133 books match the query 'Vietnam War, 1961-1975' and 23 start with t

cover of The Apathy of Empire: Cambodia in American Geopolitics

The Apathy of Empire

Cambodia in American Geopolitics

James A. Tyner

University of Minnesota Press, 2024

What America’s intervention in Cambodia during the Vietnam War reveals about Cold War–era U.S. national security strategy
 

The Apathy of Empire reveals just how significant Cambodia was to U.S. policy in Indochina during the Vietnam War, broadening the lens to include more than the often-cited incursion in 1970 or the illegal bombing after the Paris Peace Accords in 1973. This theoretically informed and thoroughly documented case study argues that U.S. military intervention in Cambodia revealed America’s efforts to construct a hegemonic spatial world order. 

 

James Tyner documents the shift of America’s post-1945 focus from national defense to national security. He demonstrates that America’s expansionist policies abroad, often bolstered by military power, were not so much about occupying territory but instead constituted the construction of a new normal for the exercise of state power. During the Cold War, Vietnam became the geopolitical lodestar of this unfolding spatial order. And yet America’s grand strategy was one of contradiction: to build a sovereign state (South Vietnam) based on democratic liberalism, it was necessary to protect its boundaries—in effect, to isolate it—through both covert and overt operations in violation of Cambodia’s sovereignty. The latter was deemed necessary for the former. 

 

Questioning reductionist geopolitical understandings of states as central or peripheral, Tyner explores this paradox to rethink the formulation of the Cambodian war as sideshow, revealing it instead as a crucial site for the formation of this new normal.

 

 

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cover of The Big Buddha Bicycle Race: A Novel

The Big Buddha Bicycle Race

A Novel

Terence A. Harkin

Ohio University Press, 2017

Silver Medalist in Literary Fiction, 2020 Military Writers Society of America Awards

Brendan Leary, assigned to an Air Force photo squadron an hour from L.A., thinks he has it made. But when the U.S. invades Cambodia and he joins his buddies who march in protest, he is shipped off to an obscure air base in upcountry Thailand. There, he finds himself flying at night over the Ho Chi Minh Trail in a secret war that turns the mountains of Laos into a napalm-scorched moonscape. As the emotional vise tightens, his moral fiber crumbles and he sinks ever deeper into a netherworld of drugs, sex, and booze.

When a visit by Nixon looms, Brendan dreams up an all-squadron bicycle race to build morale, win hearts and minds in rural Thailand, and make him and his underpaid buddies a pile of money. The Big Buddha Bicycle Race is a last gasp of hope that turns into a unifying adventure—until the stakes turn out to be far higher than anyone imagined.

The Big Buddha Bicycle Race is a new take on the Vietnam War. A caper on the surface, it is also a tribute to the complex culture and history of Southeast Asia and a sober remembrance of those groups who have been erased from American history—the brash active-duty soldiers who risked prison by taking part in the GI antiwar movement, the gutsy air commandos who risked death night after night flying over the Ho Chi Minh Trail, and the people of Laos, whose lives and land were devastated in ways that have yet to be fully acknowledged in Western accounts of the war.

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cover of The Bridges of Vietnam: From the Journals of a U.S. Marine Intelligence Officer

The Bridges of Vietnam

From the Journals of a U.S. Marine Intelligence Officer

Fred L. Edwards Jr.

University of North Texas Press, 2000

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cover of The Mourner's Song: War and Remembrance from the Iliad to Vietnam

The Mourner's Song

War and Remembrance from the Iliad to Vietnam

James Tatum

University of Chicago Press, 2002

No matter when or where they are fought, all wars have one thing in common: a relentless progression to monuments and memorials for the dead. Likewise all art made from war begins and ends in mourning and remembrance. In The Mourner's Song, James Tatum offers incisive discussions of physical and literary memorials constructed in the wake of war, from the Vietnam Veterans Memorial to the writings of Stephen Crane, Edmund Wilson, Tim O'Brien, and Robert Lowell.

Tatum's touchstone throughout is the Iliad, not just one of the earliest war poems, but also one of the most powerful examples of the way poetry can be a tribute to and consolation for what is lost in war. Reading the Iliad alongside later works inspired by war, Tatum reveals how the forms and processes of art convert mourning to memorial. He examines the role of remembrance and the distance from war it requires; the significance of landscape in memorialization; the artifacts of war that fire the imagination; the intimate relationship between war and love and its effects on the ferocity with which soldiers wage battle; and finally, the idea of memorialization itself. Because all survivors suffer the losses of war, Tatum's is a story of both victims and victors, commanders and soldiers, women and men. Photographs of war memorials in Vietnam, France, and the United States beautifully augment his testimonials.

Eloquent and deeply moving, The Mourner's Song will speak to anyone interested in the literature of war and the relevance of the classics to our most pressing contemporary needs.
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cover of The Myth of the Addicted Army: Vietnam and the Modern War on Drugs

The Myth of the Addicted Army

Vietnam and the Modern War on Drugs

Jeremy Kuzmarov

University of Massachusetts Press, 2009

The image of the drug-addicted American soldier—disheveled, glassy-eyed, his uniform adorned with slogans of antiwar dissent—has long been associated with the Vietnam War. More specifically, it has persisted as an explanation for the U.S. defeat, the symbol of a demoralized army incapable of carrying out its military mission. 

Yet as Jeremy Kuzmarov documents in this deeply researched book, popular assumptions about drug use in Vietnam are based more on myth than fact. Not only was alcohol the intoxicant of choice for most GIs, but the prevalence of other drugs varied enormously. Although marijuana use among troops increased over the course of the war, for the most part it remained confined to rear areas, and the use of highly addictive drugs like heroin was never as widespread as many imagined.

Like other cultural myths that emerged from the war, the concept of an addicted army was first advanced by war hawks seeking a scapegoat for the failure of U.S. policies in Vietnam, in this case one that could be linked to “permissive” liberal social policies and the excesses of the counterculture. But conservatives were not alone. Ironically, Kuzmarov shows, elements of the antiwar movement also promoted the myth, largely because of a presumed alliance between Asian drug traffickers and the Central Intelligence Agency. While this claim was not without foundation, as new archival evidence confirms, the left exaggerated the scope of addiction for its own political purposes.

Exploiting bipartisan concern over the perceived “drug crisis,” the Nixon administration in the early 1970s launched a bold new program of federal antidrug measures, especially in the international realm. Initially, the “War on Drugs” helped divert attention away from the failed quest for “peace with honor” in Southeast Asia. But once institutionalized, it continued to influence political discourse as well as U.S. drug policy in the decades that followed.

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cover of The New Winter Soldiers: GI and Veteran Dissent During the Vietnam Era

The New Winter Soldiers

GI and Veteran Dissent During the Vietnam Era

Moser, Richard

Rutgers University Press, 1996

Richard Moser uses interviews and personal stories of Vietnam veterans to offer a fundamentally new interpretation of the Vietnam War and the antiwar movement. Although the Vietnam War was the most important conflict of recent American history, its decisive battle was not fought in the jungles of Vietnam, or even in the streets of the United States, but rather in the hearts and minds of American soldiers. To a degree unprecedented in American history, soldiers and veterans acted to oppose the very war they waged. Tens of thousands of soldiers and veterans engaged in desperate conflicts with their superiors and opposed the war through peaceful protest, creating a mass movement of dissident organizations and underground newspapers.

Moser shows how the antiwar soldiers lived out the long tradition of the citizen soldier first created in the American Revolution and Civil War. Unlike those great upheavals of the past, the Vietnam War offered no way to fulfill the citizen-soldier's struggle for freedom and justice. Rather than abandoning such ideals, however, tens of thousands abandoned the war effort and instead fulfilled their heroic expectations in the movements for peace and justice. According to Moser, this transformation of warriors into peacemakers is the most important recent development of our military culture.

The struggle for peace took these new winter soldiers into America rather than away from it. Collectively these men and women discovered the continuing potential of American culture to advance the values of freedom, equality, and justice on which the nation was founded.

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cover of The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era

The Oriental Obscene

Violence and Racial Fantasies in the Vietnam Era

Sylvia Shin Huey Chong

Duke University Press, 2011

The Oriental Obscene is a sophisticated analysis of Americans’ reactions to visual representations of the Vietnam War, such as the photograph of the “napalm girl,” news footage of the Tet Offensive, and feature films from The Deer Hunter to Rambo: First Blood Part II. Sylvia Shin Huey Chong combines psychoanalytic and film theories with U.S. cultural history to explain what she terms the oriental obscene: racialized fantasies that Americans derived largely from images of Asians as the perpetrators or victims of extreme violence. Chong contends that these fantasies helped Americans to process the trauma of the Vietnam War, as well as the growth of the Asian American population after the Immigration and Nationality Act of 1965 and the postwar immigration of Southeast Asian refugees. The oriental obscene animated a wide range of political narratives, not only the movements for and against the war, but causes as diverse as the Black Power movement, law-and-order conservatism, second-wave feminism, and the nascent Asian American movement. During the Vietnam era, pictures of Asian bodies were used to make sense of race, violence, and America’s identity at home and abroad.
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cover of The Other Side of Grief: The Home Front and the Aftermath in American Narratives of the Vietnam War

The Other Side of Grief

The Home Front and the Aftermath in American Narratives of the Vietnam War

Maureen Ryan

University of Massachusetts Press, 2008

The lingering aftereffects of the Vietnam War resonate to this day throughout American society: in foreign policy, in attitudes about the military and war generally, and in the contemporary lives of members of the so-called baby boom generation who came of age during the 1960s and early 1970s. While the best-known personal accounts of the war tend to center on the experience of combat, Maureen Ryan's The Other Side of Grief examines the often overlooked narratives—novels, short stories, memoirs, and films—that document the war's impact on the home front. 

In analyzing the accounts of Vietnam veterans, women as well as men, Ryan focuses on the process of readjustment, on how the war continued to insinuate itself into their lives, their families, and their communities long after they returned home. She looks at the writings of women whose husbands, lovers, brothers, and sons served in Vietnam and whose own lives were transformed as a result. She also appraises the experiences of the POWs who came to be embraced as the war's only heroes; the ordeal of Vietnamese refugees who fled their “American War” to new lives in the United States; and the influential movement created by those who committed themselves to protesting the war. 

The end result of Ryan's investigations is a cogent synthesis of the vast narrative literature generated by the Vietnam War and its aftermath. Together those stories powerfully demonstrate how deeply the legacies of the war penetrated American culture and continue to reverberate still.

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cover of The Other Side of Heaven: Post-War Fiction by Vietnamese and American Writers

The Other Side of Heaven

Post-War Fiction by Vietnamese and American Writers

Edited by Wayne Karlin, Le Minh Khue, and Truong Vu

Northwestern University Press, 1995

These stories represent the "second wave" of fiction—works about the aftermath of the Vietnam conflict as it moved into both countries, touching and forever changing not only the veterans, but also their families and their societies. Contributors include John Edgar Wideman, Larry Brown, Robert Olen Butler, Philip Caputo, Bobbie Ann Mason, Ngo Tu Lap, Tim O'Brien, and others.
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cover of The Phantom Vietnam War: An F-4 Pilot's Combat over Laos

The Phantom Vietnam War

An F-4 Pilot's Combat over Laos

David R. Honodel

University of North Texas Press, 2018

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cover of The Pro-War Movement: Domestic Support for the Vietnam War and the Making of Modern American Conservatism

The Pro-War Movement

Domestic Support for the Vietnam War and the Making of Modern American Conservatism

Sandra Scanlon

University of Massachusetts Press, 2013

In the vast literature on the Vietnam War, much has been written about the antiwar movement and its influence on U.S. policy and politics. In this book, Sandra Scanlon shifts attention to those Americans who supported the war and explores the war's impact on the burgeoning conservative political movement of the 1960s and early 1970s.

Believing the Vietnam War to be a just and necessary cause, the pro-war movement pushed for more direct American military intervention in Southeast Asia throughout the Kennedy administration, lobbied for intensified bombing during the Johnson years, and offered coherent, if divided, endorsements of Nixon's policies of phased withdrawal. Although its political wing was dominated by individuals and organizations associated with Barry Goldwater's presidential bids, the movement incorporated a broad range of interests and groups united by a shared antipathy to the New Deal order and liberal Cold War ideology.

Appealing to patriotism, conservative leaders initially rallied popular support in favor of total victory and later endorsed Nixon's call for “peace with honor.” Yet as the war dragged on with no clear end in sight, internal divisions eroded the confidence of pro-war conservatives in achieving their aims and forced them to reevaluate the political viability of their hardline Cold War rhetoric. Conservatives still managed to make use of grassroots patriotic campaigns to marshal support for the war, particularly among white ethnic workers opposed to the antiwar movement. Yet in so doing, Scanlon concludes, they altered the nature and direction of the conservative agenda in both foreign and domestic policy for years to come.

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cover of The Remains of War: Bodies, Politics, and the Search for American Soldiers Unaccounted For in Southeast Asia

The Remains of War

Bodies, Politics, and the Search for American Soldiers Unaccounted For in Southeast Asia

Thomas M. Hawley

Duke University Press, 2005

The ongoing effort of the United States to account for its missing Vietnam War soldiers is unique. The United States requires the repatriation and positive identification of soldiers’ bodies to remove their names from the list of the missing. This quest for certainty in the form of the material, identified body marks a dramatic change from previous wars, in which circumstantial evidence often sufficed to account for missing casualties. In The Remains of War, Thomas M. Hawley considers why the body of the missing soldier came to assume such significance in the wake of the Vietnam War. Illuminating the relationship between the effort to account for missing troops and the political and cultural forces of the post-Vietnam era, Hawley argues that the body became the repository of the ambiguities and anxieties surrounding the U.S. involvement and defeat in Southeast Asia.

Hawley combines the theoretical insights of Judith Butler, Michel Foucault, and Emmanuel Levinas with detailed research into the history of the movement to recover the remains of soldiers missing in Vietnam. He examines the practices that constitute the Defense Department’s accounting protocol: the archival research, archaeological excavation, and forensic identification of recovered remains. He considers the role of the American public and the families of missing soldiers in demanding the release of pows and encouraging the recovery of the missing; the place of the body of the Vietnam veteran within the war’s legacy; and the ways that memorials link individual bodies to the body politic. Highlighting the contradictions inherent in the recovery effort, Hawley reflects on the ethical implications of the massive endeavor of the American government and many officials in Vietnam to account for the remains of American soldiers.

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cover of The Spy Who Loved Us: The Vietnam War and Pham Xuan An's Dangerous Game

The Spy Who Loved Us

The Vietnam War and Pham Xuan An's Dangerous Game

Thomas A. Bass

University of Massachusetts Press, 2018

Pham Xuan An was one of the twentieth century's greatest spies. While working as a correspondent for Time during the Vietnam War, he sent intelligence reports—written in invisible ink or hidden inside spring rolls in film canisters—to Ho Chi Minh and his generals in North Vietnam.

Only after Saigon fell in 1975 did An's colleagues learn that the affable raconteur in their midst, acclaimed as "dean of the Vietnamese press corps," was actually a general in the North Vietnamese Army. In recognition of his tradecraft and his ability to spin military losses—such as the Têt Offensive of 1968—­into psychological gains, An was awarded sixteen military medals.

After the book's original publication, WikiLeaks revealed that Thomas A. Bass's account of An's career was distributed to CIA agents as a primer in espionage. Now available in paper with a new preface, An's story remains one of the most gripping to emerge from the era.
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cover of The Twenty-five Year Century: A South Vietnamese General Remembers the Indochina War to the Fall of Saigon

The Twenty-five Year Century

A South Vietnamese General Remembers the Indochina War to the Fall of Saigon

Quang Thi Lam

University of North Texas Press, 2001

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cover of The Viet Nam War/The American War: Images and Representations in Euro-American and Vietnamese Exile Narratives

The Viet Nam War/The American War

Images and Representations in Euro-American and Vietnamese Exile Narratives

Renny Christopher

University of Massachusetts Press, 1995

This book seeks to reformulate the canon of writings on what is called “the Viet Nam War” in America and “the American War” in Viet Nam. Until recently, the accepted canon has consisted almost exclusively of American white male combat narratives, which often reflect and perpetuate Asian stereotypes. Renny Christopher introduces material that displays a bicultural perspective, including works by Vietnamese exile writers and by lesser-known Euro-Americans who attempt to bridge the cultural gap.

Christopher traces the history of American stereotyping of Asians and shows how Euro-American ethnocentricity has limited most American authors' ability to represent fairly the Vietnamese in their stories. By giving us access to Vietnamese representations of the war, she creates a context for understanding the way the war was experienced from the “other” side, and she offers perceptive, well-documented analyses of how and why Americans have so emphatically excised the Vietnamese from narratives about a war fought in their own country.

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cover of The Vietnamese American 1.5 Generation: Stories of War, Revolution, Flight and New Beginnings

The Vietnamese American 1.5 Generation

Stories of War, Revolution, Flight and New Beginnings

edited by Sucheng Chan

Temple University Press, 2006

The conflict that Americans call the "Vietnam War" was only one of many incursions into Vietnam by foreign powers. However, it has had a profound effect on the Vietnamese people who left their homeland in the years following the fall of Saigon in 1975. Collected here are fifteen first-person narratives written by refugees who left Vietnam as children and later enrolled as students at the University of California, where they studied with the well-known scholar and teacher Sucheng Chan. She has provided a comprehensive introduction to their autobiographical accounts, which succinctly encompasses more than a thousand years of Vietnamese history. The volume concludes with a thorough bibliography and videography compiled by the editor.While the volume is designed specifically for today's college students, its compelling stories and useful history will appeal to all readers who want to know more about Vietnam and especially about the fates of children who emigrated to the U.S.
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cover of The Weekly War: Newsmagazines and Vietnam

The Weekly War

Newsmagazines and Vietnam

James Landers

University of Missouri Press, 2004

In The Weekly War, James Landers provides the first in-depth investigation of how the three major newsmagazines—Newsweek, Time, and U.S. News & World Report—covered the Vietnam War and the impact their coverage had on the American public, presidents, and policymakers. From March 1965 through January 1973 these magazines reached nearly one-third of adult Americans—second only to news programs on network television. Despite the popular impression that this was primarily a “television war,” the newsmagazines played a prominent role in informing the public about warfare and war policy.
While television reporting provided a here-and-now version of events, these magazines published articles that combined on-the-scene coverage with analysis and commentary. Because these publications worked on a more leisurely weekly deadline as opposed to the daily deadlines of television or newspapers, they were able to provide distinct perspectives on the week’s events, along with factual material. The writing was typically more vivid and detailed than that of newspapers, and the occasional use of color photographs contributed to the impact of the stories.
Each magazine had its own niche and distinct editorial style: Newsweek provided a mainstream liberal perspective, while Time took a more conservative viewpoint and U.S. News & World Report had an ultraconservative outlook. The editors of each magazine aimed to reach like-minded readers, knowing full well that a reader who disliked one magazine could simply switch to another. Landers demonstrates how public-opinion shifts during the war forced the newsmagazines, especially Time, to change too.
This book reflects a thorough examination of roughly nine hundred articles on the Vietnam War published by the three major newsmagazines. Landers also gathered documents from the Lyndon Baines Johnson Library and Richard M. Nixon Presidential Materials Project to reveal the attention paid to the newsmagazines by presidents and policymakers and their attempts to influence or manipulate coverage.
In addition to making a major contribution to the history of print journalism, The Weekly War complements scholarship on television news coverage of the Vietnam War. This volume will appeal to students and teachers of history and journalism, as well as the general reader interested in a unique view of the Vietnam War.
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cover of This Is All I Choose to Tell: History and Hybridity in Vietnamese American Literature

This Is All I Choose to Tell

History and Hybridity in Vietnamese American Literature

Authored by Isabelle T. Pelaud

Temple University Press, 2010

In the first book-length study of Vietnamese American literature, Isabelle Thuy Pelaud probes the complexities of Vietnamese American identity and politics. She provides an analytical introduction to the literature, showing how generational differences play out in genre and text. In addition, she asks, can the term Vietnamese American be disassociated from representations of the war without erasing its legacy?

Pelaud delineates the historical, social, and cultural terrains of the writing as well as the critical receptions and responses to them. She moves beyond the common focus on the Vietnam war to develop an interpretive framework that integrates post-colonialism with the multi-generational refugee, immigrant, and transnational experiences at the center of Vietnamese American narratives.

Her readings of key works, such as Andrew Pham's Catfish and Mandala and Lan Cao's Monkey Bridge show how trauma, racism, class and gender play a role in shaping the identities of Vietnamese American characters and narrators.

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cover of This Is a True War Story: My Improbable History with Vietnam

This Is a True War Story

My Improbable History with Vietnam

Robert K. Brigham

University of Chicago Press, 2026

A personal account by a war historian and adoptee who discovers his biological father was a famous Marine combat photographer in Vietnam.
 
Robert K. Brigham has had a substantial career as a historian of the Vietnam War, with a hand in nine books, a documentary, public history projects, and more. While many a historian has felt compelled at some point to write about a subject close to them personally, Brigham did not think he was doing that. But, at age fifty-eight, Brigham, who had long known he was adopted, discovered that he’d improbably and unknowingly been studying and talking about his biological father for decades. That man, Bruce Atwell, was a Marine Corps photographer who took some of that war’s most indelible and widely reproduced pictures. Brigham had used those images over and over again in decades’ worth of classes and public lectures, never knowing the truth.
 
Both Brigham and Atwell were products of the American foster care and adoption system, and both were defined professionally by Vietnam. In a story shot through with echoes and shadows, Brigham not only reveals his own history as an adoptee but opens a startlingly fresh vantage on the fragility of American families; the power of social norms and taboos to shape lives; and the forces that inequitably disrupt families, not least of them war. The result is an accessible and moving book that is at once both a powerful personal story and an illuminating social critique.

 
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cover of Time in the Barrel: A Marine's Account of the Battle for Con Thien

Time in the Barrel

A Marine's Account of the Battle for Con Thien

James P. Coan

University of Alabama Press, 2019

A Marine’s highly personal memoir reliving the hellish days of a pivotal conflict of the Vietnam War.

Con Thien, located only two miles from the demilitarized zone dividing North and South Vietnam, was a United States Marine Corps firebase that was the scene of fierce combat for months on end during 1967. Staving off attacks and ambushes while suffering from ineffectual leadership from Washington as well as media onslaughts, courageous American Marines protected this crucial piece of land at all costs. They would hold Con Thien, but many paid the ultimate price. By the end of the war, more than 1,400 Marines had died and more than 9,000 sustained injuries defending the “Hill of Angels.”

For eight months, James P. Coan’s five-tank platoon was assigned to Con Thien while attached to various Marine infantry battalions. A novice second lieutenant at the time, the author kept a diary recording the thoughts, fears, and frustrations that accompanied his life on “The Hill.” Time in the Barrel: A Marine’s Account of the Battle for Con Thien offers an authentic firsthand account of the daily nightmare that was Con Thien. An enticing and fascinating read featuring authentic depictions of combat, it allows readers to fully grasp the enormity of the fierce struggle for Con Thien.

The defenders of Con Thien were bombarded with hundreds of rounds of incoming rockets, mortars, and artillery that pounded the beleaguered outpost daily. Monsoon downpours turned the red laterite clay soil into a morass of oozing mud, flooded bunkers and trenches, and made Con Thien a living hell. .Being at Con Thien came to be ruefully referred to by the Marines stationed there as "time in the barrel” because they were targets as easy as fish in a barrel.
 
More than a retelling of military movements, Coan’s engrossing narratives focus on the sheer sacrifice and misery of one Marine’s experience in Vietnam. Through his eyes, we experience the abysmal conditions the Marines endured, from monsoon rainstorms to the constant threat of impending attack. Climatic moments in history are captured through the rare, personal perspective of one particularly astute and observant participant.

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cover of To Reason Why

To Reason Why

Jeffrey Kimball

Temple University Press, 1990

This anthology provides a comprehensive overview of the major theories about the causes of American involvement in Southeast Asia from 1945 to 1975. Presenting the often conflicting arguments advanced by national leaders, policy makers, strategists, historians, social scientists, journalists, and activists, this volume represents the major reasons why and how the U.S. became involved, diplomatically and militarily, in the quagmire of Vietnam. As the first book to focus on the debate about the reasoning and causes of U.S. involvement, it fills a major gap in the study of the Vietnam war.
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cover of Toxic War: The Story of Agent Orange

Toxic War

The Story of Agent Orange

Peter Sills

Vanderbilt University Press, 2014

The war in Vietnam, spanning more than twenty years, was one of the most divisive conflicts ever to envelop the United States, and its complexity and consequences did not end with the fall of Saigon in 1975. As Peter Sills demonstrates in Toxic War, veterans faced a new enemy beyond post-traumatic stress disorder or debilitating battle injuries. Many of them faced a new, more pernicious, slow-killing enemy: the cancerous effects of Agent Orange.



Originally introduced by Dow and other chemical companies as a herbicide in the United States and adopted by the military as a method of deforesting the war zone of Vietnam, in order to deny the enemy cover, Agent Orange also found its way into the systems of numerous active-duty soldiers. Sills argues that manufacturers understood the dangers of this compound and did nothing to protect American soldiers.



Toxic War takes the reader behind the scenes into the halls of political power and industry, where the debates about the use of Agent Orange and its potential side effects raged. In the end, the only way these veterans could seek justice was in the court of law and public opinion. Unprecedented in its access to legal, medical, and government documentation, as well as to the personal testimonies of veterans, Toxic War endeavors to explore all sides of this epic battle.

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cover of True Faith and Allegiance: An American Paratrooper and the 1972 Battle for An Loc

True Faith and Allegiance

An American Paratrooper and the 1972 Battle for An Loc

Mike McDermott

University of Alabama Press, 2012

True Faith and Allegiance: An American Paratrooper and the 1972 Battle for An Loc is an intimate and compelling account of the most brutal infantry warfare and is also a critique of the mishandling of America’s departure from Indochina. An unintended consequence of Washington’s stampede to get out of Indochina was an upsurge in combat on a scale not seen before in Vietnam, peaking with the Easter Offensive of 1972.

The battle for An Loc, a key component in the North Vietnamese attempt to overwhelm the South, swept Mike McDermott, then the senior advisor to an elite South Vietnamese paratrooper battalion, into some of the most horrific close-quarters fighting of the war. His in-the-trenches account is augmented by detailed descriptions of a user’s perspective on the parachute resupply, tactical airpower, and B-52 strikes that allowed the An Loc garrison to survive.

True Faith and Allegiance is a riveting recounting of the prism through which a Vietnam veteran views the war as he continues to live with the aftereffects of life-altering experiences in the service of his country.
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