A SCHOLARLY BOOK REPOSITORY
This book finally brings Eggert’s writings out of the archives and into the public eye. With his keen photographer’s vision and colloquial voice, Eggert describes canyons and towns now deep under water as he tells the story of friendships forged upon the rapids and currents of the rivers. Roy Webb’s foreword provides historical context; river historian Alfred E. Holland Jr. introduces Eggert, the man who transformed into an environmentalist after visiting the West; and Sarah Holcombe’s afterword looks at what transpired in the lives of all eight crew members after the journey. Color and black-and-white illustrations further enliven the text. An engaging read, this is an important piece of river history that also shines light on Eggert’s tremendous influence as a conservation cinematographer.
An incomparable interdisciplinary study of the history of Judah
Experts from a variety of disciplines examine the history of Judah during the seventh century BCE, the last century of the kingdom’s existence. This important era is well defined historically and archaeologically beginning with the destruction layers left behind by Sennacherib’s Assyrian campaign (701 BCE) and ending with levels of destruction resulting from Nebuchadnezzar’s Babylonian campaign (588-586 BCE). Eleven essays develop the current ongoing discussion about Judah during this period and extend the debate to include further important insights in the fields of archaeology, history, cult, and the interpretation of Old Testament texts.
Features
- A new chronological frame for the Iron Age IIB-IIC
- Close examinations of archaeology, texts, and traditions related to the reigns of Hezekiah, Manasseh, and Josiah
- An evaluation of the religious, cultic, and political landscape < /UL>
The history of Nine Mile Canyon is not so much a story of those who lived and died there as it is of those whose came with dreams and left broke and disillusioned, although there were exceptions. Sam Gilson, the irascible U.S. marshal and famed polygamist hunter, became wealthy speculating in a hydrocarbon substance bearing his name, Gilsonite, a form of asphalt. The famed African American Buffalo Soldiers constructed a freight road through the canyon that for a time turned the Nine Mile Road into one of the busiest highways in Utah. Others who left their mark include famed outlaw hunter Joe Bush, infamous bounty hunter Jack Watson, the larger-than-life cattle baron Preston Nutter, and Robert Leroy Parker (known to most as Butch Cassidy).
Winner of the Charles Redd Center Clarence Dixon Taylor Historical Research Award.
Set along the Sahara’s edge, Sijilmasa was an African El Dorado, a legendary city of gold. But unlike El Dorado, Sijilmasa was a real city, the pivot in the gold trade between ancient Ghana and the Mediterranean world. Following its emergence as an independent city-state controlling a monopoly on gold during its first 250 years, Sijilmasa was incorporated into empire—Almoravid, Almohad, and onward—leading to the “last civilized place” becoming the cradle of today’s Moroccan dynasty, the Alaouites. Sijilmasa’s millennium of greatness ebbed with periods of war, renewal, and abandonment. Today, its ruins lie adjacent to and under the modern town of Rissani, bypassed by time.
The Moroccan-American Project at Sijilmasa draws on archaeology, historical texts, field reconnaissance, oral tradition, and legend to weave the story of how this fabled city mastered its fate. The authors’ deep local knowledge and interpretation of the written and ecological record allow them to describe how people and place molded four distinct periods in the city’s history. Messier and Miller compare models of Islamic cities to what they found on the ground to understand how Sijilmasa functioned as a city. Continuities and discontinuities between Sijilmasa and the contemporary landscape sharpen questions regarding the nature of human life on the rim of the desert. What, they ask, allows places like Sijilmasa to rise to greatness? What causes them to fall away and disappear into the desert sands?
After decades of bloodshed and political terror, many lament the rise of the left in Latin America. Since the triumph of Castro, politicians and historians have accused the left there of rejecting democracy, embracing communist totalitarianism, and prompting both revolutionary violence and a right-wing backlash. Through unprecedented archival research and gripping personal testimonies, Greg Grandin powerfully challenges these views in this classic work. In doing so, he uncovers the hidden history of the Latin American Cold War: of hidebound reactionaries holding on to their power and privilege; of Mayan Marxists blending indigenous notions of justice with universal ideas of equality; and of a United States supporting new styles of state terror throughout the region.
With Guatemala as his case study, Grandin argues that the Latin American Cold War was a struggle not between political liberalism and Soviet communism but two visions of democracy—one vibrant and egalitarian, the other tepid and unequal—and that the conflict’s main effect was to eliminate homegrown notions of social democracy. Updated with a new preface by the author and an interview with Naomi Klein, The Last Colonial Massacre is history of the highest order—a work that will dramatically recast our understanding of Latin American politics and the role of the United States in the Cold War and beyond.
“This work admirably explains the process in which hopes of democracy were brutally repressed in Guatemala and its people experienced a civil war lasting for half a century.”—International History Review
“A richly detailed, humane, and passionately subversive portrait of inspiring reformers tragically redefined by the Cold War as enemies of the state.”—Journal of American History
On October 7, 1944, a group of Jewish prisoners in Auschwitz obtained explosives and rebelled against their Nazi murderers. It was a desperate uprising that was defeated by the end of the day. More than four hundred prisoners were killed. Filling a gap in history, The Last Consolation Vanished is the first complete English translation and critical edition of one prisoner’s powerful account of life and death in Auschwitz, written in Yiddish and buried in the ashes near Crematorium III.
Zalmen Gradowski was in the Sonderkommando (special squad) at Auschwitz, a Jewish prisoner given the unthinkable task of ushering Jewish deportees into the gas chambers, removing their bodies, salvaging any valuables, transporting their corpses to the crematoria, and destroying all evidence of their murders. Sonderkommandos were forcibly recruited by SS soldiers; when they discovered the horror of their assignment, some of them committed suicide or tried to induce the SS to kill them. Despite their impossible situation, many Sonderkommandos chose to resist in two interlaced ways: planning an uprising and testifying. Gradowski did both, by helping to lead a rebellion and by documenting his experiences. Within 120 scrawled notebook pages, his accounts describe the process of the Holocaust, the relentless brutality of the Nazi regime, the assassination of Czech Jews, the relationships among the community of men forced to assist in this nightmare, and the unbearable separation and death of entire families, including his own. Amid daily unimaginable atrocities, he somehow wrote pages that were literary, sometimes even lyrical—hidden where and when one would least expect to find them.
The October 7th rebellion was completely crushed and Gradowski was killed in the process, but his testimony lives on. His extraordinary and moving account, accompanied by a foreword and afterword by Philippe Mesnard and Arnold I. Davidson, is a voice speaking to us from the past on behalf of millions who were silenced. Their story must be shared.
“Ruven Preuk stands apart from the village, on an August day in 1911, and listens.” Thus begins an epic bildungsroman about the life of Ruven Preuk, son of the wainwright, child of a sleepy village in Germany’s north, where life is both simple and harsh.
Ruven, though, is neither. He has the ability to see sounds, leading him to discover an uncanny gift for the violin. When he meets a talented teacher in the Jewish quarter, Ruven falls under the spell of a prodigious future. But as the twentieth century looms, Ruven’s pursuit of his craft takes a turn. In The Last Country, Svenja Leiber spins a tale that moves from the mansions of a disappearing aristocracy to a communist rebellion, from a joyous village wedding to a Nazi official’s threats, from the First World War to the Second. As the world Ruven knows disappears, the gifted musician must grapple with an important question: to what end has he devoted himself to his art?
Winner of the 2015 Arno Reinfrank Literaturpreis
Chude-Sokei makes the crucial argument that Williams’s minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the “darky,” he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating “black” with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American–dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the “Negro” in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.
2021 — Honorable Mention, Best Fiction Book Translation – International Latino Book Awards, Latino Literacy Now
Winner of the Tusquets Prize in 2015 and previously translated into French, German, Dutch, Polish, and Portuguese, Alberto Barrera Tyszka’s Patria o muerte is now available in English.
President Hugo Chávez’s cancer looms large over Venezuela in 2012, casting a shadow of uncertainty and creating an atmosphere of secrets, lies, and upheaval across the country. This literary thriller follows the connected lives of several Caracas neighbors consumed by the turmoil surrounding the Venezuelan president’s impending death.
Retired oncologist Miguel Sanabria, seeing the increasingly combustible world around him, feels on constant edge. He finds himself at odds with his wife, an extreme anti-Chavista, and his radical Chavista brother. These feelings grow when his nephew asks him to undertake the perilous task of hiding cell-phone footage of Chávez in Cuba. Fredy Lecuna, an unemployed journalist, takes a job writing a book about Chávez’s condition, which requires him to leave for Cuba while his landlord attempts to kick his wife and son out of their apartment. Nine-year-old María, long confined to an apartment with a neurotic mother intensely fearful of the city’s violence, finds her only contact with the outside world through a boy she messages online.
"From exhaustive research [Trevor-Roper] has put together a carefully documented, irrefutable, and unforgettable reconstruction of the last days in April, 1945."—New Republic
"A book sound in its scholarship, brilliant in its presentation, a delight for historians and laymen alike."—A. J. P. Taylor, New Statesman
With her sensitive prose and innate sense of drama, French-Lebanese writer Vénus Khoury-Ghata brings Mandelstam back to life and allows him to have the last word—proving that literature is one of the surest means to fight against barbarism.
A Classic Account of America’s Greatest Field General at the End of World War II—and the Mystery Surrounding His Death
“It would be as hard to give up all thought [of being a soldier] as it would be to stop breathing,” wrote George S. Patton in October 1945; “The great tragedy of my life was that I survived the last battle.” But Patton would not see the year out: in December he would die as a result of injuries sustained in an automobile accident in Germany. His unexpected death sent shock waves through the American and Russian commands. It seemed plausible that America’s greatest general may have been a victim of foul play. In the seven months following the German surrender, Patton had openly and provocatively criticized the Soviet Union and appeared to have transformed from a staunch anti-Nazi to a Nazi sympathizer. The Last Days of Patton by Ladislas Farago, a follow-up to his bestselling Patton: Ordeal and Triumph, attempts to reconstruct the last months of Patton’s life in order to determine if the general did indeed try to provoke a war with the Soviet Union and whether he failed to sufficiently de-Nazify the area of Germany under his jurisdiction. Farago also investigates the possibility of a conspiracy to murder Patton and reveals the role other prominent men, including Eisenhower, Montgomery, Marshall, and MacArthur, had in censuring and ultimately removing Patton from active service. The Last Days of Patton, originally published in 1981, is the story of the general’s final battle—a professional soldier caught up in the changing politics of the emerging Cold War and new reality of the atomic age.
On May 8, 1902, Mont Pelée on the island of Martinique exploded. A deadly cloud of steam and ash churned through plantations and villages, flattened the grand city of St. Pierre, then thundered into the bay where it sank eighteen ships and hundreds of smaller craft. Within a minute or two, nearly 30,000 humans died. The splintered rubble of their homes and belongings burned for three days, and the world began to understand the awesome power of nuées ardentes, glowing avalanches of hot gas and debris that sweep down the slopes of volcanoes, instantly steaming to death anything in its path. The enormous death toll was particularly tragic because it was avoidable. Had it not been for an unfortunate combination of scientific misjudgment and political hubris, most of the victims would have escaped.
In The Last Days of St. Pierre, Ernest Zebrowski Jr. counts down the days leading up to the catastrophe, and unfolds a tale intertwining human foolishness and heroism with the remarkable forces of nature. Illustrations contrast life in Martinique before and after the eruption, and eyewitness accounts bring the story to life.
Although it seems a long time since the destruction of St. Pierre, it is a mere blink of an eye in our planet’s geological history. Mont Pelée will erupt again, as will Vesuvius, Krakatau, St. Helens, Thera, and most other infamously fatal volcanoes, and human lives will again be threatened. The St. Pierre disaster has taught us much about the awesome power of volcanic forces and the devastation they can bring.
Noack-Mosse's aim in documenting the horrors of daily life within Theresienstadt was to ensure that such a catastrophe could never be repeated. She also gathered from surviving inmates information about earlier events within the walled fortress, witnessed the defeat and departure of the Nazis, saw the arrival of the International Red Cross and the Soviet Army takeover of the camp and town, assisted in administration of the camp's closure, and aided displaced persons in discovering the fates of their family and friends. After the war ended, and she returned home, Noack-Mosse cross-referenced her data with that of others to provide evidence of Nazi crimes. At least 35,000 people died at Theresienstadt and another 90,000 were sent on to death camps.
In 2003, after serving five and a half years as a carpenter in a North Dakota National Guard engineer unit, Bronson Lemer was ready to leave the military behind. But six months short of completing his commitment to the army, Lemer was deployed on a yearlong tour of duty to Iraq. Leaving college life behind in the Midwest, he yearns for a lost love and quietly dreams of a future as an openly gay man outside the military. He discovers that his father’s lifelong example of silent strength has taught him much about being a man, and these lessons help him survive in a war zone and to conceal his sexuality, as he is required to do by the U.S. military.
Finalist, Minnesota Book Awards
Finalist, Over the Rainbow Selection, American Library Association
Amazon Top Ten 10 Gay & Lesbian Books of 2011
Mitchell aims to trace the cultural family tree of the dinosaur, and what he discovers is a creature of striking flexibility, linked to dragons and mammoths, skyscrapers and steam engines, cowboys and Indians. In the vast territory between the cunning predators of Jurassic Park and the mawkishly sweet Barney, from political leviathans to corporate icons, from paleontology to Barnum and Bailey, Mitchell finds a cultural symbol whose plurality of meaning and often contradictory nature is emblematic of modern society itself. As a scientific entity, the dinosaur endured a near-eclipse for over a century, but as an image it is enjoying its widest circulation. And it endures, according to Mitchell, because it is uniquely malleable, a figure of both innovation and obsolescence, massive power and pathetic failure—the totem animal of modernity.
Drawing unforeseen and unusual connections at every turn between dinosaurs real and imagined, The Last Dinosaur Book is the first to delve so deeply, so insightfully, and so enjoyably into our modern dino-obsession.
This book looks at how we got here and what we can and should do next. Laying out the complex arguments surrounding water, its ownership and access to it, Mike Gonzalez and Marianella Yanes make the technical and scientific aspects of the discussion clear and accessible—and thereby enable themselves to make the political questions more urgent. Pushing back against the market fundamentalists, the authors argue that it is both possible and necessary that considerations of equity and social justice prevail in the debates about water. Powerful and polemical, The Last Drop will be a vital resource for water activists worldwide.
This book is the result of a conference organised by the Contemporary Portuguese Political History Research Centre (CPHRC) and the University of Dundee that took place during September 2000. The purpose of this conference, and the resulting book, was to bring together various experts in the field to analyse and debate the process of Portuguese decolonisation, which was then 25 years old, and the effects of this on the Portuguese themselves. For over one century, the Portuguese state had defined its foreign policy on the basis of its vast empire &endash; this was the root of its 'Atlanticist' vision. The outbreak of war of liberation in its African territories, which were prompted by the new international support for self determination in colonised territories, was a serious threat that undermined the very foundations of the Portuguese state. This book examines the nature of this threat, how the Portuguese state initially attempted to overcome it by force, and how new pressures within Portuguese society were given space to emerge as a consequence of the colonial wars.
This is the first book that takes a multidisciplinary look at both the causes and the consequences of Portuguese decolonisation &endash; and is the only one that places the loss of Portugal's Eastern Empire in the context of the loss of its African Empire. Furthermore, it is the only English language book that relates the process of Portuguese decolonisation with the search for a new Portuguese vision of its place in the world.
This book is intended for anyone who is interested in regime change, decolonisation, political revolutions and the growth and development of the European Union. It will also be useful for those who are interested in contemporary developments in civil society and state ideologies. Given that a large part of the book is dedicated to the process of change in the various countries of the former Portuguese Empire, it will also be of interest to students of Africa. It will be useful to those who study decolonisation processes within the other former European Empires, as it provides comparative detail. The book will be most useful to academic researchers and students of comparative politics and area studies.
This book serves as a memorial to loved ones who do not even have a grave, as well as a tribute to those who risked their lives and families to save a Jewish child. A wide variety of experiences during the Nazi occupation of Poland are related with wrenching simplicity and candor, experiences that illustrate horrors and deprivation, but also present examples of courage and compassion.
These recollections-whether of hiding in forests or camouflaged bunkers, fighting with groups of partisans, enduring the horrors of concentration camps, or living in fear under disguised identities-serve as eloquent testimony to the depth, diversity, and richness of humanity under siege and offer a powerful lesson for future generations. Written by people who remained in Poland after the war, these accounts convey a great immediacy; the authors are not removed from the environment in which these experiences took place. The psychological impact on these child survivors and the difficulties they encountered even after the war are very poignant. The passing years have brought urgency to the publication of these stories, as those who wrote them are the last surviving eyewitnesses of these tumultuous events.
In Last Flight from Singapore, Donahue tells his dramatic story, accompanied by photographs he took himself, of the intense and futile battle against the Japanese for control of the gateway to the Malay Peninsula. He continues his story through his convalescence to his return to England, where he once again began patrols over Europe. The manuscript for Last Flight from Singapore was found among his effects after he did not return from a patrol in 1942 and was presumed lost.
Civilization has collapsed after World War XII, dogs have deserted their masters, all the groves and gardens have been destroyed, and love has vanished from the earth. Then one day, "a young girl who had never seen a flower chanced to come upon the last one in the world." Written among the sorrow and chaos of war, dedicated to this only child " in the wistful hope that her world will be better than mine." The new printing will feature new scans of Thurber's original 1939 drawings.
Covering a range of disciplinary perspectives—geography, political science, anthropology, American studies, literary studies, and environmental studies—these essays contend that U.S. policies to curtail immigration and drug trafficking along the Mexican border are ineffective. George W. Bush’s call for a volunteer security force has legitimized a vigilante presence through the formation of Minutemen civilian border patrols, in addition to larger numbers of Border Patrol agents and expanded detention centers. One contributor argues that, due to the increasingly dangerous border-crossing conditions, more undocumented immigrants are remaining in the United States year-round rather than following the traditional seasonal pattern of work and returning to Mexico. Another contributor interviews drug smugglers and government officials, revealing the gap between reality and the claims of success by the U.S. government in the “war on drugs.” Focusing on the social justice movement Ni Una Mas (Not One More), one essay delves into the controversy over the unsolved murders of hundreds of young women in the border town of Ciudad Juárez and the refusal of the government to investigate these murders properly. Other essays consider instances of resistance and activism—ranging from political movements and protests by NGOs to artistic expression through alternative narratives, poetry, and photography—against the consequences of neoliberalism on the border and its populations.
Contributors. Ana M. Manzanas Calvo, Alicia Schmidt Camacho, Arturo Dávila, Sarah Hill, Jane Juffer, Laura Lewis, Alejandro Lugo, Tony Payan, Claudia Sadowski-Smith, Santiago Vaquera, Melissa Wright
Ronnie Earle was a Texas legend. During his three decades as the district attorney responsible for Austin and surrounding Travis County, he prosecuted corrupt corporate executives and state officials, including the notorious US congressman Tom DeLay. But Earle maintained that the biggest case of his career was the one involving Frank Hughey Smith, the ex-convict millionaire, alleged criminal mastermind, and Dixie Mafia figure.
With the help of corrupt local authorities, Smith spent the 1970s building a criminal empire in auto salvage and bail bonds. But there was one problem: a rival in the salvage business threatened his dominance. Smith hired arsonists to destroy the rival; when they botched the job, he sent three gunmen, but the robbery they planned was a bloody fiasco. Investigators were convinced that Smith was guilty, but many were skeptical that the newly elected and inexperienced Earle could get a conviction. Amid the courtroom drama and underworld plots the book describes, Willie Nelson makes a cameo. So do the private eyes, hired guns, and madams who kept Austin not only weird but also riddled with vice. An extraordinary true story, Last Gangster in Austin paints an unusual picture of the Texas capital as a place that was wild, wonderful, and as crooked as the dirt road to paradise.
Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors—Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis—could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide.
The Last Great Colonial Lawyer presents a portrait of Gridley against the background of his times. Religious controversies enter into this narrative, as do colonial wars and the increasing strains with Great Britain, but Charles R. McKirdy also rescues from the footnotes of time subjects such as the smallpox epidemic of 1721 and the currency crisis of the 1740s. Because Gridley was above all a lawyer, the primary focus is on his cases, which illuminate in a unique and very human way attitudes regarding race, status, commerce, property, and power.
No person involved in so much history received so little attention as the late Robert C. Byrd, the longest-serving U.S. senator. In The Last Great Senator, David A. Corbin examines Byrd’s complex and fascinating relationships with eleven presidents of the United States, from Eisenhower to Obama. Furthermore, Byrd had an impact on nearly every significant event of the last half century, including the Cold War, the civil rights movement, the Vietnam War, Kennedy’s New Frontier, the Watergate scandal, the Reagan Revolution, the impeachment of President Clinton, and the Iraq War. Holding several Senate records, Byrd also cast more votes than any other U.S. senator.
In his sweeping portrait of this eloquent and persuasive man’s epic life and career, Corbin describes Senator Byrd’s humble background in the coalfields of southern West Virginia (including his brief membership in the Ku Klux Klan). He covers Byrd’s encounters and personal relationship with each president and his effect on events during their administrations. Additionally, the book discusses Byrd’s interactions with other notable senators, including Lyndon B. Johnson, Richard Russell, Mike Mansfield, and especially Robert and Edward Kennedy. Going beyond the boundaries of West Virginia and Capitol Hill, The Last Great Senator presents Byrd in a larger historical context, where he rose to the height of power in America.
Last Great Wilderness chronicles their fight and that of their compatriots, tracing the transformation of this little-known expanse of mountains, forest, and tundra into a symbolic landscape embodying the ideals and aspirations that led to passage of the Wilderness Act in 1964.
For Janowitz, social control denotes a society's capacity to regulate itself within a moral framework that transcends simple self-interest. He poses urgent questions: Why has social control been so drastically weakened in our advanced industrial society? And what strategies can we use to strengthen it again?
The expanation rests in part on the changes in social structure which make it more and more complicated for citizens to calculate their political self-interest. At the same time, complex economic and defense problems also strain an already overburdened legislative system, making effective, responsive political rule increasingly difficult.
Janowitz concludes by assessing the response of the social sciences to the pressing problem of social control and asserts that new forms of citizen participation in the government must be found.
A refreshingly honest, lovingly crafted work, The Last Happy Occasion is a treasure map for anyone interested in exploring the intersections of life and art.
"The Last Happy Occasion is touching and intelligent, emotionally satisfying and eloquent testimony to the power of poetry to instruct, heal and inspire."—Emily Barton, New York Times Book Review
"Shapiro, not unlike Auden, doses his wordplay with a certain sly irony. . . . We come away from Shapiro's book with an intimate appreciation of the little subversions that poetry can work in one's life."—Jonathan Kirsch, Los Angeles Times
"He is an acute observer of moments, people, art and language. And he packs even seemingly simple stories with many layers of meaning. . . . He shows us the power and importance of transformative art in life."—Publishers Weekly, starred review
"The literary criticism is sharp, but what enthralls the reader more is Shapiro's humorous but honest perspective on his younger self, a perspective that is critical without being condescending."—Heller McAlpin, Newsday
The Last House at Bridge River offers a comprehensive archaeological study of a single-house floor and roof deposit dated to approximately 1835–1858 C.E. Although the Fur Trade period of the nineteenth century was a time of significant change for aboriginal peoples in the Pacific Northwest, it is a period that is poorly understood. These studies of Housepit 54 at the Bridge River site offer new insights, revealing that ancestors of today’s St’át’imc people were actively engaged in maintaining traditional lifestyles and making the best of new opportunities for trade and intergroup interaction.
Among its major contributions, the book includes a first-ever historical ecology of the Middle Fraser Canyon that places aboriginal and Euro-Canadian history in ecological context. It demonstrates that an integrated multidisciplinary approach to archaeological research can achieve insights well beyond what is known from the ethnographic and historical records. Because the project derives from a long-term partnership between the University of Montana and the Bridge River Indian Band, it illustrates the value of collaborations between archaeologists and First Nations. Together, contributors present a Fur Trade period aboriginal society at a level of intimacy unparalleled elsewhere.
Not quite a roman á clef of notorious Boston mayor James Michael Curley, The Last Hurrah tells the story of Skeffington’s final campaign as witnessed through the eyes of his nephew, who learns a great deal about politics as he follows his uncle to fundraisers, wakes, and into smoke-filled rooms, ultimately coming—almost against his will—to admire the man. Adapted into a 1958 film starring Spencer Tracy and directed by John Ford (and which Curley tried to keep from being made), Edwin O’Connor’s opus reveals politics as it really is, and big cities as they really were. An expansive, humorous novel offering deep insight into the Irish-American experience and the ever-changing nature of the political machine, The Last Hurrah reveals political truths still true today: what the cameras capture is just the smiling face of the sometimes sordid business of giving the people what they want.
The Arctic of towering icebergs and midnight sun, of flaming auroras and endless winter nights, has long provoked flights of the imagination. Now, in The Last Imaginary Place, renowned archeologist Robert McGhee lifts the veil to reveal the true Arctic world. Based on thirty years of work with native peoples of the Arctic and travel in the region, McGhee’s account dispels notions of the frozen land as an exotic, remote world that exists apart from civilization.
Between the frigid reality and lurid fantasy lies McGhee’s true interest, the people who throughout human history have called the Arctic home. He paints a vivid portrait of Viking farmers, entrepreneurial Inuit, and Western explorers who have been seduced by the natural wealth and haunting beauty of this land. From lively accounts of fur trading, ivory hunting, and whaling to white-knuckle tales of the first, doomed expeditions, McGhee takes the reader on a whirlwind journey across this disorienting, dreamlike terrain that has fascinated mankind for centuries.
“In prose infused by his position as curator of Arctic archaeology at the Canadian Museum of Civilization—which has taken him to sites in several countries—McGhee demolishes some persistent illusions about the white North . . . evocative.”—Times Literary Supplement
“[A] compelling account . . . [McGhee] believes that the Arctic is not so much a region as a dream—what he sees as a dream of a unique, attractive world . . . An archaeologist who has spent thirty years there, the author lets his love for the region shine through on every page.—Booklist
“McGhee displays the powerful attractions of the top of the world . . . [his] prose . . . sparkles like frost in the midnight sun.”—Financial Times
“McGhee has written a sensitive, fascinating and extremely important book.”—Canadian Geographic
The personal, historical, and artistic are all in dialogue in David Mura’s daring collection, The Last Incantations. In a variety of poetic modes, Mura harmonizes and contrasts multiple voices to form a powerful meditation. Certain poems speak from his experiences as a third-generation Japanese American and his family’s struggles to prove their "Americanness." Others speak from the intersections of our multiracial society—an Asian teenager in love with a Somali Muslim girl, an apostrophe to Richard Pryor, poems about a Palestinian American friend, Abu Ghraib, the hapa sculptor Isamu Noguchi. The result is a sustained multifoliate poetry, bursting with elegance, heartache, and truth.
Once upon a time, Baghdad was home to a flourishing Jewish community. More than a third of the city's people were Jews, and Jewish customs and holidays helped set the pattern of Baghdad's cultural and commercial life. On the city's streets and in the bazaars, Jews, Muslims, and Christians—all native-born Iraqis—intermingled, speaking virtually the same colloquial Arabic and sharing a common sense of national identity. And then, almost overnight it seemed, the state of Israel was born, and lines were drawn between Jews and Arabs. Over the next couple of years, nearly the entire Jewish population of Baghdad fled their Iraqi homeland, never to return.
In this beautifully written memoir, Nissim Rejwan recalls the lost Jewish community of Baghdad, in which he was a child and young man from the 1920s through 1951. He paints a minutely detailed picture of growing up in a barely middle-class family, dealing with a motley assortment of neighbors and landlords, struggling through the local schools, and finally discovering the pleasures of self-education and sexual awakening. Rejwan intertwines his personal story with the story of the cultural renaissance that was flowering in Baghdad during the years of his young manhood, describing how his work as a bookshop manager and a staff writer for the Iraq Times brought him friendships with many of the country's leading intellectual and literary figures. He rounds off his story by remembering how the political and cultural upheavals that accompanied the founding of Israel, as well as broad hints sent back by the first arrivals in the new state, left him with a deep ambivalence as he bid a last farewell to a homeland that had become hostile to its native Jews.
This volume comprises two short works, originally published separately, which describe the Last Judgment as Swedenborg claims to have witnessed it over the course of many months in 1757. In Last Judgment, first published in 1758, Swedenborg lays out how and why the Last Judgment occurred, explaining that history can be divided into a series of spiritual ages or churches. At the end of each age, evil threatens to overwhelm both the physical and the spiritual worlds, and the Lord restores balance between good and evil with a “Last Judgment.” Thus the 1757 Last Judgment, Swedenborg says, applied only to the souls of people who had lived since the time of Christ, and the reformation of the spiritual world allowed humanity to enter the next age with a new understanding of religion. In the second half of Last Judgment, Swedenborg describes how various types of people were judged, a theme he continues in the 1763 short work Supplements.
The new spiritual age that Swedenborg saw emerging during his lifetime is one of the foundational themes in his theology (a theme he explores more deeply in his later work, Revelation Unveiled, which is a commentary on the book of Revelation). In Supplements, Swedenborg succinctly introduces his understanding of the connection between heaven and earth and of how that connection plays out over the course of human history.
Joué pour la première fois le lendemain de l’exécution de Marie-Antoinette, Le Jugement dernier des rois met en scène le procès burlesque des autres rois et reines d’Europe : exhibés et enchaînés tels des animaux, contraints de se battre pour un tonneau de biscuits, et finalement anéantis par l’éruption spectaculaire d’un volcan. Tel est le contexte scandaleux—tragédie et farce à la fois—de la pièce la plus célèbre de la Révolution française, bien connue de tous les spécialistes de cette période. Jusqu’à maintenant, pourtant, il n’existait ni édition critique ni traduction anglaise de cet ouvrage historique. Notre édition bilingue fait revivre la pièce de Maréchal et la replace au centre des plus grands débats chez les historiens de la Révolution, traitant de justice, religion, commémoration, comédie, et propagande. Provocateur, facile à lire, et concis—parfaitement adapté aux étudiants d’un cours de français ou d’histoire—Le Jugement dernier des rois propose ainsi une introduction idéale à la période révolutionnaire et à ses principales controverses.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Part crusader, part comedian, Jim Murray was a once-in-a-generation literary talent who just happened to ply his trade on newsprint, right near the box scores and race results. During his lifetime, Murray rose through the ranks of journalism, from hard-bitten 1940s crime reporter, to national Hollywood correspondent, to the top sports columnist in the United States. In Last King of the Sports Page: The Life and Career of Jim Murray, Ted Geltner chronicles Jim Murray’s experiences with twentieth-century American sports, culture, and journalism.
A slow parade of old west enthusiasts,
camp song and hymn, came in along the winding
way where rural declined to suburban, slow
riders and wagoners passing a cow staked
to graze, some penned cattle looking vacantly
up—not in vacant lots the ancient icons
of wealth they had been in odes, prayers and epics,
in sacrifices and customs of bride-price
or dowry. (It’s good people no longer make
blood sacrifices, at gas stations and stores,
for example, and in the crunching gravel
parking lots of small churches—oh but we do.)
“The evening forgives the alleyway,” Reginald Gibbons writes in his tenth book of poems—but such startling simplicities are overwhelmed in us by the everyday and the epochal. Across the great range of Gibbons’s emblematic, vividly presented scenes, his language looks hard at and into experience and feeling. Words themselves have ideas, and have eyes—inwardly looking down through their own meanings, as the poet considers a lake in the Canadian north, a Chicago neighborhood, a horse caravan in Texas, a church choir, a bookshelf, or an archeological dig on the steppes near the Volga River. The last lake is the place of both awe and elegy.
It is a fact that architecture "began with the tomb", yet, as Ken Worpole shows us in Last Landscapes, many historic cemeteries have been demolished or abandoned in recent times (notably the case with Jewish cemeteries in Eastern Europe), and there has been an increasing loss of inscription and memorialization in the modern urban cemetery. Too often cemeteries today are both poorly designed and physically and culturally marginalized. Worse, cremation denies a full architectural response to the mystery and solemnity of death.
The author explores how modes of disposal – burial, cremation, inhumation in mausoleums and wall tombs – vary across Europe and North America, according to religious and other cultural influences. And Last Landscapes raises profound questions as to how, in an age of mass cremation, architects and landscape designers might create meaningful structures and settings in the absence of a body, since for most of history the human body itself has provided the fundamental structural scale. This evocative book also contemplates other forms of memorialization within modern societies, from sculptures to parks, most notably the extraordinary Duisberg Park, set in a former giant steelworks in Germany’s Ruhr Valley.
The year Emerick turned 38, the suicide of a stranger compelled her to uproot her life and strike out for Alaska, taking a chance on love and home. She learned how to travel in a small yellow kayak along the rugged coast, contending with gales, high seas, and bears. She pondered the different meanings of home from the perspectives of people who were born along Alaska’s coast, the first peoples who had been there for generations, newcomers who chose this place for themselves, and the many who would eventually, inevitably leave. When she married a man from another island, convinced that love would stick, she soon learned that marriage is just as difficult to navigate as the ocean.
Divided into sections detailing the main kayaking strokes, with each stroke serving as metaphor for the lives we all pass through and the tools needed to stay afloat, this eloquent memoir speaks to the human need for connection—connection to place and to our fellow travelers casting their bubbles of light in the depths.
A Good Morning America Pick of the Week!
Born a German Jew in 1915, Rudy Baum was eighty-six years old when he sealed the garage door of his Dallas home, turned on the car ignition, and tried to end his life. After confronting her father’s attempted suicide, Karen Baum Gordon, Rudy’s daughter, began a sincere effort to understand the sequence of events that led her father to that dreadful day in 2002. What she found were hidden scars of generational struggles reaching back to the camps and ghettos of the Third Reich.
In The Last Letter: A Father’s Struggle, a Daughter’s Quest, and the Long Shadow of the Holocaust, Gordon explores not only her father’s life story, but also the stories and events that shaped the lives of her grandparents—two Holocaust victims that Rudy tried in vain to save in the late 1930s and early years of World War II. This investigation of her family’s history is grounded in eighty-eight letters written mostly by Julie Baum, Rudy’s mother and Karen’s grandmother, to Rudy between November 1936 and October 1941. In five parts, Gordon examines pieces of these well-worn, handwritten letters and other archival documents in order to discover what her family experienced during the Nazi period and the psychological impact that reverberated from it in the generations that followed.
Part of the Legacies of War series, The Last Letter is a captivating family memoir that spans events from the 1930s and Hitler’s rise to power, through World War II and the Holocaust, to the present-day United States. In recreating the fatal journeys of her grandparents and tracing her father’s efforts to save them an ocean away in America, Gordon discovers the forgotten fragments of her family’s history and a vivid sense of her own Jewish identity. By inviting readers along on this journey, Gordon manages to honor victim and survivor alike and shows subsequent generations—now many years after the tragic events of World War II—what it means to remember.
The Last Mask focuses on Hamann’s final work, Entkleidung und Verklärung (1786), which was consciously conceived of as an “Abschluss” of his “kleine Autorschaft” and a final defense against his critics. Equally philological and theoretical, it identifies a number of previously unnoticed manuscript alterations that help answer some long-standing questions in Hamann scholarship as well as open new doors for inquiry.
Importantly, the manuscripts show that Hamann is one of the earliest theorists of the virtual in our sense of the word today, using the word “virtualiter” to describe his own theory. He links this theory with the concept of the mask or disguise, and conceives of texts as fabrics or textiles composed of threads and strings. The philological focus is on Hamann’s understanding of intertextuality, and on the basis of his dominant string images his notion of virtuality is brought into conversation with Deleuze’s idea of a plane of immanence through the image of a skein of immanence, a knotted bundle of thread which solidifies into a three-dimensional virtual space—a new perspective in contemporary discussions surrounding the nature of virtuality.
“Cole does for Miles’s late work what Ian MacDonald’s Revolution in the Head does for the Beatles, examining each album in meticulous detail.”
—Time Out
“As with any good musical biography, Cole . . . made me think again about those albums such as Siesta, You’re Under Arrest, and The Man with the Horn that are now stashed in my attic.”
—London Times
“In the flurry of books since [Miles Davis’s] death, none has dealt in depth with the music of this period. Music writer George Cole fills this gap. . . . a rich and rewarding read.”
—Gazette (Montreal)
“A fascinating book.”
—Mojo
“A singular look into the last stage of Davis’s long, somewhat checkered career gained from various sources, which at the same time gives a picture of the modern music business.”
—Midwest Book Review
“There are large chunks of fresh material here. . . . Fill[s] in quite a few gaps and dismisses blanket condemnations of [Miles’s] pop phase.”
—Jazzwise
“Thank you for telling it like it was!”
—Randy Hall, singer and guitarist
“Very moving, emotional material.”
—Gordon Meltzer, Miles’s last road manager and executive producer of Doo-Bop
Roley’s work has been praised by everyone from New York Times literary critics to APIA author Helen Zia for his bare, poetic style and raw emotionalism. In the collection’s title story, a woman living with her daughter and her daughter’s American husband fears the loss of Filipino tradition, especially Catholicism, as she tries to secretly permeate her granddaughter’s existence with elements of her ancestry. In "New Relations," an American-born son introduces his mother to his Caucasian bride and her family, only to experience his first marital discord around issues of politesse, the perception of culture, and post-colonial legacies. Roley’s delicately nuanced collection often leaves the audience with the awkwardness that comes from things lost in translation or entangled in generational divides.
This gonzo-style metamemoir follows Chuck Kinder on a wild tour of the back roads of his home state of West Virginia, where he encounters Mountain State legends like Sid Hatfield, Dagmar, Robert C. Byrd, the Mothman, Chuck Yeager, Soupy Sales, Don Knotts, and Jesco White, the “Dancing Outlaw.”
The Last Neighborhood Cops reveals the forgotten history of the residents and cops who forged community policing in the public housing complexes of New York City during the second half of the twentieth century. Through a combination of poignant storytelling and historical analysis, Fritz Umbach draws on buried and confidential police records and voices of retired officers and older residents to help explore the rise and fall of the HAPD's community-based strategy, while questioning its tactical effectiveness. The result is a unique perspective on contemporary debates of community policing and historical developments chronicling the influence of poor and working-class populations on public policy making.
George Rieke played a key role in Spitzer and now relates the story of how that observatory was built and launched into space. Telling the story of this single mission within the context of NASA space science over two turbulent decades, he describes how, after a tortuous political trail to approval, Spitzer was started at the peak of NASA’s experiment with streamlining and downsizing its mission development process, termed “faster better cheaper.” Up to its official start and even afterward, Spitzer was significant not merely in terms of its scientific value but because it stood at the center of major changes in space science policy and politics. Through interviews with many of the project participants, Rieke reconstructs the political and managerial process by which space missions are conceived, approved, and developed. He reveals that by the time Spitzer had been completed, a number of mission failures had undermined faith in “faster-better-cheaper” and a more conservative approach was imposed. Rieke examines in detail the premises behind “faster better cheaper,” their strengths and weaknesses, and their ultimate impact within the context of NASA’s continuing search for the best way to build future missions.
Rieke’s participant’s perspective takes readers inside Congress and NASA to trace the progress of missions prior to the excitement of the launch, revealing the enormously complex and often disheartening political process that needs to be negotiated. He also shares some of the new observations and discoveries made by Spitzer in just its first year of operation. As the only book devoted to the Spitzer mission, The Last of the Great Observatories is a story at the nexus of politics and science, shedding new light on both spheres as it contemplates the future of mankind’s exploration of the universe.
“Nan turned to see Ben’s face turn as hard and white as a sauerkraut crock. When he did not respond, Nan figured that he was just going to back off as he usually did, the shy and retiring husbandman. She did not know her history. She did not know that shy and retiring husbandmen have been known to revolt against oppression with pitchforks drawn.”
—The Last of the Husbandmen
In The Last of the Husbandmen, Gene Logsdon looks to his own roots in Ohio farming life to depict the personal triumphs and tragedies, clashes and compromises, and abiding human character of American farming families and communities. From the Great Depression, when farmers tilled the fields with plow horses, to the corporate farms and government subsidy programs of the present, this novel presents the complex transformation of a livelihood and of a way of life.
Two friends, one rich by local standards, and the other of more modest means, grow to manhood in a lifelong contest of will and character. In response to many of the same circumstances—war, love, moonshining, the Klan, weather, the economy—their different approaches and solutions to dealing with their situations put them at odds with each other, but we are left with a deeper understanding of the world that they have inherited and have chosen.
Part morality play and part personal recollection, The Last of the Husbandmen is both a lighthearted look at the past and a profound statement about the present state of farming life. It is also a novel that captures the spirit of those who have chosen to work the land they love.
Duck hunting has changed greatly since the days of unlimited duck kills, as the limit of fifty ducks a day established in 1902 has fallen to the present three. A legitimate hunter now, Dale Hamm learned the art of market hunting—taking waterfowl out of season and selling them to restaurants—from his father during the l920s. During the l930s and l940s, he kept his family alive by market hunting. At the peak of his career, Hamm poached every private hunting club along the Illinois River from Havana to Beardstown.
After market hunting died out, Hamm became a legendary and almost respected—albeit controversial—character on the Illinois backwaters. He was eventually invited to hunt on the same clubs from which he had once been chased at the point of a shotgun. He hunted with judges, sheriffs, and the head of undercover operations for the Illinois Department of Conservation, all of whom knew of his reputation. He passed on to these hunting partners a lifetime of outdoor knowledge gained from slogging through mud, falling through ice, hunting ducks at three o’clock in the morning, dodging game wardens, and running the world’s only floating tavern.
"I always said if anyone ever cut open one of us Hamms, all they’d find was duck or fish," Hamm once said of his family. Now in his eighties, Hamm still carries a pellet from a shotgun in his chin to remind him of a shotgun blast that ricocheted off the water and into his face. Bakke notes that it is appropriate that a man who spent his life with a shotgun in his hands should carry a bit of buckshot wherever he goes.
Everyone who ever met Dale Hamm has a story about him. His own story is that of a one-of-a-kind character who, in his later years, used his considerable outdoor savvy to conserve the natural resources he once savaged. "His time and kind are gone," Bakke notes, "and there will never be another like him."
This book will be of interest to anyone who has ever been hunting—or who enjoys reading about colorful people and times that exist no more.
In this subtle but inventive novel, presented as Thomas's memoirs, Geary Hobson offers us a glimpse into a life filled with simple joys and sorrows. In relating his Louisiana childhood, Thomas recalls not just school-learning but being taught Indian ways by the small Ofo community. He tells of his life as a roustabout in the oil fields, of his courtship of the rambunctious Sally Fachette, and of his career as a bootlegger, which landed him in prison. We share Thomas's wartime stint with the Marines—where "for the first time in my life I was treated like a equal"—and his life as a farm laborer and a Hollywood extra portraying warbonneted Cheyennes. Then in his later years, when he truly has become the last of his kind, we find Thomas recruited by an anthropologist from the Smithsonian Institution to preserve his people's culture. In Washington, he is exposed to the vagaries of Indian policy and the emerging Native American movement.
Throughout Thomas's story, readers are introduced to a wide-ranging cast of characters, from the outlaws Bonnie and Clyde to a fellow Marine who is wary of Indians, to an uppity anthropologist who doesn't consider Thomas "expert" enough to handle an Ofo flute. Always poor in material wealth but rich in heritage, Thomas Darko is a Native American Everyman whose identity is shaped by family and homeland. His "autobiography" paints a realistic portrait of an Indian confronting the obstacles in his life and the dilemmas of his age as his story reveals the painful legacy of being the last of one's kind.
Jeremy Salt brings to the surface previously ignored facts that disrupt the conventional narrative of an ethno-religious division between Muslim perpetrators and Christian victims of violence. Salt shows instead that all major ethno-religious groups—including Armenians, Turks, Kurds, and Greeks—were guilty of violent acts. The result is a more balanced picture of European involvement in the Ottoman Empire and the Balkans, one that highlights the destructive role of British Prime Minister David Lloyd George and other European leaders grabbing for Ottoman resources up to the end of World War I. The effects of these events are felt to the present day.
This extraordinary story centers not on military campaigns but on ordinary civilians whose lives were disrupted and in many cases destroyed by events over which they had no control. Disease, malnutrition, massacre and inter-communal fighting killed millions of people during the First World War alone. Until now this epic saga of human suffering has remained a story largely untold.
"No scientist is better at letting the rest of us in on just how the natural world works; no poet sees the world with greater clarity or writes about it with more grace. . . . Anyone who genuinely cares for wildlife cannot help being grateful to Schaller—both for his efforts to understand the panda and for the candor with which he reports what has gone so badly wrong in the struggle to save it from extinction."—Geoffrey C. Ward, New York Times Book Review
"Schaller's book is a unique mix of natural history and the politics of conservation, and it makes for compelling reading. . . . Having been in giant panda country myself, I found some of the descriptions of the animals and habitats breathtaking. Schaller describes the daily routines and personalities of the giant pandas he studied (as well as their fates thereafter) as though they were his blood relatives. . . . Schaller's brilliant presentation of the complexities of conservation makes his book a milestone for the conservation movement."—Devra G. Kleiman, Washington Post Book World
"George Schaller's most soulful work, written in journal style with many asides about a creature who evolved only two to three million years ago (about the same time as humans). . . . Here, conservation biology confronts an evil that grinds against hope and shatters the planet's diversity. Written with hope."—Whole Earth Catalog
"A nicely crafted blend of wildlife observation and political-cultural analysis. . . . The Last Panda is a sad chronicle of our failure, so far, to stem the decline of the animal that may be the most beloved on the planet."—Donald Dale Jackson, Smithsonian
This frequently sensational, sometimes outlandish, and occasionally bloody battle spanned numerous eras of journalism, embodying the rise and fall of the newspaper industry during the twentieth century in the lead up to the fall of American newspapering. Drawing on manuscript collections scattered across the United States as well as oral histories with executives, managers, and journalists from the papers, Ken J. Ward investigates the strategies employed in their competition with one another and against other challenges, such as widespread economic uncertainty and the deterioration of the newspaper industry. He follows this competition through the death of the Rocky Mountain News in 2009, which ended the country’s last great newspaper war and marked the close of the golden age of Denver journalism.
Fake news runs rampant in the absence of high-quality news sources like the News and the Post of the past. Neither canonizing nor vilifying key characters, Last Paper Standing offers insight into the historical context that led these papers’ managers to their changing strategies over time. It is of interest to media and business historians, as well as anyone interested in the general history of journalism, Denver, and Colorado.
In this provocative book, leading linguists and computer scientists consider the challenges that computational innovations pose to current rule-based phonological theories and speculate about the advantages of phonological models based on artificial neural networks and other computer designs. The authors offer new conceptions of phonological theory for the 1990s, the most radical of which proposes that phonological processes cannot be characterized by rules at all, but arise from the dynamics of a system of phonological representations in a high-dimensional vector space of the sort that a neural network embodies. This new view of phonology is becoming increasingly attractive to linguists and others in the cognitive sciences because it answers some difficult questions about learning while drawing on recent results in philosophy, psychology, artificial intelligence, and neuroscience.
The contributors are John A. Goldsmith, Larry M. Hyman, George Lakoff, K. P. Mohanan, David S. Touretzky, and Deirdre W. Wheeler.
The contributors—physicians, philosophers, and literary critics—examine the relevance of Percy’s work to current dilemmas in medical education and health policy. They reflect upon the role doctors and patients play in his novels, his family legacy of depression, how his medical background influenced his writing style, and his philosophy of psychiatry. They contemplate the private ways in which Percy’s work affected their own lives and analyze the author’s tendency to contrast the medical-scientific worldview with a more spiritual one. Assessing Percy’s stature as an author and elucidating the many ways that reading and writing can combine with diagnosing and treating to offer an antidote to despair, they ask what it means to be a doctor, a writer, and a seeker of cures and truths—not just for the body but for the malaise and diseased spirituality of modern times.
This collection will appeal to lovers of literature as well as medical professionals—indeed, anyone concerned with medical ethics and the human side of doctoring.
Contributors. Robert Coles, Brock Eide, Carl Elliott, John D. Lantos, Ross McElwee, Richard Martinez, Martha Montello, David Schiedermayer, Jay Tolson, Bertram Wyatt-Brown, Laurie Zoloth-Dorfman
The Last Predicta is Chad Davidson's searing collection of poetry dedicated to endings of all varieties. From odes to the corporate cornucopia of Target and the aggressive cheer of a Carnival cruise, to emotive examinations of Caravaggio's The Calling of St. Matthew or flies circling a putrescent bowl of forgotten fruit, Davidson weaves a lyrical web of apocalyptic scenarios and snapshots of pop culture. Throughout the volume appear cataclysms large and small, whether the finality of a minute passed or the deaths of a thousand swans at Seneca Lake in 1912. Images of King Kong, Starburst candies, and the Brady Bunch swim with mythological figures, Roman heroes, and dead animals as Davidson deftly explores the relationship between the mundane and the profound. At the center of the collection sits the Predicta television itself, "the lives blooming there in Technicolor," at once futuristic and nostalgic in its space age prophecy.
Moving in their very simplicity, these poems resonate with discoveries that belie their seemingly ordinary wellsprings. Chad Davidson's stunning collection repeatedly explores the moment of revelation and all its accompanying aftermaths. The Last Predicta leads readers to ponder all manner of predictions, endings, and everything that follows.
While still a student at Oxford, Edward Burne-Jones formed a friendship and made a renunciation that would shape art history. The friendship was with William Morris, with whom he would occupy the social and intellectual center of the era's cult of beauty. The renunciation was of his intention to enter the clergy, when he-together with Morris-vowed to throw over the Church in favor of art. In Fiona MacCarthy's riveting account of Burne-Jones's life, that exchange of faith for art places him at the intersection of the nineteenth century and the Modern, as he leads us forward from Victorian mores and attitudes to the psychological, sexual, and artistic audacity that would characterize the early twentieth century.
In MacCarthy's hands, Burne-Jones emerges as a great visionary painter, a master of mystic reverie, and a pivotal late nineteenth-century cultural and artistic figure. Lavishly illustrated with color plates, The Last Pre-Raphaelite shows that Burne-Jones's influence extended far beyond his own circle to Freudian Vienna and the delicately gilded erotic dream paintings of Gustav Klimt, the Swiss Symbolist painter Ferdinand Hodler, and the young Pablo Picasso and the Catalan painters.
Drawing on extensive research, MacCarthy offers a fresh perspective on the achievement of Burne-Jones, a precursor to the Modern, and tells the dramatic, fascinating story of this peculiarly captivating and elusive man.
This book is derived from a symposium on the Mt. Graham red squirrel and offers a comprehensive picture of the ecology of this red squirrel and the impacts on its mountain home. Forty contributors detail studies conducted to understand the natural history of the creature and the challenges and changing ecological conditions on Mt. Graham.
Each chapter tells a unique story that contributes to the mosaic of natural history knowledge about the endangered Mt. Graham red squirrel. They reflect diverse viewpoints on the problems of conserving the habitats and populations of the squirrel, showing how it was complicated by perspectives ranging from Native Americans’ concern over traditional lands to astronomers’ hope for a better view of space, and by issues ranging from forestry practices to climate change. Studies of such factors as squirrel middens, seed hoarding, and nest sites provide definitive research on the animal.
Ongoing censuses continue to track the squirrel’s population trends, and both Forest Service and Arizona Department of Transportation activities continue to be scrutinized by interested parties to determine their impact. This book represents an authoritative overview of this still-endangered species and its habitat.
"Patriotism is the last refuge of scoundrels" -SAMUEL JOHNSON, 1775
Updated and revised following the 2004 elections, The Last Refuge describes the current state of American politics against the backdrop of mounting ecological and social problems, the corrosive influence of money, the corruption of language, and the misuse of terrorism as a political issue.
Setting out an agenda that transcends conventional ideological labels, David Orr contends that partisan wrangling is only a symptom of a deeper dysfunction: The whole political machinery that connects Americans' fundamentally honorable ideals with public policy is broken. The book offers a withering critique of the failings of the Bush administration, supplemented by new essays that look at the national-level dominance of the Republican Party and examine the fallacy that the evangelical right represents a Christian majority.
After analyzing the challenges of reforming the current system, Orr offers an empowering vision of a second American Revolution that peaceably achieves sustainability and charts a hopeful course for forward-looking citizens.
The answer, according to Eric A. Posner, is no. The federal government freely and frequently violated the law with the bailouts—but it did so in the public interest. An understandable lack of sympathy toward Wall Street has obscured the fact that bailouts have happened throughout economic history and are unavoidable in any modern, market-based economy. And they’re actually good. Contrary to popular belief, the financial system cannot operate properly unless the government stands ready to bail out banks and other firms. During the recent crisis, Posner agues, the law didn’t give federal agencies sufficient power to rescue the financial system. The legal constraints were damaging, but harm was limited because the agencies—with a few exceptions—violated or improvised elaborate evasions of the law. Yet the agencies also abused their power. If illegal actions were what it took to advance the public interest, Posner argues, we ought to change the law, but we need to do so in a way that also prevents agencies from misusing their authority. In the aftermath of the crisis, confusion about what agencies did do, should have done, and were allowed to do, has prevented a clear and realistic assessment and may hamper our response to future crises.
Taking up the common objections raised by both right and left, Posner argues that future bailouts will occur. Acknowledging that inevitability, we can and must look ahead and carefully assess our policy options before we need them.
The Last Revolutionaries tells a story of unwavering political devotion: it follows the lives of German communists across the tumultuous twentieth century. Before 1945, German communists were political outcasts in the Weimar Republic and courageous resisters in Nazi Germany; they also suffered Stalin's Great Purges and struggled through emigration in countries hostile to communism. After World War II, they became leaders of East Germany, where they ran a dictatorial regime until they were swept out of power by the people's revolution of 1989.
In a compelling collective biography, Catherine Epstein conveys the hopes, fears, dreams, and disappointments of a generation that lived their political commitment. Focusing on eight individuals, The Last Revolutionaries shows how political ideology drove people's lives. Some of these communists, including the East German leaders Walter Ulbricht and Erich Honecker, enjoyed great personal success. But others, including the purge victims Franz Dahlem and Karl Schirdewan, experienced devastating losses. And, as the book demonstrates, female and Jewish communists faced their own sets of difficulties in the movement to which they had given their all.
Drawing on previously inaccessible sources as well as extensive personal interviews, Epstein offers an unparalleled portrait of the most enduring and influential generation of Central European communists. In the service of their party, these communists experienced solidarity and betrayal, power and persecution, sacrifice and reward, triumph and defeat. At once sordid and poignant, theirs is the story of European communism--from the heroic excitement of its youth, to the bureaucratic authoritarianism of its middle age, to the sorry debacle of its death.
Though subjected to years of criticism, Four Theories of the Press remains a core text in communications. Its influence on the field, impact on generations of journalists, and ability to spark debate on why the press acts as it does continue to make it an oft-quoted source and classroom staple.
In Last Rights, eight communications scholars critique and expand on the classic text. The authors argue that Four Theories spoke to and for a world beset by a cold war ended long ago. At the same time, they praise the book for offering an alternative view of the press and society and as a useful tool for helping scholars and citizens alike grapple with contradictions in classical liberalism. They also raise important questions about the Internet and other major changes in communications systems and society since the original publication of Four Theories.
Contributors: William E. Berry, Sandra Braman, Clifford Christians, Thomas G. Guback, Steven J. Helle, Louis W. Liebovich, John C. Nerone, and Kim B. Rotzoll
Jacobi's groundbreaking osteology study uncovers the history of the Tipu Maya of Belize and their subsequent contact with the Spanish conquistadores and missionaries.
Two cultures collided at Tipu, Belize, in the 1600s: that of the native Maya and that of the Spanish missionaries, who arrived with an agenda of religious subjugation and, ultimately, political control. Combining historical documentation with the results of an archaeological exploration of a Tipu cemetery, Keith Jacobi provides an account of the meshing of these two cultures and the assimilation of Catholic practices by the Tipu.
In particular, Jacobi focuses on the dental remains recovered at this site. A tooth may be the last tangible evidence of a living creature, so teeth can reveal information about an individual's health, diet, cosmetic alteration, trauma, and genetic structure. From the genetic structure the researcher can learn information about an individual's relationship to others in a particular population and between populations.
Jacobi's research reveals how these European and Spanish Catholic practices were assimilated by the Tipu Maya and enables the first description of the prevalent attitudes toward death and burial customs. Through this study of Tipu Maya dentition changes through time, Jacobi sheds light on Spanish intermarriage, Maya familial relationships, and the Tipu genetic affinity with other prehistoric, historic, and modern Maya.
Inspired by actual case histories of long-term missing African American children, this provocative and heartrending collection of poems evokes the experience of what it means to be among the missing in contemporary America. This thought-provoking collection of persona poems looks at absence from the standpoint of the witnesses surrounding the void and offers an intimate depiction of those impossible moments of aftermath lived by those who remain accounted for and present. While enabling us to question our own sense of identity, this unique collection of poems reveals the blurred edges of separation between them and us and the impact that the missing have upon our present and future.
Finalist, NAACP Image Awards
Matt’s journey to manhood takes place in a vividly depicted landscape populated by lively, memorable characters. This is the powerful story of a young man’s search for an identity that encompasses two cultures and one complex, scattered family.
This critical edition explores the past and future of wolves in Colorado. Originally published in 1929, The Last Stand of the Pack is a historical account of the extermination of what were then believed to be the last wolves in Colorado. Arthur H. Carhart and Stanley P. Young describe the wolves’ extermination and extoll the bravery of the federal trappers hunting them down while simultaneously characterizing the wolves as cunning individuals and noble adversaries to the growth of the livestock industry and the settlement of the West. This is nature writing at its best, even if the worldview expressed is at times jarring to the twenty-first-century reader.
Now, almost 100 years later, much has been learned about ecology and the role of top-tier predators within ecosystems. In this new edition, Carhart and Young’s original text is accompanied by an extensive introduction with biographical details on Arthur Carhart and an overview of the history of wolf eradication in the west; chapters by prominent wildlife biologists, environmentalists, wolf reintroduction activists, and ranchers Tom Compton, Bonnie Brown, Mike Phillips, Norman A. Bishop, and Cheney Gardner; and an epilogue considering current issues surrounding the reintroduction of wolves in Colorado. Presenting a balanced perspective, these additional chapters address views both in support of and opposed to wolf reintroduction.
Coloradans are deeply interested in wilderness and the debate surrounding wolf reintroduction, but for wolves to have a future in Colorado we must first understand the past. The Last Stand of the Pack: Critical Edition presents both important historical scholarship and contemporary ecological ideas, offering a complete picture of the impact of wolves in Colorado.
The central contention of the “New Atheism” of Richard Dawkins, Daniel Dennett, Sam Harris, and Christopher Hitchens is that there has for several centuries been a war between science and religion, that religion has been steadily losing that war, and that at this point in human history a completely secular scientific account of the world has been worked out in such thorough and convincing detail that there is no longer any reason why a rational and educated person should find the claims of any religion the least bit worthy of attention.
But as Edward Feser argues inThe Last Superstition, in fact there is not, and never has been, any war between science and religion at all. There has instead been a conflict between two entirely philosophical conceptions of the natural order: on the one hand, the classical “teleological” vision of Plato, Aristotle, Augustine, and Aquinas, on which purpose or goal-directedness is as inherent a feature of the physical world as mass or electric charge; and the modern “mechanical” vision of Descartes, Hobbes, Locke, and Hume, according to which the physical world is comprised of nothing more than purposeless, meaningless particles in motion. As it happens, on the classical teleological picture, the existence of God, the immortality of the soul, and the natural-law conception of morality are rationally unavoidable. Modern atheism and secularism have thus always crucially depended for their rational credentials on the insinuation that the modern, mechanical picture of the world has somehow been established by science. Yet this modern “mechanical” picture has never been established by science, and cannot be, for it is not a scientific theory in the first place but merely a philosophical interpretation of science. Moreover, as Feser shows, the philosophical arguments in its favor given by the early modern philosophers were notable only for being surprisingly weak. The true reasons for its popularity were then, and are now, primarily political: It was a tool by which the intellectual foundations of ecclesiastical authority could be undermined and the way opened toward a new secular and liberal social order oriented toward commerce and technology. So as to further these political ends, it was simply stipulated, by fiat as it were, that no theory inconsistent with the mechanical picture of the world would be allowed to count as “scientific.” As the centuries have worn on and historical memory has dimmed, this act of dogmatic stipulation has falsely come to be remembered as a “discovery.”
However, not only is this modern philosophical picture rationally unfounded, it is demonstrably false. For the “mechanical” conception of the natural world, when worked out consistently, absurdly entails that rationality, and indeed the human mind itself, are illusory. The so-called “scientific worldview” championed by the New Atheists thus inevitably undermines its own rational foundations; and into the bargain (and contrary to the moralistic posturing of the New Atheists) it undermines the foundations of any possible morality as well. By contrast, and as The Last Superstition demonstrates, the classical teleological picture of nature can be seen to find powerful confirmation in developments from contemporary philosophy, biology, and physics; moreover, morality and reason itself cannot possibly be made sense of apart from it. The teleological vision of the ancients and medievals is thereby rationally vindicated – and with it the religious worldview they based upon it.
A witty and humble tribute to the sometimes profane, sometimes profound world of waiting tables
During a year on sabbatical from his university position, Matthew Batt realized he needed money—fast—and it just so happened that one of the biggest breweries in the Midwest was launching a restaurant and looking to hire. So it was that the forty-something tenured professor found himself waiting tables at a high-end restaurant situated in a Minneapolis brewery. And loving it.
Telling the story of Batt’s early work in restaurants, from a red sauce joint possibly run by the mob to an ill-conceived fusion concept eatery, The Last Supper Club then details his experiences at the fine dining restaurant, a job that continued well past his sabbatical—that lasted, in fact, right up to the restaurant’s sudden and unceremonious closing three years later, shortly after it was named one of the best restaurants in the country by Food & Wine.
Batt’s memoir conveys the challenge—and the satisfaction—of meeting the demands of a frenzied kitchen and an equally expectant crowd. Through training mishaps, disastrous encounters with confused diners, struggles to keep pace with far more experienced coworkers, mandatory memorizations of laundry lists of obscure ingredients, and the stress of balancing responsibilities at home and at work, The Last Supper Club reveals the ups and downs of a waiter’s workday and offers an insightful perspective on what makes a job good, bad, or great. For Batt, this job turns out to be considerably more fun, and possibly more rewarding, than his academic career, and his insider’s view of waiting tables extols the significance of our food and the places where we gather to enjoy it—or serve it.
Told with sharp humor, humility, and a keen sense of what matters, The Last Supper Club is an ode to life in a high-pressure restaurant, the relationships that get you to the night’s close, and finding yourself through—or perhaps because of—the chaos of it all.
Best known for his books Weedee Peepo, Drink Cultura, and Undocumented Love, Burciaga was also a poet, cartoonist, founding member of the comedy troupe Cultura Clash, and a talented muralist whose well-known work The Last Supper of Chicano Heroes became almost more famous than the man. This first and only collection of Burciaga’s work features thirty-eight illustrations and incorporates previously unpublished essays and drawings, including selections from his manuscript “The Temple Gang,” a memoir he was writing at the time of his death. In addition, Gladstein and Chacón address Burciaga’s importance to Chicano letters.
A joy to read, this rich compendium is an important contribution not only to Chicano literature but also to the preservation of the creative, spiritual, and political voice of a talented and passionate man.
Youssef’s mother has always told him that he is named after the biblical prophet Joseph who had the power of foresight. But when Youssef participated in the first demonstration in Damascus in 2011, he felt that the uprising against the Bashar al-Assad regime after forty years of silence and fear was “a miracle more powerful than that of the prophet.”
While Josephine, a charming young Alawite, gathers in her home a group of youth to fight for their visions of a promising future, a forbidden love story unfolds between two men, Youssef and Mohammad. Meanwhile, young Khalid’s love for Josephine is brutally interrupted by the agents of the oppressive regime. Homosexuality clashes with tradition, emancipation with persecution, and feelings with loyalties, leading to an upheaval that sweeps away the destinies of the young as well as that of an entire nation.
Omar Youssef Souleimane’s eloquent novel is not only a narrative of the Syrian Revolution; it is also a story about inter-generational conflicts, rebellion, and liberation. With intense, poetic prose, he brilliantly captures the indomitable yearning for freedom that, despite all obstacles and setbacks, always survives in a hopeful person’s heart until it’s attained.
In The Last Thirty Seconds: A Brief History of the Evolution of Hit-to-Kill Technology, David K. Stumpf details the development of one of many possible solutions for ballistic missile defense commonly known as hit-to-kill. Hit-to-kill is a nonnuclear technique using kinetic energy, rather than explosives, to destroy reentry vehicles carrying chemical, biological, or nuclear warheads. It is the centerpiece of the United States’ current ballistic missile defense systems and has proven invaluable in the conflict between Ukraine and Russia as well as in the ongoing conflict with the Houthi rebels in the Red Sea. While much of the subject remains classified, this detailed study will be welcomed for its substantial references and the inclusion of newly declassified material.
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