The menorah, the seven-branched candelabrum, has traversed millennia as a living symbol of Judaism and the Jewish people. Naturally, it did not pass through the ages unaltered. The Menorah explores the cultural and intellectual history of the Western world’s oldest continuously used religious symbol. This meticulously researched yet deeply personal history explains how the menorah illuminates the great changes and continuities in Jewish culture, from biblical times to modern Israel.

Though the golden seven-branched menorahs of Moses and of the Jerusalem Temple are artifacts lost to history, the best-known menorah image survives on the Arch of Titus in Rome. Commemorating the Roman destruction of Jerusalem in 70 CE, the arch reliefs depict the spoils of the Temple, the menorah chief among them, as they appeared in Titus’s great triumphal parade in 71 CE. Steven Fine recounts how, in 2012, his team discovered the original yellow ochre paint that colored the menorah—an event that inspired his search for the history of this rich symbol from ancient Israel through classical history, the Middle Ages, and on to our own tumultuous times.

Surveying artifacts and literary sources spanning three thousand years—from the Torah and the ruins of Rome to yesterday’s news—Fine presents the menorah as a source of fascination and illumination for Jews, Samaritans, Christians, and even Freemasons. A symbol for the divine, for continuity, emancipation, national liberation, and redemption, the menorah features prominently on Israel’s state seal and continues to inspire and challenge in surprising ways.

"Could I be sued?" The exploding number of malpractice lawsuits in recent years has brought this question to the mind of every clinician---the conscientious as well as the negligent.

A unique and practical guide to clinical risk management, this book combines the expertise of mental health professionals, judges, attorneys, and insurance industry experts, to help the clinician provide effective treatment while reducing the risk of legal liability. Wide-ranging, clinically based, and up to date, it will be a welcome guide for medical and surgical practitioners as well.

The first section gives clinicians a working knowledge of legal regulation in psychiatry and medicine, covering informed consent, documentation of patient care, and potential conflicts of interest. The second section identifies high-risk areas for lawsuits, including managing suicidal and violent patients, boundary violations, supervision issues, prescription of medications, liability in managed care settings, and treatment termination. The book concludes with a primer on clinical testimony in the courtroom.

The broad range of distinguished contributors to this volume will provide a survival guide to clinicians in the increasingly complex and rapidly changing world of health care.

Mental Models offers nothing less than a unified theory of the major properties of mind: comprehension, inference, and consciousness. In spirited and graceful prose, Johnson-Laird argues that we apprehend the world by building inner mental replicas of the relations among objects and events that concern us. The mind is essentially a model-building device that can itself be modeled on a digital computer. This book provides both a blueprint for building such a model and numerous important illustrations of how to do it.

In several key areas of cognition, Johnson-Laird shows how an explanation based on mental modeling is clearly superior to previous theory. For example, he argues compellingly that deductive reasoning does not take place by tacitly applying the rules of logic, but by mentally manipulating models of the states of affairs from which inferences are drawn. Similarly, linguistic comprehension is best understood not as a matter of applying inference rules to propositions derived from sentences, but rather as the mind's effort to construct and update a model of the situation described by a text or a discourse. Most provocative, perhaps, is Johnson-Laird's theory of consciousness: the mind's necessarily incomplete model of itself allows only a partial control over the many unconscious and parallel processes of cognition.

This an extraordinarily rich book, providing a coherent account of much recent experimental work in cognitive psychology, along with lucid explanations of relevant theory in linguistics, computer science, and philosophy Not since Miller, Galanter, and Pribram's classic Plans and the Structure of Behavior has a book in cognitive science combined such sweep, style, and good sense. Like its distinguished predecessor, Mental Models may well serve to fix a point of view for a generation.

The economic cost of retardation measures in the billions each year and the human cost is incalculable. However, many forms of retardation can now be prevented medically and much is now known about how to help the retarded lead more normal and satisfactory lives. In Mental Retardation, Dr. Robert Edgerton provides an extraordinarily useful and humane guide to this new knowledge in the brief and readable format that has become a trademark of the Developing Child series.

The book begins with a clear review of what is known about the causes of retardation, ranging from genetic abnormalities to prenatal infection, malnutrition in early childhood, environmental toxins (such as lead paint), and poverty. Edgerton shows how many of these problems can be avoided by genetic counseling, improved prenatal care, and the elimination of environmental hazards. But he also goes on to consider the questions that inevitably arise when prevention fails and family and society must cope with a retarded child: What is the impact of the child on the family? Is care within the family preferable to institutionalization? How can schools best educate the retarded? Is "mainstreaming" sensible? And how far can the retarded adult go towards normal patterns of work and social life within the community?

Mental Retardation makes it clear that many of the problems of retardation are caused by the misunderstanding and intolerance of a society like our own, which places extraordinary emphasis on mental ability and its measurable manifestations: school achievement and IQ. It is just this sort of intolerance and misunderstanding that this book does so much to dispel.

Part travelogue, part cookbook, Mercados takes us on a tour of Mexico’s most colorful destinations—its markets—led by an award-winning, preeminent guide whose passion for Mexican food attracted followers from around the globe. Just as David Sterling’s Yucatán earned him praise for his “meticulously researched knowledge” (Saveur) and for producing “a labor of love that well documents place, people and, yes, food” (Booklist), Mercados now invites readers to learn about local ingredients, meet vendors and cooks, and taste dishes that reflect Mexico’s distinctive regional cuisine.

Serving up more than one hundred recipes, Mercados presents unique versions of Oaxaca’s legendary moles and Michoacan’s carnitas, as well as little-known specialties such as the charcuterie of Chiapas, the wild anise of Pátzcuaro, and the seafood soups of Veracruz. Sumptuous color photographs transport us to the enormous forty-acre, 10,000-merchant Central de Abastos in Oaxaca as well as tiny tianguises in Tabasco. Blending immersive research and passionate appreciation, David Sterling’s final opus is at once a must-have cookbook and a literary feast for the gastronome.

The rise of merchant capital in Mecca conditioned the development of Meccan social, economic, religious, and political structure. Mahmood Ibrahim traces the roots of capitalism from the emergence of merchants as the main force in Mecca through the first civil war in Islam (656–661). Through a rereading of original Arabic sources and drawing from modern scholarship on the subject, Ibrahim offers a new interpretation of the rise of Islam.

He argues that Islam contributed certain institutional beliefs and practices that unblocked obstacles and helped merchants gain political and economic hegemony over western Asia. Ibrahim contends that, with the conquest of Mecca, the newly formed Muslim state spread its control to the rest of Arabia, which mobilized a significant social force and allowed for further expansion outside Arabia, thus extending merchant control to include new surplus-producing regions, a vast network of trade routes, and wider markets.

This extensively researched study offers a new interpretation of the history of Islam, including the formation of Islamic society and the unfolding of the first civil war. In offering a better understanding of the Umayyad Caliphate that ruled Islam for a century to come, Ibrahim helps lay the groundwork for understanding the Middle East as it is today.

Of interest to scholars of Middle Eastern studies, this important work will be necessary reading for students of Near Eastern and North African history, as well as students of the history of Medieval Europe.

Funny happenings.

The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This third volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents The Merchant, The Braggart Soldier, The Ghost, and The Persian with freshly edited texts, lively modern translations, introductions, and ample explanatory notes.

Plautus (Titus Maccius), born about 254 BCE at Sarsina in Umbria, went to Rome, engaged in work connected with the stage, lost his money in commerce, then turned to writing comedies.

Twenty-one plays by Plautus have survived (one is incomplete). The basis of all is a free translation from comedies by such writers as Menander, Diphilus, and Philemon. So we have Greek manners of Athens about 300–250 BCE transferred to the Roman stage of about 225–185, with Greek places, people, and customs, for popular amusement in a Latin city whose own culture was not yet developed and whose manners were more severe. To make his plays live for his audience, Plautus included many Roman details, especially concerning slavery, military affairs, and law, with some invention of his own, notably in management of metres. The resulting mixture is lively, genial and humorous, with good dialogue and vivid style. There are plays of intrigue (Two Bacchises, The Haunted House, Pseudolus); of intrigue with a recognition theme (The Captives, The Carthaginian, Curculio); plays which develop character (The Pot of Gold, Miles Gloriosus); others which turn on mistaken identity (accidental as in the Menaechmi; caused on purpose as in Amphitryon); plays of domestic life (The Merchant, Casina, both unpleasant; Trinummus, Stichus, both pleasant).

The Loeb Classical Library edition of Plautus is in five volumes.

These eighteen essays span more than thirty years of Lavina Fielding Anderson’s concerns about and reflections on issues of inclusiveness in the Church of Jesus Christ of Latter-day Saints, including her own excommunication for “apostasy” in 1993, followed by twenty-five years of continued attendance at weekly LDS ward meetings. Written with a taste for irony and an eye for documentation, the essays are timeless snapshots of sometimes controversial issues, beginning with official resistance to professionally researched Mormon history in the 1980s. They underscore unanswered questions about gender equality and repeatedly call attention to areas in which the church does not live up to its better self. Compassionately and responsibly, it calls Anderson’s beloved religion back to its holiest nature.

A New Statesman Best Book of the Year
A Church Times Book of the Year

We are facing a crisis of civility, a war of words polluting our public sphere. In liberal democracies committed to tolerating active, often heated disagreement, the loss of this virtue appears critical.

Most modern appeals to civility follow arguments by Hobbes or Locke by proposing to suppress disagreement or exclude views we deem “uncivil” for the sake of social harmony. By comparison, mere civility—a grudging conformity to norms of respectful behavior—as defended by Rhode Island’s founder, Roger Williams, might seem minimal and unappealing. Yet Teresa Bejan argues that Williams’s outlook offers a promising path forward in confronting our own crisis, one that challenges our fundamental assumptions about what a tolerant—and civil—society should look like.

“Penetrating and sophisticated.”
—James Ryerson, New York Times Book Review

“Would that more of us might learn to look into the past with such gravity and humility. We might end up with a more (or mere) civil society, yet.”
—Los Angeles Review of Books

“A deeply admirable book: original, persuasive, witty, and eloquent.”
—Jacob T. Levy, Review of Politics

“A terrific book—learned, vigorous, and challenging.”
—Alison McQueen, Stanford University

Merengue—the quintessential Dominican dance music—has a long and complex history, both on the island and in the large immigrant community in New York City. In this ambitious work, Paul Austerlitz unravels the African and Iberian roots of merengue and traces its growth under dictator Rafael Trujillo and its renewed popularity as an international music.

Using extensive interviews as well as written commentaries, Austerlitz examines the historical and contemporary contexts in which merengue is performed and danced, its symbolic significance, its social functions, and its musical and choreographic structures. He tells the tale of merengue's political functions, and of its class and racial significance. He not only explores the various ethnic origins of this Ibero-African art form, but points out how some Dominicans have tried to deny its African roots.

In today's global society, mass culture often marks ethnic identity. Found throughout Dominican society, both at home and abroad, merengue is the prime marker of Dominican identity. By telling the story of this dance music, the author captures the meaning of mass and folk expression in contemporary ethnicity as well as the relationship between regional, national, and migrant culture and between rural/regional and urban/mass culture. Austerlitz also traces the impact of migration and global culture on the native music, itself already a vibrant intermixture of home-grown merengue forms.

From rural folk idiom to transnational mass music, merengue has had a long and colorful career. Its well-deserved popularity will make this book a must read for anyone interested in contemporary music; its complex history will make the book equally indispensable to anyone interested in cultural studies.

Even after 150 years, Darwin’s theory of evolution by natural selection is irresistibly compelling. But how can this idea—in which competition prevails—be consistent with all that we know about the thoroughly cooperative nature of life at the genetic and cellular level? This book reconciles these discrepancies.

Assembling a set of general principles, authors Kenneth Weiss and Anne Buchanan build a comprehensive, unified theory that applies on the evolutionary time scale but also on the developmental and ecological scales where daily life is lived, and cells, organisms, and species interact. They present this story through a diversity of examples spanning the fundamental challenges that organisms have faced throughout the history of life. This shows that even very complex traits can be constructed simply, based on these principles. Although relentless competitive natural selection is widely assumed to be the primary mover of evolutionary change, The Mermaid’s Tale shows how life more generally works on the basis of cooperation. The book reveals that the focus on competition and cooperation is largely an artifact of the compression of time—a distortion that dissolves when the nature and origins of adapted life are viewed primarily from developmental and evolutionary time scales.

It wouldn't be Christmas without the "things." How they came to mean so much, and to play such a prominent role in America's central holiday, is the tale told in this delightful and edifying book. In a style characteristically engaging and erudite, Karal Ann Marling, one of our most trenchant observers of American culture, describes the outsize spectacle that Christmas has become, showing us the provenance and significance of each of its essential parts: the decorated trees and holiday lights, the cards and gifts and wrapping papers, the toy villages and store displays and Macy's holiday parade, Bing Crosby and Santa Claus.

Viewing Christmas through the media of mass culture--engravings and lithographs, magazine fiction, pictorial ads, news photos, cards, and movies--Marling tells us how the beloved Christmas tree grew out of a much-reprinted image of Queen Victoria and her family gathered around a decorated fir; how Santa Claus lost his provincial Dutch character and turned into the jolly old soul we know; how Charles Dickens's A Christmas Carol borrowed from Washington Irving's imaginings of what Christmas must have been like in Merrie Olde England; and how the holiday, balancing between the private and public realms, conferred a central and defining role on women.

A celebration of the visual culture of the season, Merry Christmas! offers captivating evidence that Christmas in America is primarily a secular celebration of abundance, goodwill, and familial identity, expressed in a multitude of material ways.