5159 books match the query 'Biography' and 934 start with t

cover of The Silver Man: The Life and Times of Indian Agent John Kinzie

The Silver Man

The Life and Times of Indian Agent John Kinzie

Peter Shrake

Wisconsin Historical Society Press, 2016

In The Silver Man: The Life and Times of John Kinzie, readers witness the dramatic changes that swept the Wisconsin frontier in the early and mid-1800s, through the life of Indian agent John Harris Kinzie. From the War of 1812 and the monopoly of the American Fur Company, to the Black Hawk War and the forced removal of thousands of Ho-Chunk people from their native lands—John Kinzie’s experience gives us a front-row seat to a pivotal time in the history of the American Midwest.

As an Indian agent at Fort Winnebago—in what is now Portage, Wisconsin—John Kinzie served the Ho-Chunk people during a time of turbulent change, as the tribe faced increasing attacks on its cultural existence and very sovereignty, and struggled to come to terms with American advancement into the upper Midwest. The story of the Ho-Chunk Nation continues today, as the tribe continues to rebuild its cultural presence in its native homeland.

Through John Kinzie’s story, we gain a broader view of the world in which he lived—a world that, in no small part, forms a foundation for the world in which we live today.

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cover of The Six-Minute Memoir: Fifty-Five Short Essays on Life

The Six-Minute Memoir

Fifty-Five Short Essays on Life

Mary Helen Stefaniak

University of Iowa Press, 2022

This collection of short essays delivers more joy than many books twice its size. Culled from two decades’ worth of Mary Helen Stefaniak’s “Alive and Well” column in the Iowa Source, each essay invites readers into the ordinary life of a woman “with a family and friends and a job . . . and a series of cats and a history living in one old house after another at the turn of the twenty-first century in the middle of the Middle West.” One great aunt presides over nineteen acres of pecan grove profitably strewn with junk. A borrowed hammer rings with the sound of immortality. Famous poets pipe up where you least expect them. Living and dying are found to be two sides of the same remarkable coin.

What’s more, writing prompts at the end of the book invite readers to search their own lives for such moments—the kind that could be forgotten but instead are turned, by the gift of perspective and perfectly chosen detail, into treasure. The Six-Minute Memoir encourages people to tell their own stories even if they think they don’t have the kind of story that belongs in a memoir.
 
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cover of The Sizzler: George Sisler, Baseball's Forgotten Great

The Sizzler

George Sisler, Baseball's Forgotten Great

Rick Huhn

University of Missouri Press, 2013

“Gorgeous George” Sisler, a left-handed first baseman, began his major-league baseball career in 1915 with the St. Louis Browns. During his sixteen years in the majors, he played with such baseball luminaries as Ty Cobb (who once called Sisler “the nearest thing to a perfect ballplayer”), Babe Ruth, and Rogers Hornsby. He was considered by these stars of the sport to be their equal, and Branch Rickey, one of baseball’s foremost innovators and talent scouts, once said that in 1922 Sisler was “the greatest player that ever lived.”

During his illustrious career he was a .340 hitter, twice achieving the rare feat of hitting more than .400. His 257 hits in 1920 is still the record for the “modern” era. Considered by many to be one of the game’s most skillful first basemen, he was the first at his position to be inducted into the National Baseball Hall of Fame. Yet unlike many of his peers who became household names, Sisler has faded from baseball’s collective consciousness.

Now in The Sizzler, this “legendary player without a legend” gets the treatment he deserves. Rick Huhn presents the story of one of baseball’s least appreciated players and studies why his status became so diminished. Huhn argues that the answer lies somewhere amid the tenor of Sisler’s times, his own character and demeanor, the kinds of individuals who are chosen as our sports heroes, and the complex definition of fame itself.

In a society obsessed with exposing the underbellies of its heroes, Sisler’s lack of a dark side may explain why less has been written about him than others. Although Sisler was a shy, serious sort who often shunned publicity, his story is filled with its own share of controversy and drama, from a lengthy struggle among major-league moguls for his contractual rights—a battle that helped change the structure of organized baseball forever—to a job-threatening eye disorder he developed during the peak of his career and popularity.

By including excerpts from Sisler’s unpublished memoir, as well as references to the national and international events that took place during his heyday, Huhn reveals the full picture of this family man who overcame great obstacles, stood on high principles, and left his mark on a game he affected in a positive way for fifty-eight years.
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cover of The Slave Master of Trinidad: William Hardin Burnley and the Nineteenth-Century Atlantic World

The Slave Master of Trinidad

William Hardin Burnley and the Nineteenth-Century Atlantic World

Selwyn R. Cudjoe

University of Massachusetts Press, 2018

William Hardin Burnley (1780–1850) was the largest slave owner in Trinidad during the nineteenth century. Born in the United States to English parents, he settled on the island in 1802 and became one of its most influential citizens and a prominent agent of the British Empire. A central figure among elite and moneyed transnational slave owners, Burnley moved easily through the Atlantic world of the Caribbean, the United States, Great Britain, and Europe, and counted among his friends Alexis de Tocqueville, British politician Joseph Hume, and prime minister William Gladstone.

In this first full-length biography of Burnley, Selwyn R. Cudjoe chronicles the life of Trinidad's “founding father” and sketches the social and cultural milieu in which he lived. Reexamining the decades of transition from slavery to freedom through the lens of Burnley's life, The Slave Master of Trinidad demonstrates that the legacies of slavery persisted in the new post-emancipation society.

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cover of The Slaves Who Defeated Napoléon: Toussaint Louverture and the Haitian War of Independence, 1801–1804

The Slaves Who Defeated Napoléon

Toussaint Louverture and the Haitian War of Independence, 1801–1804

Philippe R. Girard

University of Alabama Press, 2011

A deeply researched and definitive account of the climactic battle at the end of the Haitian Revolution 

Among the many rebellions against European colonial empires, the Haitian Revolution against France is among the most dramatic and complex. Having begun in 1791 as France was in the throes of its own young revolution, the conflict reached its dramatic climax when Napoleon dispatched a heavily armed expeditionary force led by his brother-in-law Charles Leclerc to re-establish slavery and the sugar economy that had so enriched France. Philippe Girard’s Slaves Who Defeated Napoleon is a deeply researched and engrossing account of this invasion and its spectacular defeat.

For this ambitious account, Philippe Girard has studied not only primary records in Haiti itself but also rare documents from nineteen public and private archives and research libraries in French, U.S., British, and Spanish collections. His more inclusive approach provides a fuller, more accurate and detailed narrative. He reveals not only key military movements, but also less-known aspects like the activities of U.S. merchants, in-fighting within Napoleon’s government, and communication between both sides and other European powers. Girard fills the work with unforgettable stories of those who led or were caught up in the war, people like poorly armed Black soldiers who ambushed Bonaparte’s columns, French child drummers, Jewish bankers in Kingston, weapon smugglers from Quaker Philadelphia, Polish artillerists, and mixed-raced people struggling to preserve their freedom against both Black and white opponents.

Transcending pat ideological and racial categories, the book brings into focus an Atlantic society at the crossroads of African and European influences, where Haitian rebels fought France while embracing its ideals.

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cover of The Smell of Humans: A Memoir of the Holocaust in Hungary

The Smell of Humans

A Memoir of the Holocaust in Hungary

Erno Szép

Central European University Press, 1994

Primarily a piece of creative writing and autobiographical literature of a very distinctive Central European kind, this detailed and imaginative short memoir is also an important document of the Holocaust in Hungary in 1944. Written by a master of twentieth-century Hungarian literature, it describes life for the Jewish population of German-occupied Budapest—the constant fear of deportation overshadowing the daily trials of living in the ghetto—before concentrating on the writer's own internment in a labor camp during the first weeks of rule by the extremist Arrow Cross regime. The experiences of those nineteen days spent in the camp are both harsh and disturbing, yet throughout his memoir Szep manages to maintain an extraordinary degree of compassion and detachment, even humor. Published to coincide with the fiftieth anniversary of the events described, this is the last of Szep's many literary works to appear in English."
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cover of The Social Philosophy of Jane Addams

The Social Philosophy of Jane Addams

Maurice Hamington

University of Illinois Press, 2009

Although there has been a resurgence of scholarly interest in Jane Addams, much of the recent literature has dwelt more on her extraordinary and pioneering life than on the philosophical contribution of her twelve books and hundreds of published articles. This study is the first book-length work to focus entirely on Addams as a philosopher, a moral and political theorist who was steeped in the classic American Pragmatist tradition but who transcended that tradition to emphasize the significance of gender, race, and class.

Exploring Addams's contribution to epistemology, ethics, and feminist theory, Maurice Hamington sets the intellectual framework for Addams's social philosophy by discussing her influences, her particular brand of feminism, and finally her unique analytical perspective, which she described as "sympathetic knowledge." The book also investigates how Addams applied her social philosophy to issues of politics, women's rights, prostitution, business ethics, education, and religion.

Addams's philosophical work remains relevant to current feminist ethical discourse, and The Social Philosophy of Jane Addams leads to an understanding of a cosmopolitan theorist who eschewed ideological stances in favor of intermediary steps toward social progress.

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cover of The Soldier's Friend: A Life of Ernie Pyle

The Soldier's Friend

A Life of Ernie Pyle

Ray E. Boomhower

Indiana Historical Society Press, 2006

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cover of The Solitary Self: Jean-Jacques Rousseau in Exile and Adversity

The Solitary Self

Jean-Jacques Rousseau in Exile and Adversity

Maurice Cranston

University of Chicago Press, 1997

A monumental achievement, Maurice Cranston's trilogy provides the definitive account of Jean-Jacques Rousseau's turbulent life. Now available in paperback, this final volume completes a masterful biography of one of the most important philosophers of all time. The Solitary Self traces the last tempestuous years of Rousseau's life.

"The Solitary Self is a fitting coda to a magisterial work. Cranston . . . is a compelling stylist who narrates Rousseau's tribulations with a mixture of compassion and dry humor."—Thomas Pavel, Wall Street Journal

"Cranston not only recreates for his readers a rounded view of Rousseau himself, he sets it firmly in the social and political context of Europe's ancien regime. . . . An engrossing work of history."—John Gray, New Statesman

"Cranston's painstaking archival research and lucid style yield the most detailed and thoroughly documented biography of Rousseau written in English. His epilogue masterfully sums up Rousseau's importance as political philosopher and initiator of romantic sensibilities."—Choice

"Anyone curious about the paradoxes of a most paradoxical man will not go wrong by starting with this invaluable biography."—James Miller, Washington Post Book World

"As absorbing as a picaresque novel."—Naomi Bliven, New Yorker

"A monument of scholarship. . . . This amazing biography, like Boswell's account of Johnson, recreates the daily life of Rousseau: what he did, who he saw, what he said, what he wrote. . . . We may be quite confident that we hold in our hands the authoritative account of this life. The definitive Rousseau."—Isaac Kramnick, New Republic

Maurice Cranston (1920-1993), a distinguished scholar and recipient of the James Tait Black Memorial Prize for his biography of John Locke, was professor of political science at the London School of Economics. His numerous books include The Romantic Movement and Philosophers and Pamphleteers, and translations of Rousseau's The Social Contract and Discourse on the Origins of Inequality.

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cover of The Song Is Over: A Jewish Girl in Dresden

The Song Is Over

A Jewish Girl in Dresden

Henny Brenner

University of Alabama Press, 2010

 
A moving story of German Jews saved by the firebombing of Dresden.
February, 1945. After heavy bombing by Allied air forces, Dresden was on fire and in ruins. Ironically, for the few Dresden Jews who had not yet been deported and murdered by the Nazis, the destruction meant rescue. With the Gestapo order for the family to report for deportation still in hand, Henny Wolf Brenner and her parents ran for their lives. They went into hiding and waited for the end of the war. Despite the family’s fears, the Gestapo did not succeed in tracking down the city’s last few Jews, and the family survived.
At the end of the war the Red Army liberated Dresden. But instead of the desired release from terror into a resumption of a peaceful, productive life, different forms of repression awaited Brenner and her parents. In the new communist-run East Germany, she was refused advanced schooling because she was not a Party member. Under the communist regime, it was clear the Jewish population was not welcome, and consequently normal life was impossible. With heavy hearts, the family decided to abandon their beloved home and risk the dangers of flight from East Berlin to West Berlin. With the help of good friends, they were successful in their venture.
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cover of The Song of the Hawk: The Life and Recordings of Coleman Hawkins

The Song of the Hawk

The Life and Recordings of Coleman Hawkins

John Chilton

University of Michigan Press, 1993

The first full-length biography of Coleman Hawkins
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cover of The Sons of Gunshooter: A Navajo Resistance Story

The Sons of Gunshooter

A Navajo Resistance Story

Dorothy Denetclaw and Matt Fitzsimons

University of Arizona Press, 2026

An inspiring new take on a history we thought we knew

In 1919, the brother of one of the West’s most famous Indian traders was shot to death in a remote corner of the Navajo Nation.
 
Part history, part true crime, The Sons of Gunshooter reexamines the killing and subsequent murder trial, while simultaneously embedding the story in a much larger saga of colonization and resistance. The result is a book that’s sweeping in its scope and surgical in its approach. Rewinding the clock to 1868, the authors follow the intertwining paths of two families to offer a riveting, deeply personal account that has been hailed as “a new way of doing historiography.”
 
One of the authors is a descendant of participants in the case; the other is an investigative journalist. By merging Diné oral traditions with archival evidence, they succeed in upending one false narrative after another.
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cover of The Soul of Abraham Lincoln

The Soul of Abraham Lincoln

William E. Barton. Introduction by Michael Nelson

University of Illinois Press, 2005

Modern secularists have been reluctant to recognize Abraham Lincoln's deep spirituality, in spite of the fact that he was often known as "Father Abraham" and has been described as one of the most deeply religious presidents the country has ever seen.  Yet for all of his familiarity with the Bible, his invocation of Providence, and of the Almighty, he did not actively participate in a church or lend his name and authority to a denomination.

After more than fifty years of hagiographic and contradictory accounts of Abraham Lincoln's life, William Barton stepped boldly into the bedlam of claims and counterclaims about Lincoln's religion. Armed with an enormous collection of Lincoln materials and his own strict evidentiary rules, Barton worked to avoid partisan politicking over Lincoln's legacy and instead to simply "lay bare the facts."  

To enable a better examination of the vexed questions surrounding Lincoln's faith and religious principles, Barton gathered Lincoln's most important writing and speeches about religion, and topically and chronologically assembled testimonies by his friends, family, and associates, about the most important and most debated issues.  This volume, Barton's first and most important work on Lincoln, is introduced by Michael Nelson who provides a history of the literature on Lincoln's religion, the historical context of Barton's writing, and the details of the method that made Barton's approach to this American icon such a distinctive success.

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cover of The Sound of Memory: Themes from a Violinist’s Life

The Sound of Memory

Themes from a Violinist’s Life

Rebecca Fischer

The Ohio State University Press, 2022

In The Sound of Memory, concert violinist Rebecca Fischer wrestles with the life of a performing artist in the twenty-first century, the physical and material components of memory, the nature of musical inheritance, and the gifts and pressures of a calling that runs generations deep. From memories of breastfeeding on concert tours, to the surprising ways her body remembers music she heard in the womb, to witnessing her children’s own evolving musicianship, Fischer shares her perspective as the first violinist of the renowned Chiara String Quartet and parent to young people exploring their gender identities amidst social upheaval and a pandemic. As she revisits geographies that have left marks on her life and creative practice over the years, she examines what we owe to our families, our communities, our art, and ourselves—ultimately exhorting us to consider both the individual and communal resonances of artistic expression and the meaning it brings to our shared lives.
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cover of The Southern Elite and Social Change: Essays in Honor of Willard B. Gatewood, Jr.

The Southern Elite and Social Change

Essays in Honor of Willard B. Gatewood, Jr.

Randy Finley

University of Arkansas Press, 2002

Elites have shaped southern life and communities, argues the distinguished historian Willard Gatewood. These essays—written by Gatewood's colleagues and former students in his honor—explore the influence of particular elites in the South from the American Revolution to the Little Rock integration crisis. They discuss not only the power of elites to shape the experiences of the ordinary people, but the tensions and negotiations between elites in a particular locale, whether those elites were white or black, urban or rural, or male or female. Subjects include the particular kinds of power available to black elites in Savannah, Georgia, during the American Revolution; the transformation of a southern secessionist into an anti-slavery activist during the Civil War; a Tenessee "aristocrat of color" active in politics from Reconstruction to World War II; middle-class Southern women, both black and white, in the New Deal and the Little Rock integration crisis; and the different brands of paternalism in Arkansas plantations during the Jacksonian and Jim Crow eras and in the postwar Georgia carpet industry.
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cover of The Southern Journey of a Civil War Marine: The Illustrated Note-Book of Henry O. Gusley

The Southern Journey of a Civil War Marine

The Illustrated Note-Book of Henry O. Gusley

Edited and annotated by Edward T. Cotham, Jr.

University of Texas Press, 2006

On September 28, 1863, the Galveston Tri-Weekly News caught its readers' attention with an item headlined "A Yankee Note-Book." It was the first installment of a diary confiscated from U.S. Marine Henry O. Gusley, who had been captured at the Battle of Sabine Pass. Gusley's diary proved so popular with readers that they clamored for more, causing the newspaper to run each excerpt twice until the whole diary was published. For many in Gusley's Confederate readership, his diary provided a rare glimpse into the opinions and feelings of an ordinary Yankee—an enemy whom, they quickly discovered, it would be easy to regard as a friend.

This book contains the complete text of Henry Gusley's Civil War diary, expertly annotated and introduced by Edward Cotham. One of the few journals that have survived from U.S. Marines who served along the Gulf Coast, it records some of the most important naval campaigns of the Civil War, including the spectacular Union success at New Orleans and the embarrassing defeats at Galveston and Sabine Pass. It also offers an unmatched portrait of daily life aboard ship. Accompanying the diary entries are previously unpublished drawings by Daniel Nestell, a doctor who served in the same flotilla and eventually on the same ship as Gusley, which depict many of the locales and events that Gusley describes.

Together, Gusley's diary and Nestell's drawings are like picture postcards from the Civil War—vivid, literary, often moving dispatches from one of "Uncle Sam's nephews in the Gulf."

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cover of The Sovereign Trickster: Death and Laughter in the Age of Duterte

The Sovereign Trickster

Death and Laughter in the Age of Duterte

Vicente L. Rafael

Duke University Press, 2022

In The Sovereign Trickster Vicente L. Rafael offers a prismatic view of the age of Rodrigo Duterte in the contemporary Philippines. Framing Duterte as a trickster figure who boasts, jokes, terrorizes, plays the victim, and instills terror, Rafael weaves together topics ranging from the drug war, policing, and extrajudicial killings to neoliberal citizenship, intimacy, and photojournalism. He is less concerned with defining Duterte as a fascist, populist, warlord, and traditional politician than he is with examining what Duterte does: how he rules, the rhetoric of his humor, his use of obscenity to stoke fear, and his projection of masculinity and misogyny. Locating Duterte's rise within the context of counterinsurgency, neoliberalism, and the history of electoral violence, while drawing on Foucault’s biopower and Mbembe’s necropolitics, Rafael outlines how Duterte weaponizes death to control life. By diagnosing the symptoms of the authoritarian imaginary as it circulates in the Philippines, Rafael provides a complex account of Duterte’s regime and the social conditions that allow him to enjoy continued support.
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cover of The Soviet Writers' Union and Its Leaders: Identity and Authority under Stalin

The Soviet Writers' Union and Its Leaders

Identity and Authority under Stalin

Carol Any

Northwestern University Press, 2021

Winner, University of Southern California Book Prize in Literary and Cultural Studies

The Soviet Writers’ Union offered writers elite status and material luxuries in exchange for literature that championed the state. This book argues that Soviet ruler Joseph Stalin chose leaders for this crucial organization, such as Maxim Gorky and Alexander Fadeyev, who had psychological traits he could exploit. Stalin ensured their loyalty with various rewards but also with a philosophical argument calculated to assuage moral qualms, allowing them to feel they were not trading ethics for self‑interest. 

Employing close textual analysis of public and private documents including speeches, debate transcripts, personal letters, and diaries, Carol Any exposes the misgivings of Writers’ Union leaders as well as the arguments they constructed when faced with a cognitive dissonance. She tells a dramatic story that reveals the interdependence of literary policy, communist morality, state‑sponsored terror, party infighting, and personal psychology. This book will be an important reference for scholars of the Soviet Union as well as anyone interested in identity, the construction of culture, and the interface between art and ideology.

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cover of The Spanish Disquiet: The Biblical Natural Philosophy of Benito Arias Montano

The Spanish Disquiet

The Biblical Natural Philosophy of Benito Arias Montano

María M. Portuondo

University of Chicago Press, 2019

In this book, historian María M. Portuondo takes us to sixteenth-century Spain, where she identifies a community of natural philosophers and biblical scholars. They shared what she calls the “Spanish Disquiet”—a preoccupation with the perceived shortcomings of prevailing natural philosophies and empirical approaches when it came to explaining the natural world.
 
Foremost among them was Benito Arias Montano—Spain’s most prominent biblical scholar and exegete of the sixteenth century. He was also a widely read member of the European intellectual community, and his motivation to reform natural philosophy shows that the Spanish Disquiet was a local manifestation of greater concerns about Aristotelian natural philosophy that were overtaking Europe on the eve of the Scientific Revolution. His approach to the study of nature framed the natural world as unfolding from a series of events described in the Book of Genesis, ultimately resulting in a new metaphysics, cosmology, physics, and even a natural history of the world. By bringing Arias Montano’s intellectual and personal biography into conversation with broader themes that inform histories of science of the era, The Spanish Disquiet ensures an appreciation of the variety and richness of Arias Montano’s thought and his influence on early modern science.
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cover of The Speaking Stone: Stories Cemeteries Tell

The Speaking Stone

Stories Cemeteries Tell

Michael Griffith

Ohio University Press, 2021

Published by the University of Cincinnati Press

The Speaking Stone: Stories Cemeteries Tell is a literary love letter to the joys of wandering graveyards. While working on a novel, author and longtime Cincinnati resident Michael Griffith starts visiting Spring Grove Cemetery and Arboretum, the nation’s third-largest cemetery. Soon he’s taking almost daily jaunts, following curiosity and accident wherever they lead. The result is this fascinating collection of essays that emerge from chance encounters with an interesting headstone, odd epitaph, unusual name, or quirk of memory. Researching obituaries, newspaper clippings, and family legacies, Griffith uncovers stories of race, feminism, art, and death.

Rather than sticking to the cemetery’s most famous, or infamous, graves, Griffith stays true to the principle of ramble and incidental discovery. The result is an eclectic group of subjects, ranging from well-known figures like the feminist icon and freethinker Fanny Wright to those much less celebrated— a spiritual medium, a temperance advocate, a young heiress who died under mysterious circumstances. Nearly ninety photos add dimension and often an element of playfulness.

The Speaking Stone examines what endures and what does not, reflecting on the vanity and poignancy of our attempt to leave monuments that last. In doing so, it beautifully weaves connections born out of the storyteller’s inquisitive mind.

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cover of The Spectacle of History: Speech, Text, and Memory at the Iran-Contra Hearings

The Spectacle of History

Speech, Text, and Memory at the Iran-Contra Hearings

Michael Lynch and David Bogen, eds.

Duke University Press, 1996

How is history produced? How do individuals write—or rewrite—their parts while engaged in the production of history? Michael Lynch and David Bogen take the example of the Iran-contra hearings to explore these questions. These hearings, held in 1987 by the Joint House-Senate Select Committee on Secret Military Assistance to Iran and the Nicaragua Opposition, provided the nation with a media spectacle and a rare chance to see a struggle over the writing of history. There was Oliver North, prime suspect and designated scapegoat, turning into a hero of the American Right before the very eyes of the nation. How this transformation occurred, with the complicity of the press and the public, becomes disturbingly clear in The Spectacle of History.
Lynch and Bogen detail the practices through which the historical agents at the center of the hearings composed, confirmed, used, erased, and denied the historical record. They show how partisan skirmishes over the disclosure of records and testimony led to a divided and irresolute outcome, an outcome further facilitated by the “applied deconstruction” deployed by North and his allies. The Spectacle of History immerses the reader in a crowded field of texts, utterances, visual displays, and media commentaries, but, more than a case study, it develops unique insight into problems at the heart of society and social theory—lying and credibility, the production of civic spectacle, the relationship between testimony and history, the uses of memory, and the interplay between speech and writing.
Drawing on themes from sociology, literary theory, and ethnomethodology and challenging prevailing concepts held by contemporary communication and cultural studies, Lynch and Bogen extract valuable theoretical lessons from this specific and troubling historical episode.
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cover of The Spirits of Bad Men Made Perfect: The Life and Diary of Confederate Artillerist William Ellis Jones

The Spirits of Bad Men Made Perfect

The Life and Diary of Confederate Artillerist William Ellis Jones

Constance Hall Jones

Southern Illinois University Press, 2020

This remarkable biography and edited diary tell the story of William Ellis Jones (1838–1910), an artillerist in Crenshaw’s Battery, Pegram’s Battalion, the Army of Northern Virginia. One of the few extant diaries by a Confederate artillerist, Jones’s articulate writings cover camp life as well as many of the key military events of 1862, including the Peninsula Campaign, the Second Battle of Manassas, the Maryland Campaign, and the Battle of Fredericksburg.

In 1865 Jones returned to his prewar printing trade in Richmond, and his lasting reputation stems from his namesake publishing company’s role in the creation and dissemination of much of the Lost Cause ideology. Unlike the pro-Confederate books and pamphlets Jones published—primary among them the Southern Historical Society Papers—his diary shows the mindset of an unenthusiastic soldier. In a model of contextualization, Constance Hall Jones shows how her ancestor came to embrace an uncritical veneration of the army’s leadership and to promulgate a mythology created by veterans and their descendants who refused to face the amorality of their cause.

Jones brackets the soldier’s diary with rich, biographical detail, profiling his friends and relatives and providing insight into his childhood and post-war years. In doing so, she offers one of the first serious investigations into the experience of a Welsh immigrant family loyal to the Confederacy and makes a significant contribution to our understanding of Civil War–era Richmond and the nineteenth-century publishing industry. Invitingly written, The Spirits of Bad Men Made Perfect is an engaging life-and-times story that will appeal to historians and general readers alike.
 
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cover of The Spy Who Loved Us: The Vietnam War and Pham Xuan An's Dangerous Game

The Spy Who Loved Us

The Vietnam War and Pham Xuan An's Dangerous Game

Thomas A. Bass

University of Massachusetts Press, 2018

Pham Xuan An was one of the twentieth century's greatest spies. While working as a correspondent for Time during the Vietnam War, he sent intelligence reports—written in invisible ink or hidden inside spring rolls in film canisters—to Ho Chi Minh and his generals in North Vietnam.

Only after Saigon fell in 1975 did An's colleagues learn that the affable raconteur in their midst, acclaimed as "dean of the Vietnamese press corps," was actually a general in the North Vietnamese Army. In recognition of his tradecraft and his ability to spin military losses—such as the Têt Offensive of 1968—­into psychological gains, An was awarded sixteen military medals.

After the book's original publication, WikiLeaks revealed that Thomas A. Bass's account of An's career was distributed to CIA agents as a primer in espionage. Now available in paper with a new preface, An's story remains one of the most gripping to emerge from the era.
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cover of The Stonemans: An Appalachian Family and the Music That Shaped Their Lives

The Stonemans

An Appalachian Family and the Music That Shaped Their Lives

Ivan M. Tribe

University of Illinois Press, 1993

The Stonemans is an eye-opening slice of Americana---a trip through nearly twenty years of country music history following a single family from their native Blue Ridge Mountains to the slums of Washington, D.C., and the glitter of Nashville. As early as 1924 Ernest V. "Pop" Stoneman realized the potential of what is now known as country music, and he tried to carve a career from it. Successful as a recording artist from 1925 through 1929, Stoneman foundered during the Great Depression. He, his wife, and their nine children went to Washington in 1932, struggling through a decade of hardship and working to revive the musical career Pop still believed in. The Stoneman Family won the Country Music Association's Vocal Group of the Year Award in 1967. After Pop's death a year later, some of the children scattered to pursue their own careers. 

Ivan Tribe relies on extensive interviews with the Stonemans and their friends in this chronicle of a family whose members have clung to their musical heritage through good times and bad.

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cover of The Stories They Told Me: The Life of My Deaf Parents

The Stories They Told Me

The Life of My Deaf Parents

Maria Wallisfurth

Gallaudet University Press, 2017

In this heartfelt memoir, Maria Wallisfurth recounts the lives of her deaf parents in Germany from the turn of the twentieth century through World War II. Her mother, Maria Giefer, was born in 1897 and her father, Wilhelm Sistermann, was born in 1896. The author captures the seasonal rhythms and family life of her mother’s youth in rural Germany, a time filled as much with hardship as it is with love. When she is old enough, she moves to the nearby city of Aachen to attend a school for deaf children, where she learns to lipread and speak. After her schooling is complete, she returns home to work on the family farm and experiences the privations and fear that accompany World War I. She later goes back to Aachen, where she joins a deaf club and falls in love with Wilhelm, a painter and photographer who was raised in the city. Amidst high unemployment, food shortages, and rapid inflation, the two are married in 1925 and two years later the author is born. Under the Nazi regime, Maria and Wilhelm are ordered to undergo forced sterilization. Although their deafness is not hereditary and they submit applications of protest, they are compelled to comply with the law.
       Despite their dissimilar backgrounds and the political circumstances that roiled their lives, the author’s parents showed great love for each other and their only daughter. The Stories They Told Me is a richly detailed document of time and place and a rare account of deaf lives during this era.
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cover of The Story I Tell Myself: A Venture in Existentialist Autobiography

The Story I Tell Myself

A Venture in Existentialist Autobiography

Hazel E. Barnes

University of Chicago Press, 1997

Best known as the writer who introduced French existentialism to English-speaking readers through her translation of Sartre's Being and Nothingness, Hazel E. Barnes has written an autobiography that is both the success story of a professional woman as well as a profoundly moving reflection on growing older. Transcending the personal details of her life, Barnes' memoir stands as an important contribution to the intellectual history of our century.
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cover of The Story of Radio Mind: A Missionary's Journey on Indigenous Land

The Story of Radio Mind

A Missionary's Journey on Indigenous Land

Pamela E. Klassen

University of Chicago Press, 2018

At the dawn of the radio age in the 1920s, a settler-mystic living on northwest coast of British Columbia invented radio mind: Frederick Du Vernet—Anglican archbishop and self-declared scientist—announced a psychic channel by which minds could telepathically communicate across distance. Retelling Du Vernet’s imaginative experiment, Pamela Klassen shows us how agents of colonialism built metaphysical traditions on land they claimed to have conquered.
 
Following Du Vernet’s journey westward from Toronto to Ojibwe territory and across the young nation of Canada, Pamela Klassen examines how contests over the mediation of stories—via photography, maps, printing presses, and radio—lucidly reveal the spiritual work of colonial settlement. A city builder who bargained away Indigenous land to make way for the railroad, Du Vernet knew that he lived on the territory of Ts’msyen, Nisga’a, and Haida nations who had never ceded their land to the onrush of Canadian settlers. He condemned the devastating effects on Indigenous families of the residential schools run by his church while still serving that church. Testifying to the power of radio mind with evidence from the apostle Paul and the philosopher Henri Bergson, Du Vernet found a way to explain the world that he, his church and his country made.
 
Expanding approaches to religion and media studies to ask how sovereignty is made through stories, Klassen shows how the spiritual invention of colonial nations takes place at the same time that Indigenous peoples—including Indigenous Christians—resist colonial dispossession through stories and spirits of their own.
 
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cover of The Story of Rose O'Neill: An Autobiography

The Story of Rose O'Neill

An Autobiography

Edited by Miriam Forman-Brunell

University of Missouri Press, 2022

To most of us, Rose O'Neill is best known as the creator of the Kewpie doll, perhaps the most widely known character in American culture until Mickey Mouse. Prior to O'Neill's success as a doll designer, however, she already had earned a reputation as one of the best-known female commercial illustrators. Her numerous illustrations appeared in America's leading periodicals, including Life, Harper's Bazaar, and Cosmopolitan. While highly successful in the commercial world, Rose O'Neill was also known among intellectuals and artists for her contributions to the fine arts and humanities. In the early 1920s, her more serious works of art were exhibited in galleries in Paris and New York City. In addition, she published a book of poetry and four novels.

Yet, who was Rose Cecil O'Neill? Over the course of the twentieth century, Rose O'Neill has captured the attention of journalists, collectors, fans, and scholars who have disagreed over whether she was a sentimentalist or a cultural critic. Although biographers of Rose O'Neill have drawn heavily on portions of her previously unpublished autobiography, O'Neill's own voice--richly revealed in her well-written manuscript--has remained largely unheard until now.

In these memoirs, O'Neill reveals herself as a woman who preferred art, activism, and adventure to motherhood and marriage. Featuring photographs from the O'Neill family collection, The Story of Rose O'Neill fully reveals the ways in which she pushed at the boundaries of her generation's definitions of gender in an effort to create new liberating forms.

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cover of The Strangers We Became: Lessons in Exile from One of Iraq's Last Jews

The Strangers We Became

Lessons in Exile from One of Iraq's Last Jews

Cynthia Kaplan Shamash

Brandeis University Press, 2015

This riveting and utterly unique memoir chronicles the coming of age of Cynthia Shamash, an Iraqi Jew born in Baghdad in 1963. When she was eight, her family tried to escape Iraq over the Iranian border, but they were captured and jailed for five weeks. Upon release, they were returned to their home in Baghdad, where most of their belongings had been confiscated and the door of their home sealed with wax. They moved in with friends and applied for passports to spend a ten-day vacation in Istanbul, although they never intended to return. From Turkey, the family fled to Tel Aviv and then to Amsterdam, where Cynthia’s father soon died of a heart attack. At the age of twelve, Sanuti (as her mother called her) was sent to London for schooling, where she lived in an Orthodox Jewish enclave with the chief rabbi and his family. At the end of the school year, she returned to Holland to navigate her teen years in a culture that was much more sexually liberal than the one she had been born into, or indeed the one she was experiencing among Orthodox Jews in London. Shortly after finishing her schooling as a dentist, Cynthia moved to the United States in an attempt to start over. This vivid, beautiful, and very funny memoir will appeal to readers intrigued by spirituality, tolerance, the personal ramifications of statelessness and exile, the clashes of cultures, and the future of Iraq and its Jews.
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cover of The Stray Bullet: William S. Burroughs in Mexico

The Stray Bullet

William S. Burroughs in Mexico

Jorge García-Robles

University of Minnesota Press, 2013


William S. Burroughs arrived in Mexico City in 1949, having slipped out of New Orleans while awaiting trial on drug and weapons charges that would almost certainly have resulted in a lengthy prison sentence. Still uncertain about being a writer, he had left behind a series of failed business ventures—including a scheme to grow marijuana in Texas and sell it in New York—and an already long history of drug use and arrests. He would remain in Mexico for three years, a period that culminated in the defining incident of his life: Burroughs shot his common-law wife, Joan Vollmer, while playing William Tell with a loaded pistol. (He would be tried and convicted of murder in absentia after fleeing Mexico.)

First published in 1995 in Mexico, where it received the Malcolm Lowry literary essay award, The Stray Bullet is an imaginative and riveting account of Burroughs’s formative experiences in Mexico, his fascination with Mexico City’s demimonde, his acquaintances and friendships there, and his contradictory attitudes toward the country and its culture. Mexico, Jorge García-Robles makes clear, was the place in which Burroughs embarked on his “fatal vocation as a writer.”

Through meticulous research and interviews with those who knew Burroughs and his circle in Mexico City, García-Robles brilliantly portrays a time in Burroughs’s life that has been overshadowed by the tragedy of Joan Vollmer’s death. He re-creates the bohemian Roma neighborhood where Burroughs resided with Joan and their children, the streets of postwar Mexico City that Burroughs explored, and such infamous figures as Lola la Chata, queen of the city’s drug trade. This compelling book also offers a contribution by Burroughs himself—an evocative sketch of his shady Mexican attorney, Bernabé Jurado.

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cover of The Strozzi of Florence: Widowhood and Family Solidarity in the Renaissance

The Strozzi of Florence

Widowhood and Family Solidarity in the Renaissance

Ann Crabb

University of Michigan Press, 2000

In 1434, the new Medici government exiled Matteo Strozzi as an enemy of the regime. Soon afterwards, Matteo and three of his eight children died of the plague. His young widow, Alesandra, struggled to make arrangements for her five remaining children, preparing her sons for merchant careers and finding husbands for her daughters. Her three sons left Florence in the 1440s to enter relatives' merchant banking firms. Their absence, prolonged by a sentence of exile imposed on them in 1458, gave rise to the family correspondence that informs this rich study.
The Strozzi correspondence tells the story of the decline and recovery of one Florentine patrician family. Eventually, the Strozzi brothers earned the greatest fortune of their era, and, after the repeal of their exile, Filippo, the eldest, most successful, and longest lived, spent the last years of his life in Florence as one of its foremost citizens. Set in the context of other documentary evidence and of modern historical and anthropological studies, Crabb's study illuminates the role of women, kinship, solidarity, honor, and profit. These letters provide nuanced insights into values and practices that more impersonal sources cannot rival.
As well as appealing to those interested in the Renaissance, Florence, and Italy, this book will attract those wanting to read about topics in social history that cross time periods: women, family and kinship, business, and honor. It confronts issues of Renaissance Florentine historiography by presenting a more positive view of the role of women than does current orthodoxy, by providing evidence of the impact of extended kinship ties, a controversial issue, and by illuminating further the value placed on honor and profit.
Ann Crabb teaches medieval history at James Madison University.
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cover of The Subject of Elizabeth: Authority, Gender, and Representation

The Subject of Elizabeth

Authority, Gender, and Representation

Louis Montrose

University of Chicago Press, 2006

As a woman wielding public authority, Elizabeth I embodied a paradox at the very center of sixteenth-century patriarchal English society. Louis Montrose’s long-awaited book, The Subject of Elizabeth, illuminates the ways in which the Queen and her subjects variously exploited or obfuscated this contradiction.

Montrose offers a masterful account of the texts, pictures, and performances in which the Queen was represented to her people, to her court, to foreign powers, and to Elizabeth herself. Retrieving this “Elizabethan imaginary” in all its richness and fascination, Montrose presents a sweeping new account of Elizabethan political culture.  Along the way, he explores the representation of Elizabeth within the traditions of Tudor dynastic portraiture; explains the symbolic manipulation of Elizabeth’s body by both supporters and enemies of her regime; and considers how Elizabeth’s advancing age provided new occasions for misogynistic subversions of her royal charisma.  

This book, the remarkable product of two decades of study by one of our most respected Renaissance scholars, will be welcomed by all historians, literary scholars, and art historians of the period.
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cover of The Subversive Simone Weil: A Life in Five Ideas

The Subversive Simone Weil

A Life in Five Ideas

Robert Zaretsky

University of Chicago Press, 2021

Known as the “patron saint of all outsiders,” Simone Weil (1909–43) was one of the twentieth century’s most remarkable thinkers, a philosopher who truly lived by her political and ethical ideals. In a short life framed by the two world wars, Weil taught philosophy to lycée students and organized union workers, fought alongside anarchists during the Spanish Civil War and labored alongside workers on assembly lines, joined the Free French movement in London and died in despair because she was not sent to France to help the Resistance.

Though Weil published little during her life, after her death, thanks largely to the efforts of Albert Camus, hundreds of pages of her manuscripts were published to critical and popular acclaim. While many seekers have been attracted to Weil’s religious thought, Robert Zaretsky gives us a different Weil, exploring her insights into politics and ethics, and showing us a new side of Weil that balances her contradictions—the rigorous rationalist who also had her own brand of Catholic mysticism; the revolutionary with a soft spot for anarchism yet who believed in the hierarchy of labor; and the humanitarian who emphasized human needs and obligations over human rights. Reflecting on the relationship between thought and action in Weil’s life, The Subversive Simone Weil honors the complexity of Weil’s thought and speaks to why it matters and continues to fascinate readers today.
 
 
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cover of The Summer of Her Baldness: A Cancer Improvisation

The Summer of Her Baldness

A Cancer Improvisation

By Catherine Lord

University of Texas Press, 2004

"No eyebrows. No eyelashes. When it rains the water will run straight down into my eyes," Catherine Lord wrote before her hair fell out during chemotherapy. Propelled into an involuntary performance piece occasioned by the diagnosis of breast cancer, Lord adopted the online persona of Her Baldness—an irascible, witty, polemical presence who speaks candidly about shame and fear to her listserv audience. While Lord suffers from unwanted isolation and loss of control as her treatment progresses, Her Baldness talks back to the society that stigmatizes bald women, not to mention middle-aged lesbians with a life-threatening disease.

In this irreverent and moving memoir, Lord draws on the e-mail correspondence of Her Baldness to offer an unconventional look at life with breast cancer and the societal space occupied by the seriously ill. She photographs herself and the rooms in which she negotiates her disease. She details the clash of personalities in support groups, her ambivalence about Western medicine, her struggles to maintain her relationship with her partner, and her bemusement when she is mistaken for a "sir." She uses these experiences—common to the one-in-eight women who will be diagnosed at some point with breast cancer—to illuminate larger issues of gender signifiers, sexuality, and the construction of community.

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cover of The Surrendered: Reflections by a Son of Shining Path

The Surrendered

Reflections by a Son of Shining Path

José Carlos Agüero. Edited and Translated by Michael J. Lazzara and Charles F. Walker

Duke University Press, 2021

When Peruvian public intellectual José Carlos Agüero was a child, the government imprisoned and executed his parents, who were members of Shining Path. In The Surrendered—originally published in Spanish in 2015 and appearing here in English for the first time—Agüero reflects on his parents' militancy and the violence and aftermath of Peru's internal armed conflict. He examines his parents' radicalization, their lives as guerrillas, and his tumultuous childhood, which was spent in fear of being captured or killed, while grappling with the complexities of public memory, ethics and responsibility, human rights, and reconciliation. Much more than a memoir, The Surrendered is a disarming and moving consideration of what forgiveness and justice might mean in the face of hate. This edition includes an editors' introduction, a timeline of the Peruvian conflict, and an extensive interview with the author.
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cover of The Sutton-Taylor Feud: The Deadliest Blood Feud in Texas

The Sutton-Taylor Feud

The Deadliest Blood Feud in Texas

Chuck Parsons

University of North Texas Press, 2009

[more]
cover of The Sweet Smell of Home: The Life and Art of Leonard F. Chana

The Sweet Smell of Home

The Life and Art of Leonard F. Chana

Leonard F. Chana, Susan Lobo, and Barbara Chana

University of Arizona Press, 2009

A self-taught artist in several mediums who became known for stippling, Leonard Chana captured the essence of the Tohono O’odham people. He incorporated subtle details of O’odham life into his art, and his images evoke the smells, sounds, textures, and tastes of the Sonoran desert—all the while depicting the values of his people.

He began his career by creating cards and soon was lending his art to posters and logos for many community-based Native organizations. Winning recognition from these groups, his work was soon actively sought by them. Chana’s work also appears on the covers and as interior art in a number of books on southwestern and American Indian topics.

The Sweet Smell of Home is an autobiographical work, written in Chana’s own voice that unfolds through oral history interviews with anthropologist Susan Lobo. Chana imparts the story of his upbringing and starting down the path toward a career as an artist. Balancing humor with a keen eye for cultural detail, he tells us about life both on and off the reservation.

Eighty pieces of art—26 in color—grace the text, and Chana explains both the impetus for and the evolution of each piece. Leonard Chana was a people’s artist who celebrated the extraordinary heroism of common people’s lives. The Sweet Smell of Home now celebrates this unique artist whose words and art illuminate not only his own remarkable life, but also the land and lives of the Tohono O’odham people
[more]
cover of The Sword & the Pen: A Life of Lew Wallace

The Sword & the Pen

A Life of Lew Wallace

Ray E. Boomhower

Indiana Historical Society Press, 2005

[more]
cover of The Table: Seasons on a Colorado Ranch

The Table

Seasons on a Colorado Ranch

Lara Richardson

University Press of Colorado, 2024

Welcome to The Table where stories of family and faith run deep in ranching tradition. Join Colorado rancher and mother of five, Lara Richardson, as she reveals the complexities of modern frontier life in a picturesque Rocky Mountain valley. She shares seasons of growth and loss in her family and community while exploring the stewardship of land, body, and soul. Richardson lays bare the deep moments of injury, mystery, and death while giving readers a glimpse into the daily demands and generous gifts of a livelihood that is becoming scarcer with each passing year. With her hands in the soil and her heart on each page, Richardson offers recipes for your own table while inviting you to sit a while at hers. 
 
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cover of The Tallgrass Prairie Reader

The Tallgrass Prairie Reader

John T. Price

University of Iowa Press, 2014

The tallgrass prairie of the early 1800s, a beautiful and seemingly endless landscape of wildflowers and grasses, is now a tiny remnant of its former expanse. As a literary landscape, with much of the American environmental imagination focused on a mainstream notion of more spectacular examples of wild beauty, tallgrass is even more neglected. Prairie author and advocate John T. Price wondered what it would take to restore tallgrass prairie to its rightful place at the center of our collective identity.

The answer to that question is his Tallgrass Prairie Reader, a first-of-its-kind collection of literature from and about the tallgrass bioregion. Focusing on autobiographical nonfiction in a wide variety of forms, voices, and approaches—including adventure narrative, spiritual reflection, childhood memoir, Native American perspectives, literary natural history, humor, travel writing and reportage—he honors the ecological diversity of tallgrass itself and provides a range of models for nature writers and students.

The chronological arrangement allows readers to experience tallgrass through the eyes and imaginations of forty-two authors from the nineteenth to the twenty-first centuries. Writings by very early explorers are followed by works of nineteenth-century authors that reflect the fear, awe, reverence, and thrill of adventure rampant at the time. After 1900, following the destruction of the majority of tallgrass, much of the writing became nostalgic, elegiac, and mythic. A new environmental consciousness asserted itself midcentury, as personal responses to tallgrass were increasingly influenced by larger ecological perspectives. Preservation and restoration—informed by hard science—emerged as major themes. Early twenty-first-century writings demonstrate an awareness of tallgrass environmental history and the need for citizens, including writers, to remember and to help save our once magnificent prairies.
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cover of The Templeton Touch

The Templeton Touch

William Proctor

Templeton Press, 2012

Although John Templeton (1912–2008) simply considered himself a bargain hunter, those in the know on Wall Street considered him one of the greatest stock pickers of the twentieth century. Anyone prudent enough to have invested $10,000 in his Templeton Growth Fund when it was first established in 1954 would today have over $7 million to their name if they left those funds alone. Few mutual funds can match that kind of spectacular and consistent performance.
 
How did he do it? What kind of principles guided his decisions through bull and bear markets? What was the secret to his success? Fortunately, generosity was one of Templeton’s defining characteristics, and he freely shared his investing wisdom with the world in The Templeton Touch. This edition, which has been greatly expanded and revised from the original 1983 publication, gives the reader an inside look at the mindset that made Templeton a Wall Street legend. His global focus, his relentless curiosity, his future-mindedness, his personal touch with clients, his willingness to take reasonable risks, his reliance on deep research and fundamental analysis— everything that set him apart from the crowd is covered here in great detail by authorized biographer William Proctor. This updated edition also contains a new section comprised of twenty-two interviews with those who knew and worked with Templeton, conducted by Scott Phillips. Among those interviewed are business luminaries like Jim Rogers, Julian Robertson, Steve Forbes, Prem Watsa, Mason Hawkins, and Michael Price.
 
The Templeton Touch should be required reading for any investor, from the absolute novice to the most experienced. Not only could Templeton’s practical advice help guide investors through tricky market conditions, but the many insights into his character and his philosophies could help anyone live a more successful life.
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cover of The Temptation of Saint Redon: Biography, Ideology, and Style in the Noirs of Odilon Redon

The Temptation of Saint Redon

Biography, Ideology, and Style in the Noirs of Odilon Redon

Stephen F. Eisenman

University of Chicago Press, 1992

Bristling with demons, grotesques, and bizarre apparitions, the graphic work of Odilon Redon has often seemed to be the product of a mind unhinged. In The Temptation of Saint Redon, Stephen F. Eisenman argues instead that these works are Redon's conscious and considered response to changing social realities—an attempt to find refuge from the forces of modernization in an imaginative world of the macabre and the fantastic. Eisenman's careful attention to the circumstances of Redon's life (1840-1916) allows him to bring into focus the interconnections between Redon's complex style and the culture and society of his time. Born and raised on a sixteenth-century estate near Bordeaux, Redon was immersed as a child in traditional rural culture. "I spent my entire childhood in the Médoc completely free, among peasant children," he recalled in his memoirs. "I heard them tell supernatural tales—witches still exist there."

Indeed, local tales and legends of witches, ghosts, one-eyed monsters, evil eyes, and wood fairies figure prominently in Redon's graphic works, which he called his noirs, or "blacks." After formal training at Bordeaux and Paris in the 1850s and 1860s, Redon began to chart his independent artistic course. Eisenman shows how, rejecting both naturalism and classicism, Redon, a prototypical Symbolist, found in grotesque and epic genres the expression of organic communities and precapitalist societies. He places Redon's desire for this imagined world of superstitious simplicity a desire manifest in his entire mature artistic practice in the context of contemporary avant-garde movements.

Redon's great noirs of the 1870s and 1880s, dreamlike configurations of seemingly irreconcilable elements from portraits, still lifes, and landscapes, show an increasingly subtle control of connotation and a complex indebtedness to caricature, allegory, and puns. Many of the noirs also visually interpret works by like-minded authors, including Baudelaire, Flaubert, Poe, and Mallarmé, one of Redon's close friends. Eisenman's analysis of the noirs underscores Redon's interest in creating an imaginative, even fantastic art, that could act directly on the human spirit. In addition to deepening our understanding of Redon and his art, The Temptation of Saint Redon exposes a link between place, politics, personal history, and the artistic imagination.
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cover of The Tender Friendship and the Charm of Perfect Accord: Nabokov and His Father

The Tender Friendship and the Charm of Perfect Accord

Nabokov and His Father

Gavriel Shapiro

University of Michigan Press, 2014

Vladimir Nabokov (1899–1977), a writer of world renown, grew up in a culturally refined family with diverse interests. Nabokov’s father, Vladimir Dmitrievich (1870–1922), was a distinguished jurist and statesman at the turn of the twentieth century. He was also a great connoisseur and aficionado of literature, painting, theater, and music as well as a passionate butterfly collector, keen chess player, and avid athlete. This book, the first of its kind, examines Vladimir Nabokov’s life and works as impacted by his distinguished father. It demonstrates that V. D. Nabokov exerted the most fundamental influence on his son, making this examination pivotal to understanding the writer’s personality and his world perception, as well as his literary, scholarly, and athletic accomplishments. The book contains never heretofore published archival materials. It is appended with rare articles by Nabokov and his father and is accompanied by old photographs. In addition, the book constitutes a survey of sorts of Russian civilization at the turn of the twentieth century by providing a partial view of the multifaceted picture of Imperial Russia in its twilight hours. The book illumines the historical background, political struggle, juridical battles, and literary and artistic life as well as athletic activities during the epoch, rich in cultural events and fraught with sociopolitical upheavals.

Cover illustration: Vladimir Nabokov and his father, 1906. The Nabokov family photographs. Copyright © The Estate of Vladimir Nabokov, used by permission of The Wylie Agency, LLC; and of The Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, Astor, Lenox and Tilden Foundations.

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cover of The Test

The Test

Walter Adams

Michigan State University Press, 2003

World renowned economist and president of Michigan State University, Walter Adams first published The Test in 1971, a year after his tenure as university president ended. Adams recounts the tumultuous nine months of his office: as the first university president to follow the legendary John Hannah, Adams inherited the unease and resentments that had been quietly swelling under seemingly calm administrative waters.
     These resentments, coupled with the increased social awareness generated by sixties activism combined in an explosive protest during the fall of 1969. With gripping honesty and clarity, The Test not only chronicles the events, but offers an indictment of those institutional structures that ignored very real social concerns in favor of esoteric academic pursuits. By examining the perspectives of all the participants, Adams presents new directions for the growth and development of university communities. Both a thoughtful analysis and eyewitness account, The Test presents invaluable documentary evidence of one of the most dynamic periods in American history.

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cover of The Texas Book Two: More Profiles, History, and Reminiscences of the University

The Texas Book Two

More Profiles, History, and Reminiscences of the University

Edited by David Dettmer

University of Texas Press, 2012

In every corner of the sprawling enterprise that is the University of Texas at Austin, you will find teaching, research, artistic creation, and sports achievement that are among the best in the world. Mandated by the Texas constitution to be “a university of the first class,” UT Austin strives for excellence across the curriculum, from the most traditional of liberal arts disciplines to the cutting edge of science and technology. For Texans interested in progress, whether students of the university or members of the public, there are few pleasures greater than uncovering the intellectual treasures that can be found by exploring the university’s “Forty Acres” and all that they contain.

The Texas Book, edited by Richard A. Holland and published in 2006, offered the first in-depth exploration of UT’s history and traditions through a collection of profiles, histories, and reminiscences. Now The Texas Book Two continues the story, with a variety of contributors recalling particular events and personalities that have helped shape the university and the people whose lives it has touched. Twenty-one essays present personalities such as John A. Lomax, Anna Hiss, J. R. Parten, Harvey Penick, John W. Hargis, and Jorge Luis Borges; accounts of legislative battles and debates over campus architecture; histories of crown jewels such as the McDonald Observatory and Austin City Limits; and the reminiscences of Barbara Smith Conrad, Sam Hurt, and Cat Osterman, among others.

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cover of The Texas Book: Profiles, History, and Reminiscences of the University

The Texas Book

Profiles, History, and Reminiscences of the University

Edited by Richard A. Holland

University of Texas Press, 2006

As the University of Texas at Austin celebrates its 125th anniversary, it can justly claim to be a "university of the first class," as mandated in the Texas Constitution. The university's faculty and student body include winners of the Nobel Prize, the Pulitzer Prize, the MacArthur "genius award," and Rhodes and Marshall Scholarships, as well as members of learned societies all over the world. UT's athletic programs are said to be the best overall in the United States, and its libraries, museums, and archives are lauded in every educated part of the world. Texas alumni have made their marks in law, engineering, geology, business, journalism, and all fields of the sciences, arts, and entertainment.

The Texas Book gathers together personality profiles, historical essays, and first-person reminiscences to create an informal, highly readable history of UT. Many fascinating characters appear in these pages, including visionary president and Ransom Center founder Harry Huntt Ransom, contrarian English professor and Texas folklorist J. Frank Dobie, legendary regent and lightning rod Frank C. Erwin, and founder of the field of Mexican American Studies, Américo Paredes. The historical pieces recall some of the most dramatic and challenging episodes in the university's history, including recurring attacks on the school by politicians and regents, the institution's history of segregation and struggles to become a truly diverse university, the sixties' protest movements, and the Tower sniper shooting. Rounding off the collection are reminiscences by former and current students and faculty, including Walter Prescott Webb, Willie Morris, Betty Sue Flowers, J. M. Coetzee, and Barbara Jordan, who capture the spirit of the campus at moments in time that defined their eras.

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cover of The Texas Civil Rights Project: How We Built a Social Justice Movement

The Texas Civil Rights Project

How We Built a Social Justice Movement

Jim Harrington

University of Texas Press, 2025

Texas civil rights icon Jim Harrington recounts his lifelong fight for equality, winning major reforms for farmworkers and disabled Texans and helping build a movement for social justice.

Jim Harrington arrived in South Texas in 1973, ready to file class action lawsuits and “save the world.” Over the following fifty years, he built one of Texas’s key civil rights organizations and played an essential role in many of its greatest victories.

Harrington takes readers on his journey from a Midwest seminary to a United Farm Workers office in the Rio Grande Valley and on to founding the Texas Civil Rights Project. He fought for the rights of a wide range of Texans, bringing justice to victims of police brutality, injured farmworkers, silenced students, and people with disabilities excluded from full participation in society, building a movement for social justice, and a family, along the way. These major gains were tempered by heartbreaking losses, and Harrington recounts the difficult work of persevering in the face of injustice.

Framed by a foreword from Judge Lora Livingston and an afterword by Congressman Greg Casar, The Texas Civil Rights Project is at once a history of the struggle for equality over the last fifty years, a celebration of the individuals and grassroots organizations who fought hard to improve the lives of others, and a memoir of a singular force who pushed the Texas justice system to live up to its ideals.

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cover of The Texas Way: Money, Power, Politics, and Ambition at The University

The Texas Way

Money, Power, Politics, and Ambition at The University

By William H. Cunningham

University of Texas Press, 2013

This engaging memoir details Bill Cunningham’s seven years as president of the University of Texas at Austin and his eight years as chancellor of the UT System. Along the way, he relates accounts of the important issues UT faced during that time, including fraternity hazing, affirmative action, the demise of the Southwest Conference and the creation of the Big 12, apartheid and divestment protests, the future of higher education in Texas, and many other issues.

The Texas Way outlines how money, power, politics, and ambition all play roles in the business of running the state’s premier university system, particularly in its relations with the state government. As president and then as chancellor, Cunningham dealt with conflict from all sides of the political spectrum, always striving to protect the university’s interests.

Bill Cunningham was at the center of many important issues during the fifteen years he served as president and chancellor. The Dolph Briscoe Center for American History at the University of Texas at Austin is pleased to publish Cunningham’s detailed and insightful memoir, which serves as a reminder of how these issues continue to resonate and affect higher education in Texas.

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cover of The The Traveling Camera: Lewis Hine and the Fight to End Child Labor

The The Traveling Camera

Lewis Hine and the Fight to End Child Labor

Alexandra S. D. Hinrichs

J. Paul Getty Trust, The, 2021

This poetic and beautiful picture book chronicles the travels of Lewis Hine, who used his camera to document child labor in the early twentieth century.
 
Stunning visuals and poetic text combine to tell the inspiring story of Lewis Hine (1874–1940), a teacher and photographer who employed his art as a tool for social reform. Working for the National Child Labor Committee, Hine traveled the United States, taking pictures of children as young as five toiling under dangerous conditions in cotton mills, seafood canneries, farms, and coal mines. He often wore disguises to sneak into factories, impersonating a machinery inspector or traveling salesman. He said, “If I could tell this story in words, I wouldn’t need to lug a camera.” His poignant pictures attracted national attention and were instrumental in the passage of child labor laws. The Traveling Camera contains extensive back matter, including a time line, original photos, and a bibliography.
 
Ages six to nine.
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cover of The Third Door: The Autobiography of an American Negro Woman

The Third Door

The Autobiography of an American Negro Woman

Ellen Tarry

University of Alabama Press, 1992

Tarry relates her life against the background of a changing American society

In pursuit of her dream of becoming a writer, Tarry moved to New York, where she worked for black newspapers and became acquainted with some of the prominent black artists and writers of the day, particularly Claude McKay and James Weldon Johnson. Her devotion to the church found expression in social work activities, first in Harlem, then in Chicago, and, during World War II, in Anniston, Alabama, where she directed a USO for black soldiers stationed at Fort McClellan. Tarry wrote several books for young readers, including biographies of James Weldon Johnson and Pierre Toussaint. She continued her social work career after the war and now lives in New York.

Devoid of pronounced racial markings, Tarry’s interactions with white Americans were not characterized by fear or distrust. But when her own brown daughter was subjected to racial discrimination she wrote The Third Door in 1955 to tell America about the plight of her people. With prose that is both moving and powerful, Tarry relates her life against the background of a changing American society. She still awaits the third door, designated neither “white” nor “colored,” through which all American will someday walk.
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