A SCHOLARLY BOOK REPOSITORY
Oforlea’s book offers new analyses of the character dynamics in Baldwin’s Go Tell It on the Mountain, Tell Me How Long the Train’s Been Gone, and If Beale Street Could Talkand Morrison’s Beloved, Song of Solomon, and Tar Baby. The black male characters in these novels encounter the discursive divide, or a cultural dissonance, when they encounter dominant representations of black male identities. They use these opportunities to construct a counter-discourse about black male subjectivity. Ultimately, Oforlea argues, these characters are strategic about when and how they want to appropriate and subvert dominant ideologies. Their awareness that post-racial discourses perpetuate racial inequality serves as a gateway toward participation in collective struggles for racial justice.
The Author: Clarence Hardy is an assistant professor of religion at Dartmouth College. His articles have appeared in the Journal of Religion and Christianity and Crisis.
James Baldwin’s Later Fiction examines the decline of Baldwin’s reputation after the middle 1960s, his tepid reception in mainstream and academic venues, and the ways in which critics have often mis-represented and undervalued his work. Scott develops readings of Tell Me How Long the Train’s Been Gone, If Beale Street Could Talk, and Just Above My Head that explore the interconnected themes in Baldwin’s work: the role of the family in sustaining the arts, the price of success in American society, and the struggle of black artists to change the ways that race, sex, and masculinity are represented in American culture.
Scott argues that Baldwin’s later writing crosses the cultural divide between the 1950s and 1960s in response to the civil rights and black power movements. Baldwin’s earlier works, his political activism and sexual politics, and traditions of African American autobiography and fiction all play prominent roles in Scott’s analysis.
Following Baldwin’s footsteps through Istanbul, Ankara, and Bodrum, Zaborowska presents many never published photographs, new information from Turkish archives, and original interviews with Turkish artists and intellectuals who knew Baldwin and collaborated with him on a play that he directed in 1969. She analyzes the effect of his experiences on his novel Another Country (1962) and on two volumes of his essays, The Fire Next Time (1963) and No Name in the Street (1972), and she explains how Baldwin’s time in Turkey informed his ambivalent relationship to New York, his responses to the American South, and his decision to settle in southern France. James Baldwin’s Turkish Decade expands the knowledge of Baldwin’s role as a transnational African American intellectual, casts new light on his later works, and suggests ways of reassessing his earlier writing in relation to ideas of exile and migration.
Barbour, a Virginia contemporary of Thomas Jefferson and James Madison, during a long public career spanning the years 1798-1842, exerted a constructive influence on the nation’s history. Active in state and national politics during the formative decades of the republic, Barbour was a political nationalist who grafted to the dominant political philosophy of the day those elements of the Hamiltonian Federalist creed necessary for governing a dynamic, changing nation.
After the death of James Dean in 1955, the figure of the teen rebel permeated the globe, and its presence is still felt in the twenty-first century. Rebel iconography—which does not have to resemble James Dean himself, but merely incorporates his disaffected attitude—has become an advertising mainstay used to sell an array of merchandise and messages. Despite being overused in advertisements, it still has the power to surprise when used by authors and filmmakers in innovative and provocative ways.
The rebel figure has mass appeal precisely because of its ambiguities; it can mean anything to anyone. The global appropriation of rebel iconography has invested it with fresh meanings. Author Claudia Springer succeeds here in analyzing both ends of the spectrum—the rebel icon as a tool in upholding capitalism's cycle of consumption, and as a challenge to that cycle and its accompanying beliefs.
In this groundbreaking study of rebel iconography in international popular culture, Springer studies a variety of texts from the United States and abroad that use this imagery in contrasting and thought-provoking ways. Using a cultural studies approach, she analyzes films, fiction, poems, Web sites, and advertisements to determine the extent to which the icon's adaptations have been effective as a response to the actual social problems affecting contemporary adolescents around the world.
James Fenimore Cooper - American Writers 48 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
James G. Blaine was one of the leading national political figures of his day, and probably the most controversial. Intensely partisan, the dominant leader of the Republican Party, and a major shaper of national politics for more than a decade, Blaine is remembered chiefly for his role as architect of the post-Civil War GOP and his two periods as secretary of state. He also was the Republican presidential candidate in the notorious mud-slinging campaign of 1884. His foreign policy was marked by its activism, its focus on Latin America, and its attempt to increase U.S. influence there.
James G. Blaine and Latin America asserts that Latin America lay at the heart of Blaine's foreign policy and his vision for America. David Healy examines seven major issues that collectively defined the secretary of state's methods, goals, and views regarding Latin America and, more broadly, the international role of the United States. Healy places his explorations within the larger context of Blaine's ongoing role as a national party leader, his relations with the presidents under whom he served, and the responses of his predecessors and successors toward the issues at hand in Latin America.
The result is a deeper understanding of Blaine's ambitious vision for his country's international role, his energy and aggressiveness in moving to achieve that vision, and his effective efforts to transmit his worldview to the public. Blaine's emphasis on the importance of Latin America to the United States and his conviction that his country should be a world power influenced a new generation of leaders who, at the end of the century, would go beyond his goals and usher in a new era.
James Gould Cozzens - American Writers 58 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
During the early 1930s, after James Gould Cozzens had published four romantic novels and then withdrawn them from circulation, he wrote the first three of what Brenden Gill called his eight “canonical works.” But it was only after the publication of By Love Possessed in 1957 that he achieved wide popularity. Mooney closely examines each of Cozzens’ novels, isolating and defining his main themes and addressing the critical acclaim and condemnation of his works.
Among the novels Mooney analyzes are: S.S. San Pedro, Castaway, The Last Adam, Men and Brethren, Ask Me Tomorrow, The Just and the Unjust, Guard of Honor, and By Love Possessed.
James Jackson Putnam was an established sixty-three-year-old Boston physician and Harvard professor of neurology when he and William James traveled to Clark University to hear Sigmund Freud's lectures on psychoanalysis. Putnam had become interested in psychoanalytic theory three years earlier in 1906; and, in 1908, his interest had been renewed when he met Freud's first English-speaking follower, twenty-eight-year-old Ernest Jones. It still surprised and even disturbed his friends, however, when Putnam became Freud's first American convert as well as a founder and first president of the American Psychoanalytic Association in 1911, and of the Boston Society for Psychoanalysis in 1914.
Of the 172 letters in this volume 163 are published here for the first time. All of the letters present new perspectives on the origins and early development of psychoanalysis in the United States. They provide the first documentary account of the founding of the American psychoanalytic organizations and the battles that surrounded the first public presentations of the psychoanalytic cause in Europe and America. They dramatize the extent to which Freud and Jones used Putnam as a confidant and how important Putnam's Yankee fairness, objectivity, and personal integrity were to the movement.
It is intriguing to discover how these men, long before formal training centers were established, educated each other by mail and learned by letters how to handle psychoanalytic problems never recognized or encountered before. Theory was debated as well, and the 89 letters between Putnam and Freud indicate how Freud's increasingly disillusioned stoicism clashed with Putnam's New England optimism and formed the basis for a significant dialogue on the nature of man, ethics, and the psychoanalytic mission. The letters suggest that Putnam encouraged Freud's interest in the analysis of conscience and of religion that Wilhelm Wundt and Carl Jung had earlier awakened. Nathan G. Hale, Jr., in an introductory essay, provides the background and the explanation for the surprising role Putnam played in what he came to call the "cause." Marian C. Putnam, who made the unpublished letters available, has written a warm recollection of her father. Judith Bernays Heller, Freud's niece, has translated the German texts, which are also published in the original German.
This captivating new biography by Don Faber recounts the fascinating story of Strang’s path from impoverished New York farm boy to one of the most colorful and contentious personalities in Michigan history. Avoiding the nonsense, misinformation, and twisted facts so prevalent about the man, readers meet the historical Strang stripped of myth, demonization, and popular fancy—a true celebrity of the mid-nineteenth century who both shaped and was shaped by the colorful times in which he lived. This book will appeal to readers interested in the history of Michigan, the nineteenth century, and the Second Great Awakening.
In this deeply researched biography, Michael Holzman uses Angleton's story to illuminate the history of the CIA from its founding in the late 1940s to the mid-1970s. Like many of his colleagues in the CIA, James Angleton learned the craft of espionage during World War II as an officer in the Office of Strategic Services (OSS), where he became a friend and
protégé of the British double agent Kim Philby. Yet Angleton's approach to counterintelligence was also influenced by his unusual Mexican American family background and his years at Yale as a student of the New Critics and publisher of modernist poets. His marriage to Cicely d'Autremont and the couple's friendship with E. E. and Marion Cummings became part of a network of cultural connections that linked the U.S. secret intelligence services and American writers and artists during the postwar period.
Drawing on a broad range of sources, including previously unexamined archival documents, personal letters, and interviews, Holzman looks beneath the surface of Angleton's career to reveal the sensibility that governed not only his personal aims and ambitions but those of the organization he served and helped shape.
Andrew Gibson argues here that the most important elements in Joyce’s novels are historically material and specific to Ireland—not, as is assumed, broadly modernist. Taking Joyce “local,” Gibson highlights the historical and political traditions within Joyce’s family and upbringing and then makes the case that Ireland must play a primary role in the study of Joyce. The fall of Charles Stewart Parnell, the collapse of political hope after the Irish nationalist upheavals, the early twentieth-century shift by Irish public activists from political to cultural concerns—all are crucial to Joyce’s literary evolution. Even the author’s move to mainland Europe, asserts Gibson, was actually the continuation of a centuries-old Irish legacy of emigration rather than an abandonment of his native land.
In the thousands, perhaps millions, of words written about Joyce, Ireland often takes a back seat to his formal experimentalism and the modernist project as a whole. Yet here Gibson challenges this conventional portrait of Joyce, demonstrating that the tightest focus—Joyce as an Irishman—yields the clearest picture.
When revolutionaries seized Dublin during the 1916 Easter Rising, they looked back to unrequited pasts to point the way toward radical futures—transforming the Celtic Twilight into the electric light of modern Dublin in James Joyce’s Ulysses. For Luke Gibbons, the short-lived rebellion converted the Irish renaissance into the beginning of a global decolonial movement. James Joyce and the Irish Revolution maps connections between modernists and radicals, tracing not only Joyce’s projection of Ireland onto the world stage, but also how revolutionary leaders like Ernie O’Malley turned to Ulysses to make sense of their shattered worlds. Coinciding with the centenary of both Ulysses and Irish independence, this book challenges received narratives about the rebellion and the novel that left Ireland changed, changed utterly.
This collection arose out of a 2019 conference to commemorate the completion of the fourteen- volume Correspondence of James K. Polk. Its scholarship—which pays tribute to the Polk Project itself, as well as to the controversial nature of the Polk legacy—will result in a significant reinterpretation of the eleventh US president.
Contributors include John F. Polk, who examines the ways history has mischaracterized almost the entire Polk family tree, and Kelly Houston Jones, who investigates the family’s investments in slave-based agriculture. The fascinating life of Elias Polk, a man enslaved by the president, is compellingly related by Zacharie W. Kinslow. Asaf Almog analyzes the persistence of labels: Polk and fellow Democrats labeled their Whig opponents “Federalists,” he argues, with both rhetorical and substantive aims. Michael Gunther analyzes Polk’s authorization of the Smithsonian Institution and the Department of the Interior, seemingly at odds with his devotion to small government.
Taken together, the twelve essays unveil a more complex James K. Polk than the narrowly focused Jackson protégé and proponent of Manifest Destiny we often hear about. He was politically partisan but inspired by history and grounded in principle. His family’s long reliance on nonwhite Americans’ losses of freedom and land informed his policies on slavery and Indian removal, and the nature of the legislation at hand determined when he promoted a larger or a smaller federal government. James K. Polk and His Timehelps us to unde
James Loeb (1867–1933), one of the great patrons and philanthropists of his time, left many enduring legacies both to America, where he was born and educated, and to his ancestral Germany, where he spent the second half of his life. Organized in celebration of the sesquicentenary of his birth, the James Loeb Biennial Conferences were convened to commemorate his achievements in four areas: the Loeb Classical Library (2017), collection and connoisseurship (2019), and after pandemic postponement, psychology and medicine (2023), and music (2025).
The subject of the second conference was Loeb’s deep and multifaceted engagement with the material culture of the ancient world as a scholar, connoisseur, collector, and curator. The volume’s contributors range broadly over the manifold connections and contexts, both personal and institutional, of Loeb’s archaeological interests, and consider these in light of the long history of collection and connoisseurship from antiquity to the present. Their essays also reflect on the contemporary significance of Loeb’s work, as the collections he shaped continue to be curated and studied in today’s rapidly evolving environment for the arts.
The 1940s offered ever-increasing outlets for writers in book publishing, magazines, radio, film, and the nascent television industry, but the standard rights arrangements often prevented writers from collecting a fair share of the profits made from their work. To remedy this situation, novelist and screenwriter James M. Cain (The Postman Always Rings Twice,Double Indemnity, Mildred Pierce) proposed that all professional writers, including novelists, playwrights, poets, and screenwriters, should organize into a single cartel that would secure a fairer return on their work from publishers and producers. This organization, conceived and rejected within one turbulent year (1946), was the American Authors' Authority (AAA).
In this groundbreaking work, Richard Fine traces the history of the AAA within the cultural context of the 1940s. After discussing the profession of authorship as it had developed in England and the United States, Fine describes how the AAA, which was to be a central copyright repository, was designed to improve the bargaining position of writers in the literary marketplace, keep track of all rights and royalty arrangements, protect writers' interests in the courts, and lobby for more favorable copyright and tax legislation.
Although simple enough in its design, the AAA proposal ignited a firestorm of controversy, and a major part of Fine's study explores its impact in literary and political circles. Among writers, the AAA exacerbated a split between East and West Coast writers, who disagreed over whether writing should be treated as a money-making business or as an artistic (and poorly paid) calling. Among politicians, a move to unite all writers into a single organization smacked of communism and sowed seeds of distrust that later flowered in the Hollywood blacklists of the McCarthy era.
Drawing insights from the fields of American studies, literature, and Cold War history, Fine's book offers a comprehensive picture of the development of the modern American literary marketplace from the professional writer's perspective. It uncovers the effect of national politics on the affairs of writers, thus illuminating the cultural context in which literature is produced and the institutional forces that affect its production.
Like many of his generation, James M. Landis was motivated by a passion for public service. From the New Deal to the New Frontier, he devoted his life to shaping the many federal regulatory commissions and to making capitalism “live up to its pretensions.” Attacked by conservatives and liberals alike, he became the most important and most controversial figure in the history of the regulatory process. Donald A. Ritchie offers a superbly documented study of the man that analyzes the contributions of Landis's public career and the personal weaknesses that eventually undermined it, leading to his disbarment and disgrace.
Landis's story is really that of two men. One was a founder and New Deal Chairman of the Securities and Exchange Commission, a major writer and enforcer of regulatory legislation, youngest Dean of the Harvard Law School, and economic troubleshooter for Presidents Roosevelt, Truman, and Kennedy. The other was a private man unsure of his success and incapable of handling his own problems. His repeated failure to file his federal income tax returns, astonishing for a lawyer, was the most obvious—and most destructive—symptom of Landis's tumultuous inner confusion.
Ritchie's exhaustive research into Landis' papers—at Harvard University, the Library of Congress, and the Roosevelt, Truman, and Kennedy libraries—and interviews with Landis's family, associates, and psychiatrist help to unravel the mystery of this problematical man. The result is an outstanding biography of a major force behind business and government policy in the twentieth century.
America has had few political thinkers who have rivalled James Madison. The son of a wealthy planter, Madison was an unhealthy child and was beset by physical infirmities throughout his long life, and grew into a cerebral man. Madison left Virginia to attend the College of New Jersey, but returned to his native state after completing his studies. Though he aspired to be a college professor, Madison instead went into public service and became one of the most influential, guiding voices of the Founding Era. Madison’s Virginia Plan would be used as a blueprint for the Constitutional Convention, where the Articles of Confederation would be replaced with a new Constitution that bore traces of Madison’s influence throughout.
Editor John Kaminski has gathered a remarkable collection of quotations by and about James Madison for the third installment of his Word Portraits of America’s Founders series. Through these words by and about Madison, we learn more about one of the country’s most influential Founding Fathers, who held a lifelong commitment to liberty and opposed oppression.
James Madison: Philosopher, Founder, and Statesman presents fresh scholarship on the nation’s fourth president, who is often called both the father of the U.S. Constitution and the father of the Bill of Rights. These essays by historians and political scientists from the United States and abroad focus on six distinct aspects of Madison’s life and work: his personality and development as a statesman; his work at the Constitutional Convention of 1787 and contributions to larger constitutional design; his advocacy for the adoption of the Bill of Rights; his controversial role as a party leader; his presidency; and his life after leaving office.
James Madison continues to be regarded as one of America’s great political theorists, a man who devoted his life to, and who found fulfillment in, public service. His philosophical contributions remain vital to any understanding of the modern American polity. This book will be of great interest to political scientists and theorists, as well as to historians of early American history and politics.
Available for the first time in paperback, James Madison: The Founding Father is a lively portrait of the man who essentially fathered our constitutional guarantees of civil and religious liberty. Focusing on the role Madison played at the Continental Congress and in each stage of the formation of the American Republic, Robert Allen Rutland also covers Madison's relationship with his beloved wife, Dolley, his fifty-year friendship with Thomas Jefferson, and his years as a respected elder statesman after serving as secretary of state and fourth president of the United States.
In this meticulously researched, carefully argued work, Evans Lansing Smith argues that the nekyia, the circular Homeric narrative describing the descent into the underworld and reemergence in the same or similar place, confers shape and significance upon the entirety of James Merrill’s poetry. Smith illustrates how pervasive this myth is in Merrill’s work – not just in The Changing Light at Sandover, where it naturally serves as the central premise of the entire trilogy, but in all of the poet’s books, before and after that central text.
By focusing on the details of versification and prosody, Smith demonstrates the ingenious fusion of form and content that distinguishes Merrill as a poet. Moving beyond purely literary interpretations of the poetry, Smith illuminates the numerous allusions to music, art, theology, philosophy, religion, and mythology found throughout Merrill’s work.
Born a slave, Turner gained freedom when he was a child and received his education in clandestine St. Louis schools, later briefly attending Oberlin College. A self-taught lawyer, Turner earned a statewide reputation and wielded power far out of proportion to Missouri's relatively small black population.
After working nearly a decade in Liberia, Turner never regained the prominence he had enjoyed during Reconstruction.
James Naismith reveals how Naismith invented basketball in part to find an indoor activity to occupy students in the winter months. When he realized that the key to his game was that men could not run with the ball, and that throwing and jumping would eliminate the roughness of force, he was on to something. And while Naismith thought that other sports provided better exercise, he was pleased to create a game that “anyone could play.”
With unprecedented access to the Naismith archives and documents, Rains and Carpenter chronicle how Naismith developed the 13 rules of basketball, coached the game at the University of Kansas—establishing college basketball in the process—and was honored for his work at the 1936 Olympic games in Berlin.
When the wounded bear he faced on a mountain ledge that day turned aside, James Curwood felt that he had been spared. From this encounter he became an avid conservationist. He wrote relentlessly—magazine stories and books and then for the new medium of motion pictures. Like many authors of his time, he was actively involved in movie-making until the plight of the forests and wildlife in his home state of Michigan turned his energies toward conservation.
A man ahead of his time, and quickly forgotten after his death in 1927, his gift of himself to his readers and to nature has finally come to be appreciated again two generations later.
Bryan D. Palmer's award-winning study of James P. Cannon's early years (1890-1928) details how the life of a Wobbly hobo agitator gave way to leadership in the emerging communist underground of the 1919 era. This historical drama unfolds alongside the life experiences of a native son of United States radicalism, the narrative moving from Rosedale, Kansas to Chicago, New York, and Moscow. Written with panache, Palmer's richly detailed book situates American communism's formative decade of the 1920s in the dynamics of a specific political and economic context. Our understanding of the indigenous currents of the American revolutionary left is widened, just as appreciation of the complex nature of its interaction with international forces is deepened.
James A. Patterson’s groundbreaking study of the life and mind of James Robinson Graves explores the history of Landmarkism in the nineteenth century. Under this doctrine, Graves proposed that “true” Baptists should be able to trace their lineage directly to the early church, rather than through the strands of Protestantism. Controversial in its day, and often poorly understood now, Landmarkism, in Patterson’s nuanced interpretation, is important for understanding an essential feature of Baptist life to the present day: how do Baptists stake out their identities in reference to other Baptists and to members of competing denominations? While Graves has been widely dismissed by recent historians, in Patterson’s skillful revision, this figure draws much nearer to central concerns of Baptist thinking since the First Great Awakening.
This addition to the America’s Baptists series blends biographical insight with a thematic approach that focuses primarily on Graves’s controversial beliefs about ecclesiology, Baptist history, and eschatology. Patterson divides this work into seven chapters that progress chronologically, and this updated edition includes an expanded discussion of Christian republicanism, elaborates on the question of Graves and race, and features a longer epilogue to account for recent scholarship on Graves and Landmarkism.
James Robinson Graves is an accessible introduction to the significant albeit disputed role that the Landmark tradition played in the shaping of Southern Baptist life and thought. Seminary students and scholars of nineteenth-century Southern Baptist history will find a rich new interpretation of this misunderstood figure.
JAMES A. PATTERSON holds a PhD in American church history from Princeton Theological Seminary. He is emeritus university professor of theological studies at Union University. He is the author of Shining Lights: A History of the Council for Christian Colleges & Universities and To All the World: A History of Mid-America Baptist Theological Seminary, 1972–1997.
Henderson explores Sowerby’s artistic achievements as well as his place at the center of a thriving network of artists and scientists. Sowerby worked closely with key botanists of the time, influencing the likes of Sir Joseph Banks and James Smith, as well as Dawson Turner, James Dickson, Aylmer Lambert, and William Woodville. He also contributed illustrations to the earliest volumes of The Botanical Magazine (later known as Curtis's Botanical Magazine). Specimens from his collection round out the holdings of museums around the world, and he has become the paterfamilias of a talented line of botanical and natural science illustrators.
Henderson’s Sowerby’s Botany is beautifully illustrated with Sowerby’s artwork and includes extracts from letters, manuscripts, and natural history publications. It is a fascinating story of an influential artist working at the intersections of art and nature at a time of unprecedented scientific enlightenment.
No other governor has become so completely identified with Texas and its citizens as Jim Hogg, the first native Texan to hold the state's highest office. His fame was not, however, easily earned. Orphaned at twelve, he worked as farmhand, typesetter, and country editor to finance his study of law, an endeavor that eventually led him into public life.
Even before his admission to the bar in 1875 he served as justice of the peace in Wood County. Later, in two terms as district attorney (1881–1885), he proved himself a fearless prosecutor. His growing reputation, with his magnetic personality, brought him the attorney generalship in 1887, and in that office he fulfilled his campaign promises to enforce all laws. During Hogg's tenure, suits brought by his department resulted in the restoration of more than a million acres of state lands held by the railroads.
In 1890 Hogg was elected governor. Early the next year he began urging his reform program, the keystone of which was establishment of the Railroad Commission. He also brought about the passage of laws preventing the watering of railroad securities, the indiscriminate issuance of municipal securities, and the establishment of landholding companies. Land ownership by aliens was likewise restricted.
Throughout Hogg's public life, from iustice of the peace to governor, he was motivated by his concern for the welfare of the people. Invariably his criterion for evaluation of an issue was the effect of a decision upon the common welfare. In this democratic progressivism he was the Texas version of Thomas Jefferson or Theodore Roosevelt. Molded by his varied experiences, Jim Hogg was a man of many professions—printer, lawyer, politician, statesman, oil magnate. In these relationships he was still a warmly human person, a loving son, brother, husband, father, friend. His ambition to provide abundantly for his family was expansive enough to include all Texans; so his love for "the people" was reiterated in his public benefactions, through which Texans are even today still sharing his wealth.
Jim Hogg's varied public life and his heart-warming personal life are dramatically presented in this absorbing biography. In it, the far-sweeping panorama of Texas development in the late nineteenth and early twentieth centuries is shown in relation to his dreams and achievements.
James T. Farrell - American Writers 29 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Drawing on Van Allen’s correspondence and publications, years of interviews with him as well as with more than a hundred other people, and declassified documents from such archives as the Jet Propulsion Laboratory, the Kennedy Space Center, and the Applied Physics Laboratory, Foerstner describes Van Allen’s life from his Iowa childhood to his first experiments at White Sands to the years of Explorer I until his death in 2006.
Often called the father of space science, James Van Allen led the way to mapping a new solar system based on the solar wind, massive solar storms, and cosmic rays. Pioneer 10 alone sent him more than thirty years of readings that helped push our recognition of the boundary of the solar system billions of miles past Pluto. Abigail Foerstner’s compelling biography charts the eventful life and time of this trailblazing physicist.
Part I of the book—"Representations"—examines the way James Watt has been portrayed over time, emphasizing sculptural, pictorial and textual representations from the nineteenth century. As an important contributor to the development of arguably the most important technology of industrialization, Watt became a symbol that many groups of thinkers were anxious to claim. Part II—"Realities"—focuses on reconstructing the unsung "chemical Watt" instead of the lionized engineer.
To record this fascinating narrative, Russell draws on a wide range of resources—from archival material to three-dimensional objects to scholarship in a diversity of fields from ceramics to antique machine-making. He explores Watt’s early years and interest in chemistry and examines Watt’s partnership with Matthew Boulton, with whom he would become a successful and wealthy man. In addition to discussing Watt’s work and incredible contributions that changed societies around the world, Russell looks at Britain’s early industrial transformation. Published in association with the Science Museum London, and with seventy illustrations, James Watt is not only an intriguing exploration of the engineer’s life, but also an illuminating journey into the broader practices of invention in the eighteenth and early nineteenth centuries.
Stein locates Wright in the Emersonian tradition which sees struggle with language as a struggle with the self -- a locating and defining of the self within a world of natural facts. Language, then, becomes a means of self-definition, and to be frivolous or irresponsible with language becomes a negation of the self and the world it inhabits. For Wright, “the poetry of a grown man” issues from this understanding. Because Wright joins the act of language with the act of selfhood, it is not surprising that the mode and tenor of his work would alter as the self redefines its values and goals, its very identity. In fact, Stein divides Wright’s career into three interrelated stages of development: “containment,” in which he relies on traditional religious and rhetorical measures to distance himself from a world of experience; “vulnerability,” in which he enters the experiential world where the self is rewarded and equally threatened; and “integration,” in which he accepts and balances the necessary combination of beauty and horror inherent in being human within a natural world.
Stein shows that throughout his career Wright’s presiding concern is to discover a way of writing and a way of life that might overcome the effects of an individual’s separation from the human community, the natural world, and the spiritual presence in the universe. In Wright’s world, to do less is to betray one’s language -- and one’s self.
Jameson on Jameson displays Jameson’s extraordinary grasp of contemporary culture—architecture, art, cinema, literature, philosophy, politics, psychoanalysis, and urban geography—as well as the challenge that the geographic reach of his thinking poses to the Eurocentricity of the West. Conducted by accomplished scholars from United States, Egypt, Korea, China, Sweden, and England, the interviews elicit Jameson’s reflections on the broad international significance of his ideas and their applicability and implications in different cultural and political contexts, including the present phase of globalization.
The volume includes an introduction by Jameson and a comprehensive bibliography of his publications in all languages.
Interviewers
Mona Abousenna
Abbas Al-Tonsi
Srinivas Aravamudan
Jonathan Culler
Sara Danius
Leonard Green
Sabry Hafez
Stuart Hall
Stefan Jonsson
Ranjana Khanna
Richard Klein
Horacio Machin
Paik Nak-chung
Michael Speaks
Anders Stephanson
Xudong Zhang
In an unusual biographical move, Burnham negotiates Jameson’s major works—including Marxism and Form, The Political Unconscious, and Postmodernism, or, The Cultural Logic of Late Capitalism—by way of his own working-class, queer-ish, Gen-X background and sensibility. Thus Burnham’s study draws upon an immense range of references familiar to the MTV generation, including Reservoir Dogs, theorists Slavoj Zizek and Pierre Bourdieu, The Satanic Verses, Language poetry, the collapse of state communism in Eastern Europe, and the indie band Killdozer. In the process, Burnham addresses such Jamesonian questions as how to imagine the future, the role of utopianism in capitalist culture, and the continuing relevance of Marxist theory.
Through its redefinition of Jameson’s work and compelling reading of the political present, The Jamesonian Unconscious defines the leading edge of Marxist theory. Written in a style by turns conversational, playful, and academic, this book will appeal to students and scholars of Marxism, critical theory, aesthetics, narratology, and cultural studies, as well as the wide circle of readers who have felt and understood Jameson’s influence.
Listen to a short interview with Karen Ordahl KuppermanHost: Chris Gondek | Producer: Heron & Crane
Captain John Smith's 1607 voyage to Jamestown was not his first trip abroad. He had traveled throughout Europe, been sold as a war captive in Turkey, escaped, and returned to England in time to join the Virginia Company's colonizing project. In Jamestown migrants, merchants, and soldiers who had also sailed to the distant shores of the Ottoman Empire, Africa, and Ireland in search of new beginnings encountered Indians who already possessed broad understanding of Europeans. Experience of foreign environments and cultures had sharpened survival instincts on all sides and aroused challenging questions about human nature and its potential for transformation.
It is against this enlarged temporal and geographic background that Jamestown dramatically emerges in Karen Kupperman's breathtaking study. Reconfiguring the national myth of Jamestown's failure, she shows how the settlement's distinctly messy first decade actually represents a period of ferment in which individuals were learning how to make a colony work. Despite the settlers' dependence on the Chesapeake Algonquians and strained relations with their London backers, they forged a tenacious colony that survived where others had failed. Indeed, the structures and practices that evolved through trial and error in Virginia would become the model for all successful English colonies, including Plymouth.
Capturing England's intoxication with a wider world through ballads, plays, and paintings, and the stark reality of Jamestown--for Indians and Europeans alike--through the words of its inhabitants as well as archeological and environmental evidence, Kupperman re-creates these formative years with astonishing detail.
Gabbard's close look at jazz film biographies, from The Jazz Singer to Bird, reveals Hollywood's reluctance to acknowledge black subjectivity. Black and even white jazz artists have become vehicles for familiar Hollywood conceptions of race, gender, and sexuality. Even Scorsese's New York, New York and Spike Lee's Mo' Better Blues have failed to disentangle themselves from entrenched stereotypes and conventions.
Gabbard also examines Hollywood's confrontation with jazz as an elite art form, and the role of the jazz trumpet as a crucial signifier of masculinity. Finally, he considers the acting careers of Louis Armstrong, Nat King Cole, and Hoagy Carmichael; Duke Ellington's extraordinary work in films from 1929 until the late 1960s; and the forgotten career of Kay Kyser, star of nine Hollywood films and leader of a popular swing band.
This insightful look at the marriage of jazz and film is a major contribution to film, jazz, and cultural studies.
“This is a book that is both a personal account and a rigorous academic study. It is a model for the kind of engaged humanistic work we are now beginning to see as a hallmark of the post-theory moment, and one that remembers the hard lessons of ethnographic fieldwork as well as the challenging foundational work from philosophically-tinged theory.” —Debra A. Castillo, Cornell University
“Filled with rich descriptions and interwoven personal anecdotes of both Civantos and her interlocuters that complement scholarly analysis.” —Jessica R. Boll, Carroll University
In 1500 Malay Malacca was the queen city of the Malay Archipelago, one of the great trade centers of the world. Its rulers, said to be descendents of the ancient line of Srivijaya, dominated the lands east and west of the straits. The Portuguese, unable to compete in the marketplace, captured the town. They were followed a hundred years later by the Dutch who, lured in their turn by Malacca as symbol of the wealth and luxury of the east, were to rule this port city for more than a hundred and fifty years.
It proved to be, in many ways, an empty conquest. Portuguese and Dutch governments imposed restrictions on Malacca’s trade, driving it to the newer ports in the north and south. Moreover, by the time the Dutch finally secured the town, they had established their own port at Batavia, in Java. Dutch Malacca was, by 1701, “a place of little trade.” Why then did the Dutch maintain their occupation of the port? Lewis draws on the extensive correspondence of the Dutch East India Company to examine the role the Dutch played as Malacca’s rulers in the eighteenth-century Malay world, arguing that their presence, though generally too weak to secure their own interests, disrupted the traditional political and economic organization of the Malay polities, contributing significantly to the disarray that beset the Malay world at the beginning of the nineteenth century.
As a student and personal friend of Husserl, Patocka was keenly aware of the focal role of reason in the constitution of experienced reality. Simultaneously, as a student of Heidegger, he was no less aware of the irreducible autonomy of that reality. This double recognition led Patocka on a lifelong philosophical quest for a synthesis that would bridge modernity's split between the freedom of humans and the givenness of the world and, more broadly, between the Enlightenment and romanticism. For the philosophical reader, Patocka's perceptive writings provide the most helpful key to understanding the basic modern dialogue acted out by Husserl and Heidegger. Yet Patocka, widely respected for his writings on culture and the arts as well as for his studies of J. A. Comenius and the history of science, offers much more: a comprehensive attempt to come to terms with our intellectual heritage and our divided present.
Kohák, as well as translating the writings, provides a comprehensive introduction, covering the full scope of Patocka's thought, and a complete bibliography of his writings. The result is an intellectually rich volume equally well suited as an introduction to Patocka, an advanced study in phenomenology, and a historical insight into philosophy behind the Iron Curtain since 1938.
The surviving work of Flemish painter Jan van Eyck (c. 1395–1441) consists of a series of painstakingly detailed oil paintings of astonishing verisimilitude. Most explanations of the meanings behind these paintings have been grounded in a disguised religious symbolism that critics have insisted is foremost. But in Jan van Eyck, Craig Harbison sets aside these explanations and turns instead to the neglected human dimension he finds clearly present in these works. Harbison investigates the personal histories of the true models and participants who sat for such masterpieces as the Virgin and Child and the Arnolfini Double Portrait.
This revised and expanded edition includes many illustrations and reveals how van Eyck presented his contemporaries with a more subtle and complex view of the value of appearances as a route to understanding the meaning of life.
Jan van Eyck (1390–1441) was one of the most inventive and influential artists in the entire European tradition. The realism of his paintings continues to astound observers more than six centuries on, even though our world is saturated by high-resolution images. However, viewers today are as like to be absorbed by Van Eyck’s personality as his realism. While he sometimes directly painted himself into his works, he also suggested his presence through an array of inscriptions, signatures, and even a personal motto. Incorporating a wealth of new research and recent discoveries within a fresh exploration of the paintings themselves, this book reveals how profoundly Jan van Eyck transformed the very idea of what an artist could be.
This volume communicates the broad scope of applied interdisciplinary research conducted on the Pakal remains to provide answers to old disputes over the accuracy of both skeletal and epigraphic studies, along with new questions in the field of Maya dynastic research. Contributions by scholars in epigraphy, anthropology, and bioarchaeology bring to light new evidence regarding the ruler’s age, clarify his medical history and the identification of the remains found with him, reevaluate his role in life, and offer modern insights into ritual and sacrificial practices associated with Pakal.
The book leads readers through the history of Pakal’s discovery, skeletal analysis, and interpretation of Maya biographies, and also devotes considerable attention to the tomb of the “Red Queen” discovered at the site. Findings from the new Transition Analysis aging method, histomorphometric analysis, and taphonomic imagery are presented to shed new light on the perplexing question of Pakal’s age at death. Royal Maya life and death histories from the written record are also analyzed from a regional perspective to provide a broad panorama of the twisted power politics of rulers’ families and the entangled genealogies of the Maya Classic period.
A benchmark in biological anthropology, this volume reconsiders assumptions concerning the practices and lives of Maya rulers, posing the prospect that researchers too often find what they expect to find. In presenting an updated study of a well-known personage, it also offers innovative approaches to the biocultural and interdisciplinary re-creation of Maya dynastic history.
Contributors
Jesper K. Boldseh
Jane E. Buikstra
James H. Burton
Andrea Cucina
Nikolai Grube
Patricia Hernández
Lourdes Márquez
Simon Martin
George R. Milner
T. Douglas Price
Arturo Romano
Carlos Serrano
Sam D. Stout
Margaret Streeter
Vera Tiesler
John W. Verano
Central Asia became a forefront of international archaeological research early in the 1990s. Several respected archaeological teams gradually established their projects throughout post-Soviet republics of Central Asia, including Uzbekistan. In 2002 this effort was joined by a small Czech-Uzbekistani team aiming to begin an archaeological investigation of the northwestern part of ancient Bactria, particularly in the area of Sherabad oasis, with its major site Jandavlattepa.
The focus of this publication is to present some newly discovered data in the field of Bactrian archaeology of Pre-Islamic periods and to shed additional light on different aspects of an understanding of its material culture, primarily in the transitional period between the Kushan and early medieval times. The present title represents a pilot volume, which will be followed up with two additional volumes.
James Weber Linn's life of this forceful public figure offers a rare glimpse of the private Addams, from her childhood and schooling through her first efforts in public service and her rise to a position of national influence. Linn's biography is based on Addams's personal papers, which she turned over to him before she died: files of her manuscripts, published and unpublished, along with all of her letters and papers, from her first valentine to her last speech. Out of this treasure trove, in combination with Addams's substantial published works, he has written a unique life of his aunt, beautifully illuminating her private reflections and inner strength as well as her formidable public persona.
Jane Addams, a Writer's Life is an expansive, revealing, and refreshing reexamination of the renowned reformer as an imaginative writer. Jane Addams is best known for her groundbreaking social work at Hull-House, the force of her efforts toward Progressive political and social reform, and the bravery of her commitment to pacifism, for which she received the Nobel Peace Prize. Katherine Joslin moves beyond this history to present Addams as a literary figure, one whose writing employed a synthesis of fictional and analytical prose that appealed to a wide audience.
Joslin traces Addams's style from her early works, Philanthropy and Social Progress and her contributions to Hull House Maps and Papers, influenced by Florence Kelley, to her modernist and experimental last books, The Second Twenty Years at Hull-House and My Friend, Julia Lathrop, placing Addams in the context of other Chicago writers including Theodore Dreiser, Upton Sinclair, Harriet Monroe, Frank Norris and James T. Farrell. Joslin's close readings showcase Addams's distinguishing literary devices, such as using stories about people rather than sociological argument to make moral points. As Joslin pursues the argument that Addams's power as a public figure stemmed from the success of her books and essays, Addams herself emerges as a literary woman.
Using a rich array of newly available sources and contemporary methodologies from many disciplines, the ten original essays in this volume give a fresh appraisal of Addams as a theorist and practitioner of democracy. In an increasingly interdependent world, Addams's life work offers resources for activists, scholars, policy makers, and theorists alike. This volume demonstrates how scholars continue to interpret Addams as a model for transcending disciplinary boundaries, generating theory out of concrete experience, and keeping theory and practice in close and fruitful dialogue.
Contributors are Harriet Hyman Alonso, Victoria Bissell Brown, Wendy Chmielewski, Marilyn Fischer, Shannon Jackson, Louise W. Knight, Carol Nackenoff, Karen Pastorello, Wendy Sarvasay, Charlene Haddock Seigfried, and Camilla Stivers.
Balancing theoretical and practical considerations, the collection examines Addams's emphasis on listening to and learning from those around her and encourages contemporary educators to connect with students through innovative projects and teaching methods. In the first essays, Addams scholars lay out how her narratives drew on experience, history, and story to explicate theories she intended as guides to practice. Six teacher-scholars then establish Addams's ongoing relevance by connecting her principles to exciting events in their own classrooms. An examination of the Jane Addams Children's Book Award and a fictional essay on Addams's work and ideas round out the volume.
Accessible and wide-ranging, Jane Addams in the Classroom offers inspiration for educators while adding to the ongoing reconsideration of Addams's contributions to American thought.
Contributors include Todd DeStigter, Lanette Grate, Susan Griffith, Lisa Junkin, Jennifer Krikava, Lisa Lee, Petra Munro, Bridget O'Rourke, David Schaafsma, Beth Steffen, Darren Tuggle, Erin Vail, and Ruth Vinz.
Examining essays Addams wrote in the 1890s and showing how they were revised for Democracy and Social Ethics, Fischer draws from philosophy, history, literature, rhetoric, and more to uncover the array of social evolutionary thought Addams engaged with in her texts—from British socialist writings on the evolution of democracy to British and German anthropological accounts of the evolution of morality. By excavating Addams’s evolutionary reasoning and rhetorical strategies, Fischer reveals the depth, subtlety, and richness of Addams’s thought.
Devoted fans and scholars of Jane Austen—as well as skeptics—will rejoice at Tony Tanner’s superb book on the incomparable novelist. Distilling twenty years of thinking and writing about Austen, Tanner treats in fresh and illuminating ways the questions that have always occupied her most perceptive critics. How can we reconcile the limited social world of her novels with the largeness of her vision? How does she deal with depicting a once-stable society that was changing alarmingly during her lifetime? How does she express and control the sexuality and violence beneath the well-mannered surface of her milieu? How does she resolve the problems of communication among characters pinioned by social reticences?
Tanner guides us through Austen’s novels from relatively sunny early works to the darker, more pessimistic Persuasion and fragmentary Sanditon—a journey that takes her from acceptance of a society maintained by landed property, family, money, and strict propriety through an insistence on the need for authentication of these values to a final skepticism and even rejection. In showing her progress from a parochial optimism to an ability to encompass her whole society, Tanner renews our sense of Jane Austen as one of the great novelists, confirming both her local and abiding relevance.
This illuminating, entertaining, up-to-date companion is the only general guide to Jane Austen, her work, and her world. Josephine Ross explores the literary scene during the time Austen's works first appeared: the books considered classics then, the "horrid novels" and romances, and the grasping publishers. She looks at the architecture and décor of Austen's era that made up "the profusion and elegance of modern taste." Regency houses for instance, Chippendale furniture, and "picturesque scenery." On a smaller scale she answers questions that may baffle modern readers. What, for example, was "hartshorn"? How did Lizzy Bennet "let down" her gown to hide her muddy petticoat? Ross shows us the fashions, and the subtle ways Jane Austen used clothes to express character. Courtship, marriage, adultery, class and "rank," mundane tasks of ordinary life, all appear, as does the wider political and military world.
This book will add depth to all readers' enjoyment of Jane Austen, whether confirmed addicts or newcomers wanting to learn about one of the world's most popular and enduring writers.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
“You express so little anxiety about my being murdered under Ash Park Copse by Mrs. Hulbert’s servant, that I have a great mind not to tell you whether I was or not.”—from a letter to Cassandra, January 8, 1799
“Single women have a dreadful propensity for being poor, which is one very strong argument in favour of matrimony.”—from a letter to Fanny Knight, March 13, 1817
Much loved for the romantic plot lines and wryly amusing social commentary that spring from the pages of Pride and Prejudice, Mansfield Park, Emma, and her other novels Jane Austen was also a prolific letter writer and penned missives on many subjects. To her sister Cassandra she wrote with candid humor about the effects of the Peninsular War (“How horrible it is to have so many people killed! And what a blessing that one cares for none of them!”), about her dislike of parties and social obligations (“We are to have a tiny party here tonight. I hate tiny parties, they force one into constant exertion.”), and about her impressions of London (“Here I am once more in this scene of dissipation and vice, and I begin to find already my morals corrupted.”). Austen’s characters likewise offer commentary on topics like moral character, gender inequality, ageing, and the disappointments of marriage. In Pride and Prejudice, for example, Charlotte Lucas cautions Elizabeth Bennet, “It is better to know as little as possible of the defects of the person with whom you are about to pass your life.”
Drawing together fifty quotations from Jane Austen’s letters and novels with illustrations that illuminate everyday aspects of life in the Georgian era, this beautifully produced volume will make the perfect gift for Janeites.
Brilliantly edited by Kathryn Sutherland, Jane Austen: The Chawton Letters uses Austen’s letters drawn from the collection held at Jane Austen’s House Museum at her former home in Chawton, Hampshire, to tell her life story. At age twenty-five, Austen left her first home, Steventon, Hampshire, for Bath. In 1809, she moved to Chawton, which was to be her home for the remainder of her short life. In her correspondence, we discover Austen’s relish for her regular visits to the shops and theaters of London, as well as the quieter routines of village life. We learn of her anxieties about the publication of Pride and Prejudice, her care in planning Mansfield Park, and her hilarious negotiations over the publication of Emma. (To her sister, Cassandra, Austen calls her publisher John Murray, “a Rogue, of course, but a civil one.”) Throughout, the Chawton letters testify to Jane’s close ties with her family, especially her sister, and the most moving letter is written by Cassandra just days after Jane’s death. The collection also reproduces pages from the letters in Austen’s own distinctive hand.
This collection makes a delightful modern-day keepsake from one of the world’s best-loved writers on the two-hundredth anniversary of her death.
"By looking at the ways in which Austen domesticates the gothic in Northanger Abbey, examines the conventions of male inheritance and its negative impact on attempts to define the family as a site of care and generosity in Sense and Sensibility, makes claims for the desirability of 'personal happiness as a liberating moral category' in Pride and Prejudice, validates the rights of female authority in Emma, and stresses the benefits of female independence in Persuasion, Johnson offers an original and persuasive reassessment of Jane Austen's thought."—Kate Fullbrook, Times Higher Education Supplement
Brilliantly edited by Kathryn Sutherland, Jane Austen: Writer in the World offers a life story told through the author's personal possessions. In her teenage notebooks, literary jokes give a glimpse of her family’s shared love of reading and satire, which can be seen in the subtler humor of Austen’s published work. Pieces from Austen’s hand-copied collection of sheet music reveal how music was used to create networks far more intricate than the simple pleasures of home recital. A beautiful brown silk pelisse-coat, together with lively letters between Austen and Cassandra, give insight into her views on fashion. All feature in this lavishly illustrated collection, along with homemade booklets in which she composed her novels, portraits made of Austen during her lifetime, and much more. Also included are objects associated with the era in which Austen lived: newspaper articles, naval logbooks, and contemporary political cartoons, shedding light on Austen’s wider social and political worlds.
This collection makes a delightful modern-day keepsake from one of the world’s best-loved writers on the two-hundredth anniversary of her death.
Jane Austen completed only six novels, but enduring passion for the author and her works has driven fans to read these books repeatedly, in book clubs or solo, while also inspiring countless film adaptations, sequels, and even spoofs involving zombies and sea monsters. Austen’s lasting appeal to both popular and elite audiences has lifted her to legendary status. In Jane Austen’s Cults and Cultures, Claudia L. Johnson shows how Jane Austen became “Jane Austen,” a figure intensely—sometimes even wildly—venerated, and often for markedly different reasons.
In Jane Austen’s Names, Margaret Doody offers a fascinating and comprehensive study of all the names of people and places—real and imaginary—in Austen’s fiction. Austen’s creative choice of names reveals not only her virtuosic talent for riddles and puns. Her names also pick up deep stories from English history, especially the various civil wars, and the blood-tinged differences that played out in the reign of Henry VIII, a period to which she often returns. Considering the major novels alongside unfinished works and juvenilia, Doody shows how Austen’s names signal class tensions as well as regional, ethnic, and religious differences. We gain a new understanding of Austen’s technique of creative anachronism, which plays with and against her skillfully deployed realism—in her books, the conflicts of the past swirl into the tensions of the present, transporting readers beyond the Regency.
Full of insight and surprises for even the most devoted Janeite, Jane Austen’s Names will revolutionize how we read Austen’s fiction.
In considering Jane Campion's early award-winning short films on through international sensation The Piano and beyond, Kathleen McHugh traces the director's distinctive visual style as well as her commitment to consistently renovating the conventions of "women's films." By refusing to position her female protagonists as victims, McHugh argues, Campion scrupulously avoids the moral structures of melodrama, and though she often works with the narratives, mise-en-scene, and visual tropes typical of that genre, her films instead invite a distanced or even amused engagement.
Jane Campion concludes with four brief, revelatory interviews and a filmography. Campion spoke twice with Michel Ciment—after the screening of her short and medium-length films at the Cannes Film Festival 1986, and three years later, after the Cannes screening of Sweetie. Judith Lewis narrates a Beverly Hills interview with Campion that followed the release of Holy Smoke, and Lizzie Francke's interview, reprinted from Sight and Sound,centers on Campion's film In the Cut, adapted from Susanna Moore's novel.
A volume in the series Contemporary Film Directors, edited by James R. Naremore
Martha Collins and Celia Bland bring together several decades’ worth of essential writing on Cooper’s poetry. While some pieces offer close examination of Cooper’s process or thoughtful consideration of the craft of a single poem, the volume also features reviews of her collections, including a previously unpublished piece on her first book, The Weather of Six Mornings (1969), by James Wright, a lifelong champion of her work. Marie Howe, Jan Heller Levi, and Thomas Lux, among others, share personal remembrances of Cooper as a teacher, colleague, and inspiration. L. R. Berger’s moving tribute to Cooper’s final days closes the volume. This book has much to offer for both readers who already love Cooper’s work and new readers, especially among younger poets, just discovering her enduring poems.
Today, we take for granted the wisdom of renovating old factory buildings into malls or condos, of making once decaying waterfronts into vibrant public spaces, of protecting historic buildings under landmark laws, and of building public housing on a human scale rather than as high-rises. In contemporary cities, it is now common for community groups to plant gardens in empty lots and to buy abandoned apartment buildings from the city for a dollar and fix them up.
But these and other urban planning policies and practices have not always been accepted. Before they became widespread, they were the visionary ideas of the writer and urban commentator Jane Jacobs. Best known in the United States for her path-breaking efforts to preserve the character of Greenwich Village, Jacobs is the author of the classic 1961 book, The Death and Life of Great American Cities, one of the most influential works ever published in urban studies. The architectural critic Herbert Muschamp wrote in the New York Times that its publication “was one of twentieth-century architecture’s most traumatic events. Its impact is still felt in cities across the land.”
In this analysis of Jane Jacobs’s ideas and work, Alice Sparberg Alexiou tells the remarkable story of a woman who without any formal training in planning became a prominent spokesperson for sensible urban change. Besides writing the seminal book about contemporary cities, Jacobs organized successful community battles in New York against powerful interests. She resisted urban renewal in the West Village in the 1960s, helped defeat the Lower Manhattan Expressway, advocated the pleasures of street life that she called “sidewalk ballet,” and opposed the original Twin Towers plans. She was also active in the anti–Vietnam War movement, which eventually led her to move to Canada. There she continued her grass-roots activism, including helping to prevent the construction of an expressway that would have cut through several neighborhoods in Toronto.
Based on a rich array of interviews and primary source material, this book brings long-overdue attention to Jacobs’s far-reaching influence as an original thinker and effective activist.
Pleasure-loving, sarcastic, stubborn, determined, erotic, deeply sad--Jane Kenyon’s complexity and contradictions found expression in luminous poems that continue to attract a passionate following. Dana Greene draws on a wealth of personal correspondence and other newly available materials to delve into the origins, achievement, and legacy of Kenyon’s poetry and separate the artist’s life story from that of her husband, the award-winning poet Donald Hall.
Impacted by relatives’ depression during her isolated childhood, Kenyon found poetry at college, where writers like Robert Bly encouraged her development. Her graduate school marriage to the middle-aged Hall and subsequent move to New Hampshire had an enormous impact on her life, moods, and creativity. Immersed in poetry, Kenyon wrote about women’s lives, nature, death, mystical experiences, and melancholy--becoming, in her own words, an “advocate of the inner life.” Her breakthrough in the 1980s brought acclaim as “a born poet” and appearances in the New Yorker and elsewhere. Yet her ongoing success and artistic growth exacerbated strains in her marriage and failed to stave off depressive episodes that sometimes left her non-functional. Refusing to live out the stereotype of the mad woman poet, Kenyon sought treatment and confronted her illness in her work and in public while redoubling her personal dedication to finding pleasure in every fleeting moment. Prestigious fellowships, high-profile events, residencies, and media interviews had propelled her career to new heights when leukemia cut her life short and left her husband the loving but flawed curator of her memory and legacy.
Revelatory and insightful, Jane Kenyon offers the first full-length biography of the elusive poet and the unquiet life that shaped her art.
Janelle Monáe is all these things and more, making her one of the most fascinating artists to emerge in the twenty-first century. This provocative new study explores how Monáe’s work has connected different media platforms to strengthen and enhance new movements in art, theory, and politics. It considers not only Monáe’s groundbreaking albums The ArchAndroid, The Electric Lady, and Dirty Computer, but also Monáe’s work as an actress in such films as Hidden Figures and Antebellum, as well as her soundtrack appearances in socially-engaged projects ranging from I May Destroy You to Us. Examining Monáe as a cultural icon whose work is profoundly intersectional, this book maps how she is actively reshaping discourses around race, gender, sexuality, and capitalism. Tracing Monáe’s performances of joy, desire, pain, and hope across a wide range of media forms, it shows how she imagines Afrofuturist, posthumanist, and postcapitalist utopias, while remaining grounded in the realities of being a Black woman in a white-dominated industry. This is an exciting introduction to an audacious innovator whose work offers us fresh ways to talk about identity, desire, and power.
Several of the essayists reflect on the politics of history, considering changes in the relationship between Japan and the United States, the complex legacy of Japanese colonialism, Japan’s chronic unease with its wartime history, and the postwar consolidation of an ethnocentric and racist nationalism. Others analyze anxieties related to the role of children in society and the weakening of the gendered divide between workplace and home. Turning to popular culture, contributors scrutinize the avid consumption of “real events” in formats including police shows, quiz shows, and live Web camera feeds; the creation, distribution, and reception of Pokémon, the game-based franchise that became a worldwide cultural phenomenon; and the ways that the behavior of zealous fans of anime both reinforces and clashes with corporate interests. Focusing on contemporary social and political movements, one essay relates how a local citizens’ group pressed the Japanese government to turn an international exposition, the Aichi Expo 2005, into a more environmentally conscious project. Another essay offers both a survey of emerging political movements and a manifesto identifying new possibilities for radical politics in Japan. Together the contributors to Japan After Japan present much-needed insight into the wide-ranging transformations of Japanese society that began in the 1990s.
Contributors. Anne Allison, Andrea G. Arai, Eric Cazdyn, Leo Ching, Harry Harootunian, Marilyn Ivy, Sabu Kohso, J. Victor Koschmann, Thomas LaMarre, Masao Miyoshi, Yutaka Nagahara, Naoki Sakai, Tomiko Yoda, Yoshimi Shunya, Mitsuhiro Yoshimoto
For generations, children’s books provided American readers with their first impressions of Japan. Seemingly authoritative, and full of fascinating details about daily life in a distant land, these publications often presented a mixture of facts, stereotypes, and complete fabrications.
This volume takes readers on a journey through nearly 200 years of American children’s books depicting Japanese culture, starting with the illustrated journal of a boy who accompanied Commodore Matthew Perry on his historic voyage in the 1850s. Along the way, it traces the important role that representations of Japan played in the evolution of children’s literature, including the early works of Edward Stratemeyer, who went on to create such iconic characters as Nancy Drew. It also considers how American children’s books about Japan have gradually become more realistic with more Japanese-American authors entering the field, and with texts grappling with such serious subjects as internment camps and the bombing of Hiroshima and Nagasaki.
Drawing from the Library of Congress’s massive collection, Sybille A. Jagusch presents long passages from many different types of Japanese-themed children’s books and periodicals—including travelogues, histories, rare picture books, folktale collections, and boys’ adventure stories—to give readers a fascinating look at these striking texts.
Published by Rutgers University Press, in association with the Library of Congress.
In international relations today, influence is as essential as military and economic might. Consequently, leaders promote favorable images of the state in order to attract allies and win support for their policies. Jing Sun, an expert on international relations and a former journalist, refers to such soft power campaigns as "charm offensives."
Sun focuses on the competition between China and Japan for the allegiance of South Korea, Taiwan, and other states in the region. He finds that, instead of adopting a one-size-fits-all approach, the Chinese and the Japanese deploy customized charm campaigns for each target state, taking into consideration the target's culture, international position, and political values. He then evaluates the effectiveness of individual campaigns from the perspective of the target state, on the basis of public opinion polls, media coverage, and the response from state leaders.
A deep, comparative study, Japan and China as Charm Rivals enriches our understanding of soft power by revealing deliberate image campaign efforts and offering a method for assessing the effectiveness of such charm offensives.
In spring of 1960, Japan’s government passed Anpo, a revision of the postwar treaty that allows the United States to maintain a military presence in Japan. This move triggered the largest popular backlash in the nation’s modern history. These protests, Nick Kapur argues in Japan at the Crossroads, changed the evolution of Japan’s politics and culture, along with its global role.
The yearlong protests of 1960 reached a climax in June, when thousands of activists stormed Japan’s National Legislature, precipitating a battle with police and yakuza thugs. Hundreds were injured and a young woman was killed. With the nation’s cohesion at stake, the Japanese government acted quickly to quell tensions and limit the recurrence of violent demonstrations. A visit by President Eisenhower was canceled and the Japanese prime minister resigned. But the rupture had long-lasting consequences that went far beyond politics and diplomacy. Kapur traces the currents of reaction and revolution that propelled Japanese democracy, labor relations, social movements, the arts, and literature in complex, often contradictory directions. His analysis helps resolve Japan’s essential paradox as a nation that is both innovative and regressive, flexible and resistant, wildly imaginative yet simultaneously wedded to tradition.
As Kapur makes clear, the rest of the world cannot understand contemporary Japan and the distinct impression it has made on global politics, economics, and culture without appreciating the critical role of the “revolutionless” revolution of 1960—turbulent events that released long-buried liberal tensions while bolstering Japan’s conservative status quo.
"Knowing Japan and the Japanese better," Louis Frédéric states in the introduction to this encyclopedia, "is one of the necessities of modern life." The Japanese have a profound knowledge of every aspect and detail of Western societies. Unfortunately, we in the West cannot say the same about our knowledge of Japan. We tend to see Japan through a veil of exoticism, as a land of ancient customs and exquisite arts; or we view it as a powerful contributor to the global economy, the source of cutting-edge electronics and innovative management techniques. To go beyond these clichés, we must begin to see how apparently contradictory aspects of modern Japanese culture spring from the country's evolution through more than two millennia of history.
This richly detailed yet concise encyclopedia is a guide to the full range of Japanese history and civilization, from the dawn of its prehistory to today, providing clear and accessible information on society and institutions, commerce and industry, sciences, sports, and politics, with particular emphasis on religion, material culture, and the arts. The volume is enhanced by maps and illustrations, along with a detailed chronology of more than 2,000 years of Japanese history and a comprehensive bibliography. Cross-references and an index help the reader trace themes from one article to the next.
Japan Encyclopedia will be an indispensable one-volume reference for students, scholars, travelers, journalists, and anyone who wishes to learn more about the past and present of this great world civilization.
No nation was more deeply affected by America’s rise to world power than Japan. President Franklin Roosevelt’s uncompromising policy of unconditional surrender led to the catastrophic finale of the Asia-Pacific War and the most intrusive international reconstruction of another nation in modern history. Japan in the American Century examines how Japan, with its deeply conservative heritage, responded to the imposition of a new liberal order.
The price Japan paid to end the occupation was a cold war alliance with the United States that ensured America’s dominance in the region. Still traumatized by its wartime experience, Japan developed a grand strategy of dependence on U.S. security guarantees so that the nation could concentrate on economic growth. Yet from the start, despite American expectations, Japan reworked the American reforms to fit its own circumstances and cultural preferences, fashioning distinctively Japanese variations on capitalism, democracy, and social institutions.
Today, with the postwar world order in retreat, Japan is undergoing a sea change in its foreign policy, returning to an activist, independent role in global politics not seen since 1945. Distilling a lifetime of work on Japan and the United States, Kenneth Pyle offers a thoughtful history of the two nations’ relationship at a time when the character of that alliance is changing. Japan has begun to pull free from the constraints established after World War II, with repercussions for its relations with the United States and its role in Asian geopolitics.
Among the many topics covered are: racism in U.S.-Japanese relations; productivity and workplace discourse; Western cultural hegemony; the constructing of a Japanese cultural history; and the place of the novelist in today's world. Originally published as a special issue of boundary 2 (Fall 1991), this edition includes four new essays on Japanese industrial revolution; the place of English studies in Japan; how American cultural, historical, and political discourse represented Japan and in turn how America's version of Japan became Japan's version of itself; and an "archaeology" of hegemonic relationships between Japan and America and Britain in the first half of the twentieth century.
Contributors. Eqbal Ahmad, Perry Anderson, Bruce Cumings, Arif Dirlik, H.D. Harootunian, Kazuo Ishuro, Fredric Jameson, Kojin Karatani, Oe Kenzaburo, Masao Miyoshi, Tetsuo Najita, Leslie Pincus, Naoki Sakai, Miriam Silverberg, Christena Turner, Rob Wilson, Mitsuhiro Yoshimoto
Japan’s U.S.–imposed postwar constitution renounced the use of offensive military force, but, as Sheila Smith shows, a nuclear North Korea and an increasingly assertive China have the Japanese rethinking that commitment, and their reliance on United States security.
Japan has one of Asia’s most technologically advanced militaries and yet struggles to use its hard power as an instrument of national policy. The horrors of World War II continue to haunt policymakers in Tokyo, while China and South Korea remain wary of any military ambitions Japan may entertain. Yet a fundamental shift in East Asian geopolitics has forced Japan to rethink the commitment to pacifism it made during the U.S. occupation. It has increasingly flexed its muscles—deploying troops under UN auspices, participating in coercive sanctions, augmenting surveillance capabilities, and raising defense budgets.
Article Nine of Japan’s constitution, drafted by U.S. authorities in 1946, claims that the Japanese people “forever renounce the use of force as a means of settling international disputes.” When Prime Minister Shinzo Abe broke this taboo by advocating revision of Article Nine, public outcry was surprisingly muted. The military, once feared as a security liability, now appears to be an indispensable asset, called upon with increasing frequency and given a seat at the policymaking table.
In Japan Rearmed Sheila Smith argues that Japan is not only responding to increasing threats from North Korean missiles and Chinese maritime activities but also reevaluating its dependence on the United States. No longer convinced that they can rely on Americans to defend Japan, Tokyo’s political leaders are now confronting the possibility that they may need to prepare the nation’s military for war.
“Washington’s relationship with Tokyo is generally considered the most important of the United States’ 70-odd alliances. In this intimately knowledgeable book, Smith shows how that alliance looks to the Japanese: increasingly unreliable.”—Andrew J. Nathan, Foreign Affairs
“Masterfully traces the interplay of Japan’s military heritage, politics, national sentiment, threats, and alliance with the United States in the formation and development of the Self-Defense Force. Even experts will find new information and insights.”—Admiral Dennis Blair, US Navy (Ret.), former Commander-in-Chief, US Pacific Command
“A must-read for US policymakers responsible for Asia.” —J. Thomas Schieffer, former US Ambassador to Japan
“A highly readable and richly detailed account of Japan’s rearmament and the politics surrounding it.”—Journal of American–East Asian Relations
Japan has one of Asia’s most technologically advanced militaries, yet it has struggled to use its hard power as an instrument of national policy. The horrors of World War II continue to haunt policymakers in Tokyo, but a fundamental shift in East Asian geopolitics has forced Japan to rethink its commitment to pacifism. Its military, once feared as a security liability, now appears to be an indispensable asset.
In Japan Rearmed, Sheila Smith argues that Japan is not only responding to threats from North Korean missiles and Chinese maritime activities, it is fundamentally reevaluating its dependence on the United States as its leaders confront the very real possibility that they may soon need to prepare for war.
In the late nineteenth century, Japan's modernizing quest for empire transformed midwifery into a new woman's profession. With the rise of Japanese immigration to the United States, Japanese midwives (sanba) served as cultural brokers as well as birth attendants for Issei women. They actively participated in the creation of Japanese American community and culture as preservers of Japanese birthing customs and agents of cultural change.
Japanese American Midwives reveals the dynamic relationship between this welfare state and the history of women and health. Susan L. Smith blends midwives' individual stories with astute analysis to demonstrate the impossibility of clearly separating domestic policy from foreign policy, public health from racial politics, medical care from women's caregiving, and the history of women and health from national and international politics. By setting the history of Japanese American midwives in this larger context, Smith reveals little-known ethnic, racial, and regional aspects of women's history and the history of medicine.
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