3388 books match the query 'Fiction' and 77 start with r

cover of Rachel's Blue

Rachel's Blue

Zakes Mda

Seagull Books, 2016

Novelist Zakes Mda has made a name for himself as a key chronicler of the new, post-apartheid South Africa, casting a satirical eye on its claims of political unity, its rising black middle class, and other aspects of its complicated, multiracial society.

In this novel, however, he turns his lens elsewhere: to a college town in Ohio. Here he finds human relations and the battle between the community and the individual no less compelling, or ridiculous. In Athens, Ohio, old high school friends Rachel Boucher and Jason de Klerk reconnect­ and rekindle a relationship that quickly becomes passionate. Initially, all seems well. Not only the couple, but their friends and family, are happy at this unexpected conjunction. But then Rachel meets someone else. Jason’s anger boils over into violence—violence that turns the community on its head, pitting friends and neighbors against one another. And all this happens before Rachel realizes she’s pregnant.

A powerful, piercing satire of contemporary life, love, and society, Rachel’s Blue is a wonderful example of the social novel, surprising us with undeniable revelations about everyday life.
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cover of Radiant Daughter: A Novel

Radiant Daughter

A Novel

Patricia Grossman

Northwestern University Press, 2010

In Radiant Daughter, award-winning novelist Patricia Grossman follows a Czech-American family for twenty-seven years, beginning in suburban Chicago in 1969 and ending in Brooklyn, in seaside “Little Odessa,” in 1996. Though the novel begins as a traditional assimilation story—immigrant parents, “native” children, and the conflicts one might expect—it evolves into a highly particular and harrowing tale surrounding the descent of Elise Blazek, the family’s brightest star. Radiant Daughter is also a story of translation—between generations, from the Czech of Irena and Stepan, to the “American” of the children, and finally to the Russian that is Elise’s academic specialty.

 Radiant Daughter explores all that is human, from the most self-destructive behavior to the highest forms of commitment and self-sacrifice. Even at her lowest moments, Irena never loses her fierce love for the daughter who has traveled so utterly beyond her reach. For Elise, the future will always be complicated: a precarious balance between periods of insight, bursts of accomplishment, and the abyss of her illness.

Reminiscent, on the one hand, of the meticulously constructed mother-daughter dynamic in Carol Shields’s Unless and, on the other, of the anarchic real-life experience of Big and Little Edie Beale in Grey Gardens, Grossman’s moving narrative breaks new ground in exploring a dangerous turn in the complex bond between a mother and her adult child.

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cover of Radical Empathy

Radical Empathy

Robin Romm

Four Way Books, 2024

In this new collection of short stories that Ben Fountain declares “all marvels,” Robin Romm (author of The Mercy Papers) revels in the mess behind the slick veneer of modern life. A financially-strapped college student sells her sought after “Ivy League eggs” to a movie star, then wrestles with her feelings as the child grows up in the public eye. A long-married wife in the midst of a bungled kitchen remodel imagines the excitement of her neighbor’s unstable erotic life. Isolated by quarantine, a young widow contends with a talking daffodil that panders to her in therapy-speak. Disquieting, original and strangely reassuring, these ten new stories make quick work of the easy truths and thoughtless salvos that keep us from seeing the wildness of our irreducible lives.
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cover of Radicals, Volume 1: Fiction, Poetry, and Drama: Audacious Writings by American Women, 1830-1930

Radicals, Volume 1

Fiction, Poetry, and Drama: Audacious Writings by American Women, 1830-1930

Meredith Stabel and Zachary Turpin

University of Iowa Press, 2021

Kate Chopin on pot smoking. Pauline Hopkins on alchemy and the undead. Sui Sin Far on cross-dressing. Emma Lazarus and Angelina Weld Grimké on lesbian longing. Julia Ward Howe on intersexuality. Perhaps the first of its kind, Radicals is a two-volume collection of writings by American women of the nineteenth and early twentieth centuries, with special attention paid to the voices of Black, Indigenous, and Asian American women.

In Volume 1: Fiction, Poetry, and Drama, selections span from early works like Sarah Louise Forten’s anti-slavery poem “The Grave of the Slave” (1831) and Fanny Fern’s Ruth Hall (1855), a novel about her struggle to break into the male-dominated field of journalism, to Charlotte Perkins Gilman’s revenge fantasy, “When I Was a Witch” (1910) and Georgia Douglas Johnson’s poem on the fraught nature of African American motherhood, “Maternity” (1922). In between, readers will discover many vibrant and challenging lesser-known texts that are rarely collected today. Some, indeed, have been out of print for more than a century.

Unique among anthologies of American literature, Radicals undoes such silences by collecting the underrepresented, the uncategorizable, the unbowed—powerful writings by American women of genius and audacity who looked toward, and wrote toward, what Charlotte Perkins Gilman called “a lifted world.”




 
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cover of Radio Works: 1946-48

Radio Works

1946-48

Antonin Artaud

Diaphanes, 2020

Following his release from the Rodez asylum, Antonin Artaud decided he wanted his new work to connect with a vast public audience, and he chose to record radio broadcasts in order to carry through that aim. That determination led him to his most experimental and incendiary project, To Have Done with the Judgement of God, 1947-48, in which he attempted to create a new language of texts, screams, and cacophonies: a language designed to be heard by millions, aimed, as Artaud said, for “road-menders.” In the broadcast, he interrogated corporeality and introduced the idea of the “body without organs,” crucial to the later work of Deleuze and Guattari. The broadcast, commissioned by the French national radio station, was banned shortly before its planned transmission, much to Artaud’s fury. This volume collects all of the texts for To Have Done with the Judgement of God, together with several of the letters Artaud wrote to friends and enemies in the short period between his work’s censorship and his death. Also included is the text of an earlier broadcast from 1946, Madness and Black Magic, written as a manifesto prefiguring his subsequent broadcast. Clayton Eshleman’s extraordinary translations of the broadcasts activate these works in their extreme provocation.
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cover of Rafferty's Last Case: A Minnesota Mystery featuring Sherlock Holmes

Rafferty's Last Case

A Minnesota Mystery featuring Sherlock Holmes

Larry Millett

University of Minnesota Press, 2023

The ninth and final Minnesota mystery, in which Shadwell Rafferty, with the inimitable Sherlock Holmes, may have solved his own murder​

 

Like many mysteries, this one begins with a murder. But in this case the victim happens to be the detective, on the verge of revealing the culprit in an earlier crime. Had Shadwell Rafferty identified his own murderer? When news of Rafferty’s death reaches Sherlock Holmes, in Chicago on the last leg of an American speaking tour, the world’s most famous detective and his redoubtable companion Watson rush to Minnesota to hunt for their friend’s killer.

 

Set amid the glittering society and sordid underworld of 1928 St. Paul, Larry Millett’s ninth and final Shadwell Rafferty mystery takes readers through the serpentine twists of Rafferty’s fatal investigation, even as Holmes, following in Rafferty’s tracks, may be closing in on the answer to both cases. This ingenious double mystery takes us to every corner of St. Paul, from the city’s most notorious speakeasy to a home for unwed mothers to the mansions of Summit Avenue, and at every turn we find another suspect: an ambitious mayor and his devoted fixer-in-chief, a heartless blackmailer and a police detective mired in city hall connections, a poet-turned-mystery writer with a suspicious coterie, and a priest hiding a terrible secret.

 

A mysterious woman in Minneapolis who makes certain illicit arrangements and a young man in possession of incriminating documents provide Holmes with vital clues that lead to a final confrontation with an exceptionally devious murderer worthy of the exceptionally devious plot that brings the Minnesota mystery series to a fitting and powerful conclusion.

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cover of Rain in the Valley: A Novel

Rain in the Valley

A Novel

Helen Papanikolas

Utah State University Press, 2005

Three generations of the Demas family face the ups and downs of the twentieth century after their fathers leave the coal mines that drew them from Greece to America, become wool growers and small businessmen, and Americanize their Demopoulos name. As the years pass, the family accumulates untidy lives and tragedies. Parents seek to keep their children tightly bound by old-country customs, to arrange marriages, and to foist their views of women’s inferiority on their daughters. Lia Papastamos in particular, child of a forced marriage between her Greek father and Amerikanidha mother, pulls away from the stifling burden of family tradition and interference, but she and her husband must contend with the decline that time, synthetics, and changing tastes bring to a once-thriving sheep business.

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cover of Rakes of the Old Court: A Novel

Rakes of the Old Court

A Novel

Mateiu Caragiale, Translated from the Romanian by Sean Cotter

Northwestern University Press, 2020

Widely regarded as the greatest Romanian novel of the twentieth century, Mateiu Caragiale’s Rakes of the Old Court (Craii de Curtea-Veche) follows four characters through the bars and brothels of Bucharest. Guided by an amoral opportunist, the shadowy narrator and his two affluent friends drink and gamble their way through a city built on the ruins of crumbled castles and bygone empires. The novel’s shimmering, spectacular prose describes gripping vignettes of love, ambition, and decay.
 
Originally published in 1929, Rakes of the Old Court is considered a jewel of Romanian modernism. Devoted “Mateists” have long read, memorized, and reenacted the novel, and after the Romanian Revolution, it became part of the high school curriculum. Now canonical, Mateiu’s work has been celebrated for its opulent literary style and enigmatic tone.
 
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cover of Rambling On: An Apprentice's Guide to the Gift of the Gab

Rambling On

An Apprentice's Guide to the Gift of the Gab

Bohumil Hrabal

Karolinum Press, 2016

Novelist Bohumil Hrabal was born in Brno, Czechoslovakia, and he spent decades working at a variety of laboring jobs before turning to writing in his late forties. From that point, he quickly made his mark on the Czech literary scene; by the time of his death he was ranked with Jaroslav Hašek, Karel Čapek, and Milan Kundera as among the nation’s greatest twentieth-century writers. Hrabal’s fiction blends tragedy with humor and explores the anguish of intellectuals and ordinary people alike from a slightly surreal perspective. His work ranges from novels and poems to film scripts and essays. Rambling On is a collection of stories set in Hrabal’s Kersko. Several of the stories were written before the 1968 Soviet invasion of Prague but had to be reworked when they were rejected by Communist censorship during the 1970s. This edition features the original, uncensored versions of those stories.
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cover of Rambling On: An Apprentice’s Guide to the Gift of the Gab

Rambling On

An Apprentice’s Guide to the Gift of the Gab

Bohumil Hrabal

Karolinum Press, 2014

Novelist Bohumil Hrabal was born in Brno, Czechoslovakia, and he spent decades working at a variety of laboring jobs before turning to writing in his late forties. From that point, he quickly made his mark on the Czech literary scene; by the time of his death he was ranked with Jaroslav Hašek, Karel Čapek, and Milan Kundera as among the nation’s greatest twentieth-century writers. Hrabal’s fiction blends tragedy with humor and explores the anguish of intellectuals and ordinary people alike from a slightly surreal perspective. His work ranges from novels and poems to film scripts and essays. Rambling On is a collection of stories set in Hrabal’s Kersko. Several of the stories were written before the 1968 Soviet invasion of Prague but had to be reworked when they were rejected by Communist censorship during the 1970s. This edition features the original, uncensored versions of those stories.
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cover of Range of Motion: A Novel

Range of Motion

A Novel

Brian Trapp

Acre Books, 2025

A tender, wrenching, and comic novel that follows two twin boys from infancy to the cusp of adulthood.

Twin A and Twin B. That’s what Michael and Sal’s neuroscientist father irreverently calls them. The boys are born moments apart, but baby Sal’s brain scan shows a bleed. He has severe cerebral palsy and intellectual disabilities.

Told through multiple perspectives—Gabe, the boys’ father; Hannah, their mother; and Michael—this debut novel follows the Mitchell family from the boys’ infancy to the cusp of adulthood as they all try to interpret what Sal, who speaks only eight words, is thinking and feeling. The twins’ upbringing in suburban Ohio is familiar and unfamiliar, ordinary and extraordinary, as this middle-class family navigates the challenges and rewards of nurturing a special-needs human with a killer dimple who is utterly and winningly himself: sweet, stubborn, mischievous, impenetrable, and above all, very funny.

Michael feels that he alone understands Sal and devotes himself to giving his brother a voice in the “normal” world until he grows up and can’t “hear” his twin anymore—his worst fear. Their mother, a teacher who has given up her career for caregiving, and their father, who is determined to succeed in his research, also struggle with the balance of sacrifice and duty and love, especially as Sal’s health deteriorates. Before Michael leaves for college, the twins spend a final week together at a summer camp for people with disabilities, and Sal does something that changes their lives forever.

Transforming perceptions of disability and interdependence through tender attention to detail, Range of Motion is wrenching, beautiful, and sharply comic.
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cover of Rare and Commonplace Flowers: The Story of Elizabeth Bishop and Lota de Macedo Soares

Rare and Commonplace Flowers

The Story of Elizabeth Bishop and Lota de Macedo Soares

Oliveira, Carmen

Rutgers University Press, 2003

Rare and Commonplace Flowers—a Brazilian bestseller—tells the story of two women. Elizabeth Bishop, the Pulitzer Prize–winning American poet, sought artistic inspiration in Brazil. There she met and fell in love with Lota de Macedo Soares, a self-trained Brazilian architect. This dual biography—brilliantly researched, and written in a lively, novelistic style—follows their relationship from 1951 to 1967, the time when the two lived together in Brazil. The fact that these two women had an intimate relationship caused an uproar when it first came to public notice.

The relationship started out happily, yet ended tragically. In 1961, Soares became increasingly obsessed with building and administering Flamengo Park, Rio de Janeiro’s equivalent to New York City’s Central Park. Though she had been the driving force behind the park’s inception, the ultimate credit that was due her was stripped away because of petty politics and chicanery. As Soares’s career declined and Bishop’s flourished, their relationship crumbled.

Rare and Commonplace Flowers is a tale of two artists and two cultures, offering unique perspectives on both women and their work. Carmen L. Oliveira provides an unparalleled level of detail and insight, due to both her familiarity with Brazil as well as her access to the country’s artistic elite, many of whom had a direct connection with Bishop and Soares. Rare pictures of the two artists and their home bring this unique story to life.

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cover of Raven and River

Raven and River

Nancy White Carlstrom

University of Alaska Press, 2011

Raven and River leads young readers on a fantastical journey with a raven across the icy Alaska landscape on the verge of spring. Along the way, the raven’s sonorous cry wakes a cast of sleeping woodland creatures, including a bear, a beaver, a hare, and a squirrel—all of whom join him in imploring the still-frozen river to melt and thereby initiate the change of seasons. Packed with information and featuring vibrant full-color illustrations by Jon Van Zyle, Raven and River brings to life these two important harbingers of Alaska’s spring.

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cover of Re-imagining the Modern American West: A Century of Fiction, History, and Art

Re-imagining the Modern American West

A Century of Fiction, History, and Art

Richard W. Etulain

University of Arizona Press, 1996

From the Mississippi west to the Pacific, from border to border north and south, here is the first thorough overview of novelists, historians, and artists of the modern American West. Examining a full century of cultural-intellectual forces at work, a leading authority on the twentieth-century West brings his formidable talents to bear in this pioneering study. Richard W. Etulain divides his book into three major sections. He begins with the period from the 1890s to the 1920s, when artists and authors were inventing an idealized frontier--especially one depicting initial contacts and conflicts with new landscapes and new peoples. The second section covers the regionalists, who focused on regional (mostly geographical) characteristics that shaped distinctively "western" traits of character and institutions. The book concludes with a discussion of the postregional West from World War II to the ’90s, a period when novelists, historians, and artists stressed ethnicity, gender, and a new environmentalism as powerful forces in the formation of modern western society and culture. Etulain casts a wide net in his new study.

He discusses novelists from Jack London to John Steinbeck and on to Joan Didion. He covers historians from Frederick Jackson Turner to Earl Pomeroy and Patricia Nelson Limerick, and artists from Frederic Remington and Charles Russell to Georgia O’Keeffe and R. C. Gorman. The author places emphasis on women painters and authors such as Mary Hallock Foote, Mary Austin, Willa Cather, and Judith Baca. He also stresses important works of ethnic writers including Leslie Marmon Silko, Rudolfo Anaya, and Amy Tan. An intriguing survey of tendencies and trends and a well-defined profile of influences and outgrowths, this book will be valuable to students and scholars of western culture and history, American studies, and related disciplines. General readers will appreciate the book’s balanced structure and spirited writing style. All readers, whatever their level of interest, will discover the major cultural inventions of the American West over the past one hundred years.
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cover of Reachable Stars: Patterns in the Ethnoastronomy of Eastern North America

Reachable Stars

Patterns in the Ethnoastronomy of Eastern North America

George E. Lankford

University of Alabama Press, 2007

Modern Westerners say the lights in the sky are stars, but culturally they are whatever we humans say they are. Some say they are Forces that determine human lives, some declare they are burning gaseous masses, and some see them as reminders of a gloried past by which elders can teach and guide the young—mnemonics for narratives. Lankford’s volume focuses on the ancient North Americans and the ways they identified, patterned, ordered, and used the stars to light their culture and illuminate their traditions. They knew them as regions that could be visited by human spirits, and so the lights for them were not distant points of light, but “reachable stars.” Guided by the night sky and its constellations, they created oral traditions, or myths, that contained their wisdom and which they used to pass on to succeeding generations their particular world view.
 
However, they did not all tell the same stories. This study uses that fact—patterns of agreement and disagreement—to discover prehistoric relationships between Indian groups. Which groups saw a constellation in the same way and told the same story? How did that happen? Although these preliterate societies left no written records, the mythic patterns across generations and cultures enable contemporary researchers to examine the differences in how they understood the universe—not as early scientists, but as creators of cosmic order. In the process of doing that, the myth-tellers left the footprints of their international cultural relationships behind them. Reachable Stars is the story of their stories.
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cover of Reading Greek with Jonah: A Mini-Course in Ancient Greek

Reading Greek with Jonah

A Mini-Course in Ancient Greek

James McDonough

Catholic University of America Press, 2026

Reading Greek with Jonah gives beginners the opportunity to engage directly with a work of ancient literature in their first year of Greek. It takes as its subject and parameters the Septuagint translation of the book of Jonah, using a core vocabulary of fewer than three hundred words and introducing grammar and syntax through readings quoted or adapted from Jonah and other books of the Greek Bible. The foundational grammar of Ancient Greek is presented in traditional terms, but in an original sequence intended to minimize difficulties in learning new word forms and grammatical concepts. No prior knowledge of Greek is assumed. The principles of verb conjugation, noun declension, and tense formation are illustrated through sentences and short readings of gradually increasing complexity. Repetition of vocabulary an-Coud sentence structures throughout the lessons aids in building memory and comprehension. Once they have encountered the essential grammar and vocabulary, students can read the book of Jonah with the help of the included lexicon and notes on advanced grammatical topics. An anthology of forty passages from the Septuagint and the New Testament provides opportunities for further reading and additional context for the language and themes of Jonah. Suitable for classroom use or for independent study, Reading Greek with Jonah may serve as a standalone Greek course or as the first in a sequence, to be followed by additional grammar study or an intermediate reader in Koine, Attic, or Homeric Greek.
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cover of Reading Novels

Reading Novels

George Hughes

Vanderbilt University Press, 2002

Reading Novels is a unique piece of practical criticism, a comprehensive "poetics" of a genre that has not attracted a great deal of attention, at least not on this level. It is a reader's and student's guide that reaches beyond issues of individual texts and historical traditions to essential features of the form.
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cover of Reading Robert Walser: Criticism, Creativity, Correspondence

Reading Robert Walser

Criticism, Creativity, Correspondence

Simon Wortham

University College London, 2025

A radical engagement with Robert Walser’s correspondence that turns literary criticism into an act of creative recovery.

Robert Walser’s letters to Frieda Mermet, the laundry manager at a Swiss psychiatric hospital, offer an intimate and enigmatic glimpse into the mind of a writer whose literary fortunes waned even as his influence grew in the decades following his death. Covering nearly thirty years, from 1913 to 1942, these letters chart Walser’s transition from a celebrated modernist to a man institutionalized, yet still deeply engaged with language and identity.

In Reading Robert Walser, Simon Wortham studies Walser’s letters within the broader context of modernist literature and deconstruction, and also imaginatively reconstructs Mermet’s possible lost responses, blurring the lines between criticism and creativity. The result is an innovative exploration of authorship and the act of reading itself—one that deepens our understanding of Walser’s life and work while questioning the very nature of literary correspondence.
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Reading as Therapy

What Contemporary Fiction Does for Middle-Class Americans

Timothy Aubry

University of Iowa Press, 2011

@font-face { font-family: "Myriad Pro";}p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }Why do Americans read contemporary fiction? This question seems simple, but is it? Do Americans read for the purpose of aesthetic appreciation? To satisfy their own insatiable intellectual curiosities? While other forms of media have come to monopolize consumers’ leisure time, in the past two decades book clubs have proliferated, Amazon has sponsored thriving online discussions, Oprah Winfrey has inspired millions of viewers to read both contemporary works and classics, and novels have retained their devoted following within middlebrow communities.

In Reading as Therapy, Timothy Aubry argues that contemporary fiction serves primarily as a therapeutic tool for lonely, dissatisfied middle-class American readers, one that validates their own private dysfunctions while supporting elusive communities of strangers unified by shared feelings. Aubry persuasively makes the case that contemporary literature’s persistent appeal depends upon its capacity to perform a therapeutic function.

Reading as Therapy traces the growth and proliferation of psychological concepts focused on the subjective interior within mainstream, middle-class society and the impact this has had on contemporary fiction. The prevailing tendency among academic critics has been to decry the personal emphasis of contemporary fiction as complicit with the rise of a narcissistic culture, the ascendency of liberal individualism, and the breakdown of public life. Reading as Therapy, by contrast, underscores the varied ideological effects that therapeutic culture can foster.

To uncover the many unpredictable ways in which contemporary literature answers the psychological needs of its readers, Aubry considers several different venues of reader-response—including Oprah’s Book Club and Amazon customer reviews—the promotional strategies of publishing houses, and a variety of contemporary texts, ranging from Khaled Hosseini’s The Kite Runner to Anita Shreve’s The Pilot’s Wife to David Foster Wallace’s Infinite Jest. He concludes that, in the face of an atomistic social landscape, contemporary fiction gives readers a therapeutic vocabulary that both reinforces the private sphere and creates surprising forms of sympathy and solidarity among strangers.

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Reading for the Planet

Toward a Geomethodology

Christian Moraru

University of Michigan Press, 2015

In his new book, Christian Moraru argues that post-Cold War culture in general and, in particular, the literature, philosophy, and theory produced since 9/11 foreground an emergent “planetary” imaginary—a “planetarism”—binding in unprecedented ways the world’s peoples, traditions, and aesthetic practices. This imaginary, Moraru further contends, speaks to a world condition (“planetarity”) increasingly exhibited by human expression worldwide. Grappling with the symptoms of planetarity in the arts and the human sciences, the author insists, is a major challenge for today’s scholars—a challenge Reading for the Planet means to address. Thus, Moraru takes decisive steps toward a critical methodology—a “geomethodology”—for dealing with planetarism’s aesthetic and philosophical projections. Here, Moraru analyzes novels by Joseph O’Neill, Mircea Cartarescu, Sorj Chalandon, Zadie Smith, Orhan Pamuk, and Dai Sijie, among others, as demonstration of his paradigm.

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cover of Real Mysteries: Narrative and the Unknowable

Real Mysteries

Narrative and the Unknowable

H. Porter Abbott

The Ohio State University Press, 2013

The influential and widely respected narrative theorist, H. Porter Abbott, breaks new ground in Real Mysteries:Narrative and the Unknowable. In it, he revisits the ancient theme of what we cannot know about ourselves and others. But in a sharp departure, he shifts the focus from the representation of this theme to the ways narrative can be manipulated to immerse “the willing reader” in the actual experience of unknowing.
As he shows, this difficult and risky art, which was practiced so inventively by Samuel Beckett, was also practiced by other modern writers. Abbott demonstrates their surprising diversity in texts by Beckett, Gabriel García Márquez, Herman Melville, Toni Morrison, Alice Munro, J. M. Coetzee, Tim O’Brien, Kathryn Harrison, and Jeanette Winterson, together with supporting roles by J. G. Ballard, Gertrude Stein, Michael Haneke, and Pseudo-Dionysius the Areopagite.
The demands of this art bear directly on key issues of narrative inquiry, including the nature and limits of reader-resistant texts, the function of permanent narrative gaps, the relation between experiencing a text and its interpretation, the fraught issue of aligning grammatical and narrative syntax, the mixed blessing of our mind-reading capability, and the ethics of reading. Despite its challenges, this book has also been written with an eye to the general reader. In accessible language, Abbott shows how narrative fiction may create spaces in which our ignorance, when it is by its nature absolute, can be not only acknowledged but felt, and why this is important.
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cover of Real to Reel

Real to Reel

Lidia Yuknavitch

University of Alabama Press, 2003

With an intelligence that scalds every pretense and surface, Lidia Yuknavitch's camera pans across subjects as varied as Keanu Reeves and Siberian prison laborers. She zooms in on drug addiction, crime, sex of all flavors, trauma, torture, rock and roll, and art, all the while revealing untried angles and alien shapes. She traces the inner lives of characters teetering on edges-death, birth, love, understanding-but never flinching at the spectacle of their violent descent. This collection represents a verbal cinematographer at her best as she captivates the reader with a prose style that is mesmerizing and fluid, deep and dangerous.
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cover of Recollections of Things to Come

Recollections of Things to Come

By Elena Garro

University of Texas Press, 1969

This remarkable first novel depicts life in the small Mexican town of Ixtepec during the grim days of the Revolution. The town tells its own story against a variegated background of political change, religious persecution, and social unrest. Elena Garro, who has also won a high reputation as a playwright, is a masterly storyteller. Although her plot is dramatically intense and suspenseful, the novel does not depend for its effectiveness on narrative continuity. It is a book of episodes, one that leaves the reader with a series of vivid impressions. The colors are bright, the smells pungent, the many characters clearly drawn in a few bold strokes. Octavio Paz, the distinguished poet and critic, has written that it "is truly an extraordinnary work, one of the most perfect creations in contemporary Latin American literature."

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cover of Red Hangover: Legacies of Twentieth-Century Communism

Red Hangover

Legacies of Twentieth-Century Communism

Kristen Ghodsee

Duke University Press, 2017

In Red Hangover Kristen Ghodsee examines the legacies of twentieth-century communism twenty-five years after the Berlin Wall fell. Ghodsee's essays and short stories reflect on the lived experience of postsocialism and how many ordinary men and women across Eastern Europe suffered from the massive social and economic upheavals in their lives after 1989. Ghodsee shows how recent major crises—from the Russian annexation of Crimea and the Syrian Civil War to the rise of Islamic State and the influx of migrants in Europe—are linked to mistakes made after the collapse of the Eastern Bloc when fantasies about the triumph of free markets and liberal democracy blinded Western leaders to the human costs of "regime change." Just as the communist ideal has become permanently tainted by its association with the worst excesses of twentieth-century Eastern European regimes, today the democratic ideal is increasingly sullied by its links to the ravages of neoliberalism. An accessible introduction to the history of European state socialism and postcommunism, Red Hangover reveals how the events of 1989 continue to shape the world today.
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cover of Red Planets: Marxism and Science Fiction

Red Planets

Marxism and Science Fiction

Edited by Mark Bould and China Mielville

Pluto Press, 2009

As a genre, sf is ideally suited to critiquing the present through its explorations of the social and political possibilities of the future. This is the first collection to combine analyses of sf literature and films within a broader overview of Marxist theory and critical perspectives on the genre.

Covering a rich variety of examples from Weimar cinema to mainstream Hollywood films, and novelists from Jules Verne and H.G. Wells to Kim Stanley Robinson, Ken MacLeod and Charles Stross, this is an indespensible insight into how Marxism and science fiction go hand-in-hand.
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cover of Red Roofs and Other Stories

Red Roofs and Other Stories

Tanizaki Jun'ichiro; Translated by Anthony H. Chambers and Paul McCarthy

University of Michigan Press, 2016

Tanizaki Jun'ichiro (1886–1965), the author of Naomi; A Cat, a Man, and Two Women; and The Makioka Sisters, was one of the great writers of the twentieth century. The four stories in this volume date from the first and second decades of Tanizaki’s long career and reflect themes that appear throughout his work: exoticism, sexuality, sadomasochism, contrasts between traditional and modern societies, disparities between appearance and reality, the power of dreams, amorality, an interest in cinema, and a fascination with the techniques of storytelling. The stories—translated into English here for the first time—are: “The Strange Case of Tomoda and Matsunaga” (“Tomoda to Matsunaga no hanashi,” 1926), “A Night in Qinhuai” (“Shinwai no yo,” 1919), “The Magician” (“Majutsushi,” 1917), and “Red Roofs” (“Akai yane,” 1925).
 
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cover of Red Weather

Red Weather

Janet McAdams

University of Arizona Press, 2012

This trip wasn’t about her, her need to escape. She had been too young when it happened. Too young to understand what could be worth risking everything for. Even now they seemed naïve, foolish in their belief that anything could change. They had tried to save a generation. If she couldn’t save them, she might find a way to finish their story.
 
Neva Greene is seeking answers.
 
The daughter of American Indian activists, Neva hasn’t seen or heard from her parents since they vanished a decade earlier, after planning an act of resistance that went terribly wrong. Discovering a long-overlooked clue to their disappearance, Neva follows their trail to Central America, leaving behind an uncaring husband, an estranged brother, and a life of lukewarm commitments.
 
Determined to solve the mystery of her parents’ disappearance, Neva finds work teaching English in the capital city of tiny Coatepeque, a country torn by its government’s escalating war on its Indigenous population. As the violence and political unrest grow around her, Neva meets a man whose tenderness toward her seems to contradict his shadowy political connections.
 
Against the backdrop of Central American politics, this suspenseful first novel from award-winning poet Janet McAdams explores an important chapter in American Indian history. Through finely drawn, compelling characters and lucidly beautiful prose, Red Weather explores the journey from loss to possibility, from the secrets of the past to the longings of the present.
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cover of Red and Black: A Chronicle of 1830

Red and Black

A Chronicle of 1830

Raymond N. Stendhal

University of Minnesota Press, 2022

A masterpiece of nineteenth-century literature in a fresh translation that fully captures the language, psychology, and social reach of Stendhal’s original

Fueled with a combustible mix of ambition, naivete, and Napoleonic ideals, Julien Sorel sets his sights on the heights of French society. But for the son of a provincial carpenter in post-Napoleonic France, the prospects for advancement are vanishingly narrow, the chances for glory rarer yet. After securing a toehold as a tutor to a wealthy family, Julien proceeds through a series of misadventures, illicit affairs, and lucky reversals to breach the ranks of French aristocracy—only to be undone by treasonous schemes, cynical romantic calculations, and an unexpectedly genuine and ultimately disastrous passion.

Shocking at the time of its original publication, startling in its relevance today, Stendhal’s masterpiece is a scorching social satire, a remarkably detailed portrait of a fraught moment in history and, as perhaps the first psychological novel, a brilliant precursor to modern literature at once comical and tragic, cerebral and passionate. This new translation faithfully reproduces the nimble wit, emotional depth, and social acuity of Stendhal’s text. Distinguished translator Raymond N. MacKenzie includes an extensive introduction to Stendhal’s world and time, as well as copious annotations that explain allusions and terms for the modern reader.

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cover of Redburn: Works of Herman Melville Volume Four

Redburn

Works of Herman Melville Volume Four

Herman Melville

Northwestern University Press, 1969

Redburn is a fictional narrative of a boy's first voyage, based loosely on Melville's own first voyage to and from Liverpool in 1839. Hastily composed and little esteemed by its author, Redburn was more highly thought of by his critics, who saw it regaining the ground of popular sea stories like Typee and Omoo.

Melville so disliked the novel that he submitted it to his publisher without polishing it. This scholarly edition corrects a number of errors that have persisted in subsequent editions. Based on collations of the editions published during his lifetime, it incorporates corrections made in the English edition and emendations made by the present editors.

As with all the books in the Northwestern-Newberry series, this edition of Redburn is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
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cover of Reeling: A Novel

Reeling

A Novel

Sarah Stonich

University of Minnesota Press, 2021

RayAnne’s next adventure takes our intrepid heroine, haunted by her beloved grandmother’s death, to New Zealand to film a new season of her all-women fishing talk show

What stage of grief is it when your grandmother’s ghost keeps popping up on your electronic devices? Denial? For RayAnne that seems to be the stage for launching the second season of Fishing!—in New Zealand. Ready or not, she is taking public television’s first all-women fishing talk show on the road, putting the cold Minnesota winter in the rearview mirror—which, it turns out, Gran is haunting, too.

After a challenging first season, and RayAnne’s serendipitous ascension to host, there’s a lot at stake. With camera-wielding twins Rongo and Rangi along as crew and tour guides, RayAnne and her indefatigable producer Cassi set out across New Zealand in search of noteworthy women who fish: a skipjack boat captain navigating sexist harbors; a writer of historical suffragette fiction, which is, apparently, a thing; a reclusive Māori octogenarian who ties fishing flies for dignitaries. Their stories, and a good dose of the country’s history, are almost enough to take the edge off RayAnne’s homesickness and grief, to say nothing of jetlag—and it doesn’t hurt to discover a bird dog who fishes, an anti-fashionista, a pair of sisters fishing their way through recovery, and . . . a Hobbit? Meanwhile, the romantic and family entanglements she left behind at home haven’t exactly come untangled in her absence.

Those who met RayAnne in Fishing!, Sarah Stonich’s first outing with the intrepid, accidental talk-show host, will encounter familiar and unexpected pleasures in her latest antics—and a story whose lighthearted surface and surprising depths will charm readers who now find her for the first time.

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cover of Reforming the World: Social Activism and the Problem of Fiction in Nineteenth-Century America

Reforming the World

Social Activism and the Problem of Fiction in Nineteenth-Century America

Maria Carla Sanchez

University of Iowa Press, 2009

Reforming the World considers the intricate relationship between social reform and spiritual elevation and the development of fiction in the antebellum United States. Arguing that novels of the era engaged with questions about the proper role of fiction taking place at the time, Maria Carla Sánchez illuminates the politically and socially motivated involvement of men and women in shaping ideas about the role of literature in debates about abolition, moral reform, temperance, and protest work. She concludes that, whereas American Puritans had viewed novels as risqué and grotesque, antebellum reformers elevated them to the level of literature—functioning on a much higher intellectual and moral plane.
     In her informed and innovative work, Sánchez considers those authors both familiar (Lydia Maria Child, Harriet Jacobs, and Harriet Beecher Stowe) and those all but lost to history (Timothy Shay Arthur). Along the way, she refers to some of the most notable American writers in the period (Emerson, Thoreau, and Poe). Illuminating the intersection of reform and fiction, Reforming the World visits important questions about the very purpose of literature, telling the story of “a revolution that never quite took place," one that had no grandiose or even catchy name. But it did have numerous settings and participants: from the slums of New York, where prostitutes and the intemperate made their homes, to the offices of lawyers who charted the downward paths of broken men, to the tents for revival meetings, where land and souls alike were “burned over” by the grace of God.

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cover of Refrigerated Music for a Gleaming Woman: Stories

Refrigerated Music for a Gleaming Woman

Stories

Aimee Parkison, Foreword by Stephen Graham Jones

University of Alabama Press, 2017

Winner of the FC2 Catherine Doctorow Innovative Fiction Prize
 
A darkly comical horror lurks beneath the surface of everyday events in Refrigerated Music for a Gleaming Woman, a seductively poetic story collection of unusual brilliance and rare humor.​

In Aimee Parkison’s Refrigerated Music for a Gleaming Woman, lovers find unexpected romance in cramped spaces, fast food addicts struggle through cheeseburger addiction, and the splendor of nature competes with the violence of television. All the while, a complicated and precarious present dawns onto a new world where wealthy women wear children’s eyes as jewelry and those in need of money hawk their faces only to forever mourn what parts of themselves they have sold to survive.
 
Open the refrigerator door. Inside are antique jars. Open them to hear the music: Beethoven playing piano; slaves singing for freedom in plantation fields; mothers humming lullabies through the night to smallpox babies, knowing this song is the last sound their children will ever hear.
 
As Stephen Graham Jones notes in his foreword to this prize-winning collection, “The best books . . . fold you into a darkness sparkling with life. They lock you in the refrigerator but they also pipe in some music that never repeats, and when the door starts to open, you cling tight to it, so you can have just a few minutes more. This book, it’ll be over far too fast for you, yes. But even were it five times as thick as it is now, it would still be too short. Remember, though, the best books, they’re loops. They never stop. This one still hasn’t, for me.”
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cover of Regrowth: Seven Tales of Jewish Life Before, During, and After Nazi Occupation

Regrowth

Seven Tales of Jewish Life Before, During, and After Nazi Occupation

Der Nister

Northwestern University Press, 2011

The seven stories that compose Regrowth (Vidervuks) might shock readers familiar with accounts of the Holocaust marked by mournful and sentimental overtones. Although the outcome is often terrible, Der Nister’s characters refuse to accept the role of victim. Likewise, the monstrosity of the perpetrators is not at issue: the Nazis may be abominable, but they do not warrant attention for longer than a savage animal would. Der Nister is drawn to parties capable of moral decision—and their dilemmas often feature an opponent that is inside one’s own people, inside oneself. “Flora,” for example, follows a father and daughter through the Nazi invasion and later Soviet occupation of a Polish-Jewish city. 

Der Nister paints a sympathetic portrait of the father, a member of the Jewish Council, even though he collaborates with the Nazis in a misguided attempt to help his people. To repair the father’s mistake, his daughter joins the resistance, seduces a traitor, and delivers him to his death. Accounts are settled within the Jewish community. The Nazi enemy is largely passed over in the silence his infamy deserves. Der Nister’s characters are crafty, and they do not hesitate to use force when necessary. After the defeat of the Nazis and Soviet takeover, Der Nister suggests, the maneuvering will continue. The morally complex characters and richly layered stories of Regrowth ultimately reclaim a more nuanced view of crimes still not fully reckoned.
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cover of Reimagining Realism: A New Anthology of Late Nineteenth- and Early Twentieth-Century American Short Fiction

Reimagining Realism

A New Anthology of Late Nineteenth- and Early Twentieth-Century American Short Fiction

Charles A. Johanningsmeier

Ohio University Press, 2022

This innovative collection reinvents the standard American short fiction anthology and offers readers an invigorated, inclusive, and nuanced understanding of American literary history and culture from the Civil War to the end of World War I.

Beginning with one of Louisa May Alcott’s Hospital Sketches, originally published in 1863, this anthology offers a refreshing perspective on American literature from the latter half of the nineteenth century through the first decades of the twentieth. Based on Alcott’s brief stint as a Civil War nurse, Hospital Sketches stands in contrast to the sentimentality of her better-known Little Women and illustrates a blending of romanticism and realism. Furthermore, its thematic focus on the tension between idealized notions of noble, patriotic duty and the horrific reality of war exemplifies a dominant American cultural mindset at the time.

Following this model of complicating accepted ideas about realism and of particular authors, Reimagining Realism brings together dozens of texts that engage with the immense changes and upheavals that characterized American culture over the next six decades: war, abolition, voting rights, westward expansion, immigration, racism and ethnocentrism, industrial production, labor reforms, transportation, urban growth, journalism, mass media, education, and economic disparity.

Reimagining Realism presents a collection of works much more diverse than what is typically found in other anthologies of short fiction from this era. Some selections are lesser-known works by familiar authors that enable readers to see dimensions of these authors that are rarely considered but deserve further study. The book also features authors from many previously underrepresented groups and includes some outstanding works by authors whose names are almost completely unknown to today’s readers—but which deserve greater attention.

The volume’s editors, in their intent to spur readers to further reimagine realism, to represent the spectrum of viewpoints prevalent during this era, and to spark critical thinking and productive discussion, have been careful not to apply any type of political litmus test to the included works. They have also refrained from categorizing works according to convention, so as not to predispose readers to restrictive interpretations, and have provided only brief, highly readable headnotes and annotations that will help readers better understand the texts.

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cover of Remember This

Remember This

Steve Adams

University of Wisconsin Press, 2022

John Martin, a talented graphic designer employed as a word processor for a prestigious New York investment bank, has happily left behind Texas and his alcoholic, emotionally absent mother. It is the height of the personal computer revolution and the AIDS epidemic, and gentrification is sweeping the city. Alena Marino, John’s supervisor, is an Italian immigrant who shares his hustle and grit, aggressively building a new life for herself. As their affair begins, John imagines himself the perfect lover for Alena, fulfilling her desires without expectation that she leave her husband. But when his oldest sister arrives in town unannounced, he is forced to confront his damaged past and serial history of relationships with stunningly gorgeous, emotionally complex women.

John’s journey to understand the roots of his compulsion to “save” those around him is both aided and thwarted by his relationship with his colleague Jeremy Crawford. Alena’s closest confidant, Jeremy shares an intimacy with her that fuels John's jealousy. Meanwhile, Jeremy finds himself drawn to John and, as his confidant too, participates in the drama of John and Alena’s relationship. As John slowly begins to understand the flawed and wounded experience of love that has followed him through life, he learns how to open himself to true friendship—and to true loss. Set in the midst of cultural upheaval, this powerful novel reverberates across the decades.
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cover of Remembering Elizabeth Bishop: An Oral Biography

Remembering Elizabeth Bishop

An Oral Biography

Gary Fountain

University of Massachusetts Press, 1994

This book interweaves more than 120 interviews with relatives, friends, colleagues, and students of Elizabeth Bishop (1911-1979), one of America's finest poets. Among the interviewees are numerous intellectual and artistic figures, including John Ashbery, Robert Fitzgerald, Robert Giroux, Clement Grenberg, Thom Gunn, John Hollander, Mary McCarthy, James Merrill, Katha Pollitt, Ned Rorem, Lloyd Schwartz, Anne Stevenson, Rosalyn Turek, Helen Vendler, and Richard Wilber.
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cover of Remembrance of Things I Forgot: A Novel

Remembrance of Things I Forgot

A Novel

Bob Smith

University of Wisconsin Press, 2011

“It’s safe to say your relationship is in trouble if the only way you can imagine solving your problems is by borrowing a time machine.”

In 2006 comic book dealer John Sherkston has decided to break up with his physicist boyfriend, Taylor Esgard, on the very day Taylor announces he’s finally perfected a time machine for the U.S government. John travels back to 1986, where he encounters “Junior,” his younger, more innocent self. When Junior starts to flirt, John wonders how to reveal his identity: “I’m you, only with less hair and problems you can’t imagine.” He also meets up with the younger Taylor, and this unlikely trio teams up to plot a course around their future relationship troubles, prevent John’s sister from making a tragic decision, and stop George W. Bush from becoming president.

In this wickedly comic, cross-country, time-bending journey, John confronts his own—and the nation’s—blunders, learning that a second chance at changing things for the better also brings new opportunities to screw them up. Through edgy humor, time travel, and droll one-liners, Bob Smith examines family dysfunction, suicide, New York City, and recent American history while effortlessly blending domestic comedy with science fiction. Part acidic political satire, part wild comedy, and part poignant social scrutiny, Remembrance of Things I Forgot is an uproarious adventure filled with sharp observations about our recent past.

InSight Out Book Club, featured selection
Bob Smith named one of Instinct magazine’s Leading Men 2011
Winner, Barbara Gittings Literature Award/Stonewall Book Awards, American Library Association
Finalist, Over the Rainbow Selection, American Library Association
Finalist, Green Carnation Prize, international prize for LGBT Literature
Amazon Top Ten Gay & Lesbian Books of 2011
Best Books for General Audiences, selected by the American Association of School Librarians
Best Books for General Audiences, selected by the Public Library Reviewers

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Reruns

Jonathan Baumbach

University of Alabama Press, 1974

[more]
cover of Rescue Me: An Andy Hayes Mystery

Rescue Me

An Andy Hayes Mystery

Andrew Welsh-Huggins

Ohio University Press, 2026

Private eye Andy Hayes confronts his personal prejudices and assumptions when an unorthodox case comes his way. Tim Watkins is a young drag artist performing under the name Tiara Treatwell and facing online abuse and in-person stalking from anti-LGBTQIA crusaders. While Andy suspects the attacks are connected to a protest outside a drag story hour Tim attended weeks earlier in suburban Columbus, he has no direct evidence of a link. Tim’s concerns unfold against a groundswell of right-wing activism in the Ohio Statehouse, led by a failed state senate candidate who insists his opponent, a Somali American woman, stole the election.

Bail bondsman Otto Mulligan—Tim’s cousin and Andy’s closest friend—persuades Tim it’s in his best interest to accept Andy as bodyguard and escort until they can figure out who is behind the threats. Tim, who is Black and queer, is reluctant to work with Andy, dismissing him as an insensitive and macho ex–football star. Andy doesn’t do himself any favors by acknowledging he’s never attended a drag performance or even bothered to learn anything about the culture.

As Tim and Andy’s relationship is tested, Tim comes under attack by a pair of masked assailants, and only with the help of a concerned passerby does Andy manage to save both their lives. As Andy and the police search for clues to the assault, Andy follows a lead to an Ohio white supremacist group called the Promise Lords, which orchestrated the protest at the drag story hour. Andy enlists an old ally, Ronald J. McQuillen, a freelance analyst who helps law enforcement track and prosecute hate groups. Meanwhile, Andy’s investigation leads to conflict with Henrietta Millner, a nightside Columbus police detective who’s not happy to have Andy on her turf. Caught in the middle of this skirmish is Andy’s grown daughter, Alex Rutledge, who’s training to be a Columbus police officer. Andy and Henrietta’s uneasy partnership deteriorates when Andy, spurred by a cryptic comment from Alex, questions why a veteran investigator like Millner is stuck on the night shift.

As Andy’s search for the identity of Tim’s stalkers ramps up, increasingly bizarre clues emerge that may have connections to a broader plot. With time running out, Andy must put the pieces together to save Tim, and many others, from a violent and potentially deadly confrontation.

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cover of Rescuers of Skydivers Search Among the Clouds: A Novel

Rescuers of Skydivers Search Among the Clouds

A Novel

Patrick Lawler

University of Alabama Press, 2012

Winner of the 2013 CNY Book Award for Fiction. 

When you step inside Patrick Lawler’s Rescuers of Skydivers Search Among the Clouds, you will find yourself hovering in the clouds, among a family and a town, and in the world of one of fiction’s most inventive writers.
 
Patrick Lawler’s novel is about resonance, echoes, and naming; about hiding inside of names; about standing completely still; and about the fractalization of family. Connect the dots. Connect the secrets. Mother. Father. Sisters. Brother. Every character wears a variety of masks, and every place is also someplace else.
 
Rescuers of Skydivers Search Among the Clouds is a reconfiguring of narrative—how stories exist inside stories, how place exists inside self, how self exists inside others, and how parachutists exist inside clouds.
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cover of Resisting Dialogue: Modern Fiction and the Future of Dissent

Resisting Dialogue

Modern Fiction and the Future of Dissent

Juan Meneses

University of Minnesota Press, 2019

A bold new critique of dialogue as a method of eliminating dissent


Is dialogue always the productive political and communicative tool it is widely conceived to be? Resisting Dialogue reassesses our assumptions about dialogue and, in so doing, about what a politically healthy society should look like. Juan Meneses argues that, far from an unalloyed good, dialogue often serves as a subtle tool of domination, perpetuating the underlying inequalities it is intended to address.

Meneses investigates how “illusory dialogue” (a particular dialogic encounter designed to secure consensus) is employed as an instrument that forestalls—instead of fostering—articulations of dissent that lead to political change. He does so through close readings of novels from the English-speaking world written in the past hundred years—from E. M. Forster’s A Passage to India and Jeanette Winterson’s The Passion to Indra Sinha’s Animal’s People and more. Resisting Dialogue demonstrates how these novels are rhetorical exercises with real political clout capable of restoring the radical potential of dialogue in today’s globalized world. Expanding the boundaries of postpolitical theory, Meneses reveals how these works offer ways to practice disagreement against this regulatory use of dialogue and expose the pitfalls of certain other dialogic interventions in relation to some of the most prominent questions of modern history: cosmopolitanism at the end of empire, the dangers of rewriting the historical record, the affective dimension of neoliberalism, the racial and nationalist underpinnings of the “war on terror,” and the visibility of environmental violence in the Anthropocene.  

Ultimately, Resisting Dialogue is a complex, provocative critique that, melding political and literary theory, reveals how fiction can help confront the deployment of dialogue to preempt the emergence of dissent and, thus, revitalize the practice of emancipatory politics. 

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cover of Restless Spirits: Ghost Stories by American Women, 1872-1926

Restless Spirits

Ghost Stories by American Women, 1872-1926

Catherine A. Lundie

University of Massachusetts Press, 1996

Just as dreams have long been associated with the unconscious, ghost stories have often served as forums for otherwise unapproachable issues. This volume brings together a lively selection of ghost stories by women writers who use the genre to reveal and challenge prevailing cultural discourses on the nature and status of women. Depicting marriage, motherhood, female sexuality, spinsterhood, widowhood, and the intersection of madness and medical practice, the authors displace their critiques of dominant ideologies onto the supernatural, thus shielding themselves from critical recrimination. Their evocative works provide an invaluable resource for insights into women's writing and lives.

Originally published in popular magazines, the twenty-two stories in this collection are set in all corners of the United States and were written by a range of authors known and unknown, including Edith Wharton, Kate Chopin, and Zora Neale Hurston. Whether depicting a servant who helps save the reputation of her master's dead first wife, a ghostly mother who haunts a stranger until he agrees to adopt her orphaned daughter, or a ghost who revisits her beloved husband only to discover his long-standing preference for her sister, these tales possess great psychological richness and offer first-rate entertainment even as they explore the social and psychological realities of women's lives. Each story is preceded by a biographical headnote.
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cover of Return

Return

Raharimanana

Seagull Books, 2025

A powerful testament to writing as an act of beauty and rebellion that speaks truth and condemns violent legacies and a feverish ode that weaves together personal and national history to finally find healing. 

This evocative novel from a great figure of Malagasy literature tells the story of Hira, a writer born on the seventh anniversary of Madagascar’s independence. He wanders through different cities on a book tour, but the experience is amnesiac and confusing. There is a past he is trying to reckon with, filled with violence against both his family and country. He runs from his wife and represses his memories until it all explodes in fever dreams and a vomit of words. But to write the rebirth that he yearns for, Hira must write of his father’s torture, his tortured island, and how both were juxtaposed to his own happy childhood. In combing through these various pasts, he might make the same mistake his father did: trying to change the world but leaving his own family broken.  

Drawing from the lived experience of both the author and his parents, the violence of both life and language, and the stories of both myth and history, Return is a search for an individual’s place within larger collective trauma. Infused with Raharimanana’s signature poeticism and intensity, this is a masterwork by an as-yet-overlooked but essential voice in the postcolonial tradition. 

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Returning from Silence

Jenny’s Story

Michèle Sarde

Swan Isle Press, 2022

A novel that tells the story of a Jewish family in World War II and reaches deep into Jewish history.
 
Born in Brittany on the threshold of World War II, novelist Michèle Sarde had long been silent about her origins. After her mother, Jenny, finally shared their family history, Sarde decided to reconstruct Jenny’s journey, including her exile from Salonica, move to Paris in 1921, and assimilation in France. The Nazi occupation then forced her and her family to hide and conceal their Jewish identity, and in this retelling, Sarde shows how Jenny fights with everything she has to survive the Holocaust and protect her daughter.
 
Returning from Silence
is a powerful saga that reaches deep into Jewish history, opening with the Expulsion of the Jews from Spain in 1492 and their settlement in a more tolerant Ottoman Empire. Sephardi culture and language flourished in Salonica for four centuries, but with the fall of the Ottoman Empire in the 1920s, and the sense of troubling times to come, Jenny’s family felt impelled to leave their much-loved city and rebuild their lives in France. Their years in France led to change that none could have fully expected, and then, the Holocaust. The trauma lasts well into the post-war period, silencing both mother and daughter in unanticipated ways.
 
Through this family history, Sarde sensitively raises questions about identity, migration, and assimilation while weaving fiction together with history, research, and testimony to bring the characters’ stories to life.
 
[more]
cover of Reuben, Reuben: A Novel

Reuben, Reuben

A Novel

Peter De Vries

University of Chicago Press, 1964

Harking from the golden age of fiction set in American suburbia—the school of John Updike and Cheever—this work from the great American humorist Peter De Vries looks with laughter upon its lawns, its cocktails, and its slightly unreal feeling of comfort. A manic epic, Reuben, Reuben is really three books in one, tied together by a 1950s suburban Connecticut setting and hyper-literate cast of characters. A corruptible chicken farmer fearful for the fate of his beloved town, a womanizing poet from Wales (Dylan Thomas in disguise), and a hapless British poet-cum-actor-and-agent all take turns as narrator, revealing different, even conflicting views. But alcoholism, sexism, small-mindedness, and calamity challenge the high spirits of De Vries’s well-read suburbanites. Noted as much for his verbal fluidity and wordplay as for his ability to see humor through pain, De Vries will delight both new readers and old in this uproarious modern masterpiece.
[more]
cover of Revelation Countdown

Revelation Countdown

Cris Mazza

University of Alabama Press, 1993

A collection of stories by award-winning California writer Cris Mazza that reveal the open road to be not romanticized freedom but an unsettling loss of control.

While in many ways reaffirming the mythic dimension of being on the road romanticized in American pop and fold culture, Revelation Countdown also subtly undermines that view. These stories project onto the open road not the nirvana of personal freedom, but rather a type of freedom more closely resembling loss of control. Being in constant motion and passing through new environments destabilizes life, casts it out of phase, heightens perception, and skews reactions. Every little problem is magnified to overwhelming dimension. Events segue from slow motion to fast forward. Background noises intrude, causing perpetual wee hour insomnia. Imagination flourishes, often as an enemy. People suddenly discover that they never really understood their travel companions. The formerly stable line of their lives veers off course. In such an atmosphere, the title Revelation Countdown, borrowed from a roadside sign in Tennessee, proves prophetic. It may not arrive at 7:30, but revelation will inevitably find the traveler.

[more]
cover of Revising the Clinic: Vision and Representation in Victorian Medical Narrative and the Novel

Revising the Clinic

Vision and Representation in Victorian Medical Narrative and the Novel

Meegan Kennedy

The Ohio State University Press, 2010

Revising the Clinic: Vision and Representation in Victorian Medical Narrative and the Novel, by Meegan Kennedy, surveys hundreds of primary sources in a provocative new argument about visual knowledge. Kennedy argues that Victorian novelists and physicians jointly fret over “seeing and stating”: how to observe the world and how to record it. She shows how the clinical gaze and voice, never uncontested, function in medical texts and novels within a range of possible modes of vision and narration.
 
Critics have examined how novelists borrow from other genres—newspapers, legal cases, autobiographies. Medical writing likewise enriches the novel’s uniquely flexible and wide-ranging presentation of Victorian culture. In turn, the novel shapes medical narrative even as clinical science idealizes methodological rigor. Revising the Clinic shows how the wealth of scientific material in mainstream Victorian periodicals creates a productive literary “commons” where novelists and physicians can encounter each others’ strategies for seeing and stating. Novelists adapt physicians’ techniques to nonmedical scenes, and physicians echo the sentimental or sensational novel to gain sympathy or rhetorical force when medical knowledge falters. 
 
Kennedy traces the development of the Victorian novel and the case history from eighteenth-century curious observation and curious sights through nineteenth-century clinical observation, mechanical observation, and speculation, to Freud’s labyrinthine mapping and speculative insight. These make new sense, read within the literary tradition of the case history. The lens of Kennedy’s argument clarifies and illuminates the preoccupation with genre and visuality that is common to Victorian medicine and the novel.
 
 
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cover of Revolving Door

Revolving Door

Katja Lange-Müller

Seagull Books, 2022

The English debut of an idiosyncratic narrative voice.

“What now?” wonders Asta, a nurse who has returned to Germany after a final assignment in Nicaragua. After over twenty years working for international aid organizations, her services are no longer needed. No one is waiting for her. She has nowhere to go. Even the language has lost its familiarity. She stands next to a revolving door at Munich airport, observing the other travelers as she smokes one duty-free cigarette after another. Some of these strangers resemble figures from her past, bringing memories of an adventurous life flooding back. Her catalog of tragicomic attempts at assistance in Germany, Nicaragua, India, Mongolia, and Tunisia raises questions about what it takes to help and whom we are really helping. Katja Lange-Müller’s works have been critically acclaimed for their dark humor and affectionate, nuanced portrayals of characters wrestling with knotty situations and relationships. Revolving Door marks a fitting English debut of this most idiosyncratic of narrative voices.
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cover of Reynard the Fox

Reynard the Fox

Retold by Anne Louise Avery

Bodleian Library Publishing, 2020

Reynard—a subversive, dashing, anarchic, aristocratic, witty fox from the watery lowlands of medieval East Flanders—is in trouble. He has been summoned to the court of King Noble the Lion, charged with all manner of crimes and misdemeanors. How will he pit his wits against his accusers—greedy Bruin the Bear, pretentious Courtoys the Hound, and dark and dangerous Isengrim the Wolf—to escape the gallows?

Reynard was once the most popular and beloved character in European folklore, as familiar as Robin Hood, King Arthur, or Cinderella. His character spoke eloquently for the voiceless and disenfranchised, but also amused and delighted the elite, capturing hearts and minds across borders and societal classes for centuries. Based on William Caxton’s bestselling 1481 English translation of the Middle Dutch, this edition is an imaginative retelling of the Reynard story, expanded with new interpretations and innovative language and characterizations. With its themes of protest, resistance, and duplicity led by a personable, anti-heroic Fox, this gripping tale is as relevant and controversial today as it was in the fifteenth century.

[more]
cover of Richard Hurdis: A Tale of Alabama

Richard Hurdis

A Tale of Alabama

Simms, William Gilmore

University of Arkansas Press, 1995

Originally published in 1838, Richard Hurdis portrays the "wild and savage" southwest frontier of the new Republic in the 1820s and 30s. When the narrator/protagonist Richard Hurdis daringly infiltrates the criminal network in an effort the stem the corruption and to avenge the brutal murder of his best friend, the scene is set for a powerful story. In Richard Hurdis, Simms the historian, the realist, and the novelist merge to create a memorable book.
[more]