How did the telegraph, a new and revolutionary form of communication, affect diplomats, who tended to resist change? In a study based on impressive multinational research, David Paull Nickles examines the critical impact of the telegraph on the diplomacy of the nineteenth and early twentieth centuries.

Case studies in crisis diplomacy--the War of 1812, the Trent affair during the U.S. Civil War, and the famous 1917 Zimmermann telegram--introduce wide-ranging thematic discussions on the autonomy of diplomats; the effects of increased speed on decision making and public opinion; the neglected role of clerks in diplomacy; and the issues of expense, garbled text, espionage, and technophobia that initially made foreign ministries wary of telegraphy. Ultimately, the introduction of the telegraph contributed to the centralization of foreign ministries and the rising importance of signals intelligence. The faster pace of diplomatic disputes invited more emotional decisions by statesmen, while public opinion often exercised a belligerent influence on crises developing over a shorter time period.

Under the Wire offers a fascinating new perspective on the culture of diplomacy and the social history of technology.

It all started in 1965 with a guy riding a whale. The guy was Flip Nicklin’s father, Chuck, and the whale was an unlucky Bryde’s Whale that had gotten caught up in some anchor line. Hoping to free the whale, Chuck and some friends took their boat as near as they could, and, just before they cut it loose, Chuck posed astride it for a photo.

That image, carried on wire services nationwide, became a sensation and ultimately changed the life of Chuck’s young son, Flip. In the decades since that day, Flip Nicklin has made himself into the world’s premier cetacean photographer. It’s no exaggeration to say that his photos, published in such venues as National Geographic and distributed worldwide, have virtually defined these graceful, powerful creatures in the mind of the general public—even as they helped open new ground in the field of marine mammalogy.

Among Giants tells the story of Nicklin’s life and career on the high seas, from his first ill-equipped shoots in the mid-1970s through his long association with the National Geographic Society to the present, when he is one of the founders of Whale Trust, a nonprofit conservation and research group. Nicklin is equal parts photographer, adventurer, self-trained scientist, and raconteur, and Among Giants reflects all those sides, matching breathtaking images to firsthand accounts of their making, and highlighting throughout the importance of conservation and new advances in our understanding of whale behavior. With Nicklin as our guide, we see not just whales but also our slowly growing understanding of their hidden lives, as well as the evolution of underwater photography—and the stunning clarity and drama that can be captured when a determined, daring diver is behind the lens.

Humpbacks, narwhals, sperm whales, orcas—these and countless other giants of the ocean parade through these pages, spouting, breaching, singing, and raising their young. Nicklin’s photographs bring us so completely into the underwater world of whales that we can’t help but feel awe, while winning, personal accounts of his adventures remind us of what it’s like to be a lone diver sharing their sea.

For anyone who has marveled at the majesty of whales in the wild, Among Giants is guaranteed to be inspiring, even moving—its unmatched images of these glorious beings an inescapable reminder of our responsibility as stewards of the ocean.

Analyzes the reasons why biologists have referred to and continue to refer to plasticity.
 
Since the early twentieth century, plasticity has become an important topic in biology. Some even wondered whether plasticity has acquired in biology the theoretical importance that the concept of the gene enjoyed at the beginning of the last century. In this historical and epistemological analysis, Antonine Nicoglou shows how the recurrence of the general idea of plasticity throughout the history of the life sciences indicates its essential role in the way we think about life processes. She also argues that although plasticity has become a key element in new evolutionary thinking, its role in contemporary biology is not so limited. Rather, as mobilized in contemporary biology, plasticity most often seeks to account for the specific nature of living systems.
 
The book is divided into two parts, with the first taking up the history of plasticity from Aristotle to contemporary biology. Then, the second part of the book offers an original way of distinguishing between different phenomena described by “plasticity.” In the process, the author explores what has led some biologists to speak of plasticity as a way of overcoming genetic determinism.

Every discipline, including theology, requires a synthetic overview of its acquisitions and open questions, a kind of “topography” to guide the new student and refresh the gaze of specialists. In his Synthèse dogmatique, Fr. Jean-Hervé Nicolas, OP (1910-2001) presents just such a map of Thomistic theology, focusing on the central topics of Dogmatic Theology: The One and Triune God, Christology, Mariology, Ecclesiology, the Sacraments, and the Last Things. Drawing on decades of research and teaching, Fr. Nicolas synthetically presents these topics from a faithfully Thomistic perspective. While broadly and genially engaging the theological literature of the 20th century, he nonetheless remains deeply indebted to the Thomistic school that would have formed him in his youth as a theologian. This provides the reader with an unparalleled theological vision, masterfully bringing forth, at once, what is new and what is classical. Catholic Theology: A Dogmatic Synthesis will be published in English as a multi-volume work. In this volume, Fr. Nicolas discusses the nature of theological science and the mystery of the Triune God. At once historically-informed and speculatively-detailed, this volume carefully introduces the reader to classical Thomistic positions concerning the theological articulation of the Trinitarian mystery, including the topic of the divine missions, that is, the sending of the Son and the Spirit in the economy of salvation, thereby providing an important connection between the dogmatic portion of theology and its spiritual / moral concerns. Given the central luminosity of the Trinitarian mystery in the life of faith and in theology, this volume is a pivotal chapter in theological reflection. Indeed, objectively speaking, it is the most important discussion in all of theology. Serving as a professor for decades, including at the University of Fribourg, Fr. Nicolas was at once a profound scholar and a masterful pedagogue. Gathering the work of a lifetime into a single pedagogical narrative, Fr. Nicolas’s Catholic Theology: A Dogmatic Synthesis provides a resource for students and scholars alike. In view of the hyper-specialization of theology today, this series of volumes provides readers with a synthetic and sapiential overview of the fundamentals of dogmatic theology from a robust and profound Thomistic perspective.

Every discipline, including theology, requires a synthetic overview of its acquisitions and open questions, a kind of "topography" to guide the new student and refresh the gaze of specialists. In his Synthèse dogmatique, Fr. Jean-Hervé Nicolas, OP (1910-2001) presents just such a map of Thomistic theology, focusing on the central topics of Dogmatic Theology: The One and Triune God, Christology, Mariology, Ecclesiology, the Sacraments, and the Last Things. Drawing on decades of research and teaching, Fr. Nicolas synthetically presents these topics from a faithfully Thomistic perspective. While broadly and genially engaging the theological literature of the 20th century, he nonetheless remains deeply indebted to the Thomistic school that would have formed him in his youth as a theologian. This provides the reader with an unparalleled theological vision, masterfully bringing forth, at once, what is new and what is classical. Catholic Theology: A Dogmatic Synthesis will be published in English as a multi-volume work. In this volume, Fr. Nicolas discusses the mysteries of faith directly connected with the Redemptive Incarnation: the formation of orthodox Christological dogma in the course of the first centuries of the Church; the nature of the Hypostatic Union; the latter's effects in Christ's holiness, knowledge, and incarnate activity; the mariological mysteries connected to the divine maternity; the soteriological meaning of Christ's vicarious satisfaction; and the eschatological return of Christ in Glory. Serving as a professor for decades, including at the University of Fribourg, Fr. Nicolas was at once a profound scholar and a masterful pedagogue. Gathering the work of a lifetime into a single pedagogical narrative, Fr. Nicolas's Catholic Theology: A Dogmatic Synthesis provides a resource for students and scholars alike. In view of the hyper-specialization of theology today, this series of volumes provides readers with a synthetic and sapiential overview of the fundamentals of dogmatic theology from a robust and profound Thomistic perspective.

Every discipline, including theology, requires a synthetic overview of its acquisitions and open questions, a kind of "topography" to guide the new student and refresh the gaze of specialists. In his Synthèse dogmatique, Fr. Jean-Hervé Nicolas, OP (1910-2001) presents just such a map of Thomistic theology, focusing on the central topics of Dogmatic Theology: The One and Triune God, Christology, Mariology, Ecclesiology, the Sacraments, and the Last Things. Drawing on decades of research and teaching, Fr. Nicolas synthetically presents these topics from a faithfully Thomistic perspective. While broadly and genially engaging the theological literature of the 20th century, he nonetheless remains deeply indebted to the Thomistic school that would have formed him in his youth as a theologian. This provides the reader with an unparalleled theological vision, masterfully bringing forth, at once, what is new and what is classical. Catholic Theology: A Dogmatic Synthesis is being published in English as a multi-volume work. In this volume, Fr. Nicolas takes up the raison d’être for the mission of the Holy Spirit: the work of sanctification in and through the Church, the mystical body of Christ and sacrament of salvation. In the ecclesiology articulated in this volume, he presents a theology of the Church that is at once wholly Thomistic and also faithful to the great themes of the Second Vatican Council, drawing especially from the works of Journet, Congar, and Bouyer, in critical dialogue with other theologians of his day. He then presents a complete and detailed sacramental theology, both concerning the nature of the sacraments in general, as well as concerning each sacrament in particular, carefully striving to balance positive and scholastic theology. Serving as a professor for decades, including at the University of Fribourg, Fr. Nicolas was at once a profound scholar and a masterful pedagogue. Gathering the work of a lifetime into a single pedagogical narrative, Fr. Nicolas's Catholic Theology: A Dogmatic Synthesis provides a resource for students and scholars alike. In view of the hyper-specialization of theology today, this series of volumes provides readers with a synthetic and sapiential overview of the fundamentals of dogmatic theology from a robust and profound Thomistic perspective.

Our Body of Work invites administrators and teachers to consider how physical bodies inform everyday work and labor as well as research and administrative practices in writing programs. Combining academic and personal essays from a wide array of voices, it opens a meaningful discussion about the physicality of bodily experiences in the academy.
 
Open exchanges enable complex and nuanced conversations about intersectionality and how racism, sexism, classism, and ableism (among other “isms”) create systems of power. Contributors examine how these conversations are framed around work, practices, policies, and research and identify ways to create inclusive, embodied practices in writing programs and classrooms. The collection is organized to maximize representation in the areas of race, gender, identity, ability, and class by featuring scholarly chapters followed by narratively focused interchapters that respond to and engage with the scholarly work.
 
The honest and emotionally powerful stories in Our Body of Work expose problematic and normalizing policies, practices, and procedures and offer diverse theories and methodologies that provide multiple paths for individuals to follow to make the academy more inclusive and welcoming for all bodies. It will be an important resource for researchers, as well a valuable addition to graduate and undergraduate syllabi on embodiment, writing instruction/pedagogy, and WPA work.
 
Contributors: Dena Arendall, Janel Atlas, Hayat Bedaiwi, Elizabeth Boquet, Lauren Brentnell, Triauna Carey, Denise Comer, Joshua Daniel, Michael Faris, Rebecca Gerdes-McClain, Morgan Gross, Nabila Hijazi, Jacquelyn Hoermann-Elliott, Maureen Johnson, Jasmine Kar Tang, Elitza Kotzeva, Michelle LaFrance, Jasmine Lee, Lynn C. Lewis, Mary Lourdes Silva, Rita Malenczyk, Anna Rita Napoleone, Julie Prebel, Rebecca Rodriguez Carey, Ryan Skinnell, Trixie Smith, Stacey Waite, Kelsey Walker, Shannon Walters, Isaac Wang, Jennie Young
 

A close look at the lives of working musicians who aren’t the center of their stage.

Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other “band people” are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class. Artists talk frankly about their careers and attitudes toward their craft, work environment, and group dynamics, and shed light on how support musicians make sense of the weird combination of friend group, gang, small business consortium, long-term creative collaboration, and chosen family that constitutes a band. Is it more important to be a good hang or a virtuoso player? Do bands work best as democracies or autocracies? How do musicians with children balance their personal and professional lives? How much money is too little? And how does it feel to play on hundreds of records, with none released under your name? In exploring these and other questions, Band People gives voice to those who collaborate to create and dissects what it means to be a laborer in the culture industry.

With this special issue on “Trans*formational Pedagogies,” guest editors Z Nicolazzo, Susan B. Marine, and Francisco J. Galarte redress such absences and argue that explicit attention to the institutional contexts of formal educational activities should be central to trans studies in the moment of its increasingly rapid institutionalization. The collection of essays they offer here range from an examination of how teachers renaturalize the gender binary in classroom practices, to a study documenting the privileging of masculine norms of embodiment among trans men in college, to a dialogue between two trans teachers in Spain about their approaches to trans* pedagogy in public school classrooms. The articles make visible the reproduction of gender normativity in most educational settings and point to the transformative potential of education for dismantling such unthinking “genderism.”

Why is social media in southeast Italy so predictable when it is used by such a range of different people?

This book describes the impact of social media on the population of a town in the southern region of Puglia, Italy. Razvan Nicolescu spent 15 months living among the town’s residents, exploring what it means to be an individual on social media. Why do people from this region conform on platforms that are designed for personal expression?

Nicolescu argues that social media use in this region of the world is related to how people want to portray themselves. He pays special attention to the ability of users to craft their appearance in relation to collective ideals, values, and social positions, and how this feature of social media has, for the residents of the town, become a moral obligation: they are expected to be willing to adapt their appearance to suit their different audiences at the same time, which is crucial in a town where religion and family are at the heart of daily life.  

Videogame history is not just a history of one successful technology replacing the next. It is also a history of platforms and communities that never quite made it; that struggled to make their voices heard; that aggravated against the conventions of the day; and that never enjoyed the commercial success or recognition of their major counterparts. In *Minor Platforms in Videogame History*, Benjamin Nicoll argues that 'minor' videogame histories are anything but insignificant. Through an analysis of transitional, decolonial, imaginary, residual, and minor videogame platforms, Nicoll highlights moments of difference and discontinuity in videogame history. From the domestication of vector graphics in the early years of videogame consoles to the 'cloning' of Japanese computer games in South Korea in the 1980s, this book explores case studies that challenge taken-for-granted approaches to videogames, platforms, and their histories.

Photographer and filmmaker Nic Nicosia makes pictures. Since the late 1970s, Nicosia has staged and constructed sets, objects, and situations to be photographed rather than to reproduce something that already exists. These conceptual fabrications have ranged from elaborate sets with live actors to dioramas and abstract constructions. Whether his pictures contain a disturbing suburban narrative, or are fabricated by the act of drawing, or are simply created by the use of common objects with dramatic lighting, the familiar thread of Nicosia’s unique vision and sensibility is always present.

Nic Nicosia is the first major publication of the artist’s work and covers his entire oeuvre through 2011. The catalog presents images from all of Nicosia’s major photographic series, including Domestic Dramas, Near (modern) Disasters, The Cast, Life as We Know It, Real Pictures, Love + Lust, Acts, Sex Acts, Untitled Landscapes, 365 SaFe Days, Untitled (drawing), Space Time Light, I See Light, and in the absence of others, as well as stills from the videos Middletown, Moving Picture, Middletown Morning, Cerchi E Quadratti, On Acting America, and 9 1/2 Hours to SaFe. Accompanying the catalog is an overview of Nicosia’s career by Michelle White, an interview with the artist by Sue Graze, and an original short story by Philipp Meyer that powerfully resonates with the sense of wonder and menace in Nicosia’s art.

The Children of Light and the Children of Darkness, first published in 1944, is considered one of the most profound and relevant works by the influential theologian Reinhold Niebuhr, and certainly the fullest statement of his political philosophy. Written and first read during the prolonged, tragic world war between totalitarian and democratic forces, Niebuhr’s book took up the timely question of how democracy as a political system could best be defended.

Most proponents of democracy, Niebuhr claimed, were “children of light,” who had optimistic but naïve ideas about how society could be rid of evil and governed by enlightened reason. They needed, he believed, to absorb some of the wisdom and strength of the “children of darkness,” whose ruthless cynicism and corrupt, anti-democratic politics should otherwise be repudiated. He argued for a prudent, liberal understanding of human society that took the measure of every group’s self-interest and was chastened by a realistic understanding of the limits of power. It is in the foreword to this book that he wrote, “Man’s capacity for justice makes democracy possible; but man’s inclination to injustice makes democracy necessary.”

“Nieftagodien argues that the Soweto uprising served as both an inspiration and a template for a second wave of unrest in the 1980s, which eventually led to apartheid’s demise. His assessment is both lucid and compelling. It reminds us the that the struggle against apartheid did not just revolve around the ANC or famous leaders, but gained strength from young people who worked for change at the grassroots and who fought against great odds.” — African Studies Quarterly

In An Archive of Possibilities, anthropologist and surgeon Rachel Marie Niehuus explores possibilities of healing and repair in the eastern Democratic Republic of Congo against a backdrop of 250 years of Black displacement, enslavement, death, and chronic war. Niehuus argues that in a context in which violence characterizes everyday life, Congolese have developed innovative and imaginative ways to live amid and mend from repetitive harm. Drawing on ethnographic fieldwork and the Black critical theory of Achille Mbembe, Christina Sharpe, Alexis Pauline Gumbs and others, Niehuus explores the renegotiation of relationships with land as a form of public healing, the affective experience of living in insecurity, the hospital as a site for the socialization of pain, the possibility of necropolitical healing, and the uses of prophesy to create collective futures. By considering the radical nature of cohabitating with violence, Niehuus demonstrates that Congolese practices of healing imagine and articulate alternative ways of living in a global regime of antiblackness.

To understand continental drift and plate tectonics, the shifting and collisions that make and unmake continents, requires a long view. The Earth, after all, is 4.6 billion years old. This book extends our vision to take in the greatest geological cycle of all—one so vast that our species will probably be extinct long before the current one ends in about 250 million years. And yet this cycle, the grandest pattern in Nature, may well be the fundamental reason our species—or any complex life at all—exists.

This book explores the Supercontinent Cycle from scientists' earliest inkling of the phenomenon to the geological discoveries of today—and from the most recent fusing of all of Earth's landmasses, Pangaea, on which dinosaurs evolved, to the next. Chronicling a 500-million-year cycle, Ted Nield introduces readers to some of the most exciting science of our time. He describes how, long before plate tectonics were understood, geologists first guessed at these vanishing landmasses and came to appreciate the significance of the fusing and fragmenting of supercontinents.

He also uses the story of the supercontinents to consider how scientific ideas develop, and how they sometimes escape the confines of science. Nield takes the example of the recent Indian Ocean tsunami to explain how the whole endeavor of science is itself a supercontinent, whose usefulness in saving human lives, and life on Earth, depends crucially on a freedom to explore the unknown.

According to national legend, Havana, Cuba, was founded under the shade of a ceiba tree whose branches sheltered the island’s first Catholic mass and meeting of the town council (cabildo) in 1519. The founding site was first memorialized in 1754 by the erection of a baroque monument in Havana’s central Plaza de Armas, which was reconfigured in 1828 by the addition of a neoclassical work, El Templete. Viewing the transformation of the Plaza de Armas from the new perspective of heritage studies, this book investigates how late colonial Cuban society narrated Havana’s founding to valorize Spanish imperial power and used the monuments to underpin a local sense of place and cultural authenticity, civic achievement, and social order.

Paul Niell analyzes how Cubans produced heritage at the site of the symbolic ceiba tree by endowing the collective urban space of the plaza with a cultural authority that used the past to validate various place identities in the present. Niell’s close examination of the extant forms of the 1754 and 1828 civic monuments, which include academic history paintings, neoclassical architecture, and idealized sculpture in tandem with period documents and printed texts, reveals a “dissonance of heritage”—in other words, a lack of agreement as to the works’ significance and use. He considers the implications of this dissonance with respect to a wide array of interests in late colonial Havana, showing how heritage as a dominant cultural discourse was used to manage and even disinherit certain sectors of the colonial population.

Un-American Womanhood studies the Red Scare of the 1920s through the lens of gender. Kim Nielsen describes the methods antifeminists used to subdue feminism and other movements they viewed as radical. By tapping into widespread anxieties about Bolshevism and the expansion of the state, antifeminist women fought against certain social welfare programs such as the Sheppard-Towner Act and the Children’s Bureau and resisted efforts to legitimize the female citizen as an autonomous political figure. The book also considers the seeming contradictions of outspoken antifeminists who broke with traditional gender norms to assume forceful and public roles in their efforts to denounce feminism.

The courageous and inspiring personal narratives and empirical studies in Presumed Incompetent II: Race, Class, Power, and Resistance of Women in Academia name formidable obstacles and systemic biases that all women faculty—from diverse intersectional and transnational identities and from tenure track, terminal contract, and administrative positions—encounter in their higher education careers. They provide practical, specific, and insightful guidance to fight back, prevail, and thrive in challenging work environments. This new volume comes at a crucial historical moment as the United States grapples with a resurgence of white supremacy and misogyny at the forefront of our social and political dialogues that continue to permeate the academic world.

Contributors: Marcia Allen Owens, Sarah Amira de la Garza, Sahar Aziz, Jacquelyn Bridgeman, Jamiella Brooks, Lolita Buckner Inniss, Kim Case, Donna Castaneda, Julia Chang, Meredith Clark, Meera Deo, Penelope Espinoza, Yvette Flores, Lynn Fujiwara, Jennifer Gomez, Angela Harris, Dorothy Hines, Rachelle Joplin, Jessica Lavariega Monforti, Cynthia Lee, Yessenia Manzo, Melissa Michelson, Susie E. Nam, Yolanda Flores Niemann, Jodi O’Brien, Amelia Ortega, Laura Padilla, Grace Park, Stacey Patton, Desdamona Rios, Melissa Michal Slocum, Nellie Tran, Rachel Tudor, Pamela Tywman Hoff, Adrien Wing, Jemimah Li Young

In two of the most fateful months of Mexican history, the delegates to the Constitutional Convention of 1916–1917 came to grips with the basic problem of twentieth-century Mexico. They hammered out pragmatic solutions to establish the legal foundations of the Mexican Revolution, the definitive break between the old Mexico and the new, the constitutional bases for the socioeconomic changes from 1917 onward. Honored and obeyed, dishonored and disobeyed, many times amended, the constitution they wrote still serves as the instrument for achieving the national purpose.

Revolution at Querétaro is the first book in English to study in depth the remarkable convention that produced the Constitution of 1917. It chronicles the unfolding of ideas expressed in the debates on the most significant articles of the constitution, those that have given it a revolutionary flavor and have served the groundwork for the emergence of Mexico as a modern nation. These articles concern the Catholic church and its role in the sphere of education (Article 3); the relationship of the church to the state (Articles 24 and 130); the attack on vested interest and the establishment of guidelines for agrarian reform (Article 27); the drafting of a detailed labor code (Article 123); and attempts to implement municipal reform (Article 114). Other debates described in the book concern unsuccessful attempts to institute prohibition, outlaw bullfights, abolish capital punishment, and grant suffrage to women.

This study also sheds light on the delegates themselves, who they were and where they came from, their idiosyncrasies and attitudes, and their individual contributions to the writing of the constitution. Much material is taken from unpublished albums in which the delegates recorded their sentiments during the convention.

A creative writing manual for high school to adult aged writers and storytellers, this volume includes the authors' philosophy regarding story creation and pointers especially related to the variety of choices regarding point of view available to writers and other story-creators or refiners.

The Iberian conquest of the Atlantic at the beginning of the sixteenth century had a notable impact on the formation of the new world order in which Christian Europe claimed control over most a considerable part of the planet. This was possible thanks to the confluence of different and inseparable factors: the development of new technical capacities and favorable geographical conditions in which to navigate the great oceans; the Christian mandate to extend the faith; the need for new trade routes; and an imperial organization aspiring to global dominance. The author explores new methods for approaching old historiographical problems of the Renaissance — such as the discovery and conquest of America, the birth of modern science, and the problem of Eurocentrism — now in reference to actors and regions scarcely visible in the complex history of modern Europe: the ships, the wind, the navigators, their instruments, their gods, saints, and demons.

Race and Repast: Foodscapes in Twentieth-Century Southern Literature examines the literary foodscapes of the American South—from Jim Crow–era kitchens where White and Black Southerners reacted against racial mores, to the public dining spaces where Southerners probed the limits of racial identity, to the lunch counters that became touchstones of the Black Freedom movement. Mining literary texts by iconic authors like Ernest Gaines and Walker Percy to demonstrate that “food reflects and refracts power,” Urszula Niewiadomska-Flis wields food studies as a revelatory lens through which to view a radically segregated society that was often on the cusp of violence. Niewiadomska-Flis also provides a rich and succinct introduction to scholarship in Southern studies and food studies, making Race and Repast a compelling read that offers countless insights to experts as well as readers exploring these areas of research for the first time.

Information on prenatal testing abounds, but few books are addressed to prospective parents in need of practical guidance. In this comprehensive and sensitive account, Elena Nightingale and Melissa Goodman offer remarkably clear answers to the set of bewildering questions generated by the concerns of parenthood.

Prospective parents are given the guidance needed to make informed choices about whether or not to undergo testing and, if they elect to do so, how best to use the results. As humans, we are recipients of a rich genetic heritage. Each human cell contains 46 chromosomes with a total of 50,000 to 100,000 genes distributed among them. Such richness carries immense possibilities for error when gene replication occurs; it is therefore not surprising that gene disorders such as Down syndrome, Huntington's disease, and neural tube defects pose a major public health problem. Rapid development of sophisticated new techniques has vastly increased our ability to diagnose genetic disorders during the prenatal period. For example, the amniotic fluid sampled in the middle trimester can be tested for such biochemical abnormalities as Tay-Sachs disease. The advent of more recent techniques, such as sampling the cells of the villi of the chorion (a procedure that can be carried out in the first trimester), employing gene probes, and using ultrasonographic detection, has advanced the diagnosis of genetic disorders faster than most researchers would have thought possible.

Nightingale and Goodman carefully explain the practicalities of this potentially confusing array of prenatal tests: how they are performed, what they reveal, and what their limitations are. The book concludes with a thoughtful consideration of the economic, ethical, and legal issues related to prenatal screening. Although primarily intended to assist prospective parents, this volume is also of interest to health care providers, public health officials, and policymakers who struggle with these difficult decisions.

Rapid development of sophisticated new techniques has vastly increased physicians' ability to detect congenital disorders before birth. Yet advances in treatment, before or after birth, have been very modest. This discrepancy leads to ethical and social problems that require serious attention by professionals and patients alike. This innovative book tackles such problems in the case of prenatal screening for neural tube defects. Afflicting about 7,000 newborn babies each year in the United States, neural tube defects are serious abnormalities in the development of the brain and spinal cord that have grave consequences for the child and family.

The editors, Elena O. Nightingale, a geneticist, physician, and expert in health policy, and Susan B. Meister, a specialist in parent-child nursing, social and developmental psychology, and quantitative methods, led a multidisciplinary effort by distinguished Harvard faculty, including economist Richard Zeckhauser and clinical decision analyst Barbara J. McNeil. Other contributors include Donald S. Shepard, Mary L. Kiely, and Stephen G. Pauker. The book examines the impact of technology assessment, cost effectiveness analysis, and decision analysis on reaching decisions about prenatal screening. The book includes a discussion of the results of formal analyses against a backdrop of our basic ethical and societal values, as well as the analyses themselves. Health care workers, policymakers, and concerned individuals will find this volume informative and thought provoking.

For many, Florence Nightingale is the most famous woman of her day, second only perhaps to Queen Victoria. Celebrated and beloved by the public and her friends, considered an irritant by politicians and bureaucrats, the great reformer remains a figure of considerable controversy. In this full 'life in letters' we see her at first hand. Martha Vicinus and Bea Nergaard weave together a narrative account and a selection of her letters in such a way as to create--in Nightingale's own words--a fascinating portrayal of the woman, her career, and her concerns.

A uniquely personal record of a great artist’s experience of mental illness

In his prime, Vaslav Nijinsky (1889-1950) was the most celebrated man in Western ballet--a virtuoso and a dramatic dancer such as European and American audiences had never seen before. After his triumphs in such works as The Specter of the Rose and Petrouchka, he set out to make ballets of his own, and with his Afternoon of a Faun and The Rite of Spring, created within a year of each other, he became ballet’s first modernist choreographer. 

For six weeks in early 1919, as his tie to reality was giving way, Nijinsky kept a diary--the only sustained daily record we have, by a major artist, of the experience of entering psychosis. In some entries he is filled with hope. He is God; he will save the world. In other entries, he falls into a black despair. He is dogged by sexual obsessions and grief over World War I. Furthermore, he is afraid that he is going insane.

The diary was first published in 1936, in a version heavily bowdlerized by Nijinsky’s wife. The new edition, translated by Kyril FitzLyon, is the first complete and accurate English rendering of this searing document. In her introduction, noted dance critic Joan Acocella tells Nijinsky’s story and places it in the context of early European modernism.

From Galileo, who used the hollow stalks of grass to demonstrate the idea that peripherally located construction materials provide most of the resistance to bending forces, to Leonardo da Vinci, whose illustrations of the parachute are alleged to be based on his study of the dandelion’s pappus and the maple tree’s samara, many of our greatest physicists, mathematicians, and engineers have learned much from studying plants.

 

In this groundbreaking study, Smaro Nikolaidou-Arampatzi analyzes the direct and indirect evidence of Euripides’ fragmentary play, the Ino, and reexamines matters of reconstruction and interpretation. This work is a full-scale commentary on Euripides’ Ino, with a new arrangement of the fragments, an English translation in prose, and an extensive bibliography. Nikolaidou-Arampatzi argues that the axial point in the play is Ino’s filicide. Hyginus’ Fabula 4, entitled Ino Euripidis, recounts how, after her forced return from Cithaeron, Euripides’ Ino—in a state of Dionysiac madness—participates in the plotting of the jealous Themisto against her own children without being able to recognize them. Ino was the sister of Dionysus’ mother Semele, and she was also the primordial nurse of the god, a role that infuriated Hera. In his Medea, Euripides refers to Ino as a filicidal woman who, driven mad by Hera, murdered her own children. Nikolaidou-Arampatzi contends, then, that the filicide of Euripides’ Ino in a state of mania can be considered as a dramatic prototype by which his filicide Medea would be judged.

PLEASURE is a book-length poem which muses on the phenomenology of solitude in a pastoral landscape, written in a diaristic, lyric mode, where the queer “I” alternately savors the decadence of isolation and stands at the precipice of despair. A travelogue in verse, PLEASURE takes place in Syros, the Greek island to which author Angelo Nikolopolous travels a few weeks after the discovery of his mother’s brain tumor. These intertextual, elliptical explorations of solitude and sensuality interweave images of seaside roaming, secluded town life, and ephemeral sexual encounters with the ubiquitous implication of death—the waning summer, the ill, perhaps dying, mother. Staring down true disconnection—both physical and psychic orphanhood —Nikolopoulos writes about the thrill and sadness of turning your back against the world and those in it only to rediscover that which tethers all to human experience: the quotidian, singular pleasures of having a body.