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The Capital Hotel of Little Rock, Arkansas, is uniquely beautiful, with its cast-iron façade and marble lobby, its high-ceilinged rooms, and its rich history. Since its opening in 1876, it has been the stage for the struggles, schemes, and dreams of generations of politicians, debutantes, businesspeople, and newlyweds. A wide variety of owners and visionaries have shaped the hotel’s fortunes, including the Yankee entrepreneur who raised its walls, the Italian immigrant family who kept it going in its worst days, the architect who envisioned new life in its venerable bones, and the financiers and craftsmen who brought the Capital to its current glory as a luxury hotel.

The story of the Capital Hotel is also the story of Little Rock and of many American cities: built in the commercial boom of the 1870s, in full flower at the turn of the century—then battered by the Depression, optimistic in the postwar era, decrepit by the late 1960s, rejuvenated in the 1980s and 2000s, and now thriving today.

This lavishly illustrated volume—recently updated to celebrate the hotel’s 150th anniversary—traces the building’s lively history, from its origins as a commercial hub to its spectacular renovation into a jewel of downtown Little Rock.

Exploring the resilience, identity, and contributions of Southern Jews in the heart of Alabama.

This is the first substantial history of the Jews in any inland town or city of the industrial South. A Century of Jewish Life in Dixie offers a vivid and deeply researched portrait of Birmingham, Alabama’s Jewish community. Mark H. Elovitz traces the community’s evolution from its immigrant roots in the late 19th century through its growth into a vibrant and influential part of Southern society. Drawing on archival records, oral histories, and cultural analysis, Elovitz explores how Southern Jews balanced tradition and assimilation, navigated racial and religious tensions, and contributed to civic and economic life in a region undergoing dramatic transformation. This book provides a rare and nuanced look at Jewish identity in the American South, making it an essential resource for scholars of Jewish studies, Southern history, and American cultural life.

WINNER, ADULT NONFICTION BOOK OF THE YEAR AWARD BY THE ALABAMA LIBRARY ASSOCIATION

WINNER, CLINTON JACKSON COLEY AWARD FROM THE ALABAMA HISTORICAL ASSOCIATION

Uncovering the Forgotten Battle That Changed a Nation.

The Fort Mims massacre changed the course of American history in many ways, not the least of which was the ensuing rise of one Andrew Jackson to the national stage. The unprecedented Indian victory over the encroaching Americans who were bent on taking their lands and destroying their culture horrified many and injured the young nation's pride. Tragedies such as this one have always rallied Americans to a common cause: a single-minded determination to destroy the enemy and avenge the fallen. The August 30, 1813 massacre at Fort Mims, involving hundreds of dead men, women, and children, was just such a spark.

Gregory Waselkov tells compellingly the story of this fierce battle at the fortified plantation home of Samuel Mims in the Tensaw District of the Mississippi Territory. With valuable maps, tables, and artifact illustrations, Waselkov looks closely at the battle to cut through the legends and misinformation that have grown around the event almost from the moment the last flames died at the smoldering ruins. At least as important as the details of the battle, though, is his elucidation of how social forces remarkably converged to spark the conflict and how reverberations of the battle echo still today, nearly two hundred years later.

African-American women fought for their freedom with courage and vigor during and after the Civil War. Leslie Schwalm explores the vital roles of enslaved and formerly enslaved women on the rice plantations of lowcountry South Carolina, both in antebellum plantation life and in the wartime collapse of slavery. From there, she chronicles their efforts as freedwomen to recover from the impact of the war while redefining their lives and labor. 

Freedwomen asserted their own ideas of what freedom meant and insisted on important changes in the work they performed both for white employers and in their own homes. As Schwalm shows, these women rejected the most unpleasant or demeaning tasks, guarded the prerogatives they gained under the South's slave economy, and defended their hard-won freedoms against unwanted intervention by Northern whites and the efforts of former owners to restore slavery's social and economic relations during Reconstruction. A bold challenge to entrenched notions, A Hard Fight for We places African American women at the center of the South's transition from a slave society.

Brooks Blevins tells the cultural history of the Ozarks as a regional variation of an American story. As he shows, the experiences of the Ozarkers have not diverged from the currents of mainstream life as sharply or consistently as the mythmakers would have it. If much of the region seemed to trail behind by a generation, the time lag was rooted more in poverty and geographic barriers than a conscious rejection of the modern world and its progressive spirit. In fact, the minority who clung to the old days seemed exotic largely because their anachronistic ways clashed against the backdrop of the evolving region around them. Blevins explores how these people’s disproportionate influence affected the creation of the idea of the Ozarks, and reveals the truer idea that exists at the intersection of myth and reality.

The conclusion to the acclaimed trilogy, The History of the Ozarks, Volume 3: The Ozarkers offers an authoritative appraisal of the modern Ozarks and its people.

This is the famous naturalist Thomas Nuttall's only surviving complete journal of his American scientific explorations. Covering his travels in Arkansas and what is now Oklahoma, it is pivotal to an understanding of the Old Southwest in the early nineteenth century, when the United States was taking inventory of its acquisitions from the Louisiana Purchase.

The account follows Nuttall's route from Philadelphia to Pittsburg, down the Ohio River to its mouth, then down the Mississippi River to the Arkansas Post, and up the Arkansas River with a side trip to the Red River. It is filled with valuable details on the plants, animals, and geology of the region, as well as penetrating observations of the resident native tribes, the military establishment at Fort Smith, the arrival of the first governor of Arkansas Territory, and the beginnings of white settlement.

Originally published in 1980 by the University of Oklahoma Press, this fine edited version of Nuttall's work boasts a valuable introduction, notes, maps, and bibliography by Savoie Lottinville. The editor provided common names for those given in scientific classification and substituted modern genus and species names for the ones used originally by Nuttall. The resulting journal is a delight to read for anyone—historian, researcher, visitor, resident, or enthusiast.

A revealing portrait of Judge James E. Horton Jr., whose quiet moral courage reshaped one of the most explosive legal battles in American history

A Man Visited by History illuminates what author Steven P. Brown calls the “last major Scottsboro trials–related subject to have eluded careful study”: the life of Judge James E. Horton Jr., the white Alabama Eighth Circuit judge who set aside an all-white jury’s guilty verdict and death sentence in the second trial of African American defendant Haywood Patterson. Of the three trial judges and more than one hundred jurors who considered the cases of the Scottsboro defendants, Horton was the only one to find that the evidence against them was virtually nonexistent. Horton was then removed from further involvement with the cases and, despite being on the fast track to political prominence before the 1933 retrial of the Scottsboro defendants, was defeated for reelection as circuit judge in 1934. His ruling in the Patterson case impacted the Scottsboro defendants’ lives and continues to affect their legacies today. 

Brown researched largely untapped resources that, for the first time, illuminate who Horton was before the Scottsboro trials, what he faced presiding over Patterson’s case, the factors that led him to overturn the jury’s verdict, and his later life raising award-winning cattle. What emerges is a remarkably consistent picture of a man who, Brown argues, for more than ninety years, sought nothing more than to do what he thought was right. Historians of the South, the early twentieth century, the law, and race relations as well as general readers will find this intimate account of the judge in the infamous trials to be riveting and instructive.
 

An engaging history of The University of Alabama President’s Mansion

As part of The University of Alabama’s 175th anniversary celebration (2006), the new edition of A Mansion’s Memories includes details of the tenures of the four presidents who have served since the Mathews term. Profusely illustrated with 69 black-and-white and 17 color photographs, this classic is sure to be welcomed anew by alumni and friends of the University and all lovers of fine old buildings that still function in their original capacities.

Explores Mississippi’s school desegregation from the viewpoint of a white teacher

A New Day in the Delta is a fresh and appealing memoir of the experience of a young white college graduate in need of a job as the Vietnam War reached its zenith. David Beckwith applied and was accepted for a teaching position in the Mississippi Delta in the summer of 1969. Although it seemed to him a bit strange that he was accepted so quickly for this job while his other applications went nowhere, he was grateful for the opportunity. Beckwith reported for work to learn that he was to be assigned to an all-black school as the first step in Mississippi’s long-deferred school desegregation.

The nation and Mississippi alike were being transformed by war and evolving racial relations, and Beckwith found himself on the cutting edge of the transformation of American education and society in one of the most resistant (and poor) corners of the country. Beckwith’s revealing and often amusing story of the year of mutual incomprehension between an inexperienced white teacher and a classroom full of black children who had had minimal contact with any whites. This is history as it was experienced by those who were thrust into another sort of “front line.”
 

The governors who used education to transform the modern South.

In southern politics, 1970 marked a watershed. A group of southern governors entered office that year and changed both the way the nation looked at the South and the way the constituents of those states viewed themselves. Reubin Askew in Florida, John West in South Carolina, Jimmy Carter in Georgia, and Albert Brewer in Alabama all represented a new breed of progressive moderate politician that helped demolish Jim Crow segregation and the dual economies, societies, and educational systems notorious to the Sunbelt South. Historian Gordon Harvey explores the political lives and legacies of three of these governors, examining the conditions that led to such a radical change in political leadership, the effects their legislative agendas had on the identity of their states, and the aftermath of their terms in elected office.

A common thread in each governor's agenda was educational reform. Albert Brewer's short term as Alabama governor resulted in a sweeping education package that still stands as the most progressive the state has seen. Reubin Askew, far more outspoken than Brewer, won the Florida gubernatorial election through a campaign that openly promoted desegregation, busing, and tax reform as a means of equal school funding. John West's commitment to a policy of inclusion helped allay fears of both black and white parents and made South Carolina's one of the smoothest transitions to integrated schools.

As members of the first generation of New South governors, Brewer, Askew, and West played the role of trailblazers. Their successful assaults on economic and racial injustice in their states were certainly aided by such landmark events as Brown v. Board of Education, the civil rights movement, and the expansion of voting rights-all of which sounded the death knell for the traditional one-party segregated South. But in this critical detailing of their work for justice, we learn how these reform-minded men made education central to their gubernatorial terms and, in doing so, helped redefine the very character of the place they called home.

This original and significant contribution to the historiography of the civil rights movement and education in the South details a dramatic and disturbing chapter in American cultural history.

The tradition of American public libraries is closely tied to the perception that these institutions are open to all without regard to social background. Such was not the case in the segregated South, however, where public libraries barred entry to millions of African Americans and provided tacit support for a culture of white supremacy. A Right to Read is the first book to examine public library segregation from its origins in the late 19th century through its end during the tumultuous years of the 1960s civil rights movement. Graham focuses on Alabama, where African Americans, denied access to white libraries, worked to establish and maintain their own "Negro branches." These libraries-separate but never equal-were always underfunded and inadequately prepared to meet the needs of their constituencies.

By 1960, however, African Americans turned their attention toward desegregating the white public libraries their taxes helped support. They carried out "read-ins" and other protests designed to bring attention and judicial pressure upon the segregationists. Patterson Toby Graham contends that, for librarians, the civil rights movement in their institutions represented a conflict of values that pitted their professional ethics against regional mores. He details how several librarians in Alabama took the dangerous course of opposing segregationists, sometimes with unsettling results.

This groundbreaking work built on primary evidence will have wide cross-disciplinary appeal. Students and scholars of southern and African-American history, civil rights, and social science, as well as academic and public librarians, will appreciate Graham's solid research and astute analysis.

A history of frontier justice and legal systems in early Florida.

The pervasive influence of the frontier is fundamental to an understanding of antebellum Florida. James M. Denham traces the growth and social development of this sparsely settled region through its experience with crime and punishment. He examines such issues as Florida's criminal code, its judicial and law enforcement officers, the accommodation of criminals in jails and courts, outlaw gangs, patterns of punishment, and the attitude of the public toward lawbreakers.

Using court records, government documents, newspapers, and personal papers, Denham explores how crime affected ordinary Floridians—whites and blacks, perpetrators, victims, and enforcers. He contends that although the frontier determined the enforcement and administration of the law, the ethic of honor dominated human relationships.

This collection brings together nearly three decades of research on the African American experience, class, and race relations in the Appalachian coal industry. It shows how, with deep roots in the antebellum era of chattel slavery, West Virginia’s Black working class gradually picked up steam during the emancipation years following the Civil War and dramatically expanded during the late nineteenth and early twentieth centuries.

From there, African American Workers and the Appalachian Coal Industry highlights the decline of the region’s Black industrial proletariat under the impact of rapid technological, social, and political changes following World War II. It underscores how all miners suffered unemployment and outmigration from the region as global transformations took their toll on the coal industry, but emphasizes the disproportionately painful impact of declining bituminous coal production on African American workers, their families, and their communities. Joe Trotter not only reiterates the contributions of proletarianization to our knowledge of US labor and working-class history but also draws attention to the gender limits of studies of Black life that focus on class formation, while calling for new transnational perspectives on the subject. Equally important, this volume illuminates the intellectual journey of a noted labor historian with deep family roots in the southern Appalachian coalfields.

A firsthand account of African American childhood, freedom, and resilience in Reconstruction-era Florida.

T. Thomas Fortune was a leading African American publisher, editor, and journalist of the late nineteenth and early twentieth centuries, who was born a slave in antebellum Florida, lived through emancipation, and rose to become a literary lion of his generation. In T. Thomas Fortune's “After War Times,” Daniel R. Weinfeld brings together a series of twenty-three autobiographical articles Fortune wrote about his formative childhood during Reconstruction and subsequent move to Washington, DC.

By 1890, Fortune had founded a predecessor organization to the National Association for the Advancement of Colored People, known as the National Afro-American League, but his voice found its most powerful expression and influence in poetry, prose, and journalism. It was as a journalist that Fortune stirred national controversy by issuing a passionate appeal to African American southerners: “I propose to start a crusade,” he proclaimed in June 1900, “to have the negroes of the South leave that section and to come north or go elsewhere. It is useless to remain in the South and cry Peace! Peace! When there is no peace.” The movement he helped propel became known as “the Great Migration.”

By focusing on Thomas’s ruminations about his disillusion with post–Civil War Florida, Weinfeld highlights the sources of Fortune’s deep disenchantment with the South, which intensified when the Reconstruction order gave way to Jim Crow–era racial discrimination and violence. Decades after he left the South, Fortune’s vivid memories of incidents and personalities in his past informed his political opinions and writings. Scholars and readers interested in Southern history in the aftermath of the Civil War, especially the experiences of African Americans, will find much of interest in this vital collection of primary writings.
 

WINNER OF THE FRANCIS B. SIMKINS AWARD, SOUTHERN HISTORICAL ASSOCIATION

WINNER OF THE 2024 BEST FIRST BOOK AWARD FROM PHI ALPHA THETA, THE NATIONAL HISTORY HONOR SOCIETY

A bold reconceptualization of how settler expansion and narratives of victimhood, honor, and revenge drove the conquest and erasure of the Native South and fed the emergence of a distinct white southern identity.

In 1823, Tennessee historian John Haywood encapsulated a foundational sentiment among the white citizenry of Tennessee when he wrote of a “long continued course of aggression and sufferings” between whites and Native Americans. According to F. Evan Nooe, “aggression” and “sufferings” are broad categories that can be used to represent the framework of factors contributing to the coalescence of the white South.

Traditionally, the concept of coalescence is an anthropological model used to examine the transformation of Indigenous communities in the Eastern Woodlands from chieftaincies to Native tribes, confederacies, and nations in response to colonialism. Applying this concept to white southerners, Nooe argues that through the experiences and selective memory of settlers in the antebellum South, white southerners incorporated their aggression against and suffering at the hands of the Indigenous peoples of the Southeast in the coalescence of a regional identity built upon the violent dispossession of the Native South. This, in turn, formed a precursor to Confederate identity and its later iterations in the long nineteenth century.

Geographically, Aggression and Sufferings prioritizes events in South Carolina, Florida, Tennessee, Georgia, and Alabama. Nooe considers how divergent systems of violence and justice between Native Americans and white settlers (such as blood revenge and concepts of honor) functioned in the region and examines the involved societies’ conflicting standards on how to equitably resolve interpersonal violence. Finally, Nooe explores how white southerners constructed, propagated, and perpetuated harrowing tales of colonizers as both victims and heroes in the violent expulsion of the region’s Native peoples from their homelands. This constructed sense of regional history and identity continued to flower into the antebellum period, during western expansion, and well through the twentieth century.
 

Forging Alabama’s legacy: The definitive history of every blast furnace from pioneer charcoal fires to industrial giants.

Alabama Blast Furnaces by Joseph H. Woodward II offers the only comprehensive history of every blast furnace constructed in Alabama between 1815 and 1940, tracing a vital chapter in the state's iron and steel legacy. Beginning with the pioneering Cedar Creek charcoal furnace in 1815, Woodward meticulously chronicles four distinct eras: 

          Pioneer Era (1815–1861): Early, locally focused furnaces that laid the foundation of Alabama’s iron industry;

          Civil War Era (1861–1865): Furnaces mobilized for the Confederate war effort, including Northern raids, labor shortages, 

          and innovation under duress;

          Reconstruction Era (1866–1879): Transition from stone-stack furnaces toward iron- and steel-shelled technology; and 

          Modern Era (1880–1940): The rise of large-scale coke-fired plants that propelled Alabama onto the national and international stage. 

The heart of the book is a rich series of illustrated, furnace-by-furnace histories—capturing specifics on every site, including four that were built but never operated. With 50 detailed illustrations and rigorous documentation, this reissue—part of the Library of Alabama Classics series—features a new introduction by historian James R. Bennett, who situates Woodward’s work in its historical context and underscores its lasting relevance.

Originally compiled in 1940 by a member of the Woodward Iron Company family, the volume remains a seminal reference for scholars, students, and industrial history enthusiasts. Its thorough scope ensures every furnace—whether a modest pioneer operation or a towering industrial complex—has its story preserved. As one reviewer notes, this work covers furnaces that “made Alabama internationally significant in the iron and steel industry,” offering a level of detail unmatched in regional history. 

A visually rich survey of two hundred years of Alabama fine arts and artists

Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.

Published to coincide with the state’s bicentennial, Alabama Creates:  200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.

This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works.  Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.

Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.