A SCHOLARLY BOOK REPOSITORY
Russia occupies a unique position in the Muslim world. Unlike any other non-Islamic state, it has ruled Muslim populations for over five hundred years. Though Russia today is plagued by its unrelenting war in Chechnya, Russia’s approach toward Islam once yielded stability. In stark contrast to the popular “clash of civilizations” theory that sees Islam inevitably in conflict with the West, Robert D. Crews reveals the remarkable ways in which Russia constructed an empire with broad Muslim support.
In the eighteenth century, Catherine the Great inaugurated a policy of religious toleration that made Islam an essential pillar of Orthodox Russia. For ensuing generations, tsars and their police forces supported official Muslim authorities willing to submit to imperial directions in exchange for defense against brands of Islam they deemed heretical and destabilizing. As a result, Russian officials assumed the powerful but often awkward role of arbitrator in disputes between Muslims. And just as the state became a presence in the local mosque, Muslims became inextricably integrated into the empire and shaped tsarist will in Muslim communities stretching from the Volga River to Central Asia.
For Prophet and Tsar draws on police and court records, and Muslim petitions, denunciations, and clerical writings—not accessible prior to 1991—to unearth the fascinating relationship between an empire and its subjects. As America and Western Europe debate how best to secure the allegiances of their Muslim populations, Crews offers a unique and critical historical vantage point.
In his explorations of the relations between the sacred and violence, René Girard has hit upon the origin of culture—the way culture began, the way it continues to organize itself. The way communities of human beings structure themselves in a manner that is different from that of other species on the planet.
Like Albert Einstein, Sigmund Freud, Émile Durkheim, Martin Buber, or others who have changed the way we think in the humanities or in the human sciences, Girard has put forth a set of ideas that have altered our perceptions of the world in which we function. We will never be able to think the same way again about mimetic desire, about the scapegoat mechanism, and about the role of Jewish and Christian scripture in explaining sacrifice, violence, and the crises from which our culture has been born.
The contributions fall into roughly four areas of interpretive work: religion and religious study; literary study; the philosophy of social science; and psychological studies.
The essays presented here are offered as "essays" in the older French sense of attempts (essayer) or trials of ideas, as indeed Girard has tried out ideas with us. With a conscious echo of Montaigne, then, this hommage volume is titled Essays in Friendship and in Truth.
Laura Esther Wolfson’s literary debut draws on years of immersion in the Russian and French languages; struggles to gain a basic understanding of Judaism, its history, and her place in it; and her search for a form to hold the stories that emerge from what she has lived, observed, overheard, and misremembered.
In “Proust at Rush Hour,” when her lungs begin to collapse and fail, forcing her to give up an exciting and precarious existence as a globetrotting simultaneous interpreter, she seeks consolation by reading Proust in the original while commuting by subway to a desk job that requires no more than a minimal knowledge of French. In “For Single Mothers Working as Train Conductors” she gives away her diaphragm and tubes of spermicidal jelly to a woman in the Soviet Union who, with two unwanted pregnancies behind her, needs them more than she does. “The Husband Method” has her translating a book on Russian obscenities and gulag slang during the dissolution of her marriage to the Russian-speaker who taught her much of what she knows about that language.
In prose spangled with pathos and dusted with humor, Wolfson transports us to Paris, the Republic of Georgia, upstate New York, the Upper West Side, and the corridors of the United Nations, telling stories that skewer, transform, and inspire.
A handbook for what to expect the first year of beekeeping and beyond.
The path to becoming a successful beekeeper begins with a deep understanding of the bees themselves. Taking both a holistic and practical approach, Tara Chapman, founder and operator of Austin’s beloved Two Hives Honey, begins with a primer on honey bee biology and nutrition as well as beehive architecture. (Did you ever wonder why honey combs are composed of tiny hexagons?) A little scientific knowledge goes a long way: a beekeeper who understands how these fascinating creatures work will be better equipped to recognize a particular colony’s needs, make sound decisions when the unexpected happens, and adapt their care regimen to changing conditions. Moving beyond the basics, Chapman shows potential beekeepers how to spot pests and diseases; manage swarms (those bees aren’t angry; they’re just looking for a good home); and, of course, how to harvest delicious homegrown honey.
Imbued with the joy of the beekeeping journey, For the Bees provides practical visual explanations through appealing illustrations, that, alongside Chapman’s own stories from the bee yard, share the charms of these essential insects.
In 365 day-by-day sketches, Laura Erickson brings more than 250 birds right into your living room-from rare hawk owls to elusive sedge wrens to plastic lawn flamingos. Light-hearted, yet authoritative, For the Birds is brimming with fascinating birdlore.
Did you know that you can mail three chickadees with a single stamp? That Black-billed Cuckoos flourish on a diet of army worms? That winter finches are especially attracted to feeders offering grit and eggshells?
Enjoy Laura’s entertaining observations and record your own in For the Birds-an uncommon guide.
One in five people in the United States is a birdwatcher, yet the popular understanding of birders reduces them to comical stereotypes, obsessives who only have eyes for their favorite rare species. In real life, however, birders are paying equally close attention to the world around them, observing the devastating effects of climate change and mass extinction, while discovering small pockets of biodiversity in unexpected places.
For the Birds offers readers a glimpse behind the binoculars and reveals birders to be important allies in the larger environmental conservation movement. With a wealth of data from in-depth interviews and over three years of observing birders in the field, environmental sociologist Elizabeth Cherry argues that birders learn to watch wildlife in ways that make an invaluable contribution to contemporary conservation efforts. She investigates how birders develop a “naturalist gaze” that enables them to understand the shared ecosystem that intertwines humans and wild animals, an appreciation that motivates them to participate in citizen science projects and wildlife conservation.
Drawing on his nearly fifteen years of work in African cities—as an activist, teacher, development worker, researcher, and advisor to ngos and local governments—Simone provides a series of case studies illuminating the provisional networks through which most of Africa’s urban dwellers procure basic goods and services. He examines informal economies and social networks in Pikine, a large suburb of Dakar, Senegal; in Winterveld, a neighborhood on the edge of Pretoria, South Africa; in Douala, Cameroon; and among Africans seeking work in Jeddah, Saudi Arabia. He contextualizes these particular cases through an analysis of the broad social, economic, and historical conditions that created present-day urban Africa. For the City Yet to Come is a powerful argument that any serious attempt to reinvent African urban centers must acknowledge the particular history of these cities and incorporate the local knowledge reflected in already existing informal urban economic and social systems.
Why teach about religion in public schools? What educational value can such courses potentially have for students?
In For the Civic Good, Walter Feinberg and Richard A. Layton offer an argument for the contribution of Bible and world religion electives. The authors argue that such courses can, if taught properly, promote an essential aim of public education: the construction of a civic public, where strangers engage with one another in building a common future. The humanities serve to awaken students to the significance of interpretive and analytic skills, and religion and Bible courses have the potential to add a reflective element to these skills. In so doing, students awaken to the fact of their own interpretive framework and how it influences their understanding of texts and practices. The argument of the book is developed by reports on the authors’ field research, a two-year period in which they observed religion courses taught in various public high schools throughout the country, from the “Bible Belt” to the suburban parkway. They document the problems in teaching religion courses in an educationally appropriate way, but also illustrate the argument for a humanities-based approach to religion by providing real classroom models of religion courses that advance the skills critical to the development of a civic public.
In his four Lord Weidenfeld Lectures held in Oxford in 2019, German poet Durs Grünbein dealt with a topic that has occupied his mind ever since he began to perceive his own position within the past of his nation, his linguistic community, and his family: How is it possible that history can determine the individual poetic imagination and segregate it into private niches? Shouldn’t poetry look at the world with its own sovereign eyes instead?
In the form of a collage or “photosynthesis,” in image and text, Grünbein lets the fundamental opposition between poetic license and almost overwhelming bondage to history appear in an exemplary way. From the seeming trifle of a stamp with the portrait of Adolf Hitler, he moves through the phenomenon of the “Führer’s streets” and into the inferno of aerial warfare. In the end, Grünbein argues that we are faced with the powerlessness of writing and the realization, valid to this day, that comes from confronting history. As he muses, “There is something beyond literature that questions all writing.”
Using the lens of performance theory to explain the ways in which the Mohawks considered converting and participating in Christian rituals, historian William B. Hart contends that Mohawks who prayed, sang hymns, submitted to baptism, took communion, and acquired literacy did so to protect their nation's sovereignty, fulfill their responsibility of reciprocity, serve their communities, and reinvent themselves. Performing Christianity was a means of "survivance," a strategy for sustaining Mohawk life and culture on their terms in a changing world.
Aldo Leopold's classic work A Sand County Almanac is widely regarded as one of the most influential conservation books of all time. In it, Leopold sets forth an eloquent plea for the development of a "land ethic" -- a belief that humans have a duty to interact with the soils, waters, plants, and animals that collectively comprise "the land" in ways that ensure their well-being and survival.
For the Health of the Land, a new collection of rare and previously unpublished essays by Leopold, builds on that vision of ethical land use and develops the concept of "land health" and the practical measures landowners can take to sustain it. The writings are vintage Leopold -- clear, sensible, and provocative, sometimes humorous, often lyrical, and always inspiring. Joining them together are a wisdom and a passion that transcend the time and place of the author's life.
The book offers a series of forty short pieces, arranged in seasonal "almanac" form, along with longer essays, arranged chronologically, which show the development of Leopold's approach to managing private lands for conservation ends. The final essay is a never before published work, left in pencil draft at his death, which proposes the concept of land health as an organizing principle for conservation. Also featured is an introduction by noted Leopold scholars J. Baird Callicott and Eric T. Freyfogle that provides a brief biography of Leopold and places the essays in the context of his life and work, and an afterword by conservation biologist Stanley A. Temple that comments on Leopold's ideas from the perspective of modern wildlife management.
The book's conservation message and practical ideas are as relevant today as they were when first written over fifty years ago. For the Health of the Land represents a stunning new addition to the literary legacy of Aldo Leopold.
In 1645 the Japanese samurai Musashi Miamoto wrote A Book of Five Rings, which described the attitudes necessary for individual success. Though he was a swordsman, his book was not limited to combat but addressed the much broader question of how to achieve excellence in life through study, discipline, and planning. It is still avidly read in Japan today. Arthur Kornberg’s book is a modern-day Book of Five Rings that replaces the medium of swordsmanship with that of biochemistry, particularly enzymology. As Kornberg describes his successive research problems, the challenges they presented, and the ultimate accomplishments that resulted, he provides us with a primer in the strategies needed to do scientific work of great significance. Moreover, these strategies are played out in the context of solving some of the great biochemical problems of the twentieth century.
The ability to manipulate and alter DNA fired a revolution that forever changed the nature of biology. Arthur Kornberg is a primary architect of that revolution, arguably one of the two or three most important biologists of this time. Prior to Kornberg, genetic information and later DNA were imbued by biologists with an almost vitalistic aura. Kornberg demonstrated that DNA is a molecule synthesized by enzymes, like all other chemical constituents of the cell. More important, he trained a school of scientists who focused on and discovered many of the enzymatic activities that act on DNA. It is these enzymes in particular that allow modern “genetic engineering.”
For the Love of Enzymes does not describe a single lucky or hard-won accomplishment. Rather, it is the story of thirty years of decisive campaigns, nearly all of which led to insights of major significance. In relating his story, Kornberg never avoids the difficult question of “why”: why he felt classical nutritional studies had reached a plateau, why he turned to enzymology as a discipline in which the important answers would be found, and why he believes the study of enzymes will grow ever more important as we face the new scientific frontier of brain function.
This book will challenge students of biology and chemistry at all levels who want to do important work rather than simply follow popular trends. It will also delight and inform readers who wish to understand how “real” science is done, and to learn of the values that guide one of our greatest researchers.
For the Love of God is a provocative and inspiring re-interpretation of six essential Biblical texts: The Song of Songs, the Book of Ruth, Psalms, Ecclesiastes, Jonah, and Job. In prose that is personal and probing, analytically acute and compellingly readable, Ostriker sees these writings as “counter-texts,” deviating from convention yet deepening and enriching the Bible, our images of God, and our own potential spiritual lives. Attempting to understand “some of the wildest, strangest, most splendid writing in Western tradition,” she shows how the Bible embraces sexuality and skepticism, boundary crossing and challenges to authority, how it illuminates the human psyche and mirrors our own violent times, and how it asks us to make difficult choices in the quest for justice.
For better or worse, our society is wedded to the Bible. But according to Talmud, “There is always another interpretation.” Ostriker demonstrates that the Bible, unlike its reputation, offers a plenitude of surprises.
"If, in truth, Booth is an amateur player now in his fifth decade of amateuring, he is certainly not an amateur thinker about music and culture. . . . Would that all of us who think and teach and care about music could be so practical and profound at the same time."—Peter Kountz, New York Times Book Review
"[T]his book serves as a running commentary on the nature and depth of this love, and all the connections it has formed in his life. . . . The music, he concludes, has become part of him, and that is worth the price."—Clea Simon, Boston Globe
"The book will be read with delight by every well-meaning amateur who has ever struggled. . . . Even general readers will come away with a valuable lesson for living: Never mind the outcome of a possibly vain pursuit; in the passion that is expended lies the glory."—John von Rhein, Chicago Tribune
"Hooray for amateurs! And huzzahs to Wayne Booth for honoring them as they deserve. For the Love of It celebrates amateurism with genial philosophizing and pointed cultural criticism, as well as with personal reminiscences and self-effacing wit."—James Sloan Allen, USA Today
"Wayne Booth, the prominent American literary critic, has written the only sustained study of the interior experience of musical amateurism in recent years, For the Love of It. [It] succeeds as a meditation on the tension between the centrality of music in Booth's life, both inner and social, and its marginality. . . . It causes the reader to acknowledge the heterogeneity of the pleasures involved in making music; the satisfaction in playing well, the pride one takes in learning a difficult piece or passage or technique, the buzz in one's fingertips and the sense of completeness with the bow when the turn is done just right, the pleasure of playing with others, the comfort of a shared society, the joy of not just hearing, but making, the music, the wonder at the notes lingering in the air."—Times Literary Supplement
Mars and its secrets have fascinated and mystified humans since ancient times. For the Love of Mars surveys the red planet’s place in the human imagination, beginning with ancient astrologers and skywatchers and ending in our present moment of exploration and virtual engagement.
National Air and Space Museum curator Matthew Shindell describes how historical figures across eras and around the world have made sense of this mysterious planet. We meet Mayan astrologer priests who incorporated Mars into seasonal calendars and religious ceremonies, Babylonian astrologers who discerned bad omens, figures of the Scientific Revolution who struggled to comprehend Mars as a world, Victorian astronomers who sought signs of intelligent life, and twentieth- and twenty-first-century scientists who have established a technological presence on the planet’s surface. Along the way, we encounter writers and artists from each of these periods who took readers and viewers along on imagined journeys to Mars.
By focusing on the diverse human stories behind the telescopes and behind the robots we know and love, Shindell shows how Mars exploration has evolved in ways that have also expanded knowledge about other facets of the universe. Captained by an engaging and erudite expert, For the Love of Mars is a captivating voyage through time and space for anyone curious about Curiosity and the red planet.
Royko, a nationally syndicated Pulitzer Prize winner, wrote for three major Chicago newspapers in the course of his 34 years as a daily columnist. Chosen from more than 7,000 columns, For the Love of Mike brings back more than a hundred vintage Royko pieces-most of which have not appeared since their initial publication-for readers across the country to enjoy. This second collection includes Royko's riffs on the consequences of accepting a White House dinner invitation (not surprisingly, he turned it down); his explanation of the notorious Ex-Cub Factor in World Series play; and his befuddlement at a private screening of Beyond the Valley of the Dolls, to which he was invited by his pal Ebert, the screenplay's author. The new collection also illuminates Royko's favorite themes, topics he returned to again and again: his skewering of cultural trends, his love of Chicago, and his rage against injustice. By turns acerbic, hilarious, and deeply moving, Royko remains a writer of wit and passion who represents the best of urban journalism.
"To read these columns again is to have Mike back again, nudging, chuckling, wincing, deflating pomposity, sticking up for the little guy, defending good ideas against small-minded people," writes Roger Ebert in his foreword to the book. For the Love of Mike does indeed bring Mike back again, and until a Chicago newspaper takes up Ebert's suggestion that it begin reprinting each of Royko's columns, one a day, this collection will more than satisfy Royko's loyal readers.
--Gaylyn Studlar, atuhor of This Mad Masquerade: Stardom and Masculinity in the Jazz Age
The period from the 1880s until the 1920s saw the making of a consumer society, the inception of the technological, economic, and social landscape in which we currently live. Cinema played a key role in the changing urban landscape. For working-class women, it became a refuge from the factory. For middle-class women, it presented a new language of sexual danger and pleasure. Women found greater freedom in big cities, entering the workforce in record numbers and moving about unchaperoned in public spaces. Turn-of-the-century Chicago surpassed even New York as a proving ground for pleasure and education, attracting women workers at three times the national rate. Using Chicago as a model, Lauren Rabinovitz analyzes the rich interplay among demographic, visual, historical, and theoretical materials of the period. She skillfully links cinema theory and women's studies for a fuller understanding of cultural history. She also demonstrates how cinema dramatically affected social conventions, ultimately shaping modern codes of masculinity and feminity.
In For the Love of Rivers, stream ecologist Kurt Fausch draws readers across the reflective surface of streams to view and ponder what is beneath, and how they work. While celebrating their beauty and mystery, he uses his many years of experience as a field biologist to explain the underlying science connecting these aquatic ecosystems to their streamside forests and the organisms found there—including humans.
For the Love of Rivers introduces readers to the life and work of Shigeru Nakano, a pioneering river ecologist who inspired other scientists around the world with his innovative research on stream-forest connections. Fausch takes readers along as he journeys to Japan, where he awakens to an unfamiliar culture, to Nakano, and his research.
Nakano’s life was abruptly ended in a tragic field accident, and his death was deeply mourned. Fausch joins Japanese and American colleagues to continue Nakano’s research legacy, learn everything they can about the effects that humans have on rivers, fish, and their intricate links with riparian zones, and share this knowledge with others.
More than a book about stream ecology, For the Love of Rivers is a celebration of the interconnectedness of life. It is an authoritative and accessible look at the science of rivers and streams, but it also ponders the larger questions of why rivers are important to humans, why it is in our nature to want to be near them, and what we can do now to ensure the future of these essential ecosystems.
Drawing upon a century of evidence, Matsusaka argues against the popular belief that initiative measures are influenced by wealthy special interest groups that neglect the majority view. Examining demographic, political, and opinion data, he demonstrates how the initiative process brings about systematic changes in tax and expenditure policies of state and local governments that are generally supported by the citizens. He concludes that, by and large, direct democracy in the form of the initiative process works for the benefit of the many rather than the few.
An unprecedented, comprehensive look at the historical, empirical, and theoretical components of how initiatives function within our representative democracy to increase political competition while avoiding the tyranny of the majority, For the Many or the Few is a most timely and definitive work.
Animal rights. Those two words conjure diverse but powerful images and reactions. Some nod in agreement, while others roll their eyes in contempt. Most people fall somewhat uncomfortably in the middle, between endorsement and rejection, as they struggle with the profound moral, philosophical, and legal questions provoked by the debate. Today, thousands of organizations lobby, agitate, and educate the public on issues concerning the rights and treatment of nonhumans.
For the Prevention of Cruelty is the first history of organized advocacy on behalf of animals in the United States to appear in nearly a half century. Diane Beers demonstrates how the cause has shaped and reshaped itself as it has evolved within the broader social context of the shift from an industrial to a postindustrial society.
Until now, the legacy of the movement in the United States has not been examined. Few Americans today perceive either the companionship or the consumption of animals in the same manner as did earlier generations. Moreover, powerful and lingering bonds connect the seemingly disparate American Society for the Prevention of Cruelty to Animals of the nineteenth century and the People for the Ethical Treatment of Animals of today. For the Prevention of Cruelty tells an intriguing and important story that reveals society’s often changing relationship with animals through the lens of those who struggled to shepherd the public toward a greater compassion.
The logic and the interpretive resources of For the Record arise out of two entangled and minoritized historiographies: one in South Asian studies and the other in queer/sexuality studies. Focusing on late colonial India, Arondekar examines the spectacularization of sexuality in anthropology, law, literature, and pornography from 1843 until 1920. By turning to materials and/or locations that are familiar to most scholars of queer and subaltern studies, Arondekar considers sexuality at the center of the colonial archive rather than at its margins. Each chapter addresses a form of archival loss, troped either in a language of disappearance or paucity, simulacrum or detritus: from Richard Burton’s missing report on male brothels in Karáchi (1845) to a failed sodomy prosecution in Northern India, Queen Empress v. Khairati (1884), and from the ubiquitous India-rubber dildos found in colonial pornography of the mid-to-late nineteenth century to the archival detritus of Kipling’s stories about the Indian Mutiny of 1857.
Garver roots deliberation and persuasion in political friendship instead of a neutral, impersonal framework of justice. Through incisive readings of examples in modern legal and political history, from Brown v. Board of Education to the South African Truth and Reconciliation Commission, he demonstrates how acts of deliberation and persuasion foster friendship among individuals, leading to common action amid diversity. In an Aristotelian sense, there is a place for pathos and ethos in rational thought. Passion and character have as pivotal a role in practical reasoning as logic and language.
Rather than treating responsibility as an ethical issue, the authors focus on how responsibility is socially produced and sustained. The authors ask: How do staff members encourage parents to take responsibility, but keep them from interfering in medical matters, and how do parents encourage staff vigilance when they are novices attempting to supervise the experts?
The authors conclude that it is not sufficient simply to be responsible individuals. Instead, we must learn how to be responsible in an organizational world, and organizations must learn how to support responsible individuals.
This collection of new and selected poems by the former poet laureate of Alaska, Tom Sexton, opens a door on the essence of life in Alaska and Maine. Sexton divides his year between the two states, and he captures here the small but powerful sensual details of day-to-day life in these contrasting, yet similar, environs. His carefully crafted verse distills the birch and aspen, lynx and ptarmigan, and the snow on high peaks. Through his poems we thrill to experience encounters with the wild, the seasons, and the sublime landscape.
“His language is clear, without tricks or fancy moves, yet his directness is powerful, and the effects are human”—Paul Zimmer, Georgia Review
Laura Shelton has plumbed the legal archives of early Sonora to reveal the extent to which both court officials and quarreling relatives imagined connections between gender hierarchies and civilized order. As she describes how the region’s nascent legal system became the institution through which spouses, parents, children, employers, and servants settled disputes over everything from custody to assault to debt, she reveals how these daily encounters between men and women in the local courts contributed to the formation of republican governance on Mexico’s northwestern frontier.
Through an analysis of some 700 civil and criminal trial records—along with census data, military reports, church records, and other sources—Shelton describes how courtroom encounters were conditioned by an Iberian legal legacy; brutal ethnic violence; emerging liberal ideas about trade, citizenship, and property rights; and a growing recognition that honor—buenas costumbres—was dependent more on conduct than on bloodline. For Tranquility and Order offers new insight into a legal system too often characterized as inept as it provides a unique gender analysis of family relations on the frontier.
When Donald Justice wrote in “On a Picture by Burchfield” that “art keeps long hours,” he might have been describing his own life. Although he early on struggled to find a balance between his life and art, the latter became a way of experiencing his life more deeply. He found meaning in human experience by applying traditional religious language to his artistic vocation. Central to his work was the translation of the language of devotion to a learned American vernacular. Art not only provided him with a wealth of intrinsically worthwhile experiences but also granted rich and nuanced ways of experiencing, understanding, and being in the world. For Donald Justice—recipient of some of poetry’s highest laurels, including the Pulitzer Prize, the Bollingen Prize, and the Lannan Literary Award for Poetry—art was a way of life.
Because Jerry Harp was Justice’s student, his personal knowledge of his subject—combined with his deep understanding of Justice’s oeuvre—works to remarkable advantage in For Us, What Music? Harp reads with keen intelligence, placing each poem within the precise historical moment it was written and locating it in the context of the literary tradition within which Justice worked. Throughout the text runs the narrative of Justice’s life, tying together the poems and informing Harp’s interpretation of them. For Us, What Music? grants readers a remarkable understanding of one of America’s greatest poets.
For Women and the Nation is the story of this courageous woman. One of a handful of full-length biographies of African women, let alone of African women activists, it will be welcomed by students of women's studies, African history, and biography, as well as by those interested in exploring the historical background of Nigeria.
Foragers and Farmers of the Northern Kayenta Region presents the results of a major archaeological excavation project on Navajo tribal land in the Four Corners area and integrates this new information with existing knowledge of the archaeology of the northern Kayenta region. The excavation of thirty-three sites provides a cross section of prehistory from which Navajo Nation archaeologists retrieved a wealth of information about subsistence, settlement, architecture, and other aspects of past lifeways. The project’s most important contributions involve the Basketmaker and Archaic periods, and include a large number of radiocarbon dates on high-quality samples. Dating back to the early Archaic period (ca. 7000 BC) and ranging forward through the Basketmaker components to the Puebloan period, this volume is a powerful record of ancient peoples and their cultures. Detailed supplementary data will be available on the University of Utah Press Web site upon publication of this summary volume.
Volume 2: Archaic Site Descriptions
Volume 3: Basketmaker Site Descriptions
Volume 4: Puebloan Site Descriptions
Volume 5: Analyses and Interpretation
Appendix Volume
Gregg examines anthropological, ecological, and archaeological dimensions of prehistoric population interaction. She then examines the ecological requirements of both crops and livestock and, in order to identify an optimal farming strategy for Early Neolithic populations, develops a computer simulation to examine various resource mixes. Turning to the foragers, she models the effects that interaction with the farmers would have had on the foragers' subsistence-settlement system.
Supporting her model with archaeological, ecological, and ethnobotanical evidence from southwest Germany, Gregg shows that when foragers and farmers occur contemporaneously, both need to be considered before either can be understood. Theoretically and methodologically, her work builds upon earlier studies of optimal diet and foraging strategy, extending the model to food-producing populations. The applicability of Gregg's generalized model for both wild and domestic resources reaches far beyond her case study of Early Neolithic Germany; it will interest both Old and New World archaeologists.
The first people of the Pecho Coast were part-time residents who exploited shellfish, fish, and marine birds, including the flightless duck, Chendytes lawi, which sustained hunting drove to extinction ca. 2800 cal BP. This marked the only unequivocal case of prehistoric, human-caused extinction in western North America. Cold, productive seas allowed inhabitants to weather droughts of the Medieval Climatic Anomaly (950–600 cal BP), after which shell beads became increasingly abundant, representing either the initial appearance of Chumash-speaking peoples or attempts by Chumash leaders to consolidate power through gifting, reciprocal exchange, or forced conquest. During the mission era, fishing sustained the Native community as, for the first time, individuals became fully sedentary, foraging within a limited radius to avoid contact with the Spanish.
This record reveals a unique story of local adaptation, anthropogenic habitat change, social differentiation, and, ultimately, resistance to colonial invasion.
Foraging is the first comprehensive review of the topic in more than twenty years. A monumental undertaking, this volume brings together twenty-two experts from throughout the field to offer the latest on the mechanics of foraging, modern foraging theory, and foraging ecology. The fourteen essays cover all the relevant issues, including cognition, individual behavior, caching behavior, parental behavior, antipredator behavior, social behavior, population and community ecology, herbivory, and conservation. Considering a wide range of taxa, from birds to mammals to amphibians, Foraging will be the definitive guide to the field.
Well-established and young scholars present new prehistoric data and describe new methods and theories to investigate ancient forager lifeways and document hunter-gatherer variability across the globe. The authors use relationships established by cross-cultural data as a background for examining the empirical patterns of prehistory. Covering underwater sites in North America, the peaks of the Andes, Asian rainforests, and beyond, chapters are data rich, methodologically sound, and theoretically nuanced, effectively exploring the latest evidence for behavioral diversity in the fundamental process of hunting and gathering.
Foraging in the Past establishes how hunter-gatherers can be considered archaeologically, extending beyond the reach of ethnographers and historians to argue that only through archaeological research can the full range of hunter-gatherer variability be documented. Presenting a comprehensive and integrated approach to forager diversity in the past, the volume will be of significance to both students and scholars working with or teaching about hunter-gatherers.
Contributors: Nicholas J. Conard, Raven Garvey, Keiko Kitagawa, John Krigbaum, Petra Krönneck, Steven Kuhn, Julia Lee-Thorp, Peter Mitchell, Katherine Moore, Susanne C. Münzel, Kurt Rademaker, Patrick Roberts, Britt Starkovich, Brian A. Stewart, Mary Stiner
This is the fourth revised and enlarged edition of the standard guide to the Foraminifera, the order of small marine Protozoa whose living and fossilized forms have attracted both scientific and economic interest during the past century. Research on the Foraminifera has developed rapidly in the last few years, because of their value to the petroleum industry and in general geologic correlation.
The classification in this volume is that of the earlier editions, with such changes as could be made by new evidence which has come to light. It is based upon the known geologic history of the genera, the phylogenetic characters as distinguished through study of much fossil material from all continents, and a study of the ontogeny in many microspheric specimens which show relationships more definitely than megalospheric specimens of the same species.
Fifty families, including about seven hundred and fifty genera, are systematically described and illustrated in the text and Key. A comprehensive bibliography, listing titles and authors of the most important works on the Foraminifera, is arranged according to geologic age and geographic distribution,morphology and technique, classification and nomenclature, and general bibliographical references. An index to family and generic names, both valid and invalid, is included.
A key document in the genealogy of posthumanist thought, A Foray into the Worlds of Animals and Humans advances Uexküll's revolutionary belief that nonhuman perceptions must be accounted for in any biology worth its name; it also contains his arguments against natural selection as an adequate explanation for the present orientation of a species' morphology and behavior. A Theory of Meaning extends his thinking on the umwelt, while also identifying an overarching and perceptible unity in nature. Those coming to Uexküll's work for the first time will find that his concept of the umwelt holds out new possibilities for the terms of animality, life, and the whole framework of biopolitics itself.
When poet/critic Lars Gustafsson was the editor of Bonniers Litterära Magasin, he was bombarded with the question, “What makes a good poem?” Forays into Swedish Poetry is his answer.
The fifteen poems in this volume range across the history of Swedish poetry from the 1640s, at the beginning of the Period of Great Power, to the late twentieth century. Poets as diverse as Skogekär Bergbo, Erik Johan Stagnelius, August Strindberg, and Vilhelm Ekelund are discussed from historical, psychological, and sociopolitical viewpoints. However, Gustafsson includes only those poems he considers excellent.
Each essay begins with a presentation of the poem both in Swedish and in English translation. Gustafsson’s analyses are built upon his subjective experiences with poems and poets and upon a more objective structural approach that investigates the actual machinery of the poems. Thus, Gustafsson enlightens us with his always imaginative, sometimes daring analyses, and we learn a great deal about the critic himself in the process. One of his main concerns is what he calls, in his discussion of Edith Södergran, the very mysteriousness of human existence. Time and again, Gustafsson emphasizes the enigmatic, arcane aspects of life in his analyses. In contrast, his vocabulary and approach also bespeak a constant interest in science and technology.
In his introduction, Robert T. Rovinsky, the volume’s translator, presents examples of Gustafsson’s various thematic interests as voiced in his poems, several of which are translated here for the first time. While “The Machines” explores his theory of people as automatons and “Conversation between Philosophers” his linguistic pessimism, Gustafsson’s work as a whole shows his enchantment with its major theme: the intrinsic mystery of life.
Forbes Burnham: The Life and Times of the Comrade Leader is the first political biography of this complex and influential figure. It charts how the political party he founded, the People’s National Congress, combined nationalist rhetoric, socialist policies, and Pan-Africanist philosophies. It also explores how, in a country already deeply divided between the descendants of African slaves and Indian indentured servants, Burnham consolidated political power by intensifying ethnic polarizations. Drawing from historical archives as well as new interviews with the people who knew Burnham best, sociologist Linden F. Lewis examines how his dictatorial tendencies coexisted with his progressive convictions. Forbes Burnham is a compelling study of the nature of postcolonial leadership and its pitfalls.
A draughtsman’s draughtsman, Hokusai at 70
thought he’d begun to grasp the structures
of birds and beasts, insects and fish, of the way
plants grow, hoped that by 90 he’d have
penetrated to their essential nature.
And more, by 100, I will have reached the stage
where every dot, every mark I make will be
alive. You always loved that resolve, you’d repeat
joyfully—Hokusai’s utterance of faith
in work’s possibilities, its reward, that,
at 130, he’d perhaps have learned to draw.
Gail Mazur’s poems in Forbidden City build an engaging meditative structure upon the elements of mortality and art, eloquently contemplating the relationship of art and life—and the dynamic possibilities of each in combination. At the collection’s heart is the poet’s long marriage to the artist Michael Mazur (1935–2009). A fascinating range of tone infuses the book—grieving, but clear-eyed rather than lugubrious, sometimes whimsical, even comical, and often exuberant. The note of pleasure, as in an old tradition enriched by transience, runs through the work, even in the final poem, “Grief,” where “our ravenous hold on the world” is a powerful central element.
Read supplementary material prepared by Geremie Barmé
Read the Bldg Blog interview with Mary Beard about the Wonders of the World series(Part I and Part II)
The Forbidden City (Zijin Cheng) lying at the heart of Beijing formed the hub of the Celestial Empire for five centuries. Over the past century it has led a reduced life as the refuge for a deposed emperor, as well as a heritage museum for monarchist, republican, and socialist citizens, and it has been celebrated and excoriated as a symbol of all that was magnificent and terrible in dynastic China’s legacy.
The Forbidden City’s vermilion walls have fueled literary fantasies that have become an intrinsic part of its disputed and documented history. Mao Zedong even considered razing the entire structure to make way for the buildings of a new socialist China. The fictions surrounding the Forbidden City have also had an international reach, and writers like Franz Kafka, Elias Canetti, Jorge Luis Borges, and Mervyn Peake have all succumbed to its myths. The politics it enshrined have provided the vocabulary of power that is used in China to the present day, though it is now better known as a film set or the background of displays of opera, rock, and fashion.
Geremie Barmé peels away the veneer of power, secrecy, inscrutability, and passions of imperial China, to provide a new and original history of the culture, politics, and architecture of the Forbidden City. Designed to overawe the visitor with the power of imperial China, the Forbidden City remains one of the true wonders of the world.
Written just five years after the end of World War II, this is Margaret Sams’s moving testimony of life in a Japanese internment camp—the can of Spam hoarded for Christmas dinner, the clandestine radio hidden in her sewing kit, the beheading of other prisoners for transgressions. With her husband held elsewhere as a prisoner of war and with a small son to protect, Margaret broke the rules both of society and of her captors to fall in love and bear a child with a kind and daring fellow internee, Jerry Sams.
This anthology encompasses a broad range of essays on sexuality spanning European history from the fifteenth century to the present. The topics in this collection of fifteen essays have both historic importance and current relevance. All crucial issues in the regulation of sexuality are addressed, from incest to infanticide, from breast-feeding and women's sexuality to female prostitution, from pornography to reproductive politics, and from the first homosexual rights movement to AIDS.
Contributions from a diverse group of prominent scholars representing a variety of disciplines are included in this anthology. Essays by Randolph Trumbach on "Sex, Gender, and Identity in Modern Culture: Male Sodomy and Female Prostitution in Enlightenment London"; Ruth Perry on "Colonizing the Breast: Sexuality and Maternity in Eighteenth Century England"; Theo van der Meer on "Female Same-Sex Offenders in Late Eighteenth Century Amsterdam"; Robin Ann Sheets on "Pornography, Fairy Tales, and Feminism: Angela Carter's 'The Bloody Chamber'"; and James W. Jones on "Discourses on and of AIDS in West Germany, 1986-1990."
Offering the most up-to-date scholarship from a significant and growing field, this collection is essential for both students and faculty in social history, family history, women's and gender studies, gay studies, sociology and literature.
Philosophers and theologians have long engaged in intense debate and introspection over the representation of the deity, its possibilities and its proscriptions. The Forbidden Image traces the dual strains of “iconophilia” and iconoclasm, the privileging and prohibition of religious images, over a span of two and a half millennia in the West.
Alain Besançon’s work begins with a comprehensive examination of the status of the image in Greek, Judaic, Islamic, and Christian thought. The author then addresses arguments regarding the moral authority of the image in European Christianity from the medieval through the early modern periods. Besançon completes The Forbidden Image with an examination of how iconophilia and iconoclasm have been debated in the modern period.
“Even the reader who has heard something of the Byzantine quarrels about images and their theological background will be surprised by a learned and convincing interpretation of the works of Mondrian, Kandinsky, and Malevich in terms of religiously inspired iconoclasm. . . . This is an immensely rich and powerful masterpiece.”—Leszek Kolakowski, Times Literary Supplement
In 1935 Ella Maillart contemplated one of the most arduous journeys in the world: the "impossible journey" from Peking, then a part of Japanese-occupied China, through the distant province of Sinkiang (present day Tukestan), to Kashmir. Enlisting with newswriter Peter Fleming (with the caveat that his company remain tolerable), Maillart undertook a journey considered almost beyond imagination for any European and doubly so for a woman.
The trip promised hardships such as typhus and bandits, as well as the countless hazards surrounding the civil war between Chinese communists and Chiang Kai-shek's nationalists. Setting out with pockets full of Mexican money (the currency used in China at the time), Maillart encountered a way of life now lost, but one that then had gone unchanged for centuries.
Maillart describes it all with the sharp eye and unvarnished prose of a veteran reporter-the missionaries and rogues, parents binding daughters' feet with rags, the impatient Fleming lighting fires under stubborn camels. It's a hard road, not that Maillart cares. At all times she is a witty, always-enchanted guide-except when it comes to bureaucrats.
Forbidden Journey ranks among other travel narratives like Fleming's News from Tartary, (based on the same journey) and Robert Byron's The Road to Oxiana. But it is also a portrait of a fascinating woman, one of many women from the pre-WWII era who ignored convention and traveled in hidden lands. It remains a vivid account of its time and a classic of travel literature.
"Forbidden Journeys is not only a darkly entertaining book to read for the fantasies and anti-fantasies told, but also is a significant contribution to nineteenth-century cultural history, and especially feminist studies."—United Press International
"A service to feminists, to Victorian Studies, to children's literature and to children."—Beverly Lyon Clark, Women's Review of Books
"These are stories to laugh over, cheer at, celebrate, and wince at. . . . Forbidden Journeys is a welcome reminder that rebellion was still possible, and the editors' intelligent and fascinating commentary reveals ways in which these stories defied the Victorian patriarchy."—Allyson F. McGill, Belles Lettres
Forbidden Knowledge explores the censorship of medical books from their proliferation in print through the prohibitions placed on them during the Counter-Reformation. How and why did books banned in Italy in the sixteenth century end up back on library shelves in the seventeenth? Historian Hannah Marcus uncovers how early modern physicians evaluated the utility of banned books and facilitated their continued circulation in conversation with Catholic authorities.
Through extensive archival research, Marcus highlights how talk of scientific utility, once thought to have begun during the Scientific Revolution, in fact, began earlier, emerging from ecclesiastical censorship and the desire to continue to use banned medical books. What’s more, this censorship in medicine, which preceded the Copernican debate in astronomy by sixty years, has had a lasting impact on how we talk about new and controversial developments in scientific knowledge. Beautiful illustrations accompany this masterful, timely book about the interplay between efforts at intellectual control and the utility of knowledge.
Göle's sociological approach, employing a number of personal interviews, allows for both a detailed case study of these young Turkish women who are turning to the tenets of fundamental Islamist gender codes, and for a broader critique of Eurocentrism and the academic literature regarding the construction of meaning. Both perspectives serve as a springboard for the launching of theoretical innovations into feminist, religious, cultural, and area studies.
"A timely book, whose publication in English will contribute to a variety of scholarly debates. It promises to be provocative and widely read among scholars interested in issues of modernism and identity, women's social movements, the status of women in Islamic societies, and the broader issues of public versus private spheres." --Nilüfer Isvan, State University of New York, Stony Brook
The Forbidden Modern: Civilization and Veiling was originally published as Modern Mahrem by the Turkish publisher Metis and has been translated into French, German, and Spanish. Nilüfer Göle is Professor of Sociology, Bogaziçi University.
During the 1979 revolution, Iranians from all walks of life, whether Muslim, Jewish, Christian, socialist, or atheist, fought side-by-side to end one tyrannical regime, only to find themselves in the clutches of another. When Khomeini came to power, freedom of the press was eliminated, religious tolerance disappeared, women’s rights narrowed to fit within a conservative interpretation of the Quran, and non-Islamic music and literature were banned. Poets, writers, and artists were driven deep underground and, in many cases, out of the country altogether. This moving anthology is a testament to both the centuries-old tradition of Persian poetry and the enduring will of the Iranian people to resist injustice. The poems selected for this collection represent the young, the old, and the ancient. They are written by poets who call or have called Iran home, many of whom have become part of a diverse and thriving diaspora.
Moral theologians, defense analysts, conflict scholars, and nuclear experts imagine a world free from nuclear weapons
At a 2017 Vatican conference, Pope Francis condemned nuclear weapons. This volume, issued after the 60th anniversary of the Cuban Missile Crisis, presents essays from moral theologians, defense analysts, conflict transformation scholars, and nuclear arms control experts, with testimonies from witnesses. It is a companion volume to A World Free from Nuclear Weapons: The Vatican Conference on Disarmament (Georgetown University Press, 2020).
Chapters from the perspectives of missile personnel and the military chain of command, industrialists and legislators, and citizen activists show how we might achieve a nuclear-free world. Key to this transition is the important role of public education and the mobilization of lay movements to raise awareness and effect change. This essential collection prepares military professionals, policymakers, everyday citizens, and the pastoral workers who guide them, to make decisions that will lead us to disarmament.
A social anthropologist, Martin Ottenheimer questioned U.S. laws against cousin marriage because his international research into marriage patterns showed no European countries prohibit such unions. He examines the historical development of U.S. laws governing marriage, contrasts them with European laws, and analyzes the genetic implications of first cousin marriage. Modern genetic evidence, Ottenheimer says, doesn't support the concept that children of these unions are at any special risk.
Ottenheimer's book, the only volume available that deals with kinship in this way, will challenge readers and give them much to consider and discuss.
The ensuing debate over sign language invoked such fundamental questions as what distinguished Americans from non-Americans, civilized people from "savages," humans from animals, men from women, the natural from the unnatural, and the normal from the abnormal. An advocate of the return to sign language, Baynton found that although the grounds of the debate have shifted, educators still base decisions on many of the same metaphors and images that led to the misguided efforts to eradicate sign language.
"Baynton's brilliant and detailed history, Forbidden Signs, reminds us that debates over the use of dialects or languages are really the linguistic tip of a mostly submerged argument about power, social control, nationalism, who has the right to speak and who has the right to control modes of speech."—Lennard J. Davis, The Nation
"Forbidden Signs is replete with good things."—Hugh Kenner, New York Times Book Review
In an “other world” composed of language—it could be a fathomless Martian well, a labyrinthine hotel or forest—a narrative unfolds, and with it the experiences, memories, and dreams that constitute reality for Haruki Murakami’s characters and readers alike. Memories and dreams in turn conjure their magical counterparts—people without names or pasts, fantastic animals, half-animals, and talking machines that traverse the dark psychic underworld of this writer’s extraordinary fiction.
Fervently acclaimed worldwide, Murakami’s wildly imaginative work in many ways remains a mystery, its worlds within worlds uncharted territory. Finally in this book readers will find a map to the strange realm that grounds virtually every aspect of Murakami’s writing. A journey through the enigmatic and baffling innermost mind, a metaphysical dimension where Murakami’s most bizarre scenes and characters lurk, The Forbidden Worlds of Haruki Murakami exposes the psychological and mythological underpinnings of this other world. Matthew Carl Strecher shows how these considerations color Murakami’s depictions of the individual and collective soul, which constantly shift between the tangible and intangible but in this literary landscape are undeniably real.
Through these otherworldly depths The Forbidden Worlds of Haruki Murakami also charts the writer’s vivid “inner world,” whether unconscious or underworld (what some Japanese critics call achiragawa, or “over there”), and its connectivity to language. Strecher covers all of Murakami’s work—including his efforts as a literary journalist—and concludes with the first full-length close reading of the writer’s newest novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage.
In this masterful work, both an illumination of Kant’s thought and an important contribution to contemporary legal and political theory, Arthur Ripstein gives a comprehensive yet accessible account of Kant’s political philosophy. Ripstein shows that Kant’s thought is organized around two central claims: first, that legal institutions are not simply responses to human limitations or circumstances; indeed the requirements of justice can be articulated without recourse to views about human inclinations and vulnerabilities. Second, Kant argues for a distinctive moral principle, which restricts the legitimate use of force to the creation of a system of equal freedom. Ripstein’s description of the unity and philosophical plausibility of this dimension of Kant’s thought will be a revelation to political and legal scholars.
In addition to providing a clear and coherent statement of the most misunderstood of Kant’s ideas, Ripstein also shows that Kant’s views remain conceptually powerful and morally appealing today. Ripstein defends the idea of equal freedom by examining several substantive areas of law—private rights, constitutional law, police powers, and punishment—and by demonstrating the compelling advantages of the Kantian framework over competing approaches.
Rereading the long history of metaphysics (or at least a few of its key moments) in light of psychoanalytic inquiries into the nature and function of drive and desire also allows for a rewriting of the history of philosophy. Specifically, it allows Bernet to bring to light a different history of metaphysics, one centered less on Aristotelian substance (ousia) and more on the concept of dunamis—a power or potentiality for a realization toward which it strives with all its might. Relating human drives to metaphysical forces also bears fruit for a renewed philosophy of life and subjectivity.
A Force for Change is the first full-length study of the life and work of one of Oregon’s most dynamic civil rights activists, African American journalist Beatrice Morrow Cannady. Between 1912 and 1936, Cannady tirelessly promoted interracial goodwill and fought segregation and discrimination.
She gave hundreds of lectures to high school and college students and shared her message with radio listeners across the Pacific Northwest. She was assistant editor, and later publisher, of The Advocate, Oregon’s largest African American newspaper. Cannady was the first black woman to graduate from law school in Oregon, and the first to run for state representative. She held interracial teas in her home in Northeast Portland and protested repeated showings of the racist film The Birth of a Nation. And when the Ku Klux Klan swept into Oregon, she urged the governor to act quickly to protect black Oregonians’ right to live and work without fear. Despite these accomplishments—and many more during her twenty-five-year career—Beatrice Cannady fell into obscurity when she left Oregon in about 1938.
A Force for Change illuminates Cannady’s important role in advocating for better race relations in Oregon in the early decades of the twentieth century. It describes her encounters with the period’s leading black artists, editors, politicians, and intellectuals, including W.E.B. Du Bois, Langston Hughes, A. Philip Randolph, Oscar De Priest, Roland Hayes, and James Weldon Johnson. It dispels the myth that African Americans played little part in Oregon’s history and enriches our understanding of the black experience in Oregon.
A Force for Change is an invaluable resource for students and scholars of women’s history, gender studies, African American history, journalism history, and Pacific Northwest history. It belongs on the shelf of any reader interested in a richer understanding of the civil rights movement in Oregon and across the country.
The 85-mile-long Columbia Gorge forms part of the border between Oregon and Washington and is one of the nation’s most historic and scenic landscapes. Many of the region’s cultural divisions boil over here—urban versus rural, west of the mountains versus east—as well as clashes over private property rights, management of public lands, and tribal treaty rights.
In the early 1980s, as a new interstate bridge linked the City of Portland to rural counties in Washington, the Gorge’s renowned vistas were on the brink of destruction. Nancy Russell, forty-eight years old and with no experience in advocacy, fundraising, or politics, built a grassroots movement that overcame 70 years of failed efforts and bitter opposition from both Oregon and Washington governors, five of the six Gorge counties, 41,000 Gorge residents, and the Reagan administration. While building her campaign, Russell stopped subdivisions, factories, and government neglect through litigation brought by her organization, Friends of the Columbia Gorge, and last-second land purchases by the Trust for Public Land (TPL). Initially ignored, then demonized, Russell’s tires were slashed and her life threatened.
The Columbia River Gorge National Scenic Area Act barely passed—on the last day of the congressional session in 1986—and was signed by a reluctant President Reagan hours before the bill would die. Russell positioned the Friends to be a watchdog and orchestrated the purchase of thousands of acres of land for the public. Bowen Blair, an attorney, former executive director of Friends of the Columbia Gorge, and TPL senior vice president, brings an insider’s perspective to the tumultuous and inspiring story of this conservation battle.
By interweaving case studies on kinship, legal negotiations, festive events, mourning rituals, and political and business dealings, Beyer shows how salt is the binding element in rural Kyrgyz social life and how it is used to explain and negotiate moral behavior and to postulate communal identity. In this way, salt provides a time-tested, sustainable source of authentication that defies changes in government and the shifting tides of religious movements.
In this book, first published in 1985, Ernest G. Bormann explores mass persuasion in America from 1620 to 1860, examining closely four rhetorical communities: the revivals of 1739–1740, the hot gospel of the postrevolutionary period, the evangelical revival and reform of the 1830s, and the Free Soil and Republican parties. Each community varies greatly, but Bormann asserts that each succeeding community shares a rhetorical vision of restoring the “American Dream” that is essentially a modification of the previous visions. Thus, they form a family of rhetorical visions that constitutes a rhetorical tradition of importance in nineteenth-century American popular culture.
Many legal theorists maintain that laws are effective because we internalize them, obeying even when not compelled to do so. In a comprehensive reassessment of the role of force in law, Frederick Schauer disagrees, demonstrating that coercion, more than internalized thinking and behaving, distinguishes law from society’s other rules.
Reinvigorating ideas from Jeremy Bentham and John Austin, and drawing on empirical research as well as philosophical analysis, Schauer presents an account of legal compliance based on sanction and compulsion, showing that law’s effectiveness depends fundamentally on its coercive potential. Law, in short, is about telling people what to do and threatening them with bad consequences if they fail to comply. Although people may sometimes obey the law out of deference to legal authority rather than fear of sanctions, Schauer challenges the assumption that legal coercion is marginal in society. Force is more pervasive than the state’s efforts to control a minority of disobedient citizens. When people believe that what they should do differs from what the law commands, compliance is less common than assumed, and the necessity of coercion becomes apparent.
Challenging prevailing modes of jurisprudential inquiry, Schauer makes clear that the question of legal force has sociological, psychological, political, and economic dimensions that transcend purely conceptual concerns. Grappling with the legal system’s dependence on force helps us understand what law is, how it operates, and how it helps organize society.
Force of Nature reveals how a failed civil servant, with few assets apart from his tenacity and vision, initiated the natural areas movement. In the boom years following World War II, as undeveloped lands were being mined, drained, or bulldozed, Fell transformed a loose band of ecologists into The Nature Conservancy, drove the passage of the influential Illinois Nature Preserves Act, and helped spark allied local and national conservation organizations in the United States and beyond.
Can humanity escape segregating behavior or master the tendency to exclusion? Where does the force of prejudice come from? How might one conceive the philosophical foundations of an effective antiracism? Pursuing these questions, Pierre-André Taguieff puts forward a powerful thesis: that racism has evolved from an argument about races, naturalizing inequality between "biologically" defined groups on the basis of fear of the other, to an argument about cultures, naturalizing historical differences and justifying exclusion. Correspondingly, he shows how antiracism must adopt the strategy that fits the variety of racism it opposes.
Looking at racial and racist theories one by one and then at their antiracist counterparts, Taguieff traces an intellectual genealogy of differentialist and inegalitarian ways of thinking. Already viewed as an essential work of reference in France, The Force of Prejudice is an invaluable tool for identifying and understanding both racism and its antidote in our day.
Many blame Michel Foucault for our post-truth and conspiracy-laden society. In this provocative work, Daniele Lorenzini argues that such criticism fundamentally misunderstands the philosopher’s project. Foucault did not question truth itself but what Lorenzini calls “the force of truth,” or how some truth claims are given the power to govern our conduct while others are not. This interest, Lorenzini shows, drove Foucault to articulate a new ethics and politics of truth-telling precisely in order to evade the threat of relativism. The Force of Truth explores this neglected dimension of Foucault’s project by putting his writings on regimes of truth and parrhesia in conversation with early analytic philosophy and by drawing out the “possibilizing” elements of Foucault’s genealogies that remain vital for practicing critique today.
Smith argues that it was routine, rather than fear, that kept the lid on Brazil's press. The banality of state censorship-a mundane, encompassing set of automatically repeated procedures that functioned much like any other state bureaucracy-seemed impossible to circumvent. While the press did not consider the censorship legitimate, they were never able to develop the resources to overcome censorship's burdensome routines.
When Mexico first became a nation, its military and militias were two of the country’s few major institutions besides the Catholic Church. The army and local provincial militias functioned both as political pillars, providing institutional stability of a crude sort, and as springboards for the ambitions of individual officers. Military service provided upward social mobility, and it taught a variety of useful skills, such as mathematics and bookkeeping.
In the postcolonial era, however, militia units devoured state budgets, spending most of the national revenue and encouraging locales to incur debts to support them. Men with rifles provided the principal means for maintaining law and order, but they also constituted a breeding-ground for rowdiness and discontent. As these chapters make clear, understanding the history of state-making in Mexico requires coming to terms with its military past.
Forced Out: A Nikkei Woman’s Search for a Home in America offers insight into “voluntary evacuation,” a little-known Japanese American experience during World War II, and the lasting effects of cultural trauma. Of the roughly 120,000 people forced from their homes by Executive Order 9066, around 5,000 were able to escape incarceration beforehand by fleeing inland. In a series of beautifully written essays, Judy Kawamoto recounts her family’s flight from their home in Washington to Wyoming, their later moves to Montana and Colorado, and the influence of those experiences on the rest of her life. Hers is a story shared by the many families who lost everything and had to start over in often suspicious and hostile environments.
Kawamoto vividly illustrates the details of her family’s daily life, the discrimination and financial hardship they experienced, and the isolation that came from experiencing the horrors of the 1940s very differently than many other Japanese Americans. Chapters address her personal and often unconscious reactions to her parents’ trauma, as well as her own subsequent travels around much of the world, exploring, learning, enjoying, but also unconsciously acting out a continual search for a home.
Showing how the impacts of traumatic events are collective and generational, Kawamoto draws
interconnections between her family’s displacement and later aspects of her life and juxtaposes the impact of her early experiences and questions of identity, culture, and assimilation. Forced Out will be of great interest to the general reader as well as students and scholars of ethnic studies, Asian American studies, history, education, and mental health.
2022 Asian/Pacific American Award for Literature, Honor Title, Adult Non-Fiction Literature
2022 Evans Handcart Award Winner
In Forced Passages, Dylan Rodríguez argues that the cultural production of such imprisoned intellectuals as Mumia Abu-Jamal, Angela Davis, Leonard Peltier, George Jackson, José Solis Jordan, Ramsey Muniz, Viet Mike Ngo, and Marilyn Buck should be understood as a social and intellectual movement in and of itself, unique in context and substance. Rodríguez engages with a wide range of texts, including correspondence, memoirs, essays, poetry, communiqués, visual art, and legal writing, drawing on published works by widely recognized figures and by individuals outside the public’s field of political vision or concern. Throughout, Rodríguez focuses on the conditions under which imprisoned intellectuals live and work, and he explores how incarceration shapes the ways in which insurgent knowledge is created, disseminated, and received.
More than a series of close readings of prison literature, Forced Passages identifies and traces the discrete lineage of radical prison thought since the 1970s, one formed by the logic of state violence and by the endemic racism of the criminal justice system.
Dylan Rodríguez is assistant professor of ethnic studies at the University of California, Riverside.
During the nineteenth century, upstream diversions from the Gila River decreased the arable land on the Gila River Indian Reservation to only a few thousand acres. As a result the Pima Indians, primarily an agricultural people, fell into poverty. Many Pima farmers and leaders lamented this suffering and in 1914 the United States Indian Irrigation Service assigned a 33-year-old engineer named Clay “Charles” Southworth to oversee the Gila River adjudication. As part of that process, Southworth interviewed 34 Pima elders, thus putting a face on the depth of hardships facing many Indians in the late nineteenth century.
The United States faces a growing crisis in care. The number of people needing care is growing while the ranks of traditional caregivers have shrunk. The status of care workers is a critical concern.
Evelyn Nakano Glenn offers an innovative interpretation of care labor in the United States by tracing the roots of inequity along two interconnected strands: unpaid caring within the family; and slavery, indenture, and other forms of coerced labor. By bringing both into the same analytic framework, she provides a convincing explanation of the devaluation of care work and the exclusion of both unpaid and paid care workers from critical rights such as minimum wage, retirement benefits, and workers' compensation. Glenn reveals how assumptions about gender, family, home, civilization, and citizenship have shaped the development of care labor and been incorporated into law and social policies. She exposes the underlying systems of control that have resulted in women—especially immigrants and women of color—performing a disproportionate share of caring labor. Finally, she examines strategies for improving the situation of unpaid family caregivers and paid home healthcare workers.
This important and timely book illuminates the source of contradictions between American beliefs about the value and importance of caring in a good society and the exploitation and devalued status of those who actually do the caring.
Considering canonical artists such as Rodin and Klee, seminal authors such as Kafka and Döblin, and largely neglected thinkers in aesthetics and art history such as those associated with Empathy Aesthetics, Maskarinec unpacks the manifold anthropological and aesthetic concerns and historical lineage embedded in the idea of form as the precarious achievement of uprightness.
The Forces of Form in German Modernism makes a decisive contribution to our understanding of modernism and to contemporary discussions about form, empathy, materiality, and human embodiment.
This revised edition extends the groundbreaking history and analysis of Forcing the Spring into the present day. It updates the original with important new material that brings the book's themes and arguments into the 21st century, addressing topics such as: the controversy spawned by the original edition with regard to how environmentalism is, or should be, defined; new groups and movements that have formed in the past decade; change and development in the overall environmental movement from 1993 to 2004; the changing role of race, class, gender, and ethnicity in today's environmentalism; the impact of the 2004 presidential election; the emergence of "the next environmentalism."
Forcing the Spring, Revised Edition considers environmentalism as a contemporary movement focused on "where we live, work, and play," touching on such hot-button topics as globalization, food, immigration, and sprawl. The book also describes the need for a "next environmentalism" that can address current challenges, and considers the barriers and opportunities associated with this new, more expansive approach.
Forcing the Spring, Revised Edition is an important contribution for students and faculty in a wide variety of fields including history, sociology, political science, environmental studies, environmental history, and social movements. It also offers useful context and analysis for anyone concerned with environmental issues.
Ford Madox Ford (1873–1939) lived among several of the most important artists and writers of his time. Raised by Pre-Raphaelites and friends with Henry James, H. G. Wells, and Joseph Conrad, Ford was a leading figure of the avant-garde in pre-WWI London, responsible for publishing Ezra Pound, Wyndham Lewis, and D. H. Lawrence. After the war, he moved to Paris, published Gertrude Stein, and discovered Ernest Hemingway. A prolific writer in his own right, Ford wrote the modernist triumph The Good Soldier (1915) as well as one of the finest war stories in English, the Parade’s End tetralogy (1924–1928). Drawing on newly discovered letters and photographs, this critical biography further demonstrates Ford’s vital contribution to modern fiction, poetry, and criticism.
After the death of her mother, Kay Seger abandons her career as a historical consultant to a Los Angeles film company and returns to her childhood home in Michigan. There, she rekindles a teenage love affair with Joe Chase, now a Vietnam War veteran and Ford auto worker. Afflicted by grief and the mysterious symptoms of an unidentified ailment, Kay, at Joe's urging, begins an investigation of her family's past.
As Kay pores over the boxes of papers, letters, and photo albums her mother left behind, vivid recollections of a bygone Detroit, ragged and teeming at the start of the automotive age, come to life alongside snapshots of Michigan's rural western counties after the settlement of the frontier. In the midst of her searches, Kay comes across the long-forgotten medical history of nostalgia, and it is this new knowledge that helps her to recover the lost histories of her family and find a resolution to her troubled relationship with Joe.
An exploration of memory as both pathology and promise, Ford Roadoffers a moving examination of the injuries we inflict on the people closest to us, the worldly injuries that are often beyond our control, and our astonishing ability to act upon and inhabit our own stories. It is also a meditation on American car culture, the road, and the role of early Hollywood in the creation of America's vision of itself. Written in spare, evocative prose, historian Amy Kenyon's first novel is as heartbreaking as it is thought-provoking.
If anyone has the answer, it is arguably Bruce Rich—a lawyer and expert in public international finance who has for the last three decades studied the Bank’s institutional contortions, the real-world consequences of its lending, and the politics of the global environmental crisis. What emerges from the bureaucratic dust is a disturbing and gripping story of corruption, larger-than-life personalities, perverse incentives, and institutional amnesia. The World Bank is the Vatican of development finance, and its dysfunction plays out as a reflection of the political hypocrisies and failures of governance of its 188 member countries.
Foreclosing the Future shows how the Bank’s failure to address the challenges of the 21st Century has implications for everyone in an increasingly interdependent world. Rich depicts how the World Bank is a microcosm of global political and economic trends—powerful forces that threaten both environmental and social ruin. Rich shows how the Bank has reinforced these forces, undercutting the most idealistic attempts at alleviating poverty and sustaining the environment, and damaging the lives of millions. Readers will see global politics on an increasingly crowded planet as they never have before—and come to understand the changes necessary if the World Bank is ever to achieve its mission.
To review the references and notes with links to articles, please click on the "Resources" tab at https://islandpress.org/foreclosing-the-future.
A twentieth-century innovation, foreign aid has become a familiar and even expected element in international relations. But scholars and government officials continue to debate why countries provide it: some claim that it is primarily a tool of diplomacy, some argue that it is largely intended to support development in poor countries, and still others point out its myriad newer uses. Carol Lancaster effectively puts this dispute to rest here by providing the most comprehensive answer yet to the question of why governments give foreign aid. She argues that because of domestic politics in aid-giving countries, it has always been—and will continue to be—used to achieve a mixture of different goals.
Drawing on her expertise in both comparative politics and international relations and on her experience as a former public official, Lancaster provides five in-depth case studies—the United States, Japan, France, Germany, and Denmark—that demonstrate how domestic politics and international pressures combine to shape how and why donor governments give aid. In doing so, she explores the impact on foreign aid of political institutions, interest groups, and the ways governments organize their giving. Her findings provide essential insight for scholars of international relations and comparative politics, as well as anyone involved with foreign aid or foreign policy.
An exploration of the nuclear arms race and the dangers arising with the advent of “limited warfare”
After the development of the atomic bomb in 1945, Americans became engaged in a "new kind of war" against totalitarianism. Enemies and objectives slipped out of focus, causing political and military aims to mesh as a struggle to contain communism both at home and abroad encompassed civilians as well as soldiers. In matters relating to Vietnam, Central America, and the nuclear arms race, the domestic and foreign dimensions of each issue became inseparable. Policymakers in Washington had to formulate strategies dictated by "limited war" in their search for peace.
Contributors to this volume demonstrate the multifaceted nature of modern warfare. Robert H. Ferrell establishes the importance of studying military history in understanding the post-World War II era. On Vietnam, Colonel Harry G. Summers, Jr., gives an intriguing argument regarding the U. S. Army; George C. Herring examines how America's decisions in 1954 assured deepened involvement; and Captain Mark Clodfelter uncovers new evidence concerning "Linebacker I." On the home front, Robert F. Burk analyzes the impact of the Cold War on the battle for racial justice; Charles DeBenedetti puts forth a challenging interpretation of the antiwar movement; and James C. Schneider provides perspective on the relationship between the Vietnam War and the Great Society. On Central America, two writers downplay communism in explaining the region's troubles. Ralph Lee Woodward, Jr., fits the Nicaraguan revolution in the long span of history, and Thomas M. Leonard shows how the Reagan administration forced Costa Rica to side with the United States's anti-Sandinista policy. Finally, on nuclear strategy, Donald M. Snow offers a thought-provoking assessment of the "star wars" program, and Daniel S. Papp recommends measures to promote understanding among the superpowers.
These essays demonstrate that the making of foreign policy is immensely complicated, not subject to easy solution or to simple explanation. Despite these complexities, the central objective of policymakers remained clear: to safeguard what was perceived as the national interest.
Who speaks for America in world affairs? In this insightful new book, Tony Smith finds that, often, the answer is interest groups, including ethnic ones. This seems natural in a country defined by ethnic and cultural diversity and a democratic political system. And yet, should not the nation's foreign policy be based on more general interests? On American national interests?
In exploring this question, Smith ranges over the history of ethnic group involvement in foreign affairs; he notes the openness of our political system to interest groups; and he investigates the relationship between multiculturalism and U.S. foreign policy. The book has three major propositions. First, ethnic groups play a larger role in the formulation of American foreign policy than is widely recognized. Second, the negative consequences of ethnic group involvement today outweigh the benefits this activism at times confers on America in world affairs. And third, the tensions of a pluralist democracy are particularly apparent in the making of foreign policy, where the self-interested demands of a host of domestic actors raise an enduring problem of democratic citizenship--the need to reconcile general and particular interests.
Chapters cover such topics as theoretical accounts of FDI patterns, the growth of multinational enterprises, and the FDI experiences of Japan, the United States, and selected developing countries. This volume will interest economists, government officials, and business people concerned with FDI today.
Developed through artistic research in the Weltkulturen Museum’s Weltkulturen Labor research lab, Foreign Exchange raises questions about the relationship between the museum’s educational and scientific aims and global trade. Together, essays by anthropologists, art historians, artists, and curators form an extended conversation around the historical accumulation and commodification of artifacts and, in particular, the representation of the human body in ethnographic photographs. Rounding out the volume are many previously unpublished photographs of works discussed. Contributing authors and artist include Peggy Buth, Minerva Cuevas, Gabriel Gbadamosi, David Lau, Tom McCarthy, David Weber-Krebs, and Luke Willis-Thompson.
Every year hundreds of students from all over the world come to study in Utrecht. On the occasion of the 375th anniversary of the founding of Utrecht University, foreign students and alumni were invited to reflect on Dutch culture as they had experienced it in their university years there. This book collects the best of the essays they wrote; the result is a unique and fascinating contribution to the study of Dutch culture. These essays offer not only an intimate portrait of the students’ experiences, but also a fresh perspective on the remarkable, frustrating, and fascinating features of Dutch culture.
Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L’Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood.
From Roberto Rossellini’s Open City in 1946 to Bernardo Bertolucci’s Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art. Championing the cause was the new “cinephile” generation, which was mostly made up of college students under thirty.
The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.
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