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The Unlevel Playing Field offers a rich compendium of more than 100 primary sources that chart the intertwining history of African Americans and sport. Introductions and head-notes provided by David K. Wiggins and Patrick B. Miller place each document in context, shaping an unrivaled narrative. 

Readers will find dozens of accounts by Frederick Douglass, W. E. B. DuBois, Booker T. Washington, Marcus Garvey, James Weldon Johnson, Richard Wright, A. S. “Doc” Young, Eldredge Cleaver, Nikki Giovanni, John Edgar Wideman, bell hooks, James Baldwin, Roy Wilkins, Henry Louis Gates, Gerald Early, and many others. 

The documents range from discussions of the color line in organized baseball during the Jim Crow era and portraits of turn-of-the-century figures like the champion sprint cyclist Marshall “Major” Taylor and boxer Jack Johnson. Writers also look at modern-day issues like the participation of black athletes in the 1968 Olympics, the place of African American women in sport, and examine pioneering figures like Jackie Robinson, Muhammad Ali, Althea Gibson, Michael Jordan, Tiger Woods, and Venus and Serena Williams.

As a result of mass urbanization from the late nineteenth century onward, an acute housing shortage in Russia and the associated “housing question” rapidly grew to such a large scale that no single group was able to tackle it in its entirety. Complicated, ideologically fraught negotiations and solutions emerged, failed, and occasionally partially succeeded over time. The Unruly Everyday unearths and detangles the contours of this history, exploring what it tells us not just about Soviet and Russian housing but about the messy process by which society changes.

Beyond tracing contestations about housing in particular, Deirdre Ruscitti Harshman explores how the concept of the “everyday” was used to critique the limitations of the present and to imagine alternatives. She argues that the ways various groups worked, sometimes collaboratively and sometimes contentiously, through these negotiations transcended neat pre- and postrevolutionary binaries, in terms of both chronology and ideology. The issues and local responses remained largely the same no matter what type of central government controlled the Kremlin. Critically, the housing problem was instead addressed by the development of various forms of local power—whose very existence and capacities undermine the perception of both tsarist and Soviet Russia as autocratic, highly centralized states.

The work and times of the Black writer, editor, and intellectual

John Cullen Gruesser edits essays that explore the literary and journalistic career of Pauline Elizabeth Hopkins. A Black woman writer at the turn of the twentieth century, Hopkins worked as the unacknowledged editor-in-chief of the Colored American Magazine but also wrote short fiction, novels, nonfiction articles, and a play believed to be the first by a Black woman. Versatile and politically committed, she was fired when her strong editorial stands and non-conciliatory politics offended the new owner of Colored American Magazine.

A rare examination of an overlooked figure in Black letters, The Unruly Voice explores Hopkins’s writing and her significance for contemporary readers.

Contributors: Elizabeth Ammons; Kristina Brooks; Lois Lamphere Brown; C. K. Doreski; John Cullen Gruesser; Jennie A. Kassanoff; Kate McCullough; Nelly Y. McKay; and Cynthia D. Schrager

As gay men and lesbian women increasingly gained recognition and acceptance in twentieth-century literature and film, and subsequently in social and political movements, the Catholic Church reacted by subtly moving away from its overt condemnation of homosexuality as an urgent moral problem and toward tacitly shunning homosexuality as an “unspeakable vice.” In this revealing history, Francesco Torchiani reconstructs the Catholic Church’s shifting attitudes toward homosexuality during this period by drawing on a vast array of internal documents and external accounts. This monograph expands the scholarship on the relationship between Catholicism and homosexuality in terms of both method and content, ultimately concluding that the Catholic Church continues to wholeheartedly condemn homosexuality despite making genuine efforts to reflect on and understand its social and cultural impact. The Unspeakable Vice therefore sheds new light on and places into historical perspective the questions the Catholic Church continues to reckon with regarding its role in contemporary society.

How special education used disability labels to marginalize Black students in public schools

The Unteachables examines the overrepresentation of Black students in special education over the course of the twentieth century. As African American children integrated predominantly white schools, many were disproportionately labeled educable mentally retarded (EMR), learning disabled (LD), and emotionally behavioral disordered (EBD). Keith A. Mayes charts the evolution of disability categories and how these labels kept Black learners segregated in American classrooms.

The civil rights and the educational disability rights movements, Mayes shows, have both collaborated and worked at cross-purposes since the beginning of school desegregation. Disability rights advocates built upon the opportunity provided by the civil rights movement to make claims about student invisibility at the level of intellectual and cognitive disabilities. Although special education ostensibly included children from all racial groups, educational disability rights advocates focused on the needs of white disabled students, while school systems used disability discourses to malign and marginalize Black students.

From the 1940s to the present, social science researchers, policymakers, school administrators, and teachers have each contributed to the overrepresentation of Black students in special education. Excavating the deep-seated racism embedded in both the public school system and public policy, The Unteachables explores the discriminatory labeling of Black students, and how it indelibly contributed to special education disproportionality, to student discipline and push-out practices, and to the school-to-prison pipeline effect.

In his new book, Andreas Kossert—the renowned expert on emigration and expulsion in the twentieth century and author of the bestselling Cold Home—places the early twenty-first-century refugee movement in a wider historical context. Movingly told and interwoven with personal accounts, The Uprooted: The Refugee in World History reveals the existential experiences of uprootedness and hostility that go hand in hand with losing one's homeland and explains why refugees and displaced persons have always found it so difficult to settle into a new country. Whether they have come from East Prussia, Syria, or India, refugees are agents of world history—and with this book Kossert gives them a voice.

    Vampires are the most fearsome and fascinating of all creatures of folklore. For the first time, detailed accounts of the vampire and how its tradition developed in different cultures are gathered in one volume by eminent folklorist Alan Dundes. Eleven leading scholars from the fields of Slavic studies, history, anthropology, and psychiatry unearth the true nature of the vampire from its birth in graveyard lore to the modern-day psychiatric patient with a penchant for drinking blood.
    The Vampire: A Casebook takes this legend out of the realm of literature and film and back to its dark beginnings in folk traditions. The essays examine the history of the word “vampire;” Romanian vampires; Greek vampires; Serbian vampires; the physical attributes of vampires; the killing of vampires; and the possible psychoanalytic underpinnings of vampires. Much more than simply a scary creature of the human imagination, the vampire has been and continues to haunt the lives of all those who encounter it—in reality or in fiction.

In the postdictatorial era, Latin American cultural production and criticism have been defined by a series of assumptions about politics and art—especially the claim that political freedom can be achieved by promoting a more direct experience between the textual subject (often a victim) and the reader by eliminating the division between art and life. The Vanishing Frame argues against this conception of freedom, demonstrating how it is based on a politics of human rights complicit with economic injustices. Presenting a provocative counternarrative, Eugenio Claudio Di Stefano examines literary, visual, and interdisciplinary artists who insist on the autonomy of the work of art in order to think beyond the politics of human rights and neoliberalism in Latin American theory and culture.

Di Stefano demonstrates that while artists such as Diamela Eltit, Ariel Dorfman, and Albertina Carri develop a concept of justice premised on recognizing victims’ experiences of torture or disappearance, they also ignore the injustice of economic inequality and exploitation. By examining how artists such as Roberto Bolaño, Alejandro Zambra, and Fernando Botero not only reject an aesthetics of experience (and the politics it entails) but also insist on the work of art as a point of departure for an anticapitalist politics, this new reading of Latin American cultural production offers an alternative understanding of recent developments in Latin American aesthetics and politics that puts art at its center and the postdictatorship at its end.