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41 books match the query 'Selections'

cover of A North Country Almanac: Reflections of an Old-School Conservationist in a Modern World

A North Country Almanac

Reflections of an Old-School Conservationist in a Modern World

Thomas C Bailey

Michigan State University Press, 2018

A North Country Almanac: Reflections of an Old-School Conservationist in a Modern World includes the musings of an independent mind on wilderness, the conservation ethic, and the joys of loving the outdoors. Although a lifelong conservationist, Thomas C. Bailey has never unquestioningly accepted environmental dogma. The essays here often challenge familiar assumptions about stewardship of natural resources. The former National Park ranger, fishing guide, and conservancy director offers a rich variety of perspectives on an interesting array of topics, returning always to his fundamental belief that conservation pioneers such as John Muir, Theodore Roosevelt, and Aldo Leopold had it right when they affirmed Walt Whitman’s observation that “the secret of making the best person . . . is to grow in the open air and to eat and sleep with the earth.”
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cover of A Player and a Gentleman: The Diary of Harry Watkins, Nineteenth-Century U.S. American Actor

A Player and a Gentleman

The Diary of Harry Watkins, Nineteenth-Century U.S. American Actor

Edited by Amy E. Hughes and Naomi J. Stubbs

University of Michigan Press, 2018

Hardworking actor, playwright, and stage manager Harry Watkins (1825–94) was also a prolific diarist. For fifteen years Watkins regularly recorded the plays he saw, the roles he performed, the books he read, and his impressions of current events. Performing across the U.S., Watkins collaborated with preeminent performers and producers, recording his successes and failures as well as his encounters with celebrities such as P. T. Barnum, Junius Brutus Booth, Edwin Forrest, Anna Cora Mowatt, and Lucy Stone. His is the only known diary of substantial length and scope written by a U.S. actor before the Civil War—making Watkins, essentially, the antebellum equivalent of Samuel Pepys. Theater historians Amy E. Hughes and Naomi J. Stubbs have selected, edited, and annotated excerpts from the diary in an edition that offers a vivid glimpse of how ordinary people like Watkins lived, loved, struggled, and triumphed during one of the most tumultuous periods in U.S. history. The selections in A Player and a Gentleman are drawn from a more expansive digital archive of the complete diary. The book, like its digital counterpart, will richly enhance our knowledge of antebellum theater culture and daily life in the U.S. during this period.

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cover of A Saturnalia of Bunk: Selections from The Free Lance, 1911–1915

A Saturnalia of Bunk

Selections from The Free Lance, 1911–1915

H. L. Mencken

Ohio University Press, 2017

H. L. Mencken’s reputation as a journalist and cultural critic of the twentieth century has endured well into the twenty-first. His early contributions as a writer, however, are not very well known. He began his journalistic career as early as 1899 and in 1910 cofounded the Baltimore Evening Sun. The next year he initiated a column—The Free Lance—that ran six days a week for four and a half years, until the Sun discontinued it, partially in response to Mencken’s controversial defense of Germany during World War One.

In this early forum for his renowned wit, Mencken broached many of the issues to which he would return again and again over his career, establishing himself as a fearless iconoclast willing to tackle the most divisive subjects and apply a heady mix of observation, satire, and repartee to clear away what he regarded as the “saturnalia of bunk” that clouded American thinking. The Free Lance reveals Mencken at his scintillating best as a journalist, polemicist, and satirist.

These columns are collected here for the first time, edited and annotated by Mencken expert and critic S. T. Joshi. This extraordinary collection is an invaluable resource for Mencken scholars and fans and provides an entertaining immersion into the early twentieth-century American zeitgeist.

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cover of America, the Dream of My Life: Selections from the Federal Writers' Project's New Jersey Ethnic Survey

America, the Dream of My Life

Selections from the Federal Writers' Project's New Jersey Ethnic Survey

Cohen, David Steven

Rutgers University Press, 1990

This selection is the first statewide collection of life histories from the Social-Ethnic Studies program of the Federal Writers's Project. They represent for ethnic history what the more famous Federal Writers' Project's Slave Narratives have meant for African-American history.
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cover of An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States

An Actor's Tale

Theater, Culture, and Everyday Life in the Nineteenth-Century United States

Amy Hughes

University of Michigan Press, 2025

Harry Watkins was no one special. During a career that spanned four decades, this nineteenth-century actor yearned for fame but merely skirted the edges of it. He performed alongside the brightest stars, wrote scores of plays, and toured the United States and England, but he never became a household name. Inspired by this average performer’s life and labor, An Actor’s Tale offers an alternative history of nineteenth-century theater, focusing on the daily rhythms and routines of theatrical life rather than the celebrated people, plays, and exceptional events that tend to dominate histories of US theater and performance. In the process, Hughes asks uncomfortable questions about the existence, predominance, and erasure of White male mediocrity in US culture, both in the past and present. When historians focus only on performers and plays with artistic “merit,” what communities, perspectives, and cultural trends remain invisible? How did men like Watkins advance themselves professionally, despite their mediocrity? Why did men like Watkins embrace and perpetuate myths like the American Dream, the “self-made man,” and meritocracy, and how have these ideals shaped casting, producing, and celebrity worship in today’s US entertainment industry? 

Ultimately, Hughes reveals how this actor’s tale illuminates the widespread tendency to ignore, deny, and forgive White male mediocrity in US culture, and how a deeper understanding of people like Watkins can transform our understanding of the past—and our understanding of ourselves.

 
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cover of An Odyssey Reader: Selections from Homer's Odyssey, Books 1-12

An Odyssey Reader

Selections from Homer's Odyssey, Books 1-12

P. A. Draper

University of Michigan Press, 2012

Homer's Odyssey has captivated readers and influenced writers and artists for more than 2,000 years. Reading the poem in its original language provides an experience as challenging as it is rewarding. Most students encountering Homeric Greek for the first time need considerable help, especially with vocabulary and constructions that differ from the more familiar Attic forms. For anyone who has completed studies in elementary Greek, this edition provides the assistance necessary to read, understand, and appreciate the first book of the Odyssey in its original language.

Structured to maximize reading ease, P. A. Draper's volume stands out among introductions to the Greek Odyssey. Readers of this edition will appreciate the positioning of all notes facing the Greek text; the frequent vocabulary entries; the complete glossary; the appendix on basic Homeric forms and grammar; and the copious annotations on vocabulary, grammar, meter, historical and mythological allusions, and literary interpretation.

Primarily designed as a textbook, this volume will be an effective classroom tool and a useful acquisition for any library supporting a classics program. The book will find readers among high school and college Greek students, advanced students in Homer or epic poetry classes, graduate students working on reading-list requirements, and anyone interested in maintaining Greek reading skills.

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cover of Ann Arbor Observed: Selections from Then and Now

Ann Arbor Observed

Selections from Then and Now

Grace Shackman

University of Michigan Press, 2010

Twenty-five years ago Grace Shackman began to document the history of Ann Arbor’s buildings, events, and people in the Ann Arbor Observer. Soon Shackman’s articles, which depicted every aspect of life in Ann Arbor during the city’s earlier eras, became much-anticipated regular stories. Readers turned to her illuminating minihistories when they wanted to know about a particular landmark, structure, personality, organization, or business from Ann Arbor’s past.
 
Packed with photographs from Ann Arbor of yesteryear and the present day, Ann Arbor Observed compiles the best of Shackman’s articles in one book divided into eight sections: public buildings and institutions, the University of Michigan, transportation, industry, downtown Ann Arbor, recreation and culture, social fabric and communities, and architecture.
 
For long-time residents, Ann Arbor expatriates, University of Michigan alumni, and visitors alike, Ann Arbor Observed provides a rare glimpse of the bygone days of a town with a rich and varied history.
 
Grace Shackman is a history columnist for the Ann Arbor Observer, the Community Observer, and the Old West Side News, as well as a writer for University of Michigan publications. She is the author of two previous books: Ann Arbor in the 19th Century and Ann Arbor in the 20th Century.
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cover of Augustine in His Own Words

Augustine in His Own Words

William Harmless

Catholic University of America Press, 2010

This volume offers a comprehensive portrait--or rather, self-portrait, since its words are mostly Augustine's own--drawn from the breadth of his writings and from the long course of his career
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cover of Blues, How Do You Do?: Paul Oliver and the Transatlantic Story of the Blues

Blues, How Do You Do?

Paul Oliver and the Transatlantic Story of the Blues

Christian O’Connell

University of Michigan Press, 2015

Recent revisionist scholarship has argued that representations by white “outsider” observers of black American music have distorted historical truths about how the blues came to be. While these scholarly arguments have generated an interesting debate concerning how the music has been framed and disseminated, they have so far only told an American story, failing to acknowledge that in the post-war era the blues had spread far beyond the borders of the United States. As Christian O’Connell shows in Blues, How Do You Do? Paul Oliver’s largely neglected scholarship—and the unique transatlantic cultural context it provides—is vital to understanding the blues.

O’Connell’s study begins with Oliver’s scholarship in his early days in London as a writer for the British jazz press and goes on to examine Oliver’s encounters with visiting blues musicians, his State Department–supported field trip to the US in 1960, and the resulting photographs
and oral history he produced, including his epic “blues narrative,” The Story of the Blues (1969). Blues, How Do You Do? thus aims to move away from debates that have been confined within the limits of national borders—or relied on clichés of British bands popularizing American music in America—to explore how Oliver’s work demonstrates that the blues became a reified ideal, constructed in opposition to the forces of modernity.

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cover of Child Martyrs and Militant Evangelization in New Spain: Missionary Narratives, Nahua Perspectives

Child Martyrs and Militant Evangelization in New Spain

Missionary Narratives, Nahua Perspectives

Stephanie Schmidt

University of Texas Press, 2025

Examines the many iterations of a story of child martyrdom in colonial Mexico.

A cornerstone of the evangelization of early New Spain was the conversion of Nahua boys, especially the children of elites. They were to be emissaries between Nahua society and foreign missionaries, hastening the transmission of the gospel. Under the tutelage of Franciscan friars, the boys also learned to act with militant zeal. They sermonized and smashed sacred objects. Some went so far as to kill a Nahua religious leader. For three boys from Tlaxcala, the reprisals were just as deadly.

In Child Martyrs and Militant Evangelization in New Spain, Stephanie Schmidt sheds light on a rare manuscript about Nahua child converts who were killed for acts of zealotry during the late 1520s. This is the Nahuatl version of an account by an early missionary-friar, Toribio de Benavente Motolinía. To this day, Catholics venerate the slain boys as Christian martyrs who suffered for their piety. Yet Franciscan accounts of the boys’ sacrifice were influenced by ulterior motives, as the friars sought to deflect attention from their missteps in New Spain. Illuminating Nahua perspectives on this story and period, Schmidt leaves no doubt as to who drove this violence as she dramatically expands the knowledgebase available to students of colonial Latin America.

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cover of Conserving Walt Whitman's Fame: Selections from Horace Traubel's Conservator, 1890-1919

Conserving Walt Whitman's Fame

Selections from Horace Traubel's Conservator, 1890-1919

Schmidgall, Gary

University of Iowa Press, 2006

It is now difficult to imagine that, in the years before Whitman's death in 1892, there was real doubt in the minds of Whitman and his literary circle whether Leaves of Grass would achieve lasting fame. Much of the critical commentary in the first decade after his burial in Camden was as negative as that in Boston's Christian Register, which spoke of Whitman as someone who “succeeded in writing a mass of trash without form, rhythm, or vitality.”That the balance finally tipped toward admiration, culminating in Whitman's acceptance into the literary canon, was due substantially to the unflagging labor of Horace Traubel, famous for his nine volumes of Whitman conversations but less well known for his provocative monthly journal of socialist politics and avant-garde culture, the Conservator.Conserving Walt Whitman's Fame offers a generous selection from the enormous trove of Whitman-related materials that Traubel included in the 352 issues of the Conservator. Among the revelatory, perceptive, and often entertaining items presented here are the most illuminating of the Conservator's more than 150 topical essays on Whitman and memoirs by many of his friends and literary cohorts that shed new light on the poet, his work, and his critical reception. Also important is the richer understanding these pages afford of Horace Traubel's own sophisticated, deeply humane, and feisty views of America.
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cover of Customs and Culture in Poland under the Last Saxon King: Selections from Opis obyczajów za panowania Augusta III by father Jedrzej Kitowicz, 1728-1804

Customs and Culture in Poland under the Last Saxon King

Selections from Opis obyczajów za panowania Augusta III by father Jedrzej Kitowicz, 1728-1804

Translated and with a preface and commentary by Oscar E. Swan

Central European University Press, 2019

Jedrzej Kitowicz was a parish priest in central Poland with a military and worldly past. In his later years, after putting the affairs of his parish in order, he composed a colorful chronicle of all aspects and walks of life under King August III. He seems to have written mostly from memory, creating in the process the most complete record that exists of society in eighteenth-century Poland. A man with omnivorous tastes, a keen sense of observation, and a wry—at times bawdy—sense of humor, Kitowicz’s realistic and robust literary technique has been compared in its earthiness and evocativeness to Flemish genre painting. A noteworthy example of eighteenth-century writing and narrative talent, his Opis reveals an astounding visual memory and a modern ethnographer’s eye for material culture. The present book consists of fifty-one chapters, including all of the most celebrated ones, from Father Kitowicz’s Opis, complete with a comprehensive introduction. Topics include religious beliefs, customs and institutions, child-rearing, education, the judiciary and the military. Particularly vivid are the descriptions of the lives of the nobility, ranging from cooking through men’s and women’s wear to household entertainments and drinking habits. A commentary by the editor introduces each chapter.
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cover of Early American Poetry: Selections from Bradstreet, Taylor, Dwight, Freneau, and Bryant

Early American Poetry

Selections from Bradstreet, Taylor, Dwight, Freneau, and Bryant

Edited by Jane Donahue Eberwein

University of Wisconsin Press, 1978

Here is the first major-figure anthology of American poetry of the colonial and early national periods, an indispensable volume for both students and scholars of American literature and civilization.
    Five major literary figures are spotlighted: Anne Bradstreet (1612-1672), Edward Taylor (1642?"-1729), Timothy Dwight (1752-1817), Philip Freneau (1752-1832), and William Cullen Bryant (1794-1878). An introduction to each chapter summarizes the life of the poet, reviews his or her literary career, describes and evaluates artistic achievement, and places the poet in an intellectual context. The writer's relationship to changing religious, philosophical, political, and cultural patters is established. The contemporary perspective is augmented by the inclusion of an appendix which presents three important poems by other writers: Micheal Wigglesworth's "God's Controversy with New England," Ebenezer Cook's The Sot-Weed Factor, and Joel Barlow's "Hasty Pudding."
    Eberwein goes beyond the most popular and familiar works to include those of unrecognized literary merit, presenting a thoroughly unique approach which illuminates the full range of the writers' themes, forms and poetic voices.

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cover of Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent

Gay Rebel of the Harlem Renaissance

Selections from the Work of Richard Bruce Nugent

Richard Bruce Nugent

Duke University Press, 2002

Richard Bruce Nugent (1906–1987) was a writer, painter, illustrator, and popular bohemian personality who lived at the center of the Harlem Renaissance. Protégé of Alain Locke, roommate of Wallace Thurman, and friend of Langston Hughes and Zora Neale Hurston, the precocious Nugent stood for many years as the only African-American writer willing to clearly pronounce his homosexuality in print. His contribution to the landmark publication FIRE!!, “Smoke, Lilies and Jade,” was unprecedented in its celebration of same-sex desire. A resident of the notorious “Niggeratti Manor,” Nugent also appeared on Broadway in Porgy (the 1927 play) and Run, Little Chillun (1933)
Thomas H. Wirth, a close friend of Nugent’s during the last years of the artist’s life, has assembled a selection of Nugent’s most important writings, paintings, and drawings—works mostly unpublished or scattered in rare and obscure publications and collected here for the first time. Wirth has written an introduction providing biographical information about Nugent’s life and situating his art in relation to the visual and literary currents which influenced him. A foreword by Henry Louis Gates Jr. emphasizes the importance of Nugent for African American history and culture.
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cover of God and The End of Satan / Dieu and La Fin de Satan: Selections: In a Bilingual Edition

God and The End of Satan / Dieu and La Fin de Satan

Selections: In a Bilingual Edition

Victor Hugo

Swan Isle Press, 2014

While living in exile with his family on the Channel Islands off the coast of Normandy, Victor Hugo wrote some of his greatest poetry and prose, including Les Misérables and two epic poems: Dieu and La Fin de Satan. Dieu pictures the imaginary search for God by a nameless protagonist, who must face the possibility of failure in this quest. La Fin de Satan, an indictment of prison, war, and capital punishment, depicts an attempt at reconciliation between good and evil.

This book brings together abbreviated editions of these two book-length poems—unfinished and unpublished at the time of the author’s death—comprised of selections that capture their visionary and mystical essence. The poems are accompanied by an introduction framing them within the author’s experience as an exile and tracing their publication history.

Victor Hugo is one of the most important figures in the history of French literature, and this beautifully rendered translation brings two of his lesser-known works deservedly to the forefront.

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cover of How to Read Barthes' Image-Music-Text

How to Read Barthes' Image-Music-Text

Ed White

Pluto Press, 2012

Roland Barthes remains one of the most influential cultural theorists of the postwar period and Image-Music-Text collects his most influential essays. Ed White provides students with a clear guide to this essential but difficult text.

As students are increasingly expected to write across a range of media, Barthes' work can be understood as an early mapping of what we now call interdisciplinary or multidisciplinary study. The book's detailed section-by-section readings makes Barthes' most important writings accessible to undergraduate readers.

This book is a perfect companion for teaching and learning Barthes' ideas in cultural studies and literary theory.

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cover of I've Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton

I've Had to Think Up a Way to Survive

On Trauma, Persistence, and Dolly Parton

Lynn Melnick

University of Texas Press, 2022

A moving and essential exploration of what it takes to find your voice as a woman, a survivor, an artist, and an icon.
 
The first time Lynn Melnick listened to a Dolly Parton song in full, she was 14 years old, in the triage room of a Los Angeles hospital, waiting to be admitted to a drug rehab program. Already in her young life as a Jewish teen in the 1980s, she had been the victim of rape, abuse, and trauma, and her path to healing would be long. But in Parton’s words and music, she recognized a fellow survivor.  
 
In this powerful, incisive work of social and self-exploration, Melnick blends personal essay with cultural criticism to explore Parton’s dual identities as feminist icon and objectified sex symbol, identities that reflect the author’s own fraught history with rape culture and the arduous work of reclaiming her voice. Each chapter engages with the artistry and impact of one of Parton’s songs, as Melnick reckons with violence, misogyny, creativity, parenting, friendship, sex, love, and the consolations and cruelties of religion. Bold and inventive, I’ve Had to Think Up a Way to Survive gives us an accessible and memorable framework for understanding our times and a revelatory account of survival, persistence, and self-discovery. 

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cover of Mother India: Selections from the Controversial 1927 Text, Edited and with an Introduction by Mrinalini Sinha

Mother India

Selections from the Controversial 1927 Text, Edited and with an Introduction by Mrinalini Sinha

Katherine Mayo

University of Michigan Press, 2000

Mother India, a polemical attack against Indian self-rule written by U.S. historian Katherine Mayo, was met with a storm of controversy when it was published in 1927. The controversy generated still reverberates and thus is still worth revisiting, some fifty years after Indian independence. In responding to Mayo's argument laid out in Mother India, the leaders of the national movement and the independent women's movement in India laid the foundations of an alliance that gave modern Indian nationalism its distinctive character.
Mrinalini's Sinha's edition provides selections of this controversial book and commentary on the Mother India phenomenon. It also reprints a range of responses from Mayo's contemporaries. Sinha's edition works to locate the book and the controversy it incited in the context of U.S. domestic, British Imperial, and Indian nationalist politics. Unlike previous editions, Sinha's examines the history of cultural feminisms and the relations between women's movements in the United States, Britain, and India; the examination of these different movements reveals intriguing insights into the nature of the varied reactions to Mayo's book. The edition includes several formerly obscure contemporary responses to Mother India from representatives of the women's movement and of the anti-caste movement in India.
Intended as a tool for students and teachers alike, this book will be an important text in the field of women's studies, cultural studies, political science, history, and religion, among others.
Mrinalini Sinha is Associate Professor of History, Southern Illinois University. She is the author of Colonial Masculinity: The 'Manly Englishman' and the 'Effeminate Bengali' in the Late Nineteenth Century.
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cover of Pastures of the Empty Page: Fellow Writers on the Life and Legacy of Larry McMurtry

Pastures of the Empty Page

Fellow Writers on the Life and Legacy of Larry McMurtry

George Getschow, editor

University of Texas Press, 2023

A collection of essays that offers an intimate view of Larry McMurtry, America’s preeminent western novelist, through the eyes of a pantheon of writers he helped shape through his work over the course of his unparalleled literary life.

When he died in 2021, Larry McMurtry was one of America’s most revered writers. The author of treasured novels such as Lonesome Dove and The Last Picture Show, and coauthor of the screenplays for Brokeback Mountain and Streets of Laredo, McMurtry created unforgettable characters and landscapes largely drawn from his life growing up on the family’s hardscrabble ranch outside his hometown of Archer City, Texas. Pastures of the Empty Page brings together fellow writers to honor the man and his impact on American letters.

Paulette Jiles, Stephen Harrigan, Stephanie Elizondo Griest, and Lawrence Wright take up McMurtry’s piercing and poetic vision—an elegiac literature of place that demolished old myths of cowboy culture and created new ones. Screenwriting partner Diana Ossana reflects on their thirty-year book and screenwriting partnership; other contributors explore McMurtry’s reading habits and his passion for bookselling. And brother Charlie McMurtry shares memories of their childhood on the ranch. In contrast to his curmudgeonly persona, Larry McMurtry emerges as a trustworthy friend and supportive mentor. McMurtry was famously self-deprecating, but as his admirers attest, this self-described “minor regional writer” was an artist for the ages.

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cover of Patience and Salvation in Third Century North Africa: A Christian Latin Reader

Patience and Salvation in Third Century North Africa

A Christian Latin Reader

Sarah Wear

Catholic University of America Press, 2022

Patience and Salvation in Third Century North Africa: A Christian Latin Reader features the entirety of Tertullian’s To Martyrs and The Passion of Perpetua and Felicity, with selections from Cyprian’s On the Good of Patience and a short appendix on Augustine’s Commentary on Psalm 121.6. The Latin text has facing vocabulary and theological, historical, philosophical, and grammatical notes. In the first three centuries, Roman Carthage produced some of the earliest literature composed originally in Latin by Christians. Tertullian’s Ad Martyras (197); Passio Perpetuae et Felicitatis (203), and Cyprian’s De Bono Patientiae (256) all embody the force of this new genre of Latin literature. With this literature, we see a variant of Latin often denoted “Christian Latin.” Christian Latin featured linguistic elements marked by characteristics of biblical Latin, later Latin, as well as vulgarisms. In addition to converging philologically, Tertullian, the author of the Passio, and Cyprian align themselves in topos: they all ask the question of how one can endure torment and anxiety in this world. Patience (patientia), derived from the verb for “to suffer” (patior), is a virtue that allows one to endure troubles, anxieties, and physical pains with the hope of eternal happiness and salvation in heaven. In this Reader, the student will find three different literary perspectives on this theme. The book also draws parallels to the works of Seneca and Cicero on patience and suffering.
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cover of Peasant Customs and Savage Myths: Selections from the British Folklorists

Peasant Customs and Savage Myths

Selections from the British Folklorists

Edited by Richard M. Dorson

University of Chicago Press, 1969

The word "folklore" was coined in 1846 by an English antiquary, William John Thoms, although Professor Dorson's intellectual history of the folklore movement shows that the study of folklore had its origins in an earlier period. Educated men and women in many fields, especially in Victorian times, succumbed to the fascination of noting curious tales and odd rituals both at home and abroad. The British Folklorists describes how the influence of folklore extended into many fields such as literature, history, the classics, archaeology, philology, psychical research, legal and medical antiquities, Scandinavian, Germanic, and Celtic studies, and the history of religions. Interest in the collection of folklore was carried to the far corners of the British Empire by colonial administrators, missionaries, and military officers, who found that a knowledge of local folklore helped them understand the strangers they lived among.

Professor Dorson traces the historical development of folklore as a field of learning, beginning with sixteenth-century antiquarians whose studies encompassed the preservation of local customs and reaching its climax with the "Great Team" of Andrew Lang and his co-workers from the 1870's to the First World War.
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cover of Plato and Tradition: The Poetic and Cultural Context of Philosophy

Plato and Tradition

The Poetic and Cultural Context of Philosophy

Patricia Fagan

Northwestern University Press, 2013

Plato’s dialogues are some of the most widely read texts in Western philosophy, and one would imagine them fully mined for elemental material. Yet, in Plato and Tradition, Patricia Fagan reveals the dialogues to be continuing sources of fresh insight. She recovers from them an underappreciated depth of cultural reference that is crucial to understanding their central philosophical concerns. Through careful readings of six dialogues, Fagan demonstrates that Plato’s presentation of Socrates highlights the centrality of tradition in political, erotic, and philosophic life. Plato embeds Socrates’s arguments and ideas in traditional references that would have been familiar to contemporaries of Socrates or Plato but that today’s reader typically passes over. Fagan’s book unpacks this cultural and literary context for the proper and full understanding of the philosophical argument of the Platonic dialogues. She concludes that, as Socrates demonstrates in word and deed, tradition is essential to successful living. But we must take up tradition with a critical openness to questioning its significance and future. Her original and compelling analyses may change the views of many readers who think themselves already well versed in the dialogues.

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cover of Power of Freedom: Hu Shih's Political Writings

Power of Freedom

Hu Shih's Political Writings

Chih-p'ing Chou and Carlos Yu-Kai Lin, Editors

University of Michigan Press, 2022

Dr. Hu Shih (1891–1962) was one of China’s top scholars and diplomats and served as the Republic of China’s ambassador to the United States during World War II.  As early as 1941, Hu Shih warned of the fundamental ideological conflict between dictatorial totalitarianism and democratic systems, a view that later became the foundation of the Cold War narrative.  In the 1950s, after Mao’s authoritarian regime was established, Hu Shih started to analyze the development and nature of Communism, delivering a series of lectures and addresses to reveal what he called Stalin’s “grand strategy” for facilitating the International Communist Movement.

For decades—and today to a certain extent—Hu Shih’s political writings were considered sensitive and even dangerous.  As a strident critic of the Chinese Communist Party’s oligarchical practices, he was targeted by the CCP in a concerted national campaign to smear his reputation, cast aspersions on his writings, and generally destroy any possible influence he might have in China.  This volume brings together a collection of Hu Shih’s most important, mostly unpublished, English-language speeches, interviews, and commentaries on international politics, China-U.S. relations, and the International Communist Movement.  Taken together, these works provide an insider’s perspective on Sino-American relations and the development of the International Communist Movement over the course of the 20th century.
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cover of Salvation in New England: Selections from the Sermons of the First Preachers

Salvation in New England

Selections from the Sermons of the First Preachers

Edited by Phyllis M. Jones and Nicholas R. Jones

University of Texas Press, 1977

The sermon as crafted by the early New England preachers was the most prominent literary form of its day, yet the earliest Puritan texts have as a rule been available only in rare-book collections. This anthology of sermons of the first generation of preachers fills a serious gap in American literature. The preachers collected here, the most widely published of their time, were among the eighty or more who emigrated to Massachusetts Bay during the 1630s. They are John Cotton of Boston, Thomas Shepard of Cambridge, and Thomas Hooker of Hartford, the three foremost "lights of the western churches," and two eminent colleagues, Peter Bulkeley of Concord and John Davenport, first of New Haven and later of Boston.
The selections are chosen to be representative of the lengthy works from which they are drawn, to reflect the major concerns and styles of the preachers' work as a whole, and to demonstrate the genre of the sermon as developed by the early American Puritans. Not only does this anthology represent an important contribution to literary history, but the sermons also illustrate a doctrine uniquely elaborated in this period—a consistent and emphatic narrative, mythlike in its repetition and heroics, of the progress of the soul from a state of nature to a state of salvation. This theme may be seen as a three-stage-development, although individual sermons may vary. These stages—preparation, vocation, and regeneration—determine the order of the selections.

The editors' introductory material supplies a comprehensive and thorough discussion of the early New England sermons, concentrating on their role, history, structure, style, and subject matter. A separate essay on the texts of the sermons describes the relationship between the early printed versions and their form as delivered in the pulpit. The introduction preceding each selection presents original research on the historical circumstances of the preaching and publication of the work from which the sermon is drawn. The editors have also provided brief biographies of the preacfiers represented here, an annotated list of recommended background reading, and the most exhaustive checklist available of authoritative editions of the sermons of these five preachers.

This book will be useful to colonial specialists as well as to students of early American literature, religion, and history. The texts are critically edited for readability, with modernized spelling and annotations of unfamiliar phrases and allusions.

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cover of Selections from The Distribution and Abundance of Animals

Selections from The Distribution and Abundance of Animals

H. G. Andrewartha and L. C. Birch

University of Chicago Press, 1982

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cover of Selections from the Writings of James Nayler, 3rd ed.

Selections from the Writings of James Nayler, 3rd ed.

Nayler James

QuakerPress, 2013

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cover of St. Augustine's Interpretaion of the Psalms of Ascent

St. Augustine's Interpretaion of the Psalms of Ascent

Gerard McLarney

Catholic University of America Press, 2014

Recent research has explored how past interpretation can help contextualize current interpretation as well as provide a more colorful and theologically meaningful understanding of scripture. In St. Augustine's Interpretation of the Psalms of Ascent, Gerald McLarney examines Augustine of Hippo's (d. 430) interpretation of the ascent motif in sermons on Psalms 119-133. He looks at the delivery, transmission, and broader context of the sermons, as well as examining the sermons as they stand.
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cover of The Altruism Reader: Selections from Writings on Love, Religion, and Science

The Altruism Reader

Selections from Writings on Love, Religion, and Science

Thomas Oord

Templeton Press, 2007

This anthology brings together, for the first time, leading essays and book chapters from theologians, philosophers, and scientists on their research on ethics, altruism, and love. Because the general consensus today is that scholarship in moral theory requires empirical research, the arguments of the leading scholars presented in this book will be fundamental to those examining issues in love, ethics, religion, and science.

The first half of The Altruism Reader offers essential selections from religious texts, leading contemporary scholars, and cutting-edge ethicists. Buddhism, Christianity, Hinduism, Islam, and Judaism are represented. Among the highly respected writers are Thomas Aquinas, the Dalai Lama, Thich Nhat Hanh, John Polkinghorne, Stephen Pope, Louis Fischer, Amira Shamma Abdin, Katharine Doob Sakenfeld, and Daniel Day Williams.

The book’s second half features primary readings on love and altruism from the sciences. Here the focus is on anthropology, psychology, sociology, biology, and neurology, with material written by Daniel C. Batson, David Sloan Wilson, Robert Wright, Stephen G. Post, Robert Axelrod, Richard Dawkins, Holmes Rolston III, and other renowned scientists and philosophers.

“Virtually all people act—and often talk—as if they have some clue about love. We speak about loving food, falling in love, loving God, feeling loved, and loving a type of music. We say that love hurts, love waits, love stinks, and love means never having to say you’re sorry. We use the word and its derivatives in a wide variety of ways . . . . My definition of love is this: To love is to act intentionally, in sympathetic response to others (including God), to promote well-being.” —Thomas Jay Oord

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cover of The Concise History of Woman Suffrage: Selections from History of Woman Suffrage, by Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and the National American Woman Suffrage Association

The Concise History of Woman Suffrage

Selections from History of Woman Suffrage, by Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and the National American Woman Suffrage Association

Edited and with an Introduction by Mari Jo Buhle and Paul Buhle

University of Illinois Press, 2005

The massive size of the original six-volume History of Woman Suffrage has likely limited its impact on the lives of the women who benefitted from the efforts of the pioneering suffragists.  By collecting miscellanies like state suffrage reports and speeches of every sort without interpretation or restraint, the set was often neglected as impenetrable. 
In their Concise History of Woman Suffrage, Mari Jo Buhle and Paul Buhle have revitalized this classic text by carefully selecting from among its best material.  The eighty-two chosen documents, now including interpretative introductory material by the editors, give researchers easy access to material that the original work's arrangement often caused readers to ignore or to overlook.
The volume contains the work of many reform agitators, among them Angelina Grimké, Lucy Stone, Carrie Chapman Catt, Charlotte Perkins Gilman, Anna Howard Shaw, Jane Addams, Sojourner Truth, and Victoria Woodhull, as well as Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage, and Ida Husted Harper.
 
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cover of The Craft of Science Writing: Selections from “The Open Notebook,” Expanded Edition

The Craft of Science Writing

Selections from “The Open Notebook,” Expanded Edition

Edited by Siri Carpenter

University of Chicago Press, 2024

A deeply sourced, inclusive guide to all aspects of science writing with contributions from some of the most skilled and award-winning authors working today.
 
Science writing has never been so critical to our world, and the demands on writers have never been greater. On any given day, a writer might need to explain the details of AI, analyze developments in climate change research, or serve as a watchdog helping to ensure the integrity of the scientific enterprise. At the same time, writers must spin tales that hook and keep readers, despite the endless other demands on their attention. How does one do it? The Craft of Science Writing is the authoritative guide.
 
With pieces curated from the archives of science writers’ go-to online resource, The Open Notebook, this book explores strategies for finding and shaping story ideas, pitching editors, and building a specialty in science writing. It delves into fundamental skills that every science writer must learn, including planning their reporting; identifying, interviewing, and quoting sources; organizing interview notes; and crafting stories that engage and inform audiences. This expanded edition includes new introductory material and nine new essays focusing on such topics as how to establish a science beat, how to find and use quotes, how to critically evaluate scientific claims, how to use social media for reporting, and how to do data-driven reporting. In addition, there are essays on inclusivity in science writing, offering strategies for eradicating ableist language from stories, working with sensitivity readers, and breaking into English-language media for speakers of other languages.
 
Through interviews with leading journalists offering behind-the-scenes inspiration as well as in-depth essays on the craft offering practical advice, readers will learn how the best science stories get made, from conception to completion. 


Contributors:
Humberto Basilio, Siri Carpenter, Jeanne Erdmann, Dan Ferber, Tina Casagrand Foss, Geoffrey Giller, Laura Helmuth, Jane C. Hu, Alla Katsnelson, Roxanne Khamsi, Betsy Ladyzhets, Jyoti Madhusoodanan, Amanda Mascarelli, Robin Meadows, Kate Morgan, Tiên Nguyễn, Michelle Nijhuis, Aneri Pattani, Rodrigo Pérez Ortega, Mallory Pickett, Kendall Powell, Tasneem Raja, Sandeep Ravindran, Marion Renault, Julia Rosen, Megha Satyanarayana, Christina Selby, Knvul Sheikh, Abdullahi Tsanni, Alexandra Witze, Katherine J. Wu, Wudan Yan, Ed Yong, Rachel Zamzow, Sarah Zhang, and Carl Zimmer
 
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cover of The Essential Holmes: Selections from the Letters, Speeches, Judicial Opinions, and Other Writings of Oliver Wendell Holmes, Jr.

The Essential Holmes

Selections from the Letters, Speeches, Judicial Opinions, and Other Writings of Oliver Wendell Holmes, Jr.

Oliver Wendell Holmes

University of Chicago Press, 1992

Oliver Wendell Holmes, Jr., has been called the greatest jurist and legal scholar in the history of the English-speaking world. In this collection of his speeches, opinions, and letters, Richard Posner reveals the fullness of Holmes' achievements as judge, historian, philosopher, and master of English style. Thematically arranged, the volume covers a rich variety of subjects from aging and death to themes in politics, personalities, and law. Posner's substantial introduction firmly places this wealth of material in its proper biographical and historical context.

"A first-rate prose stylist, [Holmes] was perhaps the most quotable of all judges, as this ably edited volume shows."—Washington Post Book World

"Brilliantly edited, lucidly organized, and equipped with a compelling introduction by Judge Posner, [this book] is one of the finest single-volume samplers of any author's work I have seen. . . . Posner has fully captured the acrid tang of him in this masterly anthology."—Terry Teachout, National Review

"Excellent. . . . A worthwhile contribution to current American political/legal discussions."—Library Journal

"The best source for the reader who wants a first serious acquaintance with Holmes."—Thomas C. Grey, New York Review of Books
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cover of The JAB Anthology: Selections from the Journal of Artists' Books, 1994-2020

The JAB Anthology

Selections from the Journal of Artists' Books, 1994-2020

Johanna Drucker

University of Iowa Press, 2023

This anthology of articles selected from The Journal of Artists’ Books contains some of the best critical writing on artists’ books produced in the last quarter of a century. Driven by the editorial vision of artist Brad Freeman, JAB began as a provocative pamphlet and expanded to become a significant journal documenting artists’ books from multiple perspectives. With its range of participants and approaches, JAB provided a unique venue for sustained critical writing in the field and developed a broad subscriber base among institutional and private collectors and readers. More than two hundred writers and artists from nearly two dozen countries around the globe were published in its pages.

The JAB Anthology contains contributions by many renowned figures in the field including: Anne Moeglin-Delcroix, Janet Zweig, Monica Carroll, Adam Dickerson, Alisa Scudamore, Mary Jo Pauly, April Sheridan, Doro Boehme, Gerrit Jan de Rook, Océane Delleaux, Brandon Graham, Jérôme Dupeyrat, Ward Tietz, Paulo Silveira, Philip Cabau, Leszek Brogowski, Lyn Ashby, Tim Mosely, Debra Parr, Pedro Moura, Levi Sherman, Catarina Figueiredo Cardoso, Isabel Baraona, and the editors.
 
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cover of The Keyboard Sonatas of Joseph Haydn: Instruments and Performance Practice, Genres and Styles

The Keyboard Sonatas of Joseph Haydn

Instruments and Performance Practice, Genres and Styles

László Somfai

University of Chicago Press, 1995

Interest in the authentic performance of early music has grown dramatically in recent years, and scholarly investigation has particularly benefited the study of keyboard music of the classical period. In this landmark publication, the most comprehensive study written on Haydn's keyboard sonatas, a leading Haydn scholar presents novel ideas, corrects misconceptions, and offers new hypotheses on long-debated issues of early music research.

Laszlo Somfai begins with a thorough study of Haydn's keyboard instruments and their development. After recommending instruments appropriate for modern use, he discusses performance practice and style, explains the peculiarities of Haydn's manuscripts in the context of eighteenth-century notation, and provides specific suggestions for playing ornaments, improvising, slurring, and dynamics. He also investigates Haydn's sonata genres within their historical context and discusses the problems of establishing a chronology of their composition. Finally, Somfai analyzes the organization and style of each musical form. The book includes an index listing the sonatas by date of first publication, and an extensive bibliography.
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cover of The Questions on the Octateuch, Volume 1

The Questions on the Octateuch, Volume 1

John F. Theodoret of Cyrus

Catholic University of America Press, 2007

No description available
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cover of The Questions on the Octateuch, Volume 2

The Questions on the Octateuch, Volume 2

John F. Theodoret of Cyrus

Catholic University of America Press, 2007

No description available
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cover of The Splendid Drunken Twenties: Selections from the Daybooks, 1922 - 30

The Splendid Drunken Twenties

Selections from the Daybooks, 1922 - 30

Carl Van Vechten

University of Illinois Press, 2002

A startling record of the Jazz Age through the eyes of one of its memorable figures

Between 1922 and 1930, Carl Van Vechten--one of the most significant figures of the Harlem Renaissance--kept a daily record of his activities. The records recount his day-to-day life, as well as the alliances, drinking habits, feuds, and affairs of a wide number of the period's luminaries, providing a rich resource for reconstructing the culture of 1920s New York and the social milieu during Prohibition. Bruce Kellner has provided copious informative notes identifying central figures and clarifying details.

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cover of The Wapsipinicon Almanac: Selections from Thirty Years

The Wapsipinicon Almanac

Selections from Thirty Years

Timothy Fay

University of Iowa Press, 2023

In 1988, Timothy Fay published the very first issue of the Wapsipinicon Almanac at his Route 3 Press in Anamosa, Iowa. Fay’s goal was to offer a journal somewhat outside of mainstream Iowa journalism. For thirty years, the annual Wapsipinicon Almanac entertained midwestern readers with timely essays, works of fiction, news notes, art, poetry, and so much more. This book celebrates selections from three decades of the WapsipiniconAlmanac, so that readers can enjoy this important regional publication for years to come.
 
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cover of Treatises on Noah and David

Treatises on Noah and David

Brian P. St. Ambrose

Catholic University of America Press, 2020

These sermons by Ambrose of Milan (340–397 AD) provide a window into the preaching and scriptural exegesis of the legendary bishop, whose exposition of the Old Testament was instrumental in the conversion of Augustine of Hippo and in the development of Latin theology. In his treatise On Noah and his two Defenses for David, Ambrose borrows from influential Greek theologians, including Philo of Alexandria, Origen, and Didymus the Blind, while developing his own commentary on the exemplary patriarchs. Ambrose’s exegesis typifies both his attention to the letter of Scripture as well as his spiritual and allegorical reading of the holy figures or “saints” who lived before Christ.

The first treatise presents Noah as a model just man, as Ambrose pairs the literal and the higher or spiritual meaning of the Genesis flood narrative to address topics ranging from the Genesis narrative to Stoic ethics to the Incarnation. In his defense of David to the emperor Theodosius, Ambrose ties David’s sin and repentance to his own close reading of Psalm 51(50), David’s plea for himself in his famous “Miserere.” While the authenticity of the third treatise included in the volume, the Second Apology of David, has long been challenged, recent scholarship suggests that it transmits Ambrose’s own preaching, which applies the lessons of David’s life to the situation of gentile unbelievers, Jews, and the church; even if it is the work of a later imitator, the Second Apology is a compelling and systematic treatment of the David’s sin and repentance as relevant to Christian morality and doctrine.

The three treatises, previously unavailable in English translation, broaden our understanding of exegesis in the Latin West and our interpretation of Ambrose as preacher and exegete.
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cover of Writing Out My Heart: Selections from the Journal of Frances E. Willard, 1855-96

Writing Out My Heart

Selections from the Journal of Frances E. Willard, 1855-96

Edited by Carolyn De Swarte Gifford

University of Illinois Press, 1995

Frances E. Willard's powerful leadership of the Woman's Christian Temperance Union (WCTU) made her one of the most commanding figures in the reform movements of the nineteenth century. World renowned and a force to be reckoned with, Willard grappled publicly and private with difficult issues, including temperance, slavery, women's rights, and her own sexuality. These selections from her forty-nine-volume journal reveal the private and confidential side of Willard for the first time. She comes to life in these pages--a person of character, passion, and self-determination who came to represent the woman of the dawning era. 

Supplemented by an in-depth introduction and generous annotations, Writing Out My Heart sheds new light on an extraordinary individual and the lives of women in nineteenth-century America.

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cover of Writing Under: Selections From the Internet Text

Writing Under

Selections From the Internet Text

Alan Sondheim

West Virginia University Press, 2012

Alan Sondheim’s Writing Under explores and examines what happens to writing as it takes place on and through the networked computer. Sondheim began experimenting with artistic and philosophical writing using computers in the early 1970s. Since 1994, he has explored the possibilities of writing on the Internet, whether using blogs, web pages, e–mails, virtual worlds, or other tools. The sum total of Sondheim’s writing online is entitled “The Internet Text.”  Writing Under selects from this work to provide insight into how writing takes place today and into the unique practices of a writer. The selections range from philosophical musings, to technical explorations of writing practice, to poetic meditations on the writer online. This work expands our understanding of writing today and charts a path for writing’s future.
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cover of Yours for Liberty: Selections from Abigail Scott Duniway's Suffrage Newspaper

Yours for Liberty

Selections from Abigail Scott Duniway's Suffrage Newspaper

Jean M. Ward

Oregon State University Press, 2000

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