Results by title
2706 books match the query 'European' and 622 start with t
The King and the Adulteress
A Psychoanalytic and Literary Reinterpretation of Madame Bovary and King LearRoberto Speziale-Bagliacca
Duke University Press, 1998
Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife’s neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma’s miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play.
Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works.
The Kingdom of Insignificance
Miron Bialoszewski and the Quotidian, the Queer, and the TraumaticJoanna Nizynska
Northwestern University Press, 2012
In one of the first scholarly book in English on Miron Białoszewski (1922–1983), Joanna Niżyńska illuminates the elusive prose of one of the most compelling and challenging postwar Polish writers. Niżyńska’s study, exemplary in its use of theoretical concepts, introduces English-language readers to a preeminent voice of Polish literature. Niżyńska explores how a fusion of seemingly irreconcilable qualities, such as the traumatic and the everyday, imbues Białoszewski’s writing with its idiosyncratic appeal.
Białoszewski’s A Memoir of the Warsaw Uprising (1977, revised 1991) describes the Poles’ heroic struggle to liberate Warsaw from Nazi occupation in 1944 as harrowing yet ordinary. His later prose represents everyday life permeated by traces of the traumatic. Niżyńska closely examines the topic of autobiography and homosexuality, showing how Białoszewski discloses his homosexuality but, paradoxically, renders it inconspicuous by hiding it in plain sight.
The Kingdom to Come
Thoughts on the Union before and after the Scottish Independence ReferendumPeter Hennessy
Haus Publishing, 2015
Peter Hennessy discusses the run-up to the Scottish Independence Referendum and its immediate aftermath, as well as the constitutional issues the referendum opened for the entire United Kingdom. This book includes Hennessy’s personal impressions of recent questioning of the Acts of Union that created Great Britain and describes when he, as the top expert on Britain’s unwritten constitution, became an important voice in what might happen next. The Kingdom to Come also offers a valuable examination of the possible agenda for remaking the constitution in both the medium and long term.
The Lady and the Virgin
Image, Attitude, and Experience in Twelfth-Century FrancePenny Schine Gold
University of Chicago Press, 1985
Vividly recreating the rich texture of medieval life, Gold effectively and eloquently goes beyond a simple equation of social context and representation. In the process. she challenges equally simple judgments of historical periods as being either "good" or "bad" for women.
"[The Lady and the Virgin] presents its findings in a form that should attract students as well as their instructors. The careful and controlled use of so many different kinds of sources . . . offers us a valuable medieval case study in the inner-relationship between the segments of society and its ethos or value system."—Joel T. Rosenthal, The History Teacher
"Something of a tour de force in an interdisciplinary approach to history."—Jo Ann McNamara, Speculum
"[A] well-written, extremely well-researched book. . . . The Lady and the Virgin is useful, readable, and well informed."—R. Howard Bloch, Modern Philology
The Lamb Cycle
What the Great English Poets Would Have Written About Mary and Her Lamb (Had They Thought of It First)David R. Ewbank
Brandeis University Press, 2023
In The Lamb Cycle, David R. Ewbank achieves the unthinkable—he writes so convincingly in the style of the great English poets that one could be lulled into thinking that Shakespeare himself was inspired to muse upon the subject of “Mary Had a Little Lamb.” Ewbank captures not only the style of each of the poets he chooses, but also their preoccupations and subject matter. So D.H. Lawrence’s Mary longs for her lamb as any woman longing for her lover, whilst T.S. Eliot’s Mary is recollected by an old man looking back on his life. Alexander Pope writes an “An Essay on Lambs,” and Tennyson’s lotus eaters become “The Clover Eater.” Brilliantly written, sophisticated, and laugh-out-loud funny, these poems, enhanced by Kate Feiffer’s charming illustrations, will enchant anyone who has ever read an English poem.
The Language(s) of Politics
Multilingual Policy-Making in the European UnionNils Ringe
University of Michigan Press, 2022
Multilingualism is an ever-present feature in political contexts around the world, including multilingual states and international organizations. Increasingly, consequential political decisions are negotiated between politicians who do not share a common native language. Nils Ringe uses the European Union to investigate how politicians’ reliance on shared foreign languages and translation services affects politics and policy-making. Ringe's research illustrates how multilingualism is an inherent and consequential feature of EU politics—that it depoliticizes policy-making by reducing its political nature and potential for conflict. An atmosphere with both foreign language use and a reliance on translation leads to communication that is simple, utilitarian, neutralized, and involves commonly shared phrases and expressions. Policymakers tend to disregard politically charged language and they are constrained in their ability to use vague or ambiguous language to gloss over disagreements by the need for consistency across languages.
The Last Amateur
Jonathan Swift, Edward Said, and the Profession of LiteratureHelen Deutsch
University of Chicago Press, 2026
Joining the unfinished conversation between the satirist Jonathan Swift and the critic Edward Said, The Last Amateur argues for the transformative potential of literature.
What does “Swiftian” mean to you? For many, the name is synonymous with ingenious satire and an acid, clarifying mix of decorum and outrage. Jonathan Swift was, of course, the author of not only Gulliver’s Travels but also A Modest Proposal, which the columnist Gene Lyons recently called “perhaps the most penetrating anti-racist essay in the English language.” Small wonder, then, that the Anglo-Irish satirist was a lifelong inspiration to the great Palestinian American critic Edward Said, who for many years worked on an unfinished book about Swift and cultivated a Swiftian voice across his career.
Helen Deutsch’s highly personal book explores what Said’s love of Swift—and hers of both—tells us about not only these authors but also the powers of criticism itself. The Last Amateur is about how one comes to love one writer through another. Deutsch scrutinizes Said in relationship to Swift to raise questions of her own about the profession of literary studies. At a time when many in the field have lost faith in critique, Deutsch shows how passion and a refusal of professional propriety—the hallmarks of the amateur—can enliven critique again.
What, then, does it mean to be a Swiftian? The Swiftian hears Swift’s animus and uses it as an incentive for their own freedom of thought. Said was a Swiftian because the experience of reading Swift freed him to speak out, to have something serious to say. Deutsch’s revelatory book is an exercise in hearing Swift’s voice and speaking in her own.
The Last Judgment of Kings / Le Jugement dernier des rois
A Bilingual EditionYann Robert
Bucknell University Press, 2025
Joué pour la première fois le lendemain de l’exécution de Marie-Antoinette, Le Jugement dernier des rois met en scène le procès burlesque des autres rois et reines d’Europe : exhibés et enchaînés tels des animaux, contraints de se battre pour un tonneau de biscuits, et finalement anéantis par l’éruption spectaculaire d’un volcan. Tel est le contexte scandaleux—tragédie et farce à la fois—de la pièce la plus célèbre de la Révolution française, bien connue de tous les spécialistes de cette période. Jusqu’à maintenant, pourtant, il n’existait ni édition critique ni traduction anglaise de cet ouvrage historique. Notre édition bilingue fait revivre la pièce de Maréchal et la replace au centre des plus grands débats chez les historiens de la Révolution, traitant de justice, religion, commémoration, comédie, et propagande. Provocateur, facile à lire, et concis—parfaitement adapté aux étudiants d’un cours de français ou d’histoire—Le Jugement dernier des rois propose ainsi une introduction idéale à la période révolutionnaire et à ses principales controverses.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
The Legacy of Boethius in Medieval England
The Consolation and its AfterlivesA. Joseph McMullen
Arizona Center for Medieval and Renaissance Studies, 2018
The Legacy of Division
East and West after 1989Ferenc Laczó
Central European University Press, 2020
This volume examines the legacy of the East–West divide since the implosion of the communist regimes in Europe. The ideals of 1989 have largely been frustrated by the crises and turmoil of the past decade. The liberal consensus was first challenged as early as the mid-2000s. In Eastern Europe, grievances were directed against the prevailing narratives of transition and ever sharper ethnic-racial antipathies surfaced in opposition to a supposedly postnational and multicultural West. In Western Europe, voices regretting the European Union's supposedly careless and premature expansion eastward began to appear on both sides of the left–right and liberal–conservative divides. The possibility of convergence between Europe's two halves has been reconceived as a threat to the European project.
In a series of original essays and conversations, thirty-three contributors from the fields of European and global history, politics and culture address questions fundamental to our understanding of Europe today: How have perceptions and misperceptions between the two halves of the continent changed over the last three decades? Can one speak of a new East–West split? If so, what characterizes it and why has it reemerged? The contributions demonstrate a great variety of approaches, perspectives, emphases, and arguments in addressing the daunting dilemma of Europe's assumed East–West divide.
The Legal Epic
"Paradise Lost" and the Early Modern LawAlison A. Chapman
University of Chicago Press, 2017
Alison A. Chapman argues that Milton’s Paradise Lost sits at the apex of the early modern period’s long fascination with law and judicial processes. Milton’s world saw law and religion as linked disciplines and thought therefore that in different ways, both law and religion should reflect the will of God. Throughout Paradise Lost, Milton invites his readers to judge actions using not only reason and conscience but also core principles of early modern jurisprudence. Law thus informs Milton’s attempt to “justify the ways of God to men” and points readers toward the types of legal justice that should prevail on earth.
Adding to the growing interest in the cultural history of law, The Legal Epic shows that England’s preeminent epic poem is also a sustained reflection on the role law plays in human society.
The Lesser Histories
Jan Zábrana
Karolinum Press, 2022
From the eighth floor of a tower block in Central Europe, Jan Zábrana surveyed the twentieth century. He had been exiled from his own life by Communism. His parents were imprisoned, their health was broken, and he was not allowed to study languages in college. Refusing both to rebel outright or to cave in, he thought of himself as a dead man walking. “To all those who keep asking me to do things for them, I sometimes feel like saying: ‘But I’m dead. I died long ago. Why do you keep treating me as if I were one of the living?’”
Yet during some of Europe’s most difficult years, he wrote The Lesser Histories, a collection of sixty-four sonnets that range through themes of age, sex, and political repression—a radiant testament to his times. The lines are emptied both of personal pathos and political stridency. Often Zábrana’s own voice segues into those of poets he had translated over the years, leaving only a bare shimmer of subjectivity—humorous, oblique, pained—with which to view his own works and days. The poems document a splendid and bitter isolation, and are immersed in the humor, hatreds, and loves of the everyday. Published in Czech in the ill-fated year of 1968, they subsequently fell into neglect. After the fall of Communism in 1989, Zábrana’s collected poems and selected diaries were published in Czech, and he was acclaimed as a major twentieth-century writer. Now, with this collection, he can begin to reach English-language readers for the first time.
The Letters and the Law
Legal and Literary Culture in Late Imperial RussiaAnna Schur
Northwestern University Press, 2022
Anna Schur combines historical research and literary analysis to argue that the first generations of Russian trial lawyers shaped their professional identity with an eye to the celebrated figure of the writer and that they considered their own activities to be a form of verbal art. A fuller understanding of writers’ antipathy to the law, Schur contends, must take into account this overlooked cultural backdrop. Laced with the better‑known critique of the lawyer’s legalistic proclivities and lack of moral principle are the writer’s reactions to a whole network of explicit and implicit claims of similarity between the two professions’ goals, methods, and missions that were central to the lawyer’s professional ideal. Viewed in this light, writers’ critiques of the law and lawyers emerge as a concerted effort at protecting literature’s exclusive cultural status in the context of modernization and the rapidly expanding public sphere.
The study draws upon a mix of well-known and rarely studied nineteenth-century authors and texts—with particular attention paid to Fyodor Dostoevsky and Mikhail Saltykov-Shchedrin—and on a wide range of nonliterary sources, including courtroom speeches, guides to forensic oratory, legal treatises, and specialized press.
The Letters of Paul Cézanne
Alex Danchev
J. Paul Getty Trust, The, 2013
Revered and misunderstood by his peers and lauded by later generations as the father of modern art, Paul Cézanne (1839-1906) has long been a subject of fascination for artists and art lovers, writers, poets, and philosophers. His life was a ceaseless artistic quest, and he channeled much of his wide-ranging intellect and ferocious wit into his letters. Punctuated by exasperated theorizing and philosophical reflection, outbursts of creative ecstasy and melancholic confession, the artist’s correspondence reveals both the heroic and all-toohuman qualities of a man who is indisputably among the pantheon of all-time greats.
This new translation of Cézanne’s letters includes more than twenty that were previously unpublished and reproduces the sketches and caricatures with which Cézanne occasionally illustrated his words. The letters shed light on some of the key artistic relationships of the modern period—about one third of Cézanne’s more than 250 letters are to his boyhood companion Émile Zola, and he communicated extensively with Camille Pissarro and the dealer Ambroise Vollard. The translation is richly annotated with explanatory notes, and, for the first time, the letters are cross-referenced to the current catalogue raisonné. Numerous inaccuracies and archaisms in the previous English edition of the letters are corrected, and many intriguing passages that were unaccountably omitted have been restored. The result is a publishing landmark that ably conveys Cézanne’s intricacy of expression.
The Life and Strange Surprizing Adventures of Robinson Crusoe
The Stoke Newington EditionDaniel Defoe
Bucknell University Press, 2019
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
The Life and Works of the Troubadour Raimbaut D’Orange
Walter Pattison
University of Minnesota Press, 1952
The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572)
Dominicus Lampsonius
J. Paul Getty Trust, The, 2022
Dominicus Lampsonius’s The Life of Lambert Lombard (1565) is the earliest published biography of a Netherlandish artist. This neo-Latin account of the life of the painter, architect, and draftsman Lambert Lombard of Liège offers a theoretical exposition on the nature and ideal practice of Netherlandish art, emphasizing Lombard’s intellectual curiosity, interest in antiquity, attentive study of the human body, and exemplary generosity as a teacher.
This volume offers the first English edition of The Life of Lambert Lombard, complemented by a new translation of the inscriptions Lampsonius composed to accompany the Effigies of Several Famous Painters from the Low Countries (1572), a cycle of twenty-three engraved portraits of Netherlandish artists developed in collaboration with the print publisher Hieronymus Cock.
Together, The Life of Lambert Lombard and the Effigies established frameworks for a distinctly Netherlandish history of art. Responding to a growing sense of Netherlandish cultural and political identity on the eve of the Dutch Revolt, these texts proposed a critical alternative to Giorgio Vasari’s Lives of the Artists and its Italian model of art historical development, celebrating local ingenuity and skill. They remain the starting point for any history of the northern Renaissance.
The Life of Texts
An Introduction to Literary StudiesKiene Brillenburg Wurth
Amsterdam University Press, 2019
The Life of Texts is designed around particular issues rather than the history of the discipline as such. Each chapter concentrates on a different aspect of 'the life of texts' and introduces the key debates and concepts relevant to its study. The issues discussed range from aesthetics and narrative to intertextuality and intermediality, from reading practices to hermeneutics and semiotics, popular culture to literary canonisation, postcolonial criticism to cultural memory. Key concepts and schools in the field have been highlighted in the text and then collected in a glossary for ease of reference. All chapters are richly illustrated with examples from different language areas.
The Life of a Simple Man
Emile Guillaumin
University Press of New England, 1982
The Likeness of the King
A Prehistory of Portraiture in Late Medieval FranceStephen Perkinson
University of Chicago Press, 2009
Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson’s The Likeness of the King challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as “the first modern portraits.”
Unwilling to accept the anachronistic nature of these claims, Perkinson both resists and complicates grand narratives of portraiture art that ignore historical context. Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways. Through an examination of well-known images of the fourteenth- and early fifteenth-century kings of France, as well as largely overlooked objects such as wax votive figures and royal seals, Perkinson demonstrates that the changes evident in these images do not constitute a revolutionary break with the past, but instead were continuous with late medieval representational traditions.
The Limits of Familiarity
Authorship and Romantic ReadersLindsey Eckert
Bucknell University Press, 2022
What did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability—could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.
The Limits of Orientalism
Seventeenth-Century Representations of IndiaRahul Sapra
University of Delaware Press, 2011
The Limits of Orientalism: Seventeenth-Century Representations of India challenges the recent postcolonial readings of European, predominantly English, representations of India in the seventeenth century. Following Edward Said’s discourse of “Orientalism,” most postcolonial analyses of the seventeenth-century representations of India argue that the natives are represented as barbaric or exotic “others,” imagining these representations as products of colonial ideology. Such approaches tend to offer a homogeneous idea of the “native” and usually equate it with the term “Indian.” Sapra, however, argues that instead of representing all natives as barbaric “others,” the English drew parallels, especially between themselves and the Mughal aristocracy, associating with them as partners in trade and potential allies in war. While the Muslims are from the outset largely portrayed as highly civilized and cultured, early European writers tended to be more conflicted with Hindus, their first highly negative views undergoing a transformation that brings into question any straightforward Orientalist reading of the texts and anticipates the complexity of later representations of the indigenous peoples of the sub-continent.
Sapra’s theoretical and methodological approach is influenced by such writers as Aijaz Ahmad and Denis Porter, who have highlighted powerful alternatives to Said’s discourse of “Orientalism.” Sapra historicizes European representations of the indigenous to draw attention to the contrasting approaches of the Portuguese, the Dutch and the English in relation to seventeenth-century India, effectively undermining comfortable notions of a homogenous “West.” Unlike the Portuguese, for whom the idea of a dynasty and the conversion of heathens went hand in hand with the idea of trade, for the Dutch and the English the primary consideration was commercial. In keeping with the commercial approach of the English East India Company, most English travelers, instead of representing the Muslims as barbaric “others,” highlight the compatibility between the two cultures and consistently praise the Mughal empire for its religious tolerance. In the representations of the Hindus, Sapra demonstrates that most writers, even while denigrating the Hindu religion, appreciate the civilized society of the Hindus. Moreover, in the representations of sati or widow-burning, a distinction needs to be made between the patriarchal and the Orientalist points of views, which are at variance with each other. The tension between the patriarchal and the Orientalist positions challenges Gayatri Chakravorty Spivak’s analysis of sati in “Can the Subaltern Speak?” which has become the standard model for most postcolonial appraisals of European representations of sati. The book highlights the lacuna in postcolonial readings by providing access to selections of commonly unavailable early-modern writings by Thomas Roe, Edward Terry, Henry Lord, Thomas Coryate, Alexander Hamilton and other the records of the East India Company, which makes the book vital for students of theory, European and South-Asian history, and Renaissance literatures.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
The Literary Guide and Companion to Southern England
Revised EditionRobert M. Cooper
Ohio University Press, 1998
In a series of intriguing routes through the English countryside, Professor Robert Cooper notes those attractions that the casual tourist might unknowingly pass by, such as the house where Dickens wrote A Tale of Two Cities, or the windswept quay where John Fowles’s French Lieutenant’s woman walked. Maps and information about restaurants and accommodations give the traveler the opportunity of having pints of “half and half” where Jane Austen dined or visiting the pub where Blake’s scuffle led to his trial for treason.
This newly revised and updated edition of Robert Cooper’s acclaimed handbook combines the utility of current travel information with the appeal of literary history, biography, and anecdote in a leisurely and flavorful guide to the broad sweep of southern England outside of London. A rich and reliable guide to the landscape that fostered one of our most cherished cultures, The Literary Guide and Companion to Southern England is an indispensable resource for those who wish to experience literature firsthand.
The Literary Text in the Digital Age
Richard J. Finneran, Editor
University of Michigan Press, 1996
The Literature of Jealousy in the Age of Cervantes
Steven Wagschal
University of Missouri Press, 2007
Frequent and complex representations of jealousy in early modern Spanish literature offer symbolically rich and often contradictory images. Steven Wagschal examines these occurrences by illuminating the theme of jealousy in the plays of Lope de Vega, the prose of Miguel de Cervantes, and the complex poetry of Luis de Góngora. Noting the prevalence of this emotion in their work, he reveals what jealousy offered these writers at a time when Spain was beginning its long decline.
The Lives of Machines
The Industrial Imaginary in Victorian Literature and CultureTamara Ketabgian
University of Michigan Press, 2011
"The Lives of Machines is intelligent, closely argued, and persuasive, and puts forth a contention that will unsettle the current consensus about Victorian attitudes toward the machine."
---Jay Clayton, Vanderbilt University
Today we commonly describe ourselves as machines that "let off steam" or feel "under pressure." The Lives of Machines investigates how Victorian technoculture came to shape this language of human emotion so pervasively and irrevocably and argues that nothing is more intensely human and affecting than the nonhuman. Tamara Ketabgian explores the emergence of a modern and more mechanical view of human nature in Victorian literature and culture.
Treating British literature from the 1830s to the 1870s, this study examines forms of feeling and community that combine the vital and the mechanical, the human and the nonhuman, in surprisingly hybrid and productive alliances. Challenging accounts of industrial alienation that still persist, the author defines mechanical character and feeling not as erasures or negations of self, but as robust and nuanced entities in their own right. The Lives of Machines thus offers an alternate cultural history that traces sympathies between humans, animals, and machines in novels and nonfiction about factory work as well as in other unexpected literary sites and genres, whether domestic, scientific, musical, or philosophical. Ketabgian historicizes a model of affect and community that continues to inform recent theories of technology, psychology, and the posthuman.
The Lives of Machines will be of interest to students of British literature and history, history of science and of technology, novel studies, psychoanalysis, and postmodern cultural studies.
Cover image: "Power Loom Factory of Thomas Robinson," from Andrew Ure, The Philosophy of Manufactures (London: Charles Knight, 1835), frontispiece.
DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library
The Lives of Women
A New History of Inquisitional SpainLisa Vollendorf
Vanderbilt University Press, 2007
During this period, more women wrote for the public book market and participated in literary culture than ever before. In addition, the rise in convents and female education contributed to a marked increase in texts produced by and about women in religious orders. Vollendorf argues that, in conjunction with Inquisition and legal documents, this wealth of writing offers unprecedented access to women's perspectives on life in early modern Spain, and that those perspectives encompass diverse ethnic backgrounds and class differences. Many of the documents touch on issues of sex and intimacy; others provide new ways of understanding religious practice in the period. Perhaps most important, these writings give a richly textured view of how women reacted to the dominant culture's attempts to define, limit, and contain femininity. Vollendorf shows that the texts reflect a shared preoccupation with redefining gender and creating legitimate spaces for women.
As The Lives of Women vividly illustrates, hundreds, if not thousands, of women's stories await rediscovery in archives. The book provides a roadmap for understanding the experiences and concerns of wives, widows, sisters, and daughters who lived in a key moment in the development of the Spanish nation and the Hispanic world. At its core, The Lives of Women argues for a reconceptualization of history, one that will rely on the experiences of women and minorities as much as on the words and actions of kings and conquistadors.
The Living Dead
A Study of the Vampire in Romantic LiteratureJames B. Twitchell
Duke University Press, 1981
The Look of the 1960s
Barbarella and Pulp Pop ComicsJan Baetens and Hugo Frey
University of Texas Press, 2026
How the classic aesthetic of 1960s pulp comics influenced art, culture, and politics.
As a form of visual art, comic books rely on a distinct and eye-catching aesthetic. This is especially true of the iconic comics, graphic novels, and illustrations of the 1960s and 1970s. The Look of the 1960s explores the sources of inspiration that influenced the world of comics, beginning with the well-known French comics series Barbarella.
Noted comics scholars Jan Baetens and Hugo Frey analyze the impacts of the often-provocative images featured in the comics of the 1960s, which pushed back against French censorship in a politically tense time, and detail how women resisted their objectification in the comic book industry. Barbarella left its mark on the world and gained international attention, inspiring a movie adaptation and changing the look and content of other popular comics. The “Pulp Pop” movement remains relevant today, continuing to influence the art and political world. With new information about artists and an astute analysis of sociopolitical influence, The Look of the 1960s offers deep insights, making it a must read for comics fans all over the world.
The Lucretian Renaissance
Philology and the Afterlife of TraditionGerard Passannante
University of Chicago Press, 2011
The Madwoman and the Blindman
Jane Eyre, Discourse, DisabilityEdited by David Bolt, Julia Miele Rodas, and Elizabeth J. Donaldson
The Ohio State University Press, 2012
The Magellan Fallacy
Globalization and the Emergence of Asian and African Literature in SpanishAdam Lifshey
University of Michigan Press, 2012
The Magellan Fallacy argues that literature in Spanish from Asia and Africa, though virtually unknown, reimagines the supposed centers and peripheries of the modern world in fundamental ways. Through archival research and comparative readings, The Magellan Fallacy rethinks mainstream mappings of diverse cultures while advocating the creation of a new field of scholarship: global literature in Spanish. As the first attempt to analyze Asian and African literature in Spanish together, and doing so while ranging over all continents, The Magellan Fallacy crosses geopolitical and cultural borders without end. The implications of the book, therefore, extend far beyond the lands formerly ruled by the Spanish empire. The Magellan Fallacy shows that all theories of globalization, including those focused on the Americas and Europe, must be able to account for the varied significances of hispanophone Asia and Africa as well.
The Making of Shakespeare's First Folio
Emma Smith
Bodleian Library Publishing, 2015
The Making of Shakespeare’s First Folio offers the first comprehensive biography of the earliest collected edition of Shakespeare’s plays. In November 1623, the book arrived in the bookshop of the London publisher Edward Blount at the Black Bear. Long in the making, Master William Shakespeare’s Comedies, Histories, and Tragedies—as the First Folio was then known—appeared seven years after Shakespeare’s death. Nearly one thousand pages in length, the collection comprised thirty-six plays, half of which had never been previously published. Emma Smith tells the story of the First Folio’s origins, locating it within the social and political context of Jacobean London and bringing in the latest scholarship on the seventeenth-century book trade.
Extensively illustrated, The Making of Shakespeare’s First Folio is a landmark addition to the copious literature on Shakespeare. It will shed much-needed light on the birth of the First Folio—of which fewer than 250 copies remain—and the birth of Shakespeare’s towering reputation.
The Making of The Wind in the Willows
Peter Hunt
Bodleian Library Publishing, 2018
Peter Hunt explores the unusual trajectory of The Wind in the Willows through previously unpublished archival materials, original drawings, and fan letters (including one from Theodore Roosevelt). He identifies the colleagues and friends on whom Grahame is thought to have based the characters of Mole, Rat, Badger, and Toad, and explores the literary genres of boating, caravanning, and motoring on which the author drew. He also recounts the extraordinary correspondence surrounding the book’s first publication and the influence of two determined women—publisher’s agent Constance Smedley and the author’s wife, Elspeth Grahame—who helped turn the book into the classic for children we know and love today. Generously illustrated throughout, this book celebrates one of the most beloved works of children’s literature ever published.
The Making of Theatrical Reputations
Studies from the Modern London TheatreYael Zarhy-Levo
University of Iowa Press, 2008
Today's successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright's or a theatre company's career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various media agents as well as artistic directors, producers, and directors also pursue separate agendas in shaping the reputations of theatrical works. In The Making of Theatrical Reputations Yael Zarhy-Levo demonstrates the processes through which these mediatory practices by key authority figures situate theatrical companies and playwrights within cultural and historical memory.
To reveal how these authorizing powers-that-be promote theatrical events, companies, and playwrights, Zarhy-Levo presents four detailed case studies that reflect various angles of the modern London theatre. In the case of the English Stage Company's production of John Osborne's Look Back in Anger, she centers on a specific event. She then focuses on the trajectory of a single company, the Theatre Workshop, particularly through its first decade at the Theatre Royal, Stratford East, London. Next, she explores the career of the dramatist John Arden, especially its first ten years, in part drawing upon an interview with Arden and his wife, actress and playwright Margaretta D'Arcy, before turning to her fourth study: the playwright Harold Pinter's shifting reputation throughout the different phases of his career.
Zarhy-Levo's accounts of these theatrical events, companies, and playwrights through the prism of mediation bring fresh insights to these landmark productions and their creators.
The Making of a Terrorist
On Classic German RoguesJeffrey Champlin
Northwestern University Press, 2014
In The Making of a Terrorist, Jeffrey Champlin examines key figures from three canonical texts from the German-language literature of the late eighteenth and early nineteenth centuries: Goethe’s Gotz von Berlichingen, Schiller’s Die Rauber, and Kleist’s Michael Kohlhaas. Champlin situates these readings within a larger theoretical and historical context, exploring the mechanics, aesthetics, and poetics of terror while explicating the emergence of the terrorist personality in modernity. In engaging and accessible prose, Champlin explores the ethical dimensions of violence and interrogates an ethics of textual violence.
The Making of an Antifascist
Nordahl Grieg between the World WarsDean Krouk
University of Wisconsin Press, 2022
In this comprehensive and accessible book, Dean Krouk examines a significant public figure in Scandinavian literature and a critical period in modern European history through original readings of the political, ethical, and gender issues in Grieg’s works. This volume offers a first-rate analysis of the interwar period’s political and cultural agendas in Scandinavia and Europe leading to the Second World War by examining the rise of fascism, communism, and antifascism. Grieg’s poetry found renewed resonance in Norway following the 2011 far-right domestic terrorist attacks, making insight into his contradictory ideas more crucial than ever. Krouk’s presentation of Grieg’s unexpected ideological tensions will be thought-provoking for many readers in the United States and elsewhere.
The Man Who Thought He Was Napoleon
Toward a Political History of MadnessLaure Murat
University of Chicago Press, 2014
From those two components, Laure Murat embarks on an exploration of the surprising relationship between history and madness. She uncovers countless stories of patients whose delusions seem to be rooted in the historical or political traumas of their time, like the watchmaker who believed he lived with a new head, his original having been removed at the guillotine. In the troubled wake of the Revolution, meanwhile, French physicians diagnosed a number of mental illnesses tied to current events, from “revolutionary neuroses” and “democratic disease” to the “ambitious monomania” of the Restoration. How, Murat asks, do history and psychiatry, the nation and the individual psyche, interface?
A fascinating history of psychiatry—but of a wholly new sort—The Man Who Thought He Was Napoleon offers the first sustained analysis of the intertwined discourses of madness, psychiatry, history, and political theory.
The Manuscript Poems of A.E. Housman
Eight Hundred Lines of Hitherto Uncollected Verse from the Author’s NotebooksTom Burns Haber, Editor
University of Minnesota Press, 1955
The Manuscript Poems of A.E. Housman was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Poetry lovers everywhere, and devotees of A. E. Housman in particular, will recognize a major literary event in the publication of this volume, for it makes available for the first time some 800 lines of hitherto unpublished poetry by the well-loved author of A Shropshire Lad. This is a significant addition to the Housman treasury because the English poet published a total of only 2216 lines of poetry during his lifetime.
Dr. Haber has drawn the material for this volume from the four Housman notebooks in the Library of Congress, where they were deposited in 1940, four years after the poet's death. In an introductory section the editor describes the notebooks themselves and tells in detail the fascinating story of how the manuscripts—erased, canceled and glued fast to mounting sheets — were preserved and deciphered. The notebooks, dated from 1890 to 1925, contain the most valuable manuscript remains of Housman's poetic writings.
In the material that is published here for the first time there are included complete poems, fragments of poems, and abandoned lines and stanzas from well-known lyrics. In addition the editor has provided a list of variants which the poet inserted into his printers' copies of A Shropshire Lad and Last Poems.Among the newly published complete poems are some that Dr. Haber believes should be ranked with Housman's outstanding work. In the material that shows the poet's revisions of his own writings, the reader is afforded an intimate glimpse into the creative processes of a poetic genius, a privilege that will be especially appreciated by students and critics. Many explanatory notes are appended to show how Housman's poetry matured from first draft, through final copy, to the printed page.
The Marriage of Heaven and Hell
William Blake
Bodleian Library Publishing, 2011
This new facsimile edition of The Marriage of Heaven and Hell includes a plate-by-plate guide to the texts, interlinear figures, and larger designs in a commentary accompanying the transcript of each reproduced plate. Drawings from Blake’s manuscript notebook, which were used as a basis for the designs, as well as working proof impressions, are also included, demonstrating the evolution of the work. This edition also reproduces a single plate from each of the other eight surviving copies, revealing how over a period of more than thirty years Blake altered the way he finished each copy. An introduction explores the book's literary and historical background, Blake’s printing process, and the book's anonymous initial publication.
This expertly edited work is available for students and scholars in paperback and for collectors in a special hardcover edition. Both versions allow Blake’s vision to reassert its breathtaking power.
The Marriage of Heaven and Hell
William Blake
Bodleian Library Publishing, 2011
This new facsimile edition of The Marriage of Heaven and Hell includes a plate-by-plate guide to the texts, interlinear figures, and larger designs in a commentary accompanying the transcript of each reproduced plate. Drawings from Blake’s manuscript notebook, which were used as a basis for the designs, as well as working proof impressions, are also included, demonstrating the evolution of the work. This edition also reproduces a single plate from each of the other eight surviving copies, revealing how over a period of more than thirty years Blake altered the way he finished each copy. An introduction explores the book's literary and historical background, Blake’s printing process, and the book's anonymous initial publication.
This expertly edited work is available for students and scholars in paperback and for collectors in a special hardcover edition. Both versions allow Blake’s vision to reassert its breathtaking power.
The Martyrdom of Maev and Other Irish Stories
Harold Frederic
Catholic University of America Press, 2015
The Meaning of Liberalism - East and West
Zdenek Suda
Central European University Press, 1999
The Meaning of Liberalism provides a new perspective on the continuing debate about how liberalism should be defined and what it means in countries with an established parliamentary system, particularly in the new democracies of Central and Eastern Europe.
The key question this book addresses is: will the specific experience of communism and its aftermath give birth to a new distinct current of liberal thought, or will it simply enlarge the scope of the Western liberal debate? The authors argue that liberalism cannot be reduced merely to private property and market prices, but needs a very complex set of institutions and corresponding law.
Contributors come from both sides of the former Iron Curtain and they highlight the richness and diversity of liberalism and discuss different perceptions of liberal thinking in the East and West in the post-modern world.
The Meaning of Shakespeare, Volume 2
Troilus and Cressida, All's Well That Ends Well, Measure for Measure, Othello, Macbeth, King Lear, Timon of Athens, Antony and Cleopatra, Coriolanus, Pericles, Cymbeline, The Winter's Tale, The TempestHarold C. Goddard
University of Chicago Press, 1960
Centuries after they were originally performed, the plays of Shakespeare continue to inspire, entertain, and awe audiences and readers today. At the same time, however, there's no question that even the most sophisticated reader can sometimes benefit from the insight and guidance of an expert when entering Shakespeare's long-gone world and complicated figurative language.
William Goddard is here to help. He taught Shakespeare for decades as much-loved professor at Swarthmore College, and here he distills that experience into an accessible, engaging companion to the plays. Across two volumes, Goddard covers all of Shakespeare's plays and brings fresh insight to familiar characters, scenes, and verses. Goddard writes, "The greatest poetry has always depicted the world as a little citadel of nobility threatened by an immense barbarism, a flickering candle surrounded by infinite night" Shakespeare's candle still burns, and with Goddard's help we can all see it brighter than ever.
The Medieval Constitution of Liberty
Political Foundations of Liberalism in the WestAlexander William Salter and Andrew T. Young
University of Michigan Press, 2023
Why did enduring traditions of economic and political liberty emerge in Western Europe and not elsewhere? Representative democracy, constitutionalism, and the rule of law are crucial for establishing a just and prosperous society, which we usually treat as the fruits of the Renaissance and Enlightenment, as Western European societies put the Dark Ages behind them.
In The Medieval Constitution of Liberty, Salter and Young point instead to the constitutional order that characterized the High Middle Ages. They provide a historical account of how this constitutional order evolved following the fall of the Western Roman Empire. This account runs from the settlements of militarized Germanic elites within the imperial frontiers, to the host of successor kingdoms in the sixth and seventh centuries, and through the short-lived Carolingian empire of the late eighth and ninth centuries and the so-called “feudal anarchy” that followed its demise. Given this unique historical backdrop, Salter and Young consider the resulting structures of political property rights. They argue that the historical reality approximated a constitutional ideal type, which they term polycentric sovereignty. Salter and Young provide a theoretical analysis of polycentric sovereignty, arguing that bargains between political property rights holders within that sort of constitutional order will lead to improvements in governance.
The Medieval Imagination
Jacques Le Goff
University of Chicago Press, 1988
"Le Goff is one of the most distinguished of the French medieval historians of his generation . . . he has exercised immense influence."—Maurice Keen, New York Review of Books
"The whole book turns on a fascinating blend of the brutally materialistic and the generously imaginative."—Tom Shippey, London Review of Books
"The richness, imaginativeness and sheer learning of Le Goff's work . . . demand to be experienced."—M. T. Clanchy, Times Literary Supplement
The Medieval Invention of Travel
Shayne Aaron Legassie
University of Chicago Press, 2017
Exploring this phenomenon, The Medieval Invention of Travel draws on an impressive array of sources to develop original readings of canonical figures such as Marco Polo, John Mandeville, and Petrarch, as well as a host of lesser-known travel writers. As Shayne Aaron Legassie demonstrates, the Middle Ages inherited a Greco-Roman model of heroic travel, which viewed the ideal journey as a triumph over temptation and bodily travail. Medieval travel writers revolutionized this ancient paradigm by incorporating practices of reading and writing into the ascetic regime of the heroic voyager, fashioning a bold new conception of travel that would endure into modern times. Engaging methods and insights from a range of disciplines, The Medieval Invention of Travel offers a comprehensive account of how medieval travel writers and their audiences reshaped the intellectual and material culture of Europe for centuries to come.
The Melodramatic Moment
Music and Theatrical Culture, 1790–1820Edited by Katherine G Hambridge and Jonathan Hicks
University of Chicago Press, 2018
This anthology proposes to address the sometimes bewilderingly broad understandings of melodrama by insisting on the historical specificity of its genesis on the stage in late-eighteenth-century Europe. Melodrama emerged during this time in the metropolitan centers of London, Paris, Vienna, and Berlin through stage adaptations of classical subjects and gothic novels, and they became famous for their use of passionate expression and spectacular scenery. Yet, as contributors to this volume emphasize, early melodramas also placed sound at center stage, through their distinctive—and often disconcerting—alternations between speech and music. This book draws out the melo of melodrama, showing the crucial dimensions of sound and music for a genre that permeates our dramatic, literary, and cinematic sensibilities today.
A richly interdisciplinary anthology, The Melodramatic Moment will open up new dialogues between musicology and literary and theater studies.
The Men Who Killed My Mother | Los hombres que mataron a mi madre
Poetry | PoesíaFernando Valverde
Swan Isle Press, 2025
From the first poem in this bilingual edition of The Men Who Killed My Mother, it is evident that the mother in “Our Mother” (“Nuestra Madre”) is not only Fernando Valverde’s. The soulful refrain of “mother/madre” might be anyone’s mother whose suffering is palpable in a world legislated over by men. Issues such as orphanhood, abuse, violence, manipulation, and fear are treated with the rawness of someone who has tasted the venom of betrayal. This is a lyrical dark garden of faith and family, exposing treachery and cruelty, and anger at injustice, from the voice of a son with deep love for his mother—for her honor, dignity, and dreams.
Valverde leads us into a forest full of wolves and serpents under the governance of civil society. He has received many awards for his poetry and is recognized as one of the most highly acclaimed poets of his generation in Spain. This heartfelt English translation by Gordon E. McNeer captures the power of Valverde’s poetic cadences and its haunting evocative lyricism.
The Merits of Women
Wherein Is Revealed Their Nobility and Their Superiority to MenModerata Fonte
University of Chicago Press, 2018
Without help from their wives, men are just like unlit lamps . . .
Just think of them as an unreliable clock that tells you it’s ten o’clock when it’s in fact barely two . . .
A man without a woman is like a fly without a head . . .
These are but a small selection of the quips bandied about at this lively gathering of women. The broad topic at hand is the relative pros and cons of men, and the cases in point range from pick-up artists to locker-room talk, and from double standards to fragile masculinity.
Yet this dialogue unfolds not among ironically misandrist millenials venting at their local dive bar, but rather among sixteenth-century women—variously married, widowed, single, and betrothed—attending a respectable Venice garden party. Written in the early 1590s by Moderata Fonte, pseudonym of the Renaissance poet and writer Modesta Pozzo, this literary dialogue interrogates men and men’s treatment of women, and explores by contrast the virtues of singledom and female friendship. As the women diverge from their theme—discussing everything from astrology to the curative powers of plants and minerals—a remarkable group portrait of wisdom, wit, and erudition emerges.
A new introduction by translator Virginia Cox and foreword by Dacia Maraini situate The Merits of Women in its historical context, written as it was on the cusp of Shakespeare’s heyday, and straddling the centuries between the feminist works of Christine de Pizan and Mary Wollstonecraft. Elegantly presented for a general audience, this is a must-read for baby feminists and “nasty women” alike, not to mention the perfect subtle gift for any mansplaining friend who needs a refresher on the merits of women . . . and their superiority to men.