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Although historians predicted the demise of the Penobscot Indians early in the nineteenth century, the tribe is thriving at the opening of the twenty-first century. Having by the early 1800s been rendered all but invisible to the dominant culture, the Penobscots, by selectively adapting to changing circumstances, won back land and visibility. The vital importance of employing elements of cultural resistance as a survival mechanism has, until now, been underestimated. In a larger context, Dance of Resistance demonstrates how an examination of the history of one Indian nation provides a window on the complex interaction of cultural systems in America.

MacDougall demonstrates that Penobscot legend, linguistics, dance, and oral tradition became foundations of resistance against assimilation into the dominant culture. She thoughtfully and accessibly reconstructs from published, archival, and oral sources the tribe's metaphorical and triumphant Dance of Resistance—founded on spiritual power, reverence for homeland, and commitment to self-determination—from colonial times to the present. A decade of political activism culminated in the precedent-setting 1980 Maine Indian Land Claims settlement. Today the Penobscots run small industries, manage their natural resources, and provide health services, K through 8 education, and social services to the poor and elderly of their community.

Helm begins with a broad-ranging, stimulating overview of the social organization of hunter-gatherer peoples of the world, past and present, that provides a background for all she has learned about the Dene. The chapters in part 1 focus on community and daily life among the Mackenzie Dene in the middle of the twentieth century. After two historical overview chapters, Helm moves from the early years of the twentieth century to the earliest contacts between Dene and white culture, ending with a look at the momentous changes in Dene-government relations in the 1970s. Part 3 considers traditional Dene knowledge, meaning, and enjoyments, including a chapter on the Dogrib hand game. Throughout, Helm's encyclopedic knowledge combines with her personal interactions to create a collection that is unique in its breadth and intensity.

Offers a new theory of the minority as a political form and shows how majoritarian projects are built through its appropriation.

Around the world, national majorities are telling themselves a potent story: that they are the ones in danger. In the United States and Serbia, Christian and white nationalists warn of “replacement.” In Turkey and Pakistan, Muslim nationalists cast religious “others” as existential threats. In India, Hindu nationalists claim that Hindus are becoming minorities in “their own” land. These movements, and the migration and citizenship policies that accompany them, are not aberrations, but rather expressions of a logic embedded in the modern nation-state—a logic that turns people into numbers, numbers into votes, and difference into enmity.

In The People, in Parts, anthropologist Natasha S. Raheja homes in on a paradox visible along the India-Pakistan border. When Hindus cross into India from Pakistan seeking refuge, they are admitted as minorities in need of protection. Yet in India, their welcome into the putative majority is selective and conditional. How does majority-minority status shift by crossing a border? Drawing on long-term research in the Thar Desert region, across Sindh and Rajasthan, Raheja traces how caste and religion shape people's encounters with the state and argues that this bureaucratic confusion is political machinery. Where liberal democracy treats the minority as a shifting, procedural category, nation-state governance fixes it as a substantive identity. The suffering of minoritized populations becomes raw material for majoritarian projects, converted into demographic justification, electoral arithmetic, and nationalist grievance. The minority form, in other words, does majoritarian work.

The People, in Parts offers not only a searing diagnosis of minority-majority politics and the governance of migration but a reframing: the problem is not simply about who belongs and who does not, but how nationalist belonging crosses state borders, pointing to strains within liberal democracy and the nation-state order.

Eugenics and scientific racism are experiencing a resurgence, and an understanding of the ideas of Aleš Hrdlička can help combat them. Today, the racial science of the early twentieth century is both untenable and contemptible. This book is about an arch figure of that period: Aleš Hrdlička served as Curator of Physical Anthropology at the prestigious Smithsonian Institution from 1910 to 1941. Although his ideas about race are today considered pseudoscience, the uncomfortable truth is that he was an internationally respected scientist in his own day.

The Perils of Race-Thinking advances a bold new interpretation of modern racial ideology by exploring Hrdlička’s intellectual world. Using previously untapped Czech-language sources, Brandon irrevocably alters the discussion about this important figure by placing Czech nationalism at the center of his racial thinking. Defying disciplinary categories, Perils of Race-Thinking joins critical analysis of this key American anthropologist with an incisive revisionist perspective of interwar Czechoslovakia to unearth transnational racial presumptions lurking behind the worst crimes of the twentieth century.

At the center of Hrdlička’s race beliefs was his commitment to Czech and Slovak unity and independence. From this center, his next level of concern was what he believed to be a millennial racial struggle between Germans and Slavs. On a global scale, he viewed the Slavs, and especially the Soviet Union, as a eugenic bastion of White strength holding off the “rising tide of color.”

Step by step, Perils of Race-Thinking mercilessly dismantles Hrdlička’s racial system and exposes it as mysticism dressed up in the language of science. Convinced that human individuals belonged “naturally” in racial groups, Hrdlička embraced a revolutionary program of reordering the globe according to a harrowing morality of “Darwinist” struggle. Yet despite a lifetime of measuring body parts, even Hrdlička could not decide how many races there were or how to tell them apart.

An examination of surrealism’s unofficial ethnography of marginalized subjectivities


In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as “ethnographic surrealism.” In The Persistence of Masks, Joyce Suechun Cheng considers the ethnographic dimension of the surrealist movement in its formative years through a close look at the reviews Documents (1929–30) and Minotaure (1933–39) as well as the surrealist writer-turned-ethnographer Michel Leiris’s ethnography of possession. Analyzing surrealist aesthetic criticism, art, poetry, and field research in terms of a common interest in marginalized modes of subjectivity, Cheng argues that the surrealists used the figures of the mask, the veil, the hand, and the hat to radically reconceive the subject as nonhegemonic, nonanthropocentric, and feminine-identified.

Though ethnographic surrealism usually refers to the collaboration between professional ethnologists at the Institut de l’Ethnologie in Paris and Georges Bataille’s so-called dissident circle of surrealists, Cheng demonstrates that surrealism’s unofficial ethnography began long before the founding of the movement. Starting with André Breton’s wartime text “Subject” (1916), written when he was still a young psychiatric intern treating traumatized soldiers, she shows how the future surrealist poet shifted from a clinical to a para-ethnographic approach to subjectivity when adopting his patient’s first-person voice as a textual mask.

Revealing surrealism to be always implicitly ethnographic, Cheng uncovers deep affinities between archrivals Breton and Bataille, highlights psychiatry’s underacknowledged role in surrealism’s lay ethnography, and theorizes the surrealists’ feminine identification as a means of critiquing power. By broadening the scope of ethnographic surrealism, The Persistence of Masks offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture.

Despite efforts to abolish slavery throughout Africa in the nineteenth century, the coercive labor systems that constitute “modern slavery” have continued to the present day. To understand why, Robin Phylisia Chapdelaine explores child trafficking, pawning, and marriages in Nigeria's Bight of Biafra, and the ways in which British colonial authorities and Igbo, Ibibio, Efik, and Ijaw populations mobilized children's labor during the early twentieth century. Drawing on a wealth of primary sources that include oral interviews, British and Nigerian archival materials, newspaper holdings, and missionary and anthropological accounts, Chapdelaine argues that slavery's endurance can only be understood when we fully examine “the social economy of a child”—the broader commercial, domestic, and reproductive contexts in which children are economic vehicles.

The Persistence of Slavery provides an invaluable investigation into the origins of modern slavery and early efforts to combat it, locating this practice in the political, social, and economic changes that occurred as a result of British colonialism and its lingering effects, which perpetuate child trafficking in Nigeria today.

Then, based on the project's findings, Demarest presents interpretive reconstructions of the linked histories of the Pasion River kingdoms and correlates these interpretations with the variable evidence and culture-histories of other regions of the Classic Maya lowlands. He points out that only through linking such accurate regional culture-histories can we begin to understand the eighth- through tenth-century changes in Classic Maya civilization. The volume describes how the Petexbatun project addressed this challenge in its research design, structure, and large, multicentered zone of study. Building on the previous twenty years of Harvard research in adjacent zones, the Vanderbilt projects succeeded in reconstructing events and processes throughout the Pasion River Valley, the largest single inland trade route of the ancient Maya world.

In its conclusions, this first of the Petexbatun volumes of multidisciplinary studies, evidence, analyses, and interpretations, provides answers to some long-standing questions about the "Classic Maya collapse," as well as a new, preliminary culture-history of the abandonment, decline, or transformation of the Classic Maya kingdoms of the western Peten. It is an exciting preview and summary of a decade of evidence on the debate over the fate of the Classic Maya civilization, one of the great controversies in the history of Pre-Columbian archaeology. VIMA Series #1

This comprehensive guide to the rock art of Missouri presents major design motifs and links those images to Native American beliefs.

Images on rocks depicting birds, serpents, deer, and other designs are haunting reminders of prehistoric peoples. This book documents Missouri's rich array of petroglyphs and pictographs, analyzing the many aspects of these rock carvings and paintings to show how such representations of ritual activities can enhance our understanding of Native American culture.

Missouri is a particularly important site for rock art because it straddles the Plains, the Ozarks, and the Southeast. Carol Diaz-Granados and James Duncan have established a model for analyzing this rock art as archaeological data and have mapped the patterning of fifty-eight major motifs across the state. Of particular importance is their analysis of motifs from Mississippi River Valley sites, including Cahokia.

The authors include interpretive discussions on iconography and ideology, drawing on years of research in the ethnographic records and literature of Native Americans linguistically related to earlier peoples. Their distribution maps show how motifs provide clues to patterns of movement among prehistoric peoples and to the range of belief systems. Rock art is an aspect of the archaeological record that has received little attention, and the art is particularly subject to the ravages of time. By documenting these fragile images, this book makes a major contribution to rock art research in North America.

 

How does a so-called bad neighborhood go about changing its reputation? Is it simply a matter of improving material conditions or picking the savviest marketing strategy? What kind of role can or should the arts play in that process? Does gentrification always entail a betrayal of a neighborhood’s roots? Tackling these questions and offering a fresh take on the dynamics of urban revitalization, The Philadelphia Barrio examines one neighborhood’s fight to erase the stigma of devastation.

Frederick F. Wherry shows how, in the predominantly Latino neighborhood of Centro de Oro, entrepreneurs and community leaders forged connections between local businesses and cultural institutions to rebrand a place once nicknamed the Badlands. Artists and performers negotiated with government organizations and national foundations, Wherry reveals, and took to local galleries, stages, storefronts, and street parades in a concerted, canny effort to reanimate the spirit of their neighborhood.

Complicating our notions of neighborhood change by exploring the ways the process is driven by local residents, The Philadelphia Barrio presents a nuanced look at how city dwellers can make commercial interests serve the local culture, rather than exploit it.

An influential thinker distills years of work on the philosophy of movement into one accessible account


Why are city dwellers worldwide walking on average ten percent faster than they were a decade ago? Why are newcomer immigrant groups so often maligned when migration has always constituted civilization? To analyze and understand the depth of the reasons, Thomas Nail suggests that it serves us well to turn to a philosophy of movement. Synthesizing and extending many years of his influential work, The Philosophy of Movement is a comprehensive argument for how motion is the primary force in human and natural history.

Nail critiques the bias toward stasis at the core of Western thought, asking: what would a philosophy that began with the primacy of movement look like? Interrogating the consequences of movement throughout history and in daily life in the twenty-first century, he draws connections and traces patterns between scales of reality, periods of history, and fields of knowledge. In our age of rapid movements shaped by accelerating climate change and ensuing mass global migration, as well as ubiquitous digital media, Nail provides a contemporary philosophy that helps us understand how we got here and how to grapple with these interlocking challenges.

With a foreword by philosopher Daniel W. Smith, The Philosophy of Movement: An Introduction is a must-read for scholars and students not only of philosophy but also history, anthropology, science and technology studies, mobility studies, and other fields across the humanities and social sciences.