18284 books match the query 'United States' and 3764 start with t
Robert W. Cherny
University of Illinois Press, 2024
Created in 1934, the Coit Tower murals were sponsored by the Public Works of Art Project (PWAP), the first of the New Deal art programs. Twenty-five master artists and their assistants worked there, most of them in buon fresco, Nearly all of them drew upon the palette and style of Diego Rivera. The project boosted the careers of Victor Arnautoff, Lucien Labaudt, Bernard Zakheim, and others, but Communist symbols in a few murals sparked the first of many national controversies over New Deal art.
Sixty full-color photographs illustrate Robert Cherny’s history of the murals from their conception and completion through their evolution into a beloved San Francisco landmark. Cherny traces and critiques the treatment of the murals by art critics and historians. He also probes the legacies of Coit Tower and the PWAP before surveying San Francisco’s recent controversies over New Deal murals.
An engaging account of an artistic landmark, The Coit Tower Murals tells the full story behind a public art masterpiece.
Michael F. Robinson
University of Chicago Press, 2006
Alexandra J. Gold
University of Iowa Press, 2023
Mark A. Lause
University of Missouri Press, 2025
Henry Northrup Castle
Ohio University Press, 2012
George Herbert Mead, one of America’s most important and influential philosophers, a founder of pragmatism, social psychology, and symbolic interactionism, was also a keen observer of American culture and early modernism. In the period from the 1870s to 1895, Henry Northrup Castle maintained a correspondence with family members and with Mead—his best friend at Oberlin College and brother-in-law—that reveals many of the intellectual, economic, and cultural forces that shaped American thought in that complex era. Close friends of John Dewey, Jane Addams, and other leading Chicago Progressives, the author of these often intimate letters comments frankly on pivotal events affecting higher education, developments at Oberlin College, Hawaii (where the Castles lived), progressivism, and the general angst that many young intellectuals were experiencing in early modern America.
The letters, drawn from the Mead-Castle collection at the University of Chicago, were collected and edited by Mead after the tragic death of Henry Castle in a shipping accident in the North Sea. Working with his wife Helen Castle (one of Henry’s sisters), he privately published fifty copies of the letters to record an important relationship and as an intellectual history of two progressive thinkers at the end of the nineteenth century. American historians, such as Robert Crunden and Gary Cook, have noted the importance of the letters to historians of the late nineteenth century.
The letters are made available here using the basic Mead text of 1902. Additional insights into the connection between Mead, John Dewey, Henry and Harriet Castle, and Hawaii’s progressive kindergarten system are provided by the foundation’s executive director Alfred L. Castle. Marvin Krislov, president of Oberlin College, has added additional comments on the importance of the letters to understanding the intellectual relationship that flourished at Oberlin College.
Published with the support of the Samuel N. and Mary Castle Foundation.
Harriette Simpson Arnow
Michigan State University Press, 2005
Harriette Simpson Arnow is an American treasure. Of the twenty-five stories in this collection, fifteen were previously unpublished. Until now, the short fiction of Arnow has remained relatively obscure despite the literary acclaim given to her novels The Dollmaker and Hunter’s Horn. These stories, written early in her career for the most part, reveal an artistic vision and narrative skill and serve as harbingers for her later work. They echo her interest in both agrarian and urban communities, the sharpening of her social conscience, and her commitment to creating credible and complex characters. This collection is organized against the backdrop of her life, from Kentucky in the 1920s to Ohio and Kentucky in the 1930s and to Michigan in the 1940s. As Arnow fans read these early gems, they will be led from gravel roads to city pavement and open layers of Arnow’s development as a novelist to expose the full range of her contributions to American literature.
In 1938, Esquire purchased "The Hunters," which was eventually published as "The Two Hunters," a chilling story of a seventeen-year- old boy’s confrontation with a deputy sheriff. At the time, Esquire did not accept submissions from women, and its editors had no idea that writer H. L. Simpson was not a man. Years later, she admitted in an interview, "it worried me a little, that big lie, but I thought if they wanted a story, let them have it." Esquire paid her $125 for this story. The contributor’s notes at the back of the magazine include a photo of "H.L.Simpson," actually a photo of one of her brothers-in-law. It was her little joke on a publisher that discriminated against women....
—from the Introduction
Benjamin Hawkins, edited and with an introduction by H. Thomas Foster, II
University of Alabama Press, 2003

David H. Burton
Ohio University Press, 2001
The inaugural volume of The Collected Works of William Howard Taft is composed of two of his earliest books, Four Aspects of Civic Duty and Present Day Problems. Based on a series of lectures delivered at Yale in 1906, Four Aspects of Civic Duty is an attempt by then Secretary of War Taft to bring to the attention of his audience the importance of civic duty from the perspective of the university graduate, the judge on the bench, the colonial administrator, and the national executive branch of government. His remarks were drawn from his own experience, while at the same time he laid down the principles of citizenship with which all people could identify. In Present Day Problems, William Howard Taft demonstrates the depth of his knowledge and the seriousness of his reflections on a wide range of topics including Sino-American relations and the ongoing contest between capital and labor in America’s increasingly industrial socioeconomy. The problems he takes up are met head-on and discussed in a fashion likely to persuade his audience that he is well prepared to tackle the burdens of the presidency.
The Collected Works of William Howard Taft, in eight volumes, will include Taft’s complete published works as well as his presidential and state addresses and selected court opinions from his days as chief justice of the Supreme Court.

David H. Burton
Ohio University Press, 2001
The second volume of The Collected Works of William Howard Taft is dedicated to the speeches and writings that displayed his thinking in the autumn of 1908 and the following winter.
At this time he was campaigning for the presidency against the well-known William Jennings Bryan, and in Taft’s writings is evidence of the contrast in style between Taft and Bryan and between Taft and his predecessor, Teddy Roosevelt. as well. Although uncomfortable with campaigning, he thoughtfully addresses the concerns of the day that framed the election, including race, the Philippines, and socialism.
Political Issues and Outlooks also contains speeches made after the election and leading up to his inauguration as the twenty-seventh president of the United States. Introduced by a commentary from the general series editor Professor David H. Burton, the second volume of The Collected Works of William Howard Taft is a revealing look at the machinations of United States politics at the beginning of the twentieth century and a glimpse into the mind of one of the century’s most influential political architects.

David H. Burton
Ohio University Press, 2001
The third volume of The Collected Works of William Howard Taft imparts an appreciation of the range of the twenty-seventh president’s interests. Beginning with his inaugural address and concluding with a detailed exposition of governmental expenses and needed economies, President William Howard Taft showed himself willing to tackle the routine as well as the rarified responsibilities of executive rule.
Whether he was addressing the issue of strikes and labor unions or conservation, President Taft consistently demonstrated that, in word and action, he was prepared to be a modern president. What impresses the reader of these remarks is Taft’s willingness to administer to virtually every part of the nation, thereby proving that he was not a mere figurehead but a chief executive truly concerned about problems across the country. Perhaps, as his words here indicate, Taft was not a good politician after all but a kind man who saw himself as president of all the people. As the first of two volumes directly related to Taft’s tenure as president, Presidential Addresses and State Papers documents a pivotal time in the public life of this man from Ohio. Introduced by a commentary from the general series editor Professor David H. Burton, the third volume of The Collected Works of William Howard Taft underscores the presidential stature of William Howard Taft.

David H. Burton
Ohio University Press, 2002
“A time when panics seem far removed is the best time to prepare our financial system to withstand a storm. The most crying need this country has is a proper banking and currency system. The existing one is inadequate, and everyone who has studied the question admits it.”—William Howard Taft
The interaction between President William Howard Taft and the Congress provides a window on his leadership. Volume IV of The Collected Works of William Howard Taft is devoted to his messages to the legislative branch and concerns some of the pressing issues of the day, issues that have relevance still.
Oftentimes President Taft was at odds with a somewhat reactionary Congress, causing him to veto legislation that he thought unwise. For example, his commitment to the independence of elected judges led him to reject statehood for Arizona until its constitution was altered to address his objection.
His messages also touched on subjects for which he led the way over the objections of Congress, such as his recommendation of a federal law to protect resident aliens against denial of their civil rights and his advocacy of free trade with Canada.
In his commentary to the volume, Professor Burton points out: “There is exhibited time after time concern for the American people, for men and women from different walks of life. Taft comes across less as a judge, which he had been, or the chief justice he was to become, and more as a sitting president of all the people.”
Taft’s Presidential Messages to Congress provides the documentary evidence to support that claim.

David H. Burton
Ohio University Press, 2003
The fifth volume of The Complete Works of William Howard Taft presents two publications Taft wrote as Kent Professor of Constitutional Law at Yale University, the position he assumed in 1913 after he was defeated in his bid for re-election as U.S. president. The first, Popular Government, was prepared for a series of lectures, but was motivated by Taft’s passion over the issue of constitutional interpretation, which had been hotly contested during the campaign. Organized around the preamble of the Constitution, the lectures and later the book were opportunities for Taft to restate his opposition to the direct democracy movement and to reveal the workings of a conservative mind.
In the second, The Anti-trust Act and the Supreme Court, Taft articulates his position in the ongoing debate over the conventional nineteenth-century notion of “laissez faire” and the provisions of the Sherman Antitrust Act. Taft had pursued a policy of vigorous antitrust enforcement during his presidency. In this book he intended to demonstrate that restraint of trade was part of the common law, thereby arguing to good effect in favor of reasonable restraint of trade in his own time.
Taft's careful distinction between predatory monopolistic practices and the reasonable business practices of well-behaved corporations continues to inform today's chambers of government.

David H. Burton
Ohio University Press, 2003
Volume VI of The Collected Works of William Howard Taft follows the career of William Howard Taft upon his leaving the White House. It consists of two short publications from 1914 and 1915.
The first, The President and His Powers, is based on a series of lectures delivered at Columbia University and draws on Taft’s experience in the presidency and the executive branch. It speaks particularly to the nature of executive power and its place in the American system and is rooted in his disagreement with Theodore Roosevelt regarding presidential power. Taft believed all presidential power must be traced to some specific grant of power or be necessary to its exercise, while Roosevelt saw the presidency as a position of “steward of the people” limited only by some express provision of the Constitution.
The second, The United States and Peace, reflects Taft’s interest in foreign policy, which was intensified by his years as governor of the Philippines and as secretary of war, as well as by his presidency. Originally four lectures delivered in 1914, The United States and Peace discusses the Monroe Doctrine, the threat to peace presented by incidents of violence to foreigners in the United States, the maintenance of peace through international arbitration, and the trend toward federation in international affairs. Taft hoped to see the latter result in the establishment of an independent judiciary to resolve international disputes.
Taft’s reasoned arguments, supplemented by the commentaries of Professors McWilliams and Gerrity, will stimulate interest among historians, lawmakers, political activists, and the general public.

Frank X. Gerrity
Ohio University Press, 2003
Eager to turn the congressional election of 1918 into a confirmation of his foreign policy, President Woodrow Wilson was criticized for abandoning the spirit of the popular slogan “Politics adjourned!”
His predecessor, William Howard Taft, found Wilson difficult to deal with and took issue with his version of the League of Nations, which Taft felt was inferior to the model proposed by the League to Enforce Peace. Rather than join the massive Republican opposition to the Treaty of Versailles, however, Taft instead supported Wilson’s controversial decision to travel to Paris as the head of the American peace delegation, and he defended the critical tenth article in the covenant, which detractors saw as a surrender of American sovereignty. He also counseled Wilson to insert a clause concerning the Monroe Doctrine that would pacify the Senate’s group of “reservationists,” whose votes were essential to approval of the treaty.
Volume VII in The Collected Works of William Howard Taft consists of the Taft Papers on League of Nations originally published in 1920. This is a collection ofTaft’s speeches, newspaper articles, and complementary documents that reflect his consistent support for a league of nations and, eventually, for the Covenant of the League of Nations emanating from the Paris Peace Conference.
Although the failure of the treaty and its League of Nations can probably be laid at the feet of an obstinate Wilson and a wily Henry Cabot Lodge, William Howard Taft can be credited with rising above partisanship to emerge as the League’s most consistent supporter.
As in the rest of the Collected Works, Taft Papers on League of Nations provides a window on the machinations surrounding some of the most significant decisions of the era.

Francis Graham Lee
Ohio University Press, 2004
William Howard Taft’s presidency (1909-1913), succeeding Theodore Roosevelt’s, was mired in bitter partisan fighting, and Taft sometimes blundered politically. However, this son of Cincinnati assumed his true calling when President Warren G. Harding appointed him to the U.S. Supreme Court in 1921. Taft remains the only person to have served both as president of the United States and as chief justice of the Supreme Court.
The Collected Works of William Howard Taft, Volume VIII, consists of “Liberty under Law” and selected Supreme Court opinions, among the most instructive accomplishments of Taft’s ten years at the helm of the court. The writings reveal the sober judgments of a federalist who viewed state regulation with suspicion, championed national government, and saw an independent and powerful judiciary as the bulwark protecting the “vested rights” that the framers of the U.S. Constitution sought to guarantee.
Whatever his failings as a politician, Taft was an intellectual powerhouse who knew how to use the law as a lever to encourage society to move toward more stable and productive ends. Although Taft is considered an average president at best, historians and political scientists rank him among fifteen “near greats” who have served on the high court. His ability and his love for the law shine through in Volume VIII, the concluding volume of The Collected Works of William Howard Taft. As Taft reportedly said to President Harding upon his appointment as chief justice, “I love judges and I love courts. They are my ideals on earth of what we shall meet afterward in heaven under a just God.”
Beatrix Farrand
University Press of New England, 2009
Zelda Fitzgerald
University of Alabama Press, 1997
The voice behind the legend—Zelda Fitzgerald in her own words.
Zelda Sayre Fitzgerald has long been perceived as the tragic "other half" of the Scott and Zelda legend. Born in Montgomery, Alabama, the high-spirited tomboy turned flapper was talented in dance, painting, and writing but lived in the shadow of her husband's success. Her writing can be experienced on its own terms in Matthew Bruccoli's meticulously edited The Collected Writings of Zelda Fitzgerald.
The collection includes Zelda's only published novel, Save Me the Waltz, an autobiographical account of the Fitzgeralds' adventures in Paris and on the Riviera; her celebrated farce, Scandalabra; eleven short stories; twelve articles; and a selection of letters to her husband, written over the span of their marriage, that reveals the couple's loving and turbulent relationship.
Zelda Sayre Fitzgerald has long been an American cultural icon. The Collected Writings affirms her place as a writer and as a symbol not only of the Lost Generation but of all generations as she struggled to define herself through her art.
Jeffrey T. Davis
American Library Association, 2017

Arlene Rodda Quaratiello
American Library Association, 2010
Kimberley L. Fletcher
Temple University Press, 2018
How does the U.S. Supreme Court shape constitutional and political development? In The Collision of Political and Legal Time, Kimberley Fletcher answers this question by analyzing the key role the Court has played in interpreting presidential decision-making in the area of foreign affairs since 1936. She reconsiders the Curtiss-WrightCourt, which instituted a new constitutional order that established plenary powers independent of congressional delegation. Fletcher also reexamines Japanese internment and detainee cases, demonstrating the entrenchment of the new constitutional order and how presidential ascendency becomes institutionalized. Other cases, such as Youngstown, illustrate how the Court, during a time of war, will check Executive power and authority.
The Collision of Political and Legal Time examines these cases and controversies in foreign policymaking through the twentieth and into the twenty-first centuries to show that the Court is not passive or constrained; it does not merely follow politics or the majority coalition. Through her nuanced analysis, Fletcher makes a larger argument about the role of the U.S. Supreme Court as an agent of change, which ultimately transforms power, shapes politics, and redirects history.
Klancy Clark De Nevers
University of Utah Press, 2004
Charles W. Chesnutt
West Virginia University Press, 2014
Charles Waddell Chesnutt (1858-1932) was an African American writer, essayist, Civil Rights activist, legal-stenography businessman, and lawyer whose novels and short stories explore race, racism, and the problematic contours of African Americans’ social and cultural identities in post-Civil War South. He was the first African American to be published by a major American publishing house and served as a beacon-point for future African American writers.
The Colonel’s Dream, written in 1905, is a compelling tale of the post-Civil War South’s degeneration into a region awash with virulent racist practices against African Americans: segregation, lynchings, disenfranchisement, convict-labor exploitation, and endemic violent repression. The events in this novel are powerfully depicted from the point of view of a philanthropic but unreliable southern white colonel. Upon his return to the South, the colonel learns to abhor this southern world, as a tale of vicious racism unfolds. Throughout this narrative, Chesnutt confronts the deteriorating position of African Americans in an increasingly hostile South. Upon its publication The Colonel’s Dream was considered too controversial and unpalatable because of its bitter criticisms of southern white prejudice and northern indifference, and so this groundbreaking story failed to gain public attention and acclaim.
This is the first scholarly edition of The Colonel’s Dream. It includes an introduction and notes by R. J. Ellis and works to reestablish this great novel’s reputation.
R.J. Ellis
University of Delaware Press, 0
Charles Waddell Chesnutt (1858–1932) was an African American writer, essayist, Civil Rights activist, legal-stenography businessman, and lawyer whose novels and short stories explore race, racism, and the problematic contours of African Americans’ social and cultural identities in post–Civil War South. He was the first African American to be published by a major American publishing house and served as a beacon-point for future African American writers.
The Colonel’s Dream was the third novel published by the distinguished African American writer Charles W. Chestnutt; since its publication in the early twentieth century, however, the novel has been unduly neglected--and, hence, the pressing need for this edition, the first to include scholarly notes. Written in 1905, The Colonel's Dream is a compelling tale of the post–Civil War South’s degeneration into a region awash with virulent racist practices against African Americans: segregation, lynchings, disenfranchisement, convict-labor exploitation, and endemic violent repression. The events in this novel are powerfully depicted from the point of view of a philanthropic but unreliable southern white colonel. Upon his return to the South, the colonel learns to abhor this southern world, as a tale of vicious racism unfolds. Throughout this narrative, Chesnutt confronts the deteriorating position of African Americans in an increasingly hostile South. Upon its publication, The Colonel’s Dream was considered too controversial and unpalatable because of its bitter criticisms of southern white prejudice and northern indifference, and so this groundbreaking story failed to gain public attention and acclaim.
This is the first scholarly edition of The Colonel’s Dream. It includes an introduction and notes by R. J. Ellis and works to reestablish this great novel’s reputation.
Richard Norton Smith
Northwestern University Press, 2003
This is the acclaimed biography of a giant of American journalism. As editor-publisher of the Chicago Tribune, Robert R. McCormick came to personify his city. Drawing on McCormick's personal papers and years of research, Richard Norton Smith has written the definitive life of the towering figure known as The Colonel.
Eric Cheyfitz
University of Minnesota Press, 2024
A guide to the colonization and projected decolonization of Native America
In The Colonial Construction of Indian Country, Eric Cheyfitz mounts a pointed historical critique of colonialism through careful analysis of the dialogue between Native American literatures and federal Indian law. Illuminating how these literatures indict colonial practices, he argues that if the decolonization of Indian country is to be achieved, then federal Indian law must be erased and replaced with independent Native nation sovereignty—because subordinate sovereignty, the historical regime, is not sovereignty at all.
At the same time, Cheyfitz argues that Native American literatures, specifically U.S. American Indian literatures, cannot be fully understood without a knowledge of U.S. federal Indian law: the matrix of colonialism in Indian country. Providing intersectional readings of a range of literary and legal texts, he discusses such authors as Louise Erdrich, Frances Washburn, James Welch, Gerald Vizenor, Simon Ortiz, Leslie Marmon Silko, and others. Cheyfitz examines how American Indian writers and critics have responded to the impact of law on Native life, revealing recent trends in Native writing that build upon traditional modes of storytelling and governance.
With a focus on resistance to the colonial regime of federal Indian law, The Colonial Construction of Indian Country not only elucidates how Native American literatures and federal Indian law are each crucial to any reading of the other, it also guides readers to better understand the genocidal assault on Indigenous peoples by Western structures of literacy, politics, and law.
Erica Gabrielle Foldy
Russell Sage Foundation, 2014
Reynolds Farley
Russell Sage Foundation, 1987
John Hope Franklin
University of Missouri Press, 1993
Michael O'Malley
University of Chicago Press, 2024
Derrick Darby and John L. Rury
University of Chicago Press, 2018
Max Geier
Oregon State University Press, 2015
Chris Gavaler
The Ohio State University Press, 2026
Kenny J. Whitby
University of Michigan Press, 2000
Mason Stokes
Duke University Press, 2001
Frank Waters
Ohio University Press, 1985
The vast Colorado River collects water from the highest Rocky Mountain peaks and traverses the widest plateaus, the deepest canyons, and the lowest deserts before emptying into the delta of northern Mexico. This austere land and mighty river resist exploration, settlement, and description. But in the hands of one of the West’s great writers, Frank Waters, the history and lore of its past make irresistible reading and a resounding case for mankind’s respect for the environment.
Cyprian Clamorgan, Edited & Intro by Julie Winch
University of Missouri Press, 2018
In 1858, Cyprian Clamorgan wrote a brief but immensely readable book entitled The Colored Aristocracy of St. Louis. The grandson of a white voyageur and a mulatto woman, he was himself a member of the "colored aristocracy." In a setting where the vast majority of African Americans were slaves, and where those who were free generally lived in abject poverty, Clamorgan's "aristocrats" were exceptional people. Wealthy, educated, and articulate, these men and women occupied a "middle ground." Their material advantages removed them from the mass of African Americans, but their race barred them from membership in white society.
The Colored Aristocracy of St. Louis is both a serious analysis of the social and legal disabilities under which African Americans of all classes labored and a settling of old scores. Somewhat malicious, Clamorgan enjoyed pointing out the foibles of his friends and enemies, but his book had a serious message as well. "He endeavored to convince white Americans that race was not an absolute, that the black community was not a monolith, that class, education, and especially wealth, should count for something."
Despite its fascinating insights into antebellum St. Louis, Clamorgan's book has been virtually ignored since its initial publication. Using deeds, church records, court cases, and other primary sources, Winch reacquaints readers with this important book and establishes its place in the context of African American history. This annotated edition of The Colored Aristocracy of St. Louis includes an introductory essay on African Americans in St. Louis before the Civil War, as well as an account of the lives of the author and the members of his remarkable family—a family that was truly at the heart of the city's "colored aristocracy" for four generations.
A witty and perceptive commentary on race and class, The Colored Aristocracy of St. Louis is a remarkable story about a largely forgotten segment of nineteenth-century society. Scholars and general readers alike will appreciate Clamorgan's insights into one of antebellum America's most important communities.
Christopher P. Lehman
University of Massachusetts Press, 2007
From the introduction of animated film in the early 1900s to the 1950s, ethnic humor was a staple of American-made cartoons. Yet as Christopher Lehman shows in this revealing study, the depiction of African Americans in particular became so inextricably linked to the cartoon medium as to influence its evolution through those five decades. He argues that what is in many ways most distinctive about American animation reflects white animators' visual interpretations of African American cultural expression.
The first American animators drew on popular black representations, many of which were caricatures rooted in the culture of southern slavery. During the 1920s, the advent of the sound-synchronized cartoon inspired animators to blend antebellum-era black stereotypes with the modern black cultural expressions of jazz musicians and Hollywood actors. When the film industry set out to desexualize movies through the imposition of the Hays Code in the early 1930s, it regulated the portrayal of African Americans largely by segregating black characters from others, especially white females. At the same time, animators found new ways to exploit the popularity of African American culture by creating animal characters like Bugs Bunny who exhibited characteristics associated with African Americans without being identifiably black.
By the 1950s, protests from civil rights activists and the growing popularity of white cartoon characters led animators away from much of the black representation on which they had built the medium. Even so, animated films today continue to portray African American characters and culture, and not necessarily in a favorable light.
Drawing on a wide range of sources, including interviews with former animators, archived scripts for cartoons, and the films themselves, Lehman illustrates the intimate and unmistakable connection between African Americans and animation.
Greg Bottoms
University of Chicago Press, 2007
The Reverend Howard Finster was twenty feet tall, suspended in darkness. Or so he appeared in the documentary film that introduced a teenaged Greg Bottoms to the renowned outsider artist whose death would help inspire him, fourteen years later, to travel the country. Beginning in Georgia with a trip to Finster’s famous Paradise Gardens, his journey—of which The Colorful Apocalypse is a masterly chronicle—is an unparalleled look into the lives and visionary works of some of Finster’s contemporaries: the self-taught evangelical artists whose beliefs and oeuvres occupy the gray area between madness and Christian ecstasy.
With his prodigious gift for conversation and quietly observant storytelling, Bottoms draws us into the worlds of such figures as William Thomas Thompson, a handicapped ex-millionaire who painted a 300-foot version of the book of Revelation; Norbert Kox, an ex-member of the Outlaws biker gang who now lives as a recluse in rural Wisconsin and paints apocalyptic visual parables; and Myrtice West, who began painting to express the revelatory visions she had after her daughter was brutally murdered. These artists’ works are as wildly varied as their life stories, but without sensationalizing or patronizing them, Bottoms—one of today’s finest young writers—gets at the heart of what they have in common: the struggle to make sense, through art, of their difficult personal histories.
In doing so, he weaves a true narrative as powerful as the art of its subjects, a work that is at once an enthralling travelogue, a series of revealing biographical portraits, and a profound meditation on the chaos of despair and the ways in which creativity can help order our lives.
Ann Chih Lin
Russell Sage Foundation, 2008
Phineas T. Barnum. Edited by James W. Cook
University of Illinois Press, 2005
Edited by Barbara Cosens
Oregon State University Press, 2012
Amanda Page
The Ohio State University Press, 2020
Jan Brogan
University of Massachusetts Press, 2021
David William Cohen
University of Chicago Press, 1994
Susannah Felts
Northwestern University Press, 2026
An authentic rock band story from Chicago to Nashville and, just maybe, back again
On the cusp of turning thirty, Chicago indie musician Maggie Corbin has hustled for a decade, set on making her rock and roll dreams come true. Her band, Spinning Birds, fronted by Maggie and her romantic partner Matt Turkish, releases a debut record to critical acclaim, hits the road, and begins working on a follow-up. From the outside, her path looks like success—but as streaming deconstructs the industry and Maggie’s relationships shift and slip, the question remains: Can you live for art alone?
When a sudden move back to the South forces Maggie to reframe her dreams and reckon with familial rifts and her past—while still fighting to reimagine what her future could be—a natural disaster in Nashville and a surprise encounter with a character from her childhood shift her perspective on healing, community, and the ties that bind. Drifting in and out of songwriting sessions, cozy kitchens, and moments of bearing witness to the curious power of the natural world, The Come Apart celebrates the times when we must come fully undone in order to put ourselves back together.
Edited by Nick Marx and Matt Sienkiewicz
University of Texas Press, 2018

John R. Wolfe
University of Chicago Press, 1993
Avery O. Craven
University of Chicago Press, 1966
Gerald J. Baldasty
University of Wisconsin Press, 1992
The Commercialization of News in the Nineteenth Century traces the major transformation of newspapers from a politically based press to a commercially based press in the nineteenth century. Gerald J. Baldasty argues that broad changes in American society, the national economy, and the newspaper industry brought about this dramatic shift.
Increasingly in the nineteenth century, news became a commodity valued more for its profitablility than for its role in informing or persuading the public on political issues. Newspapers started out as highly partisan adjuncts of political parties. As advertisers replaced political parties as the chief financial support of the press, they influenced newspapers in directing their content toward consumers, especially women. The results were recipes, fiction, contests, and features on everything from sports to fashion alongside more standard news about politics.
Baldasty makes use of nineteenth-century materials—newspapers from throughout the era, manuscript letters from journalists and politicians, journalism and advertising trade publications, government reports—to document the changing role of the press during the period. He identifies three important phases: the partisan newspapers of the Jacksonian era (1825-1835), the transition of the press in the middle of the century, and the influence of commercialization of the news in the last two decades of the century.
Bryan W. Marshall and Bruce C. Wolpe
University of Michigan Press, 2018