Contents
LIST OF FIGURES
LIST OF TABLES
PREFACE
Background, History, and Theory
Organization of Volume
Summary
2. EMBEDDED NETWORKS? PIGMENTS AND LONG-DISTANCE PROCUREMENT STRATEGIES IN THE LATE PREHISPANIC SOUTHWEST-Deborah L. Huntley, Thomas Fenn, Judith A. Habicht-Mauche, and Barbara J. Mills
Glaze Paint Recipes and Sourcing
Procurement Networks
Conclusions
Acknowledgments
3. A COMMUNITY OF PRACTICE IN DIASPORA: THE RISE AND DEMISE OF ROOSEVELT WELFARE-Patrick D. Lyons and Jeffrey J. Clark
Salado
Tracking Ancient Migrations
Diaspora
Situated Learning Theory and Communities of Practice
Social and Economic Context
Conclusion
Habitus, Canons, and Practice
The Casas Grandes Polychrome Tradition
The Trincheras Polychrome Tradition
Ancestors and Descendants
Paint Recipes
Closing Remarks
Acknowledgments
5. POLYCHROME POTTERY OF THE HOPI MESAS-Dennis Gilpin and Kelley Hays-Gilpin
Bichrome Beginnings
Polychromes Diversify
Sikyatki Polychrome Debuts
Sikyatki’s Demise: San Bernardo Polychrome
Conclusion
Communities of Practice and Communities of Identity
Heshotauthla Polychrome and Kwakina Polychrome
Vessel Size
Technological Attributes and Compositional Data
Decorative Attributes
Summary
Discussion
Acknowledgments
Focus of This Study
Data and Methods
Ceramic Resources
Imports at Pottery Mound
Imports at Montaño Bridge
Ceramics at Pottery Mound as compared to Montaño Bridge Pueblo
Summary
Acknowledgments
Glaze Paint Ware Production and Exchange in the Middle Rio Grande Region
Pajarito Plateau Geology
Methodology
Additional Studies of Pajarito Plateau Glaze-Painted Pottery
Discussion
Conclusions
9. CIENEGUILLA GLAZE-ON-YELLOW: TEMPORAL MEASUREMENT AND LEARNING TRADITIONS AT SAN MARCOS PUEBLO, NORTH-CENTRAL NEW MEXICO-Ana F. Ramenofsky
About Seriation
Seriating San Marcos Glaze-Paint Sherds
The Continuous Production of Cieneguilla Glaze-on-Yellow
Acknowledgments
Background to This Study
San Marcos and Pottery Production Methods for Glaze Paint Compositional Analysis
Analysis and Interpretation
Discussion
Acknowledgments
11. MAKING A GLAZE: MULTIPLE APPROACHES TO UNDERSTANDING RIO GRANDE GLAZE PAINT TECHNOLOGY-Eric Blinman, Kari L. Schleher, Tom Dickerson, Cynthia L. Herhahn, and Ibrahim Gundiler
Artist Perspectives
Pueblo San Lazaro
The Current Artisan Model Changes in Seventeenth and Early Eighteenth Century Glaze Technology
Changes in Seventeenth and Early Eighteenth Century Glaze Technology
Acknowledgments
12. THROUGH THE GLAZE, DARKLY: THE DECLINE AND FALL OF PUEBLO GLAZE WARE TRADITIONS-David H. Snow
Communities of Glaze Practice
Rio Grande Glaze Practice in Decline
More "Troublous Times" and the End of the Traditions
Conclusions
13. MINERAL WEALTH AND VALUE: TRACING THE IMPACT OF EARLY SPANISH COLONIAL MINING ON PUEBLOAN PIGMENT AND GLAZE PAINT PRODUCTION-Noah Thomas
Color Significance and the Determination of Value
Producing Value: Ore Procurement and Processing at LA 162
Disruption of Traditional Practices through Commodification
Conclusion
Colono Wares in New Mexico
Method of Investigation
Compositional Analysis
Pecos Pueblo Ceramics
Macroscopic Analysis
Conclusion
Acknowledgments
Communities of Practice and Situated Learning
From Theory to Practice
Constellations of Practice, Tradition, and Innovation
Communities of Practice and the Possibilities for Change
Avenues for Future Debate
REFERENCES
INDEX
RESUMEN