28167 books match the query 'History' and 1583 start with m

cover of Made from Bone: Trickster Myths, Music, and History from the Amazon

Made from Bone

Trickster Myths, Music, and History from the Amazon

Jonathan D. Hill

University of Illinois Press, 2008

Made-from-Bone is the first work to provide a complete set of English translations of narratives about the mythic past and its transformations from the indigenous Arawak-speaking people of South America. Among the Arawak-speaking Wakuénai of southernmost Venezuela, storytellers refer to these narratives as "words from the primordial times," and they are set in an unfinished space-time before there were any clear distinctions between humans and animals, men and women, day and night, old and young, and powerful and powerless. The central character throughout these primordial times and the ensuing developments that open up the world of distinct peoples, species, and places is a trickster-creator, Made-from-Bone, who survives a prolonged series of life-threatening attacks and ultimately defeats all his adversaries. 

Carefully recorded and transcribed by Jonathan D. Hill, these narratives offer scholars of South America and other areas the only ethnographically generated cosmogony of contemporary or ancient native peoples of South America. Hill includes translations of key mythic narratives along with interpretive and ethnographic discussion that expands on the myths surrounding this fascinating and enigmatic character with broad appeal throughout various folkloric traditions.

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cover of Made in America: A Social History of American Culture and Character

Made in America

A Social History of American Culture and Character

Claude S. Fischer

University of Chicago Press, 2010

Our nation began with the simple phrase, “We the People.” But who were and are “We”? Who were we in 1776, in 1865, or 1968, and is there any continuity in character between the we of those years and the nearly 300 million people living in the radically different America of today?

With Made in America, Claude S. Fischer draws on decades of historical, psychological, and social research to answer that question by tracking the evolution of American character and culture over three centuries. He explodes myths—such as that contemporary Americans are more mobile and less religious than their ancestors, or that they are more focused on money and consumption—and reveals instead how greater security and wealth have only reinforced the independence, egalitarianism, and commitment to community that characterized our people from the earliest years. Skillfully drawing on personal stories of representative Americans, Fischer shows that affluence and social progress have allowed more people to participate fully in cultural and political life, thus broadening the category of “American” —yet at the same time what it means to be an American has retained surprising continuity with much earlier notions of American character.

Firmly in the vein of such classics as The Lonely Crowd and Habits of the Heart—yet challenging many of their conclusions—Made in America takes readers beyond the simplicity of headlines and the actions of elites to show us the lives, aspirations, and emotions of ordinary Americans, from the settling of the colonies to the settling of the suburbs.

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cover of Made in Chicago: Stories Behind 30 Great Hometown Bites

Made in Chicago

Stories Behind 30 Great Hometown Bites

Monica Eng and David Hammond

University of Illinois Press, 2023

A BookRiot Most Anticipated Travel Book of 2023

Italian beef and hot dogs get the headlines. Cutting-edge cuisine and big-name chefs get the Michelin stars. But Chicago food shows its true depth in classic dishes conceived in the kitchens of immigrant innovators, neighborhood entrepreneurs, and mom-and-pop visionaries.

Monica Eng and David Hammond draw on decades of exploring the city’s food landscape to serve up thirty can’t-miss eats found in all corners of Chicago. From Mild Sauce to the Jibarito and from Taffy Grapes to Steak and Lemonade, Eng and Hammond present stories of the people and places behind each dish while illuminating how these local favorites reflect the multifaceted history of the city and the people who live there. Each entry provides all the information you need to track down whatever sounds good and selected recipes even let you prepare your own Flaming Saganaki or Akutagawa.

Generously illustrated with full-color photos, Made in Chicago provides locals and visitors alike with loving profiles of a great food city’s defining dishes.

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cover of Made in Newark: Cultivating Industrial Arts and Civic Identity in the Progressive Era

Made in Newark

Cultivating Industrial Arts and Civic Identity in the Progressive Era

Shales, Ezra

Rutgers University Press, 2010

What does it mean to turn the public library or museum into a civic forum? Made in Newark describes a turbulent industrial city at the dawn of the twentieth century and the ways it inspired the library's outspoken director, John Cotton Dana, to collaborate with industrialists, social workers, educators, and New Women.

This is the story of experimental exhibitions in the library and the founding of the Newark Museum Associationùa project in which cultural literacy was intertwined with civics and consumption. Local artisans demonstrated crafts, connecting the cultural institution to the department store, school, and factory, all of which invoked the ideal of municipal patriotism. Today, as cultural institutions reappraise their relevance, Made in Newark explores precedents for contemporary debates over the ways the library and museum engage communities, define heritage in a multicultural era, and add value to the economy.
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cover of Made to Be Seen: Perspectives on the History of Visual Anthropology

Made to Be Seen

Perspectives on the History of Visual Anthropology

Edited by Marcus Banks and Jay Ruby

University of Chicago Press, 2011

Made to be Seen brings together leading scholars of visual anthropology to examine the historical development of this multifaceted and growing field. Expanding the definition of visual anthropology beyond more limited notions, the contributors to Made to be Seen reflect on the role of the visual in all areas of life. Different essays critically examine a range of topics: art, dress and body adornment, photography, the built environment, digital forms of visual anthropology, indigenous media, the body as a cultural phenomenon, the relationship between experimental and ethnographic film, and more.

The first attempt to present a comprehensive overview of the many aspects of an anthropological approach to the study of visual and pictorial culture, Made to be Seen will be the standard reference on the subject for years to come. Students and scholars in anthropology, sociology, visual studies, and cultural studies will greatly benefit from this pioneering look at the way the visual is inextricably threaded through most, if not all, areas of human activity.

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cover of Made-Up Asians: Yellowface During the Exclusion Era

Made-Up Asians

Yellowface During the Exclusion Era

Esther Kim Lee

University of Michigan Press, 2022

Made-Up Asians traces the history of yellowface, the theatrical convention of non-Asian actors putting on makeup and costume to look East Asian. Using specific case studies from European and U.S. theater, race science, and early film, Esther Kim Lee traces the development of yellowface in the U.S. context during the Exclusion Era (1862–1940), when Asians faced legal and cultural exclusion from immigration and citizenship. These caricatured, distorted, and misrepresented versions of Asians took the place of excluded Asians on theatrical stages and cinema screens. The book examines a wide-ranging set of primary sources, including makeup guidebooks, play catalogs, advertisements, biographies, and backstage anecdotes, providing new ways of understanding and categorizing yellowface as theatrical practice and historical subject. Made-Up Asians also shows how lingering effects of Asian exclusionary laws can still be seen in yellowface performances, casting practices, and anti-Asian violence into the 21st century. 
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cover of Madeline Island & the Chequamegon Region

Madeline Island & the Chequamegon Region

John O. Holzhueter

Wisconsin Historical Society Press, 1974

An updated reprint of the definitive history of a storied corner of the Upper Great Lakes—Madeline Island and the Chequamegon region on Wisconsin’s Lake Superior.   A new foreword by Steve Cotherman, director of the Madeline Island Museum, brings the text of this book up to date on the history of Madeline Island and the Chequamegon region from the days before the missions to present-day tourism.  Madeline Island played a significant role in the early history of Wisconsin and was an important outpost in the fur trade. Ojibwe from Wisconsin and surrounding areas view the island as a sacred place. Other Indian Nations, such as the Huron and Ottawa, also trace their history to Madeline Island.  Today, Madeline Island and nearby Bayfield are popular tourist destinations, drawing tens of thousands of visitors every summer and throughout the winter.
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cover of Madison in the Sixties

Madison in the Sixties

Stuart D. Levitan

Wisconsin Historical Society Press, 2018

Madison made history in the sixties.

Landmark civil rights laws were passed. Pivotal campus protests were waged. A spring block party turned into a three-night riot. Factor in urban renewal troubles, a bitter battle over efforts to build Frank Lloyd Wright’s Monona Terrace, and the expanding influence of the University of Wisconsin, and the decade assumes legendary status. 

In this first-ever comprehensive narrative of these issues—plus accounts of everything from politics to public schools, construction to crime, and more—Madison historian Stuart D. Levitan chronicles the birth of modern Madison with style and well-researched substance. This heavily illustrated book also features annotated photographs that document the dramatic changes occurring downtown, on campus, and to the Greenbush neighborhood throughout the decade. Madison in the Sixties is an absorbing account of ten years that changed the city forever.
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cover of Madison's Nightmare: How Executive Power Threatens American Democracy

Madison's Nightmare

How Executive Power Threatens American Democracy

Peter M. Shane

University of Chicago Press, 2009

The George W. Bush administration’s ambitious—even breathtaking—claims of unilateral executive authority raised deep concerns among constitutional scholars, civil libertarians, and ordinary citizens alike. But Bush’s attempts to assert his power are only the culmination of a near-thirty-year assault on the basic checks and balances of the U.S. government—a battle waged by presidents of both parties, and one that, as Peter M. Shane warns in Madison’s Nightmare, threatens to utterly subvert the founders’ vision of representative government.

Tracing this tendency back to the first Reagan administration, Shane shows how this era of "aggressive presidentialism" has seen presidents exerting ever more control over nearly every arena of policy, from military affairs and national security to domestic programs. Driven by political ambition and a growing culture of entitlement in the executive branch—and abetted by a complaisant Congress, riven by partisanship—this presidential aggrandizement has too often undermined wise policy making and led to shallow, ideological, and sometimes outright lawless decisions. The solution, Shane argues, will require a multipronged program of reform, including both specific changes in government practice and broader institutional changes aimed at supporting a renewed culture of government accountability.

From the war on science to the mismanaged war on terror, Madison’s Nightmare outlines the disastrous consequences of the unchecked executive—and issues a stern wake-up call to all who care about the fate of our long democratic experiment.

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cover of Madison: Portraits of Our Neighbors

Madison

Portraits of Our Neighbors

Laura Jo Amaral and Stacie Huckeba; Foreword by Carlene Carter

Vanderbilt University Press, 2025

Madison: Portraits of Our Neighbors, a photography book and living historical document of a unique Tennessee community, is the result of an artistic partnership between internationally recognized photographer Stacie Huckeba and Madison, Tennessee, community volunteer Laura Jo Amaral. This book captures the heart of the people who contribute to the Madison community as it is today, through portraits of a range of its citizens—a world-class bass player, a nonagenarian cattle farmer, a TikTok celebrity, a singer-songwriter, a mariachi band, the personal photographer for Johnny Cash, a beloved gymnastics coach, model airplane enthusiasts, educators, a fashion designer, a puppet enthusiast, a pastor and outreach worker, and an array of artists, small business owners, farmers, and local legends. Beyond a collection of portraits, it is a testament to an enduring urban community, a celebration of the shared human experience, and a reminder to see our neighbors in their best light. Madison: Portraits of Our Neighbors invites readers to celebrate the tapestry of humanity that weaves through this distinctive neighborhood.

This book is the recipient of the 2026 Norman L. and Roselea J. Goldberg Prize from Vanderbilt University Press for the best book in the area of art or medicine.

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cover of Madison: The Illustrated History, 1932–1979

Madison

The Illustrated History, 1932–1979

Stuart D. Levitan

University of Wisconsin Press, 2026

This second volume in the acclaimed illustrated civic history of Madison, Wisconsin, tells the story of this iconic midwestern city in the middle years of the twentieth century. Like the rest of America in this period, Madison was buffeted by a boom-and-bust economy, hot and cold wars abroad, and social and cultural changes on the homefront. Stuart D. Levitan, a mainstay of Madison media and government since 1975, offers a decade-by-decade visual and narrative account of the city’s transformation—as well as that of its major public university. Featuring hundreds of illustrations, this volume also highlights the local legends and luminaries who shaped the city, from bootleggers to world-famous architects to radicals and revolutionaries.

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cover of Madison: The Illustrated History, Volume 1, 1856–1931

Madison

The Illustrated History, Volume 1, 1856–1931

Stuart D. Levitan

University of Wisconsin Press, 2006

This engaging illustrated history, full of photographs, maps, and bird’s-eye views, captures Madison’s early history from its first days as a city to the Great Depression. Biographical vignettes tell the stories of early movers and shakers in the city. The volume includes many archival images of Madison that have never been published or have not been seen for a century or more.

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cover of Madness Is Civilization: When the Diagnosis Was Social, 1948-1980

Madness Is Civilization

When the Diagnosis Was Social, 1948-1980

Michael E. Staub

University of Chicago Press, 2011

In the 1960s and 1970s, a popular diagnosis for America’s problems was that society was becoming a madhouse. In this intellectual and cultural history, Michael E. Staub examines a time when many believed insanity was a sane reaction to obscene social conditions, psychiatrists were agents of repression, asylums were gulags for society’s undesirables, and mental illness was a concept with no medical basis.

Madness Is Civilization explores the general consensus that societal ills—from dysfunctional marriage and family dynamics to the Vietnam War, racism, and sexism—were at the root of mental illness. Staub chronicles the surge in influence of socially attuned psychodynamic theories along with the rise of radical therapy and psychiatric survivors' movements. He shows how the theories of antipsychiatry held unprecedented sway over an enormous range of medical, social, and political debates until a bruising backlash against these theories—part of the reaction to the perceived excesses and self-absorptions of the 1960s—effectively distorted them into caricatures. Throughout, Staub reveals that at stake in these debates of psychiatry and politics was nothing less than how to think about the institution of the family, the nature of the self, and the prospects for, and limits of, social change.

 The first study to describe how social diagnostic thinking emerged, Madness Is Civilization casts new light on the politics of the postwar era.

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cover of Madness and Enterprise: Psychiatry, Economic Reason, and the Emergence of Pathological Value

Madness and Enterprise

Psychiatry, Economic Reason, and the Emergence of Pathological Value

Nima Bassiri

University of Chicago Press, 2024

Uncovers a powerful relationship between pathology and money: beginning in the nineteenth century, the severity of mental illness was measured against a patient’s economic productivity.
 
Madness and Enterprise reveals the economic norms embedded within psychiatric thinking about mental illness in the North Atlantic world. Over the course of the nineteenth century, various forms of madness were subjected to a style of psychiatric reasoning that was preoccupied with money. Psychiatrists across Western Europe and the United States attributed financial and even moral value to an array of pathological conditions, such that some mental disorders were seen as financial assets and others as economic liabilities. By turning to economic conduct and asking whether potential patients appeared capable of managing their financial affairs or even generating wealth, psychiatrists could often bypass diagnostic uncertainties about a person’s mental state.

Through an exploration of the intertwined histories of psychiatry and economic thought, Nima Bassiri shows how this relationship transformed the very idea of value in the modern North Atlantic, as the most common forms of social valuation—moral value, medical value, and economic value—were rendered equivalent and interchangeable. If what was good and what was healthy were increasingly conflated with what was remunerative (and vice versa), then a conceptual space opened through which madness itself could be converted into an economic form and subsequently redeemed—and even revered.
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cover of Madness and Enterprise: Psychiatry, Economic Reason, and the Emergence of Pathological Value

Madness and Enterprise

Psychiatry, Economic Reason, and the Emergence of Pathological Value

Nima Bassiri

University of Chicago Press, 2024

This is an auto-narrated audiobook version of this book.

Uncovers a powerful relationship between pathology and money: beginning in the nineteenth century, the severity of mental illness was measured against a patient’s economic productivity.
 
Madness and Enterprise reveals the economic norms embedded within psychiatric thinking about mental illness in the North Atlantic world. Over the course of the nineteenth century, various forms of madness were subjected to a style of psychiatric reasoning that was preoccupied with money. Psychiatrists across Western Europe and the United States attributed financial and even moral value to an array of pathological conditions, such that some mental disorders were seen as financial assets and others as economic liabilities. By turning to economic conduct and asking whether potential patients appeared capable of managing their financial affairs or even generating wealth, psychiatrists could often bypass diagnostic uncertainties about a person’s mental state.

Through an exploration of the intertwined histories of psychiatry and economic thought, Nima Bassiri shows how this relationship transformed the very idea of value in the modern North Atlantic, as the most common forms of social valuation—moral value, medical value, and economic value—were rendered equivalent and interchangeable. If what was good and what was healthy were increasingly conflated with what was remunerative (and vice versa), then a conceptual space opened through which madness itself could be converted into an economic form and subsequently redeemed—and even revered.

[more]
cover of Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript

Madrid Codex

New Approaches to Understanding an Ancient Maya Manuscript

Gabrielle Vail

University Press of Colorado, 2004

This volume offers new calendrical models and methodologies for reading, dating, and interpreting the general significance of the Madrid Codex. The longest of the surviving Maya codices, this manuscript includes texts and images painted by scribes conversant in Maya hieroglyphic writing, a written means of communication practiced by Maya elites from the second to the fifteenth centuries A.D. Some scholars have recently argued that the Madrid Codex originated in the Petén region of Guatemala and postdates European contact. The contributors to this volume challenge that view by demonstrating convincingly that it originated in northern Yucatán and was painted in the Pre-Columbian era. In addition, several contributors reveal provocative connections among the Madrid and Borgia group of codices from Central Mexico.

Contributors include: Harvey M. Bricker, Victoria R. Bricker, John F. Chuchiak IV, Christine L. Hernández, Bryan R. Just, Merideth Paxton, and John Pohl. Additional support for this publication was generously provided by the Eugene M. Kayden Fund at the University of Colorado.

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cover of Madumo, a Man Bewitched

Madumo, a Man Bewitched

Adam Ashforth

University of Chicago Press, 2000

No one answered when I tapped at the back door of Madumo's home on Mphahlele Street a few days after my return to Soweto, so I pushed the buckling red door in a screeching grind of metal over concrete and entered calling, "Hallo?"

So begins this true story of witchcraft and friendship set against the turbulent backdrop of contemporary Soweto. Adam Ashforth, an Australian who has spent many years in the black township, finds his longtime friend Madumo in dire circumstances: his family has accused him of using witchcraft to kill his mother and has thrown him out on the street. Convinced that his life is cursed, Madumo seeks help among Soweto's bewildering array of healers and prophets. An inyanga, or traditional healer, confirms that he has indeed been bewitched. With Ashforth by his side, skeptical yet supportive, Madumo embarks upon a physically grueling treatment regimen that he follows religiously-almost to the point of death-despite his suspicion that it may be better to "Westernize my mind and not think about witchcraft."

Ashforth's beautifully written, at times poignant account of Madumo's struggle shows that the problem of witchcraft is not simply superstition, but a complex response to spiritual insecurity in a troubling time of political and economic upheaval. Post-apartheid Soweto, he discovers, is suffering from a deluge of witchcraft. Through Madumo's story, Ashforth opens up a world that few have seen, a deeply unsettling place where the question "Do you believe in witchcraft?" is not a simple one at all. The insights that emerge as Ashforth accompanies his friend on an odyssey through Soweto's supernatural perils have profound implications even for those of us who live in worlds without witches.
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cover of Mafalda: A Social and Political History of Latin America's Global Comic

Mafalda

A Social and Political History of Latin America's Global Comic

Isabella Cosse

Duke University Press, 2019

Since its creation in 1964, readers from all over the world have loved the comic Mafalda, primarily because of the sharp wit and rebellious nature of its title character—a four-year-old girl who is wise beyond her years. Through Mafalda, Argentine cartoonist Joaquín Salvador Lavado explores complex questions about class identity, modernization, and state violence. In Mafalda: A Social and Political History of Latin America's Global Comic—first published in Argentina in 2014 and appearing here in English for the first time—Isabella Cosse analyzes the comic's vast appeal across multiple generations. From Mafalda breaking the fourth wall to speak directly to readers to express her opposition to the 1966 Argentine coup, to Spanish students' protest signs bearing her face, to the comic's cult status in Korea, Cosse provides insights into the cartoon's production, circulation, and incorporation into social and political conversations. Analyzing how Mafalda reflects generational conflicts, gender, modernization, the Cold War, authoritarianism, neoliberalism, and much more, Cosse demonstrates the unexpected power of humor to shape revolution and resistance.
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cover of Mafeking Diary: A Black Man’s View of a White Man’s War

Mafeking Diary

A Black Man’s View of a White Man’s War

Sol T. Plaatje

Ohio University Press, 1990

“Sol Plaatje’s Mafeking Diary is a document of enduring importance and fascination. The product of a young black South African court interpreter, just turned 23 years old when he started writing, it opens an entirely new vista on the famous Siege of Mafeking. By shedding light on the part played by the African population of the town, Plaatje explodes the myth, maintained by belligerents, and long perpetuated by both historians and the popular imagination, this this was a white man’s affair. One of the great epics of British imperial history, and perhaps the best remembered episode of the Anglo-Boer war of 1899–1902, is presented from a wholly novel perspective.

“At the same time, the diary provides an intriguing insight into the character of a young man who was to play a key role in South African political and literary history during the first three decades of this century. It reveals much of the perceptions and motives that shaped his own attitudes and intellectual development and, indeed, those of an early generation of African leaders who sought to build a society which did not determine the place of its citizens by the colour of their skin. The diary therefore illuminates the origins of a struggle which continues to this day.”

— John L. Comaroff (ed.) in his preface

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cover of Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater

Magic Flutes and Enchanted Forests

The Supernatural in Eighteenth-Century Musical Theater

David J. Buch

University of Chicago Press, 2008

Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them.

David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake. 
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cover of Magic's Reason: An Anthropology of Analogy

Magic's Reason

An Anthropology of Analogy

Graham M. Jones

University of Chicago Press, 2017

In Magic’s Reason, Graham M. Jones tells the entwined stories of anthropology and entertainment magic. The two pursuits are not as separate as they may seem at first. As Jones shows, they not only matured around the same time, but they also shared mutually reinforcing stances toward modernity and rationality. It is no historical accident, for example, that colonial ethnographers drew analogies between Western magicians and native ritual performers, who, in their view, hoodwinked gullible people into believing their sleight of hand was divine.

Using French magicians’ engagements with North African ritual performers as a case study, Jones shows how magic became enshrined in anthropological reasoning. Acknowledging the residue of magic’s colonial origins doesn’t require us to dispense with it. Rather, through this radical reassessment of classic anthropological ideas, Magic’s Reason develops a new perspective on the promise and peril of cross-cultural comparison. 
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cover of Magical Criticism: The Recourse of Savage Philosophy

Magical Criticism

The Recourse of Savage Philosophy

Christopher Bracken

University of Chicago Press, 2007

During the Enlightenment, Western scholars racialized ideas, deeming knowledge based on reality superior to that based on ideality. Scholars labeled inquiries into ideality, such as animism and soul-migration, “savage philosophy,” a clear indicator of the racism motivating the distinction between the real and the ideal. In their view, the savage philosopher mistakes connections between signs for connections between real objects and believes that discourse can have physical effects—in other words, they believe in magic.

Christopher Bracken’s Magical Criticism brings the unacknowledged history of this racialization to light and shows how, even as we have rejected ethnocentric notions of “the savage,” they remain active today in everything from attacks on postmodernism to Native American land disputes. Here Bracken reveals that many of the most influential Western thinkers dabbled in savage philosophy, from Marx, Nietzsche, and Proust, to Freud, C. S. Peirce, and Walter Benjamin. For Bracken, this recourse to savage philosophy presents an opportunity to reclaim a magical criticism that can explain the very real effects created by the discourse of historians, anthropologists, philosophers, the media, and governments.
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cover of Magical Realism and the History of the Emotions in Latin America

Magical Realism and the History of the Emotions in Latin America

Jerónimo Arellano

Bucknell University Press, 2026

Newly available in paperback, Magical Realism and the History of the Emotions in Latin America is the first study of affect and emotion in magical realist literature. Against the grain of a vast body of scholarship, it argues that magical realism is neither exotic commodity nor postcolonial resistance, but an art form fueled by a search for wonder in a disenchanted world. Linking magical realism’s rise and fall to the shifting value of wonder as an emotional experience, Arellano proposes a radical new approach to canonical novels such as One Hundred Years of Solitude. Received as “one of the most convincing manifestations of the ‘turn to affect’ in contemporary Latin American critical thought,” this iconoclastic study draws on affect theory, the history of emotions, and new materialism to reframe key questions in Latin American literature and culture.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Magical Tales: Myth, Legend, and Enchantment in Children's Books

Magical Tales

Myth, Legend, and Enchantment in Children's Books

Edited by Carolyne Larrington and Diane Purkiss

Bodleian Library Publishing, 2013

A faun carrying an umbrella. A hobbit who makes his home in a hole in the ground. An ill-treated schoolboy with a secret and a scar. Fantasy is among the most beloved genres in children’s literature— and its offerings are often just as eagerly anticipated by adults. But how is it that writers like J. K. Rowling and Philip Pullman are able to create such remarkable images?

Magical Tales
traces the origin of the genre back through Norse mythology, Arthurian legend, and medieval literature. Drawing on manuscripts and rare books in the renowned collection of the Bodleian Library, the essays turn the spotlight on spell books; grimoires, or magical textbooks; and books of legend and myth whose themes writers like J. R. R. Tolkien and C. S. Lewis incorporated into their work, inspiring generations of writers that extend to the present day. In serving as a source of inspiration for later literary works, the contributors show, myths and legends have themselves been altered in interesting ways.

Richly illustrated, Magical Tales offers an enchanting take on the development of this wildly popular genre.
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cover of Magic’s Translations: Reality Politics in Colonial Indonesia

Magic’s Translations

Reality Politics in Colonial Indonesia

Margaret J. Wiener

Duke University Press, 2025

“Do you believe in magic?” This familiar question suggests magic is easily recognized but unreal. In Magic’s Translations, Margaret J. Wiener argues that such views are shaped by historical power struggles, especially in Europe’s relations with the wider world. Focusing on nineteenth- and twentieth-century Dutch interactions with Indonesians, Wiener reveals how colonial agents framed unfamiliar practices, practitioners, and objects as “magic,” rendering distinct phenomena fundamentally alike and advancing colonizing projects that deemed magic antithetical to reason and reality. While colonial authorities, including ethnologists, mobilized the concept of magic to differentiate Europeans from Indonesians, nature from culture, reason from superstition, and fact from fetish, their efforts produced unexpected outcomes: Some Indonesian artifacts and acts not only retained their power but invaded European experiences. As anthropologists were among the key translators of magic throughout the world, Wiener intersperses accounts of magic’s translations in the Indies with reflections on anthropology’s ongoing engagement with the concept. She demonstrates that magic became an object of expert knowledge, political control, and popular fascination, rather than a self-evident category or relic of naïve belief.
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cover of Magna Carta: Its Role in the Making of the English Constitution, 1300-1629

Magna Carta

Its Role in the Making of the English Constitution, 1300-1629

Faith Thompson

University of Minnesota Press, 1948

Magna Carta was first published in 1948. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.This important study in English constitutional history is the story of the Magna Carta from the end of the reign of Edward I to the dissolution of parliament and the completion of Sir Edward Coke’s Commentary (1300-1629).Miss Thompson surveys the various ways, practical and theoretical, in which the Charter was used by groups and individuals in English society. She examines the pertinent sources and finds that the Charter was never eclipsed in the later Middle Ages or even in the Tudor period and that its reinterpretation in the early Stuart period was not an abrupt and novel phenomenon. The statesmen who transformed a charter of feudal “liberties” into a charter of “liberty of the subject” were using a document with a long history and a reputation already made in plea rolls and Year Books, parliament and statute rolls, law treatises, and even chronicles.Miss Thompson provides considerable background material to support her emphasis on this process of interpretation, and she clearly interprets the character and motives of successive sponsors of the Charter.The value of Miss Thompson’s study is in the unusual thoroughness of her treatment of Magna Carta and in her corrections of misconceptions about the role the Magna Carta has played in the making of the English constitution.
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cover of Magna Carta: Origins and Legacy

Magna Carta

Origins and Legacy

Nicholas Vincent

Bodleian Library Publishing, 2015

Magna Carta is the most famous document in English history. And yet its survival is purely accidental. King John, who negotiated the document with his rebellious barons, had no intention of honouring its contents. Annulled by the pope within weeks of being issued, it was destined to oblivion. But with the sudden death of John, all of this changed. Magna Carta was reissued by the regents of the boy King Henry III as an apology for past misrule and as a promise of future good government. It was reissued on successive occasions and repeatedly cited in legal cases in the following centuries. Later, it played a part in conflicts such as the English Civil War and the American Revolutionary War. Echoes of Magna Carta are to be found in the Declaration of Independence and the Constitution. It continues to be cited today as a touchstone of fundamental universal freedoms. 

This book tells the story of the birth and development of Magna Carta from its origins to the modern day. It also reproduces and describes, for the very first time, every surviving copy of the Great Charter, as well as related charters of the period, including various new discoveries. It addresses the previously unanswered question of how the charter was published and disseminated to the shires of England and includes a chapter on the charter's scribes and sealing, supplying a truly unique insight into both the creation and afterlife of the most fundamental legal document in British history.
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cover of Magna Carta: history, context and influence: Papers delivered at Peking University on the 800th anniversary of Magna Carta

Magna Carta

history, context and influence: Papers delivered at Peking University on the 800th anniversary of Magna Carta

Edited by Lawrence Goldman

University of London Press, 2018

This book examines the history and influence of Magna Carta in British and American history. In a series of essays written by notable British specialists, it considers the origins of the document in the political and religious contexts of the thirteenth century, the relevance of its principles to the seventeenth century disputes that led to the Civil War, the uses made of Magna Carta to justify the American Revolution, and its inspiration of the radical-democratic movement in Britain in the early nineteenth century. The introductory essay considers the celebration of Magna Carta's 800th anniversary in 2015 in relation to ceremonials and remembrance in Britain in general. Given as papers to a joint conference of British and Chinese historians in Beijing in 2015, these essays provide a clear and insightful overview of the origins and impact of a medieval document that has shaped the history of the world.   The open access edition of this book can be found at http://humanities-digital-library.org/index.php/hdl/catalog/book/goldman.
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cover of Magnificent Méliès: The Authorized Biography

Magnificent Méliès

The Authorized Biography

Madeleine Malthête-Méliès, translated by Kel Pero, edited by Matthew Solomon

University of Michigan Press, 2022

The films of Georges Méliès (1861–1938) are landmarks in the early history of narrative filmmaking and cinematic special effects. He was a harbinger of modern aesthetics and media manipulation, and this book, written by his granddaughter, is the only one that tells his full story. Magnificent Méliès is a thoroughly researched but highly accessible book that is a crucial source for the scholar and an entertaining read for the nonspecialist. The core of the biography provides detailed accounts of Méliès’ filmmaking years (1896–1913), from his first motion pictures shortly after the public premiere of the Lumière Cinématographe through such worldwide successes as his film Voyage dans la Lune (A Trip to the Moon) and his eventual marginalization by the very industry he had helped to found. The biography also chronicles Méliès’ formative work as director of Paris’s preeminent magic theater, the Théâtre Robert-Houdin; his subsequent career staging operettas for the Théâtre des Variétés Artistiques  (1917–1923) in Montreuil on the site of one of his former film studios; and his later years selling toys and candy at the Gare Montparnasse (1926–1932) before being rediscovered by journalists and the avant-garde. These and other fascinating chapters highlight the remarkable range of Méliès’ creative work while suggesting how his singular life was nevertheless shaped by the seismic historical shifts of Second Empire and Third Republic France.
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cover of Magnus Felix Ennodius: A Gentleman of the Church

Magnus Felix Ennodius

A Gentleman of the Church

S. A. H. Kennell

University of Michigan Press, 2000

Magnus Felix Ennodius (474-521), deacon of Milan and bishop of Pavia in the turbulent years after the fall of the Roman Empire in the West, was a prolific writer of letters, poetry, speeches, and pamphlets on the controversies that beset the church in his day. In the Middle Ages, he was read as a model of style and source of canon law. More recently, however, Ennodius' writings have been denigrated as the vapid product of a frivolous mind more concerned with form than content. Magnus Felix Ennodius: A Gentleman of the Church sets the record straight by restoring Ennodius to his social and literary context. Ennodius stands revealed as a man on the cusp of the ancient and medieval worlds, his thought still shaped according to classical norms, but his writings informed with a sensibility that prefigures that of the Christian Middle Ages. As the only book-length study of Ennodius, here the author explores all aspects of Ennodius' life and literary production to augment the collective understanding of him on two major fronts, rhetoric and meaning, so that he can take his place as an important author and historical figure. Deeply insightful, and refreshingly original, the author breaks new ground in studying this period of history, so often overshadowed by the classical and middle ages that immediately precede and succeed it.
S. A. H. Kennell is Adjunct Professor of Classics, Memorial University of Newfoundland.
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cover of Maguey Journey: Discovering Textiles in Guatemala

Maguey Journey

Discovering Textiles in Guatemala

Kathryn Rousso

University of Arizona Press, 2010

The name "maguey" refers to various forms of the agave and furcraea genus, also sometimes called the century plant. The fibers extracted from the leaves of these plants are spun into fine cordage and worked with a variety of tools and techniques to create textiles, from net bags and hammocks to equestrian gear.

In this fascinating book, Kathryn Rousso, an accomplished textile artist, takes a detailed look at the state of maguey culture, use, and trade in Guatemala. She has spent years traveling in Guatemala, highlighting maguey workers’ interactions in many locations and blending historical and current facts to describe their environments. Along the way, Rousso has learned the process of turning a raw leaf into beautiful and useful textile products and how globalization and modernization are transforming the maguey trade in Guatemala.

Featuring a section of full-color illustrations that follow the process from plant to weaving to product, Maguey Journey presents the story of this fiber over recent decades through the travels of an impassioned artist. Useful to cultural anthropologists, ethnobotanists, fiber artists, and interested travelers alike, this book offers a snapshot of how the industry stands now and seeks to honor those who keep the art alive in Guatemala.
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cover of Maguey Utilization in Highland Central Mexico: An Archaeological Ethnography

Maguey Utilization in Highland Central Mexico

An Archaeological Ethnography

Jeffrey R. Parsons and Mary H. Parsons

University of Michigan Press, 1990

The maguey plant plays a central role in cultural adaptation and cultural change in highland Mesoamerica. This book is a comprehensive study of the plant and its use. Includes chapters on maguey cultivation and pulque production, maguey fiber processing and spinning, and the archaeological implications of the available ethnographic and historic information about maguey utilization.
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cover of Mahan and Baekje: The Complex Origins of Korean Kingdoms

Mahan and Baekje

The Complex Origins of Korean Kingdoms

Rory Walsh

Michigan Publishing Services, 2020

Mahan and Baekje is a pioneering study of the Korean past from the perspective of everyday objects: ceramics made, used, and left behind by ancient Koreans themselves. Focusing on the third to fifth centuries CE in southwestern Korea, this book reexamines the social, political, and economic construction of the interconnected societies known as Mahan and the kingdom of Baekje. Pottery, which played central roles in Mahan’s and Baekje’s culinary practices, community gatherings, trade, and ritual, now sheds new light on the origins of Korean civilization. 

Using advanced archaeological and geochemical techniques, this book traces the production, exchange, and use of pottery from Mahan and Baekje. The patterns reveal the shared underpinnings of Mahan and Baekje political economy, showing that the Baekje kingdom developed locally and not as the result of outside forces. Long-distance trade in Mahan and Baekje suggest a cosmopolitan ethos with roots in the deep past, while smaller scale exchanges hint at the complex web of social interactions that typified early Korean societies. Mahan and Baekje provides exciting new details of life at an epochal moment in ancient Korea.
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cover of Maharajah of Bikaner: India

Maharajah of Bikaner

India

Hugh Purcell

Haus Publishing, 2010

The story of the Indian soldiery in the Great War needs a new telling and one important chapter of it will be about the Maharajah of Bikaner: Dashing, autocratic and a formidable public speaker, Ganga Singh commanded his own camel corps called the Ganga Risala, fought on the Western Front and in Egypt, became the first Indian general in the British Indian army and persuaded the maharajas to unite into the Chamber of Princes. As a result of this and his war record he was invited by Lloyd George to attend the Imperial War Conference in 1917 and then the Versailles Peace Conference two years later, where he persuaded the other delegates to include India in the new League of Nations, quite an achievement as it was not an independent nation. Less successfully he tried to prevent the dismemberment of Turkey.
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cover of Mai Ya's Long Journey

Mai Ya's Long Journey

Sheila Cohen

Wisconsin Historical Society Press, 2005

The story of Mai Ya Xiong and her family and their journey from the Ban Vinai refugee camp in Thailand to a new life in Madison, Wisconsin, is extraordinary. Yet it is typical of the stories of the 200,000 Hmong people who now live in the United States and who struggle to adjust to American society while maintaining their own culture as a free people.

Mai Ya's Long Journey follows Mai Ya Xiong, a young Hmong woman, from her childhood in Thailand's Ban Vinai Refugee Camp to her current home in Wisconsin. Mai Ya's parents fled Laos during the Vietnam War and were refugees in Thailand for several years before reaching the United States. But the story does not end there. Students will read the challenges Mai Ya faces in balancing her Hmong heritage and her adopted American culture as she grows into adulthood.

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cover of Maid as Muse: How Servants Changed Emily Dickinson’s Life and Language

Maid as Muse

How Servants Changed Emily Dickinson’s Life and Language

Aífe Murray

University of New Hampshire Press, 2010

In Maid as Muse, Aífe Murray explodes the myth of the isolated genius and presents an intimate, densely realized story of joined lives between Emily Dickinson and her domestic servants. Part scholarly study, part detective story, part personal journey, Murray's book uncovers a world previously unknown: an influential world of Irish immigrant servants and an ethnically rich one of Yankee, English-immigrant, Native American, and African American maids and laborers, seamstresses and stablemen. Murray reveals how Margaret Maher and the other servants influenced the cultural outlook, fashion, artistic subject, and even poetic style of Emily Dickinson. Irish immigrant Maher becomes the lens to a larger story about artistic reciprocities and culture-making that has meaning way beyond Dickinson. This below-stairs, bottom-up portrait of the artist and her family not only injects themes of class and ethnic difference into the story but also imparts subtle details and intimacies that make the study of Emily Dickinson urgent once again. In the kitchen pantry where she spent a good portion of each day, the outside world came to Dickinson. The "invisible" kitchen was headquarters for people mostly lost from the public record—and it was her interactions with them that changed and helped define who Emily Dickinson was as a person and a poet.
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cover of Mail and Female: Epistolary Narrative and Desire in Ovid's Heroides

Mail and Female

Epistolary Narrative and Desire in Ovid's Heroides

Sara H. Lindheim

University of Wisconsin Press, 2003

    In the Heroides, the Roman poet Ovid wittily plucks fifteen abandoned heroines from ancient myth and literature and creates the fiction that each woman writes a letter to the hero who left her behind. But in giving voice to these heroines, is Ovid writing like a woman, or writing "Woman" like a man?
    Using feminist and psychoanalytic approaches to examine the "female voice" in the Heroides, Sara H. Lindheim closely reads these fictive letters in which the women seemingly tell their own stories. She points out that in Ovid’s verse epistles all the women represent themselves in a strikingly similar and disjointed fashion. Lindheim turns to Lacanian theory of desire to explain these curious and hauntingly repetitive representations of the heroines in the "female voice." Lindheim’s approach illuminates what these poems reveal about both masculine and feminine constructions of the feminine
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cover of Maimonides' Empire of Light: Popular Enlightenment in an Age of Belief

Maimonides' Empire of Light

Popular Enlightenment in an Age of Belief

Ralph Lerner

University of Chicago Press, 2000

Much of the writing of and about the twelfth-century rabbi, philosopher, and theologian Moses Maimonides is addressed to an elite audience of philosophers and intellectuals. Here, Ralph Lerner's exploration of Maimonides' popular writings reveals that the education of the common man was one of the great teacher's chief concerns.

Lerner describes the brilliant and sometimes wily ways in which Maimonides sought to break through the despair and superstition that gripped the Jewish people's minds, without sacrificing the dignity and core of his message. These writings—presented here in uncommonly accurate, mostly new translations—also reveal that Maimonides was willing to risk the scorn of his contemporaries to enlighten both his own and future generations. By addressing the writings of Maimonides' disciples, including Shem Tov ben Joseph Ibn Falaquera in the mid-thirteenth century and Joseph Albo in the fifteenth century, Lerner shows how this technique was passed on.

In striking contrast to the Enlightenment of the eighteenth century, Maimonides' enlightenment is premised on the inequality of understandings and other differences between the elite and the common people. Instead of scorning the past, Lerner shows, Maimonides' enlightenment invests it with a new and ennobling dignity. A valuable reference for students of political philosophy and Jewish studies, Lerner's elegantly written book also brings to life the richness and relevance of medieval Jewish thought for all those interested in the Jewish tradition.
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cover of Maimonides' Ethics: The Encounter of Philosophic and Religious Morality

Maimonides' Ethics

The Encounter of Philosophic and Religious Morality

Raymond L. Weiss

University of Chicago Press, 1991

In this book Raymond L. Weiss examines how a seminal Jewish thinker negotiates the philosophical conflict between Athens and Jerusalem in the crucial area of ethics. Maimonides, a master of both the classical and the biblical-rabbinic traditions, reconciled their differing views of morality primarily in the context of Jewish jurisprudence. Taking into consideration the entire corpus of Maimonides' writings, Weiss focuses on the ethical sections of the Commentary on the Mishnah and the Mishneh Torah, but also discusses the Guide of the Perplexed, the letters of Maimonides, and his medical works.

The gulf between classical philosophy and the Torah made the task of Maimonides extraordinarily difficult. Weiss shows that Maimonides subtly preserves the tension between those traditions while producing a practical accommodation between them. To explain how Maimonides was able to accomplish this twofold goal, Weiss takes seriously the multilevel character of Maimonides' works. Weiss interprets Maimonides as a heterodox thinker who, with utter integrity, faces the Law's encounter with philosophy and gives both the Torah and philosophy their due.
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cover of Maimonides' "Guide of the Perplexed" in Translation: A History from the Thirteenth Century to the Twentieth

Maimonides' "Guide of the Perplexed" in Translation

A History from the Thirteenth Century to the Twentieth

Edited by Josef Stern, James T. Robinson, and Yonatan Shemesh

University of Chicago Press, 2019

Moses Maimonides’s Guide of the Perplexed is the greatest philosophical text in the history of Jewish thought and a major work of the Middle Ages. For almost all of its history, however, the Guide has been read and commented upon in translation—in Hebrew, Latin, Spanish, French, English, and other modern languages—rather than in its original Judeo-Arabic. This volume is the first to tell the story of the translations and translators of Maimonides’ Guide and its impact in translation on philosophy from the Middle Ages to the present day. 
           
A collection of essays by scholars from a range of disciplines, the book unfolds in two parts. The first traces the history of the translations of the Guide, from medieval to modern renditions. The second surveys its influence in translation on Latin scholastic, early modern, and contemporary Anglo-American philosophy, as well as its impact in translation on current scholarship. Interdisciplinary in approach, this book will be essential reading for philosophers, historians, and religious studies scholars alike.
 
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cover of Main Street Public Library: Community Places and Reading Spaces in the Rural Heartland, 1876-956

Main Street Public Library

Community Places and Reading Spaces in the Rural Heartland, 1876-956

Wayne A. Wiegand

University of Iowa Press, 2011

The United States has more public libraries than it has McDonald’s restaurants.
 
By any measure, the American public library is a heavily used and ubiquitous institution. Popular thinking identifies the public library as a neutral agency that protects democratic ideals by guarding against censorship as it makes information available to people from all walks of life. Among librarians this idea is known as the “library faith.” But is the American public library as democratic as it appears to be?
 
 In Main Street Public Library, eminent library historian Wayne Wiegand studies four emblematic small-town libraries in the Midwest from the late nineteenth century through the federal Library Service Act of 1956, and shows that these institutions served a much different purpose than is so often perceived. Rather than acting as neutral institutions that are vital to democracy, the libraries of Sauk Centre, Minnesota; Osage, Iowa; Rhinelander, Wisconsin; and Lexington, Michigan, were actually mediating community literary values and providing a public space for the construction of social harmony. These libraries, and the librarians who ran them, were often just as susceptible to the political and social pressures of their time as any other public institution.
 
By analyzing the collections of all four libraries and revealing what was being read and why certain acquisitions were passed over, Wiegand challenges both traditional perceptions and professional rhetoric about the role of libraries in our small-town communities. While the American public library has become essential to its local community, it is for reasons significantly different than those articulated by the “library faith.”
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cover of Main Street Ready-Made

Main Street Ready-Made

Arnold Alanen

Wisconsin Historical Society Press, 1987

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cover of Main Street Ready-Made: The New Deal Community of Greendale, Wisconsin

Main Street Ready-Made

The New Deal Community of Greendale, Wisconsin

Arnold R. Alanen

Wisconsin Historical Society Press, 2012

The dream of the suburb is an old one in America. For more than a century, city dwellers have sought to escape the crowding and pollution of industrial centers for the quiet streets and green spaces on their fringes. In the 1930s, that dream inspired the largest migration of Americans in the twentieth century and led to the creation of Greendale, Wisconsin, one of three planned communities initially begun to resettle the rural poor hit hard by the Great Depression. This idea, though, quickly developed into a plan to revitalize cities and stabilize farming communities around the nation. The result was three “greenbelt towns” built from scratch, expressly for working-class families and within easy commuting distance of urban employment. Greendale, completed in 1938, was consciously designed as a midwestern town in both its physical character and social organization, where ordinary citizens could live in a safe, attractive, economical community that was in harmony with the surrounding farmland.

“Main Street Ready-Made” examines Greendale as an outgrowth of public policy, an experiment in social engineering, and an organic community that eventually evolved to embrace a huge shopping mall, condominiums, and expensive homes while still preserving much of the architecture and ambiance of the original village. A snapshot of 1930s idealism and ingenuity, “Main Street Ready-Made” makes a significant contribution to the history of cities, suburbs, and social planning in mid-century America.

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cover of Main Street Revisited: Time, Space, and Image Building in Small-Town America

Main Street Revisited

Time, Space, and Image Building in Small-Town America

Richard V. Francaviglia

University of Iowa Press, 1996

As an archetype for an entire class of places, Main Street has become one of America's most popular and idealized images. In Main Street Revisited, the first book to place the design of small downtowns in spatial and chronological context, Richard Francaviglia finds the sources of romanticized images of this archetype, including Walt Disney's Main Street USA, in towns as diverse as Marceline, Missouri, and Fort Collins, Colorado.

Francaviglia interprets Main Street both as a real place and as an expression of collective assumptions, designs, and myths; his Main Streets are treasure troves of historic patterns. Using many historical and contemporary photographs and maps for his extensive fieldwork and research, he reveals a rich regional pattern of small-town development that serves as the basis for American community design. He underscores the significance of time in the development of Main Street's distinctive personality, focuses on the importance of space in the creation of place, and concentrates on popular images that have enshrined Main Street in the collective American consciousness.

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cover of Maine’s Lithographic Landscapes: Town and City Views, 1830-1870

Maine’s Lithographic Landscapes

Town and City Views, 1830-1870

Earle G. Shettleworth Jr.

Brandeis University Press, 2020

During the nineteenth century, Americans celebrated their towns and cities through printed landscapes. In Maine, lithographs were commissioned from such leading artists as Fitz Henry Lane and talented, lesser known local artists, such as Esteria Butler. This book reproduces many of these works and provides insights into how these growing centers of commerce and industry viewed themselves and wished to be viewed by others. 

It’s the perfect book for those who love Maine, both full-time residents and those who make it a beloved summer destination. 

Published in association with the Bowdoin College Museum of Art on the occasion of the bicentennial of Maine statehood.

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cover of Mainsprings of Indian and Pakistani Foreign Policies

Mainsprings of Indian and Pakistani Foreign Policies

S.M. Burke

University of Minnesota Press, 1974

Mainsprings of Indian and Pakistani Foreign Policies was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This study by a South Asian specialist illuminates a vast and complex field. For the first time Indian and Pakistani foreign policies have been paralleled within the covers of a single volume. Also for the first time the author has not chosen as his starting point the year 1947, when these ancient lands reemerged as sovereign states, but has adopted it as the middle point, devoting equal attention to the pre-independence period.

Part I provides a cogent answer to the query, often raised but seldom answered to the satisfaction of outsiders, why the Hindus and the Muslims, nourished by the same soil for hundreds of years, were unable to form a single united and strong nation after releasing themselves from foreign domination. And it highlights the surprising extent to which the foreign policies of India and Pakistan have been motivated by impulses inherited from their long past.

Part II evaluates the actual performance of independent India and Pakistan on the world stage; reviews the rivalry between the United States, the Soviet Union, and China to gain influence in South Asia; and probes the vital question why India and Pakistan have belied the original expectation that they would rapidly become prosperous and powerful members of the international community. Domestic pressures bearing on the foreign policies of both countries, including circumstances culminating in the emergence of Bangladesh, are explained.

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cover of Mainstream Maverick: John Hughes and New Hollywood Cinema

Mainstream Maverick

John Hughes and New Hollywood Cinema

By Holly Chard

University of Texas Press, 2020

Winner, Best First Monograph, British Association of Film, Television and Screen Studies

The first scholarly book on John Hughes examines Hollywood's complex relationship with genre, the role of the auteur in commercial cinema, and the legacy of favorites such as Sixteen Candles and Ferris Bueller's Day Off.

In the 1980s and 1990s, John Hughes was one of Hollywood's most reliable hitmakers, churning out beloved teen comedies and family films such as The Breakfast Club and Home Alone, respectively. But was he an artist? Hughes, an adamantly commercial filmmaker who was dismissed by critics, might have laughed at the question. Since his death in 2009, though, he has been memorialized on Oscar night as a key voice of his time. Now the critics lionize him as a stylistic original.

Holly Chard traces Hughes's evolution from entertainer to auteur. Studios recognized Hughes's distinctiveness and responded by nurturing his brand. He is therefore a case study in Hollywood's production not only of movies but also of genre and of authorship itself. The films of John Hughes, Chard shows, also owed their success to the marketers who sold them and the audiences who watched. Careful readings of Hughes's cinema reveal both the sources of his iconic status and the imprint on his films of the social, political, economic, and media contexts in which he operated.

The first serious treatment of Hughes, Mainstream Maverick elucidates the priorities of the American movie industry in the New Hollywood era and explores how artists not only create but are themselves created.

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cover of Mainstreaming Palestine: Cinematic Activism and Solidarity Politics in the United States

Mainstreaming Palestine

Cinematic Activism and Solidarity Politics in the United States

Umayyah Cable

University of Minnesota Press, 2025

A history of cinema’s role in popularizing the politics of Palestinian liberation

 

For decades, Arab American activists and allies have used film, video, and multimedia to mobilize support for the Palestinian cause in the United States. In this detailed history of cinema’s role within the broader solidarity movement, Umayyah Cable analyzes the various strands of cinematic activism that have helped move Palestinian liberation politics from the periphery and into the mainstream.

 

Cable charts the shifting discourse around Palestine as it has been shaped by grassroots film production and alternative media distribution networks as well as more conventional outlets. Ranging from the circulation of educational filmstrips by the Association of Arab American University Graduates in the 1970s to the treatment of Palestinian solidarity at contemporary Hollywood awards ceremonies and film festivals, Mainstreaming Palestine tells the story of how cinema has promoted Palestinian liberation and solidarity politics. While highlighting various public controversies and struggles against censorship, Cable also acknowledges the drawbacks of the Palestinian cause being subsumed by the mainstream, discussing how activism risks becoming fashionable, undermining the radical potential of the very tools that helped bring it there.

 

Combining archival research, ethnographic observation and interviews, text analysis, and visual analysis of film, video, and multimedia, Mainstreaming Palestine encourages readers to critically assess the relationship between the politics of liberation and the all-consuming engine of contemporary capitalism. By underscoring the impact of visual media on the evolution of the Palestinian solidarity discourse, this book offers both a treatise on the practical power of cinema and a necessary historicization of an urgent issue in American politics.

 

 

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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cover of Major Robert Farmar of Mobile

Major Robert Farmar of Mobile

Robert R. Rea

University of Alabama Press, 1990

The flamboyant military career of a colonist loyal to the British crown before the Revolution.

"An engaging biography [and] a colorful tale. . . . Robert Farmar, a son of New Jersey, used his position among that colony's elite to secure a commission as a captain in the British Army during the War of Jenkins' Ear and King George's War, serving in the unsuccessful assaults at Cartegena, Cuba, and Panama and then in the disaster at Fontenoy in Flanders and in the reversals at Rocoux and Laffeldt. . . . During the Seven Years' War he participated in the capture of Havana.


 

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cover of Major Women Writers of Seventeenth-Century England

Major Women Writers of Seventeenth-Century England

James Fitzmaurice, Josephine A. Roberts, Carol L. Barash, Eugene R. Cunnar, and Nancy A. Gutierrez, Editors

University of Michigan Press, 1997

Many would find it difficult to name a woman writer in England before Jane Austen, even though women were writing as early as the time of Chaucer. It was during the seventeenth century, however, that women writers ceased to be viewed as odd or remarkable and became accepted as regular and often respected members of the literary world. The enormous commercial and artistic success of Aphra Behn's plays on the London stage of the 1670s and '80s marked the end of the time where only men were literary luminaries. Major Women Writers of Seventeenth-Century England brings together in one volume a rich assortment of writing by the women Behn influenced, as well as those who preceded her. Collected are works by Aphra Behn, Elizabeth Cary, Margaret Cavendish, Anne Finch, Aemelia Lanyer, Katherine Philips, Ester Sowernam, Rachel Speght, and Mary Wroth. The texts included are newly edited and rely on the best manuscripts and editions of the time. They are accompanied by clear introductions, helpful explanatory notes, and a range of illustrations from the period. Major Women Writers not only brings together the most significant women writers but also clearly shows the connections that exist between those who wrote without recognition in the earlier portions of this period and those who went on to celebrity status and sometimes financial success.
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