A SCHOLARLY BOOK REPOSITORY
Peter E. Kane takes a critical look at the development of the present law through a discussion of seventeen landmark libel cases.
One of the many points Kane clarifies is the important distinction between an error and a lie when judging whether someone is guilty of libel. For example, in the series of events that led to Goldwater vs. Ginzburg, Ralph Ginzburg, publisher of fact magazine, compiled and printed in fact a montage of quotes he had collected from psychiatrists about Barry Goldwater. It took five years of legal sparring for the courts to conclude that Ginzburg had deliberately published a malicious and irresponsible document and to rule in favor of Goldwater. Kane closes with a discussion of current thinking on possible libel reform.
Erskine Caldwell - American Writers 78 was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This pamphlet series has been hailed by critics, teachers, and librarians as an ideals means of introducing both students and general readers to American writers of all periods. Choice has commented: "For the small library this series offers at small cost introductions by reputable critics o dozens of significant authors, and the larger the library the greater the number of undergraduate students looking for a place to start on some writer." The New York Times Book Review has called the pamphlets "extraordinarily good," pointing out that "they are just long enough (48 pages) to permit a real survey of an author's work and short enough to attract the casual reader, the anxiety-ridden student, and the professor desperate for the straight word on an unfamiliar writer."
“An impressive new book. . . . [Kripal] has written the definitive intellectual history of the ideas behind the institute.”—San Francisco Chronicle
“Kripal examines Esalen’s extraordinary history and evocatively describes the breech birth of Murphy and Price’s brainchild. His real achievement, though, is effortlessly synthesizing a dizzying array of dissonant phenomena (Cold War espionage, ecstatic religiosity), incongruous pairings (Darwinism, Tantric sex), and otherwise schizy ephemera (psychedelic drugs, spaceflight) into a cogent, satisfyingly complete narrative.”—Atlantic Monthly
ESC takes as its point of departure the CBS Radio adventure series Escape (1947–54). The postwar years saw both a decline in popularity for American radio drama, and the dawn of the Anthropocene era, with human beings emerging as the primary force affecting the earth’s systems.
Jacob Smith considers Escape’s adventure stories from an ecocritical perspective, analyzing the geographic, sociopolitical, and ecological details of the stories to reveal how they are steeped in social and environmental history.
The work of contemporary sound artists and field recordists underscores the relevance of sound in these narratives and demonstrates audio’s potential as a key medium for scholarship. ESC features recordings by some of the most prominent sound artists working in this area, including Daniel Blinkhorn, Peter Cusak, David Dunn, JLIAT, Christina Kubisch, Francisco López, Sally Ann McIntyre, Chris Watson, and Jana Winderen.
ESC makes the urgency of our critical ecological moment audible in a new way. The audio essays articulate what it means to live in an Anthropocene era and posit alternative ways of conceptualizing our historical moment. ESC sharpens our ability to listen and respond to our world with greater ecological awareness.
All publication resources for ESC, including the introductory essay, audio materials, and backmatter, are available on Fulcrum. The audio materials are also available on Apple Podcasts.
The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.
John Ernest’s introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom's Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.
A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.
Best Books for Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association
"Pick up a copy of film critic and scholar Glenn Lovell's terrific new Sturges biography, Escape Artist. . . . I can't urge you enough to check out this interview-rich, aesthetically and culturally perceptive look at the filmmaker and his work."—Bob Strauss, Los Angeles Daily News
“Lovell’s list of interviewees reads like a who’s who of Hollywood and they obviously provided rich source material for this full-scale biography and career survey.”— Leonard Maltin
“This long overdue study of a major Hollywood director will find a welcome home in the libraries of film scholars, action movie buffs, and anyone interested in the popular culture of the twentieth century.”—Turner Classic Movies (TCM.com)
Although the northern Illinois chapters of the story of Susan “Sukey” Richardson’s escape from slavery on the Underground Railroad are documented, the part played by southern Illinois in that historic episode has remained obscure. Carol Pirtle changes that with her investigation into the 1843 suit Andrew Borders lodged against William Hayes, charging his neighbor with helping slaves from the Borders estate escape to Galesburg. In conjunction with her probe into the past, Pirtle also discovered the Hayes correspondence.
Pirtle documents Hayes’s involvement in the Illinois Underground Railroad through approximately two hundred letters received by Hayes from the early 1820s until his death in 1849. Many of these letters specifically corroborate his participation in the escape of slaves from the Borders estate. One such letter came from T. A. Jones in 1843: “You Dear Sir are to me an unknown friend, yet I believe you are a friend to the poor down trodden Slave. This is as good an introduction as I want from any man. My brother, our cause is a holy one.” Letters written by Galesburg residents show that several prominent citizens of that community also assisted in the affair, proving that Knox College administrators and trustees were active in the Underground Railroad.
Pirtle also includes excerpts from the trial transcript from the 1844 civil case against Hayes, which was tried in Pinckneyville, Illinois. She researched newspaper accounts of the event, most notably those in the Western Citizen and the Sparta Herald. Records of the Covenanter Presbyterian church of which Hayes was a member provide partial explanations of Hayes’s motives.
Telling the story of Hayes and his involvement with Susan Richardson and the Underground Railroad, Pirtle provides insight into the work of abolitionists in Illinois. Escape Betwixt Two Suns, in fact, is one of the few books to substantiate the legends of the Underground Railroad. She tells the story of a quiet man who made a difference, of a man deserving the accolades of a hero.
Collected here, Schutter’s work recreates not the subject matter but the very values of Lebrun’s drawings—light, gesture, scale, and handling of materials. The cross-hatching in the original was used to make classical tone and volume, in Schutter’s hand the technique makes for unstable impressions of strained neck and deeply furrowed brow, or for drawing marks and scribbles unto themselves. As such, these drawings end up denying a neat closure—unlike their academic source material—and render unsettling states of mind that require repeated viewing. Accompanied by essays from art critic Barry Schwabsky and Neubauer Collegium curator Dieter Roelstraete, The Escape will appeal to students, critics, and admirers of seventeenth-century, modern, and contemporary art alike.
In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the “New Negro.” This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance. What is less known is how far afield of Harlem that renaissance flourished—how much the New Negro movement was actually just one part of a collective explosion of political protest, cultural expression, and intellectual debate all over the world.
In this volume, the Harlem Renaissance “escapes from New York” into its proper global context. These essays recover the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe from New York to New Orleans, from Paris to the Philippines and beyond. Escape from New York does not so much map the many sites of this early twentieth-century Black internationalism as it draws attention to how New Negroes and their global allies already lived. Resituating the Harlem Renaissance, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience. This more comprehensive vision serves as a lens through which to better understand capitalist developments, imperial expansions, and the formation of brave new worlds in the early twentieth century.
Contributors: Anastasia Curwood, Vanderbilt U; Frank A. Guridy, U of Texas at Austin; Claudrena Harold, U of Virginia; Jeannette Eileen Jones, U of Nebraska–Lincoln; Andrew W. Kahrl, Marquette U; Shannon King, College of Wooster; Charlie Lester; Thabiti Lewis, Washington State U, Vancouver; Treva Lindsey, U of Missouri–Columbia; David Luis-Brown, Claremont Graduate U; Emily Lutenski, Saint Louis U; Mark Anthony Neal, Duke U; Yuichiro Onishi, U of Minnesota, Twin Cities; Theresa Runstedtler, U at Buffalo (SUNY); T. Denean Sharpley-Whiting, Vanderbilt U; Michelle Stephens, Rutgers U, New Brunswick; Jennifer M. Wilks, U of Texas at Austin; Chad Williams, Brandeis U.
In this practical and entertaining guide to communicating science, Baron explains how to engage your audience and explain why a particular finding matters. She explores how to ace your interview, promote a paper, enter the political fray, and use new media to connect with your audience. The book includes advice from journalists, decision makers, new media experts, bloggers and some of the thousands of scientists who have participated in her communication workshops. Many of the researchers she has worked with have gone on to become well-known spokespeople for science-related issues. Baron and her protégées describe the risks and rewards of “speaking up,” how to deal with criticism, and the link between communications and leadership. The final chapter, ‘Leading the Way’ offers guidance to scientists who want to become agents of change and make your science matter. Whether you are an absolute beginner or a seasoned veteran looking to hone your skills, Escape From the Ivory Tower can help make your science understood, appreciated and perhaps acted upon.
In the early years of World War II, thousands of political refugees traveled from France to Vichy-controlled Martinique in the French Caribbean, en route to what they hoped would be safer shores in North, Central, and South America. While awaiting transfer from the colony, the exiles formed influential ties—with one another and with local black dissidents. Escape from Vichy recounts this flight from the refugees’ perspectives, using novels, unpublished diaries, archives, memoirs, artwork, and other materials to explore the unlikely encounters that fueled an anti-fascist artistic and intellectual movement.
The refugees included Spanish Republicans, anti-Nazi Germans and Austrians, anti-fascist Italians, Jews from across Europe, and others fleeing violence and repression. They were met with hostility by the Vichy government and rejection by the nations where they hoped to settle. Martinique, however, provided a site propitious for creative ferment, where the revolutionary Victor Serge conversed with the anthropologist Claude Lévi-Strauss, and the Surrealist André Breton met Negritude thinkers René Ménil and Aimé and Suzanne Césaire. As Eric T. Jennings shows, these interactions gave rise to a rich current of thought celebrating blackness and rejecting racism.
What began as expulsion became a kind of rescue, cut short by Washington’s fears that wolves might be posing in sheep’s clothing.
Illegal migrants who evade detection, creators of value in insecure and precarious working conditions and those who refuse the constraints of sexual and biomedical classifications: these are the people who manage to subvert power and to craft unexpected sociabilities and experiences. Escape Routes shows how people can escape control and create social change by becoming imperceptible to the political system of Global North Atlantic societies.
A harrowing account of Jewish refugees in the Philippines
With the rise of Nazism in the 1930s more than a thousand European Jews sought refuge in the Philippines, joining the small Jewish population of Manila. When the Japanese invaded the islands in 1941, the peaceful existence of the barely settled Jews filled with the kinds of uncertainties and oppression they thought they had left behind.
In this book Frank Ephraim, who fled to Manila with his parents, gathers the testimonies of thirty-six refugees, who describe the difficult journey to Manila, the lives they built there upon their arrival, and the events surrounding the Japanese invasion. Combining these accounts with historical and archival records, Manila newspapers, and U.S. government documents, Ephraim constructs a detailed account of this little-known chapter of world history.
From the moment of a marriage’s heated inception to its period of luminous crowding and onward into distance and darkness, Bonnie Arning’s Escape Velocity asks if it’s possible to exist outside the only universe we’ve ever known. In modes both lyric and narrative, we are given a peephole into the height and decline of a marriage that begins beneath the moving lights of Las Vegas, Nevada, and traverses the devastating terrain of gambling, miscarriage, infidelity, and violence.
Arning gives voice to divergent aspects of love and violence through her use of math problems, erasures, dictionary entries, structured stanzas, and sprawling free verse. This multiplicity of forms comes together to explore everything from pop culture references of domestic violence to cultural notions of victims and victimhood. However dark, collectively these poems tell a love story—an acceptance of our capability to love those who hurt us, but also the love-of-self required to slowly and steadily reach "the velocity to be everleaving."
In the tradition of Eavan Boland and Louise Glück, Arning wrestles down and examines the terrible without flinching. We journey with her, engrossed by each difficult truth: a precipice near which we are both terrified to stand and transfixed by its unnerving insistence on beauty.
In Escaping into Nature, prominent wildlife conservationist and environmental historian John Reiger shares his story of an angler and hunter who found a cause and a calling and combined them for his life’s work.
John Reiger’s outdoor adventures as a young man primed him for the teachings of the great sportsmen-conservationists of the past, particularly George Bird Grinnell, Theodore Roosevelt, and Aldo Leopold. Inspired by these conservation giants, Reiger left the security of a tenured professorship to serve as executive director of the Connecticut Audubon Society where he, sometimes controversially, put his ideals into practice. Later, he resumed his academic career to illuminate the lives of early wildlife conservationists, visionaries who continue to inspire us to care deeply about the future of the natural world.
Abused psychologically within his family in his early years, Reiger found solace in nature. Though he first entered the outdoors as an escape from his unpleasant circumstances, he soon found the study and pursuit of insects, fishes, and birds to be exciting ends in themselves. He came to believe that it was only by participating in the life and death of other creatures that one could learn to truly value the natural world, be a part of it, and be inspired to work for its conservation.
John Reiger’s autobiography is also the story of his own developing fascination with America’s past, especially as it relates to human interaction with the natural world; his desire to share that passion with others; and his experiences on the road to becoming a nationally recognized scholar. The twists and turns of that journey, and his accounts of the people—and of the wild creatures—who helped him along the way, will appeal to history enthusiasts and nature lovers alike.
During the height of the Guatemalan civil war, Tomás Guzaro, a Mayan evangelical pastor, led more than two hundred fellow Mayas out of guerrilla-controlled Ixil territory and into the relative safety of the government army's hands. This exodus was one of the factors that caused the guerrillas to lose their grip on the Ixil, thus hastening the return of peace to the area.
In Escaping the Fire, Guzaro relates the hardships common to most Mayas and the resulting unrest that opened the door to civil war. He details the Guatemalan army's atrocities while also describing the Guerrilla Army of the Poor's rise to power in Ixil country, which resulted in limited religious freedom, murdered church leaders, and threatened congregations. His story climaxes with the harrowing vision that induced him to guide his people out of their war-torn homeland.
Guzaro also provides an intimate look at his spiritual pilgrimage through all three of Guatemala's main religions. The son of a Mayan priest, formerly a leader in the Catholic Church, and finally a convert to Protestantism, Guzaro, in detailing his religious life, offers insight into the widespread shift toward Protestantism in Latin America over the past four decades.
Riveting and highly personal, Escaping the Fire ultimately provides a counterpoint to the usual interpretation of indigenous agency during the Guatemalan civil war by documenting the little-studied experiences of Protestants living in guerrilla-held territory.
But Eschatological Subjects goes even further to demonstrate the largely unrecognized duality of this judge figure: not just God, the judge is also the imperious and imperfect human reader. The simultaneous divine and human judgments in (and of) French poetry reveal much about the ethical stakes of writing vernacular poetry in the later Middle Ages and, most importantly, about the relationships between authors and audiences.
Focusing on Guillaume de Deguileville, Guillaume de Machaut, and Jean Froissart (each of whom composed scenes in which they appear on trial before God), Moreau contributes important new insights on the complex “trial process” of later medieval literature, in which poetic authority and fame depended on the poet’s ability to defend himself before a fearful court of reader opinion.
Eskimo Essays introduces the reader to important aspects of the ideology and practice of the Yup’ik Eskimos of western Alaska, past and present. The essays point the way toward a fuller recognition of how Yup’ik Eskimos differ from the popular Western image of the Eskimo that was born largely without reference to Yup’ik reality. By describing the reality of Yup’ik life, Eskimo Essays extends our understanding of Esimos in general and Yup’ik Eskimos in particular.
Ann Fienup-Riordan argues that Western observers have simultaneously naturalized Eskimos as paragons of simplicity and virtue and Western imperialism. This process has often ignored Eskimo concepts of society, history, and personhood. An original assumption of similarity to Western society has profoundly affected the current Euro-American view of Eskimo history and action. Non-natives have taken an idealized Western individual, dressed that person up in polar garb, and then assumed they understood the garment’s maker. The result is a presentation of Eskimo society that often tells us more about the meaning we seek in our own. Moreover, modern Eskimos have risen to the challenge and to some extent become what we have made them.
Bridging the gap between informed scholarships and popular concepts, Fienup-Riordan provides a compelling and fresh presentation of Yup’ik life—cosmology, the missionary experience, attitudes toward conservation, Eskimo art, the legal system, warfare, and ceremonies.
The Eskimo Girl and the Englishman is a sequel to the delightful story Once Upon an Eskimo Time, which recounts the remarkable life of Minnie and her Eskimo mother as she comes of age in a traditional village on Alaska’s western coast. Resuming the tale on the day Minnie encounters her first white man, The Eskimo Girl and the Englishman relates the next century of Minnie’s adventurous life—painting a picture of early twentieth-century village life as Minnie and her Englishman marry and find the determination, strength, and courage to live life in the face of tragedy, rapidly changing technology, and unrelenting hardship along the Bering Sea. Accompanied by photographs of early Eskimo village life, the narrative poignantly captures a sense of a long-lost way of life on the Seward Peninsula.
The ESL Writer’s Handbook is a reference work for ESL students who are taking college-level courses. Because its purpose is to provide help with the broad variety of writing questions students may have when working on school assignments, the text focuses on
English for Academic Purposes. Unlike other handbooks on the market, this book’s sole purpose is to address the issues of second language learners.
This spiral-bound Handbook complements a student writer’s dictionary, thesaurus, and grammar reference book. It would be suitable as a text for an advanced ESL writing course when used together with the companion Workbook (978-0-472-03404-8). The Handbook is concise and easily navigated; is accessible, with clear and direct explanatory language; features information on both APA and MLA styles (including a sample paper for each); and includes many examples from ESL student writers to provide realistic models.
Included as special features in the Handbook are:
• The topic selection is based on ESL writers’ needs as observed by the authors over many years.
• The coverage of topics is more complete than the limited amount usually provided for ESL writers in first language or L1 handbooks.
• The explanatory language is appropriate for ESL students, in contrast to the more complex and idiomatic language of other English handbooks.
• The level of detail is more manageable for ESL students, compared to what is in other English handbooks.
- Many of the examples of paragraphs, essays, research papers, and exercise sentences were written by ESL students; this encourages users of this Handbook to realize that they can also become effective writers.
The spiral-bound Handbook complements a student writer’s dictionary, thesaurus, and grammar reference book. It would be suitable as a text for an advanced ESL writing course when used together with the companion Workbook (978-0-472-03726-1).
The new edition features significant revisions to Sections 3 and 4; in particular, both APA and MLA style guides have been updated and new sample papers for each are included. The new edition includes new and revised exercises and many new samples of student writing.
Like its predecessor, the 2nd Edition has these special features:
- The topic selection is based on ESL writers’ needs as observed by the authors over many years.
- The coverage of topics is more complete than the limited amount usually provided for ESL writers in first language or L1 handbooks.
- The explanatory language is appropriate for ESL students, in contrast to the more complex and idiomatic language of other English handbooks.
- Many of the examples of paragraphs, essays, research papers, and exercise sentences were written by ESL students to help users realize that they too can become effective writers.
Esotericism, Art, and Imagination is a uniquely wide-ranging collection of articles by scholars in the field of Western esotericism, focusing on themes of poetry, drama, film, literature, and art. Included here are articles illuminating such diverse topics as the Gnostic fiction of Philip Pullman, alchemical images, the Tarot, surrealism, esoteric films, and much more. This collection reveals the richness and complexity of the intersections between esotericism, artistic creators, and their works. Authors include Joscelyn Godwin, Cathy Gutierrez, M. E. Warlick, Eric Wilson, and many others.
Travis Vogan teams archival research and interviews with an all-star cast to pen the definitive account of how ESPN turned X's and O's into billions of $$$. Vogan's institutional and cultural history focuses on the network since 1998, the year it launched a high-motor effort to craft its brand and grow audiences across media platforms. As he shows, innovative properties like SportsCentury, ESPN The Magazine, and 30 for 30 built the network's cultural caché. This credibility, in turn, propelled ESPN's transformation into an entity that lapped its run-of-the-mill competitors and helped fulfill its self-proclaimed status as the "Worldwide Leader in Sports."
Ambitious and long overdue, ESPN: The Making of a Sports Media Empire offers an inside look at how the network changed an industry and reshaped the very way we live as sports fans.
San Antonio Conservation Society Citation, 2009
In the early part of the eighteenth century, the Spanish colonial mission Espíritu Santo de Zúñiga was relocated from far south Texas to a site along the Guadalupe River in Mission Valley, Victoria County. This mission, along with a handful of others in south Texas, was established by the Spaniards in an effort to Christianize and civilize the local Native American tribes in the hopes that they would become loyal Spanish citizens who would protect this new frontier from foreign incursions.
With written historical records scarce for Espíritu Santo, Tamra Walter relies heavily on material culture recovered at this site through a series of recent archaeological investigations to present a compelling portrait of the Franciscan mission system. By examining findings from the entire mission site, including the compound, irrigation system, quarry, and kiln, she focuses on questions that are rarely, if ever, answered through historical records alone: What was daily life at the mission like? What effect did the mission routine have on the traditional lifeways of the mission Indians? How were both the Indians and the colonizers changed by their frontier experiences, and what does this say about the missionization process?
Walter goes beyond simple descriptions of artifacts and mission architecture to address the role these elements played in the lives of the mission residents, demonstrating how archaeology is able to address issues that are not typically addressed by historians. In doing so, she presents an accurate portrait of life in South Texas at this time. This study of Mission Espíritu Santo will serve as a model for research at similar early colonial sites in Texas and elsewhere.
An intensely personal, and philosophical, account of why white America’s racial unconscious is not so unconscious
An Essay for Ezra is a critique of terror that begins but by no means ends with the presidency of Donald J. Trump. A father addresses his son and a boy shares his observations in a dynamic dialogistic exchange that is a commentary of and for its time, taking the measure of racial terror and of white supremacy both in our moment and as a historical phenomenon.
Framed through the experiences of the author’s biracial son, An Essay for Ezra is intensely personal while also powerfully universal. Drawing on the social and political thought of James Baldwin and Martin Luther King, Grant Farred examines the temptation and the perils of essentialism and the need to discriminate—to engage the black mind as much as the black body. With that dialectic as his starting point, Farred engages the ideas of Jameson, Barthes, Derrida, Adorno, Kant, and other thinkers to derive an ethics of being in our time of social peril. His antiessentialist racial analysis is salient, especially when he deploys Dave Chappelle as a counterpoint to Baldwin—and Chappelle’s brilliant comic philosophic voice jabs at both racial and gender identity.
Standing apart for its willingness to explore terror in all its ambivalence, this theoretical reflection on racism, knowledge, ethics, and being in our neofascist present brings to bear the full weight of philosophical inquiry and popular cultural critique on black life in the United States.
The publication in 1832 of An Essay on Calcareous Manures initiated an era of agricultural reform in the ante-bellum South. By 1850 Edmund Ruffin, seconded by John Taylor of Carolina, had effected a transformation of the economy of the upper South from poverty to agricultural prosperity. The essay's importance is not only regional, for in its four editions it presented Ruffin's theories to farmers who were facing the same problems of soil exhaustion in other parts of America. This small book, with its uncompromisingly descriptive title, is a landmark in the history of soil chemistry in the United States.
Ruffin read widely in the literature, mainly European, of agricultural chemistry, and in the 1820's he experimented with ways to make planting pay on his own tidewater Virginia lands. On the basis of his own research and frustrating experience as a farmer, he maintained that the capacity, of soil for enrichment by plant and animal manure is only relative to the original fertility of the soil. In other words, organic manures can only restore earth to what it was prior to cultivation. If land originally lacked the mineral ingredients essential to fertility, it would yield sparingly as long as the minerals were absent.
Ruffin found that uncultivated land in his part of Virginia lacked calcium carbonate, and that most of this same poor soil contained vegetable acid, the cause of its sterility. His solution was to plow in calcareous manure that is, earth containing calcium carbonate thus neutralizing the acid. When Ruffin first had his slaves dig up marl from one of the beds of fossilized shells that underlie much of coastal Virginia, and directed them to apply it to a test patch of his land, which was then planted with corn, he increased his yield by 40 per cent. This amazingly successful experiment led to others, and became what a contemporary of Ruffin called "the first systematic attempt wherein a plain, practical, unpretending farmer...has undertaken to examine into the real composition of the soils which he possesses and has to cultivate."
Written over the course of fourteen years between 1904 and 1918, at the height of the age of imperialism, Essay on Exoticism encompasses Segalen’s attempts to define “true Exoticism.” This concept, he hoped, would not only replace nineteenth-century notions of exoticism that he considered tawdry and romantic, but also redirect his contemporaries’ propensity to reduce the exotic to the “colonial.” His critique envisions a mechanism that appreciates cultural difference—which it posits as an aesthetic and ontological value—rather than assimilating it: “Exoticism’s power is nothing other than the ability to conceive otherwise,” he writes.
Segalen’s pioneering work on otherness anticipates and informs much of the current postcolonial critique of colonial discourse. As such Essay on Exoticism is essential reading for both cultural theorists or those with an interest in the politics of difference and diversity.
As speaking animals, we continuously make use of an unassuming grammatical particle, without suspecting that what is at work in its inconspicuousness is a powerful apparatus, which orchestrates language, signification, and the world at large. What particle might this be? The word not.
In Essay on Negation, Paolo Virno argues that the importance of the not is perhaps comparable only to that of money—that is, the universality of exchange. Negation is what separates verbal thought from silent cognitive operations, such as feelings and mental images. Speaking about what is not happening here and now, or about properties that are not referable to a given object, the human animal deactivates its original neuronal empathy, which is prelinguistic; it distances itself from the prescriptions of its own instinctual endowment and accesses a higher sociality, negotiated and unstable, which establishes the public sphere. In fact, the speaking animal soon learns that the negative statement does not amount to the linguistic double of unpleasant realities or destructive emotions: while it rejects them, negation also names them and thus includes them in social life. Virno sees negation as a crucial effect of civilization, one that is, however, also always exposed to further regressions. Taking his cue from a humble word, the author is capable of unfolding the unexpected phenomenology of the negating consciousness.
The chronicles of the expedition were published in Paris after Humboldt’s return, and first among them was the 1807 “Essay on the Geography of Plants.” Among the most cited writings in natural history, after the works of Darwin and Wallace, this work appears here for the first time in a complete English-language translation. Covering far more than its title implies, it represents the first articulation of an integrative “science of the earth, ” encompassing most of today’s environmental sciences. Ecologist Stephen T. Jackson introduces the treatise and explains its enduring significance two centuries after its publication.
The first historically and internationally comprehensive collection of its kind, Essayists on the Essay is a path-breaking work that is nothing less than a richly varied sourcebook for anyone interested in the theory, practice, and art of the essay. This unique work includes a selection of fifty distinctive pieces by American, Canadian, English, European, and South American essayists from Montaigne to the present—many of which have not previously been anthologized or translated—as well as a detailed bibliographical and thematic guide to hundreds of additional works about the essay.
From a buoyant introduction that provides a sweeping historical and analytic overview of essayists’ thinking about their genre—a collective poetics of the essay—to the detailed headnotes offering pointed information about both the essayists themselves and the anthologized selections, to the richly detailed bibliographic sections, Essayists on the Essay is essential to anyone who cares about the form.
This collection provides teachers, scholars, essayists, and readers with the materials they need to take a fresh look at this important but often overlooked form that has for too long been relegated to the role of service genre—used primarily to write about other more “literary” genres or to teach young people how to write. Here, in a single celebratory volume, are four centuries of commentary and theory reminding us of the essay’s storied history, its international appeal, and its relationship not just with poetry and fiction but also with radio, film, video, and new media.
From humble beginnings, Bartolomeo Scala (1430–1497) trained in the law and rose to prominence as a leading citizen of Florence, serving as secretary and treasurer to the Medicis and chancellor of the Guelf party before becoming first chancellor of Florence, a post he held for fifteen years. His palace in Borgo Pinti, modeled on classical designs, was emblematic of his achievements as a humanist as well as a public official. Along with his professional writings as chancellor, Scala’s personal treatises, fables, and dialogues—widely read and admired by his contemporaries—were deeply indebted to classical sources. This volume collects works from throughout his career that show his acquaintance with recently rediscovered ancient writers, whose works he had access to through the Medici libraries, and the influence of fellow humanists such as Marsilio Ficino, Aeneas Silvius Piccolomini (Pope Pius II), and Giovanni Pico della Mirandola. Perhaps the most significant is the Defense against the Detractors of Florence, a key document in the development of modern republicanism.
This volume presents fresh translations by Renée Neu Watkins of five of the texts based on Latin editions by Alison Brown, who also contributes an introduction to Scala’s life and works.
This generous omnium-gatherum brings together all the writings William James published that have not appeared in previous volumes of this definitive edition of his works. Miscellaneous and diverse though the pieces are, they are unified by James's style and personality, which shine through even the slightest of them.
The volume includes 25 essays, 44 letters to the editor commenting on sundry topics, and 113 reviews of a wide range of works in English, French, German, and Italian. Twenty-three of the items are not recorded in any bibliography of James's writings. Two of the new discoveries are of particular interest: dating from 1865, when he was still a medical student, they are James's earliest known publications and give his first published views on Darwinian biology, which was to affect profoundly his own work in philosophy and psychology. Among his reviews are one of "Ueber den psychischen Mechanismus hysterischer Phäomene," by Josef Breuer and Sigmund Freud, published a year after the first appearance of that historically famous essay, and showing the breadth of James's interests, reviews of George Santayana's Sense of Beauty (1897) and Bernard Berenson's Florentine Painters of the Renaissance (1896).
The final work of this essential thinker.
Essays Critical and Clinical is the final work of the late Gilles Deleuze, one of the most important and vital figures in contemporary philosophy. It includes essays, all newly revised or published here for the first time, on such diverse literary figures as Herman Melville, Walt Whitman, D. H. Lawrence, T. E. Lawrence, Samuel Beckett, Leopold von Sacher-Masoch, Alfred Jarry, and Lewis Carroll, as well as philosophers such as Plato, Spinoza, Kant, Nietzsche, and Heidegger.
For Deleuze, every literary work implies a way of living, a form of life, and must be evaluated not only critically but also clinically. As Proust said, great writers invent a new language within language, but in such a way that language in its entirety is pushed to its limit or its own “outside.” This outside of language is made up of affects and precepts that are not linguistic, but which language alone nonetheless makes possible. In Essays Critical and Clinical, Deleuze is concerned with the delirium-the process of Life-that lies behind this invention, as well as the loss that occurs, the silence that follows, when this delirium becomes a clinical state. Taken together, these eighteen essays present a profoundly new approach to literature by one of the greatest twentieth-century philosophers.
Essays in Ancient Philosophy was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
To understand ancient philosophy "in its concrete, complex detail," Michael Frede says, "one has also to look at all the other histories to which it is tied by an intricate web of casual connections which run both ways." Frede's distinctive approach to the history of ancient philosophy is closely tied to his specific interests within the field - the Hellenistic philosophers and those of late antiquity, who are the primary subjects of this book. Long ignored or even maligned, the Stoics and Skeptics, medical philosophers, and grammarians are extremely interesting once their actual views are reconstructed and it is possible to recognize their ties to earlier and later philosophical thought. Refusing to study them as paradigms of achievement, or to seek purely philosophical explanations for their views, Frede draws instead upon those "other histories"—of religion, social structure, law and politics—to illuminate their work and to show how it was interpreted and transformed by succeeding generations.
The essays in this volume represent trends in social stratification studies undertaken in major culture areas of the world. The empirical data of the chapters are set with special reference to the dynamics of processes within these diverse traditions and heritages as sources of comparison with one another and with the experiences of western societies.
Examines and explores divers topics of Jewish thought and history
A fascinating and eclectic collection of twenty-two essays, Essays in Jewish Thought examines and explores diverse topics of Jewish thought and history. From Judaism’s view of ancient Rome at its imperial apogee and the Dead Sea Scrolls to Jewish thought in Europe’s revolutions of 1848 and Franz Kafka, the collection offers a rich compendium of essays of interest to scholars, historians, philosophers, and students.
"Raymond and Russell have fashioned a lively, useful volume. . . . The ability and integrity of the contributors make much of the difference, but the editors have given the book direction by soliciting state of the art essays in three fields . . . dialectology (the articles represent area linguistics at its best), grammar and usage (Algeo on usage shibboleths is particularly fine), and lexicography (a delight)."
—Choice
"These essays are quietly unassuming in tone but highly useful."
—Language in Society
The effect of Western influence on the later Ottoman Empire and on the development of the modern Turkish nation-state links these twelve essays by a prominent American scholar. Roderic Davison draws from his extensive knowledge of Western diplomatic history and Turkish history to describe a period in which the actions of the Great Powers, incipient and rising nationalisms, and Westernizing reforms shaped the destiny of the Ottoman Empire and the creation of the new Turkish Republic.
Eleven of the essays were previously published in widely scattered journals and multi-authored volumes. The first of these provides a general survey of Turkish and Ottoman history, from early Turkish times to the end of the Empire. The following essays continue chronologically from 1774, detailing some of the changes in the nineteenth-century Empire. Several themes recur. One is the impact of Western ideas and institutions and the resistance to that influence by some elements in the Empire. Another concerns the diplomatic pressure exerted by the Great Powers of Europe on the Empire, which amounted at times to direct intervention in Ottoman domestic affairs. Taken together, the essays portray a confluence of civilizations as well as a clash of cultures.
Professor Davison has written an interpretive introduction that sets out the historical trends running throughout the book. In addition, he includes a previously unpublished article on the advent of the electric telegraph in the Ottoman Empire to show how the adoption of a Western technological advance could affect many areas of life.
Of particular interest to students of Ottoman and Middle East history, these essays will also be valuable for everyone concerned with modernization in developing nations. Davison's interpretations and keen methodological sense also shed new light on several aspects of European diplomatic history.
Essays in Philosophy brings together twenty-one essays, reviews, and occasional pieces published by James between 1876 and 1910. They range in subject from a concern with the teaching of philosophy and appraisals of philosophers to analyses of important problems.
Several of the essays, like "The Sentiment of Rationality" and "The Knowing of Things Together," are of particular significance in the development of the views of James's later works. All of them, as John McDermott says in his Introduction, are in a style that is "engaging and personal...witty, acerbic, compassionate, and polemical." Whether he is writing an article for the Nation of a definition of "Experience" for Baldwin's Dictionary or "The Mad Absolute" for the Journal of Philosophy, James is always unmistakably himself, and always readable.
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