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664 books match the query 'Ancient & Classical' and 69 start with p

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PLOTINUS Ennead I.1

What is the Living Thing? What is Man?: Translation with an Introduction and Commentary

Gerard O'Daly

Parmenides Publishing, 2017

Ennead I.1 is a succinct and concentrated analysis of key themes in Plotinus' psychology and ethics. It focuses on the soul-body relation, discussing various Platonic, Aristotelian, and Stoic views before arguing that there is only a soul-trace in the body (forming with the body a “compound”), while the reasoning soul itself is impassive and flawless. The soul-trace hypothesis is used to account for human emotions, beliefs, and perceptions, and human fallibility in general. Its problematic relation to our rational powers, as well as the question of moral responsibility, are explored. Plotinus develops his original and characteristic concept of the self or “we,” which is so called because it is investigated as something common to all humans (rather than a private individual self), and because it is multiple, referring to the reasoning soul or to the “living thing” composed of soul-trace and body. Plotinus explores the relation between the “we” and consciousness, and also its relation to the higher metaphysical entities, the Good, and Intellect.

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PLOTINUS Ennead II.9

Against the Gnostics: Translation, with an Introduction and Commentary

Sebastian Gertz

Parmenides Publishing, 2017

How was the universe created, and what is our place within it? These are the questions at the heart of Plotinus’ Against the Gnostics. For the Gnostics, the universe came into being as a result of the soul’s fall from intelligible reality—it is the evil outcome of a botched creation. Plotinus challenges this, and insists that the soul’s creation of the world is the necessary consequence of its contemplation of the ideal forms. While the Gnostics claim to despise the visible universe, Plotinus argues that such contempt displays their ignorance of the higher realities of which the cosmos is a beautiful image.

Against the Gnostics is a polemical text. It aims to show the superiority of Plotinus’ philosophy over that of his Gnostic rivals, and poses unique challenges: Plotinus nowhere identifies his opponents by name, he does not set out their doctrines in any great detail, and his arguments are frequently elliptical. The detailed commentary provides a guide through these difficulties, making Plotinus’ meandering train of thought in this important treatise accessible to the reader.

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PLOTINUS Ennead IV.4.30-45 & IV.5

Problems Concerning the Soul: Translation, with an Introduction and Commentary

Gary M. Gurtler, SJ

Parmenides Publishing, 2015

Ennead IV.4.30–45 and IV.5 retrieves the unity in this last section of Plotinus’ treatise on Problems concerning the Soul. Combining translation with commentary, Gurtler enhances both the accuracy of the translation and the recovery of Plotinus’ often unsuspected originality. This is especially true for IV.5, where previous translations fail to convey the concise nature of his argument against both the Aristotelian and Platonic theories of vision. Plato and Aristotle each claim that vision depends on the light between the eye and the object, but Plotinus presents evidence that this is not the case and develops a novel theory of light as a second activity that moves from source to object directly, even arguing that color is in the light itself rather than merely a quality of the object. This theory of vision, in turn, depends on the nature of sympathy developed especially in IV.4.30–45, where Plotinus shows how action at a distance is both possible and necessary for the proper unity in diversity of the sensible cosmos.

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PLOTINUS Ennead IV.9

On Whether All Souls are One: Translation | Introduction | Commentary

Eyjólfur K. Emilsson

Parmenides Publishing, 2026

This short, early treatise undertakes to explain the controversial thesis that all souls—this includes individual human souls and the world-soul—are in some sense just one soul. Plotinus considers a number of objections that can be raised against the thesis. For instance, if the thesis is true, it may seem to follow that that everything that holds for one soul also holds for every other soul. Plotinus seeks to explain that such objections are off the mark, which also shows that the thesis about the unity of soul is not a claim about strict identity of all souls. He then (chapter 5) considers and rejects two materialistic hypotheses about the relationship between individual souls and the world-soul. In the final chapter he presents his own solution: the individual souls and the world-soul are all the soul hypostasis. He likens the relationship between the hypostatic soul and the individual souls with that between a science and the theorems of the science: each theorem potentially contains the whole science and can in a sense be said to be it.

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PLOTINUS Ennead IVI.3-4.29

Problems Concerning the Soul: Translation, with an Introduction and Commentary

John M. Dillon

Parmenides Publishing, 2015

For Plotinus, the nature and status of the human soul is one of the central problems of philosophy. Ennead IV.3–4.29 constitutes his most penetrating enquiry into this topic, addressing the issues of the relation of the individual soul to the World Soul, the descent of the soul into body, its relations with that body, problems of personal identity and the nature of memory, sense perception, and the true seat of the emotions —many of which still have a resonance today.

The treatise is an excellent example of Plotinus’ distinctive method of enquiry: not dogmatic (though he is no sceptic), but worrying away at questions until he has uncovered their complexities to the best of his ability. Such a work requires detailed commentary, such as is provided here, to tease out fully the fascinating convolutions of his thought.

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PLOTINUS Ennead V.1

On the Three Primary Levels of Reality: Translation, with an Introduction and Commentary

Eric D. Perl

Parmenides Publishing, 2015

Plotinus' Treatise V.1 comes closer than any other to providing an outline of his entire spiritual and metaphysical system, and as such it may serve to some degree as an introduction to his philosophy. It addresses in condensed form a great many topics to which Plotinus elsewhere devotes extended discussion, including the problem of the multiple self; eternity and time; the unity-in-duality of intellect and the intelligible; and the derivation of intelligible being from the One. Above all, it shows that the so-called “three hypostases”—soul, intellect, and the One—are best understood not as a sequence of three things additional to one another, but as three levels of possession of the same content, so that each lower level—soul in relation to intellect and intellect in relation to the One—is an “image” and “expression” of its superior. Plotinus exhorts the human soul to overcome its alienation from its own true nature and its divine origin by first recognizing itself as superior to the body and the same in kind as the animating principle of the entire cosmos, and then discovering within itself the still higher levels of reality from which it derives: intellect and, ultimately, the One or Good, the supreme first principle of all things. To do so the soul must redirect its attention inward and upward to become aware of the divinity which is always within it but from which it is distracted by the clamor of the senses.

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PLOTINUS Ennead VI.4 and VI.5

On the Presence of Being, One and the Same, Everywhere as a Whole: Translation with an Introduction and Commentary

Eyjólfur K. Emilsson

Parmenides Publishing, 2015

Ennead VI.4-5, originally written as a single treatise, contains Plotinus’ most general and sustained exposition of the relationship between the intelligible and the sensible realms, addressing and coalescing two central issues in Platonism: the nature of the soul-body relationship and the nature of participation. Its main question is, How can soul animate bodies without sharing their extension? The treatise seems to have had considerable impact: it is much reflected in Porphyry’s important work, Sententiae, and the doctrine of reception according to the capacity of the recipient, for which this treatise is the main source, resonated in medieval thinkers.

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PLOTINUS Ennead VI.8

On the Voluntary and on the Free Will of the One: Translation, with an Introduction, and Commentary

Kevin Corrigan

Parmenides Publishing, 2017

Ennead VI.8 gives us access to the living mind of a long dead sage as he tries to answer some of the most fundamental questions we in the modern world continue to ask: are we really free when most of the time we are overwhelmed by compulsions, addictions, and necessities, and how can we know that we are free? Can we trace this freedom through our own agency to the gods, to the Soul, Intellect, and the Good? How do we know that the world is meaningful and not simply the result of chance or randomness?
Plotinus’ On the Voluntary and on the Free Will of the One is a groundbreaking work that provides a new understanding of the importance and nature of free human agency. It articulates a creative idea of agency and radical freedom by showing how such terms as desire, will, self-dependence, and freedom in the human ethical sphere can be genuinely applied to Intellect and the One while preserving the radical inability of all metaphysical language to express anything about God or gods.

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PLOTINUS

Ennead I.6: On Beauty: Translation, with an Introduction and Commentary

Andrew Smith

Parmenides Publishing, 2016

"Ennead I.6 is probably the best known and most influential treatise of Plotinus, especially for Renaissance artists and thinkers. Although the title may suggest a work on aesthetics and thus of limited focus, this is far from the case. For it quickly becomes apparent that Plotinus’ main interest is in transcendent beauty, which he identifies with the Good, the goal of all philosophical endeavor in the Platonist’s search to assimilate himself with the divine.

The treatise is at once a philosophical search for the nature of the divine and at the same time an encouragement to the individual to aspire to this goal by taking his start from the beauty which is experienced in this world; for it is an image of transcendent beauty. This upward movement of the treatise reflects throughout the speech of Socrates in Plato’s Symposium in which he recounts the exhortation of the priestess Diotima to ascend from earthly to transcendent beauty, which for Plotinus is identified with the divine."

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PLOTINUS

Ennead II.5: On What Is Potentially and What Actually: Translation with an Introduction and Commentary

Cinzia Arruzza

Parmenides Publishing, 2015

The term dunamis (potentiality) entered into the philosophical vocabulary with Plato, but it was with Aristotle that it acquired, together with energeia (actuality), the strong technical meaning that the two terms have maintained, with variations, throughout subsequent philosophical tradition.

The significance of the notions of actuality and potentiality in Plotinus’ thought can hardly be overstated. Throughout the Enneads, they are crucial to understanding the specific causality of intelligible realities and the relation of participation between intelligible and sensible realms.

In Ennead II.5, Plotinus for the first time provides a systematic clarification of his peculiar use of these terms, through a sustained revision of Aristotle’s own elaboration of the topic and of his terminology. The treatise discusses the different meanings of potentiality and actuality as well as the way each of them applies or does not apply to the sensible realm, to the intelligible realm, and to matter.

While the structure of the text unfolds in a coherent and cohesive manner, Plotinus’ writing in this treatise is dense and at times dry in its technicality. The detailed commentary guides the reader step by step, making an otherwise particularly difficult text accessible.

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Palmyra

An Irreplaceable Treasure

Paul Veyne

University of Chicago Press, 2017

Located northeast of Damascus, in an oasis surrounded by palms and two mountain ranges, the ancient city of Palmyra has the aura of myth. According to the Bible, the city was built by Solomon. Regardless of its actual origins, it was an influential city, serving for centuries as a caravan stop for those crossing the Syrian Desert. It became a Roman province under Tiberius and served as the most powerful commercial center in the Middle East between the first and the third centuries CE. But when the citizens of Palmyra tried to break away from Rome, they were defeated, marking the end of the city’s prosperity. The magnificent monuments from that earlier era of wealth, a resplendent blend of Greco-Roman architecture and local influences, stretched over miles and were among the most significant buildings of the ancient world—until the arrival of ISIS. In 2015, ISIS fought to gain control of the area because it was home to a prison where many members of the outlawed Muslim Brotherhood had been held, and ISIS went on to systematically destroy the city and murder many of its inhabitants, including the archaeologist Khaled al-Asaad, the antiquities director of Palmyra.

In this concise and elegiac book, Paul Veyne, one of Palmyra’s most important experts, offers a beautiful and moving look at the history of this significant lost city and why it was—and still is—important. Today, we can appreciate the majesty of Palmyra only through its pictures and stories, and this book offers a beautifully illustrated memorial that also serves as a lasting guide to a cultural treasure.

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Pandora's Senses

The Feminine Character of the Ancient Text

Vered Lev Kenaan

University of Wisconsin Press, 2010

The notorious image of Pandora haunts mythology: a woman created as punishment for the crimes of man, she is the bearer of hope yet also responsible for the Earth’s desolation. She binds together perpetuating dichotomies that underlie the most fundamental aspects of the Western canon: beauty and evil, body and soul, depth and superficiality, truth and lie. Speaking in multiplicity, Pandora emerges as the first sign of female complexity.
In this compelling study, Vered Lev Kenaan offers a radical revision of the Greek myth of the first woman. She argues that Pandora leaves a decisive mark on ancient poetics and shows that we can unravel the profound impact of Pandora’s image once we recognize that Pandora embodies the very idea of the ancient literary text. Locating the myth of the first woman right at the heart of feminist interrogation of gender and textuality, Pandora’s Senses moves beyond a feminist critique of masculine hegemony by challenging the reading of Pandora as a one-dimensional embodiment of the misogynist vision of the feminine. Uncovering Pandora as a textual principle operating outside of the feminine, Lev Kenaan shows the centrality of this iconic figure among the poetics of such central genres as the cosmological and didactic epic, the Platonic dialogue, the love elegy, and the ancient novel. Pandora’s Senses innovates our understanding of gender as a critical lens through which to view ancient literature.

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Parmenides, Venerable and Awesome. Plato, Theaetetus 183e

Proceedings of the International Symposium

Cordero, Néstor-Luis

Parmenides Publishing, 2012

In October of 2007, the Universidad Nacional de San Martín (Argentina) hosted an International Symposium on the philosophy of Parmenides to celebrate the creation of the University’s new Center for the Study of Ancient Philosophy. The event—co-organized by the HYELE Institute for Comparative Studies (Switzerland) and Parmenides Publishing—brought together scholars from around the world to present their latest work and participate in discussion. These Proceedings present the collected papers that were given—all fully translated into English—and edited by Néstor-Luis Cordero.

During the two years leading up to the International Symposium, no fewer than seven books on Parmenides were published. This revival and resurgence of interest in Parmenides and the critical reviews of traditional interpretations of his poem made this the perfect time for a global conference dedicated to the renowned figure known as the true father of philosophy.

The Symposium on Parmenides united the world's foremost Parmenidean scholars, with many participants having written one, if not several books on Parmenides. The proceedings volume therefore represents the most cutting-edge and in-depth scholarship on Parmenides available today, and will be a great and timely enrichment to the field of Presocratic Philosophy.

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Penelope’s Bones

A New History of Homer's World through the Women Written Out of It

Emily Hauser

University of Chicago Press, 2025

Weaving together literary and archaeological evidence, Emily Hauser illuminates the rich, intriguing lives of the real women behind Homer’s Iliad and Odyssey.

Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long.

In Penelope’s Bones, award-winning classicist and historian Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer’s heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer’s world, Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women’s work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean.

Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world.

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Penelope’s Bones

A New History of Homer’s World through the Women Written Out of It

Emily Hauser

University of Chicago Press, 2025

Weaving together literary and archaeological evidence, Emily Hauser illuminates the rich, intriguing lives of the real women behind Homer’s Iliad and Odyssey.

Achilles. Agamemnon. Odysseus. Hector. The lives of these and many other men in the greatest epics of ancient Greece have been pored over endlessly in the past three millennia. But these are not just tales about heroic men. There are scores of women as well—complex, fascinating women whose stories have gone unexplored for far too long.

In Penelope’s Bones, award-winning classicist and historian Emily Hauser pieces together compelling evidence from archaeological excavations and scientific discoveries to unearth the richly textured lives of women in Bronze Age Greece—the era of Homer’s heroes. Here, for the first time, we come to understand the everyday lives and experiences of the real women who stand behind the legends of Helen, Briseis, Cassandra, Aphrodite, Circe, Athena, Hera, Calypso, Penelope, and more. In this captivating journey through Homer’s world, Hauser explains era-defining discoveries, such as the excavation of Troy and the decipherment of Linear B tablets that reveal thousands of captive women and their children; more recent finds like the tomb of the Griffin Warrior at Pylos, whose tomb contents challenge traditional gender attributes; DNA evidence showing that groups of warriors buried near the Black Sea with their weapons and steeds were, in fact, Amazon-like female fighters; a prehistoric dye workshop on Crete that casts fresh light on “women’s work” of dyeing, spinning, and weaving textiles; and a superbly preserved shipwreck off the coast of Turkey whose contents tell of the economic and diplomatic networks crisscrossing the Bronze Age Mediterranean.

Essential reading for fans of Madeline Miller or Natalie Haynes, this riveting new history brings to life the women of the Bronze Age Aegean as never before, offering a groundbreaking reassessment of the ancient world.

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Perception in Aristotle’s Ethics

Eve Rabinoff

Northwestern University Press, 2018

Perception in Aristotle's Ethics seeks to demonstrate that living an ethical life requires a mode of perception that is best called ethical perception. Specifically, drawing primarily on Aristotle’s accounts of perception and ethics in De anima and Nicomachean Ethics, Eve Rabinoff argues that the faculty of perception (aisthesis), which is often thought to be an entirely physical phenomenon, is informed by intellect and has an ethical dimension insofar as it involves the perception of particulars in their ethical significance, as things that are good or bad in themselves and as occasions to act. Further, she contends, virtuous action requires this ethical perception, according to Aristotle, and ethical development consists in the achievement of the harmony of the intellectual and perceptual, rational and nonrational, parts of the soul.

Rabinoff's project is philosophically motivated both by the details of Aristotle’s thought and more generally by an increasing philosophical awareness that the ethical agent is an embodied, situated individual, rather than primarily a disembodied, abstract rational will.

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Perfidy and Passion

Reintroducing the Iliad

Mark Buchan

University of Wisconsin Press, 2012

Homer’s Iliad is often considered a poem of blunt truthfulness, his characters’ motivation pleasingly simple. A closer look, however, reveals a complex interplay of characters who engage in an awful lot of lies. Beginning with Achilles, who hatches a secret plot to destroy his own people, Mark Buchan traces motifs of deception and betrayal throughout the poem. Homer’s heroes offer bluster, their passion linked to and explained by their lack of authenticity. Buchan reads Homer’s characters between the lies, showing how the plot is structured individual denial and what cannot be said.

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Pericles on Stage

Political Comedy in Aristophanes' Early Plays

By Michael Vickers

University of Texas Press, 1996

Since the eighteenth century, classical scholars have generally agreed that the Greek playwright Aristophanes did not as a matter of course write "political" plays. Yet, according to an anonymous Life of Aristophanes, when Dionysius the tyrant of Syracuse wanted to know about the government of Athens, Plato sent him a copy of Aristophanes' Clouds.

In this boldly revisionist work, Michael Vickers convincingly argues that in his earlier plays, Aristophanes in fact commented on the day-to-day political concerns of Athenians. Vickers reads the first six of Aristophanes' eleven extant plays in a way that reveals the principal characters to be based in large part on Pericles and his ward Alcibiades.

According to Vickers, the plays of Aristophanes—far from being nonpolitical—actually allow us to gauge the reaction of the Athenian public to the events that followed Pericles' death in 429 B.C., to the struggle for the political succession, and to the problems presented by Alcibiades' emergence as one of the most powerful figures in the state. This view of Aristophanes reaffirms the central role of allegory in his work and challenges all students of ancient Greece to rethink long-held assumptions about this important playwright.

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Persian Cultures of Power and the Entanglement of the Afro-Eurasian World

Matthew P. Canepa

J. Paul Getty Trust, The, 2024

A cutting-edge analysis of 2,500 years of Persian visual, architectural, and material cultures of power and their role in connecting the world.

With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the nineteenth century CE.

Exploring topics such as royal cosmologies, fashion, banqueting, manuscript cultures, sacred landscapes, and inscriptions, the volume’s essays analyze the intellectual and political exchanges of art, architecture, ritual, and luxury material within and beyond the Persian world. They show how Perso-Iranian cultures offered neighbors and competitors raw material with which to formulate their own imperial aspirations. Unique among studies of Persia and Iran, this volume explores issues of change, renovation, and interconnectivity in these cultures over the longue durée.

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Persius

A Study in Food, Philosophy, and the Figural

Shadi Bartsch

University of Chicago Press, 2015

The Roman poet and satirist Persius (34–62 CE) was unique among his peers for lampooning literary and social conventions from a distinctly Stoic point of view. A curious amalgam of mocking wit and philosophy, his Satires are rife with violent metaphors and unpleasant imagery and show little concern for the reader’s enjoyment or understanding.

In Persius, Shadi Bartsch explores this Stoic framework and argues that Persius sets his own bizarre metaphors of food, digestion, and sexuality against more appealing imagery to show that the latter—and the poetry containing it—harms rather than helps its audience. Ultimately, he encourages us to abandon metaphor altogether in favor of the non-emotive abstract truths of Stoic philosophy, to live in a world where neither alluring poetry, nor rich food, nor sexual charm play a role in philosophical teaching.

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Personal Styles in Early Cycladic Sculpture

Pat Getz-Gentle; With a Chapter by Jack de Vries

University of Wisconsin Press, 2001

Pat Getz-Gentle provides a clear and detailed survey of the Cycladic period, an early Bronze Age culture that thrived at the heart of the Aegean. In particular, she emphasizes the steps leading to the iconic, reclining folded-arm figure that uniquely defines the Cycladic era. Getz-Gentle also focuses on the personal aesthetics of fifteen carvers, several of whom are identified and discussed in this volume. New to this paperback edition is an expanded bibliography as well an addendum that contains additional works Getz-Gentle has attributed to some of the fifteen Cycladic sculptors she discusses in her book.

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Phenomenology and the Painted Vase

Edited by Danielle Smotherman Bennett, Guy Hedreen, SeungJung Kim, and Carolyn Laferrière

University of Wisconsin Press, 2026

Most people today encounter ancient Greek vases as static, untouchable artifacts safely out of reach behind glass, in the quiet of a museum gallery. Once, however, these vessels were also useful objects, made to be held, filled, and generally used in a variety of settings, from the ritual to the quotidian. This volume considers these ancient vases together with the theoretical frameworks developed by pioneers of phenomenology such as Maurice Merleau-Ponty and Edmund Husserl, helping us encounter Greek vases as they once were. The principles of phenomenology require that we understand objects as active participants in shaping the manner in which humans experience the world. A phenomenological perspective allows us to see how the function and use of Greek vases shaped both their visual appearance and the perceptual experience of them—as well as our continued understanding of them today—while taking into account multisensory perspectives. With this alternative approach to the study of classical pottery, the authors offer new and illuminating insights not just into the objects in question but also into ancient Greek culture and life more broadly.

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Philodemus, On Anger

David Armstrong

SBL Press, 2020

The first English translation of On Anger

This latest volume in the Writings from the Greco-Roman World series provides a translation of a newly edited Greek text of Philodemus’s On Anger, now supplemented with the help of multispectral imaging. As our sole evidence for the Epicurean view of what constitutes natural and praiseworthy anger as distinguished from unnatural pleasure in vengeance and cruelty for their own sake, this text is crucial to the study of ancient thought about the emotions. Its critique of contemporary Stoic and Peripatetic theories of anger offers crucial new information for the history of philosophy in the last two centuries BCE. The introduction and commentary also make use of newly revised texts and readings from several other ancient treatises on anger.

Features

An apparatus representing work on the text since the papyrus was opened in 1805
A full explication of the Epicurean theory of natural anger as an emotion without pleasure
One of the Herculaneum papyri that survived the eruption of Vesuvius in 79 CE

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Philology and Its Histories

Sean Gurd

The Ohio State University Press, 2010

There has never been any shortage of interest in philology, its status, its history, or its origins. Today, after more than twenty years of serial “returns to philology” under the banner of deconstruction, the new medieval studies, critical bibliography, and a particular kind of globally aware activist criticism, philology has again become available as a respectable posture for contemporary literary scholars. But what is “philology,” and how can we attend to it, either as a contemporary practice or as an age-old object of endorsement and critique?

In this volume, edited by Sean Gurd, noted scholars discuss the history of philology from antiquity to the present. This book addresses a wide variety of authors, documents, and movements, among them Greek papyri, Latin textual traditions, the Renaissance, eighteenth-century antiquarianism, and deconstruction.

It is too easy to see philology as the bearer of an antiquated but forceful authority. When philologists take up the tools of textual criticism, they contribute to the very form of texts; seeking to articulate the protocols of correct interpretation, they aspire to be the legislators of reading practice. Nonetheless, Philology and Its Histories argues that philology is not a conservative or ideologically loaded master-discourse, but a tradition of searching, fundamentally ungrounded, dealing with the insecurity of questions rather than the safety of answers. For good or ill, philology is where literature happens; we do well to pay heed to it and to its changes over the course of millennia.

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Philosophies of Sex

Critical Essays on The Hermaphrodite

Edited and with an introduction by Renée Bergland and Gary Williams

The Ohio State University Press, 2012

Philosophies of Sex: Critical Essays on The Hermaphrodite is the first collection of critical studies of Julia Ward Howe’s long-secret novel that, since its initial publication in 2004, has caused a seismic shift in how we understand gender awareness and sexuality in antebellum America. Howe figures in the history of the nineteenth-century American literature primarily as a poet, most famous for having written the lyrics to “Battle Hymn of the Republic.” Renée Bergland and Gary Williams have assembled a luminous array of essays by eminent scholars of the nineteenth-century American literature, providing fascinating—and widely differing—contexts in which to understand Howe’s venture into territory altogether foreign to American writers in her day. An introduction by Bergland and Williams traces the (re)discovery of Howe’s manuscript and the beginnings of commentary as word spread about this remarkable text. Mary Grant, an early reader, invokes the excitement and frontier spirit of women’s history in the 1970s. Marianne Noble and Laura Saltz place the narrative within the frames of European and American Romanticism and of Howe’s other writings. Betsy Klimasmith, Williams, Bethany Schneider, and Joyce Warren explore connections between Howe’s novel and other ground-breaking nineteenth-century works on gender, sexuality, and relationship. Bergland and Suzanne Ashworth explore The Hermaphrodite’s suggestive invocations of two other kinds of “texts”: sculpture and theology.

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Philosophy 101 by Socrates

An Introduction to Philosophy via Plato's Apology

Peter Kreeft

St. Augustine's Press, 2002

Philosophy means “the love of wisdom.” Kreeft uses the dialogues of Socrates to help the reader grow in that love. He says that no master of the art of philosophizing has ever been more simple, clear, and accessible to beginners as has Socrates. He focuses on Plato’s dialogues, the Apology of Socrates, as a lively example to imitate, and a model partner for the reader for dialogue. Kreeft calls it “the Magna Carta of philosophy,” a timeless classic that is “a portable classroom.”

“If only every introductory course were as engaging as Philosophy 101 by Peter Kreeft! Kreeft offers a marvelous way of using Plato’s Apology both to introduce the whole scope of philosopher and to evoke a personal response. Even the diffident freshman, prone to keeping a new subject like philosopher as arm’s length, will feel the enchantment of love-for-wisdom that philosophy is supposed to be.” – Joseph W. Koterski, S.J., chair, Department of Philosophy, Fordham University

“A terrific introduction to philosophy through this not uncontroversial commentary on Plato’s Apology. Not everyone will agree that Socrates provided the best possible defense for himself nor that he intended to. But Kreeft’s is an eminently defensible reading of the Apology and will awaken many a student to the delights of Plato and Philosophy. The comparisons of Socrates with Christ are fascinating. This book will go a long way to consoling those who are not privileged to have Socrates or Kreeft as teachers in the flesh.” – Janet Smith, Sacred Heart Major Seminary, Detroit

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Philosophy as Agôn

A Study of Plato’s Gorgias and Related Texts

Robert Metcalf

Northwestern University Press, 2018

In Philosophy as Agôn: A Study of Plato's Gorgias and Related Texts, Robert Metcalf offers a fresh interpretation of Plato's dialogues as dramatic texts whose philosophy is not so much a matter of doctrine as it is a dynamic, nondogmatic, and open-ended practice of engaging others in agonistic dialogue.

Metcalf challenges prevailing interpretations according to which the agôn (contest or struggle) between the interlocutors in the dialogues is inessential to Plato's philosophical purpose, or simply a reflection of the cultural background of ancient Greek life. Instead, he argues that Plato understands philosophy as essentially agonistic—involving the adversarial engagement of others in dialogue such that one's integrity is put to the test through this engagement, and where the agôn is structured so as to draw adversaries together in agreement about the matters at issue, though that agreement is always open to future contest.

Based on a careful reading of the Gorgias and related Socratic dialogues, such as Apology and Theaetetus, Metcalf contends that agôn is indispensable to the critique of prevailing opinions, to the transformation of the interlocutor through shame-inducing refutation, and to philosophy as a lifelong training (askêsis) of oneself in relation to others.

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Philosophy in Dialogue

Plato's Many Devices

Gary Alan Scott

Northwestern University Press, 2007

Traditional Plato scholarship, in the English-speaking world, has assumed that Platonic dialogues are merely collections of arguments. Inevitably, the question arises: If Plato wanted to present collections of arguments, why did he write dialogues instead of treatises? Concerned about this question, some scholars have been experimenting with other, more contextualized ways of reading the dialogues. This anthology is among the first to present these new approaches as pursued by a variety of scholars. As such, it offers new perspectives on Plato as well as a suggestive view of Plato scholarship as something of a laboratory for historians of philosophy generally.
The essays gathered here each examine vital aspects of Plato’s many methods, considering his dialogues in relation to Thucydides and Homer, narrative strategies and medical practice, images and metaphors. They offer surprising new research into such much-studied works as The Republic as well as revealing views of lesser-known dialogues like the Cratylus and Philebus. With reference to thinkers such as Heidegger, Gadamer, and Sartre, the authors place the Platonic dialogues in an illuminating historical context. Together, their essays should reinvigorate the scholarly examination of the way Plato’s dialogues “work”—and should prompt a reconsideration of how the form of Plato’s philosophical writing bears on the Platonic conception of philosophy.

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Phoenician Aniconism in Its Mediterranean and Ancient Near Eastern Contexts

Brian R. Doak

SBL Press, 2015

A close look at Phoenician religion

The Hebrew Bible contains a prohibition against divine images (Exod 20:2-5a). Explanations for this command are legion, usually focusing on the unique status of Israel's deity within the context of the broader Near Eastern and Mediterranean worlds. Doak explores whether or not Israel was truly alone in its severe stance against idols. This book focuses on one particular aspect of this iconographic context in Israel's Iron Age world: that of the Phoenicians. The question of whether Phoenicians employed aniconic (as opposed to iconic) representational techniques has significance not only for the many poorly understood aspects of Phoenician religion generally, but also for the question of whether aniconism can be considered a broader trend among the Semitic populations of the ancient Near East.

Features:

More than fifty images and illustrations
Examination of textual and archaeological evidence
Application of art historical methods

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Physics Or Natural Hearing

Glen Aristotle

St. Augustine's Press, 2005

The William of Moerbeke Translation Series, under the general editorship of Stuart D. Warner, is devoted to publishing translations of important works - ancient, medieval, and modern - regardless of the original language, in every area of scholarly endeavor, including philosophy, political science, theology, literature, history, economics, and law. The aim of the series is to bring the reader as close as possible to the letter and spirit of the original work. Each volume will contain a scholarly introduction and notes. We welcome all inquiries and suggestions. Physics, Or Natural Healing is the first volume of this series.

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Physiologus

A Medieval Book of Nature Lore

Translated by Michael J. Curley

University of Chicago Press, 2009

One of the most popular and widely read books of the Middle Ages, Physiologus contains allegories of beasts, stones, and trees both real and imaginary, infused by their anonymous author with the spirit of Christian moral and mystical teaching. Accompanied by an introduction that explains the origins, history, and literary value of this curious text, this volume also reproduces twenty woodcuts from the 1587 version. Originally composed in the fourth century in Greek, and translated into dozens of versions through the centuries, Physiologus will delight readers with its ancient tales of ant-lions, centaurs, and hedgehogs—and their allegorical significance.

“An elegant little book . . . still diverting to look at today. . . . The woodcuts reproduced from the 1587 Rome edition are alone worth the price of the book.”—Raymond A. Sokolov, New York Times Book Review

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Picture Worlds

Storytelling on Greek, Moche, and Maya Pottery

David Saunders

J. Paul Getty Trust, The, 2024

This abundantly illustrated volume is the first to explore the painted pottery of the ancient Greek, Moche, and Maya cultures side by side.

Satyrs and sphinxes, violent legumes, and a dancing maize deity figure in the stories painted on the pottery produced by the ancient Greek, Moche, and Maya cultures, respectively. Picture Worlds is the first book to examine the elaborately decorated terracotta vessels of these three distinct civilizations. Although the cultures were separated by space and time, they all employed pottery as a way to tell stories, explain the world, and illustrate core myths and beliefs. Each of these painted pots is a picture world. But why did these communities reach for pottery as a primary method of visual communication? How were the vessels produced and used? In this book, experts offer introductions to the civilizations, exploring these foundational questions and examining the painted imagery. Readers will be rewarded with a better understanding of each of these ancient societies, fascinating insights into their cultural commonalities and differences, and fresh perspectives on image making and storytelling, practices that remain vibrant to this day.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from April 10 to July 29, 2024, and at the Michael C. Carlos Museum at Emory University from September 14 to December 15, 2024.

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Plato

Eric Voegelin

University of Missouri Press, 2000

Once again available in paperback, Plato is the first half of Eric Voegelin's Plato and Aristotle, the third volume of his five-volume Order and History, which has been hailed throughout the Western world as a monumental accomplishment of modern scholarship.

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Plato and Aristophanes

Comedy, Politics, and the Pursuit of a Just Life

Marina Marren

Northwestern University Press, 2022

In Plato and Aristophanes, Marina Marren contends that our search for communal justice must start with self-examination. The realization that there are things that we cannot know about ourselves unless we become the subject of a joke is integral to such self-scrutiny. Jokes provide a new perspective on our politics and ethics; they are essential to our civic self-awareness.

Marren makes this case by delving into Plato’s Republic, a foundational work of political philosophy. While the Republic straightforwardly condemns the decadence and greed of a tyrant, Plato’s attack on political idealism is both solemn and comedic. In fact, Plato draws on the same comedic stock and tropes as do Aristophanes’s plays. Marren’s book strikes up an innovative conversation between three works by Aristophanes—Assembly Women, Knights, and Birds—and Plato’s philosophy, prompting important questions about individual convictions and one’s personal search for justice. These dialogic works offer critiques of tyranny that are by turns brilliant, scathing, and exuberant, making light of faults and ideals alike. Philosophical comedy exposes despotism in individuals as well as systems of government claiming to be just and good. This critique holds as much bite against contemporary injustices as it did at the time of Aristophanes and Plato.

An ingenious new work by an emerging scholar, Plato and Aristophanes shows that comedy—in tandem with philosophy and politics—is essential to self-examination. And without such examination, there is no hope for a just life.

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Plato the Myth Maker

Luc Brisson

University of Chicago Press, 1999

The word myth is commonly thought to mean a fictional story, but few know that Plato was the first to use the term muthos in that sense. He also used muthos to describe the practice of making and telling stories, the oral transmission of all that a community keeps in its collective memory. In the first part of Plato the Myth Maker, Luc Brisson reconstructs Plato's multifaceted description of muthos in light of the latter's Atlantis story. The second part of the book contrasts this sense of myth with another form of speech that Plato believed was far superior: the logos of philosophy.

Gerard Naddaf's substantial introduction shows the originality and importance both of Brisson's method and of Plato's analysis and places it in the context of contemporary debates over the origin and evolution of the oral tradition.
"[Brisson] contrasts muthos with the logos found at the heart of the philosophical reading. [He] does an excellent job of analyzing Plato's use of the two speech forms, and the translator's introduction does considerable service in setting the tone."—Library Journal

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Plato's Moral Realism

The Discovery of the Presuppositions of Ethics

John M. Rist

Catholic University of America Press, 2012

Surveying many of Plato's dialogues from the early, middle, and late periods, prominent philosopher John M. Rist shows how Plato gradually came to realize the need for metaphysics to support his ethical position and that a rigorous ethics required a secure metaphysics grounded in universal values.

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Plato's Philosophers

The Coherence of the Dialogues

Catherine H. Zuckert

University of Chicago Press, 2009

Faced with the difficult task of discerning Plato’s true ideas from the contradictory voices he used to express them, scholars have never fully made sense of the many incompatibilities within and between the dialogues. In the magisterial Plato’s Philosophers, Catherine Zuckert explains for the first time how these prose dramas cohere to reveal a comprehensive Platonic understanding of philosophy.

To expose this coherence, Zuckert examines the dialogues not in their supposed order of composition but according to the dramatic order in which Plato indicates they took place. This unconventional arrangement lays bare a narrative of the rise, development, and limitations of Socratic philosophy. In the drama’s earliest dialogues, for example, non-Socratic philosophers introduce the political and philosophical problems to which Socrates tries to respond. A second dramatic group shows how Socrates develops his distinctive philosophical style. And, finally, the later dialogues feature interlocutors who reveal his philosophy’s limitations. Despite these limitations, Zuckert concludes, Plato made Socrates the dialogues’ central figure because Socrates raises the fundamental human question: what is the best way to live?

Plato’s dramatization of Socratic imperfections suggests, moreover, that he recognized the apparently unbridgeable gap between our understandings of human life and the nonhuman world. At a time when this gap continues to raise questions—about the division between sciences and the humanities and the potentially dehumanizing effects of scientific progress—Zuckert’s brilliant interpretation of the entire Platonic corpus offers genuinely new insights into worlds past and present.

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Plato's Sophist

Part II of The Being of the Beautiful

Plato

University of Chicago Press, 1986

Theaetetus, the Sophist, and the Statesman are a trilogy of Platonic dialogues that show Socrates formulating his conception of philosophy as he prepares the defense for his trial. Originally published together as The Being of the Beautiful, these translations can be read separately or as a trilogy. Each includes an introduction, extensive notes, and comprehensive commentary that examines the trilogy's motifs and relationships.

"Seth Benardete is one of the very few contemporary classicists who combine the highest philological competence with a subtlety and taste that approximate that of the ancients. At the same time, he as set himself the entirely modern hermeneutical task of uncovering what the ancients preferred to keep veiled, of making explicit what they indicated, and hence...of showing the naked ugliness of artificial beauty."—Stanley Rose, Graduate Faculty Philosophy Journal

Seth Benardete (1930-2001) was professor of classics at New York University. He was the author or translator of many books, most recently The Argument of the Action, Plato's "Laws," and Plato's "Symposium," all published by the University of Chicago Press.

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Plato's Statesman

Part III of The Being of the Beautiful

Plato

University of Chicago Press, 1986

Three classic Platonic dialogues in the most authoritative translation available

Theaetetus is the first of a trilogy of Platonic dialogues that show Socrates formulating his conception of philosophy as he prepares the defense for his trial. This translation is particularly faithful to the original Greek, and it is accompanied by an introduction, extensive notes, and comprehensive commentary that puts the dialogue in context with Plato's thought and its influence over the centuries.

Seth Benardete (1930-2001) was professor of classics at New York University.

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Plato's Symposium

Stanley Rosen

St. Augustine's Press, 1999

This is the first full-length study of the Symposium to be published in English, and one of the first English works on Plato to take its bearings by the dramatic form of the Platonic dialogue, a thesis that was regarded as heterodox at the time but which today is widely accepted by scholars of the most diverse standpoint. Rosen was also one of the first to study in detail the philosophical significance of the phenomenon of concrete human sexuality, as it is presented by Plato in the diverse characters of the main speakers in the dialogue. His analysis of the theoretical significance of pederasty in the dialogue was highly controversial at the time, but is today accepted as central to Plato's dramatic phenomenology of human existence.

Rosen discusses a variety of topics that had previously been neglected in the secondary literature, including the problem of the hybristic nature of the philosopher, the poetical dimension of Plato's conception of philosophy, and the theoretical implication of the difference between Platonic writing and Socratic conversation.

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