Zakes Mda
Seagull Books, 2016
Patricia Grossman
Northwestern University Press, 2010
In Radiant Daughter, award-winning novelist Patricia Grossman follows a Czech-American family for twenty-seven years, beginning in suburban Chicago in 1969 and ending in Brooklyn, in seaside “Little Odessa,” in 1996. Though the novel begins as a traditional assimilation story—immigrant parents, “native” children, and the conflicts one might expect—it evolves into a highly particular and harrowing tale surrounding the descent of Elise Blazek, the family’s brightest star. Radiant Daughter is also a story of translation—between generations, from the Czech of Irena and Stepan, to the “American” of the children, and finally to the Russian that is Elise’s academic specialty.
Radiant Daughter explores all that is human, from the most self-destructive behavior to the highest forms of commitment and self-sacrifice. Even at her lowest moments, Irena never loses her fierce love for the daughter who has traveled so utterly beyond her reach. For Elise, the future will always be complicated: a precarious balance between periods of insight, bursts of accomplishment, and the abyss of her illness.
Reminiscent, on the one hand, of the meticulously constructed mother-daughter dynamic in Carol Shields’s Unless and, on the other, of the anarchic real-life experience of Big and Little Edie Beale in Grey Gardens, Grossman’s moving narrative breaks new ground in exploring a dangerous turn in the complex bond between a mother and her adult child.
Robin Romm
Four Way Books, 2024
Meredith Stabel and Zachary Turpin
University of Iowa Press, 2021
Antonin Artaud
Diaphanes, 2020
Larry Millett
University of Minnesota Press, 2023
The ninth and final Minnesota mystery, in which Shadwell Rafferty, with the inimitable Sherlock Holmes, may have solved his own murder
Like many mysteries, this one begins with a murder. But in this case the victim happens to be the detective, on the verge of revealing the culprit in an earlier crime. Had Shadwell Rafferty identified his own murderer? When news of Rafferty’s death reaches Sherlock Holmes, in Chicago on the last leg of an American speaking tour, the world’s most famous detective and his redoubtable companion Watson rush to Minnesota to hunt for their friend’s killer.
Set amid the glittering society and sordid underworld of 1928 St. Paul, Larry Millett’s ninth and final Shadwell Rafferty mystery takes readers through the serpentine twists of Rafferty’s fatal investigation, even as Holmes, following in Rafferty’s tracks, may be closing in on the answer to both cases. This ingenious double mystery takes us to every corner of St. Paul, from the city’s most notorious speakeasy to a home for unwed mothers to the mansions of Summit Avenue, and at every turn we find another suspect: an ambitious mayor and his devoted fixer-in-chief, a heartless blackmailer and a police detective mired in city hall connections, a poet-turned-mystery writer with a suspicious coterie, and a priest hiding a terrible secret.
A mysterious woman in Minneapolis who makes certain illicit arrangements and a young man in possession of incriminating documents provide Holmes with vital clues that lead to a final confrontation with an exceptionally devious murderer worthy of the exceptionally devious plot that brings the Minnesota mystery series to a fitting and powerful conclusion.
Helen Papanikolas
Utah State University Press, 2005
Three generations of the Demas family face the ups and downs of the twentieth century after their fathers leave the coal mines that drew them from Greece to America, become wool growers and small businessmen, and Americanize their Demopoulos name. As the years pass, the family accumulates untidy lives and tragedies. Parents seek to keep their children tightly bound by old-country customs, to arrange marriages, and to foist their views of women’s inferiority on their daughters. Lia Papastamos in particular, child of a forced marriage between her Greek father and Amerikanidha mother, pulls away from the stifling burden of family tradition and interference, but she and her husband must contend with the decline that time, synthetics, and changing tastes bring to a once-thriving sheep business.
Mateiu Caragiale, Translated from the Romanian by Sean Cotter
Northwestern University Press, 2020
Bohumil Hrabal
Karolinum Press, 2016
Bohumil Hrabal
Karolinum Press, 2014
Brian Trapp
Acre Books, 2025
Oliveira, Carmen
Rutgers University Press, 2003
Rare and Commonplace Flowers—a Brazilian bestseller—tells the story of two women. Elizabeth Bishop, the Pulitzer Prize–winning American poet, sought artistic inspiration in Brazil. There she met and fell in love with Lota de Macedo Soares, a self-trained Brazilian architect. This dual biography—brilliantly researched, and written in a lively, novelistic style—follows their relationship from 1951 to 1967, the time when the two lived together in Brazil. The fact that these two women had an intimate relationship caused an uproar when it first came to public notice.
The relationship started out happily, yet ended tragically. In 1961, Soares became increasingly obsessed with building and administering Flamengo Park, Rio de Janeiro’s equivalent to New York City’s Central Park. Though she had been the driving force behind the park’s inception, the ultimate credit that was due her was stripped away because of petty politics and chicanery. As Soares’s career declined and Bishop’s flourished, their relationship crumbled.
Rare and Commonplace Flowers is a tale of two artists and two cultures, offering unique perspectives on both women and their work. Carmen L. Oliveira provides an unparalleled level of detail and insight, due to both her familiarity with Brazil as well as her access to the country’s artistic elite, many of whom had a direct connection with Bishop and Soares. Rare pictures of the two artists and their home bring this unique story to life.
Nancy White Carlstrom
University of Alaska Press, 2011
Raven and River leads young readers on a fantastical journey with a raven across the icy Alaska landscape on the verge of spring. Along the way, the raven’s sonorous cry wakes a cast of sleeping woodland creatures, including a bear, a beaver, a hare, and a squirrel—all of whom join him in imploring the still-frozen river to melt and thereby initiate the change of seasons. Packed with information and featuring vibrant full-color illustrations by Jon Van Zyle, Raven and River brings to life these two important harbingers of Alaska’s spring.
Richard W. Etulain
University of Arizona Press, 1996
George E. Lankford
University of Alabama Press, 2007
James McDonough
Catholic University of America Press, 2026
George Hughes
Vanderbilt University Press, 2002
Simon Wortham
University College London, 2025
Timothy Aubry
University of Iowa Press, 2011
@font-face { font-family: "Myriad Pro";}p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }Why do Americans read contemporary fiction? This question seems simple, but is it? Do Americans read for the purpose of aesthetic appreciation? To satisfy their own insatiable intellectual curiosities? While other forms of media have come to monopolize consumers’ leisure time, in the past two decades book clubs have proliferated, Amazon has sponsored thriving online discussions, Oprah Winfrey has inspired millions of viewers to read both contemporary works and classics, and novels have retained their devoted following within middlebrow communities.
In Reading as Therapy, Timothy Aubry argues that contemporary fiction serves primarily as a therapeutic tool for lonely, dissatisfied middle-class American readers, one that validates their own private dysfunctions while supporting elusive communities of strangers unified by shared feelings. Aubry persuasively makes the case that contemporary literature’s persistent appeal depends upon its capacity to perform a therapeutic function.
Reading as Therapy traces the growth and proliferation of psychological concepts focused on the subjective interior within mainstream, middle-class society and the impact this has had on contemporary fiction. The prevailing tendency among academic critics has been to decry the personal emphasis of contemporary fiction as complicit with the rise of a narcissistic culture, the ascendency of liberal individualism, and the breakdown of public life. Reading as Therapy, by contrast, underscores the varied ideological effects that therapeutic culture can foster.
To uncover the many unpredictable ways in which contemporary literature answers the psychological needs of its readers, Aubry considers several different venues of reader-response—including Oprah’s Book Club and Amazon customer reviews—the promotional strategies of publishing houses, and a variety of contemporary texts, ranging from Khaled Hosseini’s The Kite Runner to Anita Shreve’s The Pilot’s Wife to David Foster Wallace’s Infinite Jest. He concludes that, in the face of an atomistic social landscape, contemporary fiction gives readers a therapeutic vocabulary that both reinforces the private sphere and creates surprising forms of sympathy and solidarity among strangers.
Christian Moraru
University of Michigan Press, 2015
H. Porter Abbott
The Ohio State University Press, 2013
Lidia Yuknavitch
University of Alabama Press, 2003
By Elena Garro
University of Texas Press, 1969
This remarkable first novel depicts life in the small Mexican town of Ixtepec during the grim days of the Revolution. The town tells its own story against a variegated background of political change, religious persecution, and social unrest. Elena Garro, who has also won a high reputation as a playwright, is a masterly storyteller. Although her plot is dramatically intense and suspenseful, the novel does not depend for its effectiveness on narrative continuity. It is a book of episodes, one that leaves the reader with a series of vivid impressions. The colors are bright, the smells pungent, the many characters clearly drawn in a few bold strokes. Octavio Paz, the distinguished poet and critic, has written that it "is truly an extraordinnary work, one of the most perfect creations in contemporary Latin American literature."
Kristen Ghodsee
Duke University Press, 2017
Edited by Mark Bould and China Mielville
Pluto Press, 2009
Tanizaki Jun'ichiro; Translated by Anthony H. Chambers and Paul McCarthy
University of Michigan Press, 2016
Janet McAdams
University of Arizona Press, 2012
Raymond N. Stendhal
University of Minnesota Press, 2022
A masterpiece of nineteenth-century literature in a fresh translation that fully captures the language, psychology, and social reach of Stendhal’s original
Fueled with a combustible mix of ambition, naivete, and Napoleonic ideals, Julien Sorel sets his sights on the heights of French society. But for the son of a provincial carpenter in post-Napoleonic France, the prospects for advancement are vanishingly narrow, the chances for glory rarer yet. After securing a toehold as a tutor to a wealthy family, Julien proceeds through a series of misadventures, illicit affairs, and lucky reversals to breach the ranks of French aristocracy—only to be undone by treasonous schemes, cynical romantic calculations, and an unexpectedly genuine and ultimately disastrous passion.
Shocking at the time of its original publication, startling in its relevance today, Stendhal’s masterpiece is a scorching social satire, a remarkably detailed portrait of a fraught moment in history and, as perhaps the first psychological novel, a brilliant precursor to modern literature at once comical and tragic, cerebral and passionate. This new translation faithfully reproduces the nimble wit, emotional depth, and social acuity of Stendhal’s text. Distinguished translator Raymond N. MacKenzie includes an extensive introduction to Stendhal’s world and time, as well as copious annotations that explain allusions and terms for the modern reader.
Herman Melville
Northwestern University Press, 1969
Sarah Stonich
University of Minnesota Press, 2021
RayAnne’s next adventure takes our intrepid heroine, haunted by her beloved grandmother’s death, to New Zealand to film a new season of her all-women fishing talk show
What stage of grief is it when your grandmother’s ghost keeps popping up on your electronic devices? Denial? For RayAnne that seems to be the stage for launching the second season of Fishing!—in New Zealand. Ready or not, she is taking public television’s first all-women fishing talk show on the road, putting the cold Minnesota winter in the rearview mirror—which, it turns out, Gran is haunting, too.
After a challenging first season, and RayAnne’s serendipitous ascension to host, there’s a lot at stake. With camera-wielding twins Rongo and Rangi along as crew and tour guides, RayAnne and her indefatigable producer Cassi set out across New Zealand in search of noteworthy women who fish: a skipjack boat captain navigating sexist harbors; a writer of historical suffragette fiction, which is, apparently, a thing; a reclusive Māori octogenarian who ties fishing flies for dignitaries. Their stories, and a good dose of the country’s history, are almost enough to take the edge off RayAnne’s homesickness and grief, to say nothing of jetlag—and it doesn’t hurt to discover a bird dog who fishes, an anti-fashionista, a pair of sisters fishing their way through recovery, and . . . a Hobbit? Meanwhile, the romantic and family entanglements she left behind at home haven’t exactly come untangled in her absence.
Those who met RayAnne in Fishing!, Sarah Stonich’s first outing with the intrepid, accidental talk-show host, will encounter familiar and unexpected pleasures in her latest antics—and a story whose lighthearted surface and surprising depths will charm readers who now find her for the first time.
Maria Carla Sanchez
University of Iowa Press, 2009
Aimee Parkison, Foreword by Stephen Graham Jones
University of Alabama Press, 2017
Der Nister
Northwestern University Press, 2011
Charles A. Johanningsmeier
Ohio University Press, 2022
This innovative collection reinvents the standard American short fiction anthology and offers readers an invigorated, inclusive, and nuanced understanding of American literary history and culture from the Civil War to the end of World War I.
Beginning with one of Louisa May Alcott’s Hospital Sketches, originally published in 1863, this anthology offers a refreshing perspective on American literature from the latter half of the nineteenth century through the first decades of the twentieth. Based on Alcott’s brief stint as a Civil War nurse, Hospital Sketches stands in contrast to the sentimentality of her better-known Little Women and illustrates a blending of romanticism and realism. Furthermore, its thematic focus on the tension between idealized notions of noble, patriotic duty and the horrific reality of war exemplifies a dominant American cultural mindset at the time.
Following this model of complicating accepted ideas about realism and of particular authors, Reimagining Realism brings together dozens of texts that engage with the immense changes and upheavals that characterized American culture over the next six decades: war, abolition, voting rights, westward expansion, immigration, racism and ethnocentrism, industrial production, labor reforms, transportation, urban growth, journalism, mass media, education, and economic disparity.
Reimagining Realism presents a collection of works much more diverse than what is typically found in other anthologies of short fiction from this era. Some selections are lesser-known works by familiar authors that enable readers to see dimensions of these authors that are rarely considered but deserve further study. The book also features authors from many previously underrepresented groups and includes some outstanding works by authors whose names are almost completely unknown to today’s readers—but which deserve greater attention.
The volume’s editors, in their intent to spur readers to further reimagine realism, to represent the spectrum of viewpoints prevalent during this era, and to spark critical thinking and productive discussion, have been careful not to apply any type of political litmus test to the included works. They have also refrained from categorizing works according to convention, so as not to predispose readers to restrictive interpretations, and have provided only brief, highly readable headnotes and annotations that will help readers better understand the texts.
Steve Adams
University of Wisconsin Press, 2022
Gary Fountain
University of Massachusetts Press, 1994
Bob Smith
University of Wisconsin Press, 2011
“It’s safe to say your relationship is in trouble if the only way you can imagine solving your problems is by borrowing a time machine.”
InSight Out Book Club, featured selection
Bob Smith named one of Instinct magazine’s Leading Men 2011
Winner, Barbara Gittings Literature Award/Stonewall Book Awards, American Library Association
Finalist, Over the Rainbow Selection, American Library Association
Finalist, Green Carnation Prize, international prize for LGBT Literature
Amazon Top Ten Gay & Lesbian Books of 2011
Best Books for General Audiences, selected by the American Association of School Librarians
Best Books for General Audiences, selected by the Public Library Reviewers

Jonathan Baumbach
University of Alabama Press, 1974
Andrew Welsh-Huggins
Ohio University Press, 2026
Private eye Andy Hayes confronts his personal prejudices and assumptions when an unorthodox case comes his way. Tim Watkins is a young drag artist performing under the name Tiara Treatwell and facing online abuse and in-person stalking from anti-LGBTQIA crusaders. While Andy suspects the attacks are connected to a protest outside a drag story hour Tim attended weeks earlier in suburban Columbus, he has no direct evidence of a link. Tim’s concerns unfold against a groundswell of right-wing activism in the Ohio Statehouse, led by a failed state senate candidate who insists his opponent, a Somali American woman, stole the election.
Bail bondsman Otto Mulligan—Tim’s cousin and Andy’s closest friend—persuades Tim it’s in his best interest to accept Andy as bodyguard and escort until they can figure out who is behind the threats. Tim, who is Black and queer, is reluctant to work with Andy, dismissing him as an insensitive and macho ex–football star. Andy doesn’t do himself any favors by acknowledging he’s never attended a drag performance or even bothered to learn anything about the culture.
As Tim and Andy’s relationship is tested, Tim comes under attack by a pair of masked assailants, and only with the help of a concerned passerby does Andy manage to save both their lives. As Andy and the police search for clues to the assault, Andy follows a lead to an Ohio white supremacist group called the Promise Lords, which orchestrated the protest at the drag story hour. Andy enlists an old ally, Ronald J. McQuillen, a freelance analyst who helps law enforcement track and prosecute hate groups. Meanwhile, Andy’s investigation leads to conflict with Henrietta Millner, a nightside Columbus police detective who’s not happy to have Andy on her turf. Caught in the middle of this skirmish is Andy’s grown daughter, Alex Rutledge, who’s training to be a Columbus police officer. Andy and Henrietta’s uneasy partnership deteriorates when Andy, spurred by a cryptic comment from Alex, questions why a veteran investigator like Millner is stuck on the night shift.
As Andy’s search for the identity of Tim’s stalkers ramps up, increasingly bizarre clues emerge that may have connections to a broader plot. With time running out, Andy must put the pieces together to save Tim, and many others, from a violent and potentially deadly confrontation.
Patrick Lawler
University of Alabama Press, 2012
Juan Meneses
University of Minnesota Press, 2019
A bold new critique of dialogue as a method of eliminating dissent
Is dialogue always the productive political and communicative tool it is widely conceived to be? Resisting Dialogue reassesses our assumptions about dialogue and, in so doing, about what a politically healthy society should look like. Juan Meneses argues that, far from an unalloyed good, dialogue often serves as a subtle tool of domination, perpetuating the underlying inequalities it is intended to address.
Meneses investigates how “illusory dialogue” (a particular dialogic encounter designed to secure consensus) is employed as an instrument that forestalls—instead of fostering—articulations of dissent that lead to political change. He does so through close readings of novels from the English-speaking world written in the past hundred years—from E. M. Forster’s A Passage to India and Jeanette Winterson’s The Passion to Indra Sinha’s Animal’s People and more. Resisting Dialogue demonstrates how these novels are rhetorical exercises with real political clout capable of restoring the radical potential of dialogue in today’s globalized world. Expanding the boundaries of postpolitical theory, Meneses reveals how these works offer ways to practice disagreement against this regulatory use of dialogue and expose the pitfalls of certain other dialogic interventions in relation to some of the most prominent questions of modern history: cosmopolitanism at the end of empire, the dangers of rewriting the historical record, the affective dimension of neoliberalism, the racial and nationalist underpinnings of the “war on terror,” and the visibility of environmental violence in the Anthropocene.
Ultimately, Resisting Dialogue is a complex, provocative critique that, melding political and literary theory, reveals how fiction can help confront the deployment of dialogue to preempt the emergence of dissent and, thus, revitalize the practice of emancipatory politics.
Catherine A. Lundie
University of Massachusetts Press, 1996
Raharimanana
Seagull Books, 2025
A powerful testament to writing as an act of beauty and rebellion that speaks truth and condemns violent legacies and a feverish ode that weaves together personal and national history to finally find healing.
This evocative novel from a great figure of Malagasy literature tells the story of Hira, a writer born on the seventh anniversary of Madagascar’s independence. He wanders through different cities on a book tour, but the experience is amnesiac and confusing. There is a past he is trying to reckon with, filled with violence against both his family and country. He runs from his wife and represses his memories until it all explodes in fever dreams and a vomit of words. But to write the rebirth that he yearns for, Hira must write of his father’s torture, his tortured island, and how both were juxtaposed to his own happy childhood. In combing through these various pasts, he might make the same mistake his father did: trying to change the world but leaving his own family broken.
Drawing from the lived experience of both the author and his parents, the violence of both life and language, and the stories of both myth and history, Return is a search for an individual’s place within larger collective trauma. Infused with Raharimanana’s signature poeticism and intensity, this is a masterwork by an as-yet-overlooked but essential voice in the postcolonial tradition.
Michèle Sarde
Swan Isle Press, 2022
Peter De Vries
University of Chicago Press, 1964
Cris Mazza
University of Alabama Press, 1993
A collection of stories by award-winning California writer Cris Mazza that reveal the open road to be not romanticized freedom but an unsettling loss of control.
While in many ways reaffirming the mythic dimension of being on the road romanticized in American pop and fold culture, Revelation Countdown also subtly undermines that view. These stories project onto the open road not the nirvana of personal freedom, but rather a type of freedom more closely resembling loss of control. Being in constant motion and passing through new environments destabilizes life, casts it out of phase, heightens perception, and skews reactions. Every little problem is magnified to overwhelming dimension. Events segue from slow motion to fast forward. Background noises intrude, causing perpetual wee hour insomnia. Imagination flourishes, often as an enemy. People suddenly discover that they never really understood their travel companions. The formerly stable line of their lives veers off course. In such an atmosphere, the title Revelation Countdown, borrowed from a roadside sign in Tennessee, proves prophetic. It may not arrive at 7:30, but revelation will inevitably find the traveler.
Meegan Kennedy
The Ohio State University Press, 2010
Katja Lange-Müller
Seagull Books, 2022
Retold by Anne Louise Avery
Bodleian Library Publishing, 2020
Reynard—a subversive, dashing, anarchic, aristocratic, witty fox from the watery lowlands of medieval East Flanders—is in trouble. He has been summoned to the court of King Noble the Lion, charged with all manner of crimes and misdemeanors. How will he pit his wits against his accusers—greedy Bruin the Bear, pretentious Courtoys the Hound, and dark and dangerous Isengrim the Wolf—to escape the gallows?
Reynard was once the most popular and beloved character in European folklore, as familiar as Robin Hood, King Arthur, or Cinderella. His character spoke eloquently for the voiceless and disenfranchised, but also amused and delighted the elite, capturing hearts and minds across borders and societal classes for centuries. Based on William Caxton’s bestselling 1481 English translation of the Middle Dutch, this edition is an imaginative retelling of the Reynard story, expanded with new interpretations and innovative language and characterizations. With its themes of protest, resistance, and duplicity led by a personable, anti-heroic Fox, this gripping tale is as relevant and controversial today as it was in the fifteenth century.

Simms, William Gilmore
University of Arkansas Press, 1995