Results by title

Marshall Keeble (1878–1968) was the premier evangelist in black Churches of Christ from 1931 until his death in 1968. Born and reared in middle Tennessee, Keeble came under the influence of Preston Taylor, Samuel Womack, and Alexander Campbell, as well as the social influence of Booker T. Washington. In 1914, Keeble committed himself to full-time evangelism and by the 1920s had established himself as a noteworthy preacher. By the time of his death, he reportedly had baptized 40,000 people and had established more than 200 congregations, some of which still flourish today. Show Us How You Do It is the first critical study of Keeble and his evangelical career.

 

Based on primary sources, Edward Robinson reconstructs the life, public ministry, missionary activities, and the reception of Keeble among Churches of Christ. He also explores Keeble’s relationship with white businessmen and how he secured white support in establishing a large fellowship of African American Churches of Christ in the South. Show Us How You Do It details Keeble’s theology, ethos, and polemics toward other churches. Robinson demonstrates Keeble’s legacy in the labor of his African American co-workers and of the students who attended Nashville Christian Institute.

 

Of the approximately 2.5 million members of the Churches of Christ in the U.S., an estimated 10 percent are African-Americans, and many in this fellowship can trace their affiliation to Keeble and to those whom he trained.

Most scholarly speculation on the origin of human language has centered around speech. However, the growing understanding of sign languages on human development has transformed the debate on language evolution. David F. Armstrong’s new book Show of Hands: A Natural History of Sign Language casts a wide net in history and geography to explain how these visible languages have enriched human culture in general and how their study has expanded knowledge of the human condition.

Armstrong addresses the major theories of language evolution, including Noam Chomsky’s thesis of an innate human “organ” for language and Steven Pinker’s contention that there is language and not-language without any gradations between gesture and language. This engrossing survey proceeds with William C. Stokoe’s revival of the early anthropological cognitive-linguistic model of gradual development through the iconicity of sign languages. Armstrong ranges far to reveal the nature of sign languages, from the anatomy of early human ancestors to telling passages by Shakespeare, Dickens, and Pound, to the astute observations of Socrates, Lucretius, and Abbé de l’Epée on sign communication among deaf people. Show of Hands illustrates the remarkable development of sign languages in isolated Bedouin communities and among Australian indigenous peoples. It also explores the ubiquitous benefits of “Deaf Gain” and visual communication as they dovetail with the Internet and its mushrooming potential for the future.

Showdown in Desire portrays the Black Panther Party in New Orleans in 1970, a year that included a shootout with the police on Piety Street, the creation of survival programs, and the daylong standoff between the Panthers and the police in the Desire housing development. Through interviews with Malik Rahim, the Panther; Robert H. King, Panther and member of the Angola 3; Larry Preston Williams, the black policeman; Moon Landrieu, the mayor; Henry Faggen, the Desire resident; Robert Glass, the white lawyer; Jerome LeDoux, the black priest; William Barnwell, the white priest; and many others, Orissa Arend tells a nuanced story that unfolds amid guns, tear gas, desperate poverty, oppression, and inflammatory rhetoric to capture the palpable spirit of rebellion, resistance, and revolution of an incendiary summer in New Orleans.

Modern Jews tend to relate to the past through “history,” which relies on empirical demonstration and rational thought, rather than through “memory,” which relies on the non-rational architectures of mythology. By now “history” has surpassed “memory” as a means of relating to the past—a development that falls short in building identity and creates disconnection between Jews and their collective history. Kurtzer seeks to mend this breach. Drawing on key classical texts, he shows that “history” and “memory” are not exclusive and that the perceived dissonance between them can be healed by a selective reclamation of the past and a translation of that past into purposefulness.

The authors of this highly original book set out to remove the persistent boundary between the authors and readers of ethnography on one hand and the subjects of ethnography on the other – those who observe and those who are observed.

The authors use stories to reveal Siaya, the Luo-speaking area of Western Kenya down near the Lake but still surprisingly vulnerable to drought. There are the stories of survival by a woman with her carpenter husband in Nairobi, there is the launching of a boat as bride into the Lake and there is the great Boro Christmas disco riot. The book finishes with an Afterword on the burial of the lawyer S. M. Otiono that divided its whole of Kenya.

It is both written about and for the Luo. It brings together Luo ideas and debates about their own past and present with findings, arguments and questions produced about this “other people;” by outside scholars writing in their own disciplines. Among the Luo, what constitutes culture, what is correct behavior, what is history, are questions that are heavily fought over.

This is one of those rare books that makes students and other interested individuals question their own cultural preconceptions and what are the genuine concerns of academic disciplines.

Perry McDonough Collins was the first American to journey through Siberia and down the 2,690-mile Amur River to the Pacific Ocean. In 1860 he wrote A Voyage Down the Amoor, an account of his adventures, and his book proved so popular that it was reissued in 1864. Siberian Journey consists of Collins’s original text framed by an interpretive introduction and explanatory notes by Charles Vevier, providing an extensive, first-hand account of Russia’s land and its people in the mid–nineteenth century.

Before 1980, sick building syndrome did not exist. By the 1990s, it was among the most commonly investigated occupational health problems in the United States. Afflicted by headaches, rashes, and immune system disorders, office workers—mostly women—protested that their workplaces were filled with toxic hazards; yet federal investigators could detect no chemical cause. This richly detailed history tells the story of how sick building syndrome came into being: how indoor exposures to chemicals wafting from synthetic carpet, ink, adhesive, solvents, and so on became something that relatively privileged Americans worried over, felt, and ultimately sought to do something about. As M. Murphy shows, sick building syndrome provides a window into how environmental politics moved indoors.

Sick building syndrome embodied a politics of uncertainty that continues to characterize contemporary American environmental debates. Murphy explores the production of uncertainty by juxtaposing multiple histories, each of which explains how an expert or lay tradition made chemical exposures perceptible or imperceptible, existent or nonexistent. They show how uncertainty emerged from a complex confluence of feminist activism, office worker protests, ventilation engineering, toxicology, popular epidemiology, corporate science, and ecology. In an illuminating case study, she reflects on EPA scientists’ efforts to have their headquarters recognized as a sick building. Murphy brings all of these histories together in what is not only a thorough account of an environmental health problem but also a much deeper exploration of the relationship between history, materiality, and uncertainty.

Galileo Galilei’s Sidereus Nuncius is arguably the most dramatic scientific book ever published. It announced new and unexpected phenomena in the heavens, “unheard of through the ages,” revealed by a mysterious new instrument. Galileo had ingeniously improved the rudimentary “spyglasses” that appeared in Europe in 1608, and in the autumn of 1609 he pointed his new instrument at the sky, revealing astonishing sights: mountains on the moon, fixed stars invisible to the naked eye, individual stars in the Milky Way, and four moons around the planet Jupiter. These discoveries changed the terms of the debate between geocentric and heliocentric cosmology and helped ensure the eventual acceptance of the Copernican planetary system.
 
Albert Van Helden’s beautifully rendered and eminently readable translation is based on the Venice 1610 edition’s original Latin text. An introduction, conclusion, and copious notes place the book in its historical and intellectual context, and a new preface, written by Van Helden, highlights recent discoveries in the field, including the detection of a forged copy of Sidereus Nuncius, and new understandings about the political complexities of Galileo’s work.

For most, the term “public space” conjures up images of large, open areas: community centers for meetings and social events; the ancient Greek agora for political debates; green parks for festivals and recreation. In many of the world’s major cities, however, public spaces like these are not a part of the everyday lives of the public. Rather, business and social lives have always been conducted along main roads and sidewalks. With increasing urban growth and density, primarily from migration and immigration, rights to the sidewalk are being hotly contested among pedestrians, street vendors, property owners, tourists, and governments around the world.

With Sidewalk City, Annette Miae Kim provides the first multidisciplinary case study of sidewalks in a distinctive geographical area. She focuses on Ho Chi Minh City, Vietnam, a rapidly growing and evolving city that throughout its history, her multicultural residents have built up alternative legitimacies and norms about how the sidewalk should be used. Based on fieldwork over 15 years, Kim developed methods of spatial ethnography to overcome habitual seeing, and recorded both the spatial patterns and the social relations of how the city’s vibrant sidewalk life is practiced.

In Sidewalk City, she transforms this data into an imaginative array of maps, progressing through a primer of critical cartography, to unveil new insights about the importance and potential of this quotidian public space. This richly illustrated and fascinating study of Ho Chi Minh City’s sidewalks shows us that it is possible to have an aesthetic sidewalk life that is inclusive of multiple publics’ aspirations and livelihoods, particularly those of migrant vendors.

"A wonderful book that tells you the basic truths of our city." —Studs Terkel

Few people know Chicago as do Rick Kogan and Charles Osgood, and their "Sidewalks" column for the Chicago Tribune Sunday Magazine is a tour of the city like no other, taking readers to the off-beat and quintessential spots that give Chicago its character—that make its inhabitants feel at home and tell its visitors that they have arrived.

Accompanied by evocative color photographs by Charles Osgood, Kogan's pieces revisit the lost places and people of Chicago, and take readers down the quiet byways and thriving thoroughfares, pointing out the characters and cornerstones, the oddities and institutions that make the city what it is. In this collection you will find an elegy for Maxwell Street, the marketplace that pulsed with city life for more than 100 years; a remembrance of a disturbing advertisement ("Are you a slave to housework?") on the side of a building on Irving Park Road; a cross marking a deadly intersection; a magical miniature golf course; as well as ballad singer Fred Holstein, the denizens of the World Gym and memories of Bensinger's pool hall, the day-camp kids of summer, bike couriers, the creatures of the beach, and much, much more. Here is Chicago, past, present, and—let's hope—future, captured in the unique archive of Sidewalks.

A central figure in Illinois’ early history, Sidney Breese forged an eventful public life that spanned the state’s transition from a frontier territory to a modern industrial society. Joseph A. Ranney tells the story of the lasting achievements and far-reaching legal decisions that defined Breese’s career.

Born in New York, Breese moved to Illinois in 1818. An ambitious personality combined with acumen in law, politics, and business boosted Breese into the state’s frontier elite and involved him in the political controversies that roiled the Jacksonian Era. First a circuit court judge, Breese rose to the state Supreme Court before his election to the US Senate in 1842. Breese focused his senatorial energies on westward expansion and transforming the nation into a world power—ambitions symbolized by his pivotal role in the creation of the Illinois Central Railroad. After returning to the state Supreme Court, Breese ruled on essential cases that enshrined expansionist jurisprudence in American law and regulated the growing power of corporations in post–Civil War America.

A first full-length biography, Sidney Breese places the life of an overlooked figure within legal and Illinois history.

What happens when three hundred alleged squatters go head-to-head with an enormous city government looking to develop the place where they live? As anthropologist Michael Herzfeld shows in this book, the answer can be surprising. He tells the story of Pom Mahakan, a tiny enclave in the heart of old Bangkok whose residents have resisted authorities’ demands to vacate their homes for a quarter of a century. It’s a story of community versus government, of old versus new, and of political will versus the law.
           
Herzfeld argues that even though the residents of Pom Mahakan have lost every legal battle the city government has dragged them into, they have won every public relations contest, highlighting their struggle as one against bureaucrats who do not respect the age-old values of Thai/Siamese social and cultural order. Such values include compassion for the poor and an understanding of urban space as deeply embedded in social and ritual relations. In a gripping account of their standoff, Herzfeld—who simultaneously argues for the importance of activism in scholarship—traces the agile political tactics and styles of the community’s leadership, using their struggle to illuminate the larger difficulties, tensions, and unresolved debates that continue to roil Thai society to this day. 

Jane Tylus’s Siena is a compelling and intimate portrait of this most secretive of cities, often overlooked by travelers to Italy. Cultural history, intellectual memoir, travelogue, and guidebook, it takes the reader on a quest of discovery through the well- and not-so-well-traveled roads and alleys of a town both medieval and modern.
           
As Tylus leads us through the city, she shares her passion for Siena in novelistic prose, while never losing sight of the historical complexities that have made Siena one of the most fascinating and beautiful towns in Europe. Today, Siena can appear on the surface standoffish and old-fashioned, especially when compared to its larger, flashier cousins Rome and Florence. But first impressions wear away as we learn from Tylus that Siena was an innovator among the cities of Italy: the first to legislate the building and maintenance of its streets, the first to publicly fund its university, the first to institute a municipal bank, and even the first to ban automobile traffic from its city center.
           
We learn about Siena’s great artistic and architectural past, hidden behind centuries of painting and rebuilding, and about the distinctive characters of its different neighborhoods, exemplified in the Palio, the highly competitive horserace that takes place twice a year in the city’s main piazza and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assured voice of a seasoned scholar with a gift for spinning a good story and an eye for the telling detail, whether we are traveling Siena’s modern highways, exploring its underground tunnels, tracking the city’s financial history, or celebrating giants of painting like Simone Martini or giants of the arena, Siena’s former Serie A soccer team.
           
A practical and engaging guide for tourists and armchair travelers alike, Siena is a testament to the powers of community and resilience in a place that is not quite as timeless and serene as it may at first appear.

This engrossing study investigates the infancy of American Sign Language (ASL). Authors Ted Supalla and Patricia Clark highlight the major events in ASL history, revealing much of what has not been clearly understood until now. According to tradition, ASL evolved from French Sign Language. The authors analyze the metalinguistic assumptions of these early accounts and also examine in depth a key set of films made by the National Association of the Deaf (NAD) between 1910 and 1920. Designed by the NAD to preserve classic ASL, the films feature 15 sign masters, the model signers of that time. In viewing these films, the authors discovered that the sign masters signed differently depending on their age. These variations provide evidence about the word formation process of early ASL, further supported by data collected from dictionaries of the 19th and early 20th centuries.

     By tracing the writings of selected individuals, this study reconstructs the historical context for early ASL grammar. It describes the language used in each century and how it changed, and focuses on the rediscovery of the literary legacy of the Deaf American voice. Sign Language Archaeology reveals the contrast between folk etymology and scientific etymology and allows readers to see ASL in terms of historical linguistics.

Mainstream media and film theory are based on the ways that media technologies operate in Europe and the United States. In this groundbreaking work, Brian Larkin provides a history and ethnography of media in Nigeria, asking what media theory looks like when Nigeria rather than a European nation or the United States is taken as the starting point. Concentrating on the Muslim city of Kano in the north of Nigeria, Larkin charts how the material qualities of technologies and the cultural ambitions they represent feed into the everyday experiences of urban Nigeria.

Media technologies were introduced to Nigeria by colonial regimes as part of an attempt to shape political subjects and create modern, urban Africans. Larkin considers the introduction of media along with electric plants and railroads as part of the wider infrastructural project of colonial and postcolonial urbanism. Focusing on radio networks, mobile cinema units, and the building of cinema theaters, he argues that what media come to be in Kano is the outcome of technology’s encounter with the social formations of northern Nigeria and with norms shaped by colonialism, postcolonial nationalism, and Islam. Larkin examines how media technologies produce the modes of leisure and cultural forms of urban Africa by analyzing the circulation of Hindi films to Muslim Nigeria, the leisure practices of Hausa cinemagoers in Kano, and the dynamic emergence of Nigerian video films. His analysis highlights the diverse, unexpected media forms and practices that thrive in urban Africa. Signal and Noise brings anthropology and media together in an original analysis of media’s place in urban life.

Signets brings together the best essays of H.D. (Hilda Doolittle). Susan Stanford Friedman and Rachel Blau DuPlessis have gathered the most influential and generative studies of H. D.’s work and complemented them with photobiographical, chronological, and bibliographical portraits unique to this volume.
    The essays in Signets span H. D.’s career from the origins of Imagism to late modernism, from the early poems of Sea Garden to the novel HER and the epic poems Trilogy and Helen in Egypt. In addition to the editors, the contributors are Diana Collecott, Robert Duncan, Albert Gelpi, Eileen Gregory, Susan Gubar, Barbara Guest, Elizabeth A. Hirsch, Deborah Kelly Kloepfer, Cassandar Laity, Adalaide Morris, Alicia Ostriker, Cyrena N. Pondrom, Perdita Schaffner, and Louis H. Silverstein.
    Signets is an essential resource for those interested in H. D., modernism, and feminist criticism and writing.

In Signifying God, Sarah Beckwith explores the most lavish, long-lasting, and complex form of collective theatrical enterprise in English history: the York Corpus Christi plays. First staged as early as 1376, the plays were performed annually until the late 1500s and involved as much as a tenth of the city in multiple performances at a dozen or more locations.

Introducing a radical new understanding of these plays as "sacramental theater," Beckwith shows how organizing the plays served as a political mechanism for regulating labor, and how theater and sacrament combined in them to do important theological work. She argues, for instance, that the theology of Corpus Christi in the resurrection plays can only be understood as a theatrical exploration of eucharistic absence and presence. Beckwith frames her study with discussions of twentieth-century manifestations of sacramental theater in Barry Unsworth's novel Morality Play and Denys Arcand's film Jesus of Montreal, and the connections between contemporary revivals of the York Corpus Christi plays and England's heritage culture.

On the campaign trail, Barack Obama faced a difficult task—rallying African American voters while resisting his opponents’ attempts to frame him as “too black” to govern the nation as a whole. Obama’s solution was to employ what Toni Morrison calls “race-specific, race-free language,” avoiding open discussions of racial issues while using terms and references that carried a specific cultural resonance for African American voters.

Stephanie Li argues that American politicians and writers are using a new kind of language to speak about race. Challenging the notion that we have moved into a “post-racial” era, she suggests that we are in an uneasy moment where American public discourse demands that race be seen, but not heard. Analyzing contemporary political speech with nuanced readings of works by such authors as Toni Morrison, Jhumpa Lahiri, and Colson Whitehead, Li investigates how Americans of color have negotiated these tensions, inventing new ways to signal racial affiliations without violating taboos against open discussions of race.

Current academic discourse frequently understates the role of religion in the development of the American Deaf community. In her new study, Tracy Ann Morse effects a sharp course correction by delineating the frequent use over time of religious rhetoric by members of the Deaf community to preserve and support sign language.
           
       In Chapter One, Morse analyzes Thomas Hopkins Gallaudet’s use of religious references in his 1817 maiden address at the first American school for deaf students. She examines his and other speeches as examples of the intersection of education for deaf Americans and Protestant missionary efforts to convert them. In the second chapter, she presents the different religious perspectives of the two deaf education camps: Manualists argued that sign language was a gift from God, while Oralists viewed hand gestures as animal-like, indicative of lower evolutionary development.
 
      Chapter Three explores the religious rhetoric in churches, sanctuaries where sign language flourished and deaf members formed relationships. In the fourth chapter, Morse shows how Deaf activist George Veditz signed using religious themes in his political films. She also comments on the impact of the bilingual staging of Big River: The Adventures of Huckleberry Finn, which began to change the hearing world’s opinion about the Deaf community. Morse concludes with speculation on the shifting terrain for deaf people due to technological innovations that might supplant religious rhetoric as a tool to support the Deaf community.

The Royal Tombs of Ur, dating from approximately 3000–2700 BCE, are among the most famous and impressive archeological discoveries of the twentieth century. Excavated between 1922 and 1934 under the direction of Leonard Woolley, this site is one of the richest sources of information we have about ancient Sumer—however, many mysteries about the society that produced these tombs remain. Based on primary research with the Ur materials at the University of Pennsylvania Museum of Archeology and Anthropology, and paying particular attention to the iconography found in what Woolley referred to as the “Seal Impression Strata of Ur,” this book works to reconstruct the early history of Sumer. What was this society like? What social structures did this society build? What were its institutions of authority? The answers Petr Charvát proposes are of interest not only to archeologists, but to anyone fascinated by early human history.

Traces the sources of power and large-scale organization of prehistoric peoples among Archaic societies.

By focusing on the first instances of mound building, pottery making, fancy polished stone and bone, as well as specialized chipped stone, artifacts, and their widespread exchange, this book explores the sources of power and organization among Archaic societies. It investigates the origins of these technologies and their effects on long-term (evolutionary) and short-term (historical) change.

The characteristics of first origins in social complexity belong to 5,000- to 6,000-year-old Archaic groups who inhabited the southeastern United States. In Signs of Power, regional specialists identify the conditions, causes, and consequences that define organization and social complexity in societies. Often termed "big mound power," these considerations include the role of demography, kinship, and ecology in sociocultural change; the meaning of geometry and design in sacred groupings; the degree of advancement in stone tool technologies; and differentials in shell ring sizes that reflect social inequality.

Inspired by tales of the hero Vilmund Vidutan and his fellow knights, Sigurd Jonsson and his young friends Ivar and Helge set out to reenact these exploits on their medieval Norwegian farm. They carve swords and lances and spend hours making shields. With a little imagination, a pasture becomes a battlefield, an old boar their greatest foe, and they pass many hours jousting and dueling. But when the summer is nearly over, the three boys stumble into real trouble and must prove their courage in an adventure all their own.

Written during Sigrid Undset’s time in New York, Sigurd and His Brave Companions will make medieval Norway come alive for young and old readers alike.

            In Silence in Catullus, Benjamin Eldon Stevens offers fresh readings of this Roman poet's most important works, focusing on his purposeful evocations of silence. This deep and varied "poetics of silence" takes on many forms in Catullus's poetic corpus: underscoring the lyricism of his poetry; highlighting themes of desire, immortality-in-culture, and decay; accenting its structures and rhythms; and, Stevens suggests, even articulating underlying philosophies. Combining classical philological methods, contemporary approaches to silence in modern literature, and the most recent Catullan scholarship, this imaginative examination of Catullus offers a new interpretation of one of the ancient world's most influential and inimitable voices.

Silence on the Mountain is a virtuoso work of reporting and a masterfully plotted narrative tracing the history of Guatemala’s thirty-six-year internal war, a conflict that claimed the lives of some 200,000 people, the vast majority of whom died (or were “disappeared”) at the hands of the U.S.-backed military government. Written by Daniel Wilkinson, a young human rights worker, the story begins in 1993, when the author decides to investigate the arson of a coffee plantation’s manor house by a band of guerrillas. The questions surrounding this incident soon broaden into a complex mystery whose solution requires Wilkinson to dig up the largely unwritten history of the country’s recent civil war, following its roots back to a land reform movement that was derailed by a U.S.-sponsored military coup in 1954 and to the origins of a plantation system that put Guatemala’s Mayan Indians to work picking coffee beans for the American and European markets.

Decades of terror-inspired fear have led the Guatemalans to adopt a survival strategy of silence so complete that it verges on collective amnesia. The author’s great triumph is that he finds a way for people to tell their stories, and it is through these stories—dramatic, intimate, heartbreaking—that we are shown the anatomy of a thwarted revolution that has relevance not only to Guatemala but also to countless places around the world where terror has been used as a political tool.

Silenced Voices is a pointed examination of the loss of speech, exile from community, and memory throughout the literary corpus of the Roman poet Ovid. In his book-length poem Metamorphoses, characters are transformed in ways that include losing their power of human speech. In Tristia and Epistulae ex Ponto, poems written after Ovid's exile from Rome in 8 ce, he represents himself as also having been transformed, losing his voice.

Bartolo A. Natoli provides a unique cross-reading of these works. He examines how the motifs and ideas articulated in the Metamorphoses provide the template for the poet's representation of his own exile. Ovid depicts his transformation with an eye toward memory, reformulating how his exile would be perceived by his audience. His exilic poems are an attempt to recover the voice he lost and to reconnect with the community of Rome.

Like a number of Netherlanders in the post–World War II era, Inez Hollander only gradually became aware of her family’s connections with its Dutch colonial past, including a Creole great-grandmother. For the most part, such personal stories have been, if not entirely silenced, at least only whispered about in Holland, where society has remained uncomfortable with many aspects of the country’s relationship with its colonial empire.

Unlike the majority of memoirs that are soaked in nostalgia for tempo dulu, Hollander’s story sets out to come to grips with her family’s past by weaving together personal records with historical and literary accounts of the period. She seeks not merely to locate and preserve family memories, but also to test them against a more disinterested historical record. Hers is a complicated and sometimes painful personal journey of realization, unusually mindful of the ways in which past memories and present considerations can be intermingled when we seek to understand a difficult past. Silenced Voices is an important contribution to the literature on how Dutch society has dealt with its recent colonial history.

Silencing the Guns in Haiti traces Haiti's halting and uncertain quest for democracy from the perspective of someone who played a leading part in every stage of that process.

"A provocative study of the prospects for the rule of law in Haiti."—Marilyn Bowden, Miami Today

"[Stotzky] deepens insights into the contradictory obstacles to democratic governance in Haiti."—Library Journal

"Controversial and stimulating."—Choice

"Lucid and informative. . . . Stotzky gives readers a good foundation for understanding the pressures facing the impoverished but determined Caribbean island."—Islands

Silent Medievalisms investigates the prevalence of medieval narratives and tropes during cinema’s silent era and explores the ways that silent movies use the past to communicate political, national, propagandistic, and social meanings in their present moment. Groundbreaking films such as Joan the Woman (1916), Douglas Fairbanks in Robin Hood (1922), The Passion of Joan of Arc (1928), and several others provide a rare opportunity to ponder the intersection of the newest technologies with narratives that predate them by many centuries. Narrative themes and tropes are distinct from the technologies that (re)create them, yet they are imbricated within complex networks of possibility and production. Contributors consider the persistent restaging and appeal (even when problematic) of medieval tropes, illuminating the essential nature of the medieval to early cinema across geographies, methodologies, and ideologies. They examine the relationship between the old and the new, made oblique when the new would seem to eclipse the old as emergent technologies seismically shifted the ways in which audiences consumed narratives. Ultimately, Silent Medievalisms demonstrates how those technologies enabled diverse visions of the Middle Ages—historical, fantastical, political—in ways that other media did not.

Contributors:
Kimberly Ball, Elizabeth Coggeshall, John Haines, Kevin J. Harty, Valerie B. Johnson, Tison Pugh, Sabina Rahman, Carol L. Robinson, Robert Squillace, Alexandra Sterling-Hellenbrand, Alfred Thomas, Laura E. Wangerin, Angela Jane Weisl