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This volume celebrates the work of Ousmane Sembène, the brilliant African filmmaker and writer. Since the 1950s, working in his native Senegal, Sembène has produced a series of films and novels that incisively depict the realities of contemporary African experience, particularly that of urban and industrial Africa. The book begins with critical essays on Sembène’s oeuvre by Frederick Ivor Case, Françoise Pfaff, Mbye Cham, and Claire Andrade-Warkins. There follows a series of presentations by distinguished black writers who discuss their craft and the ways in which language can function as a political act of cultural legitimation. These writers include Toni Cade Bambara, Earl Lovelace, Ngũgĩ wa Thiong’o, John Edgar Wideman, and Sembène. 

The next section reproduces Sembène’s remarks on his film Camp de Thiaroye and an extended interview he recorded in Toronto in 1992. His comments are presented in both French and English. The volume concludes with annotated bibliographies of Sembène’s novels and of the films he has written and directed.

Out for Glamour in Africa critically reflects on how Black women utilized Drum magazine, a leading publication in Africa during the era of independence, for political empowerment and constructing notions of Black femininity. Wanjirũ G. Mbure terms the concept of femme urbAfricana, a model of Black femininity depicted as urban, political, fashionable, paradoxically Afrocentric, heteronormative, and transnational. Foregrounding stories of the women who embodied these traits and the social, political, and economic forces that shaped their presence in Drum, Mbure argues that these representations of Black women from Africa, the Caribbean, Europe, and the United States produced a novel form of Black urban femininity. Utilizing a breadth of archival materials from cover girl photographs, advertisements, and columns, to readers’ comments, Mbure reveals the complex relationship between the Black urban woman and the era’s contested ideals within a transnational matrix.

Explores the intrinsic relation of life to air, and breathing, through contemporary art

In Out of Breath, Caterina Albano examines the cultural significance of breath and air to a wide array of forces in our midst, including economy, politics, infection, and ecological violence. Through a consideration of recent art practices and projects, including the dance project Breath Catalogue, which makes visible the breathing patterns of dancers, and Forensic Architecture’s Cloud Studies video, which investigates eight different kinds of clouds from airstrikes to herbicides to tear gas, Albano focuses on breath as both an intuitive process and a conveyer of meanings.

Conceived in response to the Covid-19 pandemic and systemic inequalities that it has laid bare, Out of Breath shows the potential of artistic practices to mobilize affect as a form of cultural and political critique.

Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

“Stan Isaacs is directly responsible for my television career--and much of how I approached what I’ve said and whom I’ve said it about.” --Keith Olbermann

Iconoclastic and irreverent, Stan Isaacs was part of a generation that bucked the sports establishment with a skepticism for authority, an appreciation for absurdity, and a gift for placing athletes and events within the context of their tumultuous times. Isaacs draws on his trademark wink-and-a-grin approach to tell the story of the long-ago Brooklyn that formed him and a career that placed him amidst the major sporting events of his era. Mixing reminiscences with column excerpts, Isaacs recalls antics like stealing a Brooklyn Dodgers pennant after the team moved to Los Angeles and his many writings on Paul Revere’s horse. But Isaacs also reveals the crusading and humanist instincts that gave Black athletes like Muhammad Ali a rare forum to express their views and celebrated the oddball, unsung Mets over the straitlaced Yankees.

Insightful and hilarious, Out of Left Field is the long-awaited memoir of the influential sportswriter and his adventures in the era of Jim Brown, Arthur Ashe, and the Amazin’ Mets.

By analyzing how protest fused the politics of reading and writing in 1968 West Germany, author Peter Schweppe uncovers the vibrant history of an alternative literary form during a watershed moment of social upheaval. Out of Line interlinks the politics of reading and writing with the verve of Global Sixties’ protest, where fringe books, underground newspapers, incendiary flyers, and furtive graffiti galvanized readers and writers alike. The phrase “out of line” scrutinizes the emerging performative relationship between visual and textual media in the late 1960s as it metamorphosed modes of West German literary production, channeled the agenda of the protest movement, and, in doing so, shaped new kinds of textual meaning. Through its engagement with theories of materiality and “things,” Out of Line interrogates the dynamic ways that protest readers and writers pushed and broke conventional boundaries. Schweppe’s exploration of form discloses how reading and writing out of line implicates a textual and material history of protest and the lessons it offers protest histories to come.

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A history of modern mindfulness meditation and a critique of it as a practice that deeply misunderstands human consciousness.

Mindfulness meditation is often presented as a simple practice of turning inward and quieting the world to discover an authentic “inner voice,” but the very idea that consciousness contains such a voice depends on a slew of contradictory beliefs about Buddhism, neuroscience, and more. In Out of Mind, R. John Williams challenges the core (and misguided) assumptions about human nature that shaped the development of modern meditation, revealing how they were informed by nineteenth-century theosophy, German idealism, Buddhist modernism, Heideggerian mindfulness, Cold War brainwashing, and even phenomena like sensory deprivation tanks. Against the notion that truth lies hidden in our brains, Williams argues that we are never sealed off from the world. Our consciousness extends beyond our own minds—into the intricate web of language, literature, art, and other people to which we are intimately connected.

In this era of Antiques Roadshow and eBay, it is hard to imagine a time when Americans did not treasure the home furnishings of elite early American families. But as this book demonstrates, antiquing—particularly the practice of valuing old things for their aesthetic qualities—is a relatively recent invention whose origins can be found in the early years of the twentieth century. Although nineteenth-century Americans did appreciate heirlooms, they saw them as memory markers, tangible representations of honored ancestors or local history. 

In Out of the Attic, Briann G. Greenfield traces the transformation of antiques from family keepsakes to valuable artistic objects, examining the role of collectors, dealers, and museum makers in the construction of a new tradition based on the aesthetic qualities of early American furnishings. While recognizing the significance of antiques as symbols of an enduring American culture, Greenfield also delves behind popular rhetoric to examine the development of a retail structure specifically designed to facilitate the buying and selling of old wares. With antique shops proliferating all over New England, pickers going door-to-door in search of “finds,” and forgers taking illicit advantage of growing demand, antique owners and collectors found themselves trying to navigate a retail market characterized by escalating prices and high stakes purchases. In this sense, antiques functioned as more than remnants of a treasured past; they became modern consumer goods. 

The book is divided into a series of case studies, each intended to illuminate some aspect of “the dynamic of consumer history.” One chapter examines the role of Jewish dealers in promoting American antiques; another profiles Jessie Baker Gardner, a small-time collector and would-be museum maker from Providence, Rhode Island. Greenfield also looks at the institutionalization of antiques, with chapters focusing on Henry Flynt of Deerfield, Massachusetts, who embraced the “aestheticization of antiques” in the 1940s and 1950s, and on Smithsonian curator C. Malcolm Watkins, who challenged the decorative art market during the 1950s and 1960s by purchasing old tools and crude furniture for the nation's museum.

From the Grand Ole Opry to the National Barn Dance, how radio changed life in rural America

Out of the Dark: A History of Radio and Rural America shows how radio—especially clear channel network stations—brought news, markets, weather, religion, and entertainment into isolated farm homes between the 1920s and 1950s, narrowing rural–urban divides while also sustaining distinctly rural tastes (e.g., barn dance music). Craig argues that battery “farm radios,” high power stations, and national networking transformed daily life, work rhythms, consumer habits, and political participation, making radio the central domestic technology of the Depression era and beyond. 

Craig blends regulatory and industry milestones, such as the Radio Act of 1927, with sociological studies, USDA extension records, FCC surveys, census tables, and rich case studies including WLS Chicago’s “National Barn Dance,” WSM Nashville’s “Grand Ole Opry,” and others. He mines audience research, diaries, program schedules, and tables that track the spread of radio. The book’s distinctive contributions include detailed charts (ownership by region; clear channel assignments) and vivid narratives of stations, formats, and personalities that connected farm families to national culture while preserving local identity. 

The book is ideal for scholars and students of US social, rural, and media history; communication policy and political communication; country and bluegrass music history; agricultural extension; and American studies. It will also engage librarians, curators, and public historians seeking context for rural collections; journalists and podcasters tracing the roots of today’s information ecosystems; and general readers interested in how radio re made community life long before the internet.

Even before he wrote his bestselling book The Ethnic Cleansing of Palestine, historian Ilan Pappe was a controversial figure in Israel. In Out of the Frame, he gives a full account of his break with mainstream Israeli scholarship and its consequences.

Here he traces his journey of discovery from the whispers of Palestinian classmates to his realisation that the 'enemy's' narrative of the events of 1948 was correct. After completing his thesis at Oxford University in the early 1980s, he returned to Palestine determined to protect the memory of the Nakbah. For the first time he gives the details of the formidable opposition he faced in Israel, including death threats fed by the media, denunciations by the Knesset and calls for him to be sacked from his post at Haifa university.

This revealing work, written with dignity and humour, highlights Israel's difficulty in facing up to its past and forging a peaceful, inclusive future in Palestine.

Comics have long been a subject of moral panics, no doubt thanks to their in-your-face illustrations and their association with young readers. Indeed, the politicians and parents behind today’s book-banning campaigns reserve special ire for graphic novels. What makes today’s controversies different is the content of the alleged obscenity. Instead of targeting sex as such, censors now focus on affirmations of nonheteronormative identity, as in Maia Kobabe’s Gender Queer. And while violence is a constant in comics, stories that acknowledge nationalist oppression and violence, such as Art Spiegelman’s Maus, are also being blacklisted.

Out of the Gutters assembles scholars from diverse disciplines to examine US comics, graphic novels, and cartooning that have been challenged as obscene or transgressive. Covering well-known underground figures like Robert Crumb and Charles Burns, newcomers such as C. Spike Trotman and Emil Ferris, and mainstream creators including Chris Claremont and Archie Goodwin, the collection explores the market economics of transgression, historical representations of graphic violence, the ever-changing meaning of pornography, sex-positive comics by BIPOC authors, and queerness in pop-culture mega-properties like X-Men and The Walking Dead.

Guatemala’s “Ten Years of Spring” (1944–1954) began when citizens overthrew a military dictatorship and ushered in a remarkable period of social reform. This decade of progressive policies ended abruptly when a coup d’état, backed by the United States at the urging of the United Fruit Company, deposed a democratically elected president and set the stage for a period of systematic human rights abuses that endured for generations. Presenting the research of diverse anthropologists and historians, Out of the Shadow offers a new examination of this pivotal chapter in Latin American history.

Marshaling information on regions that have been neglected by other scholars, such as coastlines dominated by people of African descent, the contributors describe an era when Guatemalan peasants, Maya and non-Maya alike, embraced change, became landowners themselves, diversified agricultural production, and fully engaged in electoral democracy. Yet this volume also sheds light on the period’s atrocities, such as the US Public Health Service’s medical experimentation on Guatemalans between 1946 and 1948. Rethinking institutional memories of the Cold War, the book concludes by considering the process of translating memory into possibility among present-day urban activists.

The story of the scandal in the LBJ administration that first brought queer life into the national political conversation in the 1960s.

In 1964, Lyndon B. Johnson’s longest-serving and most trusted advisor, Walter Jenkins, was arrested for soliciting sex in a YMCA bathroom near the White House. The scandal blasted across the front pages of major US newspapers, was dissected and analyzed by the FBI, and became a watershed in making straight America aware of queer life. In Outed, historian Timothy Stewart-Winter reveals that the effects of antigay policing were felt not only by the men but by their colleagues, families, and, in this case, the First Family.

Walter Jenkins’s political banishment had long-ranging effects, from how Johnson conducted the remainder of his presidency to how media coverage of political and sexual scandals became more explicit and salacious. Stewart-Winter reveals Jenkins’s influence and legacy, encompassing but also looking beyond the scandal. Jenkins had a significant impact on Johnson’s career and how it is remembered, including both his signal accomplishment—the programs and laws that constituted the Great Society—and his signal failure: his catastrophic judgment, after Jenkins’s exile, regarding the Vietnam War.

Drawing on Jenkins’s previously unexamined personal papers, including hundreds of letters he received in the aftermath from ordinary Americans and government officials alike, Stewart-Winter shows how antigay policies and the revelations around them continue to reverberate today.

The Russian shanson can be heard across the country today, on radio and television shows, at mass events like political rallies, and even at the Kremlin. Yet despite its ubiquity, it has attracted almost no scholarly attention. Anastasia Gordienko provides the first full history of the shanson, from its tenuous ties to early modern criminals’ and robbers’ folk songs, through its immediate generic predecessors in the Soviet Union, to its current incarnation as the soundtrack for daily life in Russia. It is difficult to firmly define the shanson or its family of song genres, but they all have some connection, whether explicit or implicit, to the criminal underworld or to groups or activities otherwise considered subversive. Traditionally produced by and popular among criminals and other marginalized groups, and often marked by characters and themes valorizing illegal activities, the songs have undergone censorship since the early nineteenth century. Technically legal only since the collapse of the Soviet Union, the shanson is today not only broadly popular but also legitimized by Vladimir Putin’s open endorsement of the genre.

WINNER OF THE LILLIAN SMITH BOOK AWARD

The story of faith, sacrifice, and moral courage in Alabama's fight for civil rights.

Outside Agitator tells the powerful, largely forgotten story of Jonathan Daniels—a white Episcopal seminarian from New England who answered the call of the civil rights movement and paid for that commitment with his life. In 1965, Daniels left the safety of Harvard and Cambridge for Selma and Alabama’s Black Belt, where he worked alongside Black activists to challenge segregation, register voters, and confront the moral failures of church and state. His murder by a white segregationist shocked the nation and exposed the deadly cost of racial injustice—and of moral courage. 

More than a biography, this book asks urgent questions that still resonate: What does it mean to act on conscience in a society structured by inequality? What responsibilities do faith, citizenship, and privilege impose? Historian Charles W. Eagles places Daniels’s life within the turbulent final phase of the southern civil rights movement, revealing the everyday fears, ethical dilemmas, and racial tensions behind the iconic events of Selma and Lowndes County. 

Outside Agitator will appeal to readers interested in civil rights history, religious activism, Southern history, and the moral dimensions of political struggle. It is essential reading for students, scholars, clergy, and general readers seeking to understand how individual lives can illuminate—and challenge—the ongoing fight for justice and equality.

Outside Influence: Photography in Colorado, 1945–1995 is the first detailed account of the state’s history of post–World War II expressive photography. The title “Outside Influence” alludes to the historic presence of the natural landscape as subject and to the transformative impact of out-of-state artists and educators. Their arrival in Colorado beginning in the 1960s galvanized interpretive photography by introducing innovative concepts, nontraditional materials, and emergent digital technologies to students, peers, and their audience-at-large.

Throughout the book’s nine chapters, Rupert Jenkins contextualizes Colorado photography’s postwar development with a social, political, and cultural abstract that encompasses national events and trends, the emerging presence of women and photographers of color, and institutional leadership. Drawing from more than 120 personal interviews, he identifies the medium’s principal in-state creators, mentors, and advocates from the modernist era of film processing to the emergence of interdisciplinary digital practice. Jenkins answers fundamental questions about the people and work of this era: Who generated this significant body of innovative, noncommercial photographic work? Where did they come from? Who inspired them, and who in turn did they inspire?

As Eric Paddock, curator of photography at the Denver Art Museum, discusses in his foreword, by looking at the schools, workshops, galleries, and museums that supported these artists, Jenkins stresses the importance of collaboration and community to any successful venture. Crucially, in examining the lives and careers of photographers like Robert Adams, Walter Chappell, Albert Chong, Cherie Hiser, Barbara Houghton, Winter Prather, Mark Sink, Melanie Walker, Myron Wood, and numerous others, Outside Influence seeks to affirm the medium’s legacy within Colorado’s fine arts canon.

Winner of the Alabama Library Author Award

Outside the Magic Circle tells the remarkable story of Virginia Foster Durr, a southern white woman born into privilige who (along with her husband Clifford Durr, a lawyer best known for defending Rosa Parks), nonetheless devoted her life to Civil Rights activism.

Outside the Magic Circle is the powerful and deeply personal autobiography of Virginia Foster Durr, a Southern woman who defied the expectations of her privileged upbringing to become one of the most courageous voices for civil rights and social justice in 20th-century America. Born into a wealthy, white Alabama family, Durr was raised in a world steeped in segregation and conservative values. Yet through a journey marked by moral reckoning, intellectual awakening, and political activism, she stepped outside the “magic circle” of Southern gentility to confront the injustices that shaped her world.

With a foreword by renowned oral historian Studs Terkel, this memoir captures Durr’s transformation from reluctant conformist to outspoken advocate. Her story spans decades of American history—from the Great Depression and New Deal politics to the McCarthy era and the Civil Rights Movement. Alongside her husband, attorney Clifford Durr, Virginia became a key figure in progressive circles, working to abolish the poll tax, defend civil liberties, and support Black activists in the segregated South.

Told in Durr’s own voice, the narrative is rich with anecdotes, reflections, and encounters with historical figures such as Eleanor Roosevelt, Rosa Parks, and Martin Luther King Jr. It is both a personal reckoning and a political document, offering rare insight into the inner conflicts of white Southern liberals and the cost of dissent in a deeply divided society.

Outside the Magic Circle is more than a memoir—it is a testament to the power of conscience, the courage of transformation, and the enduring fight for justice. It remains a vital resource for readers interested in civil rights history, feminist thought, and the complexities of Southern identity.

In 1951, Israel was a young nation surrounded by hostile neighbors. Its tenuous grip on nationhood was made slipperier still by internal tensions among the various communities that had immigrated to the new Jewish state, particularly those between the politically and socially dominant Jewish leadership hailing from Eastern Europe and the more numerous Oriental Jews from the Middle East and North Africa. Into this volatile mix came Nissim Rejwan, a young Iraqi Jewish intellectual who was to become one of the country's leading public intellectuals and authors.

Beginning with Rejwan's arrival in 1951 and climaxing with the tensions preceding Israel's victory in the Six-Day War of 1967, this book colorfully chronicles Israel's internal and external struggles to become a nation, as well as the author's integration into a complex culture. Rejwan documents how the powerful East European leadership, acting as advocates of Western norms and ideals, failed to integrate Israel into the region and let the country take its place as a part of the Middle East. Rejwan's essays and occasional articles are an illuminating example of how minority groups use journalism to gain influence in a society. Finally, the letters and diary entries reproduced in Outsider in the Promised Land are full of lively, witty meditations on history, literature, philosophy, education, and art, as well as one man's personal struggle to find his place in a new nation.