A SCHOLARLY BOOK REPOSITORY
The Burden of Over-representation artfully explores three curious racial moments in sport: Jackie Robinson’s expletive at a Dodgers spring training game; the transformation of a formality into an event at the end of the 1995 rugby World Cup in South Africa; and a spectral moment at the 2010 FIFA World Cup. Grant Farred examines the connotations at play in these moments through the lenses of race, politics, memory, inheritance and conciliation, deploying a surprising cast of figures in Western thought, ranging from Jacques Derrida and Friedrich Nietzsche to Judith Butler, William Shakespeare, and Jesus-the-Christ. Farred makes connection and creates meaning through the forces at play and the representational burdens of team, country and race.
Farred considers Robinson’s profane comments at black Dodgers fans, a post-match exchange of “thank yous” on the rugby pitch between white South African captain François Pienaar and Nelson Mandela, and being “haunted” by the ghost of Derrida on the occasion of the first FIFA World Cup on African soil. In doing so, The Burden of Over-representation provides a passionate, insightful analysis of the social, political, racial, and cultural consequences of conciliation at key sporting events.
An intensely personal, and philosophical, account of why white America’s racial unconscious is not so unconscious
An Essay for Ezra is a critique of terror that begins but by no means ends with the presidency of Donald J. Trump. A father addresses his son and a boy shares his observations in a dynamic dialogistic exchange that is a commentary of and for its time, taking the measure of racial terror and of white supremacy both in our moment and as a historical phenomenon.
Framed through the experiences of the author’s biracial son, An Essay for Ezra is intensely personal while also powerfully universal. Drawing on the social and political thought of James Baldwin and Martin Luther King, Grant Farred examines the temptation and the perils of essentialism and the need to discriminate—to engage the black mind as much as the black body. With that dialectic as his starting point, Farred engages the ideas of Jameson, Barthes, Derrida, Adorno, Kant, and other thinkers to derive an ethics of being in our time of social peril. His antiessentialist racial analysis is salient, especially when he deploys Dave Chappelle as a counterpoint to Baldwin—and Chappelle’s brilliant comic philosophic voice jabs at both racial and gender identity.
Standing apart for its willingness to explore terror in all its ambivalence, this theoretical reflection on racism, knowledge, ethics, and being in our neofascist present brings to bear the full weight of philosophical inquiry and popular cultural critique on black life in the United States.
Farred shows that issues like race, politics, and war are critical to understanding a sport, especially soccer. And he writes beautifully, with candor and lyricism. Long Distance Love does for soccer what C.L.R. James's Beyond a Boundary did for cricket: it provides poetry and politics in equal measure, along with insights on every page.
In Martin Heidegger Saved My Life, Grant Farred combines autobiography with philosophical rumination to offer this unusual meditation on American racism. In the fall of 2013 while raking leaves outside his home, Farred experienced a racist encounter: a white woman stopped to ask him, “Would you like another job?” Farred responded, “Only if you can match my Cornell faculty salary.” The moment, however, stuck with him. The black man had gravitated to, of all people, Martin Heidegger, specifically Heidegger’s pronouncement, “Only when man speaks, does he think—and not the other way around,” in order to unpack this encounter.
In this essay, Farred grapples with why it is that Heidegger—well known as a Nazi—resonates so deeply with him during this encounter instead of other, more predictable figures such as Malcolm X, W. E. B. DuBois, or Frantz Fanon.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
A call to arms exploring the protest movements of 2020 as they reverberated through the athletic world
Starting with the refusal of George Hill of the Milwaukee Bucks to participate in an August 2020 playoff game following the shooting of Jacob Blake by police in Kenosha, Wisconsin, Grant Farred shows how the Covid-restricted NBA “bubble” released an energy that spurred athletes into radical action. They disrupted athletic normalcy, and in their grief and rage against American racism they demonstrated the true progressivism lacking in even the most reformist-minded politicians and pundits. Farred goes on to trace the radicalism of black athletes in a number of sports, including the WNBA, women’s tennis, the NFL, and NASCAR, locating contemporary athletes in a lineage that runs through Muhammad Ali as well as Tommy Smith and John Carlos at the 1968 Olympics.
Only a Black Athlete Can Save Us Now uses sport as a point of departure to argue that the dystopic crisis of our current moment offers a singular opportunity to reimagine how we live in the world.
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Unsentimental about his education, Farred’s critique recognizes the impact of four exceptional teachers—all engaging pedagogical figures who cultivated a great sense of possibility in how thinking could be learned through a disenfranchised South African education.
The Perversity of Gratitude brings to bear the work of influential philosophers such as Martin Heidegger and Jacques Derrida. The book tackles broad philosophical concepts—transgression, withdrawal, and the dialectic. This leads to the creation of a new concept, “the diaspora-in-place,” which Farred explains, “is having left a place before one physically removes oneself from this place.”
Farred’s apartheid education in South Africa instilled in him a lifelong commitment to learning thinking. “And for that I am grateful,” Farred writes in The Perversity of Gratitude. His autopoiesis is sure to provoke and inspire readers.
Whom does society consider an intellectual and on what grounds? Antonio Gramsci’s democratic vision of intelligence famously suggested that “all men are intellectuals,” yet within academic circles and among the general public, intellectuals continue to be defined by narrow, elite criteria.
In this study of four celebrated citizens of the African diaspora—American boxer Muhammad Ali, West Indian Marxist critic C. L. R. James, British cultural theorist Stuart Hall, and Jamaican musician Bob Marley—Grant Farred develops a new category of engaged thinker: the vernacular intellectual. Extending Gramsci’s concept of the organic intellectual, Farred conceives of vernacular intellectuals as individuals who challenge social injustice from inside and outside traditional academic or political spheres. Muhammad Ali, for example, is celebrated as much for his dazzling verbal skills and courageous political stands as for his pugilistic talents; Bob Marley’s messages of liberation are as central to his popularity as his lyrical and melodic sophistication. Neither man is described as an intellectual, yet both perform crucial intellectual functions: shaping how people see the world, oppose hegemony, and understand their own history. In contrast, the careers of C. L. R. James and Stuart Hall reflect a dynamic blend of the traditional and the vernacular. Conventionally trained and situated, James and Hall examine racism, history, and the lasting impact of colonialism in ways that draw on both established scholarship and more popular cultural experiences.
Challenging existing paradigms, What’s My Name offers an expansive and inclusive vision of intellectual activity that is as valid and meaningful in the boxing ring, the press conference, and the concert hall as in academia.
In a range of politically inflected essays by philosophers, community activists, political scientists, sociologists, literary scholars, and cultural and postcolonial theorists—many of whom are diasporic or resident South Africans—this special issue of SAQ provides a critical look at the realities of black majority governance, at the African National Congress, and at the costs of ANC rule to the populace. One essay draws a condemning sketch of poverty and violence in the townships and the growing communities of squatters that continue despite the emergence of democracy. A philosophical piece contemplates the practice of human rights in a South African society grappling with the memory of apartheid abuses. The fiction and poetry in the collection explore sexual identity, including issues created by the AIDS epidemic, and offer critiques of government policies. Using comic strips, another contributor demonstrates the ability of South African popular culture to satirize the nation’s political status quo. Taken together, the essays in After the Thrill Is Gone open a sobering perspective on South Africa’s recent history, its present, and its future.
Contributors. Rita Barnard, Patrick Bond, Ashwin Desai, Emmanuel Chukwudi Eze, Grant Fared, Michiel Heyns, Shaun Irlam, Neil Lazarus, Michael MacDonald, Zine Magubane, Richard Pithouse, Lesego Rampolokeng, Adam Sitze
One essay reveals the intricate richness of Africana thought, moving through psychoanalysis, folktales, Western metaphysics, and a critique of the political. Another essay offers a cautionary tale about the prospects for black life in the United States, even in the wake of Barack Obama’s historic political victory. A third essay argues that a “dead zone”—a place where black lives are lost, where hopes are dashed, where history has failed the black subject—exists between the black elite and the disenfranchised black underclass. Still another essay addresses how the discourse about the political has triumphed over everything else in considerations of colonialism and its aftermath and proposes that a turn to culture might offer a new thinking of black futures.
These various traditions of medieval reflection on natural law, and their interrelation, merit further study, particularly since they touch upon many current philosophical concerns. They grapple with the problem of ethical and religious pluralism. They consider whether universally valid standards of action and social life are accessible to those who rely on reason rather than divine law. In so doing, they develop sophisticated accounts of many central issues in metaethics, action theory, jurisprudence, and the philosophy of religion. However, do they reach a consensus about natural law, or do they end up defending incommensurable ethical frameworks? Do they confirm the value of arguments based on natural law or do they cast doubt on it?
This collection brings together contributions from various expert scholars to explore these issues and the pluralism that exists within medieval reflection on natural law. It is the first one to study the relation between the natural law theories of these various traditions of medieval philosophy: Jewish, Islamic, Byzantine, and Latin.
Each of the first four essays surveys the ‘natural law theory’ of one of the religious traditions of medieval philosophy—Jewish, Islamic, Byzantine, and Latin—and its relation to the others. The next four essays explore some of the alternative accounts of natural law that arise within the Latin tradition. They range over St. Bonaventure, Peter of Tarentaise, Matthew of Aquasparta, John Duns Scotus, and Marsilius of Padua.
Gabriel Farrell tells the story of blindness historically and from a social point of view. He describes the achievements of sightless persons, and he emphasizes the responsibility of society toward the blind. Blindness may befall anyone, through accident at any age or through the normal degeneration of sight in old age. Farrell stresses the economic provision that must be made for the blind and he tells how the blind have been helped to overcome their deficiencies in various ways.
The author offers a comprehensive record of the work for the blind, including the deaf-blind, through the centuries, and in many countries. He approaches his subject both analytically and historically. Many interesting points are raised for their connection with the subject—such as the fact that the typewriter was invented as the result of searching for a writing machine for the blind. Of course the full story of braille is covered, as are many other educational matters that have been prepared and developed for use by the blind.
Yet for all her remarkable accomplishments, Lillie Blake's story has been all but forgotten. As Grace Farrell reveals in this richly textured biography, Blake's creative writings did not survive the canonical purges of women authors at the turn of the twentieth century, and her contributions to the suffrage movement were simply ignored in the official histories sanctioned by Susan B. Anthony. From the traces that remain, Farrell reconstructs an extraordinary life of passion and purpose. She chronicles Blake's literary career from Civil War correspondent to novelist and provides an inside view of suffrage politics, correcting some long held misconceptions perpetuated by Anthony and her supporters.
At the same time, Farrell expands the generic boundaries of biography by recounting not only a life and the causes of its erasure but also her own process of recovering that life. She brings the reader along with her as she follows Blake's path in the world, touches her diary, reads her letters, and campaigns to prevent Yale University from demolishing Blake's childhood home in New Haven.
The fourth novel in James T. Farrell’s pentalogy chronicles Danny O’Neill’s coming of age. Recording his reactions to initiation into college life at the University of Chicago and the imminent death of his grandmother, one of his primary caretakers, Danny realizes the value of time and gains confidence in his writing abilities. As he works on his first novel, he prepares to leave his family, his Catholicism, and his neighborhood in Chicago behind for a new life as a writer in New York.
The first book in Farrell's five-volume series to be republished by the University of Illinois Press, A World I Never Made introduces three generations from two families, the working-class O'Neills and the lower-middle-class O'Flahertys. The lives of the O'Neills in particular reflect the tragic consequences of poverty, as young Danny O'Neill's parents--unable to sustain their large family--send him to live with his grandmother. Seen here at the age of seven, Danny is fraught with feelings of anxiety and dislocation as he learns the ins and outs of life on the street, confronting for the first time a world he never made.
Joseph Farrell and Antonio Scuderi present an international collection of essays reevaluating the multifaceted performance art of Nobel laureate Dario Fo.
The contributors, all of whom either have previously published on Fo or have worked with him, are the major Dario Fo scholars of three continents. Going beyond the Marxist criticism of the 1970s and 1980s, the editors and contributors try to establish an appropriate language in which to debate Fo’s theater. They seek to identify the core of Fo’s work, the material that will be of lasting value. This involves locating Fo in history, examining the nature of his development through successive phases, incorporating his politics into a wider framework of radical dissent, and setting his theatrical achievements in a context and a tradition.
The essays cover every aspect of Dario Fo: as actor, playwright, performer, and songwriter. They also provide the historical background of Fo’s theater, as well as an in-depth analyses of specific works and the contribution of Franca Rame.
Journeying ever outward, from the achingly ordinary to the mysterious "land where there is no land," the narrator of this collection, equal parts pastoralist and surrealist, explores the vivid in-betweens—between love and loss, hilarity and despair, wild and domestic, real and imagined. Hungry, expressive, and original, these poems glean light from even the darkest of fields.From "Further Along Now"Further along the curves of gesture, the delicateapostrophe, in the tongues of muted suns, we'll findourselves in a clearing, in a meadow of ancient grass,picking apart what has long been picked apart. Furtheralong, the compliments, the tweezers and logic, thelaboratory of hard hats and felt pens and hard headsand clipboards hanging from sky's bloody fender, birddroppings steaming calligraphic so long as the cloudsbecome clouds become clouds and amazed we see insuch preventable warfare our own substancesunchanging. Fountains of ash too diffuse to interpret,too complex to diagnose, I quote the many woods ofgrief, too far alone, too deep.
The book reviews the major theoretical approaches to regional cooperation including perspectives from international relations, political economy, economics and sociology. It is divided into three main sections: theoretical approaches to regionalism; issues of regional cooperation (such as security, monetary issues, identity and integration); and an exploration of specific case studies including the Middle East, Africa, the Americas, China, Europe, Asia and the Pacific.
With an international range of contributors, including Bjorn Hettne, Louise Fawcett and Andrew Hurrell, this in-depth and multi-disciplinary guide will be of interest to students across the social sciences and to the wider policy community.
In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud and his friends; C. S. Lewis, J. R. R. Tolkien, and the Inklings; social reformers Elizabeth Cady Stanton and Susan B. Anthony; the Fugitive poets; and the writers Joseph Conrad and Ford Maddox Ford. He demonstrates how the unusual interactions in these collaborative circles drew out the creativity in each member. Farrell also presents vivid narrative accounts of the roles played by the members of each circle. He considers how working in such circles sustains the motivation of each member to do creative work; how collaborative circles shape the individual styles of the persons within them; how leadership roles and interpersonal relationships change as circles develop; and why some circles flourish while others flounder.
“Insightful tour de force… Farrell’s writing is as informative as it is intoxicating” -- Publishers Weekly
Shanna Farrell loves a good drink. As a bartender, she not only poured spirits, but learned their stories—who made them and how. Living in San Francisco, surrounded by farm-to-table restaurants and high-end bars, she wondered why the eco-consciousness devoted to food didn’t extend to drinks.
The short answer is that we don’t think of spirits as food. But whether it's rum, brandy, whiskey, or tequila, drinks are distilled from the same crops that end up on our tables. Most are grown with chemicals that cause pesticide resistance and pollute waterways, and distilling itself requires huge volumes of water. Even bars are notorious for generating mountains of trash. The good news is that while the good drink movement is far behind the good food movement, it is emerging.
In A Good Drink, Farrell goes in search of the bars, distillers, and farmers who are driving a transformation to sustainable spirits. She meets mezcaleros in Guadalajara who are working to preserve traditional ways of producing mezcal, for the health of the local land, the wallets of the local farmers, and the culture of the community. She visits distillers in South Carolina who are bringing a rare variety of corn back from near extinction to make one of the most sought-after bourbons in the world. She meets a London bar owner who has eliminated individual bottles and ice, acculturating drinkers to a new definition of luxury.
These individuals are part of a growing trend to recognize spirits for what they are—part of our food system. For readers who have ever wondered who grew the pears that went into their brandy or why their cocktail is an unnatural shade of red, A Good Drink will be an eye-opening tour of the spirits industry. For anyone who cares about the future of the planet, it offers a hopeful vision of change, one pour at a time.
More and more men and women in China these days are having sex before marriage, creating a new youth sex culture based on romance, leisure, and free choice. The Chinese themselves describe these changes as an "opening up" in response to foreign influences and increased Westernization. Farrer explores these changes by tracing the basic elements in talk about sex and sexuality in Shanghai. He then shows how Chinese youth act out the sometimes-contradictory meanings of sex in the new market society. For Farrer, sexuality is a lens through which we can see how China imagines and understands itself in the wake of increased globalization. Through personal storytelling, neighborhood gossip, and games of seduction, young men and women in Shanghai balance pragmatism with romance, lust with love, and seriousness with play, collectively constructing and individually coping with a new culture based on market principles. With its provocative glimpse into the sex lives of young Chinese, then, Opening Up offers something even greater: a thoughtful consideration of China as it continues to develop into an economic superpower.
The book begins by examining the history of the jazz-age dance scenes that arose in the ballrooms and nightclubs of Shanghai’s foreign settlements. During its heyday in the 1930s, Shanghai was known worldwide for its jazz cabarets that fused Chinese and Western cultures. The 1990s have seen the proliferation of a drinking, music, and sexual culture collectively constructed to create new contact zones between the local and tourist populations. Today’s Shanghai night scenes are simultaneously spaces of inequality and friction, where men and women from many different walks of life compete for status and attention, and spaces of sociability, in which intercultural communities are formed. Shanghai Nightscapes highlights the continuities in the city’s nightlife across a turbulent century, as well as the importance of the multicultural agents of nightlife in shaping cosmopolitan urban culture in China’s greatest global city.
To listen to an audio diary of a night out in Shanghai with Farrer and Field, click here: http://n.pr/1VsIKAw.
How poetry can help us think about and live in the Anthropocene by reframing our intimate relationship with geological time
The Anthropocene describes how humanity has radically intruded into deep time, the vast timescales that shape the Earth system and all life-forms that it supports. The challenge it poses—how to live in our present moment alongside deep pasts and futures—brings into sharp focus the importance of grasping the nature of our intimate relationship with geological time. In Anthropocene Poetics, David Farrier shows how contemporary poetry by Elizabeth Bishop, Seamus Heaney, Evelyn Reilly, and Christian Bök, among others, provides us with frameworks for thinking about this uncanny sense of time.
Looking at a diverse array of lyric and avant-garde poetry from three interrelated perspectives—the Anthropocene and the “material turn” in environmental philosophy; the Plantationocene and the role of global capitalism in environmental crisis; and the emergence of multispecies ethics and extinction studies—Farrier rethinks the environmental humanities from a literary critical perspective. Anthropocene Poetics puts a concern with deep time at the center, defining a new poetics for thinking through humanity’s role as geological agents, the devastation caused by resource extraction, and the looming extinction crisis.
Few composition scholars two decades ago would have imagined the rate at which their field is now developing, expanding beyond its boundaries, creating new alliances, and locating new sites for research and generation of knowledge. In their introduction to this volume, Farris and Anson argue that, faced with a welter of competing models, compositionists too quickly dichotomize and dismiss.
The contributors to Under Construction, therefore, address themselves to the need for commerce among competing visions of the field. They represent diverse settings and distinct points of view, but their over-riding interest is in promoting a view of the field that values interaction and mutual development above dogmatics and isolation.
A sobering exploration of the near unchecked power of sheriffs in the United States.
Across the United States, more than 3,000 sheriffs occupy a unique position in the US political and legal systems. Elected by voters—usually in low-visibility, noncompetitive elections—sheriffs oversee more than a third of law enforcement employees and control almost all local jails. They have the power to both set and administer policies, and they can imprison, harm, and even kill members of their communities. Yet, they enjoy a degree of autonomy not seen by other political officeholders.
The Power of the Badge offers an unprecedented, data-rich look into the politics of the office and its effects on local communities. Emily M. Farris and Mirya R. Holman draw on two surveys of sheriffs taken nearly a decade apart, as well as election data, case studies, and administrative data to show how a volatile combination of authority and autonomy has created an environment where sheriffs rarely change; elections seldom create meaningful accountability; employees, budgets, and jails can be used for political gains; marginalized populations can be punished; and reforms fail. Farris and Holman also track the increasingly close linkages between sheriffs and right-wing radical groups in an era of high partisanship and intra-federal conflict.
From tax and household registers, law codes, and other primary sources, as well as recent Japanese sources, William Wayne Farris has developed the first systematic, scientific analysis of early Japanese population, including the role of disease in economic development. This work provides a comprehensive study of land clearance, agricultural technology, and rural settlement. The function and nature of ritsuryō institutions are reinterpreted within the revised demographic and economic setting.
Farris’s text is illustrated with maps, population pyramids for five localities, and photographs and translations of portions of tax and household registers, which throw further light on the demography and economy of Japan in the seventh, eighth, and ninth centuries.
This book aims to correct that. Lee Farrow offers here a detailed account of just what the Alaska Purchase was, how it came about, its impact at the time, and more. Farrow shows why both America and Russia had plenty of good reasons to want the sale to occur, including Russia’s desire to let go of an unprofitable, hard-to-manage colony and the belief in the United States that securing Alaska could help the nation gain control of British Columbia and generate closer trade ties with Asia . Farrow also delves into the implications of the deal for foreign policy and international diplomacy far beyond Russia and the United States at a moment when the global balance of power was in question.
A thorough, readable retelling of a story we only think we know, Seward’s Folly will become the standard book on the Alaska Purchase.
In this compelling and comprehensive look at the rise of Evo Morales and Bolivia’s Movimiento al Socialismo (MAS), Linda Farthing and Benjamin Kohl offer a thoughtful evaluation of the transformations ushered in by the western hemisphere’s first contemporary indigenous president. Accessible to all readers, Evo’s Bolivia not only charts Evo’s rise to power but also offers a history of and context for the MAS revolution’s place in the rising “pink tide” of the political left. Farthing and Kohl examine the many social movements whose agendas have set the political climate in Bolivia and describe the difficult conditions the administration inherited. They evaluate the results of Evo’s policies by examining a variety of measures, including poverty; health care and education reform; natural resources and development; and women’s, indigenous, and minority rights. Weighing the positive with the negative, the authors offer a balanced assessment of the results and shortcomings of the first six years of the Morales administration.
At the heart of this book are the voices of Bolivians themselves. Farthing and Kohl interviewed women and men in government, in social movements, and on the streets throughout the country, and their diverse backgrounds and experiences offer a multidimensional view of the administration and its progress so far. Ultimately the “process of change” Evo promised is exactly that: an ongoing and complicated process, yet an important example of development in a globalized world.
Sculpting the Self addresses “what it means to be human” in a secular, post-Enlightenment world by exploring notions of self and subjectivity in Islamic and non-Islamic philosophical and mystical thought. Alongside detailed analyses of three major Islamic thinkers (Mullā Ṣadrā, Shāh Walī Allāh, and Muhammad Iqbal), this study also situates their writings on selfhood within the wider constellation of related discussions in late modern and contemporary thought, engaging the seminal theoretical insights on the self by William James, Jean-Paul Sartre, and Michel Foucault. This allows the book to develop its inquiry within a spectrum theory of selfhood, incorporating bio-physiological, socio-cultural, and ethico-spiritual modes of discourse and meaning-construction. Weaving together insights from several disciplines such as religious studies, philosophy, anthropology, critical theory, and neuroscience, and arguing against views that narrowly restrict the self to a set of cognitive functions and abilities, this study proposes a multidimensional account of the self that offers new options for addressing central issues in the contemporary world, including spirituality, human flourishing, and meaning in life.
This is the first book-length treatment of selfhood in Islamic thought that draws on a wealth of primary source texts in Arabic, Persian, Urdu, Greek, and others. Muhammad U. Faruque’s interdisciplinary approach makes a significant contribution in the growing field of cross-cultural dialogue, as it opens up the way for engaging premodern and modern Islamic sources from a contemporary perspective by going beyond the exegesis of historical materials. He initiates a critical conversation between new insights into human nature as developed in neuroscience and modern philosophical literature and millennia-old Islamic perspectives on the self, consciousness, and human flourishing as developed in Islamic philosophical, mystical, and literary traditions.
Now more than ever, in the arenas of national security, diplomacy, and military operations, effective communication strategy is of paramount importance. A 24/7 television, radio, and Internet news cycle paired with an explosion in social media demands it.
According to James P. Farwell, an expert in communication strategy and cyber war who has advised the U.S. SPECIAL OPERATIONS COMMAND and the Department of Defense, and worked nationally and internationally as a media and political consultant, this book examines how colorful figures in history from Julius Caesar to Winston Churchill, Napoleon to Hugo Chavez, Martin Luther to Barack Obama and Ronald Reagan, have forged communication strategies to influence audiences.
Mark Twain said that history doesn't repeat itself, but rhymes. In showing how major leaders have moved audiences, Farwell bears out Twain's thesis. Obama and Luther each wanted to reach a mass audience. Obama used social media and the Internet. Luther used the printing press. But the strategic mindset was similar. Hugo Chavez identifies with Simon Bolivar, but his attitude towards the media more closely echoes Napoleon. Caesar used coins to build his image in ways that echo the modern use of campaign buttons. His "triumphs," enormous parades to celebrate military victories, celebrated his achievements and aimed to impress the populace with his power and greatness. Adolph Hitler employed a similar tactic with his torchlight parades.
The book shows how the US government's approach to strategic communication has been misguided. It offers a colorful, incisive critical evaluation of the concepts, doctrines, and activities that the US Department of Defense and Department of State employ for psychological operations, military information support operations, propaganda, and public diplomacy.
Persuasion and Power is a book about the art of communication strategy, how it is used, where, and why. Farwell's adroit use of vivid examples produce a well-researched, entertaining story that illustrates how its principles have made a critical difference throughout history in the outcomes of crises, conflicts, politics, and diplomacy across different cultures and societies.
Western accounts of the Hajj, the ritual Muslim pilgrimage to Mecca, are rare, since access to Mecca is forbidden to non-Muslims. In the Muslim world, however, pilgrimage literature is a well-established genre, dating back to the earliest centuries of the Islamic era. A Shiʿite Pilgrimage to Mecca is taken from the original nineteenth-century Persian manuscript of the Safarnâmeh of Mirzâ Moḥammad Ḥosayn Farâhâni, a well-educated, keenly observant, Iranian Shiʿite gentleman.
This memoir holds a wealth of social and economic information about Czarist Russia, the Ottoman Empire, Egypt, Northern Iran, and Arabia. The author is a meticulous observer, recording details of distances, currencies, accommodations, modes of travel, and so on. He records the experiences encountered by pilgrims of his day: physical hardships, disease, generosity and compassion, banditry, hospitality, comradeship, and exaltation. And, without prejudice, he discusses the tensions between the Shiʿites and the Sunnites in the holy places—tensions that still exist and have erupted in bloody clashes during recent pilgrimages.
A Shiʿite Pilgrimage to Mecca will appeal to a wide audience of general readers, Middle Eastern scholars, anthropologists, and historians.
Carnivores provide innumerable ecological benefits and play a unique role in preserving and maintaining ecosystem services and function, but at the same time they can create serious problems for human populations. A key question for conservation biologists and wildlife managers is how to manage the world's carnivore populations to conserve this important natural resource while mitigating harmful impacts on humans.
In People and Predators, leading scientists and researchers offer case studies of human-carnivore conflicts in a variety of landscapes, including rural, urban, and political. The book covers a diverse range of taxa, geographic regions, and conflict scenarios, with each chapter dealing with a specific facet of human-carnivore interactions and offering practical, concrete approaches to resolving the conflict under consideration. Chapters provide background on particular problems and describe how challenges have been met or what research or tools are still needed to resolve the conflicts.
People and Predators will helps readers to better understand issues of carnivore conservation in the 21st century, and provides practical tools for resolving many of the problems that stand between us and a future in which carnivores fulfill their historic ecological roles.
The Art of Urbanism explores how the royal courts of powerful Mesoamerican centers represented their kingdoms in architectural, iconographic, and cosmological terms. Through an investigation of the ecological contexts and environmental opportunities of urban centers, the contributors consider how ancient Mesoamerican cities defined themselves and reflected upon their physical—and metaphysical—place via their built environment. Themes in the volume include the ways in which a kingdom’s public monuments were fashioned to reflect geographic space, patron gods, and mythology, and how the Olmec, Maya, Mexica, Zapotecs, and others sought to center their world through architectural monuments and public art.
This collection of papers addresses how communities leveraged their environment and built upon their cultural and historical roots as well as the ways that the performance of calendrical rituals and other public events tied individuals and communities to both urban centers and hinterlands. Twenty-three scholars from archaeology, anthropology, art history, and religious studies contribute new data and new perspectives to the understanding of ancient Mesoamericans’ own view of their spectacular urban and ritual centers.
The Copan Sculpture Museum in western Honduras features the extraordinary stone carvings of the ancient Maya city known as Copan. The city’s sculptors produced some of the finest and most animated buildings and temples in the Maya area, in addition to stunning monolithic statues and altars. The ruins of Copan were named a UNESCO World Heritage site in 1980, and more than 150,000 national and international tourists visit the ancient city each year.
Opened in 1996, the Copan Sculpture Museum was initiated as an international collaboration to preserve Copan’s original stone monuments. Its exhibits represent the best-known examples of building façades and sculptural achievements from the ancient kingdom of Copan. The creation of this on-site museum involved people from all walks of life: archaeologists, artists, architects, and local craftspeople. Today it fosters cultural understanding and promotes Hondurans’ identity with the past.
In The Copan Sculpture Museum, Barbara Fash—one of the principle creators of the museum—tells the inside story of conceiving, designing, and building a local museum with global significance. Along with numerous illustrations and detailed archaeological context for each exhibit in the museum, the book provides a comprehensive introduction to the history and culture of the ancient Maya and a model for working with local communities to preserve cultural heritage.
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. As monuments continue to be discovered, the CMHI series is ongoing and far from complete. It has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, in addition to assisting studies among Maya communities and scholars.
This folio-sized volume documents thirty stelae at Yaxchilan, a Classic Maya city located on the Usumacinta River in the state of Chiapas, Mexico. Precisely rendered line drawings and three-dimensional scans bring out details of the monuments that would otherwise be invisible to the naked eye. These illustrations are accompanied by descriptions of the stelae in English and Spanish.
Twenty-four linguists analyze natural and social differences in language form, use, and attitudes.
This collection of different perspectives on language variation serves as a companion volume to New Ways of Analyzing Variation in English.
So argues Constantin Fasolt in The Limits of History, an ambitious and pathbreaking study that conquers history's power by carrying the fight into the center of its domain. Fasolt considers the work of Hermann Conring (1606-81) and Bartolus of Sassoferrato (1313/14-57), two antipodes in early modern battles over the principles of European thought and action that ended with the triumph of historical consciousness. Proceeding according to the rules of normal historical analysis—gathering evidence, putting it in context, and analyzing its meaning—Fasolt uncovers limits that no kind of history can cross. He concludes that history is a ritual designed to maintain the modern faith in the autonomy of states and individuals. God wants it, the old crusaders would have said. The truth, Fasolt insists, only begins where that illusion ends.
With its probing look at the ideological underpinnings of historical practice, The Limits of History demonstrates that history presupposes highly political assumptions about free will, responsibility, and the relationship between the past and the present. A work of both intellectual history and historiography, it will prove invaluable to students of historical method, philosophy, political theory, and early modern European culture.
Fass begins her journey through time and relationships when she travels to Poland and locates birth certificates of the murdered siblings she never knew. That journey to recover her family's story provides her with ever more evidence for the perplexing reliability of memory and its winding path toward historical reconstruction. In the end, Fass recovers parts of her family's history only to discover that Poland is rapidly re-imagining the role Jews played in the nation's past.
A Manual of Aquatic Plants can be said to be a classic; it made the identification of aquatic plants in sterile as well as in flowering or fruiting condition as simple as possible, and covers a region from Minnesota to Missouri and eastward to the Gulf of St. Lawrence and Virgina.
The state is often regarded as an abstract and neutral bureaucratic entity. Against this common sense idea, At the Heart of the State argues that it is also a concrete and situated reality, embodied in the work of its agents and inscribed in the issues of its time.
The result of a five-year investigation conducted by ten scholars, this book describes and analyses the police, the court system, the prison apparatus, the social services, and mental health facilities in France. Combining genealogy and ethnography, its authors show that these state institutions do not simply implement laws, rules and procedures: they mobilise values and affects, judgements and emotions. In other words, they reflect the morality of the state.
Of immense interest to both social scientists and political theorists, this work will make an important contribution to the ever expanding literature on the contemporary state.
Contributors. Jonathan Benthall, Lucas Bessire, João Biehl, Gabriella Coleman, Manuela Ivone Cunha, Vincent Dubois, Nadia Abu El-Haj, Didier Fassin, Kelly Gillespie, Ghassan Hage, Sherine Hamdy, Federico Neiburg, Unni Wikan
Didier Fassin and Marion Fourcade have assembled an eminent team of scholars from across the social sciences, conducting research on six continents, to reflect on the multiple ways the coronavirus has entered, reshaped, or exacerbated existing trends and structures in every part of the globe. The contributors show how the disruptions caused by the pandemic have both hastened the rise of new social divisions and hardened old inequalities and dilemmas. An indispensable volume, Pandemic Exposures provides an illuminating analysis of this watershed moment and its possible aftermath.
Contributors. Chitralekha, Jean-Louis Fabiani, Didier Fassin, Johan Heilbron, Miriam Kingsberg Kadia, Kristoffer Kropp, Nicolas Langlitz, John Lardas Modern, Álvaro Morcillo Laiz, Amín Pérez, Carel Smith, George Steinmetz, Peter D. Thomas, Bregje van Eekelen, Agata Zysiak
In the past decade, there has been a trend towards the global “harmonization” of migration statistics, largely inspired by international bodies and organizations that require comparative data. This volume provides an accessible account of the history of migration measurement in Europe and analyzes the current conceptualizations of migration and data-gathering procedures across twelve European countries. Based on this analysis, the authors provide critical insight into the migrant stocks and flows in their own countries and comment on recent trends in migration scholarship, such as the feminization of migration or the diversification of migrant’s origins.
The book's focus is on the major themes in contemporary Native American literature: community and audience, the meanings of place and history, spiritual experiences, the nature of language, and the roles and varieties of storytelling. The poets whose works are discussed include Sherman Alexie, Joy Harjo, Maurice Kenny, Simon J. Ortiz, Wendy Rose, Elizabeth Woody, and Ray Young Bear.
The first critical book dedicated to contemporary Native American poetry, The Heart as a Drum will be useful to students, teachers, and critics of American Indian cultures and literatures, and to all readers of contemporary American poetry.
Robin Riley Fast is Associate Professor of Literature, Emerson College.
The Poetics and Politics of the Veil in Iran features Fatehrad’s own photographs in addition to work by artists Hengameh Golestan, Shirin Neshat, Shadi Ghadirian, Abbas Kiarostami, Mohsen Makhmalbaf, Adolf Loos, Gaëtan Gatian de Clérambault, and Alison Watt. In exploring women’s lives in post-revolutionary Iran, Fatehrad considers the role of the found image and the relationship between the archive and the present, resulting in an illuminating history of feminism in Iran in the twentieth and twenty-first centuries.
For many, the word “emo” calls to mind angsty teenagers, shaggy black haircuts, and skinny jeans. A popular music phenomenon in the early 2000s, emo is short for “emotional hardcore,” and refers to both a music genre and a youth scene notable for its androgynous style. Judith May Fathallah pushes beyond the stereotypes and social stigma to explore how online fandom has shaped the definition of emo, with significant implications both for millennial constructs of gender and for contemporary fan studies.
First laying out the debate over what emo is, Fathallah walks superfans and newcomers through the culture surrounding thegenre’s major bands, including the emo holy trinity: My Chemical Romance, Fall Out Boy, and Panic! At the Disco. Next she examines fans’ main mode of participation in the emo subculture—online communities such as LiveJournal, Tumblr, MySpace, and band websites. Taking a hard look at the gender politics that dominated those spaces, she unearths a subculture that simultaneously defines itself by its sensitivity and resistance to traditional forms of masculinity, yet ruthlessly enforces homophobic and sexist standards. Fathallah demonstrates fandom’s key role in defining emo as a concept and genre after 2001, with probing insight into its implications for gender constructions through popular music.
Full of rich, unforgettable ethnographic stories, Guerrilla Marketing is a stunning and troubling analysis of the mediation of global conflict.
Winner of the John Collier Jr. Award for Still Photography
As a young Fulbright scholar in Bogotá determined to democratize the photographic gaze and bring new visions and voices to public debate about Colombia’s armed conflict, Alexander L. Fattal founded Disparando Cámaras para la Paz (Shooting Cameras for Peace). The project taught photography to young people in El Progreso, a neighborhood on the city’s outskirts that was home to families displaced by violence in the countryside. Cameras in hand, the youth had a chance to record and reimagine their daily existence.
Shooting Cameras for Peace / Disparando Cámaras para la Paz is a penetrating look at one of Latin America’s most dynamic participatory media projects. The haunting and exuberant photographs made under its auspices testify to young people’s will to play, to dream, and to survive. The images bear witness to the resilience and creativity of lives marked by a war that refuses to die.
With text in English and Spanish, Shooting Cameras for Peace / Disparando Cámaras para la Paz makes vital contributions to studies of collaborative media, photographic activism, and peace and conflict in Colombia. Fattal’s insightful text offers critical reflection on the genre of participatory photography and the structural challenges faced by similar media projects.
These twelve original papers extend the mental-spaces framework and demonstrate its utility in solving deep problems in linguistics and discourse theory. Investigating the ties between mental constructs, they analyze a wide range of phenomena, including analogical counterfactuals; the metaphor system for conceptualizing the self; abstract change expressions in Japanese; mood in Spanish; deictic expressions; copular sentences in Japanese; conditional constructions; and reference in American Sign Language.
The ground-breaking research presented in this volume will be of interest to linguists and cognitive scientists.
The contributors are Claudia Brugman, Gilles Fauconnier, George Lakoff, Yo Matsumoto, Errapel Mejias-Bikandi, Laura A. Michaelis, Gisela Redeker, Jo Rubba, Shigeru Sakahara, Jose Sanders, Eve Sweetser, and Karen van Hoek.
Using case studies covering a broad span of highlands prehistory—Classic Teotihuacan divine iconography, ceramic figures in Late Formative West Mexico, Epiclassic Puebla-Tlaxcala costumed figurines, earth sculptures in Prehispanic Oaxaca, Early Postclassic Tula symbolic burials, Late Postclassic representations of Aztec Kings, and more—contributors examine both Mesoamerican representations of the body in changing social, political, and economic conditions and the multivalent emic meanings of these representations. They explore the technology of artifact production, the body’s place in social structures and rituals, the language of the body as expressed in postures and gestures, hybrid and transformative combinations of human and animal bodies, bodily representations of social categories, body modification, and the significance of portable and fixed representations.
Anthropomorphic Imagery in the Mesoamerican Highlands provides a wide range of insights into Mesoamerican concepts of personhood and identity, the constitution of the human body, and human relationships with gods and ancestors. It will be of great value to students and scholars of the archaeology and art history of Mexico.
Contributors: Claire Billard, Danièle Dehouve, Cynthia Kristan-Graham, Melissa Logan, Sylvie Peperstraete, Patricia Plunket, Mari Carmen Serra Puche, Juliette Testard, Andrew Turner, Gabriela Uruñuela, Marcus Winter
The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of “the people.”
In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm, and late-Victorian controversies over philanthropy and moral reform, scholar Barry Faulk argues that discourse on music-hall entertainment helped consolidate the identity and tastes of an emergent professional class. Critics and writers legitimized and cleaned up the music hall, at the same time allowing issues of class, respect, and empowerment to be negotiated.
Music Hall and Modernity offers a complex view of the new middle-class, middlebrow mass culture of late-Victorian London and contributes to a body of scholarship on nineteenth-century urbanism. The book will also interest scholars concerned with the emergence of a professional managerial class and the genealogy of cultural studies.
John Henry Faulk was a popular radio and television personality during the McCarthy era. He was host of his own radio program on WCBS in New York when he publicly challenged AWARE, Inc., an ultrapatriotic group engaged in the systematic blacklisting of entertainment personalities. In response, an AWARE bulletin accused Faulk himself of subversive associations. Angry and frightened by this accusation, Faulk brought suit against AWARE, charging conspiracy to libel him and to destroy his career. Thus began one of the great civil rights cases of the twentieth century.
John Henry Faulk recounts the story of this harrowing time in Fear on Trial, the dramatic account of his six years on the "blacklist"—an exile that began with the AWARE bulletin and ended with his vindication by a jury award of $3,500,000—the largest libel award in U.S. history at that time. The heart of the book is the trial of Faulk's libel action against AWARE, in which attorney Louis Nizer relentlessly exposed the blacklist for what it was—a cynical disdain of elementary decency couched in the rhetoric of patriotism.
Many of the people involved in the Faulk case were and are famous: attorneys Nizer and Roy Cohn; Edward R. Murrow and Charles Collingwood; Myrna Loy, Kim Hunter, Tony Randall, and Lee Grant; J. Frank Dobie; Ed Sullivan, David Susskind, and Mark Goodson. But the hero is Faulk himself, a man who—in the words of Studs Terkel—"faced the bastards and beat them down."
Between 1939 and 1945 more than 17,000 Catholic German priests and seminarians were conscripted into Hitler’s Wehrmacht. Men who had devoted their lives to God found themselves advancing the cause of an abhorrent regime. Lauren Faulkner Rossi draws on personal correspondence, official military reports, memoirs, and interviews to present a detailed picture of Catholic priests who served faithfully in the German armed forces in the Second World War. Most of them failed to see the bitter irony of their predicament.
Wehrmacht Priests plumbs the moral justifications of men who were committed to their religious vocation as well as to the cause of German nationalism. In their wartime and postwar writings, these soldiers often stated frankly that they went to war willingly, because it was their spiritual duty to care for their countrymen in uniform. But while some priests became military chaplains, carrying out work consistent with their religious training, most served in medical roles or, in the case of seminarians, in general infantry. Their convictions about their duty only strengthened as Germany waged an increasingly desperate battle against the Soviet Union, which they believed was an existential threat to the Catholic Church and German civilization.
Wehrmacht Priests unpacks the complex relationship between the Catholic Church and the Nazi regime, including the Church’s fierce but futile attempts to preserve its independence under Hitler’s dictatorship, its accommodations with the Nazis regarding spiritual care in the military, and the shortcomings of Catholic doctrine in the face of total war and genocide.
In Massacre at Cavett’s Station, noted archaeologist and Tennessee historian Charles Faulkner reveals the true story of the massacre and its aftermath, separating historical fact from pervasive legend. In doing so, Faulkner focuses on the interplay of such early Tennessee stalwarts as John Sevier, James White, and William Blount, and the role each played in the white settlement of east Tennessee while drawing the ire of the Cherokee who continued to lose their homeland in questionable treaties. That enmity produced some of history’s notable Cherokee war chiefs including Doublehead, Dragging Canoe, and the notorious Bob Benge, born to a European trader and Cherokee mother, whose red hair and command of English gave him a distinct double identity. But this conflict between the Cherokee and the settlers also produced peace-seeking chiefs such as Hanging Maw and Corn Tassel who helped broker peace on the Tennessee frontier by the end of the 18th century. After only three decades of peaceful co-existence with their white neighbors, the now democratic Cherokee Nation was betrayed and lost the remainder of their homeland in the Trail of Tears.
Faulkner combines careful historical research with meticulous archaeological excavations conducted in developed areas of the west Knoxville suburbs to illuminate what happened on that fateful day in 1793. As a result, he answers significant questions about the massacre and seeks to discover the genealogy of the Cavetts and if any family members survived the attack. This book is an important contribution to the study of frontier history and a long-overdue analysis of one of East Tennessee’s well-known legends.
Charles H. Faulkner began archaeological investigations at the Ramsey House in 1985 and concluded his work with his retirement from the University of Tennessee's anthropology department in 2005. During his tenure with the Ramsey House Archaeological Project, Faulkner and his team of scholars and students unearthed the prehistory of Native American occupation at Swan Pond, several outbuilding and early home foundation features yielding evidence of extensive early renovations to the Ramsey House and surrounding Swan Pond, and a multitude of ceramics and other artifacts left behind by the Ramsey family and other tenants ranging in dates from the late 1700s to the 1950s. Faulkner's research presented in The Ramseys at Swan Pond reveals not only the material culture and family lifeways of early wealth in East Tennessee, but chronicles the occupation of a homestead that would become pivotal to the development of early Knoxville and Knox County and offers insights into the responsibilities Ramsey and his family undertook in order to tame an early American frontier.
Faulkner provides the reader a complete overview of the excavations, and emphasizes the importance of historic research within the discipline of archaeology in his introduction. The Ramseys at Swan Pond will be of interest to anyone studying historic archeology, the early American frontier, and Tennessee history.
Charles H. Faulkner is Professor Emeritus in the Department of Anthropology and Distinguished Professor of Humanities at the University of Tennessee. He is the author/editor of The Prehistoric Native American Art of Mud Glyph Cave, The Old Stone Fort: Exploring an Archaeological Mystery, Rock Art of the Eastern Woodlands, and numerous other essays.
Rediscovering Fort Sanders is a unique book that combines a narrative history of pre-Civil War Knoxville, the war years and continuing construction of Fort Sanders, the failed attempts to preserve the postwar fort, and the events which led to its almost total destruction. Research by Terry and Charles Faulkner resulted in two major discoveries: the fort was actually located a block farther to the west then previously recognized, and there are still identifiable remnants of the fortification where none were believed to exist.
More than just a chronicle of a significant chapter in Civil War and postwar history, this book will inspire others to continue the effort to ensure that the site and remains of Fort Sanders are preserved and properly commemorated for future generations.
In 1930 Dr. Karl A. Menninger, one of America's most distinguished psychiatrists, was asked by the editor of Ladies' Home Journal to write a monthly column that would address mental health issues and answer questions from readers. The result was the widely popular column "Mental Hygiene in the Home," which ran for eighteen months at a time when the American public was just beginning to popularize the idea of mental hygiene and psychotherapy.
Of the thousands of letters Dr. Menninger received, only a small number were printed in the Journal. However, he wrote personal responses to all of them, over two thousand of which have been preserved. For this book, Howard J. Faulkner and Virginia D. Pruitt have selected more than eighty exchanges that provide intimate glimpses into the personal lives of women from across the country.
Most notable in this fascinating collection is the precision and clarity of the women's voices, as well as Dr. Menninger's incisive, analytical, and elegantly phrased replies. The topics that were of major concern to these women included their own sexuality, cheating husbands, problem children, and interfering in-lawsþin other words, the same issues that many women still face today. Although Dr. Menninger's advice may sometimes be questionable by modern standards, these letters provide a useful look at the social assumptions of the 1930s.
Included in the book is an excellent introduction by the editors that traces America's affection for advice columns, chronicles Dr. Menninger's life and work, and provides an overview of the development of psychotherapy. Entertaining as well as informative, these letters not only offer a valuable reflection of women's issues during the Depression era but also invite comparison and contrast with contemporary problems, attitudes, and values.
Dead Letters to Nietzsche examines how writing shapes subjectivity through the example of Nietzsche’s reception by his readers, including Stanley Rosen, David Farrell Krell, Georges Bataille, Laurence Lampert, Pierre Klossowski, and Sarah Kofman. More precisely, Joanne Faulkner finds that the personal identification that these readers form with Nietzsche’s texts is an enactment of the kind of identity-formation described in Lacanian and Kleinian psychoanalysis. This investment of their subjectivity guides their understanding of Nietzsche’s project, the revaluation of values.
Not only does this work make a provocative contribution to Nietzsche scholarship, but it also opens in an original way broader philosophical questions about how readers come to be invested in a philosophical project and how such investment alters their subjectivity.
Faulkner rejects caricatures of Lenin and the Bolsheviks as authoritarian conspirators or the progenitors of Stalinist dictatorship, and forcefully argues that the Russian Revolution was an explosion of democracy and creativity—and that it was crushed by bloody counter-revolution and replaced with a form of bureaucratic state-capitalism.
Grounded by powerful first-hand testimony, this history marks the centenary of the Revolution by restoring the democratic essence of the revolution, offering a perfect primer for the modern reader.
“Staggeringly ambitious.”―New Internationalist
“One of the finest historians on the left.”—John Newsinger, author, The Blood Never Dried
Rejecting the top-down approach of conventional history, Neil Faulkner contends that it is the mass action of ordinary people that drives the transformative events of our many histories. This is a history of power, abuse, and greed, but also one of liberation, progress, and solidarity.
From the hunter-gatherers two million years ago to the ancient empires of Persia and China, and from the Russian Revolution to modern imperialism, humans have always struggled to create a better society than what came before. All over the world at numerous points in the past, a different way of life has become an absolute necessity, over and over again. This is a history of the humans in these struggles—the hominid and the hunter, the emperor and the slave, the dictator and the revolutionary.
Reading against the grain of mainstream histories, Neil Faulkner reveals that what happened in the past has never been predetermined. From antiquity to feudalism, and from fascism to our precarious political present, choices have always been numerous and complex, and the possible outcomes have ranged broadly between liberation and barbarism. His chapters include:
*Hunters and Farmers
*The First Class Societies
*Ancient Empires
*The Medieval World
*European Feudalism
*The First Wave of Bourgeois Revolutions
*Absolutist Europe and Capitalist Globalization
*The Rise of Industrial Capitalism
*The Revolutionary Wave
*The Great Depression and the Rise of Fascism
*World War and Cold War
*The New World Disorder
*Capitalism’s Greatest Crisis? The Early Twenty-First Century
In our fraught political present—as we face the loss of civil liberties and environmental protections, the rise of ethnonationalism, and the looming threat of nuclear war—we need the perspective of these histories now more than ever. The lesson of A Radical History of the World is that, if we created our past, we can also create a better future.
Every night, somewhere in the world, three or four musicians will climb on stage together. Whether the gig is at a jazz club, a bar, or a bar mitzvah, the performance never begins with a note, but with a question. The trumpet player might turn to the bassist and ask, “Do you know ‘Body and Soul’?”—and from there the subtle craft of playing the jazz repertoire is tested in front of a live audience. These ordinary musicians may never have played together—they may never have met—so how do they smoothly put on a show without getting booed offstage.
In “Do You Know . . . ?” Robert R. Faulkner and Howard S. Becker—both jazz musicians with decades of experience performing—present the view from the bandstand, revealing the array of skills necessary for working musicians to do their jobs. While learning songs from sheet music or by ear helps, the jobbing musician’s lexicon is dauntingly massive: hundreds of thousands of tunes from jazz classics and pop standards to more exotic fare. Since it is impossible for anyone to memorize all of these songs, Faulkner and Becker show that musicians collectively negotiate and improvise their way to a successful performance. Players must explore each others’ areas of expertise, develop an ability to fake their way through unfamiliar territory, and respond to the unpredictable demands of their audience—whether an unexpected gang of polka fanatics or a tipsy father of the bride with an obscure favorite song.
“Do You Know . . . ?” dishes out entertaining stories and sharp insights drawn from the authors’ own experiences and observations as well as interviews with a range of musicians. Faulkner and Becker’s vivid, detailed portrait of the musician at work holds valuable lessons for anyone who has to think on the spot or under a spotlight.
America at Risk gathers original essays by a distinguished and bipartisan group of writers and intellectuals to address a question that matters to Americans of every political persuasion: what are some of the greatest dangers facing America today? The answers, which range from dwindling political participation to rising poverty, and religion to empire, add up to a valuable and timely portrait of a particular moment in the history of American ideas.
While the opinions are many, there is a central theme in the book: the corrosion of the liberal constitutional order that has long guided the country at home and abroad. The authors write about the demonstrably important dangers the United States faces while also breaking the usual academic boundaries: there are chapters on the family, religious polarization, immigration, and the economy, as well as on governmental and partisan issues.
America at Risk is required reading for all Americans alarmed about the future of their country.
Contributors
- Traci Burch
- James W. Ceaser
- Robert Faulkner
- Niall Ferguson
- William A. Galston
- Hugh Heclo
- Pierre Manent
- Harvey C. Mansfield
- Peter Rodriguez
- Kay Lehman Schlozman
- Susan Shell
- Peter Skerry
- James Q. Wilson
- Alan Wolfe
Robert Faulkner is Professor of Political Science at Boston College. Susan Shell is Professor of Political Science at Boston College.
"America at Risk goes well beyond the usual diagnoses of issues debated in public life like immigration, war, and debt, to consider the Republic’s founding principles, and the ways in which they have been displaced by newer thoughts and habits in contemporary America. A critical book for understanding our present condition."
—Francis Fukuyama, Bernard L. Schwartz Professor of International Political Economy, Johns Hopkins School of Advanced International Studies
"In this penetrating book, the nation’s finest social and political thinkers from across the spectrum take a careful and no-holds-barred look at the dangers facing the American political system. The conclusions are more unsettling than reassuring---but that is because they are honest and real."
—Norm Ornstein, Resident Scholar, American Enterprise Institute
"In the midst of overwrought pundits, irate soccer moms, and outraged bloggers, it is difficult to distinguish genuine dangers from false alarms and special pleading. This book enables us to do so, in a way that helps us to actually think about, not just feel anxious about, threats to those features of American society that are worth cherishing. The authors range in ideology and expertise, but they are uniformly judicious, incisive, and informative. This is a fascinating book about issues that the political system usually ignores or exaggerates."
—Jennifer L. Hochschild, Henry LaBarre Jayne Professor of Government and Professor of African and African American Studies, Harvard University
Monte Albán was the capital of the Valley of Oaxaca, Mexico, ca. 500 BC–AD 600, but once its control began to wane, other sites filled the political vacuum. Archaeologists have long awaited a meticulous excavation of one of these sites—one that would help us better understand the process that transformed second-tier sites into a series of polities or señoríos that competed with each other for centuries.
This book reports in detail on Ronald Faulseit’s excavations at the site of Dainzú-Macuilxóchitl in the Valley of Oaxaca. His 2007–2010 mapping and excavation seasons focused on the Late Classic (AD 600–900) and Early Postclassic (AD 900–1300). The spatial distributions of surface artifacts—collected during the intensive mapping and systematic surface collecting—on residential terraces at Cerro Danush are analyzed to evaluate evidence for craft production, ritual, and abandonment at the community level. This community analysis is complemented by data from the comprehensive excavation of a residential terrace, which documents diachronic patterns of behavior at the household level. The results from Faulseit’s survey and excavations are evaluated within the theoretical frameworks of political cycling and resilience theory. Faulseit concludes that resilient social structures may have helped orchestrate reorganization in the dynamic political landscape of Oaxaca after the political collapse of Monte Albán.
Essays in the book are arranged into five sections. The first section addresses previous research on the subject of collapse and reorganization as well as recent and historic theoretical trends. In the second section, contributors look at collapse and resilience through the concepts of collective action, eventful archaeology, and resilience theory. The third section introduces critical analyses of the effectiveness of resilience theory as a heuristic tool for modeling the phenomena of collapse and resilience. In the fourth section, contributors examine long-term adaptive strategies employed by prehistoric societies to cope with stresses. Essays in the fifth section make connections to contemporary research on post-decline societies in a variety of time periods and geographic locations.
Contributors consider collapse and reorganization not as unrelated phenomena but as integral components in the evolution of complex societies. Using archaeological data to interpret how ancient civilizations responded to various stresses—including environmental change, warfare, and the fragmentation of political institutions—contributors discuss not only what leads societies to collapse but also why some societies are resilient and others are not, as well as how societies reorganize after collapse. The implications of the fate of these societies for modern nations cannot be underestimated. Putting in context issues we face today, such as climate change, lack of social diversity, and the failure of modern states, Beyond Collapse is an essential volume for readers interested in human-environment interaction and in the collapse—and subsequent reorganization—of human societies.
In For the Love of Rivers, stream ecologist Kurt Fausch draws readers across the reflective surface of streams to view and ponder what is beneath, and how they work. While celebrating their beauty and mystery, he uses his many years of experience as a field biologist to explain the underlying science connecting these aquatic ecosystems to their streamside forests and the organisms found there—including humans.
For the Love of Rivers introduces readers to the life and work of Shigeru Nakano, a pioneering river ecologist who inspired other scientists around the world with his innovative research on stream-forest connections. Fausch takes readers along as he journeys to Japan, where he awakens to an unfamiliar culture, to Nakano, and his research.
Nakano’s life was abruptly ended in a tragic field accident, and his death was deeply mourned. Fausch joins Japanese and American colleagues to continue Nakano’s research legacy, learn everything they can about the effects that humans have on rivers, fish, and their intricate links with riparian zones, and share this knowledge with others.
More than a book about stream ecology, For the Love of Rivers is a celebration of the interconnectedness of life. It is an authoritative and accessible look at the science of rivers and streams, but it also ponders the larger questions of why rivers are important to humans, why it is in our nature to want to be near them, and what we can do now to ensure the future of these essential ecosystems.
Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia.
The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press