3745 books match the query 'Europe' and 113 start with w

cover of WORLDS OF MEDIEVAL WOMEN: "CREATIVITY, INFLUENCE, AND IMAGINATION"

WORLDS OF MEDIEVAL WOMEN

"CREATIVITY, INFLUENCE, AND IMAGINATION"

CONSTANCE H. BERMAN

West Virginia University Press, 1985

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cover of WRITTEN IN BLOOD: FATAL ATTRACTION IN ENLIGHTENMENT AMSTERDAM

WRITTEN IN BLOOD

FATAL ATTRACTION IN ENLIGHTENMENT AMSTERDAM

Pieter Spierenburg

The Ohio State University Press, 2004

Pieter Spierenburg narrates two sensational murder cases among intimates in eighteenth-century Amsterdam. The cases recounted here both resulted from fatal attraction. They represented the darker side of the eighteenth-century revolution in love. This period witnessed great cultural changes affecting personal relationships and emotions. The new ideal of love demanded that couples spend much of their time together and explore each other’s feelings. But this new ideal was meant for married and engaged couples only; for others it meant disaster. Love gone wrong was the theme of the sentimental novels of the age, but it also happened to real people, with fatal consequences.

Written in Blood traces the lives and ultimate fate of Nathaniel Donker, who, together with the help of his mistress, brutally murders and dismembers the wife. The second tale focuses on J. B. F. van Gogh, who falls in love with a prostitute; she later rejects him and, when a letter written with his own blood fails to change her mind, he stabs her to death in a fit of passionate rage.

In Written in Blood, the reader gets two stories for the price of one. And, whereas earlier microhistories have been situated in a village or a small town, the scene here is Amsterdam and its canals. Spierenburg reveals in detail what concepts like honor and gender roles came down to in individual lives. He also shows that these murders produced a strange mixture of modern romantic feelings and traditional notions of honor and shame.

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cover of Walking Pepys's London

Walking Pepys's London

Jacky Colliss Harvey

Haus Publishing, 2022

Brings to life the world of Samuel Pepys with five walks through London.

Samuel Pepys, the seventeenth century's best-known diarist, walked around London for miles, chronicling these walks in his diary. He made the two-and-a-half-mile trek to Whitehall from his house near the Tower of London on an almost daily basis. These streets, where many of his professional conversations took place while walking, became for him an alternative to his office.

With Walking Pepys’s London, we come to know life in London from the pavement up and see its streets from the perspective of this renowned diarist. The city was a key character in Pepys’s life, and this book draws parallels between his experience of seventeenth-century London and the lives of Londoners today. Bringing together geography, biography, and history, Jacky Colliss Harvey reconstructs the sensory and emotional experience of Pepys’s time. Full of fascinating details, Walking Pepys’s London is a sensitive exploration into the places that made the greatest English diarist of all time.
 
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cover of Walter Ralegh's "History of the World" and the Historical Culture of the Late Renaissance

Walter Ralegh's "History of the World" and the Historical Culture of the Late Renaissance

Nicholas Popper

University of Chicago Press, 2012

Imprisoned in the Tower of London after the death of Queen Elizabeth in 1603, Sir Walter Ralegh spent seven years producing his massive History of the World. Created with the aid of a library of more than five hundred books that he was allowed to keep in his quarters, this incredible work of English vernacular would become a best seller, with nearly twenty editions, abridgments, and continuations issued in the years that followed.

Nicholas Popper uses Ralegh’s History as a touchstone in this lively exploration of the culture of history writing and historical thinking in the late Renaissance. From Popper we learn why early modern Europeans ascribed heightened value to the study of the past and how scholars and statesmen began to see historical expertise as not just a foundation for political practice and theory, but as a means of advancing their power in the courts and councils of contemporary Europe. The rise of historical scholarship during this period encouraged the circulation of its methods to other disciplines, transforming Europe’s intellectual—and political—regimes. More than a mere study of Ralegh’s History of the World, Popper’s book reveals how the methods that historians devised to illuminate the past structured the dynamics of early modernity in Europe and England.
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cover of War and Public Memory: Case Studies in Twentieth-Century Europe

War and Public Memory

Case Studies in Twentieth-Century Europe

David A. Messenger

University of Alabama Press, 2020

An introduction to key issues in the study of war and memory that examines significant conflicts in twentieth-century Europe

In order to understand the history of twentieth-century Europe, we must first appreciate and accept how different societies and cultures remember their national conflicts. We must also be aware of the ways that those memories evolve over time. In War and Public Memory: Case Studies in Twentieth-Century Europe, Messenger outlines the relevant history of war and its impact on different European nations and assesses how and where the memory of these conflicts emerges in political and public discourse and in the public sphere and public spaces of Europe.

The case studies presented emphasize the major wars fought on European soil as well as the violence perpetrated against civilian populations. Each chapter begins with a brief overview of the conflict and then proceeds with a study of how memory of that struggle has entered into public consciousness in different national societies. The focus throughout is on collective social, cultural, and public memory, and in particular how memory has emerged in public spaces throughout Europe, such as parks, museums, and memorial sites.

Messenger discusses memories of the First World War for both the victors and the vanquished as well as their successor states. Other events discussed include the Bolshevik Revolution and subsequent conflicts in the former Soviet Union, the Armenian genocide, the collapse of Yugoslavia, the legacy of the civil war in Spain, Germanys reckoning with its Nazi past, and the memory of occupation and the Holocaust in France and Poland.
 
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cover of War, Judgment, and Memory in the Basque Borderlands, 1914-1945

War, Judgment, and Memory in the Basque Borderlands, 1914-1945

Sandra Ott

University of Nevada Press, 2008

During the first half of the twentieth century, the French Basque province of Xiberoa was a place of refuge, conflict, transit, exile and foreign occupation. At the Liberation of France in 1944, many Xiberoans confronted ongoing local divisiveness, rooted in the interwar years, and faced new conflicts arising from legal and civic judgments made during Vichy and German occupation. This book traces the roots of their divided memories to local and official interpretations of what constituted legitimate judgment, legitimate behavior and justice during those troubled times. In order to capture a sense of the diverse ways in which Xiberoan Basques responded to the Germans in their midst, the author explores and contrasts the experiences of people in four different communities located within a fifteen mile radius.
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cover of War, Women, and Druids: Eyewitness Reports and Early Accounts of the Ancient Celts

War, Women, and Druids

Eyewitness Reports and Early Accounts of the Ancient Celts

By Philip Freeman

University of Texas Press, 2002

"The ancient Celts capture the modern imagination as do few other people of classical times. Naked barbarians charging the Roman legions, Druids performing sacrifices of unspeakable horror, women fighting beside their men and even leading armies—these, along with stunning works of art, are the images most of us call to mind when we think of the Celts," observes Philip Freeman. "And for the most part, these images are firmly based in the descriptions handed down to us by the Greek and Roman writers."

This book draws on the firsthand observations and early accounts of classical writers to piece together a detailed portrait of the ancient Celtic peoples of Europe and the British Isles. Philip Freeman groups the selections (ranging from short statements to longer treatises) by themes—war, feasting, poetry, religion, women, and the Western Isles. He also presents inscriptions written by the ancient Celts themselves. This wealth of material, introduced and translated by Freeman to be especially accessible to students and general readers, makes this book essential reading for everyone fascinated by the ancient Celts.

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cover of Warnings to the Kings and Advice on Restoring Spain: A Bilingual Edition

Warnings to the Kings and Advice on Restoring Spain

A Bilingual Edition

María de Guevara

University of Chicago Press, 2007

During a pivotal point in Spanish history, aristocrat María de Guevara (?–1683) produced two extraordinary essays that appealed for strong leadership, protested political corruption, and demanded the inclusion of women in the court’s decision making. “Treaty” gave Philip IV practical suggestions for fighting the war against Portugal and “Disenchantments” counseled the king-to-be, Charles II, on strategies to raise the country’s status in Europe. This annotated bilingual edition, featuring Nieves Romero-Díaz’s adroit translation, reproduces Guevara’s polemics for the first time.

Guevara’s provocative writings call on Spanish women to bear the responsibility equally with men for restoring Spain’s power in Europe and elsewhere. The collection also includes examples of Guevara’s shorter writings that exemplify her ability to speak on matters of state, network with dignitaries, and govern family affairs.  Witty, ironic, and rhetorically sophisticated, Guevara’s essays provide a fresh perspective on the possibilities for women in the public sphere in seventeenth-century Spain.
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cover of Wars and Betweenness: Big Powers and Middle Europe, 1918-1945

Wars and Betweenness

Big Powers and Middle Europe, 1918-1945

Aliaksandr Piahanau

Central European University Press, 2020

The region between the Baltic and the Black Sea was marked by a set of crises and conflicts in the 1920s and 1930s, demonstrating the diplomatic, military, economic or cultural engagement of France, Germany, Russia, Britain, Italy and Japan in this highly volatile region, and critically damaging the fragile post-Versailles political arrangement. The editors, in naming this region as "Middle Europe" seek to revive the symbolic geography of the time and accentuate its position, situated between Big Powers and two World Wars.

The ten case studies in this book combine traditional diplomatic history with a broader emphasis on the geopolitical aspects of Big-Power rivalry to understand the interwar period. The essays claim that the European Big Powers played a key role in regional affairs by keeping the local conflicts and national movements under control and by exploiting the region's natural resources and military dependencies, while at the same time strengthening their prestige through cultural penetration and the cultivation of client networks.

The authors, however, want to avoid the simplistic view that the Big Powers fully dominated the lesser players on the European stage. The relationship was indeed hierarchical, but the essays also reveal how the "small states" manipulated Big-Power disagreements, highlighting the limits of the latters' leverage throughout the 1920s and the 1930s.

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cover of Was Hitler a Darwinian?: Disputed Questions in the History of Evolutionary Theory

Was Hitler a Darwinian?

Disputed Questions in the History of Evolutionary Theory

Robert J. Richards

University of Chicago Press, 2013

In tracing the history of Darwin’s accomplishment and the trajectory of evolutionary theory during the late nineteenth and early twentieth centuries, most scholars agree that Darwin introduced blind mechanism into biology, thus banishing moral values from the understanding of nature. According to the standard interpretation, the principle of survival of the fittest has rendered human behavior, including moral behavior, ultimately selfish. Few doubt that Darwinian theory, especially as construed by the master’s German disciple, Ernst Haeckel, inspired Hitler and led to Nazi atrocities.
           
In this collection of essays, Robert J. Richards argues that this orthodox view is wrongheaded. A close historical examination reveals that Darwin, in more traditional fashion, constructed nature with a moral spine and provided it with a goal: man as a moral creature. The book takes up many other topics—including the character of Darwin’s chief principles of natural selection and divergence, his dispute with Alfred Russel Wallace over man’s big brain, the role of language in human development, his relationship to Herbert Spencer, how much his views had in common with Haeckel’s, and the general problem of progress in evolution. Moreover, Richards takes a forceful stand on the timely issue of whether Darwin is to blame for Hitler’s atrocities. Was Hitler a Darwinian? is intellectual history at its boldest.
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cover of Watching Vesuvius: A History of Science and Culture in Early Modern Italy

Watching Vesuvius

A History of Science and Culture in Early Modern Italy

Sean Cocco

University of Chicago Press, 2012

Mount Vesuvius has been famous ever since its eruption in 79 CE, when it destroyed and buried the Roman cities of Pompeii and Herculaneum. But less well-known is the role it played in the science and culture of early modern Italy, as Sean Cocco reveals in this ambitious and wide-ranging study. Humanists began to make pilgrimages to Vesuvius during the early Renaissance to experience its beauty and study its history, but a new tradition of observation emerged in 1631 with the first great eruption of the modern period. Seeking to understand the volcano’s place in the larger system of nature, Neapolitans flocked to Vesuvius to examine volcanic phenomena and to collect floral and mineral specimens from the mountainside.
 
In Watching Vesuvius, Cocco argues that this investigation and engagement with Vesuvius was paramount to the development of modern volcanology. He then situates the native experience of Vesuvius in a larger intellectual, cultural, and political context and explains how later eighteenth-century representations of Naples—of its climate and character—grew out of this tradition of natural history. Painting a rich and detailed portrait of Vesuvius and those living in its shadow, Cocco returns the historic volcano to its place in a broader European culture of science, travel, and appreciation of the natural world.
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cover of Waterscapes: Reservoirs, Environment and Identity in Modern England and Wales

Waterscapes

Reservoirs, Environment and Identity in Modern England and Wales

Andrew McTominey

University of London Press, 2025

How did reservoirs alter the countryside and city life? The answer is a riveting story of water and identity in modern Britain.

Carving vast lakes into the countryside, reservoirs have long reshaped the landscapes and communities of England and Wales. Waterscapes evaluates how these feats of engineering transformed rural and urban environments between the late nineteenth and early twentieth centuries, altering local ecologies and economies. Through studies of Leeds’s Washburn Valley, Liverpool’s Vyrnwy Reservoir, and Birmingham’s Elan Reservoir, Andrew McTominey addresses the environmental consequences of dam construction and the surprising ways in which reservoirs became sites of leisure and tourism.

McTominey explains that water management has never been a simple question of supply and demand, but a story of contested landscapes and the complex interplay between nature and human ambition. Drawing on environmental history and urban studies, Waterscapes demystifies the reservoirs that continue to shape Britain’s countryside and city life.
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cover of Ways of Making and Knowing: The Material Culture of Empirical Knowledge

Ways of Making and Knowing

The Material Culture of Empirical Knowledge

Edited by Pamela H. Smith, Amy R. W. Meyers, and Harold J. Cook

Bard Graduate Center, 2017

Although craftspeople and artists often work with natural materials, the notion that making art can constitute a means of knowing nature is a novel one. This book, with contributions from historians of science, medicine, art, and material culture, shows that the histories of science and art are not simply histories of concepts or styles, but histories of the making and using of objects to understand the world. An examination of material practices makes it clear that the methods of the artisan represent a process of knowledge making that involves extensive experimentation and observation that parallel similar processes in the sciences. Ways of Making and Knowing offers a comprehensive and interdisciplinary history of the ways in which human beings have sought out, discovered, and preserved their own knowledge of the world around them; it has only been through material and human interaction with (and manipulation of) nature that we have come to understand it.
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cover of We Only Know Men: The Rescue of Jews in France during the Holocaust

We Only Know Men

The Rescue of Jews in France during the Holocaust

Patrick Henry

Catholic University of America Press, 2007

Patrick Henry, working with more than one thousand unpublished autobiographical pages written by key rescuers and with documents, letters, and interviews never before available, reconsiders the Holocaust rescue of Jews on the plateau of Vivarais-Lignon between the years 1939 and 1944
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cover of We Were the People: Voices from East Germany’s Revolutionary Autumn of 1989

We Were the People

Voices from East Germany’s Revolutionary Autumn of 1989

Dirk Philipsen

Duke University Press, 1993

On the night of November 9, 1989, an electrified world watched as the Berlin Wall came down. Communism was dead, the Cold War was over, and freedom was on the rise—or so it seemed. We Were the People tells the story behind this momentous event. In an extraordinary series of interviews, the key actors in the drama that transformed East Germany speak for themselves, describing what they did, what happened and why, and what it has meant to them. The result is a powerful firsthand account of a rare historical moment, one that reverberates far beyond the toppled wall that once divided Germany and the world.
The drama We Were the People recreates is remarkable for its richness and complexity. Here are citizens organizing despite threats of bloody crackdowns; party functionaries desperately trying to survive as time-honored political prerogatives crumble beneath their feet; an oppressed people discovering the possibilities of power and freedom, but also the sobering strangeness of new political realities. With their success, East Germans encountered the overpowering might of thie Western neighbor--and stand perplexed before the onslaught of real estate agents, glossy consumer ads, political professionalism--and the discovery that a lifetime of social experience has suddenly lost all usable context. They became, in the words of one participant, a people "without biography."
Over all the recent events and unlikely turns recounted here, one thing remains paramount: the sweep of the initial democratic conception that animated the East German revolution. We Were the People brings this movement to life in all its drama and detail, and vividly recovers a historic moment that altered forever the shape of modern Europe.

Some Voices of the People
Bärbel Bohley/ "Mother of the Revolution"
Rainer Eppelmann/ Protestant Pastor
Klaus Kaden/ Church Emissary to the Opposition
Hans Modrow/ Former Communist Prime Minister
Ludwig Mehlhorn/ Opposition Theorist
Ingrid Köppe/ Opposition Representative
Frank Eigenfeld/ New Forum
Harald Wagner/ Democracy Now
Sebastian Pflugbeil/ Democratic Strategist
East German Workers
Cornelia Matzke/ Independent Women's Alliance
André Brie/ Party Vice-Chairman
Gerhard Ruden/ Environmental Activist
Werner Bramke/ Party Academic

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cover of We'll Always Have Paris: American Tourists in France since 1930

We'll Always Have Paris

American Tourists in France since 1930

Harvey Levenstein

University of Chicago Press, 2004

For much of the twentieth century, Americans had a love/hate relationship with France. While many admired its beauty, culture, refinement, and famed joie de vivre, others thought of it as a dilapidated country populated by foul-smelling, mean-spirited anti-Americans driven by a keen desire to part tourists from their money. We'll Always Have Paris explores how both images came to flourish in the United States, often in the minds of the same people.

Harvey Levenstein takes us back to the 1930s, when, despite the Great Depression, France continued to be the stomping ground of the social elite of the eastern seaboard. After World War II, wealthy and famous Americans returned to the country in droves, helping to revive its old image as a wellspring of sophisticated and sybaritic pleasures. At the same time, though, thanks in large part to Communist and Gaullist campaigns against U.S. power, a growing sensitivity to French anti-Americanism began to color tourists' experiences there, strengthening the negative images of the French that were already embedded in American culture. But as the century drew on, the traditional positive images were revived, as many Americans again developed an appreciation for France's cuisine, art, and urban and rustic charms.

Levenstein, in his colorful, anecdotal style, digs into personal correspondence, journalism, and popular culture to shape a story of one nation's relationship to another, giving vivid play to Americans' changing response to such things as France's reputation for sexual freedom, haute cuisine, high fashion, and racial tolerance. He puts this tumultuous coupling of France and the United States in historical perspective, arguing that while some in Congress say we may no longer have french fries, others, like Humphrey Bogart in Casablanca, know they will always have Paris, and France, to enjoy and remember.
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cover of We, the People: Politics of National Peculiarity in Southeastern Europe

We, the People

Politics of National Peculiarity in Southeastern Europe

Diana Mishkova

Central European University Press, 2009

Analyzes the processes of nation-building in nineteenth and early-twentieth-century south-eastern Europe. A product of transnational comparative teamwork, this collection represents a coordinated interpretation based on ten varied academic cultures and traditions.
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cover of Weimar through the Lens of Gender: Prostitution Reform, Woman's Emancipation, and German Democracy, 1919-33

Weimar through the Lens of Gender

Prostitution Reform, Woman's Emancipation, and German Democracy, 1919-33

Julia Roos

University of Michigan Press, 2010

"This book will make a valuable contribution to the field of German history, as well as the histories of gender and sexuality. The argument that Weimar feminism did bring about tangible gains for women needs to be made, and Roos has done so convincingly."
---Julia Sneeringer, Queens College

Until 1927, Germany had a system of state-regulated prostitution, under which only those prostitutes who submitted to regular health checks and numerous other restrictions on their personal freedom were tolerated by the police. Male clients of prostitutes were not subject to any controls. The decriminalization of prostitution in 1927 resulted from important postwar gains in women's rights; yet this change---while welcomed by feminists, Social Democrats, and liberals—also mobilized powerful conservative resistance. In the early 1930s, the right-wing backlash against liberal gender reforms like the 1927 prostitution law played a fateful role in the downfall of the Weimar Republic and the rise of Nazism.

Weimar through the Lens of Gender combines the political history of early twentieth-century Germany with analytical perspectives derived from the fields of gender studies and the history of sexuality. The book's argument will be of interest to a broad readership: specialists in the fields of gender studies and the history of sexuality, as well as historians and general readers interested in Weimar and Nazi Germany.

Julia Roos is Assistant Professor of History at Indiana University, Bloomington.

Jacket art: "Hamburg, vermutlich St. Pauli, 1920er–30er Jahre," photographer unknown, s/w-Fotografie. (Courtesy of the Museum für Hamburgische Geschichte.)

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cover of Welfare Discipline: Discourse, Governance and Globalization

Welfare Discipline

Discourse, Governance and Globalization

Sanford F. Schram

Temple University Press, 2005

For the past decade, political scientist Sanford Schram has led the academic effort to understand how Americans and their political officials talk about poverty and welfare and what impact that discourse has on policy and on the global society.

In Welfare Discipline, Schram argues that it is time to take stock of the new forms of welfare and to develop even better methods to understand them. He argues for a more contextualized approach to examining welfare policy, from the use of the idea of globalization to justify cutbacks, to the increasing employment of U.S. policy discourse overseas, to the development of asset-based approaches to helping the poor.

Stressing the importance of understanding the ways we talk about welfare, how we study it, and, critically, what we do not discuss and why, Schram offers recommendations for making welfare policy both just and effective.
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cover of West European Arms Control Policy

West European Arms Control Policy

Robbin F. Laird, ed.

Duke University Press, 1990

European arms control policy and domestic policy processes in the four major West European countries (the United Kingdom, France, West Germany, and Italy) are assessed in this study, based on extensive interviews with governmental and opinion-making leaders in these four nations. The interview data are unique and make possible for the first time this kind of analysis of West European defense policy.
The contributors assess the impact of the INF treaty and arms control developments since the Reagan-Gorbachev meeting in Reykjavik.
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cover of West German Reparations to Israel

West German Reparations to Israel

Balabkins, Nicholas W

Rutgers University Press, 1971

The subject of this book is an unpredented economic and moral experiment between two countries - the Federal Republic of Germany and the new state of Israel. It is a narrative in contemporary social and economic history which recounts an almost unknown story, and does so on the basis of sustained and brilliant research by a scholar committed to the humanity and importance of his subject.
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cover of What Has Athens to Do with Jerusalem?: Timaeus and Genesis in Counterpoint

What Has Athens to Do with Jerusalem?

Timaeus and Genesis in Counterpoint

Jaroslav Pelikan

University of Michigan Press, 1997

The debate about evolution and creationism is striking evidence of the tensions between biblical and philosophical-scientific explanations of the origins of the universe. For most of the past twenty centuries, important historical context for the debate has been supplied by the relation (or "counterpoint") between two monumental texts: Plato's Timaeus and the Book of Genesis.
In What Has Athens to Do with Jerusalem?, Jaroslav Pelikan examines the origins of this counterpoint. He reviews the central philosophical issues of origins as posed in classical Rome by Lucretius, and he then proceeds to an examination of Timaeus and Genesis, with Timaeus' Plato representing Athens and Genesis' Moses representing Jerusalem. He then follows the three most important case studies of the counterpoint--in the Jewish philosophical theology of Alexandria, in the Christian thought of Constantinople, and in the intellectual foundations of the Western Middles Ages represented by Catholic Rome, where Timaeus would be the only Platonic dialogue in general circulation.
Whatever Plato may have intended originally in writing Timaeus, it has for most of the intervening period been read in the light of Genesis. Conversely, Genesis has been known, not in the original Hebrew, but in Greek and Latin translations that were seen to bear a distinct resemblance to one another and to the Latin version of Timaeus. Pelikan's study leads to original findings that deal with Christian doctrine in the period of the church fathers, including the Three Cappadocians (Basil of Caesarea, Gregory of Nazianzus, and Gregory of Nyssa) in the East, and in the West, Ambrose, Augustine, and Boethius. All of these vitally important authors addressed the problem of the "counterpoint," and neither they nor these primary texts can become fully intelligible without attention to the central issues being explored here.
What Has Athens to Do with Jerusalem? will be of interest to historians, theologians, and philosophers and to anyone with interest in any of the religious traditions addressed herein.
 
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cover of What History Tells: George L. Mosse and the Culture of Modern Europe

What History Tells

George L. Mosse and the Culture of Modern Europe

Edited by Stanley G. Payne, David J. Sorkin, and John S. Tortorice

University of Wisconsin Press, 2004

    What History Tells presents an impressive collection of critical papers from the September 2001 conference "An Historian’s Legacy: George L. Mosse and Recent Research on Fascism, Society, and Culture." This book examines his historiographical legacy first within the context of his own life and the internal development of his work, and secondly by tracing the many ways in which Mosse influenced the subsequent study of contemporary history, European cultural history and modern Jewish history. 
    The contributors include Walter Laqueur, David Sabean, Johann Sommerville, Emilio Gentile, Roger Griffin, Saul Friedländer, Jay Winter, Rudy Koshar, Robert Nye, Janna Bourke, Shulamit Volkov, and Steven E. Aschheim.
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cover of What Holds Europe Together?

What Holds Europe Together?

Krzysztof Michalski

Central European University Press, 2006

The book addresses contemporary developments in European identity politics as part of a larger historical trajectory of a common European identity based on the idea of 'solidarity.' The authors explain the special sense in which Europeans perceive their obligations to their less fortunate compatriots, to the new East European members, and to the world at large. An understanding of this notion of 'solidarity' is critical to understanding the specific European commitment to social justice and equality. The specificity of this term helps to distinguish between what the Germans call "social state" from the Anglo-Saxon, and particularly American, political and social system focused on capitalism and economic liberalism. This collection is the result of the work of an extremely distinguished group of scholars and politicians, invited by the previous President of the European Union, Romano Prodi, to reflect on some of the most important subjects affecting the future of Europe.
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cover of What Is Fascism?: On the Institutionalization of Ideology

What Is Fascism?

On the Institutionalization of Ideology

George L. Mosse

University of Wisconsin Press, 2026

In 1963, nearly two decades after the end of the most destructive war in human history, George L. Mosse assembled a group of interdisciplinary scholars from diverse backgrounds to answer a seemingly simple question: What is fascism? The landmark seminar that followed, held at Stanford University, came to define the intellectual conversation about European fascism throughout the postwar era. Mosse strove to better understand the legacy of fascism by debating its origins—often contentiously—with the sharpest minds of his generation.

In this volume, which collects Mosse’s lectures as well as his peers’ responses, Mosse and his colleagues wrestle with fascism’s origins and impact. The straightforward question that launched the seminar quickly expands to deeper debates: What are the intellectual foundations of right-wing populist political movements? How had these particular movements risen to power so quickly and then left so much devastation in their wakes? Were charismatic leaders like Hitler and Mussolini driving forces or did the various incarnations of fascism throughout Europe and beyond constitute a broader “revolution”? What was the relationship of religious and cultural institutions to fascism’s rise and cataclysmic fall?

As the word “fascism” takes on new meaning in the twenty-first century, it is more urgent than ever to revisit the work of scholars who witnessed its birth—and its defeat. In the foreword, Stanley G. Payne situates the lively debate in its historical context, and in the critical introduction, James J. Sheehan shares his own memories of the seminar and reflects on how the experience drove Mosse’s later work.

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cover of What Is Paleolithic Art?: Cave Paintings and the Dawn of Human Creativity

What Is Paleolithic Art?

Cave Paintings and the Dawn of Human Creativity

Jean Clottes

University of Chicago Press, 2016

Was it a trick of the light that drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the heads of lions, likenesses of bison, horses, and aurochs in the reliefs of the walls, as they flickered by firelight? Or was it something deeper—a creative impulse, a spiritual dawn, a shamanistic conception of the world efflorescing in the dark, dank spaces beneath the surface of the earth where the spirits were literally at hand?

In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to this “why” of Paleolithic art. While other books focus on particular sites and surveys, Clottes’s work is a contemplative journey across the world, a personal reflection on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal, by firelight, how we think, why we create, why we believe, and who we are.
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cover of What Nostalgia Was: War, Empire, and the Time of a Deadly Emotion

What Nostalgia Was

War, Empire, and the Time of a Deadly Emotion

Thomas Dodman

University of Chicago Press, 2017

Nostalgia today is seen as essentially benign, a wistful longing for the past. This wasn't always the case, however: from the late seventeenth century through the end of the nineteenth, nostalgia denoted a form of homesickness so extreme that it could sometimes be deadly.
 
What Nostalgia Was unearths that history. Thomas Dodman begins his story in Basel, where a nineteen-year-old medical student invented the new diagnosis, modeled on prevailing notions of melancholy. From there, Dodman traces its spread through the European republic of letters and into Napoleon's armies, as French soldiers far from home were diagnosed and treated for the disease. Nostalgia then gradually transformed from a medical term to a more expansive cultural concept, one that encompassed Romantic notions of the aesthetic pleasure of suffering. But the decisive shift toward its contemporary meaning occurred in the colonies, where Frenchmen worried about racial and cultural mixing came to view moderate homesickness as salutary. An afterword reflects on how the history of nostalgia can help us understand the transformations of the modern world, rounding out a surprising, fascinating tour through the history of a durable idea.
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cover of What Soldiers Do: Sex and the American GI in World War II France

What Soldiers Do

Sex and the American GI in World War II France

Mary Louise Roberts

University of Chicago Press, 2013

How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly—but if you’re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways.

That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty. 

While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.
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cover of What's Left of the Left: Democrats and Social Democrats in Challenging Times

What's Left of the Left

Democrats and Social Democrats in Challenging Times

James Cronin, George Ross, and James Shoch, eds.

Duke University Press, 2011

In What’s Left of the Left, distinguished scholars of European and U.S. politics consider how center-left political parties have fared since the 1970s. They explore the left’s responses to the end of the postwar economic boom, the collapse of the Soviet Union, the erosion of traditional party politics, the expansion of market globalization, and the shift to a knowledge-based economy. Their comparative studies of center-left politics in Scandinavia, France, Germany, southern Europe, post–Cold War Central and Eastern Europe, the United Kingdom, and the United States emphasize differences in the goals of left political parties and in the political, economic, and demographic contexts in which they operate. The contributors identify and investigate the more successful center-left initiatives, scrutinizing how some conditions facilitated them, while others blocked their emergence or limited their efficacy. In the contemporary era of slow growth, tight budgets, and rapid technological change, the center-left faces pressing policy concerns, including immigration, the growing population of the working poor, and the fate of the European Union. This collection suggests that such matters present the left with daunting but by no means insurmountable challenges.

Contributors. Sheri Berman, James Cronin, Jean-Michel de Waele, Arthur Goldhammer, Christopher Howard, Jane Jenson, Gerassimos Moschonas, Sofia Pérez, Jonas Pontusson, George Ross, James Shoch, Sorina Soare, Ruy Teixeira

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cover of When Buildings Speak: Architecture as Language in the Habsburg Empire and Its Aftermath, 1867-1933

When Buildings Speak

Architecture as Language in the Habsburg Empire and Its Aftermath, 1867-1933

Anthony Alofsin

University of Chicago Press, 2006

In When Buildings Speak,Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression. 
           
Covering a wide range of buildings—from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks—Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts.  By looking through Alofsin’s eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.
 
 “The book itself as a production is spectacular.”—David Dunster, Architectural Review
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cover of When Ethnicity Did Not Matter in the Balkans: A Study of Identity in Pre-Nationalist Croatia, Dalmatia, and Slavonia in the Medieval and Early-Modern Periods

When Ethnicity Did Not Matter in the Balkans

A Study of Identity in Pre-Nationalist Croatia, Dalmatia, and Slavonia in the Medieval and Early-Modern Periods

John V. A. Fine, Jr.

University of Michigan Press, 2006

"This is history as it should be written. In When Ethnicity Did Not Matter in the Balkans, a logical advancement on his earlier studies, Fine has successfully tackled a fascinating historical question, one having broad political implications for our own times. Fine's approach is to demonstrate how ideas of identity and self-identity were invented and evolved in medieval and early-modern times. At the same time, this book can be read as a critique of twentieth-century historiography-and this makes Fine's contribution even more valuable. This book is an original, much-needed contribution to the field of Balkan studies."
-Steve Rapp, Associate Professor of Caucasian, Byzantine, and Eurasian History, and Director, Program in World History and Cultures Department of History, Georgia State University Atlanta


When Ethnicity Did Not Matter in the Balkans is a study of the people who lived in what is now Croatia during the Middle Ages (roughly 600-1500) and the early-modern period (1500-1800), and how they identified themselves and were identified by others. John V. A. Fine, Jr., advances the discussion of identity by asking such questions as: Did most, some, or any of the population of that territory see itself as Croatian? If some did not, to what other communities did they consider themselves to belong? Were the labels attached to a given person or population fixed or could they change? And were some people members of several different communities at a given moment? And if there were competing identities, which identities held sway in which particular regions?

In When Ethnicity Did Not Matter in the Balkans, Fine investigates the identity labels (and their meaning) employed by and about the medieval and early-modern population of the lands that make up present-day Croatia. Religion, local residence, and narrow family or broader clan all played important parts in past and present identities. Fine, however, concentrates chiefly on broader secular names that reflect attachment to a city, region, tribe or clan, a labeled people, or state.

The result is a magisterial analysis showing us the complexity of pre-national identity in Croatia, Dalmatia, and Slavonia. There can be no question that the medieval and early-modern periods were pre-national times, but Fine has taken a further step by demonstrating that the medieval and early-modern eras in this region were also pre-ethnic so far as local identities are concerned. The back-projection of twentieth-century forms of identity into the pre-modern past by patriotic and nationalist historians has been brought to light. Though this back-projection is not always misleading, it can be; Fine is fully cognizant of the danger and has risen to the occasion to combat it while frequently remarking in the text that his findings for the Balkans have parallels elsewhere.

John V. A. Fine, Jr. is Professor of History at the University of Michigan.
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cover of When Physics Became King

When Physics Became King

Iwan Rhys Morus

University of Chicago Press, 2005

As recently as two hundred years ago, physics as we know it today did not exist. Born in the early nineteenth century during the second scientific revolution, physics struggled at first to achieve legitimacy in the scientific community and culture at large. In fact, the term "physicist" did not appear in English until the 1830s.

When Physics Became King traces the emergence of this revolutionary science, demonstrating how a discipline that barely existed in 1800 came to be regarded a century later as the ultimate key to unlocking nature's secrets. A cultural history designed to provide a big-picture view, the book ably ties advances in the field to the efforts of physicists who worked to win social acceptance for their research.

Beginning his tale with the rise of physics from natural philosophy, Iwan Morus chronicles the emergence of mathematical physics in France and its later export to England and Germany. He then elucidates the links between physics and industrialism, the technology of statistical mechanics, and the establishment of astronomical laboratories and precision measurement tools. His tale ends on the eve of the First World War, when physics had firmly established itself in both science and society.

Scholars of both history and physics will enjoy this fascinating and studied look at the emergence of a major scientific discipline.
[more]
cover of When Roosevelt Planned to Govern France

When Roosevelt Planned to Govern France

Charles L. Robertson

University of Massachusetts Press, 2011

This book tells the story of a plan put forth by President Franklin Roosevelt during World War II for an Allied military occupation of France in the aftermath of liberation, and of General Charles de Gaulle's efforts as self-appointed leader of the Free French Movement to thwart FDR's intentions. Charles L. Robertson frames the narrative as a mystery in which he plays the role of detective. He begins at a dinner party thirty years ago, where he first learned of the alleged plan from an elderly former aide to de Gaulle. Yet it wasn't until 2004, when he heard the same story repeated during the 60th commemoration of D-Day, that he set out to investigate whether it was true.

Many French are aware of this episode and believe, on the basis of later Gaullist officials' writings, that until the last moment a military occupation of their country was imminent. This view, across the years, has helped darken relations between France and the United States. Yet few if any Americans have ever heard of this plan, and in the event, no Allied military government of France was ever established. 

How and why it never came to be, and why the French still believe it almost did, is the subject of this book. Robertson recounts how the president of the most powerful nation in the world was outmaneuvered in both his earlier plans for an occupation of France and his subsequent attempts to keep General de Gaulle from “seizing” power—in a France that ultimately, despite Roosevelt's intentions and expectations, regained its place among the victorious powers under de Gaulle's leadership.

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cover of When is Daddy Coming Home?: An American Family during World War II

When is Daddy Coming Home?

An American Family during World War II

Richard Carlton Haney

Wisconsin Historical Society Press, 2024

Now in paperback, a bestselling memoir of a family on the home front during World War II

World War II was coming to a close in Europe and Richard Haney was only four years old when the telegram arrived at his family's home in Janesville, Wisconsin. That moment, when Haney learned of his father's death in the final months of fighting, changed his and his mother's lives forever.

In this powerful book, Haney explores the impact of war on an American family. He skillfully weaves together those memories with his parents' wartime letters and his mother's recollections to create a unique blend of history and memoir. Through his father's letters he reveals the war's effect on a man who fought in the Battle of the Bulge with the 17th Airborne but wanted nothing more than to return home. Haney illuminates life on the home front in small-town America as well, describing how profoundly the war changed such communities.

With When Is Daddy Coming Home?, Richard Haney makes an exceptional contribution to the literature on the Greatest Generation—one that is both devastatingly personal and representative of what families all over America endured during that testing time.

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cover of When the Air Became Important: A Social History of the New England and Lancashire Textile Industries

When the Air Became Important

A Social History of the New England and Lancashire Textile Industries

Janet Greenlees

Rutgers University Press, 2019

In When the Air Became Important, medical historian Janet Greenlees examines the working environments of the heartlands of the British and American cotton textile industries from the nineteenth to the late twentieth centuries. Greenlees contends that the air quality within these pioneering workplaces was a key contributor to the health of the wider communities of which they were a part. Such enclosed environments, where large numbers of people labored in close quarters, were ideal settings for the rapid spread of diseases including tuberculosis, bronchitis and pneumonia. When workers left the factories for home, these diseases were transmitted throughout the local population, yet operatives also brought diseases into the factory. Other aerial hazards common to both the community and workplace included poor ventilation and noise. Emphasizing the importance of the peculiarities of place as well as employers’ balance of workers’ health against manufacturing needs, Greenlees’s pioneering book sheds light on the roots of contemporary environmentalism and occupational health reform. Her work highlights the complicated relationships among local business, local and national politics of health, and community priorities.
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cover of Whether a Christian Woman Should Be Educated and Other Writings from Her Intellectual Circle

Whether a Christian Woman Should Be Educated and Other Writings from Her Intellectual Circle

Anna Maria van Schurman

University of Chicago Press, 1998

Advocate and exemplar of women's education, female of aristocratic birth and modest demeanor, Anna Maria van Schurman (1607-1678) was one of Reformation Europe's most renowned writers defending women's intelligence. From her early teens, Schurman garnered recognition and admiration for her accomplishments in languages, philosophy, poetry, and painting. As an adult she actively engaged in written correspondence and debate with Europe's leading intellectuals. Nevertheless, Schurman refused to regard herself as an anomaly among women. A supporter of the female sex, she argues that the same rigorous education that shaped her should be made available to all Christian daughters of the aristocracy.

Gathered here in meticulous translation are Anna Maria van Schurman's defense of women's education, her letters to other learned women, and her own account of her early life, as well as responses to her work from male contemporaries, and rare writings by Schurman's mentor, Voetius. This volume will interest the general reader as well as students of women's, religious, and social history.


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cover of Which Socialism, Whose Detente?: West European Communism and the Czechoslovak Crisis of 1968

Which Socialism, Whose Detente?

West European Communism and the Czechoslovak Crisis of 1968

Maud Bracke

Central European University Press, 2007

This study analyzes the impact of the Czechoslovak crisis of 1968–1969 on the two major communist parties in the West: the Italian and French ones. Discusses the central strategic and ideological tensions which these parties needed to deal with: domestic belonging versus allegiance to the world communist movement, doctrinal orthodoxy in a context of rapid societal changes, and the question of revolution and reform. These key problems were situated in different contexts: the crisis in the "world communist movement" after 1956 and the Sino-Soviet rift, socio-economic modernization and political radicalization in Western Europe, and the shift from Cold War to early détente on the European continent. The research for this work is based on the study of a large collection of recently released primary sources, particularly, the internal records of various communist parties in Europe.
[more]
cover of White Enclosures: Racial Capitalism and Coloniality along the Balkan Route

White Enclosures

Racial Capitalism and Coloniality along the Balkan Route

Piro Rexhepi

Duke University Press, 2022

For all its history of intersecting empires, the Balkans has been rarely framed as a global site of race and coloniality. This, as Piro Rexhepi argues in White Enclosures is not surprising, given the perception of the Balkans as colorblind and raceless, a project that spans post-Ottoman racial formations, transverses Socialist modernity and is negotiated anew in the process of postsocialist Euro-Atlantic integration. Connecting severed colonial histories from the vantage point of body politic, Rexhepi turns to the borderland zones of the Balkans to trace past and present geopolitical attempts of walling whiteness. From efforts to straighten the sexualities of post-Ottoman Muslim subjects, to Yugoslav nonaligned solidarities between Muslims of the second and third world, to Roma displacement and contemporary emergence of refugee carceral technologies along the Balkan Route, Rexhepi points not only to the epistemic erasures that maintain the fantasy of whiteness but also to the disruption emanating from the solidarities between queer- and transpeople that fold the Balkans back into global efforts to resist the politics of racial capitalism. 
 
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cover of White Gypsies: Race and Stardom in Spanish Musicals

White Gypsies

Race and Stardom in Spanish Musicals

Eva Woods Peiró

University of Minnesota Press, 2012

Little has been written about the Spanish film musical, a genre usually associated with the early Franco dictatorship and dismissed by critics as reactionary, escapist fare. A timely and valuable corrective, White Gypsies shows how the Spanish folkloric musical films of the 1940s and ’50s are inextricably tied to anxious concerns about race—especially, but not only, Gypsiness.

Focusing on the processes of identity formation in twentieth-century Spain—with multifaceted readings of the cinematic construction of class, gender, and sexuality—Eva Woods Peiró explores how these popular films allowed audiences to negotiate and imaginatively, at times problematically, resolve complex social contradictions. The intricate interweaving of race and modernity is particularly evident in her scrutiny of a striking popular phenomenon: how the musicals progressively whitened their stars, even as their story lines became increasingly Andalusianized and Gypsified.

White Gypsies reveals how these imaginary individuals constituted a veritable cultural barometer of how racial thinking was projected and understood across a broad swath of popular Spanish cinema.

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cover of White Innocence: Paradoxes of Colonialism and Race

White Innocence

Paradoxes of Colonialism and Race

Gloria Wekker

Duke University Press, 2016

In White Innocence Gloria Wekker explores a central paradox of Dutch culture: the passionate denial of racial discrimination and colonial violence coexisting alongside aggressive racism and xenophobia. Accessing a cultural archive built over 400 years of Dutch colonial rule, Wekker fundamentally challenges Dutch racial exceptionalism by undermining the dominant narrative of the Netherlands as a "gentle" and "ethical" nation. Wekker analyzes the Dutch media's portrayal of black women and men, the failure to grasp race in the Dutch academy, contemporary conservative politics (including gay politicians espousing anti-immigrant rhetoric), and the controversy surrounding the folkloric character Black Pete, showing how the denial of racism and the expression of innocence safeguards white privilege. Wekker uncovers the postcolonial legacy of race and its role in shaping the white Dutch self, presenting the contested, persistent legacy of racism in the country.
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cover of White Rebels in Black: German Appropriation of Black Popular Culture

White Rebels in Black

German Appropriation of Black Popular Culture

Priscilla Layne

University of Michigan Press, 2018

Analyzing literary texts and films, White Rebels in Black shows how German authors have since the 1950s appropriated black popular culture, particularly music, to distance themselves from the legacy of Nazi Germany, authoritarianism, and racism, and how such appropriation changes over time. Priscilla Layne offers a critique of how blackness came to symbolize a positive escape from the hegemonic masculinity of postwar Germany, and how black identities have been represented as separate from, and in opposition to, German identity, foreclosing the possibility of being both black and German. Citing four autobiographies published by black German authors Hans Jürgen Massaquo, Theodor Michael, Günter Kaufmann, and Charly Graf, Layne considers how black German men have related to hegemonic masculinity since Nazi Germany, and concludes with a discussion on the work of black German poet, Philipp Khabo Köpsell.
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cover of Who Is Mary?: Three Early Modern Women on the Idea of the Virgin Mary

Who Is Mary?

Three Early Modern Women on the Idea of the Virgin Mary

Vittoria Colonna, Chiara Matraini, and Lucrezia Marinella

University of Chicago Press, 2009

For women of the Italian Renaissance, the Virgin Mary was one of the most important role models. Who Is Mary? presents devotional works written by three women better known for their secular writings: Vittoria Colonna, famed for her Petrarchan lyric verse; Chiara Matraini, one of the most original poets of her generation; and the wide-ranging, intellectually ambitious polemicist Lucrezia Marinella. At a time when the cult of the Virgin was undergoing a substantial process of redefinition, these texts cast fascinating light on the beliefs  of Catholic women in the Renaissance, and also, in the cases of Matraini and Marinella, on contemporaneous women’s social behavior, prescribed for them by male writers in books on female decorum.  
            Who Is Mary? testifies to the emotional and spiritual relationships that women had with the figure of Mary, whom they were required to emulate as the epitome of femininity. Now available for the first time in English-language translation, these writings suggest new possibilities for women in both religious and civil culture and provide a window to women’s spirituality, concerning the most important icon set before them, as wives, mothers, and Christians.
 
 
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cover of Whole Faith: The Catholic Ideal of Emilia Pardo Bazan

Whole Faith

The Catholic Ideal of Emilia Pardo Bazan

Denise DuPont

Catholic University of America Press, 2018

Emilia Pardo Bazán (1851-1921), the most important female author of Spain’s nineteenth century, was a prolific writer of novels, short stories, critical articles, chronicles of modern life, and plays. Active in the age of Catholic social teaching inaugura
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cover of Why Europe?: The Medieval Origins of Its Special Path

Why Europe?

The Medieval Origins of Its Special Path

Michael Mitterauer

University of Chicago Press, 2010

Why did capitalism and colonialism arise in Europe and not elsewhere? Why were parliamentarian and democratic forms of government founded there? What factors led to Europe’s unique position in shaping the world? Thoroughly researched and persuasively argued, Why Europe? tackles these classic questions with illuminating results.

Michael Mitterauer traces the roots of Europe’s singularity to the medieval era, specifically to developments in agriculture. While most historians have located the beginning of Europe’s special path in the rise of state power in the modern era, Mitterauer establishes its origins in rye and oats. These new crops played a decisive role in remaking the European family, he contends, spurring the rise of individualism and softening the constraints of patriarchy. Mitterauer reaches these conclusions by comparing Europe with other cultures, especially China and the Islamic world, while surveying the most important characteristics of European society as they took shape from the decline of the Roman empire to the invention of the printing press. Along the way, Why Europe? offers up a dazzling series of novel hypotheses to explain the unique evolution of European culture.

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cover of Why So Easily . . . Some Family Reasons for the Velvet Revolution: A Sociological Essay

Why So Easily . . . Some Family Reasons for the Velvet Revolution

A Sociological Essay

Ivo Možný

Karolinum Press, 2023

A famed essay examines the Velvet Revolution from a sociological perspective.
 
Thirty-two years after its initial publication, this respected sociological essay, written in the history-making years of 1989 and 1990, is available for the first time in English. The essay tells the story of a despotic Socialist state expropriating the family (and with it the private sphere of life) only to be colonized by the very thing it expropriated forty years later. The essay plunges the reader into the pivotal time of the Velvet Revolution and provides valid explanations for the grassroots causes of the old regime’s downfall, examining the private aspirations and strategies of highly disparate groups of nameless social actors of the old regime that eventually sapped almost everyone of any interest in keeping the regime afloat.
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cover of Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London

Wicked Intelligence

Visual Art and the Science of Experiment in Restoration London

Matthew C. Hunter

University of Chicago Press, 2013

In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the “exact proportions” of sea monsters—all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London’s emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul’s Cathedral.
 
Matthew C. Hunter brings to life this archive of experimental-philosophical visualization and the deft cunning that was required to manage such difficult research. Offering an innovative approach to the scientific image-making of the time, he demonstrates how the Restoration project of synthesizing experimental images into scientific knowledge, as practiced by Royal Society leaders Robert Hooke and Christopher Wren, might be called “wicked intelligence.” Hunter uses episodes involving specific visual practices—for instance, concocting a lethal amalgam of wax, steel, and sulfuric acid to produce an active model of a comet—to explore how Hooke, Wren, and their colleagues devised representational modes that aided their experiments. Ultimately, Hunter argues, the craft and craftiness of experimental visual practice both promoted and menaced the artistic traditions on which they drew, turning the Royal Society projects into objects of suspicion in Enlightenment England.
 
The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain’s imperial power and artistic efflorescence.
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cover of Wife and Widow in Medieval England

Wife and Widow in Medieval England

Sue Sheridan Walker, Editor

University of Michigan Press, 1993

Examines the role of women in medieval law and society
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cover of William Lawrence and the Organ of Mind: The Theology, Medicine and Politics of the Brain

William Lawrence and the Organ of Mind

The Theology, Medicine and Politics of the Brain

Elfed Huw Price

University College London, 2025

The untold story of how a nineteenth-century medical controversy laid the groundwork for modern neuroscience and the science of the mind.

Elfed Huw Price studies the radical history behind the idea that thought and consciousness are rooted in the brain, tracing its emergence in early nineteenth-century Britain. Centered on the controversy surrounding Lawrence’s Lectures on Physiology, Zoology, and the Natural History of Man, this book reveals how his arguments on the sentient brain challenged both medical tradition and religious orthodoxy, provoking backlash from the establishment.

Drawing on archival sources including unpublished material from Bethlem Hospital, Price situates Lawrence’s work within the rise of Christian mortalist thought and the broader shift toward Victorian naturalism. Despite Lawrence’s silencing, his ideas endured, shaping a transformation that redefined human exceptionality through biology rather than theology.

Bridging science, medicine, philosophy, and religion, William Lawrence and the Organ of Mind illuminates a pivotal yet overlooked moment in the history of mind and brain studies, offering fresh insights into the intellectual struggles that helped reshape modern thought.
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cover of Winter Notes on Summer Impressions

Winter Notes on Summer Impressions

Fyodor Dostoevsky

Northwestern University Press, 1997

Winter Notes on Summer Impressions (Зимние заметки о летних впечатлениях) is an early book-length essay by Russian author Fyodor Dostoevsky which he composed while traveling in western Europe. Many commentators believe that in the themes it explores, the essay anticipates his later work Notes from the Underground.

In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. He recorded his impressions in Winter Notes on Summer Impressions, which were first published in the February 1863 issue of Vremya (Time), the periodical of which he was the editor.

Among other themes, Dostoevsky reveals his Pan-Slavism, rejecting European culture as corrupt and exhorting Russians to resist the temptation to emulate or adopt European ways of life.
[more]
cover of Witchcraft in England, 1558-1618

Witchcraft in England, 1558-1618

Barbara Rosen

University of Massachusetts Press, 1991

Anyone interested in manifestations of witchcraft in Elizabethan and Jacobean England will find this book an invaluable source. Barbara Rosen has gathered and edited a rare collection of documents—pamphlets, reports, trial accounts, and other material—that describes the experience, interpretation, and punishment of witchcraft in the late sixteenth and early seventeenth centuries.

In her introduction, Rosen explores the full range of practices and beliefs associated with witchcraft and situates these phenomena in historical context. She explains how ignorance of science and medicine combined with social circumstance and religious ideology to shape popular perceptions and superstitions. Distinguishing between English and Continental forms of witchcraft, she also examines the legal definitions, disciplines, and punishments applied to wizards, witches, wise women, and conjures in the Elizabethan age. 

The pamphlets and other original texts have been modernized in certain respects to make them more accessible to general readers. But the book retains its value for scholars: omissions are detailed in the notes and additions marked; obsolete words and grammar are explained in the glossary.

Originally published in England in 1970 under the title Witchcraft, this book appears now for the first time in paperback and includes a new preface by the editor.

[more]