28164 books match the query 'History' and 6372 start with t

cover of T. G. Masaryk and the Jewish Question

T. G. Masaryk and the Jewish Question

Miloš Pojar

Karolinum Press, 2018

In this book, Miloš Pojar traces the development and transformation of the opinions about Jews and Judaism of the first Czechoslovak president, T. G. Masaryk. Pojar describes the key events and ideas that shaped Masaryk’s attitudes: his first contacts with the Jewish world as a child, and later as a student; his work as a philosopher and sociologist, through which his thinking on Marxism, social issues, Christianity, and Judaism evolved; and his later, pivotal, experience at the time of the anti-Semitic libel trials against Leopold Hilsner, known as the Hilsner Affair. Pojar also details the period when Masaryk, as president, formulated his position on matters such as the Czech-Jewish movement, the question of assimilation, and Zionism. Featuring an entire chapter on Masaryk’s celebrated 1927 trip to Palestine as well as a series of brief profiles of outstanding Jewish figures that explore both Masaryk’s attitudes to their ideas and their opinions of Masaryk, this book is a compelling personal portrait and a substantial contribution to our understanding of the history of Jews in the Czech lands.

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cover of T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America

T.O.B.A. Time

Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America

Michelle R. Scott

University of Illinois Press, 2023

Black vaudevillians and entertainers joked that T.O.B.A. stood for “tough on black artists.” But the Theater Owner’s Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry and provided a training ground for icons like Cab Calloway, Bessie Smith, Ethel Waters, Sammy Davis Jr., the Nicholas Brothers, Count Basie, and Butterbeans and Susie.

Michelle R. Scott’s institutional history details T.O.B.A.’s origins and practices while telling the little-known stories of the managers, producers, performers, and audience members involved in the circuit. Looking at the organization over its eleven-year existence (1920–1931), Scott places T.O.B.A. against the backdrop of what entrepreneurship and business development meant in black America at the time. Scott also highlights how intellectuals debated the social, economic, and political significance of black entertainment from the early 1900s through T.O.B.A.’s decline during the Great Depression.

Clear-eyed and comprehensive, T.O.B.A. Time is a fascinating account of black entertainment and black business during a formative era.

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cover of TALES OF THE ARKANSAS FRONTIER: Territorial and Early Statehood Eras

TALES OF THE ARKANSAS FRONTIER

Territorial and Early Statehood Eras

JON DAVID CASH

Parkhurst Brothers, Inc., 2025

Tales of the Arkansas Frontier by Jon David Cash is for both students of history and those who are simply curious about the past. Cash’s accessible style of writing and storytelling introduces the reader to the names and amazing stories behind well-known cities and counties in Arkansas.
 
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cover of TEXT: Transactions of the Society for Textual Scholarship, Volume 7

TEXT

Transactions of the Society for Textual Scholarship, Volume 7

D. C. Greetham and W. Speed Hill, Editors

University of Michigan Press, 1994

The University of Michigan Press announces that it will assume the annual publication of TEXT: Transactions of the Society for Textual Scholarship, beginning with Volume 7. As the journal of the Society for Textual Scholarship, TEXT has always had a strong commitment to the theory as well as the practice of textual scholarship, and the new imprint strengthens this association. It will continue to be the best single source for keeping up with and following the increasingly active debate within the international textual community.
The Society for Textual Scholarship is an interdisciplinary organization devoted to providing a forum for the discussion of the cross-disciplinary implications of current research in various areas of contemporary textual work. These areas include the discovery, enumeration, description, bibliographical analysis, editing, and annotation of texts in disciplines such as literature, history, musicology, theater, film, linguistics, classical and biblical studies, philosophy, art history, history of science, legal history, computer science, library science, lexicography, epigraphy, paleography, codicology, and textual and literary theory. The contents of TEXT reflect this interdisciplinary concern and this range of fields.
TEXT 7 continues the tradition of offering its readers a series of sophisticated essays on specific textual problems, written by acknowledged experts in each field, balanced by a certain concern for those general problems in textual scholarship that all editors, bibliographers, and textual critics (not to mention literary critics) must confront. It is thus a further contribution to the "discourse" of the text and is as critical and ideological as it is descriptive and analytical.
The volume is organized in the same way as earlier ones, with an opening section of articles dealing with theoretical matters (e.g., Paul Eggert on document and text and Joseph Grigely on textual space), followed by articles arranged in chronological order of subject from medieval (e.g., Mary-Jo Arn on punctuation and Daniel Mosser on editing the Canterbury Tales) to Renaissance (e.g., Ted-Larry Pebworth on coterie poetry and Ernest W. Sullivan II on Donne) to modern (e.g., Heather Bryant Jordan on T. S. Eliot and Lawrence Rainey on Pound). Most of the essays in the chronological section also have a substantial theoretical argument. The final section of the volume consists of review-essays and reviews that give a thorough account and evaluation of books and editions while situating them in the various current debates on author, text, and culture. Highlights include reviews of editions of Marlowe, Burton, Johnson, and Thackeray and of George Landow's Hypertext, Ian Small and Marcus Walsh's Theory and Practice of Text-Editing, and D. C. Greetham's Textual Scholarship.
D. C. Greetham is Professor of English, City University of New York Graduate Center. W. Speed Hill is Professor of English, City University of New York. Peter Shillingsburg is Professor of English, Mississippi State University. All three are on the board of the Society for Textual Scholarship.
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cover of THE AMERICAN QUEST FOR THE PRIMITIVE CHURCH

THE AMERICAN QUEST FOR THE PRIMITIVE CHURCH

Richard T. Hughes

University of Illinois Press, 1988

The dream of restoring primitive Christianity lies close to the core of the identity of some American denominations---Churches of Christ, Latter-day Saints, some Mennonites, and a variety of Holiness and Pentecostal denominations. But how can a return to ancient Christianity be sustained in a world increasingly driven by modernization? What meaning might such a vision have in the modern world? Twelve distinguished scholars explore these and related questions in this provocative book.
 
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cover of THE IMAGINATION OF CLASS: MASCULINITY AND THE VICTORIAN URBAN POOR

THE IMAGINATION OF CLASS

MASCULINITY AND THE VICTORIAN URBAN POOR

Dan Bivona and Roger B. Henkle

The Ohio State University Press, 2006

A fascinating meld of two scholars’ research and conclusions, The Imagination of Class is a synthetic journey through middle-class Victorian discourse posed by poverty in the midst of plenty—but not that alone. Rather Dan Bivona and Roger B. Henkle argue that the representation of abject poverty in the nineteenth century also displaced anxieties aroused by a variety of challenges to Victorian middle class masculinity. The book’s main argument, in fact, is that the male middle class imagery of urban poverty in the Victorian age presents a complex picture, one in which anxieties about competition, violence, class-based resentment, individuality, and the need to differentiate oneself from the scions of inherited wealth influence mightily the ways in which the urban poor are represented. In the representations themselves, the urban poor are alternately envisioned as sentimentalized (and feminized) victims who stimulate middle class affective response, as the objects of the professionalized discourses of the social sciences (and social services), and as an often hostile social force resistant to the “culturalizing,” taming processes of a maternalist social science.

Through carefully nuanced discussions of a variety of Victorian novelists, journalists, and sociological investigators (some well known, like Dickens, and others less well known, like Masterman and Greenwood), the book offers new insight into the role played by the imagination of the urban poor in the construction of Victorian middle class masculinity. Whereas many scholars have discussed the feminization of the poor, virtually no one has addressed how the poor have served as a site at which middle class men fashioned their own class and gender identity.
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cover of THE MYSTERIES OF THE GREAT CITY: THE POLITICS OF URBAN DESIGN, 1877-1937

THE MYSTERIES OF THE GREAT CITY

THE POLITICS OF URBAN DESIGN, 1877-1937

JOHN FAIRFIELD

The Ohio State University Press, 1997

The Mysteries of the Great City examines the physical, cultural, and political transformations of the American city between the Gilded Age and the New Deal. Focusing on New York, Chicago, and Cincinnati, John Fairfield demonstrates that these transformations before and after the advent of city planning were the result of political decisions influenced by corporate and private wealth.

The expansion and reorganization of the great city stood out as the most visible symbol of the transformation. The new metropolitan form, with its skyscraping business center, industrial satellites, crowded working-class neighborhoods, and exclusive suburbs, embodied an emerging corporate order. But the metropolis also disguised the new order and gave it an apparent physical implacability and inevitability that obscured the role of choice in its creation and therefore placed it beyond criticism. Fairfield unravels the mysteries of the new form to reveal the centrality of power and politics in urban design.

While acknowledging that a great many factors shaped urban development, Fairfield underscores the decisive role of human design. He argues that American cities, both before and after the advent of professional planning, have always been in some measure “planned.” Discussing such figures as Frederick Law Olmsted, Henry George, Daniel Burnham, Frederic Howe, Edward Bassett, Robert E. Park, and Louis Wirth, Fairfield illuminates the political and intellectual conflicts among advocates of alternative paths of urban development.

The Mysteries of the Great City will enlighten all readers interested in the development of cities, particularly urban historians and planners. In pointing to the Gilded Age as a period of great possibilities of progressive reform, this study will also reward readers interested in the historical foundations of our modern society.

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cover of THE NOVEL AND THE MENAGERIE: TOTALITY, ENGLISHNESS, AND EMPIRE

THE NOVEL AND THE MENAGERIE

TOTALITY, ENGLISHNESS, AND EMPIRE

KURT KOENIGSBERGER

The Ohio State University Press, 2007

The first comprehensive account of the relation of collections of imperial beasts to narrative practices in England, The Novel and the Menagerie explores an array of imaginative responses to the empire as a dominant, shaping factor in English daily life. Kurt Koenigsberger argues that domestic English novels and collections of zoological exotica (especially zoos, circuses, traveling menageries, and colonial and imperial exhibitions) share important aesthetic strategies and cultural logics: novels about English daily life and displays featuring collections of exotic animals both strive to relate Englishness to a larger empire conceived as an integrated whole.
 
Koenigsberger’s investigations range from readings of novels by authors such as Charles Dickens, Virginia Woolf, Salman Rushdie, and Angela Carter to analyses of ballads, handbills, broadsides, and memoirs of showmen. Attending closely to the collective English practices of imagining and delineating the empire as a whole, The Novel and the Menagerie works at the juncture of literary criticism, colonial discourse studies, and cultural analysis to historicize the notion of totality in the theory and practice of the English novel. In exploring the shapes of the novel in England and of the English institutions that collected exotic animals, it offers fresh readings of familiar literary texts and opens up new ways of understanding the character of imperial Englishness across the nineteenth and twentieth centuries.
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cover of THEATER FIGURES: The Production of the Nineteenth-Century British Novel

THEATER FIGURES

The Production of the Nineteenth-Century British Novel

Emily Allen

The Ohio State University Press, 2003

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cover of THEY BROKE THE PRAIRIE

THEY BROKE THE PRAIRIE

Earnest Elmo Calkins

University of Illinois Press, 1989

       First published in 1937 in honor of
      the Galesburg and Knox College Centenary, the book contains a wealth of
      lively details and amusing anecdotes. Calkins traces the progress of the
      community and the college through the arrival of the railroad, slave running,
      abolitionist confrontations, the Lincoln-Douglas debates, the Civil War,
      and the postwar era.
 
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cover of TITO: Yugoslavia’s Great Dictator, A Reassessment

TITO

Yugoslavia’s Great Dictator, A Reassessment

Stevan K. Pavlowitch

The Ohio State University Press, 1992

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cover of TO THE POLE: The Diary and Notebook of Richard E. Byrd, 1925–1927

TO THE POLE

The Diary and Notebook of Richard E. Byrd, 1925–1927

Edited by Raimund E. Goerler

The Ohio State University Press, 1998

On May 9, 1926, Richard E. Byrd announced to the world that he and copilot Floyd Bennett were the first to fly an airplane over the North Pole. Documents published here for the first time provide new insights into this most controversial accomplishment of Byrd's career.

Some journalists at the time questioned whether Byrd's airplane, the Josephine Ford, could have reached the North Pole and returned in less than sixteen hours. More questions arose after Byrd's death in 1957. A Swedish meteorologist concluded that the Josephine Ford would have needed a beneficial wind to accomplish the feat, and his study of weather data indicated that there had been no such wind. In 1973 another author reported that Byrd's pilot had later confessed to Bernt Balchen, a Norwegian pilot who had assisted Byrd, that they had only circled on the horizon out of sight of reporters and landed when enough time had passed to claim the North Pole.

To the Pole presents transcriptions of Byrd's handwritten diary and notebook, which were discovered by Ohio State University archivist Raimund Goerler in 1996 when he was cataloging Byrd's papers for the university. In his diary Byrd recorded his preparations for the North Pole flight, and he used it as a message pad to communicate with his pilot when the deafening noise from the plane's engines rendered verbal communication impossible.

Byrd also wrote his navigational calculations on the leaves of his diary, and photographs of these crucial pages are presented in the book as well, along with a copy of Byrd's official report on the expedition to the National Geographic Society.

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cover of TV Land--Detroit

TV Land--Detroit

Gordon Castelnero

University of Michigan Press, 2006

An in-depth and personal look at the most popular and best-remembered local shows from the golden years of Detroit TV

Long before cable, prepackaged syndication, infomercials, do-it-yourselfers, and reality shows cluttered the television dial, there was a brand of entertainment that has today nearly vanished from the airwaves: local TV. And with its colorful and quirky cast of characters, Detroit TV arguably offered some of the best of the best of local programming anywhere in the nation-a smorgasbord of exuberant, one-of-a-kind television shows.

Based on actual interviews with the people who made Detroit TV, Gordon Castelnero's TV Land-Detroit awakens the emotional attachment and nostalgia our community has for these shows, bringing the beloved characters and memorable programs back to life.

From the glamorous Rita Bell to the insanity of the Ghoul, the zany Jingles in Boofland to the opinionated and often confrontational Lou Gordon and the gruff-voiced and somnolent George Pierrot, Castelnero reacquaints us with the talent and behind-the-scenes people, of the creative spirit in Detroit, and the intimacy they shared with the community both on and off the air.

Gordon Castelnero was a producer at WNIC radio for four years. He produced the acclaimed documentaries for WDIV and WTVS, Michigan, It Started Here! Michigan and the American Dream, and Titanic: The Final Chapter. He currently lives in Livonia, Michigan, and works at Technicolor in DVD and game media distribution. He can be contacted by e-mail at tvlanddetroit@yahoo.com
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cover of TV Snapshots: An Archive of Everyday Life

TV Snapshots

An Archive of Everyday Life

Lynn Spigel

Duke University Press, 2022

In TV Snapshots, Lynn Spigel explores snapshots of people posing in front of their television sets in the 1950s through the early 1970s. Like today’s selfies, TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture. Drawing on her collection of over 5,000 TV snapshots, Spigel shows that people did not just watch TV: women used the TV set as a backdrop for fashion and glamour poses; people dressed in drag in front of the screen; and in pinup poses, people even turned the TV setting into a space for erotic display. While the television industry promoted on-screen images of white nuclear families in suburban homes, the snapshots depict a broad range of people across racial, ethnic, and class backgrounds that do not always conform to the reigning middle-class nuclear family ideal. Showing how the television set became a central presence in the home that exceeded its mass entertainment function, Spigel highlights how TV snapshots complicate understandings of the significance of television in everyday life.
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cover of TV Socialism

TV Socialism

Anikó Imre

Duke University Press, 2016

In TV Socialism, Anikó Imre provides an innovative history of television in socialist Europe during and after the Cold War. Rather than uniform propaganda programming, Imre finds rich evidence of hybrid aesthetic and economic practices, including frequent exchanges within the region and with Western media, a steady production of varied genre entertainment, elements of European public service broadcasting, and transcultural, multi-lingual reception practices. These televisual practices challenge conventional understandings of culture under socialism, divisions between East and West, and the divide between socialism and postsocialism. Taking a broad regional perspective encompassing Eastern Europe and the Soviet Union, Imre foregrounds continuities between socialist television and the region’s shared imperial histories, including the programming trends, distribution patterns, and reception practices that extended into postsocialism. Television, she argues, is key to understanding European socialist cultures and to making sense of developments after the end of the Cold War and the enduring global legacy of socialism.
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cover of TV by Design: Modern Art and the Rise of Network Television

TV by Design

Modern Art and the Rise of Network Television

Lynn Spigel

University of Chicago Press, 2008

While critics have long disparaged commercial television as a vast wasteland, TV has surprising links to the urbane world of modern art that stretch back to the 1950s and ’60s During that era, the rapid rise of commercial television coincided with dynamic new movements in the visual arts—a potent combination that precipitated a major shift in the way Americans experienced the world visually. TV by Design uncovers this captivating story of how modernism and network television converged and intertwined in their mutual ascent during the decades of the cold war.

Whereas most histories of television focus on the way older forms of entertainment were recycled for the new medium, Lynn Spigel shows how TV was instrumental in introducing the public to the latest trends in art and design. Abstract expressionism, pop art, art cinema, modern architecture, and cutting-edge graphic design were all mined for staging techniques, scenic designs, and an ever-growing number of commercials. As a result, TV helped fuel the public craze for trendy modern products, such as tailfin cars and boomerang coffee tables, that was vital to the burgeoning postwar economy. And along with influencing the look of television, many artists—including Eero Saarinen, Ben Shahn, Saul Bass, William Golden, and Richard Avedon—also participated in its creation as the networks put them to work designing everything from their corporate headquarters to their company cufflinks.
 
Dizzy Gillespie, Ernie Kovacs, Duke Ellington, and Andy Warhol all stop by in this imaginative and winning account of the ways in which art, television, and commerce merged in the first decades of the TV age.
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cover of Table Talk: Building Democracy One Meal at a Time

Table Talk

Building Democracy One Meal at a Time

Janet A. Flammang

University of Illinois Press, 2016

The civic virtues of a seat at the table

Etiquette books insist that we never discuss politics during a meal. In Table Talk, Janet A. Flammang offers a polite rebuttal, presenting vivid firsthand accounts of people's lives at the table to show how mealtimes can teach us the conversational give-and-take foundational to democracy. Delving into the ground rules about listening, sharing, and respect that we obey when we break bread, Flammang shows how conversations and table activities represent occasions for developing our civil selves. If there are cultural differences over practices--who should speak, what behavior is acceptable, what topics are off limits, how to resolve conflict--our exposure to the making, enforcement, and breaking of these rules offers a daily dose of political awareness and growth. Political table talk provides a forum to practice the conversational skills upon which civil society depends. It also ignites the feelings of respect, trust, and empathy that undergird the idea of a common good that is fundamental to the democratic process.

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cover of Taboo Memories, Diasporic Voices

Taboo Memories, Diasporic Voices

Ella Shohat

Duke University Press, 2006

Taboo Memories, Diasporic Voices brings together for the first time a selection of trailblazing essays by Ella Shohat, an internationally renowned theorist of postcolonial and cultural studies of Iraqi-Jewish background. Written over the past two decades, these twelve essays—some classic, some less known, some new—trace a powerful intellectual trajectory as Shohat rigorously teases out the consequences of a deep critique of Eurocentric epistemology, whether to rethink feminism through race, nationalism through ethnicity, or colonialism through sexuality.

Shohat’s critical method boldly transcends disciplinary and geographical boundaries. She explores such issues as the relations between ethnic studies and area studies, the paradoxical repercussions for audio-visual media of the “graven images” taboo, the allegorization of race through the refiguring of Cleopatra, the allure of imperial popular culture, and the gender politics of medical technologies. She also examines the resistant poetics of exile and displacement; the staging of historical memory through the commemorations of the two 1492s, the anomalies of the “national” in Zionist discourse, the implications of the hyphen in the concept “Arab-Jew,” and the translation of the debates on orientalism and postcolonialism across geographies. Taboo Memories, Diasporic Voices not only illuminates many of the concerns that have animated the study of cultural politics over the past two decades; it also points toward new scholarly possibilities.

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cover of Tacitus and the Incomplete

Tacitus and the Incomplete

Edited by Panayiotis Christoforou and Bram L. H. ten Berge

University of Michigan Press, 2026

Widely regarded as ancient Rome’s greatest historian, Tacitus has shaped much of early modern and modern thought on Rome and its emperors. Substantial portions of his major historical works Histories and Annals, however, have not survived, depriving us of his account of crucial episodes and developments in Rome's early imperial history. This first-of-its-kind volume seeks to fill those gaps, using a range of historical and linguistic approaches to reconstruct the missing portions of Tacitus’ work. The volume offers reconstructions of the fragmentary Tacitean emperors (Augustus, Caligula, Nero, Vespasian, Titus, and Domitian) and of important lost episodes such as the destruction of the Temple of Jerusalem and the eruption of Mt. Vesuvius.

By utilizing the concept of incompleteness as a narrative tool, Tacitus and the Incomplete provides novel insights into what Tacitus’ oeuvre might have been like if the lost books had survived, and also expands on recent work on counterfactual historiography, the influence of hindsight on historical writing, the use of prolepsis and other narrative techniques, and on the limitations of historiography in the imperial period.

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cover of Tactical Inclusion: Difference and Vulnerability in U.S. Military Advertising

Tactical Inclusion

Difference and Vulnerability in U.S. Military Advertising

Jeremiah Favara

University of Illinois Press, 2024

The revolution in military recruitment advertising to people of color and women played an essential role in making the US military one of the most diverse institutions in the United States. Starting at the dawn of the all-volunteer era, Jeremiah Favara illuminates the challenges at the heart of military inclusion by analyzing recruitment ads published in three commercial magazines: Sports Illustrated, Cosmopolitan, and Ebony. Favara draws on Black feminism, critical race theory, and queer of color critique to reveal how the military and advertisers affected change by deploying a set of strategies and practices called tactical inclusion. As Favara shows, tactical inclusion used representations of servicemembers in the new military to connect with people susceptible to recruiting efforts and rendered these new audiences vulnerable to, valuable to, and subject to state violence.

Compelling and eye-opening, Tactical Inclusion combines original analysis with personal experience to chart advertising’s role in building the all-volunteer military.

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cover of Tactile Sensibilities: Seeing Through Print in American Art

Tactile Sensibilities

Seeing Through Print in American Art

Juliet Sperling

University of Chicago Press, 0

A print-driven history of American art in the long nineteenth century.

Juliet Sperling’s Tactile Sensibilities uses interactive printed objects to uncover culturally instilled ideas about touch’s role in perception and shows how these frameworks were integral to ways of making and appreciating even seemingly untouchable works of painting and sculpture. Crucial to Sperling’s argument is a genre of paper constructions designed to engage the hand and eye in tandem: multilayered and lift-the-flap book plates, pull-tab engravings, foldable playbills, and spinning paper wheels that built expectations of touch as a trained, focused process into their structure and material. Intimately scaled and portable, tactile prints cut across multiple spheres of experience, including spaces in which people learned to view, understand, and create art.

Sperling reverses standard procedures for integrating prints into art history. Rather than working her way outward from canonical artworks toward ephemeral sources within the artist’s orbit, she uses previously unstudied printed materials to open period discourses of tactile sensibility that ultimately lead to art objects, unlocking new meanings behind works of painting and sculpture by artists including Raphaelle Peale, Hiram Powers, William Sidney Mount, and Winslow Homer. In treating sidelined materials as dedicated objects of study in their own right, Tactile Sensibilities reveals that in the long nineteenth century, print was an intellectually dense and powerfully connective medium, vital in mediating the tactile sensibilities that shaped ways of making and appreciating art. 

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cover of Tahoe Heritage: The Bliss Family Of Glenbrook, Nevada

Tahoe Heritage

The Bliss Family Of Glenbrook, Nevada

Sessions S Wheeler

University of Nevada Press, 1997

Tahoe Heritage is a lively chronicle of four generations of the pioneering Bliss family, beginning with Duane L. Bliss, a visionary who built an impressive lumbering business and later the renowned Glenbrook Inn. The inn was completed in 1907 and quickly became a destination for the elite of San Francisco. The hotel register contains the names of national figures who loved and frequented Glenbrook: Ulysses Grant, Joaquin Miller, Thomas Edison, Henry Ford, Clark Gable, and Rita Hayworth, to name a few. The Bliss family closed the inn in 1976. Anyone who has visited the Tahoe area, now a very different place from the idyllic days of Bliss family management, will enjoy this account of its growth and the remarkable family which brought it about.

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cover of Taifa: Making Nation and Race in Urban Tanzania

Taifa

Making Nation and Race in Urban Tanzania

James R. Brennan

Ohio University Press, 2012

Taifa is a story of African intellectual agency, but it is also an account of how nation and race emerged out of the legal, social, and economic histories in one major city, Dar es Salaam. Nation and race—both translatable as taifa in Swahili—were not simply universal ideas brought to Africa by European colonizers, as previous studies assume. They were instead categories crafted by local African thinkers to make sense of deep inequalities, particularly those between local Africans and Indian immigrants. Taifa shows how nation and race became the key political categories to guide colonial and postcolonial life in this African city.

Using deeply researched archival and oral evidence, Taifa transforms our understanding of urban history and shows how concerns about access to credit and housing became intertwined with changing conceptions of nation and nationhood. Taifa gives equal attention to both Indians and Africans; in doing so, it demonstrates the significance of political and economic connections between coastal East Africa and India during the era of British colonialism, and illustrates how the project of racial nationalism largely severed these connections by the 1970s.

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cover of Tail of the Storm: Flying Missions in the First Gulf War

Tail of the Storm

Flying Missions in the First Gulf War

Alan Cockrell

University of Alabama Press, 1995

A Gulf War memoir that captures the poetry and peril of flight.

Within days of Saddam Hussein’s invasion of Kuwait, the far reaching arm of American airpower sprang into action. The skyscapes of the North Atlantic, Europe, and the Mediterranean became laced with the contrails of great jets flowing day and night toward the Persian Gulf. From the skies, manpower and material poured onto the bleak sands under the ominous clouds of the gathering storm, and in only a few weeks the size of the effort eclipsed that of the Berlin Airlift.

The thousands of crewmembers flying the jets, as well as those servicing and managing them, became the backbone of history’s largest air logistical operation. Many of these men and women were Air Force reservists, and the author participated as a pilot of a C-141B Starlifter with the Mississippi Air National Guard.

Cockrell writes lyrically about flying and about the emotional and intellectual satisfaction enjoyed by those who fly. His focus is on the people recalled to active duty, who flew thousands of hours, coping with fatigue, cracked wings, missile attacks, and, in some cases, deteriorating businesses and families at home. Tail of the Storm gives expression to their love of flight, as well as their dedication to the endangered values of duty, honor, country. This story is good reading—not only for those who share the author’s enthusiasm for flying but also for those who read for pleasure and have a curiosity about a pilot’s world.

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cover of Tainted Greatness: Antisemitism and Cultural Heroes

Tainted Greatness

Antisemitism and Cultural Heroes

Nancy Harrowitz

Temple University Press, 1994

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cover of Taiwan: The Land Colonialisms Made

Taiwan

The Land Colonialisms Made

Arik Dirlik, Ping-Hui Liao, and Ya-Chung Chang, special issue editors

Duke University Press, 2018

The contributors to this special issue examine the role successive colonialisms played in forging a distinct Taiwanese identity and the theoretical implications the Taiwanese experience of colonialism raises regarding the making of modern national identities. In addition to its indigenous culture, a long succession of colonial rulers—variously the Netherlands, Spain, the kingdom of Tungning, the Ming and Qing dynasties, Japan, and Kuomintang China—have forged a distinctive Taiwanese national identity. The Taiwan case suggests that it is misleading to approach colonialism as an obstacle to national identity without also accounting for the ways in which colonialism has historically factored into the constitution of national identities. The contributors address the ways in which the colonizer’s culture transformed the colonized, setting them in new historical directions, even if those directions were not what the colonizers expected.

Contributors:  Shu-jung Chen, Leo T. S. Ching, Ya-Chung Chuang, Arif Dirlik, P. Kerim Friedman, Ping-hui Liao, Nikky Lin, Jing Tsu, Yin Wang, Fang-chih Irene Yang
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cover of Take Down Flag & Feed Horses

Take Down Flag & Feed Horses

Bill Everhart

University of Illinois Press, 1998

Part memoir, part reportage, and all good reading, Take Down Flag & Feed Horses is the first volume devoted to the daily work of staff members at Yellowstone National Park. Written by a retired National Park Service historian, the book is divided into two parts, the first chronicling daily life at Yellowstone and the second detailing the savage fires that hit the park during the summer of 1988 and their aftermath. Bill Everhart lived at the park during the summer of 1978, accompanying the superintendent and his staff of rangers, naturalists, and scientists on daily rounds. His lively anecdotes and observations will lure readers farther and farther into the book and perhaps into the park as well. He gives a gripping account of the unstoppable fires of 1988 and shows how fire, a presence in the Yellowstone ecosystem for thousands of years,
ensures biological diversity.
    
 One of an elite cadre of Park Service employees who served in the system for many years, Everhart would smile knowingly at a comrade's recollection of an old-timer who left often unnecessary instructions that regularly concluded with, "Take down flag & feed horses (TDF &; FH)." His book, a gentle excursion through places and among people, will be attractive to a wide range of readers.
 
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cover of Take My Land, Take My Life: The Story of Congress's Historic Settlement of Alaska Native Land Claims 1960-1971

Take My Land, Take My Life

The Story of Congress's Historic Settlement of Alaska Native Land Claims 1960-1971

Donald Craig Mitchell

University of Alaska Press, 2001

In Take My Land, Take My Life, Mitchell concludes the story of the 134-year history of the U.S. government's relations with Alaska's Native people begun in Sold American:The Story of Alaska Natives and Their Land, 1867-1959. The culmination of that tale occurred in 1971 when Congress enacted the Alaska Native Claims Settlement Act. ANCSA authorized Alaska Natives to be paid $962.5 million and to be conveyed title to 44 million acres of land. Though highly controversial, ANCSA remains the most generous settlement of aboriginal land claims in the nation's history. Mitchell's insightful, exhaustively researched work also describes the political history during the first decade of Alaska statehood, from the rise of Native organizations such as the Alaska Federation of Natives to the battles for power in the subcommittees of Congress.

Insightful and drawn from years of painstaking research of primary source materials, Sold American and Take My Land, Take My Life are an indispensable resource for readers who are interested in the history of the nation's largest state and of the federal government's involvement with Alaska's indigenous peoples.

[more]
cover of Take Up the Black Man's Burden: Kansas City's African American Communities, 1865-1939

Take Up the Black Man's Burden

Kansas City's African American Communities, 1865-1939

Charles E. Coulter

University of Missouri Press, 2006

 
Unlike many cities farther north, Kansas City, Missouri—along with its sister city in Kansas—had a significant African American population by the midnineteenth century and also served as a way station for those migrating north or west. “Take Up the Black Man’s Burden” focuses on the people and institutions that shaped the city’s black communities from the end of the Civil War until the outbreak of World War II, blending rich historical research with first-person accounts that allow participants in this historical drama to tell their own stories of struggle and accomplishment.
 
Charles E. Coulter opens up the world of the African American community in its formative years, making creative use of such sources as census data, black newspapers, and Urban League records. His account covers social interaction, employment, cultural institutions, housing, and everyday lives within the context of Kansas City’s overall development, placing a special emphasis on the years 1919 to 1939 to probe the harsh reality of the Depression for Kansas City blacks—a time when many of the community’s major players also rose to prominence.
 
“Take Up the Black Man’s Burden” is a rich testament not only of high-profile individuals such as publisher Chester A. Franklin, activists Ida M. Becks and Josephine Silone Yates, and state legislator L. Amasa Knox but also of ordinary laborers in the stockyards, domestics in white homes, and railroad porters. It tells how various elements of the population worked together to build schools, churches, social clubs, hospitals, the Paseo YMCA/YWCA, and other institutions that made African American life richer. It also documents the place of jazz and baseball, for which the community was so well known, as well as movie houses, amusement parks, and other forms of leisure.
While recognizing that segregation and discrimination shaped their reality, Coulter moves beyond race relations to emphasize the enabling aspects of African Americans’ lives and show how people defined and created their world. As the first extensive treatment of black history in Kansas City, “Take Up the Black Man’s Burden” is an exceptional account of minority achievement in America’s crossroads. By showing how African Americans saw themselves in their own world, it gives readers a genuine feel for the richness of black life during the interwar years of the twentieth century.
[more]
cover of Take the Young Stranger by the Hand: Same-Sex Relations and the YMCA

Take the Young Stranger by the Hand

Same-Sex Relations and the YMCA

John Donald Gustav-Wrathall

University of Chicago Press, 1998

Now associated with family health clubs, the YMCA's bland image is the result of relentless outreach and the studied avoidance of controversy. But, as John Gustav-Wrathall shows in his revealing social history of the organization, the life of the YMCA has been filled with strife, tragedy, and irony, a life that itself reflects the struggle over the shifting societal mores regarding masculine friendship and intimacy. Take the Young Stranger by the Hand presents the YMCA as an institution of profound contradictions, reflective of society's views of same-sex love and sexuality.

"Gustav-Wrathall's book offers an in-depth history of the origins and purposes of the Young Men's Christian Association and how it evolved into—and out of—a gay playland."—Arnie Kantrowitz, Lambda Book Report

"The book's absorbing exploration of the sometimes schismatic, sometimes synergistic relationship between spirituality and sexuality is a fascinating addition to the growing body of social history."—Jim Van Buskirk, San Francisco Bay Guardian
[more]
cover of Taken by Design: Photographs from the Institute of Design, 1937-1971

Taken by Design

Photographs from the Institute of Design, 1937-1971

Edited by David Travis and Elizabeth Siegel

University of Chicago Press, 2002

One of Chicago's great cultural achievements, the Institute of Design was among the most important schools of photography in twentieth-century America. It began as an outpost of experimental Bauhaus education and was home to an astonishing group of influential teachers and students, including Lázló Moholy-Nagy, Harry Callahan, and Aaron Siskind. To date, however, the ID's enormous contributions to the art and practice of photography have gone largely unexplored. Taken by Design is the first publication to examine thoroughly this remarkable institution and its lasting impact.

With nearly 300 illustrations, including many never-before published photographs, Taken by Design examines the changing nature of photography over this critical period in America's midcentury. It starts by documenting the experimental nature of Moholy's Bauhaus approach and photography's new and enhanced role in training the "complete designer." Next it traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Finally, it highlights the ID's focus on conscious references to the processes of the photographic medium itself. In addition to photographs by Moholy, Callahan, and Siskind, the book showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and many others. Major essays from experts in the field, biographies, a chronology, and reprints of critical essays are also included, making Taken by Design an essential work for anyone interested in the history of American photography.


Contributors include:
Keith Davis, Lloyd Engelbrecht, John Grimes, Nathan Lyons, Hattula Moholy-Nagy, Elizabeth Siegel, David Travis, Larry Viskochil, James N. Wood
[more]
cover of Taken by Storm, 1938: A Social and Meteorological History of the Great New England Hurricane

Taken by Storm, 1938

A Social and Meteorological History of the Great New England Hurricane

Lourdes B. Avilés

American Meteorological Society, 2013

On September 21, 1938 one of the most powerful storms of the twentieth century came unannounced into the lives of New Yorkers and New Englanders, leaving utter devastation in its wake. The Great Hurricane, as it came to be known, changed everything, from the landscape and its inhabitants’ lives, to Weather Bureau practices, to the measure and kind of relief New Englanders would receive during the Great Depression and the resulting pace of regional economic recovery.

 
The storm formed near the Cape Verde Islands on September 10 but was not spotted until several days later, and was predicted by the understaffed Weather Bureau to head toward Florida. Junior forecaster Charlie Pierce correctly projected the northerly storm track, but senior meteorologists ignored his forecast, a mistake that cost many lives—including those of immigrants who had arrived to the Northeast in waves in the preceding decades. To be published on the storm’s 75th anniversary, this compelling history successfully weaves science, historical accounts, and social analyses to create a comprehensive picture of the most powerful and devastating hurricane to hit New England to date.
[more]
cover of Taken by Storm, 1938: A Social and Meteorological History of the Great New England Hurricane

Taken by Storm, 1938

A Social and Meteorological History of the Great New England Hurricane

Lourdes B. Avilés

American Meteorological Society, 2018

On September 21, 1938, one of the most powerful storms of the twentieth century came unannounced into the lives of New Yorkers and New Englanders, leaving utter devastation in its wake. The Great Hurricane, as it came to be known, changed everything from the landscape and its inhabitants’ lives, to Weather Bureau practices and the measure of relief New Englanders would receive in the final years of the Great Depression.

The storm formed near the Cape Verde Islands on September 10, but was not spotted until several days later, and was predicted by the understaffed Weather Bureau to head toward Florida. Junior forecaster Charlie Pierce correctly projected the northerly storm track, but senior meteorologists ignored his forecast, a mistake that cost many lives—including those of immigrants who had arrived to the Northeast in waves in the preceding decades. Updated for the 80th anniversary of the hurricane, this compelling history successfully weaves science, historical accounts, and social analyses to create a comprehensive picture of the most powerful and devastating hurricane to hit New England to date.
[more]
cover of Taken by Storm: The Media, Public Opinion, and U.S. Foreign Policy in the Gulf War

Taken by Storm

The Media, Public Opinion, and U.S. Foreign Policy in the Gulf War

Edited by W. Lance Bennett and David L. Paletz

University of Chicago Press, 1994

In the most comprehensive study of the media and foreign policy, twenty distinguished scholars and analysts explain the role played by the mass media and public opinion in the development of United States foreign policy in the Gulf War.

Tracing the flow of news, public opinion, and policy decisions from Sadam Hussein's rise to power in 1979, to the Iraqi invasion of Kuwait, through the outbreak and conclusion of the war, the contributors look at how the media have become key players in the foreign policy process. They examine the pre-war media debate, news coverage during and after the war, how the news-gathering process shaped the content of the coverage, and the media's effect on public opinion and decision makers. We see what goes on behind the scenes in the high tech world of political communication, and are confronted by troubling questions about the ways the government managed coverage of the war and captured journalists at their own news game.

Taken by Storm also examines more general patterns in post-Cold war journalism and foreign policy, particularly how contemporary journalistic practices determine whose voices and what views are heard in foreign policy coverage. At stake are the reactions of a vast media audience and the decision of government officials who see both the press and the public and key elements of the policy game.

The first book to fully integrate our understanding of the news business, public opinion, and government action, Taken by Storm transcends the limits of the Gulf War to illuminate the complex relationship between the media, the public, and U.S. foreign policy in the late twentieth century.
[more]
cover of Taken from the Paradise Isle: The Hoshida Family Story

Taken from the Paradise Isle

The Hoshida Family Story

Heidi Kim

University Press of Colorado, 2015

Crafted from George Hoshida’s diary and memoir, as well as letters faithfully exchanged with his wife Tamae, Taken from the Paradise Isle is an intimate account of the anger, resignation, philosophy, optimism, and love with which the Hoshida family endured their separation and incarceration during World War II.

George and Tamae Hoshida and their children were a Japanese American family who lived in Hawai‘i. In 1942, George was arrested as a “potentially dangerous alien” and interned in a series of camps over the next two years. Meanwhile, forced to leave her handicapped eldest daughter behind in a nursing home in Hawai‘i, Tamae and three daughters, including a newborn, were incarcerated at the Jerome Relocation Center in Arkansas. George and Tamae regularly exchanged letters during this time, and George maintained a diary including personal thoughts, watercolors, and sketches. In Taken from the Paradise Isle these sources are bolstered by extensive archival documents and editor Heidi Kim’s historical contextualization, providing a new and important perspective on the tragedy of the incarceration as it affected Japanese American families in Hawai‘i.

This personal narrative of the Japanese American experience adds to the growing testimony of memoirs and oral histories that illuminate the emotional, psychological, physical, and economic toll suffered by Nikkei as the result of the violation of their civil rights during World War II. 


[more]
cover of Taking African Cartoons Seriously: Politics, Satire, and Culture

Taking African Cartoons Seriously

Politics, Satire, and Culture

Peter Limb

Michigan State University Press, 2018

Cartoonists make us laugh—and think—by caricaturing daily events and politics. The essays, interviews, and cartoons presented in this innovative book vividly demonstrate the rich diversity of cartooning across Africa and highlight issues facing its cartoonists today, such as sociopolitical trends, censorship, and use of new technologies. Celebrated African cartoonists including Zapiro of South Africa, Gado of Kenya, and Asukwo of Nigeria join top scholars and a new generation of scholar-cartoonists from the fields of literature, comic studies and fine arts, animation studies, social sciences, and history to take the analysis of African cartooning forward. Taking African Cartoons Seriously presents critical thematic studies to chart new approaches to how African cartoonists trade in fun, irony, and satire. The book brings together the traditional press editorial cartoon with rapidly diverging subgenres of the art in the graphic novel and animation, and applications on social media. Interviews with bold and successful cartoonists provide insights into their work, their humor, and the dilemmas they face. This book will delight and inform readers from all backgrounds, providing a highly readable and visual introduction to key cartoonists and styles, as well as critical engagement with current themes to show where African political cartooning is going and why.
 
[more]
cover of Taking Books to the World: American Publishers and the Cultural Cold War

Taking Books to the World

American Publishers and the Cultural Cold War

Amanda Laugesen

University of Massachusetts Press, 2017

Franklin Publications, or Franklin Book Programs, was started in 1952 as a form of cultural diplomacy. Until it folded in the 1970s, Franklin translated, printed, and distributed American books around the world, with offices in Egypt, Indonesia, Iran, Nigeria, Afghanistan, and Pakistan. Although it was a private firm, Franklin received funding from the United States Information Agency. This was an ambitious and idealistic postwar effort that ultimately became the victim of shifting politics.

In Taking Books to the World, Amanda Laugesen tells the story of this purposeful enterprise, demonstrating the mix of goodwill and political drive behind its efforts to create modern book industries in developing countries. Examining the project through a clarifying lens, she reveals the ways Franklin's work aligned with cultural currents, exposing the imperial beliefs, charitable hopes, and intellectual reasoning behind this global experiment.
[more]
cover of Taking Charge: Native American Self-Determination and Federal Indian Policy, 1975–1993

Taking Charge

Native American Self-Determination and Federal Indian Policy, 1975–1993

George Pierre Castile

University of Arizona Press, 2006

The Indian Self-Determination Act of 1975 sought to restore self-government to peoples whose community affairs had long been administered by outsiders. This book explores whether that bold ambition was actually realized. Taking Charge is a sequel to the author’s landmark work To Show Heart, which examined Indian policy through 1975. George Castile now explores federal Indian policy in the Carter, Reagan, and first Bush administrations, tracing developments triggered by executive and congressional action—or inaction—and focusing on the dynamics of self-determination as both policy objective and byword in the wake of the landmark 1975 legislation. Drawing on unpublished presidential papers and other archival sources, Castile chronicles the efforts of three presidents to uphold Richard Nixon’s commitment to policy change, weighing such issues as the impact of Reaganomics and the advent of Indian gaming. He examines the marginalizing of Indian policy in both the executive and legislative branches in the face of larger issues, as well as the recurring tendency of policy to be driven by a single determined individual, such as South Dakota senator James Abourezk. Although self-determination is roundly advocated by all concerned with federal Indian policy, until now no book has provided a grasp of both its background and its implications. Taking Charge is an essential contribution to the critical study of that policy that allows a better understanding of contemporary Indian affairs.
[more]
cover of Taking Christianity to China: Alabama Missionaries in the Middle Kingdom, 1850–1950

Taking Christianity to China

Alabama Missionaries in the Middle Kingdom, 1850–1950

Wayne Flynt and Gerald W. Berkley

University of Alabama Press, 2017

A study of faith, cultural exchange, and the Alabama missionaries who helped shape the story of Christianity in modern China.

Beginning early in the 19th century, the American missionary movement made slow headway in China. Alabamians became part of that small beachhead. After 1900 both the money and personnel rapidly expanded, peaking in the early 1920s. By the 1930s many American denominations became confused and divided over the appropriateness of the missionary endeavor. Secular American intellectuals began to criticize missionaries as meddling do-gooders trying to impose American Evangelicalism on a proud, ancient culture.

By examining the lives of 47 Alabama missionaries who served in China between 1850 and 1950, Flynt and Berkley reach a different conclusion. Although Alabama missionaries initially fit the negative description of Americans trying to superimpose their own values and beliefs on "heathen," they quickly learned to respect Chinese civilization. The result was a new synthesis, neither entirely southern nor entirely Chinese. Although previous works focus on the failure of Christianity to change China, this book focuses on the degree to which their service in China changed Alabama missionaries. And the change was profound.

In their consideration of 47 missionaries from a single state--their call to missions, preparation for service in China, living, working, contacts back home, cultural clashes, political views, internal conflicts, and gender relations--the authors suggest that the efforts by Baptist, Methodist, and Presbyterian missionaries from Alabama were not the failure judged by many historians. In fact, the seeds sown in the hundred years before the Communist revolution in 1950 seem to be reaping a rich harvest in the declining years of the 20th century, when the number of Chinese Christians is estimated by some to be as high as one hundred million.
 

[more]
cover of Taking Drugs in the Sun King’s Reign

Taking Drugs in the Sun King’s Reign

E. C. Spary

University of Chicago Press, 2027

The first full-length history of drugs during the first French Empire.

Taking Drugs in the Sun King’s Reign is the story of how the French came to know and consume new non-European plants between 1660 and 1730, a period during which many exotic substances—like coffee, tea, cinchona bark, chocolate, and ipecacuanha—became everyday commodities. E. C. Spary treats the trajectories of these drugs as fragile complexes, made and remade by every exchange. Her book addresses well-known cases, but also drugs that never became popular in France, such as betel. 

Taking Drugs is divided into three parts. The first offers a rich depiction of the world of drug-taking and drug-selling in Paris and Versailles at the outset of Louis XIV’s personal reign. The second explores features of monarchical power which explain the “drugs rush” of this period. Finally, the third offers an in-depth look at how priorities for the capture of exotic plant drugs changed within the royal naval administration. It asks how, under the conditions of early modern empires, information about drugs could be made or made trustworthy, who made it, and how it traveled. Spary shows how, over time, drugs transitioned from being natural bodies imbued with mysterious virtues to becoming calculable, replicable sources of profit. Her approach allows for new insights into how political and economic power transformed between the reigns of Louis XIV and his successor, Louis XV.

[more]
cover of Taking Flight: A History of Birds and People in the Heart of America

Taking Flight

A History of Birds and People in the Heart of America

Michael Edmonds

Wisconsin Historical Society Press, 2018

A dynamic account of ornithological history in America’s heartland.    

Today, more than fifty million Americans traipse through wetlands at dawn, endure clouds of mosquitoes, and brave freezing autumn winds just to catch a glimpse of a bird. The human desire to connect with winged creatures defies age and generation. In the Midwest, humans and birds have lived together for more than twelve thousand years. Taking Flight explores how and why people have worshipped, feared, studied, hunted, eaten, and protected the birds that surrounded them.

Author and birder Michael Edmonds has combed archaeological reports, missionaries’ journals, travelers’ letters, early scientific treatises, the memoirs of American Indian elders, and the folklore of hunters, farmers, and formerly enslaved people throughout the Midwest to reveal how our ancestors thought about the very same birds we see today. Whether you’re a casual bird-watcher, a hard-core life-lister, or simply someone who loves the outdoors, you’ll look at birds differently after reading this book.
 
[more]
cover of Taking History to Heart: The Power of the Past in Building Social Movements

Taking History to Heart

The Power of the Past in Building Social Movements

James Green

University of Massachusetts Press, 2000

Deftly blending autobiography and history, James Green here reflects on thirty years as an activist, educator, and historian. He recounts how he became deeply immersed in political protest and in recovering and preserving the history of progressive social movements, and how the two are linked. His book, written in an engaging and accessible style, tells powerful stories of people in struggle, framed by the personal account of his own development. As a historian, Green gives voice to generations of Americans who banded together to fight for social justice. His subjects range from the martyrs of the Haymarket tragedy to the Bread and Roses strikers of 1912, from depression-era struggles for democracy to the civil rights crusaders, from recent Rainbow Coalition campaigns to the latest union organizing drives. As an activist, Green describes how his participation in the civil rights and labor movements of our own time has transformed his life, first as a student and radical scholar in the 1960s, then as a public historian and teacher of working-class students. He also describes his efforts to break free from academic confinement and “tell movement stories in public,” in an attempt to offer hope and counsel to those still fighting for equality and fairness. He concludes with a revealing look at how awareness of past social activism has contributed to the revival of the labor movement during the last ten years, an effort in which Green has been vigorously engaged.

[more]
cover of Taking Leave, Taking Liberties: American Troops on the World War II Home Front

Taking Leave, Taking Liberties

American Troops on the World War II Home Front

Aaron Hiltner

University of Chicago Press, 2020

American soldiers overseas during World War II were famously said to be “overpaid, oversexed, and over here.” But the assaults, rapes, and other brutal acts didn’t only happen elsewhere, far away from a home front depicted as safe and unscathed by the “good war.” To the contrary, millions of American and Allied troops regularly poured into ports like New York and Los Angeles while on leave. Euphemistically called “friendly invasions,” these crowds of men then forced civilians to contend with the same kinds of crime and sexual assault unfolding in places like Britain, France, and Australia.

With unsettling clarity, Aaron Hiltner reveals what American troops really did on the home front. While GIs are imagined to have spent much of the war in Europe or the Pacific, before the run-up to D-Day in the spring of 1944 as many as 75% of soldiers were stationed in US port cities, including more than three million who moved through New York City. In these cities, largely uncontrolled soldiers sought and found alcohol and sex, and the civilians living there—women in particular—were not safe from the violence fomented by these de facto occupying armies. Troops brought their pocketbooks and demand for “dangerous fun” to both red-light districts and city centers, creating a new geography of vice that challenged local police, politicians, and civilians. Military authorities, focused above all else on the war effort, invoked written and unwritten legal codes to grant troops near immunity to civil policing and prosecution.

The dangerous reality of life on the home front was well known at the time—even if it has subsequently been buried beneath nostalgia for the “greatest generation.” Drawing on previously unseen military archival records, Hiltner recovers a mostly forgotten chapter of World War II history, demonstrating that the war’s ill effects were felt all over—including by those supposedly safe back home.
 
[more]
cover of Taking Liberties: Gender, Transgressive Patriotism, and Polish Drama, 1786–1989

Taking Liberties

Gender, Transgressive Patriotism, and Polish Drama, 1786–1989

Halina Filipowicz

Ohio University Press, 2014

As narrow, nationalist views of patriotic allegiance have become widespread and are routinely invoked to justify everything from flag-waving triumphalism to xenophobic bigotry, the concept of a nonnationalist patriotism has vanished from public conversation. Taking Liberties is a study of what may be called patriotism without borders: a nonnational form of loyalty compatible with the universal principles and practices of democracy and human rights, respectful of ethnic and cultural diversity, and, overall, open-minded and inclusive.

Moving beyond a traditional study of Polish dramatic literature, Halina Filipowicz turns to the plays themselves and to archival materials, ranging from parliamentary speeches to polemical pamphlets and verse broadsides, to explore the cultural phenomenon of transgressive patriotism and its implications for society in the twenty-first century.

In addition to recovering lost or forgotten materials, the author builds an innovative conceptual and methodological framework to make sense of those materials. The result is not only a significant contribution to the debate over the meaning and practice of patriotism, but a masterful intellectual history.

[more]
cover of Taking Off the White Gloves: Southern Women and Women Historians

Taking Off the White Gloves

Southern Women and Women Historians

Edited & Intro by Michele Gillespie & Catherine Clinton

University of Missouri Press, 1998

When southern women remove their gloves, they speak their minds. The ten timely and provocative essays in Taking Off the White Gloves represent the collective wisdom of some of the finest scholars on women's history in the American South. On the eve of the thirtieth anniversary of the Southern Association for Women Historians, this volume brings together some of the outstanding lectures delivered by distinguished members of the association over the past fifteen years.

Spanning four centuries of women's experiences in the South, the topics featured in Taking Off the White Gloves range from Native American sexuality and European conquest to woman suffrage in the South, from black women's protest history to the status of women in the historical profession at the end of the twentieth century.

Despite diverse subject matter, these rich essays share a number of important qualities. They take an integrative approach, combining literary analysis, social history, cultural interpretation, labor history, popular culture, and oral history. Embracing the distinctiveness of the southern past and women's experiences within that past, they also recognize the inextricability of critical categories such as sexuality and gender, race and gender, and women and work. Finally, these essays emphasize the authors' commitment to the belief that the personal is political; they reveal the subtle and not so subtle ways that women transform theory into practice.

Taking Off the White Gloves invites a new understanding of the complexities that surround the history of southern women across race, class, place, and time. A model of innovative and imaginative scholarly historical writing, this book provides fertile ground for young scholars and is sure to inspire new research. This thought- provoking volume has much to offer scholars and students, as well as the general reader.

[more]
cover of Taking Part: A Twentieth-Century Life

Taking Part

A Twentieth-Century Life

Robert Josephy

University of Iowa Press, 1993

[more]
cover of Taking Possession: The Politics of Memory in a St. Louis Town House

Taking Possession

The Politics of Memory in a St. Louis Town House

Heidi Aronson Kolk

University of Massachusetts Press, 2019

West of downtown St. Louis sits an 1851 town house that bears no obvious relationship to the monumental architecture, trendy condominiums, and sports stadia of its surroundings. Originally the residence of a fur-trade tycoon and now the Campbell House Museum, the house has been subject to energetic preservation and heritage work for some 130 years.

In Taking Possession, Heidi Aronson Kolk explores the complex and sometimes contradictory motivations for safeguarding the house as a site of public memory. Crafting narratives about the past that comforted business elites and white middle-class patrons, museum promoters assuaged concerns about the city's most pressing problems, including racial and economic inequality, segregation and privatization, and the legacies of violence for which St. Louis has been known since Ferguson. Kolk's case study illuminates the processes by which civic pride and cultural solidarity have been manufactured in a fragmented and turbulent city, showing how closely linked are acts of memory and forgetting, nostalgia and shame.
[more]
cover of Taking Sides in Revolutionary New Jersey: Caught in the Crossfire

Taking Sides in Revolutionary New Jersey

Caught in the Crossfire

Maxine N. Lurie

Rutgers University Press, 2022

The American Revolution in New Jersey lasted eight long years, during which many were caught in the middle of a vicious civil war. Residents living in an active war zone took stands that varied from “Loyalist” to “Patriot” to neutral and/or "trimmer" (those who changed sides for a variety of reasons). Men and women, Blacks and whites, Native Americans, and those from a wide variety of ethnic backgrounds, with different religious affiliations all found themselves in this difficult middle ground. When taking sides, sometimes family was important, sometimes religion, or political principles; the course of the war and location also mattered. Lurie analyzes the difficulties faced by prisoners of war, the refugees produced by the conflict, and those Loyalists who remained, left as exiles, or surprisingly later returned. Their stories are interesting, often dramatic, and include examples of those literally caught in the crossfire. They illustrate the ways in which this was an extremely difficult time and place to live. In the end more of the war was fought in New Jersey than elsewhere, resulting in the highest number of casualties, and a great deal of physical damage. The costs were high no matter what side individuals took. Taking Sides uses numerous brief biographies to illustrate the American Revolution’s complexity; it quotes from documents, pamphlets, diaries, letters, and poetry, a variety of sources to provide insight into the thoughts and reactions of those living through it all. It focuses on people rather than battles and provides perspective for the difficult choices we make in our own times.

Supplemental Instructor Resources for Taking Sides in Revolutionary New Jersey:
Questions (https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2022/07/19144155/Taking-Sides-Supplementary-Instructor-Resources-Questions.pdf)
Bibliography (https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2022/07/19144154/Taking-Sides-Supplementary-Instructor-Resources-Bibliography.pdf)
[more]
cover of Taking Trade to the Streets: The Lost History of Public Efforts to Shape Globalization

Taking Trade to the Streets

The Lost History of Public Efforts to Shape Globalization

Susan Ariel Aaronson

University of Michigan Press, 2002

In the wake of civil protest in Seattle during the 1999 World Trade Organization meeting, many issues raised by globalization and increasingly free trade have been in the forefront of the news. But these issues are not necessarily new. Taking Trade to the Streets describes how so many individuals and nongovernmental organizations came over time to see trade agreements as threatening national systems of social and environmental regulations. Using the United States as a case study, Susan Ariel Aaronson examines the history of trade agreement critics, focusing particular attention on NAFTA (the North American Free Trade Agreement between Canada, Mexico, and the United States) and the Tokyo and Uruguay Rounds of trade liberalization under the GATT. She also considers the question of whether such trade agreement critics are truly protectionist.
The book explores how trade agreement critics built a fluid global movement to redefine the terms of trade agreements (the international system of rules governing trade) and to redefine how citizens talk about trade. (The "terms of trade" is a relationship between the prices of exports and of imports.) That movement, which has been growing since the 1980s, transcends borders as well as longstanding views about the role of government in the economy. While many trade agreement critics on the left say they want government policies to make markets more equitable, they find themselves allied with activists on the right who want to reduce the role of government in the economy.
Aaronson highlights three hot-button social issues--food safety, the environment, and labor standards--to illustrate how conflicts arise between trade and other types of regulation. And finally she calls for a careful evaluation of the terms of trade from which an honest debate over regulating the global economy might emerge.
Ultimately, this book links the history of trade policy to the history of social regulation. It is a social, political, and economic history that will be of interest to policymakers and students of history, economics, political science, government, trade, sociology, and international affairs.
Susan Ariel Aaronson is Senior Fellow at the National Policy Institute and occasional commentator on National Public Radio's "Morning Edition."
[more]
cover of Taking the Land to Make the City: A Bicoastal History of North America

Taking the Land to Make the City

A Bicoastal History of North America

By Mary P. Ryan

University of Texas Press, 2019

The history of the United States is often told as a movement westward, beginning at the Atlantic coast and following farmers across the continent. But cities played an equally important role in the country’s formation. Towns sprung up along the Pacific as well as the Atlantic, as Spaniards and Englishmen took Indian land and converted it into private property. In this reworking of early American history, Mary P. Ryan shows how cities—specifically San Francisco and Baltimore—were essential parties to the creation of the republics of the United States and Mexico.

Baltimore and San Francisco share common roots as early trading centers whose coastal locations immersed them in an international circulation of goods and ideas. Ryan traces their beginnings back to the first human habitation of each area, showing how the juggernaut toward capitalism and nation-building could not commence until Europeans had taken the land for city building. She then recounts how Mexican ayuntamientos and Anglo American city councils pioneered a prescient form of municipal sovereignty that served as both a crucible for democracy and a handmaid of capitalism. Moving into the nineteenth century, Ryan shows how the citizens of Baltimore and San Francisco molded landscape forms associated with the modern city: the gridded downtown, rudimentary streetcar suburbs, and outlying great parks. This history culminates in the era of the Civil War when the economic engines of cities helped forge the East and the West into one nation.

[more]