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Engaging and informed, Restless Pilgrim is a groundbreaking study of an important figure in Latter-day Saint intellectual life during a transformative era in Church history.

Honorable Mention, New Deal Book Award

Exploring how the New Deal shaped history through politically driven commemoration

During the Great Depression, Americans employed historic preservation as a tool to address the political, economic, and social upheavals of the era. Inspired by the Roosevelt administration’s unprecedented support of federal arts projects, US politicians, architects, laborers, artisans, and local boosters skillfully used New Deal funds to restore, mythologize, and politicize the “historic shrines” in their communities. Restoring America illustrates how and why Americans turned to historic preservation as a strategy for managing both political realities and ambitions.

Stephanie Gray presents four thoroughly researched and diverse case studies: a colonial theater in the Deep South, a Puritan minister’s home in New England, aviator Charles Lindbergh's modest farmhouse and parklands of the Upper Midwest, and a multi-layered Spanish-German-Mexican arts village in the Central South. Collectively, these examples show how the restoration of old places emerged as a popular form of cultural production, an instrument of economic reconstruction, and a striking expression of political theater during the Depression. Moreover, these New Deal preservation projects make evident that any exercise in physically preserving the past is both conservative and progressive, reactive and proactive.

Restoring America contends that the federally funded and locally driven preservation initiatives of the 1930s and 1940s can help inform contemporary public history debates over the politics of commemoration and imagine possibilities for future preservation practice.
 

Urban parks such as New York City's Central Park provide vital public spaces where city dwellers of all races and classes can mingle safely while enjoying a variety of recreations. By coming together in these relaxed settings, different groups become comfortable with each other, thereby strengthening their communities and the democratic fabric of society. But just the opposite happens when, by design or in ignorance, parks are made inhospitable to certain groups of people.

This pathfinding book argues that cultural diversity should be a key goal in designing and maintaining urban parks. Using case studies of New York City's Prospect Park, Orchard Beach in Pelham Bay Park, and Jacob Riis Park in the Gateway National Recreation Area, as well as New York's Ellis Island Bridge Proposal and Philadelphia's Independence National Historical Park, the authors identify specific ways to promote, maintain, and manage cultural diversity in urban parks. They also uncover the factors that can limit park use, including historical interpretive materials that ignore the contributions of different ethnic groups, high entrance or access fees, park usage rules that restrict ethnic activities, and park "restorations" that focus only on historical or aesthetic values. With the wealth of data in this book, urban planners, park professionals, and all concerned citizens will have the tools to create and maintain public parks that serve the needs and interests of all the public.

In Retracing the Dragoon Trail in Iowa, historian Kevin T. Mason presents a vivid and deeply researched account of Iowa’s evolving landscape, beginning with the 1835 expedition of the First U.S. Dragoons. Drawing from archival records, maps, government surveys, Indigenous histories, and ecological data, Mason explores how Iowa’s prairies and wetlands gave way to farms, towns, and transportation networks. He situates these environmental shifts within the broader forces of Manifest Destiny, military expansion, and settler colonialism, while amplifying the voices of the Sauk, Meskwaki, Dakota, and other Indigenous nations whose histories are often marginalized.

But Mason doesn’t just write about history—he walks it. His 371-mile journey retracing the original dragoon route across Iowa blends scholarship with storytelling, captured through video essays, photography, and writing. This modern-day trek, featured on Iowa PBS’s Iowa Life and Iowa Public Radio’s Talk of Iowa, brings the past into the present, offering a compelling look at how landscapes remember. The result is a powerful contribution to environmental history, regional studies, and Indigenous scholarship—one that reveals the layered interactions between land use, policy, and historical change.
 

Retreads tells the middle of the story begun in Thundering Sneakers and concluded in Sneaking Out. In this collection of essays, Prudence Mackintosh follows her sons through the "tween" years between little boyhood and adolescence. Vividly portraying the chaos that descends on a house full of active children, she also records the many first times and last times that give poignancy to the middle years of motherhood.

Engaging a broad spectrum of ecological thought to articulate the ethical scale of global extinction

As global rates of plant and animal extinctions mount, anxieties about the future of the earth’s ecosystems are fueling ever more ambitious efforts at conservation, which draw on Western scientific principles to manage species and biodiversity. In Revenant Ecologies, Audra Mitchell argues that these responses not only ignore but also magnify powerful forms of structural violence like colonialism, racism, genocide, extractivism, ableism, and heteronormativity, ultimately contributing to the destruction of unique life forms and ecosystems.

Critiquing the Western discourse of global extinction and biodiversity through the lens of diverse Indigenous philosophies and other marginalized knowledge systems, Revenant Ecologies promotes new ways of articulating the ethical enormity of global extinction. Mitchell offers an ambitious framework—(bio)plurality—that focuses on nurturing unique, irreplaceable worlds, relations, and ecosystems, aiming to transform global ecological–political relations, including through processes of land return and critically confronting discourses on “human extinction.”

Highlighting the deep violence that underpins ideas of “extinction,” “conservation,” and “biodiversity,” Revenant Ecologies fuses political ecology, global ethics, and violence studies to offer concrete, practical alternatives. It also foregrounds the ways that multi-life-form worlds are actively defying the forms of violence that drive extinction—and that shape global efforts to manage it.

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In Reversing Course, David Skidmore argues that President Carter's initial foreign policy agenda required a scaling back of U.S. commitments abroad, reflecting a decline in resources, as well as influence, in a world developing in ways necessarily reducing U.S. hegemony. By probing beneath the obvious and carefully sifting the abundant but poorly understood evidence, Skidmore finds at the root of Carter's failed effort an irresistible pressure to reverse a liberal foreign-policy agenda in order to address the effect at home of well-organized conservative criticism. For Skidmore, Carter's course "reversed" toward a traditional containment strategy vis-a-vis the Soviet Union not because of Soviet intransigence or faulty idealism but because Cold War politics sold better in the polls.

While offering significant theoretical arguments, Skidmore carefully anchors his thesis in the day-to-day political give and take among those personalities and events that provoked headlines and commentaries long before they were the stuff of history. Among the telling factors and events analyzed in this book are the Vance/Brzezinski conflict, the support and opposition of Howard Baker, the SALT II Treaty, the Panama Canal Treaties, and the Soviet occupation of Afghanistan, to mention only a few.

Although Skidmore draws conclusions that apply to the Reagan, Bush, and Clinton administrations as well, his focus is not on personality but on theory and underlying structures. He provides a demonstration that this structural approach can "be helpful not only in unraveling the mysteries of policy change under Carter but also in specifying the underlying sources of policy vacillation over much of the past two decades." .

The intertwining story of a noted anti-Nazi artist and the former rabbi who revived his reputation.

During World War II, the Polish-Jewish immigrant Arthur Szyk became America’s leading anti-Nazi artist. His art was so effective that Adolf Hitler reportedly put a bounty on his head while the US military declared him a “citizen-soldier” of the free world. Szyk steadfastly fought for the rescue of European Jewry during the Holocaust, creating artworks like De Profundis, which imagines Jesus sharing the suffering of countless lifeless Jews. His civil rights art challenged segregation and his illuminated Declaration of Independence resides in the Library of Congress. Szyk’s masterwork, an illustrated Passover Haggadah, is considered by many to be one of the most beautiful books ever produced by human hands.

Once world-famous, Arthur Szyk was all but forgotten after his death in 1951. Reviving the Artist Who Fought Hitler recounts Irvin Ungar's decades-long journey to restore Szyk to public consciousness, and become the principal collector, dealer, scholar, and promoter of Szyk’s art in the United States, Europe, and Israel. Richly illustrated and full of forgotten history, this memoir is an inspiring story of artistic passion and an invitation to commune with a heroic advocate for all humanity.

2026 Bronze Medal for the Best LGBTQ+ Themed Book, Conference on Latin American History (CLAH)
2025 Honorable Mention, John Leo & Dana Heller Award for Best Single Work, Anthology, Multi-Authored, or Edited Book in LGBTQ Studies, Popular Culture Association (PCA)
2025 Honorable Mention, Alan Bray Memorial Book Prize, GL/Q Caucus of the Modern Language Association and the Q/T Caucus of the American Studies Association

How indolent practices in Latinx LGBTQ culture challenge capitalist imperatives to be productive.

Revolting Indolence makes a case for laziness as an aesthetic-political strategy for countering the oppressive logics of cisheteronormative racial capitalism. Focusing on ways in which queer and trans Latinx people demonstrate the unwillingness of their participation in “productivist” ethics and allied respectability politics, Marcos Gonsalez argues that slacking off, lounging, daydreaming, and partying are liberatory practices—revolts that in turn are treated as revolting.

Gonsalez explores how queer and trans Latinx artists refute discourses in which work is a moral good. In Paris Is Burning, RuPaul's Drag Race, documentary photography of queer and trans Latinx life in Los Angeles, and other sources, Gonsalez identifies two lazy styles: first, flagrant refusals of work that critique capitalist reason; and second, the invention of alternative aesthetic worlds beyond racial capitalism and violence targeting queer and trans people, whose rejection of the cisgender nuclear family paradigm is rightly seen as threatening the stability of a functioning capitalist system. Reclaiming laziness as a resource for radical imagining, Revolting Indolence asks us to do that which we want most and which capitalist exploitation can least tolerate: to slow down.