisms, and a project for overcoming them; a sweeping naturalism; a deep rethinking of and response to problems of skepticism; subtle arguments for social theories of meaning and truth; and ideas based on the insight that human thought changes in fundamental ways over the course of history. Forster's unique and compelling reading unlocks the mysteries of Hegel's seminal work.
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Hegel's Phenomenology of Spirit

A Commentary Based on the Preface and Introduction

Werner Marx

University of Chicago Press, 1988

Hegel's classic Phenomenology of Spirit is considered by many to be the most difficult text in all of philosophical literature. In interpreting the work, scholars have often used the Phenomenology to justify the ideology that has tempered their approach to it, whether existential, ontological, or, particularly, Marxist. Werner Marx deftly avoids this trap of misinterpretation by rendering lucid the objectives that Hegel delineates in the Preface and Introduction and using these to examine the whole of the Phenomenology. Marx considers selected materials from Hegel's text in order both to clarify Hegel's own view of it and to set the stage for an examination of post-Hegelian philosophy.

The primary focus of Marx's book is on the account. Hegel gives of the phenomenological journey from natural consciousness to philosophical wisdom (or absolute knowledge, as Hegel calls it). In showing that Hegel's many statements concerning consciousness 'finding itself' or 'knowing itself' in its world can be understood as discovering the rationality of the conditioning world, Marx offers a solution to several sets of interrelated problems that have troubled students of Hegel. His book contains valuable analyses of the relation between Hegel's thought and that of Descartes and Kant as well as that of Karl Marx, and it also sheds considerable light on the question of the internal unity or coherence of the Phenomenology.
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Hegel's Phenomenology, Part 1

Analysis and Commentary

Howard P. Kainz

Ohio University Press, 1976

The publication in 1807 of Georg Wilhelm Frederich Hegel's Phanomenologie des Geistes (translated alternately as Phenomenology of the Mind or Phenomenology of the Spirit) marked the beginning of the modern era in philosophy. Hegel's remarkable insights formed the basis for what eventually became the Existentialist movement. Yet the Phenomenology remains one of the most difficult and forbidding works in the canon of philosophical literature. Hegel's Phenomenology, Part One: Analysis and Commentary by Howard P. Kainz is a coherent and readable key to understanding Hegel.

Kainz provides an accessible entry into the complexities of Hegelian thought by asking a series of questions about such matters as the literary form of the Phenomenology, its "plot," its relation to the "system," its subject matter, the problem of objectivity, dialectical necessity, the concept of "experience," and the Hegelian concept of consciousness. Building of the work of previous commentators, and presenting the work of these commentators in a clear and unbiased manner, Kainz offers an analysis that will be helpful both to experienced Hegelian scholars and to those readers preparing to approach the large and bewildering territory of the Phenomenology for the first time.
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cover of Hegel's Realm of Shadows: Logic as Metaphysics in “The Science of Logic”

Hegel's Realm of Shadows

Logic as Metaphysics in “The Science of Logic”

Robert B. Pippin

University of Chicago Press, 2018

Hegel frequently claimed that the heart of his entire system was a book widely regarded as among the most difficult in the history of philosophy, The Science of Logic. This is the book that presents his metaphysics, an enterprise that he insists can only be properly understood as a “logic,” or a “science of pure thinking.” Since he also wrote that the proper object of any such logic is pure thinking itself, it has always been unclear in just what sense such a science could be a “metaphysics.”

Robert B. Pippin offers here a bold, original interpretation of Hegel’s claim that only now, after Kant’s critical breakthrough in philosophy, can we understand how logic can be a metaphysics. Pippin addresses Hegel’s deep, constant reliance on Aristotle’s conception of metaphysics, the difference between Hegel’s project and modern rationalist metaphysics, and the links between the “logic as metaphysics” claim and modern developments in the philosophy of logic. Pippin goes on to explore many other facets of Hegel’s thought, including the significance for a philosophical logic of the self-conscious character of thought, the dynamism of reason in Kant and Hegel, life as a logical category, and what Hegel might mean by the unity of the idea of the true and the idea of the good in the “Absolute Idea.” The culmination of Pippin’s work on Hegel and German idealism, this is a book that no Hegel scholar or historian of philosophy will want to miss.
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Hegel's Sole Idea

The Last Great Metaphysical System

Mark Alznauer

University of Chicago Press, 2026

An accessible reconstruction of Hegel’s attempt to derive all reality from a single concept.

In the early decades of the nineteenth century, G. W. F. Hegel came to believe that philosophy was finally in a position to achieve something it had striven for since ancient Greece: becoming an objective, demonstrative science. But to achieve this aim, he thought philosophical knowledge needed to be reconceived in a radically new way—as content contained in a single concept just as the oak tree is hidden in the acorn.  In Hegel’s Sole Idea, Mark Alznauer reads Hegel’s mature philosophical system as the unprecedented attempt to comprehend the entire world as the full unfolding of that single concept, which he mysteriously calls “the absolute idea.” 

Ever since Hegel set out this program in his Encyclopedia of the Philosophical Sciences in Outline, Hegel’s system has been regarded as the last best hope of philosophy as an autonomous, fully rational science. But while Hegel’s followers regarded the Encyclopedia as the successful realization of the traditional aims of philosophy, his most influential successors thought it instead showed the exhaustion and collapse of that project. Hegel’s Sole Idea offers a comprehensive interpretation of Hegelian philosophy that allows a fair confrontation with its most provocative and ambitious claims.

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Hegel's Theory of Intelligibility

Rocío Zambrana

University of Chicago Press, 2015

Hegel’s Theory of Intelligibility picks up on recent revisionist readings of Hegel to offer a productive new interpretation of his notoriously difficult work, the Science of Logic. Rocío Zambrana transforms the revisionist tradition by distilling the theory of normativity that Hegel elaborates in the Science of Logic within the context of his signature treatment of negativity, unveiling how both features of his system of thought operate on his theory of intelligibility. 
           
Zambrana clarifies crucial features of Hegel’s theory of normativity previously thought to be absent from the argument of the Science of Logic—what she calls normative precariousness and normative ambivalence. She shows that Hegel’s theory of determinacy views intelligibility as both precarious, the result of practices and institutions that gain and lose authority throughout history, and ambivalent, accommodating opposite meanings and valences even when enjoying normative authority. In this way, Zambrana shows that the Science of Logic provides the philosophical justification for the necessary historicity of intelligibility. Intervening in several recent developments in the study of Kant, Hegel, and German Idealism more broadly, this book provides a productive new understanding of the value of Hegel’s systematic ambitions.
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Hegel, Heidegger, and the Ground of History

Michael Allen Gillespie

University of Chicago Press, 1984

In this wide-ranging and thoughtful study, Michael Allen Gillespie explores the philosophical foundation, or ground, of the concept of history. Analyzing the historical conflict between human nature and freedom, he centers his discussion on Hegel and Heidegger but also draws on the pertinent thought of other philosophers whose contributions to the debate is crucial—particularly Rousseau, Kant, and Nietzsche.
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cover of Hegel, Marx, and the Laughing Matter of Spirit

Hegel, Marx, and the Laughing Matter of Spirit

R. A. Aumiller

Northwestern University Press, 2026

Excavating the comedic crack in historical repetitions
 
What happens when those who have been denied political subjectivity fully play out their negative role in a historical drama that damned them from the beginning? Hegel, Marx, and the Laughing Matter of Spirit locates the eruption of revolutionary laughter in historical cracks across nineteenth- and twentieth-century Europe, where exiled philosophers, partisan fighters, and artists framed their political resistance as a historical comedy. Hegelian comedy fuels the Young Hegelian critique of Prussian censorship, Walter Benjamin’s staging of the anti-fascist resistance, and the Yugoslavian partisan attempt to begin again in fascism’s aftermath. Revolution erupts from a historical stage that can no longer look on its own contradictions with a straight face. Drawing on the defiant spirit of comedy, this Hegelian feminist manifesto defies political despair, overturning the perception that history tragically repeats itself. Invoking the phrase “Nothing changes” as a mantra, R. A. Aumiller turns a concession of defeat into a battle cry for political resistance.
[more]
cover of Hegel: The Restlessness Of The Negative

Hegel

The Restlessness Of The Negative

Jean-Luc Nancy

University of Minnesota Press, 2002

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cover of Hegel’s Anthropology: Life, Psyche, and Second Nature

Hegel’s Anthropology

Life, Psyche, and Second Nature

Allegra de Laurentiis

Northwestern University Press, 2021

This book provides a critical analysis of Hegel’s Anthropology, a long-neglected treatise dedicated to the psyche, or “soul,” that bridges Hegel’s philosophy of organic nature with his philosophy of subjective spirit. Allegra de Laurentiis recuperates this overlooked text, guiding readers through its   essential arguments and ideas. She shows how Hegel conceives of the “sublation” of natural motion, first into animal sentience and then into the felt presentiment of selfhood, all the way to the threshold of self-reflexive thinking. She discusses the Anthropology in the context of Hegel’s mature system of philosophy (the Encyclopaedia) while also exposing some of the scientific and philosophical sources of his conceptions of unconscious states, psychosomatism, mental pathologies, skill formation, memorization, bodily habituation, and the self-conditioning capacities of our species. This treatise on the becoming of anthropos, she argues, displays the power and limitations of Hegel’s idealistic “philosophy of the real” in connecting such phenomena as erect posture, a discriminating hand, and the forward gaze to the emergence of the human ego, or the structural disintegration of the social world to the derangement of the individual mind.
 
A groundbreaking contribution to scholarship on Hegel and nineteenth-century philosophy, this book shows that the Anthropology is essential to understanding Hegel’s concept of spirit, not only in its connection with nature but also in its more sophisticated realizations as objective and absolute spirit. Future scholarship on this subject will recount—and build upon—de Laurentiis’s innovative study.
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cover of Hegel’s Theory of Normativity: The Systematic Foundations of the Philosophical Science of Right

Hegel’s Theory of Normativity

The Systematic Foundations of the Philosophical Science of Right

Kevin Thompson

Northwestern University Press, 2019

Hegel’s Elements of the Philosophy of Right offers an innovative and important account of normativity, yet the theory set forth there rests on philosophical foundations that have remained largely obscure. In Hegel’s Theory of Normativity, Kevin Thompson proposes an interpretation of the foundations that underlie Hegel’s theory: its method of justification, its concept of freedom, and its account of right. Thompson shows how the systematic character of Hegel’s project together with the metaphysical commitments that follow from its method are essential to secure this theory against the challenges of skepticism and to understand its distinctive contribution to questions regarding normative justification, practical agency, social ontology, and the nature of critique.
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Heidegger And The Jews

Jean-Francois Lyotard

University of Minnesota Press, 1990

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Heidegger and the Myth of a Jewish World Conspiracy

Peter Trawny

University of Chicago Press, 2015

In 2014, the first three volumes of Heidegger’s Black Notebooks—the personal and philosophical notebooks that he kept during the war years—were published in Germany. These notebooks provide the first textual evidence of anti-Semitism in Heidegger’s philosophy, not simply in passing remarks, but as incorporated into his philosophical and political thinking itself. In Heidegger and the Myth of a Jewish World Conspiracy, Peter Trawny, the editor of those notebooks, offers the first evaluation of Heidegger’s philosophical project in light of the Black Notebooks.
           
While Heidegger’s affiliation with National Socialism is well known, the anti-Semitic dimension of that engagement could not be fully told until now. Trawny traces Heidegger’s development of a grand “narrative” of the history of being, the “being-historical thinking” at the center of Heidegger’s work after Being and Time. Two of the protagonists of this narrative are well known to Heidegger’s readers: the Greeks and the Germans. The world-historical antagonist of this narrative, however, has remained hitherto undisclosed: the Jews, or, more specifically, “world Judaism.” As Trawny shows, world Judaism emerges as a racialized, destructive, and technological threat to the German homeland, indeed, to any homeland whatsoever. Trawny pinpoints recurrent, anti-Semitic themes in the Notebooks, including Heidegger’s adoption of crude cultural stereotypes, his assigning of racial reasons to philosophical decisions (even undermining his Jewish teacher, Edmund Husserl), his endorsement of a Jewish “world conspiracy,” and his first published remarks on the extermination camps and gas chambers (under the troubling aegis of a Jewish “self-annihilation”). Trawny concludes with a thoughtful meditation on how Heidegger’s achievements might still be valued despite these horrifying facets. Unflinching and systematic, this is one of the most important assessments of one of the most important philosophers in our history.
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cover of Heidegger, Strauss, and the Premises of Philosophy: On Original Forgetting

Heidegger, Strauss, and the Premises of Philosophy

On Original Forgetting

Richard L. Velkley

University of Chicago Press, 2011

In this groundbreaking work, Richard L. Velkley examines the complex philosophical relationship between Martin Heidegger and Leo Strauss. Velkley argues that both thinkers provide searching analyses of the philosophical tradition’s origins in radical questioning. For Heidegger and Strauss, the recovery of the original premises of philosophy cannot be separated from rethinking the very possibility of genuine philosophizing.
 
Common views of the influence of Heidegger’s thought on Strauss suggest that, after being inspired early on by Heidegger’s dismantling of the philosophical tradition, Strauss took a wholly separate path, spurning modernity and pursuing instead a renewal of Socratic political philosophy. Velkley rejects this reading and maintains that Strauss’s engagement with the challenges posed by Heidegger—as well as by modern philosophy in general—formed a crucial and enduring framework for his lifelong philosophical project. More than an intellectual biography or a mere charting of influence, Heidegger, Strauss, and the Premises of Philosophy is a profound consideration of these two philosophers’ reflections on the roots, meaning, and fate of Western rationalism.
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Heidegger

The Question of Being and History

Jacques Derrida

University of Chicago Press, 2016

Few philosophers held greater fascination for Jacques Derrida than Martin Heidegger, and in this book we get an extended look at Derrida’s first real encounters with him. Delivered over nine sessions in 1964 and 1965 at the École Normale Supérieure, these lectures offer a glimpse of the young Derrida first coming to terms with the German philosopher and his magnum opus, Being and Time. They provide not only crucial insight into the gestation of some of Derrida’s primary conceptual concerns—indeed, it is here that he first uses, with some hesitation, the word “deconstruction”—but an analysis of Being and Time that is of extraordinary value to readers of Heidegger or anyone interested in modern philosophy.
           
Derrida performs an almost surgical reading of the notoriously difficult text, marrying pedagogical clarity with patient rigor and acting as a lucid guide through the thickets of Heidegger’s prose. At this time in intellectual history, Heidegger was still somewhat unfamiliar to French readers, and Being and Time had only been partially translated into French. Here Derrida mostly uses his own translations, giving his own reading of Heidegger that directly challenges the French existential reception initiated earlier by Sartre. He focuses especially on Heidegger’s Destruktion (which Derrida would translate both into “solicitation” and “deconstruction”) of the history of ontology, and indeed of ontology as such, concentrating on passages that call for a rethinking of the place of history in the question of being, and developing a radical account of the place of metaphoricity in Heidegger’s thinking.
           
This is a rare window onto Derrida’s formative years, and in it we can already see the philosopher we’ve come to recognize—one characterized by a bravura of exegesis and an inventiveness of thought that are particularly and singularly his. 
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cover of Heightened Expectations: The Rise of the Human Growth Hormone Industry in America

Heightened Expectations

The Rise of the Human Growth Hormone Industry in America

Aimee Medeiros

University of Alabama Press, 2016

Heightened Expectations is a groundbreaking history that illuminates the foundations of the multibillion-dollar human growth hormone (HGH) industry. Drawing on medical and public health histories as well as on photography, film, music, prose, and other examples from popular culture, Aimee Medeiros tracks how the stigmatization of short stature in boys and growth hormone technology came together in the twentieth century.
 
This book documents how the rise of modern capitalism and efforts to protect those most vulnerable to its harmful effects contributed to the social stigmatization of short statured children. Short boys bore the brunt of this discrimination by the mid-twentieth century, as cultural notions of masculinity deemed smallness a troubling trait in need of remedy. These boys became targets of growth hormone treatment, a trend accelerated by the development of effective HGH therapy in the late 1950s.
 
With a revisionist twist, Medeiros argues that HGH therapy was not plagued by a limited number of sources of the hormone but rather a difficult-to-access supply during the 1960s and 1970s. The advent of synthetic HGH remedied this situation. Therapy was available, however, only to those who could afford it. Very few could, which made short stature once again a mark of the underprivileged class.
 
Today, small boys with dreams of being taller remain the key customer base of the legitimate arm of the HGH industry. As gender and economic class disparities in treatment continue, some medical experts have alluded to patients’ parents as culprits of this trend. This book sheds light on how medicine’s attempt to make up for perceived physical shortcomings has deep roots in American culture.
 
Of interest to historians and scholars of medicine, gender studies, and disability studies, Heightened Expectations also offers much to policy makers and those curious about where standards and therapies originate. 
[more]
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Held by Form

Feminism, Poetics, Critical Practice

Anna Moser

University of Chicago Press, 2026

How contemporary poetry illuminates the workings—and struggles—of commitment in feminism.

In this lucid and vigorous defense of poetics for feminism, Anna Moser situates the practice of contemporary poetry in an exploratory dialogue with the work of philosophical, critical, and historical thinkers—placing Denise Riley in conversation with Judith Butler, Lyn Hejinian with Hannah Arendt, m. nourbeSe philip with Saidiya Hartman, and Susan Howe with Emily Dickinson. 

Moser’s central theme is these poets’ questioning, agonistic commitment to feminism. What, the book asks, does it mean to be committed? How does such a commitment materialize? What are its consequences? What does it mean not to take for granted an affiliation like “feminist” (or even “woman”), but rather to involve one’s art in probing its historical formations, present conditions, and future trajectories? Moser explores both the risks and possibilities of making art in this equivocal condition. She reveals that the poetry of certain contemporary writers not only unfolds within this space of agonistic commitment, but that, in doing so, it offers an important contribution to feminist thinking. Moser’s book also shows that while form is a constraint that limits these poets’ freedom, it also holds them in a more sustaining sense, allowing something belatedly and imperfectly to be said. 

In dialogue with feminist political theory, philosophy, historiography, and aesthetics, Held by Form reveals poetics as a unique mode of critical practice: one that models relations of care and collectivity, refigures inherited forms in ways that contest their hierarchies of value, and responds with generosity and openness to the complexities of living in gender.

[more]
cover of Hello, Hello Brazil: Popular Music in the Making of Modern Brazil

Hello, Hello Brazil

Popular Music in the Making of Modern Brazil

Bryan McCann

Duke University Press, 2004

“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace.  New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions.

McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.

[more]
cover of Hemingway's Neglected Short Fiction: New Perspectives

Hemingway's Neglected Short Fiction

New Perspectives

Susan F. Beegel

University of Alabama Press, 1991

“This critical anthology is the result of a brilliant idea….A volume which not only will lead most readers to place more value on a number of stories previously passed over but that will likely extend the reader’s sense of Hemingway’s artistry.” —Studies in American Fiction

Hemingway’s Neglected Short Fiction is a groundbreaking exploration of Ernest Hemingway’s least‑examined stories, works long overshadowed by the towering fame of his novels. The collection reveals how many of Hemingway’s short stories have been cursorily summarized, misread, or simply ignored. Through twenty‑five original essays, leading scholars illuminate the breadth, experimentation, irony, and emotional range found in over thirty stories—tales that challenge the conventional “code hero” paradigm and expose a richer, more complex Hemingway. What emerges is a vivid portrait of an artist whose most overlooked pieces frequently contain his sharpest innovations and deepest moral provocations. 

Structured with historical awareness and critical freshness, the volume ranges from Hemingway’s earliest apprentice fiction (“The Mercenaries,” “Up in Michigan,” “My Old Man”) to his experimental, metafictional, or posthumously published works (“A Natural History of the Dead,” “Get a Seeing‑Eyed Dog,” “A Man of the World”). Contributors draw from an impressive range of approaches—rhetorical theory, linguistics, psychoanalysis, semiotics, religious studies, Bakhtinian dialogism, and close textual analysis. Along the way, they revisit stories distorted by biography (“Out of Season,” “Mr. and Mrs. Elliot”), reconsider stories dismissed as trivial (“A Pursuit Race,” “A Day’s Wait”), and restore neglected gems such as “Wine of Wyoming,” “The Sea Change,” and “Homage to Switzerland.” 

This book will captivate scholars of modernism, Hemingway specialists, teachers seeking fresh classroom material, and general readers who want to discover the Hemingway hidden between the lines. It is essential reading for anyone interested in the evolution of a major American writer and the vibrant life of the short story form.

[more]
cover of Hemispheres and Stratospheres: The Idea and Experience of Distance in the International Enlightenment

Hemispheres and Stratospheres

The Idea and Experience of Distance in the International Enlightenment

Kevin L. Cope

Bucknell University Press, 2021

Recognizing distance as a central concern of the Enlightenment, this volume offers eight essays on distance in art and literature; on cultural transmission and exchange over distance; and on distance as a topic in science, a theme in literature, and a central issue in modern research methods. Through studies of landscape gardens, architecture, imaginary voyages, transcontinental philosophical exchange, and cosmological poetry, Hemispheres and Stratospheres unfurls the early history of a distance culture that influences our own era of global information exchange, long-haul flights, colossal skyscrapers, and space tourism.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
 
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cover of Hemispheric Imaginings: The Monroe Doctrine and Narratives of U.S. Empire

Hemispheric Imaginings

The Monroe Doctrine and Narratives of U.S. Empire

Gretchen Murphy

Duke University Press, 2005

In 1823, President James Monroe announced that the Western Hemisphere was closed to any future European colonization and that the United States would protect the Americas as a space destined for democracy. Over the next century, these ideas—which came to be known as the Monroe Doctrine—provided the framework through which Americans understood and articulated their military and diplomatic role in the world. Hemispheric Imaginings demonstrates that North Americans conceived and developed the Monroe Doctrine in relation to transatlantic literary narratives. Gretchen Murphy argues that fiction and journalism were crucial to popularizing and making sense of the Doctrine’s contradictions, including the fact that it both drove and concealed U.S. imperialism. Presenting fiction and popular journalism as key arenas in which such inconsistencies were challenged or obscured, Murphy highlights the major role writers played in shaping conceptions of the U.S. empire.

Murphy juxtaposes close readings of novels with analyses of nonfiction texts. From uncovering the literary inspirations for the Monroe Doctrine itself to tracing visions of hemispheric unity and transatlantic separation in novels by Lydia Maria Child, Nathaniel Hawthorne, María Amparo Ruiz de Burton, Lew Wallace, and Richard Harding Davis, she reveals the Doctrine’s forgotten cultural history. In making a vital contribution to the effort to move American Studies beyond its limited focus on the United States, Murphy questions recent proposals to reframe the discipline in hemispheric terms. She warns that to do so risks replicating the Monroe Doctrine’s proprietary claim to isolate the Americas from the rest of the world.

[more]
cover of Heretical Hellenism: Women Writers, Ancient Greece, and the Victorian Popular Imagination

Heretical Hellenism

Women Writers, Ancient Greece, and the Victorian Popular Imagination

Shanyn Fiske

Ohio University Press, 2008

The prevailing assumption regarding the Victorians’ relationship to ancient Greece is that Greek knowledge constituted an exclusive discourse within elite male domains. Heretical Hellenism: Women Writers, Ancient Greece, and the Victorian Popular Imagination challenges that theory and argues that while the information women received from popular sources was fragmentary and often fostered intellectual insecurities, it was precisely the ineffability of the Greek world refracted through popular sources and reconceived through new fields of study that appealed to women writers’ imaginations.

Examining underconsidered sources such as theater history and popular journals, Shanyn Fiske uncovers the many ways that women acquired knowledge of Greek literature, history, and philosophy without formal classical training. Through discussions of women writers such as Charlotte Brontë, George Eliot, and Jane Harrison, Heretical Hellenism demonstrates that women established the foundations of a heretical challenge to traditional humanist assumptions about the uniformity of classical knowledge and about women’s place in literary history.

Heretical Hellenism provides a historical rationale for a more expansive definition of classical knowledge and offers an interdisciplinary method for understanding the place of classics both in the nineteenth century and in our own time.

[more]
cover of Heterology and the Postmodern: Bataille, Baudrillard, and Lyotard

Heterology and the Postmodern

Bataille, Baudrillard, and Lyotard

Julian Pefanis

Duke University Press, 1991

In Heterology and the Postmodern, Julian Pefanis presents a new view of the history of poststructuralism (heterology) and the origins of postmodernism by analyzing three important French theorists, Georges Bataille, Jean Baudrillard, and Jean-François Lyotard.
Beginning with the introduction of Hegel in French postmodernist thought—largely but not exclusively through the thought of Georges Bataille—Pefanis argues that the core problematics of postmodern aesthetics—history, exchange, representation, and writing—are related to Bataille’s reconceptualization of the Hegelian framework. Pefanis explores how Bataille was influenced by Hegel, Marcel Mauss, Freud, and Nietzsche, and traces the effects of this influence on the analyses and critiques of later postmodernists, most notably Lyotard and Baudrillard. Finally, employing these postmodernists along with Freud and Jacques Lacan, Pefanis discusses discourse on postmodernism and its relation to Freud’s concept of the death drive.
This intellectual history makes valuable contributions to the debates over what the “postmodern” may mean for intellectual and political activity.
[more]
cover of Heterosexual Africa?: The History of an Idea from the Age of Exploration to the Age of AIDS

Heterosexual Africa?

The History of an Idea from the Age of Exploration to the Age of AIDS

Marc Epprecht

Ohio University Press, 2008

Heterosexual Africa? The History of an Idea from the Age of Exploration to the Age of AIDS builds from Marc Epprecht’s previous book, Hungochani (which focuses explicitly on same-sex desire in southern Africa), to explore the historical processes by which a singular, heterosexual identity for Africa was constructed—by anthropologists, ethnopsychologists, colonial officials, African elites, and most recently, health care workers seeking to address the HIV/AIDS pandemic. This is an eloquently written, accessible book, based on a rich and diverse range of sources, that will find enthusiastic audiences in classrooms and in the general public.

Epprecht argues that Africans, just like people all over the world, have always had a range of sexualities and sexual identities. Over the course of the last two centuries, however, African societies south of the Sahara have come to be viewed as singularly heterosexual. Epprecht carefully traces the many routes by which this singularity, this heteronormativity, became a dominant culture. In telling a fascinating story that will surely generate lively debate, Epprecht makes his project speak to a range of literatures—queer theory, the new imperial history, African social history, queer and women’s studies, and biomedical literature on the HIV/AIDS pandemic. He does this with a light enough hand that his story is not bogged down by endless references to particular debates.

Heterosexual Africa? aims to understand an enduring stereotype about Africa and Africans. It asks how Africa came to be defined as a “homosexual-free zone” during the colonial era, and how this idea not only survived the transition to independence but flourished under conditions of globalization and early panicky responses to HIV/AIDS.

[more]
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Hey Presto!

Swift and the Quacks

Hugh Ormsby-Lennon

University of Delaware Press, 2011

In this book the author reveals how medicine shows, both ancient and modern, galvanized Jonathan Swift’s imagination and inspired his wittiest satiric voices. Swift dubbed these multifaceted traveling entertainments his Stage-itinerant or “Mountebank’s Stage.” In the course of arguing that the stage-itinerant formed an irresistible model for A Tale of a Tub, Ormsby-Lennon also surmises that the mountebank’s stage will disclose that missing link, long sought, which connects the twin objects of Swift’s ire: gross corruptions in both religion and learning. In the early modern medicine show, the quack doctor delivered a loquacious harangue, infused with magico-mysticism and pseudoscience, high-astounding promises, and boastful narcissism. To help him sell his panaceas and snake-oil, he employed a Merry Andrew and a motley troupe of performers. From their stages, many quacks also peddled their own books, almanacs, and other ephemera, providing Grub Street with many of its best-sellers. Hacks practiced, quite literally, as quacks. Merry Andrew and mountebank traded costumes, whiskers, and voices. Swift apes them all in the Tale.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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cover of Hidden Transfers: How Rural Women’s Reproductive Work Paid for Industrialization in Mao’s China

Hidden Transfers

How Rural Women’s Reproductive Work Paid for Industrialization in Mao’s China

Jacob Eyferth

University of Chicago Press, 0

Provides a striking, new interpretation of the importance of rural women’s cloth production in collective-era China.

Based on extensive archival research, fieldwork across multiple villages, and hundreds of interviews, Hidden Transfers offers a material history of the working lives of rural women in communist China from 1949 to 1983.

Focusing on cotton cultivation and manual textile production in rural households, historian Jacob Eyferth examines the relationship between domestic labor and socialist development by recovering the story of the millions of women who spent countless hours spinning yarn, weaving cloth, and making clothes for their families. He shows how the “hidden transfers” from the domestic economy to fund accumulation rested, as with capitalist economies, on women’s unpaid domestic work. But state socialism went even further, celebrating the future-making work of production while disparaging work that reproduced life at home. Through careful research, Eyferth tracks how the Chinese state’s project of primitive accumulation, in turn, created the conditions for the spectacular growth experienced in the post-Mao years.

[more]
cover of Hidden: A Sister and Brother in Nazi Poland

Hidden

A Sister and Brother in Nazi Poland

Fay Walker

University of Wisconsin Press, 2002

Of the Rosenbluth family, only the older children, Faiga and Luzer, had gone into hiding before the SS rounded up the Jews of Kanczuga, Poland. Hidden is Faiga and Luzer’s story, a memoir whose intimate and quiet particularity makes the incomprehensible enormity of the Holocaust immediate, human, and devastatingly real.
In alternating first-person narratives, Faiga (Fay) and Luzer (Leo) take readers into their very different but inextricably linked experiences in Nazi-occupied Poland. Faiga, the once-dignified young lady from a good home with servants and a seat by the eastern wall of the synagogue, spends two years wandering the perilous countryside, hoping to be taken for a peasant. Mere miles away, knowing nothing of his sister’s fate, Luzer, the leather wholesaler’s only son, lies silent all day in the stifling dark corner of a barn, where the smell of the cows’ warm hides are a piquant reminder of his lost world. Hidden deftly summons that world, as the familiar comforts and squabbles of life in a well-to-do, religious Jewish family are slowly overwhelmed by the grim news coming out of Germany. We follow Faiga and Luzer through the early forebodings and deprivations of the war, into hiding among righteous Poles and erstwhile neighbors-turned-betrayers, and finally, at war’s end, back once more into the world—but not necessarily into safety. Told in a confident, clear, and unsentimental prose, this is a story of heroism and tragedy writ large and small, of two young people coming of age in a world in chaos and then trying to return to "normal" after experiences as unimaginable as they are unforgettable.

[more]
cover of His Humble Servant: Sister M. Pascalina Lehnert's Memoirs of Her Years of Service to Eugenio Pacelli, Pope Pius XII

His Humble Servant

Sister M. Pascalina Lehnert's Memoirs of Her Years of Service to Eugenio Pacelli, Pope Pius XII

M. Pascalina Lehnert

St. Augustine's Press, 2012

This is a personal and insightful portrait of Pope Pius XII, the memories of Sister M. Pascalina Lehnert, who served as his housekeeper for forty years. Her book, most of it written just a few months after the Pope’s death, shares insights into the person, the life, and the thinking of Pius XII, from his time as Nuncio in Munich until his death. Much of Sister’s motivation in writing this work was to correct the many distortions of fact and interpretation regarding this great pope.
   This book was a best seller in the original German, as well as in the Italian and French translations. This is the first edition in English.
   These reminiscences were written down at the instructions of Sister’s Superior General, but were not made known to the public until 1982, when it was published in German at the express wishes of Pope John Paul II to publish the work without any changes. So the work remained a lively, flowing account of memories and anecdotes in a simple, spontaneous style. It is a powerful and insightful account of Pius’s daily life, his treatment of those around him, and his concern for the upholding of the traditional teaching of the Church in the face of his awesome burden to lead the Church during World War II.

[more]
cover of Historiae Britannicae Defensio / A Defence of the British History

Historiae Britannicae Defensio / A Defence of the British History

John Prise

Bodleian Library Publishing, 2015

[more]
cover of Historical Distance and the Holocaust: Interactions Between Historians and Middle-Class Western Europeans in Memory Education

Historical Distance and the Holocaust

Interactions Between Historians and Middle-Class Western Europeans in Memory Education

Thomas Van de Putte

Central European University Press, 2026

What happens when Holocaust historians leave their academic bubble and start interacting with laypeople? This book investigates practices and discourses of historical distance and their effects on vernacular understandings of the Holocaust among white, middle-class Europeans. In five chapters, Historical Distance and the Holocaust describes and explains how historians, in interactions with laypeople, strip the Holocaust of its moral meaning and emotional load, narrate it as a ‘system’, and use sick Holocaust humour as distancing strategy.
A detailed interactional analysis and thick ethnographic description demonstrate how the temporal, moral and emotional distancing practices reenforce the lay moralities and political subjectivities of the white middle-class. This comes with (mostly unintended) consequences. Distanced approaches to the Holocaust in non-academic environments reduce empathy for victims and survivors, normalize violence, disconnect the meaning of the Holocaust from contemporary conflict, and re-activate stereotypes about groups who employ more ‘close’ approaches to the Holocaust.
[more]
cover of Historicizing the Enlightenment, Volume 2: Literature, the Arts, and the Aesthetic in Britain

Historicizing the Enlightenment, Volume 2

Literature, the Arts, and the Aesthetic in Britain

Michael McKeon

Bucknell University Press, 2023

Enlightenment critics from Dryden through Johnson and Wordsworth conceived the modern view that art and especially literature entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Instead “neoclassicism” and “Augustanism” have been falsely construed as involving a one-dimensional imitation of classical texts and an unselfconscious representation of the world. In fact these Enlightenment movements adopted an oblique perspective that registers the distance between past tradition and its present reenactment, between representation and presence. Two modern movements, Romanticism and modernism, have  appropriated as their own these innovations, which derive from Enlightenment thought. Both of these movements ground their error in a misreading of “imitation” as understood by Aristotle and his Enlightenment proponents. Rightly understood, neoclassical imitation, constitutively aware of the difference between what it knows and how it knows it, is an experimental inquiry that generates a range of prefixes—“counter-,” “mock-,” “anti-,” “neo-”—that mark formal degrees of its epistemological detachment. Romantic ideology has denied the role of the imagination in Enlightenment imitation, imposing on the eighteenth century a dichotomous periodization: duplication versus imagination, the mirror versus the lamp. Structuralist ideology has dichotomized narration and description, form and content, structure and history. Poststructuralist ideology has propounded for the novel a contradictory “novel tradition”—realism, modernism, postmodernism, postcolonialism—whose stages both constitute a sequence and collapse it, each stage claiming the innovation of the stage that precedes it.  

 
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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