936 books match the query 'LGBTQ+ Studies' and 73 start with s

cover of Safe Space: Gay Neighborhood History and the Politics of Violence

Safe Space

Gay Neighborhood History and the Politics of Violence

Christina B. Hanhardt

Duke University Press, 2013

Winner, 2014 Lambda Literary Award in LGBT Studies

Since the 1970s, a key goal of lesbian and gay activists has been protection against street violence, especially in gay neighborhoods. During the same time, policymakers and private developers declared the containment of urban violence to be a top priority. In this important book, Christina B. Hanhardt examines how LGBT calls for "safe space" have been shaped by broader public safety initiatives that have sought solutions in policing and privatization and have had devastating effects along race and class lines.

Drawing on extensive archival and ethnographic research in New York City and San Francisco, Hanhardt traces the entwined histories of LGBT activism, urban development, and U.S. policy in relation to poverty and crime over the past fifty years. She highlights the formation of a mainstream LGBT movement, as well as the very different trajectories followed by radical LGBT and queer grassroots organizations. Placing LGBT activism in the context of shifting liberal and neoliberal policies, Safe Space is a groundbreaking exploration of the contradictory legacies of the LGBT struggle for safety in the city.

[more]
cover of Sambia Sexual Culture: Essays from the Field

Sambia Sexual Culture

Essays from the Field

Gilbert Herdt

University of Chicago Press, 1999

Few cultures have received as much attention in the study of erotic desire, sexuality, and gender as the Sambia of Papua New Guinea. Here, for the first time, is a collection of groundbreaking essays and a new introduction on the Sambia's sexual culture by the renowned anthropologist Gilbert Herdt.

Over the course of 20 years, Herdt made 13 field trips to live with the Sambia in order to understand sexuality and ritual in the context of warfare and gender segregation. Herdt's essays examine Sambia fetish and fantasy, ritual nose-bleeding, the role of homoerotic insemination, the role of the father and mother in the process of identity formation, and the creation of a "third sex" in nature and culture. He also discusses the representation of homosexuality in cross-cultural literature on premodern societies, arguing that scholars have long viewed desires through the tropes of negative western models. Herdt asks us to reconsider the realities and subjective experiences of desires in their own context, and to rethink how the homoerotic is expressed in radically divergent sexual cultures.

[more]
cover of Same Sex, Different Politics: Success and Failure in the Struggles over Gay Rights

Same Sex, Different Politics

Success and Failure in the Struggles over Gay Rights

Gary Mucciaroni

University of Chicago Press, 2008

Why is it so much harder for American same-sex couples to get married than it is for them to adopt children? And why does our military prevent gays from serving openly even though jurisdictions nationwide continue to render such discrimination illegal? Illuminating the conditions that engender these contradictory policies, Same Sex, Different Politics explains why gay rights advocates have achieved dramatically different levels of success from one policy area to another.
 
The first book to compare results across a wide range of gay rights struggles, this volume explores debates over laws governing military service, homosexual conduct, adoption, marriage and partner recognition, hate crimes, and civil rights. It reveals that in each area, the gay rights movement’s achievements depend both on Americans’ perceptions of its demands and on the political venue in which the conflict plays out. Adoption policy, for example, generally takes shape in a decentralized system of courts that enables couples to target sympathetic judges, while fights for gay marriage generally culminate in legislation or ballot referenda against which it is easier to mount opposition. Brilliantly synthesizing all the factors that contribute to each kind of outcome, Same Sex, Different Politics establishes a new framework for understanding the trajectory of a movement.
[more]
cover of Samuel Steward and the Pursuit of the Erotic Sexuality, Literature, Archives: Sexuality, Literature, Archives

Samuel Steward and the Pursuit of the Erotic Sexuality, Literature, Archives

Sexuality, Literature, Archives

Edited by Debra A. Moddelmog and Martin Joseph Ponce

The Ohio State University Press, 2017

Samuel Steward and the Pursuit of the Erotic: Sexuality, Literature, Archives examines one of the most fascinating sexual renegades of the twentieth century and the social, cultural, pedagogical, and erotic projects with which he was engaged. This innovative collection, edited by Debra A. Moddelmog and Martin Joseph Ponce, examines the life and work of Samuel Steward at their most daring and controversial. Samuel Steward—writer, literature professor, visual artist, tattoo artist, sexual archivist, unofficial sexologist, and vernacular pornographer—gave voice and vision to some of the central concerns of twentieth-century U.S. gay culture and politics. These essays frame Steward not merely as an associate or a lover of more well-known luminaries but as a significant cultural figure in his own right, one whose work anticipated some of the current aims and methods of queer studies.
With work by prominent scholars in queer, transgender, and sexuality studies, and with topics such as the queer archive, hoarding, masochism, the queer mystery, race and desire, sexology, and gay pornography, Samuel Steward and the Pursuit of the Erotic will appeal to a wide range of readers across a variety of disciplines invested in queer experience. Closing on a personal recollection from one of Steward’s last close friends, the volume will also appeal to readers interested in the personal aspects of this fascinating, idiosyncratic figure’s multifaceted life.
 
[more]
cover of Sapphic Primitivism: Productions of Race, Class, and Sexuality in Key Works of Modern Fiction

Sapphic Primitivism

Productions of Race, Class, and Sexuality in Key Works of Modern Fiction

Hackett, Robin

Rutgers University Press, 2003

In this book, Robin Hackett examines portrayals of race, class, and sexuality in modernist texts by white women to argue for the existence of a literary device that she calls “Sapphic primitivism.” The works vary widely in their form and content and include Olive Schreiner’s proto-modernist exploration of New Womanhood, The Story of an African Farm; Virginia Woolf’s high modernist “play-poem,” The Waves; Sylvia Townsend Warner’s historical novel, Summer Will Show; and Willa Cather’s Southern pastoral, Sapphira and the Slave Girl. In each, blackness and working-class culture are figured to represent sexual autonomy, including lesbianism, for white women. Sapphic primitivism exposes the ways several classes of identification were intertwined with the development of homosexual identities at the turn of the century. Sapphic primitivism is not, however, a means of disguising lesbian content. Rather, it is an aesthetic displacement device that simultaneously exposes lesbianism and exploits modern, primitivist modes of self-representation. Hackett’s revelations of the mutual interests of those who study early twentieth-century constructions of race and sexuality and twenty-first-century feminists doing anti-racist and queer work are a major contribution to literary studies and identity theory.

[more]
cover of Sapphic Slashers: Sex, Violence, and American Modernity

Sapphic Slashers

Sex, Violence, and American Modernity

Lisa Duggan

Duke University Press, 2000

On a winter day in 1892, in the broad daylight of downtown Memphis, Tennessee, a middle class woman named Alice Mitchell slashed the throat of her lover, Freda Ward, killing her instantly. Local, national, and international newspapers, medical and scientific publications, and popular fiction writers all clamored to cover the ensuing “girl lovers” murder trial. Lisa Duggan locates in this sensationalized event the emergence of the lesbian in U.S. mass culture and shows how newly “modern” notions of normality and morality that arose from such cases still haunt and distort lesbian and gay politics to the present day.
Situating this story alongside simultaneously circulating lynching narratives (and its resistant versions, such as those of Memphis antilynching activist Ida B. Wells) Duggan reveals how stories of sex and violence were crucial to the development of American modernity. While careful to point out the differences between the public reigns of terror that led to many lynchings and the rarer instances of the murder of one woman by another privately motivated woman, Duggan asserts that dominant versions of both sets of stories contributed to the marginalization of African Americans and women while solidifying a distinctly white, male, heterosexual form of American citizenship. Having explored the role of turn-of-the-century print media—and in particular their tendency toward sensationalism—Duggan moves next to a review of sexology literature and to novels, most notably Radclyffe Hall’s The Well of Loneliness. Sapphic Slashers concludes with two appendices, one of which presents a detailed summary of Ward’s murder, the trial, and Mitchell’s eventual institutionalization. The other presents transcriptions of letters exchanged between the two women prior to the crime.
Combining cultural history, feminist and queer theory, narrative analysis, and compelling storytelling, Sapphic Slashers provides the first history of the emergence of the lesbian in twentieth-century mass culture.
[more]
cover of Sappho Is Burning

Sappho Is Burning

Page duBois

University of Chicago Press, 1995

To know all we know about Sappho is to know little. Her poetry, dating from the seventh century B.C.E., comes to us in fragments, her biography as speculation. How is it then, Page duBois asks, that this poet has come to signify so much? Sappho Is Burning offers a new reading of this archaic lesbian poet that acknowledges the poet's distance and difference from us and stresses Sappho's inassimilability into our narratives about the Greeks, literary history, philosophy, the history of sexuality, the psychoanalytic subject.

In Sappho is Burning, duBois reads Sappho as a disruptive figure at the very origin of our story of Western civilization. Sappho is beyond contemporary categories, inhabiting a space outside of reductively linear accounts of our common history. She is a woman, but also an aristocrat, a Greek, but one turned toward Asia, a poet who writes as a philosopher before philosophy, a writer who speaks of sexuality that can be identified neither with Michel Foucault's account of Greek sexuality, nor with many versions of contemporary lesbian sexuality. She is named as the tenth muse, yet the nine books of her poetry survive only in fragments. She disorients, troubles, undoes many certitudes in the history of poetry, the history of philosophy, the history of sexuality. DuBois argues that we need to read Sappho again.
[more]
cover of Scandalous Practices: Homosexuality, Male Prostitution, and Sexual Citizenship in Post-Fascist Italy

Scandalous Practices

Homosexuality, Male Prostitution, and Sexual Citizenship in Post-Fascist Italy

Alessio Ponzio

Temple University Press, 2027

From the 1940s to the 1970s, homosexual men in Italy began to express themselves authentically after years of silence under Fascist repression. In Scandalous Practices, Alessio Ponzio deftly recounts the socio-cultural shifts that occurred for queer Italians during this period.

In tabloids and other publications, journalists sensationalized same-sex male prostitution, dramatized scandalous homosexual murders, and portrayed homosexuality as devious, dangerous, and threatening to the “new” post-war masculinity. Homosexual Italians responded to this public shaming and these negative stereotypes through resistance. As part of an ongoing struggle for gender and sexual equality, they established networks and created public discussions that engendered pride, rights awareness, and a political commitment to emancipation.

Ponzio meticulously details how Italy as a nation and culture dealt with emerging representation of queer sexuality through a reinvention that fomented self-understanding and self-representations. Instead of marginalizing it, the popular media unintentionally made homosexuality understandable to many who did not know what it was or could not make sense of their own desires. Scandalous Practices illustrates how this new sexual knowledge spread publicly across social classes and fostered the development of positive queer identities and communities.

In the series Sexuality Studies

[more]
cover of Scenes from la Cuenca de Los Angeles y otros Natural Disasters

Scenes from la Cuenca de Los Angeles y otros Natural Disasters

Susana Chávez-Silverman

University of Wisconsin Press, 2010

This is a rarity in contemporary writing, a truly bilingual enterprise, as in Susana Chávez-Silverman’s previous memoir, Killer Crónicas. Chávez-Silverman switches between English and Spanish, creating alinguistic mestizaje that is still a surprise encounter in the world of letters today, and the author forms one of a small but growing band of writers to embrace bilingualism as a literary force. Also like Killer Crónicas, each chapter in Scenes from la Cuenca de Los Angeles is a “crónica,” a vignette that began as intimate diary entries and e-mails and letters to lovers, friends, and ghosts from the past. These episodic chapters follow the Chávez-Silverman’s personal history, from California to South Africa and Australia and back, from unfathomable loss to deeply felt joy. Readers drawn into this witty book will confront their own conceptions of boundaries, borders, languages, memories, and spaces.
 
Honorable Mention, Best Biography in Spanish or Bilingual, International Latino Book Awards
[more]
cover of School: A Novel

School

A Novel

Ray Levy

University of Alabama Press, 2023

Both an exorcism of contemporary academia and a comedic portrait of an artist seeking the means to survive.

At once angry and jubilant, Ray Levy’s School is a curse on a dying system and an incantation for transforming pain into a vessel for capacious, creative selfhood.

A dissertation manuscript possessed by the spirit of Marquis de Sade; a lecture on psychoanalysis delivered as stand-up comedy by a dysphoric graduate student; a review of a found-footage horror movie that’s also a YouTube video of a conference presentation on French theory; an interview with an avant-garde filmmaker that’s really an invocation for conjuring your demon brother; oversharing and withholding, chanting and channeling, School is a slapstick roast of Derrida’s corpse and a mystical vision of a life in which you have not lost.

[more]
cover of Secret Life of a Black Aspie: A Memoir

Secret Life of a Black Aspie

A Memoir

Anand Prahlad

University of Alaska Press, 2017

Anand Prahlad was born on a former plantation in Virginia in 1954. This memoir, vividly internal, powerfully lyric, and brilliantly impressionistic, is his story.
 
For the first four years of his life, Prahlad didn’t speak. But his silence didn’t stop him from communicating—or communing—with the strange, numinous world he found around him. Ordinary household objects came to life; the spirits of long-dead slave children were his best friends. In his magical interior world, sensory experiences blurred, time disappeared, and memory was fluid. Ever so slowly, he emerged, learning to talk and evolving into an artist and educator. His journey takes readers across the United States during one of its most turbulent moments, and Prahlad experiences it all, from the heights of the Civil Rights Movement to West Coast hippie enclaves to a college town that continues to struggle with racism and its border state legacy.
 
Rooted in black folklore and cultural ambience, and offering new perspectives on autism and more, The Secret Life of a Black Aspie will inspire and delight readers and deepen our understanding of the marginal spaces of human existence.
[more]
cover of Seeing Sodomy in the Middle Ages

Seeing Sodomy in the Middle Ages

Robert Mills

University of Chicago Press, 2015

During the Middle Ages in Europe, some sexual and gendered behaviors were labeled “sodomitical” or evoked the use of ambiguous phrases such as the “unmentionable vice” or the “sin against nature.” How, though, did these categories enter the field of vision? How do you know a sodomite when you see one?
           
In Seeing Sodomy in the Middle Ages, Robert Mills explores the relationship between sodomy and motifs of vision and visibility in medieval culture, on the one hand, and those categories we today call gender and sexuality, on the other. Challenging the view that ideas about sexual and gender dissidence were too confused to congeal into a coherent form in the Middle Ages, Mills demonstrates that sodomy had a rich, multimedia presence in the period—and that a flexible approach to questions of terminology sheds new light on the many forms this presence took. Among the topics that Mills covers are depictions of the practices of sodomites in illuminated Bibles; motifs of gender transformation and sex change as envisioned by medieval artists and commentators on Ovid; sexual relations in religious houses and other enclosed spaces; and the applicability of modern categories such as “transgender,” “butch” and “femme,” or “sexual orientation” to medieval culture.
           
Taking in a multitude of images, texts, and methodologies, this book will be of interest to all scholars, regardless of discipline, who engage with gender and sexuality in their work.
[more]
cover of Seeking Rights from the Left: Gender, Sexuality, and the Latin American Pink Tide

Seeking Rights from the Left

Gender, Sexuality, and the Latin American Pink Tide

Elisabeth Jay Friedman

Duke University Press, 2018

Seeking Rights from the Left offers a unique comparative assessment of left-leaning Latin American governments by examining their engagement with feminist, women's, and LGBT movements and issues. Focusing on the “Pink Tide” in eight national cases—Argentina, Bolivia, Brazil, Chile, Ecuador, Nicaragua, Uruguay, and Venezuela—the contributors evaluate how the Left addressed gender- and sexuality-based rights through the state. Most of these governments improved the basic conditions of poor women and their families. Many significantly advanced women's representation in national legislatures. Some legalized same-sex relationships and enabled their citizens to claim their own gender identity. They also opened opportunities for feminist and LGBT movements to press forward their demands. But at the same time, these governments have largely relied on heteropatriarchal relations of power, ignoring or rejecting the more challenging elements of a social agenda and engaging in strategic trade-offs among gender and sexual rights. Moreover, the comparative examination of such rights arenas reveals that the Left's more general political and economic projects have been profoundly, if at times unintentionally, informed by traditional understandings of gender and sexuality.

Contributors: Sonia E. Alvarez, María Constanza Diaz, Rachel Elfenbein, Elisabeth Jay Friedman, Niki Johnson, Victoria Keller, Edurne Larracoechea Bohigas, Amy Lind, Marlise Matos, Shawnna Mullenax, Ana Laura Rodríguez Gustá, Diego Sempol, Constanza Tabbush, Gwynn Thomas, Catalina Trebisacce, Annie Wilkinson 
[more]
cover of Seeking the Straight and Narrow: Weight Loss and Sexual Reorientation in Evangelical America

Seeking the Straight and Narrow

Weight Loss and Sexual Reorientation in Evangelical America

Lynne Gerber

University of Chicago Press, 2011

Losing weight and changing your sexual orientation are both notoriously difficult to do successfully. Yet many faithful evangelical Christians believe that thinness and heterosexuality are godly ideals—and that God will provide reliable paths toward them for those who fall short. Seeking the Straight and Narrow is a fascinating account of the world of evangelical efforts to alter our strongest bodily desires.
 
Drawing on fieldwork at First Place, a popular Christian weight-loss program, and Exodus International, a network of ex-gay ministries, Lynne Gerber explores why some Christians feel that being fat or gay offends God, what exactly they do to lose weight or go straight, and how they make sense of the program’s results—or, frequently, their lack. Gerber notes the differences and striking parallels between the two programs, and, more broadly, she traces the ways that other social institutions have attempted to contain the excesses associated with fatness and homosexuality. Challenging narratives that place evangelicals in constant opposition to dominant American values, Gerber shows that these programs reflect the often overlooked connection between American cultural obsessions and Christian ones.
[more]
cover of Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art

Selfie Aesthetics

Seeing Trans Feminist Futures in Self-Representational Art

Nicole Erin Morse

Duke University Press, 2022

In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.
[more]
cover of Sex Isn't Real: The Invention of an Incoherent Binary

Sex Isn't Real

The Invention of an Incoherent Binary

Beans Velocci

Duke University Press, 2026

In Sex Isn’t Real, Beans Velocci traces the history of current high stakes attempts to define sex and to create a world devoid of trans life. Drawing on lab notes, family genealogies, medical case studies, and more, Velocci follows scientists and clinicians from the mid-nineteenth through the mid-twentieth century and across five disciplines—zoology, eugenics, gynecology, statistical sexology, and transsexual medicine—as their ideas and practices created a definitional tangle. They demonstrate how the sorting of bodies into male and female persists not despite but because of sex’s incoherence: the defining features of these categories shift to contain various understandings of anatomy and physiology, theories of race, developments in research and medical methodologies, and bodies that cannot be accounted for in a binary framework. Exposing the endless work required to produce a world in which most people have a binary gender identity that neatly fits their binarily sexed body, Velocci demonstrates that it is not cis people who fit the categories; it’s the categories that flex to make them fit.
[more]
cover of Sex Panic Rhetorics, Queer Interventions

Sex Panic Rhetorics, Queer Interventions

Ian Barnard

University of Alabama Press, 2020

Winner of the 2021 Conference on College Composition and Communication Lavender Rhetorics Award for Excellence in Queer Scholarship

Analyzes the rhetoric of contemporary sex panics to expose how homophobia, heterosexism, and transphobia define public, political, and scholarly preoccupations with sexuality and gender

 
In Sex Panic Rhetorics, Queer Interventions, Ian Barnard makes the counter-intuitive argument that contemporary “sex panics” are undergirded by queerphobia, even when the panics in question don’t appear to have much to do with queerness. Barnard presents six case studies that treat a wide range of sex panic rhetorics around child molesters, sex trafficking, transgenderism, incest, queer kids, and pedagogy to demonstrate this argument. By using examples from academic scholarship, political discourse, and popular culture, including the Kevin Spacey scandal and the award-winning film Moonlight, Barnard shows how homophobia and transphobia continue to pervade contemporary Western culture.
 
Barnard is concerned not so much with looking at the overt homophobia and transphobia that are the more obvious objects of antihomophobic and antitransphobic critique. The author’s focus, rather, is on excavating the significant traces of these panics in a neoliberal culture that has supposedly demonstrated its civility by its embrace of diversity, renunciation of its homophobic past, and attentiveness to the transgender revolution that has swept popular media and political culture in the United States and elsewhere. During a time of increasing conservative backlashes against advancing LGBTQ rights and human rights discourses in general, this book shows why it is important to attend to the liberal covers for sex panics that are not too far removed from their rhetorically conservative cousins.
 
[more]
cover of Sex Science Self: A Social History of Estrogen, Testosterone, and Identity

Sex Science Self

A Social History of Estrogen, Testosterone, and Identity

Bob Ostertag

University of Massachusetts Press, 2016

In Sex Science Self, Bob Ostertag cautions against accepting and defending any technology uncritically—even, maybe even especially, a technology that has become integrally related to identity. Specifically, he examines the development of estrogen and testosterone as pharmaceuticals.

Ostertag situates this history alongside the story of an increasingly visible and political lesbian, gay, bisexual, and transgender population. He persuasively argues that scholarship on the development of sex hormone chemicals does not take into account LGBT history and activism, nor has work in LGBT history fully considered the scientific research that has long attempted to declare a chemical essence of gender. In combining these histories, Ostertag reveals the complex motivations behind hormone research over generations and expresses concern about the growing profits from estrogen and testosterone, which now are marketed with savvy ad campaigns to increase their use across multiple demographics.

Ostertag does not argue against the use of pharmaceutical hormones. Instead he points out that at a time when they are increasingly available, it is more important than ever to understand the history and current use of these powerful chemicals so that everyone—within the LGBT community and beyond—can make informed choices.

In this short, thoughtful, and engaging book, Ostertag tells a fascinating story while opening up a wealth of new questions and debates about gender, sexuality, and medical treatments.
[more]
cover of Sex Talks to Girls: A Memoir

Sex Talks to Girls

A Memoir

Maureen Seaton

University of Wisconsin Press, 2008

Sex Talks to Girls chronicles the outward antics of a woman on an inward journey to self through the routes of religion, sex, sobriety, and kids. Recasting herself in this memoir as “Molly Meek,” Maureen Seaton interprets the emergence of Molly’s identity in luxurious and very funny prose.
            Molly alternately finds herself in the surprising company of winos, swingers, and drag kings; in love with Jesus H. Christ and a butch named Mars; in charge of two children; writing stories that shrink painfully to poems without her permission; and incapable of figuring out how she landed in any of these predicaments. She is, by turns, a little saint, a Stepford wife, a bi-mom, and a femme with super powers. Her transformation—from near-nun to full-fledged sexual being, accidentally becoming conscious in the process and delighting in the spree—is the story of a life set on play and a woman heroically committed to seeing it through.
 
Winner, Lesbian Memoir/Biography, Lambda Literary Foundation Book Awards
 
[more]
cover of Sex and Disability

Sex and Disability

Robert McRuer and Anna Mollow, eds.

Duke University Press, 2012

The title of this collection of essays, Sex and Disability, unites two terms that the popular imagination often regards as incongruous. The major texts in sexuality studies, including queer theory, rarely mention disability, and foundational texts in disability studies do not discuss sex in much detail. What if "sex" and "disability" were understood as intimately related concepts? And what if disabled people were seen as both subjects and objects of a range of erotic desires and practices? These are among the questions that this collection's contributors engage. From multiple perspectives—including literary analysis, ethnography, and autobiography—they consider how sex and disability come together and how disabled people negotiate sex and sexual identities in ableist and heteronormative culture. Queering disability studies, while also expanding the purview of queer and sexuality studies, these essays shake up notions about who and what is sexy and sexualizable, what counts as sex, and what desire is. At the same time, they challenge conceptions of disability in the dominant culture, queer studies, and disability studies.

Contributors
. Chris Bell, Michael Davidson, Lennard J. Davis, Michel Desjardins, Lezlie Frye, Rachael Groner, Kristen Harmon, Michelle Jarman, Alison Kafer, Riva Lehrer, Nicole Markotić, Robert McRuer, Anna Mollow, Rachel O’Connell, Russell Shuttleworth, David Serlin, Tobin Siebers, Abby L. Wilkerson
[more]
cover of Sex, France, and Arab Men, 1962–1979

Sex, France, and Arab Men, 1962–1979

Todd Shepard

University of Chicago Press, 2017

The aftermath of Algeria’s revolutionary war for independence coincided with the sexual revolution in France, and in this book Todd Shepard argues that these two movements are inextricably linked.​

Sex, France, and Arab Men is a history of how and why—from the upheavals of French Algeria in 1962 through the 1970s—highly sexualized claims about Arabs were omnipresent in important public French discussions, both those that dealt with sex and those that spoke of Arabs. Shepard explores how the so-called sexual revolution took shape in a France profoundly influenced by the ongoing effects of the Algerian revolution. Shepard’s analysis of both events alongside one another provides a frame that renders visible the ways that the fight for sexual liberation, usually explained as an American and European invention, developed out of the worldwide anticolonial movement of the mid-twentieth century.
[more]
cover of Sex, Society, and the Making of Pornography: The Pornographic Object of Knowledge

Sex, Society, and the Making of Pornography

The Pornographic Object of Knowledge

Jeffrey Escoffier

Rutgers University Press, 2021

Hardcore pornographic films combine fantasy and real sex to create a unique genre of entertainment. Pornographic films are also historical documents that give us access to the sexual behavior and eroticism of different historical periods. This book shows how the making of pornographic films is a social process that draws on the fantasies, sexual scripts, and sexual identities of performers, writers, directors, and editors to produce sexually exciting videos and movies. Yet hardcore pornographic films have also created a body of knowledge that constitutes, in this digital age, an enormous archive of sexual fantasies that serve as both a form of sex education and self-help guides. Sex, Society, and the Making of Pornography focuses on sex and what can be learned about it from pornographic representations.
[more]
cover of Sex, or the Unbearable

Sex, or the Unbearable

Lauren Berlant and Lee Edelman

Duke University Press, 2014

Sex, or the Unbearable is a dialogue between Lauren Berlant and Lee Edelman, two of our leading theorists of sexuality, politics, and culture. In juxtaposing sex and the unbearable they don't propose that sex is unbearable, only that it unleashes unbearable contradictions that we nonetheless struggle to bear. In Berlant and Edelman's exchange, those terms invoke disturbances produced in encounters with others, ourselves, and the world, disturbances that tap into threats induced by fears of loss or rupture as well as by our hopes for repair.

Through virtuoso interpretations of works of cinema, photography, critical theory, and literature, including Lydia Davis's story "Break It Down" (reprinted in full here), Berlant and Edelman explore what it means to live with negativity, with those divisions that may be irreparable. Together, they consider how such negativity affects politics, theory, and intimately felt encounters. But where their critical approaches differ, neither hesitates to voice disagreement. Their very discussion—punctuated with moments of frustration, misconstruction, anxiety, aggression, recognition, exhilaration, and inspiration—enacts both the difficulty and the potential of encounter, the subject of this unusual exchange between two eminent critics and close friends.

[more]
cover of Sexology and Translation: Cultural and Scientific Encounters across the Modern World

Sexology and Translation

Cultural and Scientific Encounters across the Modern World

Heike Bauer

Temple University Press, 2015

Sexology and Translation is the first study of the contemporaneous emergence of sexology in Europe, Asia, and the Middle East. Heike Bauer and her contributors—historians, literary and cultural critics, and translation scholars—address the intersections between sexuality and modernity in a range of contexts during the period from the 1880s to the 1930s. 

From feminist sexualities in modern Japan to Magnus Hirschfeld’s affective sexology, this book offers compelling new insights into how sexual ideas were formed in different contexts via a complex process of cultural negotiation. By focusing on issues of translation—the dynamic process by which ideas are produced and transmitted—the essays in Sexology and Translation provide an important corrective to the pervasive idea that sexuality is a “Western” construct that was transmitted around the world. 

This volume deepens understanding of how the intersections between national and transnational contexts, between science and culture, and between discourse and experience, shaped modern sexuality. 

 
[more]
cover of Sexual Aim and Its Misses: On the Birth of the Sexual Subject

Sexual Aim and Its Misses

On the Birth of the Sexual Subject

Benjamin Kahan

University of Chicago Press, 0

By shifting the study of sexuality to focus on “sexual aim,” we can understand the birth of the sexual subject—the historical emergence of an understanding of sexuality as an aspect of personhood.

Is it possible that half of the organization of modern sexuality has been forgotten? Historians of sexuality have thought about sexual desire almost exclusively in terms of the sexual object—the person to whom one is attracted. This book offers a history and theory of “sexual aim”—the what and how of desire—arguing that aim furnishes a constitutive and almost wholly ignored governing logic of sexuality. 

The term “sexual aim” was coined by Sigmund Freud to describe “modes of gratification”—the sexual acts in which one finds pleasure, from kissing and copulation to voyeurism and fetishism. Benjamin Kahan repurposes this account to tell the complex story of how sexual aim catalyzed the formation of modern sexual identity and continues to operate as a powerful optic for understanding Euro-American sexualities.

Kahan focuses on nonnormative sexual aims, examining the histories of sadism, masochism, voyeurism, exhibitionism, and fetishism in order to articulate the relationship between sexual acts and sexuality. Drawing on diaries, court records, erotica, literary texts, marriage manuals, and medical treatises, Kahan vividly maps the emergence of the sexual subject from the early modern period through the twentieth century to furnish a new account of sexual modernity.

[more]
cover of Sexual Cultures and the Construction of Adolescent Identities

Sexual Cultures and the Construction of Adolescent Identities

edited by Janice M. Irvine

Temple University Press, 1994

This rich collection of essays presents a new vision of adolescent sexuality shaped by a variety of social factors: race and ethnicity, gender, sexual identity, physical ability, and cultural messages propagated in films, books, and within families. The contributors consider the full range of cultural influences that form a teenager's sexual identity and argue that education must include more than its current overriding message of denial hinged on warnings of HIV and AIDS infection and teenage pregnancy. Examining the sexual experiences, feelings, and development of Asians, Latinos, African Americans, gay man and lesbians, and disabled women, this book provides a new understanding of adolescent sexuality that goes beyond the biological approach all too often simplified as "surging hormones."


In the series Health, Society, and Policy, edited by Sheryl Ruzek and Irving Kenneth Zola.

 

[more]
cover of Sexual Discretion: Black Masculinity and the Politics of Passing

Sexual Discretion

Black Masculinity and the Politics of Passing

Jeffrey Q. McCune, Jr.

University of Chicago Press, 2014

African American men who have sex with men while maintaining a heterosexual lifestyle in public are attracting increasing interest from both the general media and scholars. Commonly referred to as “down-low” or “DL” men, many continue to have relationships with girlfriends and wives who remain unaware of their same-sex desires, and in much of the media, DL men have been portrayed as carriers of HIV who spread the virus to black women. Sexual Discretion explores the DL phenomenon, offering refreshingly innovative analysis of the significance of media, space, and ideals of black masculinity in understanding down low communities.

In Sexual Discretion, Jeffrey Q. McCune Jr. provides the first in-depth examination of how the social expectations of black masculinity intersect and complicate expressions of same-sex affection and desire. Within these underground DL communities, men aren’t as highly policed—and thus are able to maintain their public roles as “properly masculine.” McCune draws from sources that range from R&B singer R. Kelly’s epic hip-hopera series Trapped in the Closet to Oprah's high-profile exposé on DL subculture; and from E. Lynn Harris’s contemporary sexual passing novels to McCune’s own interviews and ethnography in nightclubs and online chat rooms. Sexual Discretion details the causes, pressures, and negotiations driving men who rarely disclose their intimate secrets.
[more]
cover of Sexual Fields: Toward a Sociology of Collective Sexual Life

Sexual Fields

Toward a Sociology of Collective Sexual Life

Edited by Adam Isaiah Green

University of Chicago Press, 2013

In the late modern period, an unprecedented expansion of specialized erotic worlds has transformed the domain of intimate life. Organized by appetites and dispositions related to race, ethnicity, class, gender, and age, these erotic worlds are arenas of sexual exploration but, also, sites of stratification and dominion wherein actors vie for partners, social significance, and esteem. These are what Adam Isaiah Green calls sexual fields, which represent a semblance of social life for which he offers a groundbreaking new framework.

To build on the sexual fields framework, Green has gathered a distinguished group of scholars who together make a strong case for sexual field theory as the first systematic theoretical innovation since queer theory in the sociology of sexuality. Expanding on the work of Bourdieu, Green and contributors develop this distinctively sociological approach for analyzing collective sexual life, where much of the sexual life of our society resides today. Coupling field theory with the ethnographic and theoretical expertise of some of the most important scholars of sexual life at work today, Sexual Fields offers a game-changing approach that will revolutionize how sociologists analyze and make sense of contemporary sexual life for years to come.
[more]
cover of Sexual Hegemony: Statecraft, Sodomy, and Capital in the Rise of the World System

Sexual Hegemony

Statecraft, Sodomy, and Capital in the Rise of the World System

Christopher Chitty

Duke University Press, 2020

In Sexual Hegemony Christopher Chitty traces the five-hundred year history of capitalist sexual relations by excavating the class dynamics of the bourgeoisie's attempts to regulate homosexuality. Tracking the politicization of male homosexuality in Renaissance Florence, Amsterdam, Paris, and London between the seventeenth and nineteenth centuries, as well as twentieth-century New York City, Chitty shows how sexuality became a crucial dimension of the accumulation of capital and a technique of bourgeois rule. Whether policing male sodomy during the Medici rule in Florence or accusing the French aristocracy of monstrous sexuality in the wake of the French Revolution, the bourgeoisie weaponized both sexual constraint and sexual freedom in order to produce and control a reliable and regimented labor class and subordinate it to civil society and the state. Only by grasping sexuality as a field of social contention and the site of class conflict, Chitty contends, can we embark on a politics that destroys sexuality as a tool and an effect of power and open a front against the forces that keep us unfree.
[more]
cover of Sexual Identity and Faith: Helping Clients Find Congruence

Sexual Identity and Faith

Helping Clients Find Congruence

Mark A. Yarhouse

Templeton Press, 2019

Christians who struggle with a conflict between their sexual and religious identities have few therapeutic options available to them. ‘Sexual orientation change efforts’ (SOCE) have rightly fallen out of favor and are no longer practiced by most clinicians. At the same time, the common approach of gay affirmative therapy (GAT) can at times present challenges and may not be a good fit when clients hold to conventional religious beliefs and values.

An alternative to these methods is Sexual Identity Therapy (SIT)—an approach that aims to provide individuals with a safe therapeutic space to explore the tension between their sexuality and their faith. Working within the SIT framework, clients are able to resolve their inner conflict to their personal satisfaction and to freely choose a coherent identity that enables them to move forward in life.

SIT has several stages, each designed to enable the client to make meaning out of his or her same-sex sexuality. At no point in the process is the client encouraged to choose one sexual identity over another. The ultimate goal of SIT is congruence. Congruence is achieved when a person freely adopts an identity and lives it out in ways that are in keeping with his or her beliefs and values. The SIT model is brought to life throughout the book with the help of case studies drawn from the author’s 20 years of experience.

Written for both Christian and non-religious clinicians, Sexual Identity and Faith is an informed, respectful, and nuanced guide to help people navigate the difficult conflict between who they are sexually and what they believe religiously.

[more]
cover of Sexual Politics, Sexual Communities: Second Edition

Sexual Politics, Sexual Communities

Second Edition

John D'Emilio

University of Chicago Press, 1998

With thorough documentation of the oppression of homosexuals and biographical sketches of the lesbian and gay heroes who helped the contemporary gay culture to emerge, Sexual Politics, Sexual Communities supplies the definitive analysis of the homophile movement in the U.S. from 1940 to 1970. John D'Emilio's new preface and afterword examine the conditions that shaped the book and the growth of gay and lesbian historical literature.

"How many students of American political culture know that during the McCarthy era more people lost their jobs for being alleged homosexuals than for being Communists? . . . These facts are part of the heretofore obscure history of homosexuality in America—a history that John D'Emilio thoroughly documents in this important book."—George DeStefano, Nation

"John D'Emilio provides homosexual political struggles with something that every movement requires—a sympathetic history rendered in a dispassionate voice."—New York Times Book Review

"A milestone in the history of the American gay movement."—Rudy Kikel, Boston Globe
[more]
cover of Sexual States: Governance and the Struggle over the Antisodomy Law in India

Sexual States

Governance and the Struggle over the Antisodomy Law in India

Jyoti Puri

Duke University Press, 2016

In Sexual States Jyoti Puri tracks the efforts to decriminalize homosexuality in India to show how the regulation of sexuality is fundamentally tied to the creation and enduring existence of the state. Since 2001 activists have attempted to rewrite Section 377 of the Indian Penal Code, which in addition to outlawing homosexual behavior is often used to prosecute a range of activities and groups that are considered perverse. Having interviewed activists and NGO workers throughout five metropolitan centers, investigated crime statistics and case law, visited various state institutions, and met with the police, Puri found that Section 377 is but one element of how homosexuality is regulated in India. This statute works alongside the large and complex system of laws, practices, policies, and discourses intended to mitigate sexuality's threat to the social order while upholding the state as inevitable, legitimate, and indispensable. By highlighting the various means through which the regulation of sexuality constitutes India's heterogeneous and fragmented "sexual state," Puri provides a conceptual framework to understand the links between sexuality and the state more broadly. 
 
[more]
cover of Sexuality and the Rise of China: The Post-1990s Gay Generation in Hong Kong, Taiwan, and Mainland China

Sexuality and the Rise of China

The Post-1990s Gay Generation in Hong Kong, Taiwan, and Mainland China

Travis S. K. Kong

Duke University Press, 2023

In Sexuality and the Rise of China Travis S. K. Kong examines the changing meanings of same-sex identities, communities, and cultures for young Chinese gay men in contemporary Hong Kong, Taiwan, and mainland China. Drawing on ninety life stories, Kong’s transnational queer sociological approach shows the complex interplay between personal biography and the dramatically changing social institutions in these three societies. Kong conceptualizes coming out as relational politics and the queer/tongzhi community and commons as an affective, imaginative means of connecting, governed by homonormative masculinity. He shows how monogamy is a form of cruel optimism and envisions state and sexuality intertwining in different versions of homonationalism in each location. Tracing the alternately diverging and converging paths of being young, "Chinese," gay, and male, Kong reveals how both Western and emerging inter- and intra- Asian queer cultures shape queer/tongzhi experiences. Most significantly, at this historical juncture characterized by the rise of China, Kong criticizes the globalization of sexuality by emphasizing inter-Asia modeling, referencing, and solidarities and debunks the essentializing myth of Chineseness, thereby decolonizing Western sexual knowledge and demonstrating the differential meanings of Chineseness/queerness across the Sinophone world.
[more]
cover of Sexuality in School: The Limits of Education

Sexuality in School

The Limits of Education

Jen Gilbert

University of Minnesota Press, 2014

From concerns over the bullying of LGBTQ youth and battles over sex education to the regulation of sexual activity and the affirmation of queer youth identity, sexuality saturates the school day. Rather than understand these conflicts as an interruption to the work of education, Jen Gilbert explores how sexuality comes to bear on and to enliven teaching and learning.

Gilbert investigates the breakdowns, clashes, and controversies that flare up when sexuality enters spaces of schooling. Education must contain the volatility of sexuality, Gilbert argues, and yet, when education seeks to limit the reach of sexuality, it risks shutting learning down. Gilbert penetrates this paradox by turning to fiction, film, legal case studies, and personal experiences. What, she asks, can we learn about school from a study of sexuality?

By examining the strange workings of sexuality in schools, Gilbert draws attention to the explosive but also compelling force of erotic life in teaching and learning. Ultimately, this book illustrates how the most intimate of our experiences can come to shape how we see and act in the world.

[more]
cover of Shakesqueer: A Queer Companion to the Complete Works of Shakespeare

Shakesqueer

A Queer Companion to the Complete Works of Shakespeare

Madhavi Menon, ed.

Duke University Press, 2011

Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare. Exploring what is odd, eccentric, and unexpected in the Bard’s plays and poems, these theorists highlight not only the many ways that Shakespeare can be queered but also the many ways that Shakespeare can enrich queer theory. This innovative anthology reveals an early modern playwright insistently returning to questions of language, identity, and temporality, themes central to contemporary queer theory. Since many of the contributors do not study early modern literature, Shakesqueer takes queer theory back and brings Shakespeare forward, challenging the chronological confinement of queer theory to the last two hundred years. The book also challenges conceptual certainties that have narrowly equated queerness with homosexuality. Chasing all manner of stray desires through every one of Shakespeare’s plays and poems, the contributors cross temporal, animal, theoretical, and sexual boundaries with abandon. Claiming adherence to no one school of thought, the essays consider The Winter’s Tale alongside network TV, Hamlet in relation to the death drive, King John as a history of queer theory, and Much Ado About Nothing in tune with a Sondheim musical. Together they expand the reach of queerness and queer critique across chronologies, methodologies, and bodies.

Contributors. Matt Bell, Amanda Berry, Daniel Boyarin, Judith Brown, Steven Bruhm, Peter Coviello, Julie Crawford, Drew Daniel, Mario DiGangi, Lee Edelman, Jason Edwards, Aranye Fradenburg, Carla Freccero, Daniel Juan Gil, Jonathan Goldberg, Jody Greene, Stephen Guy-Bray, Ellis Hanson, Sharon Holland, Cary Howie, Lynne Huffer, Barbara Johnson, Hector Kollias, James Kuzner , Arthur L. Little Jr., Philip Lorenz, Heather Love, Jeffrey Masten, Robert McRuer , Madhavi Menon, Michael Moon, Paul Morrison, Andrew Nicholls, Kevin Ohi, Patrick R. O’Malley, Ann Pellegrini, Richard Rambuss, Valerie Rohy, Bethany Schneider, Kathryn Schwarz, Laurie Shannon, Ashley T. Shelden, Alan Sinfield, Bruce Smith, Karl Steel, Kathryn Bond Stockton, Amy Villarejo, Julian Yates

[more]
cover of Shimmering Images: Trans Cinema, Embodiment, and the Aesthetics of Change

Shimmering Images

Trans Cinema, Embodiment, and the Aesthetics of Change

Eliza Steinbock

Duke University Press, 2019

In Shimmering Images Eliza Steinbock traces how cinema offers alternative ways to understand gender transitions through a specific aesthetics of change. Drawing on Barthes's idea of the “shimmer” and Foucault's notion of sex as a mirage, the author shows how sex and gender can appear mirage-like on film, an effect they label shimmering. Steinbock applies the concept of shimmering—which delineates change in its emergent form as well as the qualities of transforming bodies, images, and affects—to analyses of films that span time and genre. These include examinations of the fantastic and phantasmagorical shimmerings of sex change in Georges Méliès's nineteenth-century trick films and Lili Elbe's 1931 autobiographical writings and photomontage in Man into Woman. Steinbock also explores more recent documentaries, science fiction, and pornographic and experimental films. Presenting a cinematic philosophy of transgender embodiment that demonstrates how shimmering images mediate transitioning, Steinbock not only offers a corrective to the gender binary orientation of feminist film theory; they open up new means to understand trans ontologies and epistemologies as emergent, affective, and processual.
[more]
cover of Shock and Yawn: Resisting Banal Terror Through Queer Storytelling

Shock and Yawn

Resisting Banal Terror Through Queer Storytelling

Megan Sibbett

The Ohio State University Press, 2026

In Shock and Yawn, Megan Sibbett confronts state-sanctioned, mundane violence committed in the name of protection and argues that queer storytelling is an ideal avenue for recognizing, theorizing, and subverting it: Through queer stories, we have a direct window into the real-world ramifications of violence that purports to be for the public good. This violence, reinforced and normalized through surveillance campaigns, failure-to-protect laws, border policies, and government messaging, is obscured by both its banality and its benevolent veneer, in which children, or imagined children, are central to its logic of protection.

Building on queer theorists’ critiques of intimate and administrative violence, especially Gloria Anzaldúa’s “intimate terrorism,” Sibbett develops methodologies for conceptualizing and subverting violence aimed at queer, racialized, and gendered bodies in this era of surveillance and increasing authoritarianism. Sibbett addresses book bans, anti-trans legislation, idealized histories of westward expansion, and more, examining materials that include public service announcements, advertising, social media, news reports, poems, interviews, and novels. In so doing, she demonstrates the crucial role queer testimonies—and queer histories and queer futures—play in revealing systemic violence and illuminating the transformative potential of everyday resistance.
[more]
cover of Side Affects: On Being Trans and Feeling Bad

Side Affects

On Being Trans and Feeling Bad

Hil Malatino

University of Minnesota Press, 2022

How the “bad feelings” of trans experience inform trans survival and flourishing

Some days—or weeks, or months, or even years—being trans feels bad. Yet as Hil Malatino points out, there is little space for trans people to think through, let alone speak of, these bad feelings. Negative emotions are suspect because they unsettle narratives of acceptance or reinforce virulently phobic framings of trans as inauthentic and threatening. 

In Side Affects, Malatino opens a new conversation about trans experience that acknowledges the reality of feeling fatigue, envy, burnout, numbness, and rage amid the ongoing onslaught of casual and structural transphobia in order to map the intricate emotional terrain of trans survival. Trans structures of feeling are frequently coded as negative on both sides of transition. Before transition, narratives are framed in terms of childhood trauma and being in the “wrong body.” Posttransition, trans individuals—especially trans people of color—are subject to unrelenting transantagonism. Yet trans individuals are discouraged from displaying or admitting to despondency or despair. 

By moving these unloved feelings to the center of trans experience, Side Affects proposes an affective trans commons that exists outside political debates about inclusion. Acknowledging such powerful and elided feelings as anger and exhaustion, Malatino contends, is critical to motivating justice-oriented advocacy and organizing—and recalibrating new possibilities for survival and well-being.

[more]
cover of Sideways Selves: Travesti and Jotería Struggles Across the Américas

Sideways Selves

Travesti and Jotería Struggles Across the Américas

PJ DiPietro

University of Texas Press, 2025

2026 Sylvia Rivera Award in Transgender Studies, The Center for LGBTQ Studies (CLAGS), CUNY

How trans and non-binary networks engage in decoloniality across hemispheres. 

A deeply informed, theoretically rich work of inquiry and critique, Sideways Selves learns from two communities of migrants as they contest their marginalization under the colonial regime of gender—colonial because, as PJ DiPietro affirms, Indigenous and Afro-diasporic conceptions of embodiment have been displaced by the European-Christian order of gender. Following gender-nonconforming Aymara, Kolla, and mixed-race exiles in Buenos Aires and K’iche’, Nahua, and Central American migrants in the San Francisco Bay Area, DiPietro takes stock of a collective, transnational effort to reimagine ideas of personhood and kinship that gender makes unthinkable.

The communities DiPietro studies create new kinds of identities, collective and genderless in nature. Their ways of thinking and doing, though radical, are motivated by old wisdom, storytelling, healing, and religion—brujería, curanderismo, Voudoun, and other practices that colonialism, capitalism, and the nation-state have unsuccessfully tried to erase. In equal measures philosophical and ethnographic, Sideways Selves witnesses and listens as these displaced people—displaced from their homes and from the moral geography of the West—show us what a just, decolonial world could actually be.

[more]
cover of Singing Out: GALA Choruses and Social Change

Singing Out

GALA Choruses and Social Change

Heather MacLachlan

University of Michigan Press, 2020

Can you change the world through song? This appealing idea has long been the professed aim of singers who are part of choruses affiliated with the Gay and Lesbian Association of Choruses (GALA). Theses choruses first emerged in the 1970s, and grew out of a very American tradition of (often gender-segregated) choral singing that explicitly presents itself as a community-based activity. By taking a close look at these choruses and their mission, Heather MacLachlan unpacks the fascinating historical and cultural dynamics behind groups that seek to change society for the better by encouraging acceptance of LGBT-identified people and promoting diversity more generally. She characterizes their mission as “integrationist rather than liberationist” and zeroes in on the inherent tension between GALA’s progressive social goals and the fact that the music most often performed by GALA groups is deeply rooted in a fairly narrowly conceived tradition of art music that identifies as white, Euro-centric, and middle class--and that much of the membership identifies as white and middle class as well.

Pundits often wax eloquent about the power of music, asserting that it can, in some positive way, change the world. Such statements often rest on an unexamined claim that music can and does foster social justice. Singing Out: GALA Choruses and Social Change tackles the premise underlying such claims, analyzing groups of amateur singers who are explicitly committed to an agenda of social justice.

[more]
cover of Sinners and Citizens: Bestiality and Homosexuality in Sweden, 1880-1950

Sinners and Citizens

Bestiality and Homosexuality in Sweden, 1880-1950

Jens Rydström

University of Chicago Press, 2003

Sinners and Citizens explores how sexual habits changed in Sweden during its development from an agrarian society into a modern welfare state. Jens Rydström examines the history of homosexuality and bestiality in that country to consider why these sexual practices have been so closely linked in virtually all Western societies. He limns sharply the distinctive experience of rural life, showing that to regularly witness farm animals stirred passions and sparked ideas, especially among young farmhands.

Based on medical journals, psychiatric reports, and court records from the period, as well as testimonies from men in diaries, letters, and interviews, Sinners and Citizens reveals that bestiality was once a dreaded crime in Sweden. But in time, mention of the practice disappeared completely from legal and medical debates. This, Rydström contends, is because models of penetrative sodomy shifted from bestiality to homosexuality as Sweden transformed from a rural society into a more urban one. As the nation's economy and culture became less identified with the countryside, so too did its idea of deviant sexual behavior.
[more]
cover of Sins against Nature: Sex and Archives in Colonial New Spain

Sins against Nature

Sex and Archives in Colonial New Spain

Zeb Tortorici

Duke University Press, 2018

In Sins against Nature Zeb Tortorici explores the prosecution of sex acts in colonial New Spain (present-day Mexico, Guatemala, the US Southwest, and the Philippines) to examine the multiple ways bodies and desires come to be textually recorded and archived. Drawing on the records from over three hundred criminal and Inquisition cases between 1530 and 1821, Tortorici shows how the secular and ecclesiastical courts deployed the term contra natura—against nature—to try those accused of sodomy, bestiality, masturbation, erotic religious visions, priestly solicitation of sex during confession, and other forms of "unnatural" sex. Archival traces of the visceral reactions of witnesses, the accused, colonial authorities, notaries, translators, and others in these records demonstrate the primacy of affect and its importance to the Spanish documentation and regulation of these sins against nature. In foregrounding the logic that dictated which crimes were recorded and how they are mediated through the colonial archive, Tortorici recasts Iberian Atlantic history through the prism of the unnatural while showing how archives destabilize the bodies, desires, and social categories on which the history of sexuality is based.
[more]
cover of Sissy Insurgencies: A Racial Anatomy of Unfit Manliness

Sissy Insurgencies

A Racial Anatomy of Unfit Manliness

Marlon B. Ross

Duke University Press, 2022

In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington’s practice of cleaning as an iteration of sissiness, Baldwin’s self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
[more]
cover of Sisters in the Life: A History of Out African American Lesbian Media-Making

Sisters in the Life

A History of Out African American Lesbian Media-Making

Yvonne Welbon and Alexandra Juhasz, editors

Duke University Press, 2018

From experimental shorts and web series to Hollywood blockbusters and feminist porn, the work of African American lesbian filmmakers has made a powerful contribution to film history. But despite its importance, this work has gone largely unacknowledged by cinema historians and cultural critics. Assembling a range of interviews, essays, and conversations, Sisters in the Life tells a full story of African American lesbian media-making spanning three decades. In essays on filmmakers including Angela Robinson, Tina Mabry and Dee Rees; on the making of Cheryl Dunye's The Watermelon Woman (1996); and in interviews with Coquie Hughes, Pamela Jennings, and others, the contributors center the voices of black lesbian media makers while underscoring their artistic influence and reach as well as the communities that support them. Sisters in the Life marks a crucial first step in narrating the history and importance of these compelling yet unsung artists.

Contributors. Jennifer DeVere Brody, Jennifer DeClue, Raul Ferrera-Balanquet, Alexis Pauline Gumbs, Thomas Allen Harris, Devorah Heitner, Pamela L. Jennings, Alexandra Juhasz, Kara Keeling, Candace Moore, Marlon Moore, Michelle Parkerson, Roya Rastegar, L. H. Stallings, Yvonne Welbon, Patricia White, Karin D. Wimbley
[more]
cover of Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity

Slaves to Fashion

Black Dandyism and the Styling of Black Diasporic Identity

Monica L. Miller

Duke University Press, 2009

Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

 

Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.

[more]
cover of Smaddification: Dance and Decolonization in Jamaica

Smaddification

Dance and Decolonization in Jamaica

Amanda Michelle Reid

Duke University Press, 2026

In Smaddification, Amanda Michelle Reid uses performance and dance studies to consider body politics in mid-twentieth-century Jamaica following its independence. According to Jamaican scholar and artistic leader Rex Nettleford, cofounder of the National Dance Theatre Company of Jamaica, smaddification refers to the process of becoming someone: of self-actualization through movement, spectacle, and taking up space. Through this lens, Reid traces a dynamic approach to Jamaican decolonization wherein the arts, and movement in particular, became central to activist-dancers’ performances and theories of freedom. She also takes up the work of artists and scholars such as Katherine Dunham, Ivy Baxter, and Sylvia Wynter to bring the maximalist and expressive dance theater productions of this period to life, arguing that their embrace of the spectacular demands that we expand our understanding of Jamaica’s vanguard contributions to global black nationalist aesthetics. Bringing a queer and feminist approach to interpretating this moment of liberation, Smaddification follows the processes through which Jamaican dancers identified, defined, and institutionalized how to move freely as black people in a newly independent nation.
[more]
cover of Sodomy in Reformation Germany and Switzerland, 1400-1600

Sodomy in Reformation Germany and Switzerland, 1400-1600

Helmut Puff

University of Chicago Press, 2003

During the late Middle Ages, a considerable number of men in Germany and Switzerland were executed for committing sodomy. Even in the seventeenth century, simply speaking of the act was cause for censorship. Here, in the first history of sodomy in these countries, Helmut Puff argues that accusations of sodomy during this era were actually crucial to the success of the Protestant Reformation. Drawing on both literary and historical evidence, Puff shows that speakers of German associated sodomy with Italy and, increasingly, Catholicism. As the Reformation gained momentum, the formerly unspeakable crime of sodomy gained a voice, as Martin Luther and others deployed accusations of sodomy to discredit the upper ranks of the Church and to create a sense of community among Protestant believers. During the sixteenth century, reactions against this defamatory rhetoric, and fear that mere mention of sodomy would incite sinful acts, combined to repress even court cases of sodomy.

Written with precision and meticulously researched, this revealing study will interest historians of gender, sexuality, and religion, as well as scholars of medieval and early modern history and culture.
[more]
cover of Someone: The Pragmatics of Misfit Sexualities, from Colette to Hervé Guibert

Someone

The Pragmatics of Misfit Sexualities, from Colette to Hervé Guibert

Michael Lucey

University of Chicago Press, 2019

Imagine trying to tell someone something about yourself and your desires for which there are no words. What if the mere attempt at expression was bound to misfire, to efface the truth of that ineluctable something? 

In Someone, Michael Lucey considers characters from twentieth-century French literary texts whose sexual forms prove difficult to conceptualize or represent. The characters expressing these “misfit” sexualities gravitate towards same-sex encounters. Yet they differ in subtle but crucial ways from mainstream gay or lesbian identities—whether because of a discordance between gender identity and sexuality, practices specific to a certain place and time, or the fleetingness or non-exclusivity of desire. Investigating works by Simone de Beauvoir, Colette, Jean Genet, and others, Lucey probes both the range of same-sex sexual forms in twentieth-century France and the innovative literary language authors have used to explore these evanescent forms.

As a portrait of fragile sexualities that involve awkward and delicate maneuvers and modes of articulation, Someone reveals just how messy the ways in which we experience and perceive sexuality remain, even to ourselves.
[more]
cover of Songs in Black and Lavender: Race, Sexual Politics, and Women's Music

Songs in Black and Lavender

Race, Sexual Politics, and Women's Music

Eileen M. Hayes, Foreword by Linda Tillery

University of Illinois Press, 2010

Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and candor, longtime feminist activist Hayes elucidates why this music scene matters. Veteran vocalist, percussionist, producer, and cultural historian Linda Tillery provides a foreword.
[more]
cover of Sorting Sexualities: Expertise and the Politics of Legal Classification

Sorting Sexualities

Expertise and the Politics of Legal Classification

Stefan Vogler

University of Chicago Press, 2021

In Sorting Sexualities, Stefan Vogler deftly unpacks the politics of the techno-legal classification of sexuality in the United States. His study focuses specifically on state classification practices around LGBTQ people seeking asylum in the United States and sexual offenders being evaluated for carceral placement—two situations where state actors must determine individuals’ sexualities. Though these legal settings are diametrically opposed—one a punitive assessment, the other a protective one—they present the same question: how do we know someone’s sexuality?

In this rich ethnographic study, Vogler reveals how different legal arenas take dramatically different approaches to classifying sexuality and use those classifications to legitimate different forms of social control. By delving into the histories behind these diverging classification practices and analyzing their contemporary reverberations, Vogler shows how the science of sexuality is far more central to state power than we realize. 
[more]