28167 books match the query 'History' and 1583 start with m
Jonathan D. Hill
University of Illinois Press, 2008
Made-from-Bone is the first work to provide a complete set of English translations of narratives about the mythic past and its transformations from the indigenous Arawak-speaking people of South America. Among the Arawak-speaking Wakuénai of southernmost Venezuela, storytellers refer to these narratives as "words from the primordial times," and they are set in an unfinished space-time before there were any clear distinctions between humans and animals, men and women, day and night, old and young, and powerful and powerless. The central character throughout these primordial times and the ensuing developments that open up the world of distinct peoples, species, and places is a trickster-creator, Made-from-Bone, who survives a prolonged series of life-threatening attacks and ultimately defeats all his adversaries.
Carefully recorded and transcribed by Jonathan D. Hill, these narratives offer scholars of South America and other areas the only ethnographically generated cosmogony of contemporary or ancient native peoples of South America. Hill includes translations of key mythic narratives along with interpretive and ethnographic discussion that expands on the myths surrounding this fascinating and enigmatic character with broad appeal throughout various folkloric traditions.
Claude S. Fischer
University of Chicago Press, 2010
Our nation began with the simple phrase, “We the People.” But who were and are “We”? Who were we in 1776, in 1865, or 1968, and is there any continuity in character between the we of those years and the nearly 300 million people living in the radically different America of today?
With Made in America, Claude S. Fischer draws on decades of historical, psychological, and social research to answer that question by tracking the evolution of American character and culture over three centuries. He explodes myths—such as that contemporary Americans are more mobile and less religious than their ancestors, or that they are more focused on money and consumption—and reveals instead how greater security and wealth have only reinforced the independence, egalitarianism, and commitment to community that characterized our people from the earliest years. Skillfully drawing on personal stories of representative Americans, Fischer shows that affluence and social progress have allowed more people to participate fully in cultural and political life, thus broadening the category of “American” —yet at the same time what it means to be an American has retained surprising continuity with much earlier notions of American character.
Firmly in the vein of such classics as The Lonely Crowd and Habits of the Heart—yet challenging many of their conclusions—Made in America takes readers beyond the simplicity of headlines and the actions of elites to show us the lives, aspirations, and emotions of ordinary Americans, from the settling of the colonies to the settling of the suburbs.
Monica Eng and David Hammond
University of Illinois Press, 2023
A BookRiot Most Anticipated Travel Book of 2023
Italian beef and hot dogs get the headlines. Cutting-edge cuisine and big-name chefs get the Michelin stars. But Chicago food shows its true depth in classic dishes conceived in the kitchens of immigrant innovators, neighborhood entrepreneurs, and mom-and-pop visionaries.
Monica Eng and David Hammond draw on decades of exploring the city’s food landscape to serve up thirty can’t-miss eats found in all corners of Chicago. From Mild Sauce to the Jibarito and from Taffy Grapes to Steak and Lemonade, Eng and Hammond present stories of the people and places behind each dish while illuminating how these local favorites reflect the multifaceted history of the city and the people who live there. Each entry provides all the information you need to track down whatever sounds good and selected recipes even let you prepare your own Flaming Saganaki or Akutagawa.
Generously illustrated with full-color photos, Made in Chicago provides locals and visitors alike with loving profiles of a great food city’s defining dishes.
Shales, Ezra
Rutgers University Press, 2010
Edited by Marcus Banks and Jay Ruby
University of Chicago Press, 2011
Made to be Seen brings together leading scholars of visual anthropology to examine the historical development of this multifaceted and growing field. Expanding the definition of visual anthropology beyond more limited notions, the contributors to Made to be Seen reflect on the role of the visual in all areas of life. Different essays critically examine a range of topics: art, dress and body adornment, photography, the built environment, digital forms of visual anthropology, indigenous media, the body as a cultural phenomenon, the relationship between experimental and ethnographic film, and more.
The first attempt to present a comprehensive overview of the many aspects of an anthropological approach to the study of visual and pictorial culture, Made to be Seen will be the standard reference on the subject for years to come. Students and scholars in anthropology, sociology, visual studies, and cultural studies will greatly benefit from this pioneering look at the way the visual is inextricably threaded through most, if not all, areas of human activity.
Esther Kim Lee
University of Michigan Press, 2022
John O. Holzhueter
Wisconsin Historical Society Press, 1974
Stuart D. Levitan
Wisconsin Historical Society Press, 2018
Peter M. Shane
University of Chicago Press, 2009
The George W. Bush administration’s ambitious—even breathtaking—claims of unilateral executive authority raised deep concerns among constitutional scholars, civil libertarians, and ordinary citizens alike. But Bush’s attempts to assert his power are only the culmination of a near-thirty-year assault on the basic checks and balances of the U.S. government—a battle waged by presidents of both parties, and one that, as Peter M. Shane warns in Madison’s Nightmare, threatens to utterly subvert the founders’ vision of representative government.
Tracing this tendency back to the first Reagan administration, Shane shows how this era of "aggressive presidentialism" has seen presidents exerting ever more control over nearly every arena of policy, from military affairs and national security to domestic programs. Driven by political ambition and a growing culture of entitlement in the executive branch—and abetted by a complaisant Congress, riven by partisanship—this presidential aggrandizement has too often undermined wise policy making and led to shallow, ideological, and sometimes outright lawless decisions. The solution, Shane argues, will require a multipronged program of reform, including both specific changes in government practice and broader institutional changes aimed at supporting a renewed culture of government accountability.
From the war on science to the mismanaged war on terror, Madison’s Nightmare outlines the disastrous consequences of the unchecked executive—and issues a stern wake-up call to all who care about the fate of our long democratic experiment.
Laura Jo Amaral and Stacie Huckeba; Foreword by Carlene Carter
Vanderbilt University Press, 2025
Madison: Portraits of Our Neighbors, a photography book and living historical document of a unique Tennessee community, is the result of an artistic partnership between internationally recognized photographer Stacie Huckeba and Madison, Tennessee, community volunteer Laura Jo Amaral. This book captures the heart of the people who contribute to the Madison community as it is today, through portraits of a range of its citizens—a world-class bass player, a nonagenarian cattle farmer, a TikTok celebrity, a singer-songwriter, a mariachi band, the personal photographer for Johnny Cash, a beloved gymnastics coach, model airplane enthusiasts, educators, a fashion designer, a puppet enthusiast, a pastor and outreach worker, and an array of artists, small business owners, farmers, and local legends. Beyond a collection of portraits, it is a testament to an enduring urban community, a celebration of the shared human experience, and a reminder to see our neighbors in their best light. Madison: Portraits of Our Neighbors invites readers to celebrate the tapestry of humanity that weaves through this distinctive neighborhood.
This book is the recipient of the 2026 Norman L. and Roselea J. Goldberg Prize from Vanderbilt University Press for the best book in the area of art or medicine.
Stuart D. Levitan
University of Wisconsin Press, 2026
This second volume in the acclaimed illustrated civic history of Madison, Wisconsin, tells the story of this iconic midwestern city in the middle years of the twentieth century. Like the rest of America in this period, Madison was buffeted by a boom-and-bust economy, hot and cold wars abroad, and social and cultural changes on the homefront. Stuart D. Levitan, a mainstay of Madison media and government since 1975, offers a decade-by-decade visual and narrative account of the city’s transformation—as well as that of its major public university. Featuring hundreds of illustrations, this volume also highlights the local legends and luminaries who shaped the city, from bootleggers to world-famous architects to radicals and revolutionaries.
Stuart D. Levitan
University of Wisconsin Press, 2006
This engaging illustrated history, full of photographs, maps, and bird’s-eye views, captures Madison’s early history from its first days as a city to the Great Depression. Biographical vignettes tell the stories of early movers and shakers in the city. The volume includes many archival images of Madison that have never been published or have not been seen for a century or more.
Michael E. Staub
University of Chicago Press, 2011
In the 1960s and 1970s, a popular diagnosis for America’s problems was that society was becoming a madhouse. In this intellectual and cultural history, Michael E. Staub examines a time when many believed insanity was a sane reaction to obscene social conditions, psychiatrists were agents of repression, asylums were gulags for society’s undesirables, and mental illness was a concept with no medical basis.
The first study to describe how social diagnostic thinking emerged, Madness Is Civilization casts new light on the politics of the postwar era.
Nima Bassiri
University of Chicago Press, 2024

Nima Bassiri
University of Chicago Press, 2024
This is an auto-narrated audiobook version of this book.
Uncovers a powerful relationship between pathology and money: beginning in the nineteenth century, the severity of mental illness was measured against a patient’s economic productivity.
Madness and Enterprise reveals the economic norms embedded within psychiatric thinking about mental illness in the North Atlantic world. Over the course of the nineteenth century, various forms of madness were subjected to a style of psychiatric reasoning that was preoccupied with money. Psychiatrists across Western Europe and the United States attributed financial and even moral value to an array of pathological conditions, such that some mental disorders were seen as financial assets and others as economic liabilities. By turning to economic conduct and asking whether potential patients appeared capable of managing their financial affairs or even generating wealth, psychiatrists could often bypass diagnostic uncertainties about a person’s mental state.
Through an exploration of the intertwined histories of psychiatry and economic thought, Nima Bassiri shows how this relationship transformed the very idea of value in the modern North Atlantic, as the most common forms of social valuation—moral value, medical value, and economic value—were rendered equivalent and interchangeable. If what was good and what was healthy were increasingly conflated with what was remunerative (and vice versa), then a conceptual space opened through which madness itself could be converted into an economic form and subsequently redeemed—and even revered.
Gabrielle Vail
University Press of Colorado, 2004
Contributors include: Harvey M. Bricker, Victoria R. Bricker, John F. Chuchiak IV, Christine L. Hernández, Bryan R. Just, Merideth Paxton, and John Pohl. Additional support for this publication was generously provided by the Eugene M. Kayden Fund at the University of Colorado.
Adam Ashforth
University of Chicago Press, 2000
Isabella Cosse
Duke University Press, 2019
Sol T. Plaatje
Ohio University Press, 1990
“Sol Plaatje’s Mafeking Diary is a document of enduring importance and fascination. The product of a young black South African court interpreter, just turned 23 years old when he started writing, it opens an entirely new vista on the famous Siege of Mafeking. By shedding light on the part played by the African population of the town, Plaatje explodes the myth, maintained by belligerents, and long perpetuated by both historians and the popular imagination, this this was a white man’s affair. One of the great epics of British imperial history, and perhaps the best remembered episode of the Anglo-Boer war of 1899–1902, is presented from a wholly novel perspective.
“At the same time, the diary provides an intriguing insight into the character of a young man who was to play a key role in South African political and literary history during the first three decades of this century. It reveals much of the perceptions and motives that shaped his own attitudes and intellectual development and, indeed, those of an early generation of African leaders who sought to build a society which did not determine the place of its citizens by the colour of their skin. The diary therefore illuminates the origins of a struggle which continues to this day.”
— John L. Comaroff (ed.) in his preface
David J. Buch
University of Chicago Press, 2008
Graham M. Jones
University of Chicago Press, 2017
Christopher Bracken
University of Chicago Press, 2007
Jerónimo Arellano
Bucknell University Press, 2026
Edited by Carolyne Larrington and Diane Purkiss
Bodleian Library Publishing, 2013
Margaret J. Wiener
Duke University Press, 2025

Faith Thompson
University of Minnesota Press, 1948
Nicholas Vincent
Bodleian Library Publishing, 2015

Edited by Lawrence Goldman
University of London Press, 2018
Madeleine Malthête-Méliès, translated by Kel Pero, edited by Matthew Solomon
University of Michigan Press, 2022
S. A. H. Kennell
University of Michigan Press, 2000
Kathryn Rousso
University of Arizona Press, 2010
Jeffrey R. Parsons and Mary H. Parsons
University of Michigan Press, 1990
Rory Walsh
Michigan Publishing Services, 2020
Mahan and Baekje is a pioneering study of the Korean past from the perspective of everyday objects: ceramics made, used, and left behind by ancient Koreans themselves. Focusing on the third to fifth centuries CE in southwestern Korea, this book reexamines the social, political, and economic construction of the interconnected societies known as Mahan and the kingdom of Baekje. Pottery, which played central roles in Mahan’s and Baekje’s culinary practices, community gatherings, trade, and ritual, now sheds new light on the origins of Korean civilization.
Using advanced archaeological and geochemical techniques, this book traces the production, exchange, and use of pottery from Mahan and Baekje. The patterns reveal the shared underpinnings of Mahan and Baekje political economy, showing that the Baekje kingdom developed locally and not as the result of outside forces. Long-distance trade in Mahan and Baekje suggest a cosmopolitan ethos with roots in the deep past, while smaller scale exchanges hint at the complex web of social interactions that typified early Korean societies. Mahan and Baekje provides exciting new details of life at an epochal moment in ancient Korea.Hugh Purcell
Haus Publishing, 2010
Sheila Cohen
Wisconsin Historical Society Press, 2005
The story of Mai Ya Xiong and her family and their journey from the Ban Vinai refugee camp in Thailand to a new life in Madison, Wisconsin, is extraordinary. Yet it is typical of the stories of the 200,000 Hmong people who now live in the United States and who struggle to adjust to American society while maintaining their own culture as a free people.
Mai Ya's Long Journey follows Mai Ya Xiong, a young Hmong woman, from her childhood in Thailand's Ban Vinai Refugee Camp to her current home in Wisconsin. Mai Ya's parents fled Laos during the Vietnam War and were refugees in Thailand for several years before reaching the United States. But the story does not end there. Students will read the challenges Mai Ya faces in balancing her Hmong heritage and her adopted American culture as she grows into adulthood.
Aífe Murray
University of New Hampshire Press, 2010
Sara H. Lindheim
University of Wisconsin Press, 2003
Ralph Lerner
University of Chicago Press, 2000

Raymond L. Weiss
University of Chicago Press, 1991
Edited by Josef Stern, James T. Robinson, and Yonatan Shemesh
University of Chicago Press, 2019
Wayne A. Wiegand
University of Iowa Press, 2011

Arnold Alanen
Wisconsin Historical Society Press, 1987
Arnold R. Alanen
Wisconsin Historical Society Press, 2012
The dream of the suburb is an old one in America. For more than a century, city dwellers have sought to escape the crowding and pollution of industrial centers for the quiet streets and green spaces on their fringes. In the 1930s, that dream inspired the largest migration of Americans in the twentieth century and led to the creation of Greendale, Wisconsin, one of three planned communities initially begun to resettle the rural poor hit hard by the Great Depression. This idea, though, quickly developed into a plan to revitalize cities and stabilize farming communities around the nation. The result was three “greenbelt towns” built from scratch, expressly for working-class families and within easy commuting distance of urban employment. Greendale, completed in 1938, was consciously designed as a midwestern town in both its physical character and social organization, where ordinary citizens could live in a safe, attractive, economical community that was in harmony with the surrounding farmland.
“Main Street Ready-Made” examines Greendale as an outgrowth of public policy, an experiment in social engineering, and an organic community that eventually evolved to embrace a huge shopping mall, condominiums, and expensive homes while still preserving much of the architecture and ambiance of the original village. A snapshot of 1930s idealism and ingenuity, “Main Street Ready-Made” makes a significant contribution to the history of cities, suburbs, and social planning in mid-century America.
Richard V. Francaviglia
University of Iowa Press, 1996
As an archetype for an entire class of places, Main Street has become one of America's most popular and idealized images. In Main Street Revisited, the first book to place the design of small downtowns in spatial and chronological context, Richard Francaviglia finds the sources of romanticized images of this archetype, including Walt Disney's Main Street USA, in towns as diverse as Marceline, Missouri, and Fort Collins, Colorado.
Francaviglia interprets Main Street both as a real place and as an expression of collective assumptions, designs, and myths; his Main Streets are treasure troves of historic patterns. Using many historical and contemporary photographs and maps for his extensive fieldwork and research, he reveals a rich regional pattern of small-town development that serves as the basis for American community design. He underscores the significance of time in the development of Main Street's distinctive personality, focuses on the importance of space in the creation of place, and concentrates on popular images that have enshrined Main Street in the collective American consciousness.
Earle G. Shettleworth Jr.
Brandeis University Press, 2020
During the nineteenth century, Americans celebrated their towns and cities through printed landscapes. In Maine, lithographs were commissioned from such leading artists as Fitz Henry Lane and talented, lesser known local artists, such as Esteria Butler. This book reproduces many of these works and provides insights into how these growing centers of commerce and industry viewed themselves and wished to be viewed by others.
It’s the perfect book for those who love Maine, both full-time residents and those who make it a beloved summer destination.
Published in association with the Bowdoin College Museum of Art on the occasion of the bicentennial of Maine statehood.

S.M. Burke
University of Minnesota Press, 1974
Mainsprings of Indian and Pakistani Foreign Policies was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This study by a South Asian specialist illuminates a vast and complex field. For the first time Indian and Pakistani foreign policies have been paralleled within the covers of a single volume. Also for the first time the author has not chosen as his starting point the year 1947, when these ancient lands reemerged as sovereign states, but has adopted it as the middle point, devoting equal attention to the pre-independence period.
Part I provides a cogent answer to the query, often raised but seldom answered to the satisfaction of outsiders, why the Hindus and the Muslims, nourished by the same soil for hundreds of years, were unable to form a single united and strong nation after releasing themselves from foreign domination. And it highlights the surprising extent to which the foreign policies of India and Pakistan have been motivated by impulses inherited from their long past.
Part II evaluates the actual performance of independent India and Pakistan on the world stage; reviews the rivalry between the United States, the Soviet Union, and China to gain influence in South Asia; and probes the vital question why India and Pakistan have belied the original expectation that they would rapidly become prosperous and powerful members of the international community. Domestic pressures bearing on the foreign policies of both countries, including circumstances culminating in the emergence of Bangladesh, are explained.
By Holly Chard
University of Texas Press, 2020
Winner, Best First Monograph, British Association of Film, Television and Screen Studies
The first scholarly book on John Hughes examines Hollywood's complex relationship with genre, the role of the auteur in commercial cinema, and the legacy of favorites such as Sixteen Candles and Ferris Bueller's Day Off.
In the 1980s and 1990s, John Hughes was one of Hollywood's most reliable hitmakers, churning out beloved teen comedies and family films such as The Breakfast Club and Home Alone, respectively. But was he an artist? Hughes, an adamantly commercial filmmaker who was dismissed by critics, might have laughed at the question. Since his death in 2009, though, he has been memorialized on Oscar night as a key voice of his time. Now the critics lionize him as a stylistic original.
Holly Chard traces Hughes's evolution from entertainer to auteur. Studios recognized Hughes's distinctiveness and responded by nurturing his brand. He is therefore a case study in Hollywood's production not only of movies but also of genre and of authorship itself. The films of John Hughes, Chard shows, also owed their success to the marketers who sold them and the audiences who watched. Careful readings of Hughes's cinema reveal both the sources of his iconic status and the imprint on his films of the social, political, economic, and media contexts in which he operated.
The first serious treatment of Hughes, Mainstream Maverick elucidates the priorities of the American movie industry in the New Hollywood era and explores how artists not only create but are themselves created.
Umayyah Cable
University of Minnesota Press, 2025
A history of cinema’s role in popularizing the politics of Palestinian liberation
For decades, Arab American activists and allies have used film, video, and multimedia to mobilize support for the Palestinian cause in the United States. In this detailed history of cinema’s role within the broader solidarity movement, Umayyah Cable analyzes the various strands of cinematic activism that have helped move Palestinian liberation politics from the periphery and into the mainstream.
Cable charts the shifting discourse around Palestine as it has been shaped by grassroots film production and alternative media distribution networks as well as more conventional outlets. Ranging from the circulation of educational filmstrips by the Association of Arab American University Graduates in the 1970s to the treatment of Palestinian solidarity at contemporary Hollywood awards ceremonies and film festivals, Mainstreaming Palestine tells the story of how cinema has promoted Palestinian liberation and solidarity politics. While highlighting various public controversies and struggles against censorship, Cable also acknowledges the drawbacks of the Palestinian cause being subsumed by the mainstream, discussing how activism risks becoming fashionable, undermining the radical potential of the very tools that helped bring it there.
Combining archival research, ethnographic observation and interviews, text analysis, and visual analysis of film, video, and multimedia, Mainstreaming Palestine encourages readers to critically assess the relationship between the politics of liberation and the all-consuming engine of contemporary capitalism. By underscoring the impact of visual media on the evolution of the Palestinian solidarity discourse, this book offers both a treatise on the practical power of cinema and a necessary historicization of an urgent issue in American politics.
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Robert R. Rea
University of Alabama Press, 1990
"An engaging biography [and] a colorful tale. . . . Robert Farmar, a son of New Jersey, used his position among that colony's elite to secure a commission as a captain in the British Army during the War of Jenkins' Ear and King George's War, serving in the unsuccessful assaults at Cartegena, Cuba, and Panama and then in the disaster at Fontenoy in Flanders and in the reversals at Rocoux and Laffeldt. . . . During the Seven Years' War he participated in the capture of Havana.
James Fitzmaurice, Josephine A. Roberts, Carol L. Barash, Eugene R. Cunnar, and Nancy A. Gutierrez, Editors
University of Michigan Press, 1997