List of Tables
Acknowledgments
Introduction
Part I. Fusing Forms and Languages: The Jamaican Experience
1. Songs in the Silence: Literary Craft as Survival in Eighteenth-Century Jamaica by Jean D'Costa
2. Black Wholes: Phases in the Development of Jamaican Literary Discourse by Barbara Lalla
3. The Caribbean Novelist and Language: A Search for a Literary Medium by Jean D'Costa
4. To Us, All Flowers Are Roses: Writing Ourselves into the Literature of the Caribbean by Velma Pollard
5. Creole and Respec': Authority and Identity in the Development of Caribbean Literary Discourse by Barbara Lalla
Part II. Language and Discourse in Caribbean Literary Texts
6. Bra Rabbit Meets Peter Rabbit: Genre, Audience, and the Artistic Imagination—Problems in Writing Children's Fiction by Jean D'Costa
7. "The Dust": A Tribute to the Folk by Velma Pollard
8. Collapsing Certainty and the Discourse of Re-Memberment in the Novels of Merle Hodge by Barbara Lalla
9. Cultural Connections in Paule Marshall's Praise Song for the Widow by Velma Pollard
10. Louise Bennett's Dialect Poetry: Language Variation in a Literary Text by Jean D'Costa
11. Conceptual Perspectives on Time and Timelessness in Martin Carter's "University of Hunger" by Barbara Lalla
12. Mixing Codes and Mixing Voices: Language in Earl Lovelace's Salt by Velma Pollard
13. Opening Salt: The Oral-Scribal Continuum in Caribbean Narrative by Barbara Lalla
14. Mothertongue Voices in the Writing of Olive Senior and Lorna Goodison by Velma Pollard
15. The Facetiness Factor: Theorizing Caribbean Space in Narrative by Barbara Lalla
Bibliography
Index