Winner, National Association for Chicana and Chicano Studies Book Award, 2019

The Royal Chicano Air Force produced major works of visual art, poetry, prose, music, and performance during the second half of the twentieth century and first decades of the twenty-first. Materializing in Sacramento, California, in 1969 and established between 1970 and 1972, the RCAF helped redefine the meaning of artistic production and artwork to include community engagement projects such as breakfast programs, community art classes, and political and labor activism. The collective’s work has contributed significantly both to Chicano/a civil rights activism and to Chicano/a art history, literature, and culture.

Blending RCAF members’ biographies and accounts of their artistic production with art historical, cultural, and literary scholarship, Flying under the Radar with the Royal Chicano Air Force is the first in-depth study of this vanguard Chicano/a arts collective and activist group. Ella Maria Diaz investigates how the RCAF questioned and countered conventions of Western art, from the canon taught in US institutions to Mexican national art history, while advancing a Chicano/a historical consciousness in the cultural borderlands. In particular, she demonstrates how women significantly contributed to the collective’s output, navigating and challenging the overarching patriarchal cultural norms of the Chicano Movement and their manifestations in the RCAF. Diaz also shows how the RCAF’s verbal and visual architecture—a literal and figurative construction of Chicano/a signs, symbols, and texts—established the groundwork for numerous theoretical interventions made by key scholars in the 1990s and the twenty-first century.

When, at the end of the First World War, Marshal Ferdinand Foch, soldier and popular hero, assumed the role of self-appointed peacemaker, he proved himself a source of embarrassment and irritation. Challenging Georges Clemenceau's right to negotiate the peace settlement, Foch attempted to arrange a peace which, according to him, would provide France with security, but which, according to his civilian superior, would have lost France's urgently needed allies.

French internal conflict in civil-military relations during the Versailles Peace Conference was thus primarily between Clemenceau and Foch, both inspired by the most patriotic of motives.

Foch versus Clemenceau gives a vivid account of the diplomatic maneuvers among France, its allies, and Germany during the period of the Conference. It sketches the Rhineland separatist movement in 1919--with Dorten's abortive, even amusing putsch, the Palatine-Rhineland Rebellion--as incidental background to the momentous struggle between Foch and his field commanders on the one hand and the President of the Council, Clemenceau, on the other over their differing conceptions of a realizable peace which could guarantee France's security.

Here is a brief but comprehensive tour of the physiology of vision, guided by one of the grand masters of the discipline. Offering first a solid grounding in structure and function, the book emphasizes those areas that the author considers to be of most significance in current research. Much attention is given to the role of vision in circadian timekeeping, the development of the visual system, the effect of aging on the eye, and the provocative questions of perception and illusion.

An eminently readable text, Focus on Vision will more than satisfy the needs of students in ophthalmology, optometry, physiological optics, biology, psychology, and art. It is fully illustrated and contains lists of references and further reading. The questions at the end of each chapter may be used to test understanding or simply to excite discussion.

Written in close collaboration with Mr. Seckler and those who know him, Foggy Mountain Troubadour is the first full-length biography of an American original. Penny Parsons follows a journey from North Carolina schoolhouses to the Grand Ole Opry stage and the Bluegrass Hall of Fame, from boarding houses to radio studios and traveling five to a car on two-lane roads to make the next show. Throughout, she captures the warm humor, hard choices, and vivid details of a brilliant artist's life as he criss-crosses a nation and a century making music.

Independent city-states (poleis) such as Athens have been viewed traditionally as the most advanced stage of state formation in ancient Greece. By contrast, this pioneering book argues that for some Greeks the ethnos, a regionally based ethnic group, and the koinon, or regional confederation, were equally valid units of social and political life and that these ethnic identities were astonishingly durable.

Jeremy McInerney sets his study in Phokis, a region in central Greece dominated by Mount Parnassos that shared a border with the panhellenic sanctuary at Delphi. He explores how ecological conditions, land use, and external factors such as invasion contributed to the formation of a Phokian territory. Then, drawing on numerous interdisciplinary sources, he traces the history of the region from the Archaic age down to the Roman period. McInerney shows how shared myths, hero cults, and military alliances created an ethnic identity that held the region together over centuries, despite repeated invasions. He concludes that the Phokian koinon survived because it was founded ultimately on the tenacity of the smaller communities of Greece.

Although Richard Hooker (1554–1600) is now known principally as the author of the Laws of Ecclesiastical Polity, in his lifetime the Tractates and Sermons brought him greater notoriety. Hooker’s views on justification, the perseverance of faith, and the relationship of the Church of Rome to the reformed Church of England were widely reported, and texts of the tracts were extensively circulated in manuscript.

Thanks to the meticulous editing of Laetitia Yeandle, Curator of Manuscripts at the Folger Shakespeare Library, the contemporary impact of these debates can now be appreciated for the first time. These tracts provide a unique perspective on the turbulent world of late Elizabethan theology. In addition, they lay the doctrinal foundations of the Laws of Ecclesiastical Polity itself and—with the excellent commentary of Egil Grislis, Professor of Theology at the University of Manitoba in Winnipeg, enable us to trace the intellectual formation of sixteenth-century England’s most innovative and provocative theologian.

The volume includes a newly discovered letter; three newly attributed sermon fragments; and analysis by P. F. Forte of Hooker’s distinctive preaching style.

The writings of Richard Hooker are of central interest to those studying English Renaissance thought and literature. In this, the third volume of a much-needed critical edition of the Works of Richard Hooker, are the posthumous books of the Laws of Ecclesiastical Polity. Hooker planned the Laws in eight books, but he died shortly after publication of Book Five. Books Six, Seven, and Eight, which contain his analysis of jurisdiction, episcopacy, and the royal supremacy, are here transcribed from versions that have the most authority. The volume also includes Hooker’s autograph notes toward those texts (brought to light by P. G. Stanwood in the course of his research) and the contemporary notes by George Cranmer and Edwin Sandys on a lost draft of Book Six. Mr. Stanwood’s introduction lays to rest all doubts about the authenticity of the last three books as we have them, doubts current since publication of Walton’s Life of Hooker in 1662.

This edition, sponsored by the Folger Library, is providing authoritative texts to serve as a basis for the scholarly reappraisal of Richard Hooker’s writings that is presently underway.

Richard Hooker is the first major voice of Anglican theology, and his defense of the Elizabethan Church against the attacks of the Puritans set the prevailing tone of Anglicanism for centuries to follow. Through his eloquent treatise on ecclesiastical law the medieval political thought of Thomas Aquinas became a part of the English political heritage, to be used by such writers as Locke, Burke, and Coleridge. The Laws of Ecclesiastical Polity is also a primary statement in English of a theory of natural law. Finally, we must turn to Hooker if we are to understand the intellectual background of the Renaissance, for he luminously sets forth the ethical, political, and religious assumptions of his age.

The Folger Library has answered a long-felt need in sponsoring this critical, old-spelling edition of Hooker’s Works, prepared with all the expertise modern scholarship can bring to bear. Six scholars share the editorial responsibility, consulting their eighteen-member Board of Advisers as necessary. The texts for the edition are based on fresh transcriptions of the earliest and most authoritative documents, in many cases manuscripts written or corrected by Hooker himself or contemporary transcripts of these. The critical apparatus for each text records substantive variants among the authoritative documents as well as departures in accidentals from the copy text. The aim of the apparatus is to enable the interested reader to reconstruct the authority underlying the text.

The Preface and Books I–V of the Laws of Ecclesiastical Polity, Volumes I and II of this edition, represent all of Hooker’s work published in his lifetime. These volumes were prepared by Georges Edelen, Professor of English at Indiana University, and W. Speed Hill, Associate Professor of English, Herbert H. Lehman College, City University of New York.

We turn to Richard Hooker to understand the intellectual background of the Renaissance. He sets forth in his writing the ethical, political, and religious assumptions of his age. This magnificent old-spelling edition of Hooker’s works has long been needed, and is being greeted with universal admiration.

Volume Four presents the text of the first and only major attack on the Laws of Ecclesiastical Polity—namely, A Christian Letter, 1599—with Hooker’s marginal notes made on his own copy of the Letter; and the more extensive essays which he left in manuscript, written in preparation for a published reply. The importance of these notes and essays lies in their expansion of some of the more controversial points made in the Laws, and in the light they shed on Hooker, his personality, method, and sources.

John Booty’s Introduction and substantial commentary place Hooker’s arguments firmly in their historical and theological contexts.

The Mexican folkways described in this monograph, of scientific interest to anthropologists, will fascinate laypeople as well. Isabel Kelly collected these notes in the 1950s, as a diversion when official field work was not feasible, in the vicinity of Torreón and particularly in the nearby village of El Cuije, in northern Mexico. She recounts folk customs and habits, focusing on beliefs and practices related to health and healing and on notions concerning magic. These form, Kelly believes, a core of folk culture which has survived tenaciously in the rural areas and on the outskirts of the cities, among mestizo families of scant education and limited economic resources.

 These people are well acquainted with simple, matter-of-fact illnesses which result from natural causes and which respond to treatment by herbal and other home remedies or by modern medicines. But they also recognize the evil eye and the emotional upset known as “fright.” They are thoroughly familiar with the ever-present danger of ailments which are not “natural” and God-sent, but which are deliberately inflicted by an enemy, through the artifice of a sorcerer or a spiritualist. Such “instigated” illnesses may take any form, from a cold in the head to a false pregnancy. If a person suspects that poor health results from such malevolence, he or she spurns Western medicine and looks instead to the witch or to the spiritualist as the only hope of a cure.

 El Cuije pays an annual quota from community funds to make available modern health services provided by the government. But community funds are similarly drawn upon to provide “medical” attention for those who repair to the sorcerers. Once a week the village truck takes all presumed witchcraft victims to a nearby town, where they receive clinical treatment from professional sorcerers.

 Kelly sees little that is genuinely indigenous in the beliefs and practices described; many of them demonstrably result from infiltration from the Old World in the years following the Spanish Conquest. She considers spiritualistic curing—important in northern Mexico and many other parts of Latin America—in some detail, but the specific outlines of its history in northern Mexico still awaited clarification at the time of her research.

In an illustrious career spanning over forty years, Américo Paredes has often set the standard for scholarship and writing in folklore and Chicano studies. In folklore, he has been in the vanguard of important theoretical and methodological movements. In Chicano studies, he stands as one of the premier exponents.

Paredes's books are widely known and easily available, but his scholarly articles are not so familiar or accessible. To bring them to a wider readership, Richard Bauman has selected eleven essays that eloquently represent the range and excellence of Paredes's work. The hardcover edition of Folklore and Culture was published in 1993. This paperback edition will make the book more accessible to the general public and more practical for classroom use.

For centuries, social life in rural Tuscany has centered around the veglia, an evening gathering of family and friends at the hearth. Folklore by the Fireside is a thorough and insightful study of this custom—from the tales, riddles, lullabies, and folk prayers performed as the small children are put to bed to the courtship songs and dances later in the evening to the anti-veglia male gossip, card games, and protest songs originating in the tavern.

Alessandro Falassi skillfully correlates the veglia to the rites of passage and family values of an agrarian society. Although the impact of mass media and other factors has tended to weaken the tradition, even today Tuscan children are taught to behave and adolescents are guided along the conventional path to adulthood, courtship, and marriage through veglia folklore.

This is the first work to deal systematically with Tuscan folklore from a semiotic and structural viewpoint and to examine the veglia as a means of handing down traditional values. It is important not only for its careful, detailed description but also for its rigorous methodology and theoretical richness.

The essays in Folklore Genres represent development in folklore genre studies, diverging into literary, ethnographic, and taxonomic questions. The study as a whole is concerned with the concept of genre and with the history of genre theory. A selective bibliography provides a guide to analytical and theoretical works on the topic.

The literary-oriented articles conceive of folklore forms, not as the antecedents of literary genres, but as complex, symbolically rich expressions. The ethnographically oriented articles, as well as those dealing with classification problems, reveal dimensions of folklore that are often obscured from the student reading the folklore text alone. It has long been known that the written page is but a pale reproduction of the spoken word, that a tale hardly reflects the telling. The essays in this collection lead to an understanding of the forms of oral literature as multidimensional symbols of communication and to an understanding of folklore genres as systematically related conceptual categories in culture. What kinship terms are to social structure, genre terms are to folklore. Since genres constitute recognized modes of folklore speaking, their terminology and taxonomy can play a major role in the study of culture and society.

The essays were originally published in Genre (1969–1971); introduction, bibliography, and index have been added to this edition.

Kaarle Krohn's Folklore Methodology was the first systematic attempt to state a method of studying folkloristic materials. For centuries scholars had collected folkloristic texts and had commented on them, but they had not tried to formulate a method of investigating folklore.

Folklore Methodology became the handbook for the great Finnish School of folklore research. It provided for its students a guide to the geographical research of traditional materials, a radical departure from the literary scholarship that had dominated folklore studies.

Krohn's book explores the causes and modes of folklore diffusion, development, and destruction; it outlines the influences that cause change in folklore; it provides valuable insights into the nature of folklore; and, finally, it develops geographic methods for analyzing, classifying, and reconstructing individual items from the folk repertoire.

While many developments have taken place since Krohn first published his guide, important new concepts of folklore research sprang from his efforts. For this reason, Folklore Methodology is mandatory reading for every serious student of folklore.

“The spirit of balladry is not dead, but slowly dying. The instincts, sentiments, and feelings which it represents are indeed as immortal as romance itself, but their mode of expression, the folksong, is fighting with its back to the wall, with the odds against it in our introspective age.” This statement by Josiah Henry Combs is that of a man who grew up among the members of a singing family in one of the last strongholds of the ballad-making tradition, the Southern Highlands of the United States.

Combs was born in 1886 in Hazard, Kentucky, the heart of the mountain feud area—a significant background for one who was to take a prominent part in the “ballad war” of the 1900s. Combs’s intimate knowledge of folk culture and his grasp of the scholarly literature enabled him to approach the ballad controversy with common sense as well as with some of the heat generated by the dispute.

Although in the early twentieth century there was probably no more controversy about the nature of the folk and folksong than there is today, it was a different kind of controversy. Many theories of the origins of folksong current at that time, such as the alleged relationship of traditional ballads to “primitive poetry,” did not take into account contemporary evidence. Combs said, “Here as elsewhere, I go directly to the folk for much of my information, allowing the songs, language, names, customs . . . of the people to help settle the problem of ancestry. . . . In brief, a conscientious study of the lore of the folk cannot be separated from the folk itself.”

Folk-Songs du Midi des États-Unis, published as a doctoral dissertation at the University of Paris in 1925, was an introduction to the study of the folksong of the Southern Appalachians, together with a selection of folksong texts collected by Combs. Folk-Songs of the Southern United States, the first publication of that work in English, is based on the French text and Combs’s English draft. To this edition is appended an annotated listing of all songs in the Josiah H. Combs Collection in the Western Kentucky Folklore Archive at the University of California, Los Angeles. The appendix also includes the texts of selected songs.

The aim of this edition is to make the contents of the original volume more readily available in English and to provide an index to the Combs Collection that may be drawn upon by students of folksong. The book also offers texts of over fifty songs of British and American origin as sung in the Southern Highlands.

Syrian poet Samir Tahhan collected folktales from old men sitting outside their houses in Aleppo, drinking tea. Afraid these stories would disappear with the passing of this generation, Tahhan also went to halls and events to hear professional storytellers and record their performances. Anthropologist Andrea Rugh helped translate the resulting two volumes of stories from the original Arabic and wrote the informative introduction to this one-volume collection.

Some of the tales appeared in rhyming verse in Arabic and some were based on events that are said to have actually taken place in Aleppo. Rugh explains the concepts of the most popular types of Syrian story structures: the gissa, the hikaya, and the hudutha. With two of the poems, the Arabic and the English are shown side by side in order to demonstrate the internal poetic structures of the original rhymes.

With their emphasis on morality and social values, the tales will be familiar to Western audiences. Another value for the reader is finding the accepted social values and behaviors that Arab adults try to inculcate in their younger generation, often through complex characterizations. Teasing out these meanings gives the reader an appreciation for the act of translation and hints of the power of the Arabic language in prose and poetry.

Professional illustrator Douglas Rugh has provided the book's black-and-white prints based on the stories and his experiences as a child growing up in the Middle East.

An incisive look at Hmong religion in the United States, where resettled refugees found creative ways to maintain their traditions, even as Christian organizations deputized by the government were granted an outsized influence on the refugees’ new lives.

Every year, members of the Hmong Christian Church of God in Minneapolis gather for a cherished Thanksgiving celebration. But this Thanksgiving takes place in the spring, in remembrance of the turbulent days in May 1975 when thousands of Laotians were evacuated for resettlement in the United States. For many Hmong, passage to America was also a spiritual crossing. As they found novel approaches to living, they also embraced Christianity—called kev cai tshiab, “the new way”—as a means of navigating their complex spiritual landscapes.

Melissa May Borja explores how this religious change happened and what it has meant for Hmong culture. American resettlement policies unintentionally deprived Hmong of the resources necessary for their time-honored rituals, in part because these practices, blending animism, ancestor worship, and shamanism, challenged many Christian-centric definitions of religion. At the same time, because the government delegated much of the resettlement work to Christian organizations, refugees developed close and dependent relationships with Christian groups. Ultimately the Hmong embraced Christianity on their own terms, adjusting to American spiritual life while finding opportunities to preserve their customs.

Follow the New Way illustrates America’s wavering commitments to pluralism and secularism, offering a much-needed investigation into the public work done by religious institutions with the blessing of the state. But in the creation of a Christian-inflected Hmong American animism we see the resilience of tradition—how it deepens under transformative conditions.